{"id":4870,"date":"2017-02-15T20:08:13","date_gmt":"2017-02-15T17:08:13","guid":{"rendered":"http:\/\/ziarulderimnic.ro\/?p=4870"},"modified":"2017-02-16T01:09:36","modified_gmt":"2017-02-15T22:09:36","slug":"spatii-cultural-21-mahalaua-cultura","status":"publish","type":"post","link":"https:\/\/ziarulderimnic.ro\/?p=4870","title":{"rendered":"Spa\u021bii cultural nr. 21 &#8211; Mahalaua din cultur\u0103"},"content":{"rendered":"<p><a href=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2017\/01\/image-12-e1485538078727.jpeg\" data-rel=\"lightbox-image-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" data-src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2017\/01\/image-12-300x300.jpeg\" alt=\"\" width=\"300\" height=\"300\" class=\"alignnone size-medium wp-image-4796 lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 300px; --smush-placeholder-aspect-ratio: 300\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2017\/01\/image-12-300x300.jpeg\" alt=\"\" width=\"300\" height=\"300\" class=\"alignnone size-medium wp-image-4796\" \/><\/noscript><\/a><br \/>\n     Poate c\u0103 ceea ce s-a petrecut, dup\u0103 1989, cu literatura rom\u00e2n\u0103, intr\u0103 \u00eentr-o normalitate pe care noi nu ostenim s-o critic\u0103m, v\u0103it\u00e2ndu-ne \u00een toate cele patru z\u0103ri de soarta nedreapt\u0103, care \u00eel \u00eempiedic\u0103 pe scriitor s\u0103 fie \u015fi s\u0103 r\u0103m\u00e2n\u0103 \u00een centrul aten\u0163iei publice, recunoscut, adulat, remunerat \u015f.a.m.d. Poate st\u0103 \u00een firescul lucrurilor ca literatura, odat\u0103 sc\u0103pat\u0103 de aservire, s\u0103 \u00eensemne nu numai talent, ci \u015fi competi\u0163ie, pretinz\u00e2nd, ca orice domeniu lucrativ, capacitate de adaptare la cerin\u0163ele pie\u0163ei, abilit\u0103\u0163i de promovare, tehnici de intimidare\/anihilare a concuren\u0163ei \u015fi, probabil, multe alte aspecte care \u0163in mai cur\u00e2nd de economia de pia\u0163\u0103 dec\u00e2t de crea\u0163ia propriu-zis\u0103. Fiindc\u0103 nu mai este suficient s\u0103 scrii \u2013 mai bine sau mai r\u0103u, cui \u00eei pas\u0103? \u2013 ci s\u0103 \u015ftii s\u0103-\u0163i faci lobby (ori s\u0103 \u015ftii pe cine angajezi s\u0103 \u0163i-l fac\u0103), s\u0103 fii agresiv p\u00e2n\u0103 la nesim\u0163ire \u015fi, iubindu-te f\u0103r\u0103 m\u0103sur\u0103, s\u0103 te consideri cel mai bun, cel mai talentat, cel mai important creator de la Dumnezeu \u00eencoace.<br \/>\n     S-a spus adesea c\u0103 revolu\u0163ia a permis mahalalei s\u0103 ias\u0103 \u00een fa\u0163\u0103, s\u0103 ocupe toate func\u0163iile-cheie \u00een stat \u015fi s\u0103-\u015fi bat\u0103 joc, cu senin\u0103tatea analfabetului, de toate valorile na\u0163ionale. \u00cenclin s\u0103 cred c\u0103 \u015fi \u00een literatur\u0103 s-a \u00eent\u00e2mplat la fel. Avalan\u015fa de c\u0103r\u0163i proaste, publicate \u00een tiraje confiden\u0163iale \u015fi, de obicei, din bani publici, o demonstreaz\u0103. Orice consilier municipal, orice primar de comun\u0103\/t\u00e2rg\/sector poate s\u0103-\u015fi publice abera\u0163iile, orice parlamentar trebuie neap\u0103rat s\u0103 demonstreze c\u0103 are talent (chit c\u0103 acesta fuge de el ca dracul de t\u0103m\u00e2ie), m\u0103 rog, orice persoan\u0103 aflat\u0103 \u00eentr-o pasager\u0103 func\u0163ie public\u0103 simte nevoia s\u0103 demonstreze c\u0103 \u201erom\u00e2nul s-a n\u0103scut poet\u201d. To\u0163i par dornici s\u0103 intre \u00een nemurire, adeverind zicala conform c\u0103reia ce-i lipse\u015fte chelului este tichia de m\u0103rg\u0103ritar.