{"id":4540,"date":"2016-12-04T21:36:18","date_gmt":"2016-12-04T18:36:18","guid":{"rendered":"http:\/\/ziarulderimnic.ro\/?p=4540"},"modified":"2016-12-05T02:38:16","modified_gmt":"2016-12-04T23:38:16","slug":"spatii-culturale-6-diletanti-hedonisti","status":"publish","type":"post","link":"https:\/\/ziarulderimnic.ro\/?p=4540","title":{"rendered":"Spa\u021bii culturale nr. 6 &#8211; Diletan\u021bi \u0219i hedoni\u0219ti"},"content":{"rendered":"<p><a href=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2016\/11\/image-25.jpeg\" data-rel=\"lightbox-image-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" data-src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2016\/11\/image-25.jpeg\" alt=\"image\" width=\"232\" height=\"217\" class=\"alignnone size-full wp-image-4514 lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 232px; --smush-placeholder-aspect-ratio: 232\/217;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2016\/11\/image-25.jpeg\" alt=\"image\" width=\"232\" height=\"217\" class=\"alignnone size-full wp-image-4514\" \/><\/noscript><\/a><br \/>\n\u00cen plin \u201eEv Media Catodic\u201d, a\u015fa cum bine spunea cineva, \u015fi pe fondul unei crize economice deprimant mediatizate, este pu\u0163in probabil\u0103 o \u00eentoarcere a publicului spre cultur\u0103. Sociologii, psihologii, politologii au explicat deja fenomenul \u00een lucr\u0103ri care, din p\u0103cate, din cauza tirajului redus \u015fi a lipsei de \u201elobby\u201d, au ajuns tot la cei care cuno\u015fteau deja fenomenul, la o parte a ceea ce, cu o nuan\u0163\u0103 inacceptabil de comp\u0103timitoare, se nume\u015fte azi \u201eelita cultural\u0103\u201d. De ce sunt comp\u0103timite elitele? Probabil pentru c\u0103 refuz\u0103 racordarea la pulsul realit\u0103\u0163ii, prefer\u00e2nd pe \u201ea fi\u201d lui \u201ea avea\u201d. Pentru c\u0103 ignor\u0103 pragmatismul contemporan, goana dup\u0103 profit imediat, colonizarea timpului liber prin divertisment. Pentru c\u0103 nu vor s\u0103 \u0163in\u0103 pasul cu \u201erevolu\u0163ia digital\u0103\u201d \u015fi cu \u201evideocultura\u201d, pentru c\u0103 nu accept\u0103 ca \u201ea fi\u201d s\u0103 devin\u0103 \u201ea fi v\u0103zut\u201d \u015fi nici felul cum \u201elogocentrismul\u201d a fost \u00eenvins de \u201eimagocentrism\u201d.<br \/>\nPe de alt\u0103 parte, la nivelul publicului, deci a poten\u0163ialului consumator de cultur\u0103, au intervenit transform\u0103ri esen\u0163iale \u00een ceea ce prive\u015fte orizontul de a\u015fteptare. Cum asist\u0103m la o deteriorare a gustului, datorat\u0103 uria\u015fului impact al divertismentului, nu e de mirare c\u0103 sunt preferate produsele kitsch\/subculturale, dintr-un cosmopolitism naiv \u015fi ieftin, care alimenteaz\u0103 credin\u0163a sincroniz\u0103rii cu Europa \u015fi cu lumea. Cel mai sc\u0103zut rating \u00eel au emisiunile culturale, transmise de c\u00e2teva canale radioTV, pentru c\u0103 publicul nu mai este dispus s\u0103 urm\u0103reasc\u0103 programe \u00een care nu se face caz de violuri, t\u00e2lh\u0103rii, scandaluri \u00een \u201elumea bun\u0103\u201d, aventuri amoroase \u015fi petreceri mondene. Urm\u0103rirea vie\u0163ii altora, livrat\u0103 telenovelistic, creeaz\u0103 iluzia particip\u0103rii, a\u015fa cum procurarea unui obiect (pentru \u00eenfrumuse\u0163are, pentru buc\u0103t\u0103rie, gr\u0103din\u0103 etc.) de care, \u00een realitate, o bun\u0103 parte a popula\u0163iei nici nu prea ar avea nevoie, flateaz\u0103 imaginea de sine. \u201eConsum, deci exist\u201d pare a fi deviza vremii \u015fi, adopt\u00e2nd-o, cet\u0103\u0163eanul se simte \u00een siguran\u0163\u0103. El \u015ftie c\u0103 face ceea ce trebuie, c\u0103 poate deveni un star cump\u0103r\u00e2nd cutare sau cutare marc\u0103 de ma\u015fin\u0103, cutare sau cutare telefon, cutare sau cutare produs electric, electronic sau electrocasnic. Dac\u0103 s-ar face reclam\u0103 \u015fi la c\u0103r\u0163i, la albume de art\u0103, dac\u0103 expozi\u0163iile serioase \u015fi concertele ar beneficia de m\u0103car jum\u0103tate din mediatizarea subproduselor culturale, \u00eenc\u0103 ar mai exista speran\u0163e de redresare. Din p\u0103cate, numai ceea ce aduce bani mul\u0163i \u2013 s\u0103 ne amintim de recentul concert al Madonnei la Bucure\u015fti \u2013 \u015fi adun\u0103 mii de \u201efani\u201d intr\u0103 \u00een aten\u0163ia mass media.