{"id":4755,"date":"2017-01-15T16:54:47","date_gmt":"2017-01-15T13:54:47","guid":{"rendered":"http:\/\/ziarulderimnic.ro\/?p=4755"},"modified":"2017-01-15T16:54:47","modified_gmt":"2017-01-15T13:54:47","slug":"muzica-268","status":"publish","type":"post","link":"https:\/\/ziarulderimnic.ro\/?p=4755","title":{"rendered":"Ora de muzic\u0103 268"},"content":{"rendered":"<p><a href=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2017\/01\/image-6-e1484488434773.jpeg\" data-rel=\"lightbox-image-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" data-src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2017\/01\/image-6-300x169.jpeg\" alt=\"\" width=\"300\" height=\"169\" class=\"alignnone size-medium wp-image-4756 lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 300px; --smush-placeholder-aspect-ratio: 300\/169;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2017\/01\/image-6-300x169.jpeg\" alt=\"\" width=\"300\" height=\"169\" class=\"alignnone size-medium wp-image-4756\" \/><\/noscript><\/a><br \/>\n    S\u0103 se dea unii mai de\u0219tep\u021bi! Un copil, \u00eentr-adev\u0103r, dar s\u0103 nu bagi de seam\u0103 c\u0103 face din dou\u0103 mi\u0219c\u0103ri ce noi, \u0103\u0219tia cu m\u00e2inile greoaie, n-o s\u0103 reu\u0219im niciodat\u0103 d\u0103 dovad\u0103 de r\u0103utate.<br \/>\n    Hiper realism, p\u00e2n\u0103 la a crede c\u0103 ce vezi nu se poate. O pu\u0219toaic\u0103 de nou\u0103 ani m-a pus pe g\u00e2nduri cu interpretarea de patru minute a unei partituri de speed metal, parc\u0103 Angels of Darkness, la o vitez\u0103, da&#8217; nebun \u0219i compozitorul, care te determin\u0103 s\u0103 o la\u0219i mai moale cu instrumentul. Chinez\u0103ria mic\u0103, YOYO sau Pinxi Liu, a rupt, mama lui de griff, chitara \u00een \u0219apte mii de p\u0103r\u021bi, iar b\u0103g\u0103ciosul \u00een seam\u0103 la comentariile youtube o dojenea pentru c\u00e2teva mici falseuri, pe care nici interpretul original nu le ocole\u0219te \u0219i-o punea la studiu. Nene, las\u0103 copilul, e din \u0103i extratere\u0219tri!<br \/>\n    M-a zg\u00e2nd\u0103rit iar\u0103\u0219i orgoliul \u0219i d\u0103i \u0219i &#8216;cearc\u0103 \u0219i eu s\u0103-mi genializez m\u00e2inile. Tot ce pot ele face \u0219i o palm\u0103 mai sus. O nebunie de studii, multe arpegii cu trepte s\u0103rite, cu intervale ad\u0103ugate, descoperite la una \u00eencetinit\u0103 lec\u021bie pe fiecare pasaj \u00een parte, dar f\u0103r\u0103 chitara aia cu dou\u0103 octave, corzi moi \u0219i l\u0103sate p\u00e2n\u0103 s\u0103 nu-\u021bi mai trebuiasc\u0103 pana cu tot cu m\u00e2na dreapt\u0103, nu po\u021bi tr\u00e2nti o imita\u021bie nici m\u0103car \u00eenceat\u0103. Dumnezeului de practic\u0103! Mai constatasem c\u0103 este pe chipul acestor robo\u021bei o r\u0103ceal\u0103 sor\u0103 cu lipsa de compatibilitate cu muzica, cu perfidia unei m\u00e2ini ce joac\u0103 perfect rolul talentului maxim, vibrato din poign\u00e9 ca \u0103i mari, degetele cr\u0103canate perfect deasupra tastelor, fuga instantanee de la pr\u0103gu\u0219 la cap\u0103t de linie, sta\u021bia 24-25. \u0218i ai no\u0219tri \u00eenv\u0103\u021b\u0103cei, aidoma nou\u0103, \u00eendrum\u0103torii, abia pot apuca str\u00e2mb dou\u0103 note. Bine, nu este pentru oricine virtuozitatea, necesit\u0103 munc\u0103, dar \u0103stora nici nu le trebuie mult\u0103, fiindc\u0103 am constatat c\u0103 nu implic\u0103 logic\u0103, ci doar o poz\u0103 digital\u0103 a succesiunilor de pozi\u021bii. De altfel, unii abia pot s\u0103 se acompanieze \u0219i nu-\u0219i dau seama de ce re cu sol \u0219i la, ca s\u0103 nu discut\u0103m analfabetismul muzical, habar nu au ce este acela portativ.