<br \/>\n     \u015ei-au ap\u0103rut poe\u0163i c\u00e2t\u0103 frunz\u0103 \u015fi iarb\u0103, stivuitori de cuvinte ce nu spun mare lucru, care mai de care silindu-se, cvasi-narativ, \u00een texte din care n-ai ce \u00een\u0163elege, s\u0103-\u015fi demonstreze \u201epostmodernismul\u201d, \u201etransmodernismul\u201d ori m\u0103car \u201esincronismul\u201d, cu alte cuvinte, alinierea, \u015fi \u00een domeniul poetic, la politicile UE. Porni\u0163i din fundul mahalalelor, cu un bagaj redus de cuno\u015ftin\u0163e \u015fi cu un vocabular de circa 100 de cuvinte, \u201epoe\u0163ii\u201d de care geme \u0163ara se sclifosesc scriind despre nimic, \u00een ciuda preten\u0163iilor afi\u015fate, c\u0103 revolu\u0163ioneaz\u0103 scrisul, adun\u00e2nd \u00een text \u00eenjur\u0103turi, sex dezm\u0103\u0163at, \u00eent\u00e2mpl\u0103ri stupide, sordide, trimiteri jalnice la ceea ce au scris al\u0163ii de mii de ori mai bine, precum \u015fi multe alte prostii. Dac\u0103 ar exista un decantor, dac\u0103 am putea vorbi, \u00een cazul acestor poe\u0163i fabrica\u0163i \u00een barurile de cartier, despre imagina\u0163ie\/for\u0163\u0103 transfiguratoare\/capacitate de z\u0103mislire a unui univers poetic etc., ar conta prea pu\u0163in dac\u0103 sursa lor de inspira\u0163ie ar fi Dumnezeu, natura, textul care se scrie pe sine ori papucii de cas\u0103 \u00een care pisica a l\u0103sat amintiri de ne\u015fters.<br \/>\n     Poetul pornit din mahala e m\u00e2ndru c\u0103 n-are pic de cultur\u0103, c\u0103, lipsit de instruc\u0163ie, poate dispre\u0163ui tot ceea ce nu \u00een\u0163elege, \u00eencep\u00e2nd cu no\u0163iunile elementare de poetic\u0103 \u015fi termin\u00e2nd cu \u00eenainta\u015fii. Cel ce n-a avut bunul sim\u0163 de a parcurge lecturile obligatorii \u00een \u015fcoal\u0103, fiind mult prea ocupat cu haimanal\u00e2cul prin suburbii ori cu mersul \u00een ga\u015fc\u0103 la internet-cafe, are tot dreptul s\u0103 se considere genera\u0163ie spontanee. Literatura \u00eencepe cu el, tot ce scrie el este \u201enou \u015fi original\u201d, fiindc\u0103 a\u015fa se \u00eent\u00e2mpl\u0103 c\u00e2nd nu cite\u015fti nimic: nu \u015ftii c\u0103 exist\u0103 milioane \u015fi milioane de c\u0103r\u0163i \u00een care temele tale poetice au fost ilustrate cu incomparabil\u0103 for\u0163\u0103 de expresie \u015fi imaginativ\u0103.<br \/>\nMi s-a \u00eent\u00e2mplat s\u0103 cunosc astfel de \u201epoe\u0163i\u201d \u015fi, uit\u00e2nd de vorba aceea, c\u0103 nu-i bine s\u0103 te pui cu prostul, fiindc\u0103 are creierul odihnit, am intrat, nu o dat\u0103, \u00een belea. Unul, de exemplu, scria sonete \u00een vers alb. C\u00e2nd i-am atras aten\u0163ia c\u0103 sonetul este o poezie cu form\u0103 fix\u0103, mi-a r\u00e2s \u00een nas, anihil\u00e2ndu-m\u0103 cu afirma\u0163ia c\u0103 el \u201erevolu\u0163ioneaz\u0103\u201d sonetul, c\u0103-l scrie cum \u00eei dicteaz\u0103 inspira\u0163ia de moment \u015fi starea natural\u0103. L-am l\u0103sat \u00een pace pe sonetistul cu naturelul sim\u0163itor \u2013 \u00een fond ce altceva puteam face eu, o profesoar\u0103 de limba \u015fi literatura rom\u00e2n\u0103? \u2013 \u015fi aud c\u0103 e bine-merci, a ajuns la al nu \u015ftiu c\u00e2telea volum, e premiat, tradus \u00een limbi de circula\u0163ie, plimbat prin str\u0103in\u0103tate \u015fi foarte bine