<br \/>\n    Asta este lumea fantastic\u0103 \u00een care tr\u0103im, \u00eencerc\u0103m s\u0103-i atingem limitele prin foarte complexe \u0219i sofisticate re\u021bionamente c\u00e2nd ele sunt tangibile la o scurt\u0103tur\u0103 mimetic\u0103 de cerebel. M\u0103 prefer mai ponderat \u00een vitez\u0103, cu toate c\u0103 m\u0103 pot deda la un 16 sunete pe secund\u0103 \u0219i pe pian, \u0219i la intervale n\u0103stru\u0219nice pe vioar\u0103. \u00cenc\u0103.<br \/>\n    Ve\u0219ti noi! Am vorbit cu Marion En\u0103chescu! Ce m-am bucurat eu, dup\u0103 \u00eendr\u0103zneala de a for\u021ba nota cu a vedea dac\u0103 nu cumva am fost uitat, dar ce s-a bucurat ea c\u0103 poate comunica \u00een rom\u00e2n\u0103 \u0219i ce s-a scuzat pentru eventualele gre\u0219eli de scriere \u0219i exprimare. N-au fost. \u0218i pentru c\u0103 ,,plaga&#8221; nem\u021beasc\u0103 arde orice urm\u0103 de obicei popular neao\u0219 de-a cuv\u00e2nta \u0219i ac\u021biona \u00een dorul lelii, m-a rugat s\u0103 o mai a\u0219tept c\u00e2teva zile, la fine de s\u0103pt\u0103m\u00e2n\u0103, ca s\u0103 poat\u0103 onora ca la carte promisiunea. Ce s\u0103 spun? Jawoll!<br \/>\n    Am zis eu c\u0103 l\u0103uti\u0219tii sunt \u0219i ei ni\u0219te neica nimeni, dar am fost indus \u00een eroare. Nu sunt date despre to\u021bi foarte multe, dar oi \u00eencropi eu un text edificator, p\u00e2n\u0103 atunci v\u0103 mai spun numele, le-am dibuit, ale celor de la pupitrul tehnic: Art Direction \u2013 Lawrence Azerrad, Engineer \u2013 Grant Valentine, Jeff Citron, Owen Mulholland, Richie Kennon, Thom Beemer, Tyler Hartman, Mastered By \u2013 Bob Ludwig, Mixed By \u2013 Robert Orton, Photography \u2013 Eric Ryan Anderson, Producer \u2013 Martin Kierszenbaum, Recorded By \u2013 Donal Hodgson, Tony Lake, Technician \u2013 Danny Quatrochi.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>S\u0103 se dea unii mai de\u0219tep\u021bi! Un copil, \u00eentr-adev\u0103r, dar s\u0103 nu bagi de seam\u0103 c\u0103 face din dou\u0103 mi\u0219c\u0103ri<\/p>\n","protected":false},"author":7,"featured_media":4756,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"ngg_post_thumbnail":0,"video_url":"","footnotes":""},"categories":[7,116],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/4755"}],"collection":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4755"}],"version-history":[{"count":1,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/4755\/revisions"}],"predecessor-version":[{"id":4757,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/4755\/revisions\/4757"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/media\/4756"}],"wp:attachment":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4755"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4755"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4755"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}