pl\u0103tit pentru ceea ce (nu) face \u00een domeniul culturii. Sigur, tr\u0103im \u00eentr-o lume pe dos, unde valorile sunt marginalizate, iar nonvalorile scoase \u00een frunte, o lume \u00een care, sub stindardul \u201e\u00eennoirii\u201d, se distruge totul \u015fi nu se pune nimic \u00een loc, o lume \u00een care golanii devin pre\u015fedin\u0163i de stat, analfabe\u0163ii \u2013 profesori universitari, orbii \u2013 ghizi turistici, iar pelticii \u2013 oratori ova\u0163iona\u0163i. \u00cen lumea noastr\u0103 pe dos, spiritul critic nu mai func\u0163ioneaz\u0103, ra\u0163iunea doarme, sufletul e marf\u0103 scoas\u0103 la v\u00e2nzare, iar ru\u015finea a disp\u0103rut cu des\u0103v\u00e2r\u015fire. Obrazul gros a dep\u0103\u015fit politicul \u015fi a invadat inclusiv domeniul \u00een care nu avea ce c\u0103uta, respectiv cultura. A devenit&#8230; ceva normal, un r\u0103u acceptat cu resemnatul \u201ea\u015fa-i \u00een Rom\u00e2nia\u201d, de c\u00e2nd sunt \u201eoameni de art\u0103 \u015fi cultur\u0103\u201d versificatorii penibili de teapa celui care \u015fade-n capul statului, de c\u00e2nd finii, cumetrii, acoli\u0163ii, fanii \u015fi al\u0163i ipochimeni din structurile de tip mafiot au statut de consilieri pe probleme de cultur\u0103, de c\u00e2nd tot ce-au emanat mahalalele a devenit autoritate \u201eartistic\u0103\u201d (prin aceasta \u00een\u0163eleg\u00e2nd banii \u015fi puterea de a hot\u0103r\u00ee cine intr\u0103 \u00een manuale, \u00een dic\u0163ionare, \u00een USR \u015fi \u00een Academie, cine prime\u015fte fonduri pentru c\u0103r\u0163i \u015fi reviste, cine e premiat, cine e tradus, cine se plimb\u0103 pe afar\u0103, cine tr\u0103ie\u015fte bine \u015fi cine moare ne\u015ftiut).<br \/>\n     \u015ei, cum nu poate opri planeta, ca s\u0103 coboare, ce face scriitorul autentic \u00een aceste condi\u0163ii? Uneori \u00eennebune\u015fte, alteori se apuc\u0103 de b\u0103ut sau de cultivat porumb \u015fi rapi\u0163\u0103, c\u00e2teodat\u0103 se sinucide dar, cel mai des, ajunge s\u0103 fraternizeze cu mahalagiul lipsit de talent, dar coco\u0163at \u00een structurile puterii; devenit o umbr\u0103 a celui care-a fost, se pup\u0103-n bot cu mitocanul, \u00eei scrie\/rescrie c\u0103r\u0163ile, \u00eei compune cronici de promovare \u015fi-l legitimeaz\u0103 ca scriitor al neamului. Aceasta pentru simplul motiv c\u0103, la noi, cu ru\u015finea mori de foame. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Poate c\u0103 ceea ce s-a petrecut, dup\u0103 1989, cu literatura rom\u00e2n\u0103, intr\u0103 \u00eentr-o normalitate pe care noi nu ostenim s-o<\/p>\n","protected":false},"author":18,"featured_media":4796,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"ngg_post_thumbnail":0,"video_url":"","footnotes":""},"categories":[314,7],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/4870"}],"collection":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4870"}],"version-history":[{"count":1,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/4870\/revisions"}],"predecessor-version":[{"id":4871,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/4870\/revisions\/4871"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/media\/4796"}],"wp:attachment":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4870"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4870"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4870"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}