<br \/>\nPentru a fi drep\u0163i, trebuie s\u0103 recunoa\u015ftem c\u0103 vina nu o poart\u0103 numai mass media. Codul cultural \u2013 ceea ce este cu adev\u0103rat echivalentul codului genetic \u2013 a suferit modific\u0103ri la nivelul fiec\u0103rui individ \u00een parte, sub influen\u0163a familiei, a \u015fcolii, a str\u0103zii \u015fi abia pe urm\u0103 a mijloacelor de informare \u015fi divertisment. Institu\u0163iile abilitate \u00een educa\u0163ie \u015fi formarea personalit\u0103\u0163ii (inclusiv a gustului \u015fi a capacit\u0103\u0163ii de receptare critic\u0103) au f\u0103cut \u015fi fac \u00een continuare concesii, compromisuri, accept\u00e2nd uniformizarea\/ standardizarea, invazia prostului gust, a grobianismului, a lipsei de respect pentru valori. \u00cencep\u00e2nd cu manualele \u201ede prostit copiii\u201d (cum spune Virgil Diaconu), cu dasc\u0103lii slab preg\u0103ti\u0163i \u015fi slab motiva\u0163i \u015fi termin\u00e2nd cu politicile a\u015fa-zis culturale, se poate lesne observa o deteriorare a interesului pentru promovarea culturii autentice. Manualele sunt pline de erori, \u00eenc\u00e2lcite \u015fi nu-\u015fi ating scopul pentru care au fost \u201efabricate\u201d (acela de a servi drept auxiliar \u00een \u00eenv\u0103\u0163are), revistele de cultur\u0103 apar sporadic ori \u00een tiraje prea mici, vocile autorizate (criticii, jurnali\u015ftii culturali, istoricii literari, arti\u015ftii, \u00een general) nu mai sunt ascultate, ci marginalizate, atunci c\u00e2nd nu sunt ridiculizate \u00een talk-showuri de doi bani. \u00cen aceste condi\u0163ii, nu e de mirare c\u0103 lecturile sunt pu\u0163ine \u015fi nu \u00eentotdeauna de calitate, c\u0103 publicul \u201eeducat\u201d s\u0103 se complac\u0103 \u00een diletantism, hedonism \u015fi consumism, nu mai apreciaz\u0103 dec\u00e2t banii, sexul, scandalul \u015fi manelele, c\u0103 un concert cu regele Gu\u0163\u0103 adun\u0103 de mii de ori mai mul\u0163i participan\u0163i dec\u00e2t o lansare de carte, c\u0103 apari\u0163ia unei istorii a literaturii rom\u00e2ne nu \u00eenseamn\u0103 nimic \u00een compara\u0163ie cu \u201ememoriile\u201d cine \u015ftie c\u0103rei starlete de la fabrica de pi\u0163ipoance ProTV&#8230;<br \/>\nSe promoveaz\u0103, chipurile, comunicarea (era comunic\u0103rii f\u0103r\u0103 frontiere a fost cu mare fast tr\u00e2mbi\u0163at\u0103 \u015fi analizat\u0103 \u00een emisiuni gen \u201eLupta neuronilor\u201d), dar, de fapt, oamenii timpului nostru sufer\u0103 de noncomunicare. Unii dintre ei, dispre\u0163uindu-\u015fi limba \u015fi nerespect\u00e2ndu-i regulile elementare, favorizeaz\u0103, prin agramatism, exprimare eliptic\u0103, s\u0103r\u0103cia vocabularului (suplinit\u0103, \u00een scris, de emoticoane \u015fi alte inven\u0163ii electronice) eroziunea limbii ca sistem \u015fi, prin aceasta, voit sau nu, \u00ee\u015fi pun \u00een pericol \u00eens\u0103\u015fi identitatea na\u0163ional\u0103. Cei chema\u0163i s\u0103 \u00eendrepte lucrurile \u2013 \u015fi i-am numit: profesorii, preo\u0163ii, arti\u015ftii, oamenii de cultur\u0103 \u2013 stau undeva, la marginea societ\u0103\u0163ii, redu\u015fi la t\u0103cere cu refrene despre criza economic\u0103 \u015fi despre priorit\u0103\u0163ile supravie\u0163uirii.<br \/>\n\u201eNoi n-avem bani s\u0103&#8230;\u201d \u015fi \u201evou\u0103 v\u0103 arde de&#8230;?\u201d, adic\u0103 retorismul vulgar al s\u0103r\u0103ciei spirituale poate face, dac\u0103 nu este oprit la timp, o foarte frumoas\u0103 carier\u0103&#8230;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00cen plin \u201eEv Media Catodic\u201d, a\u015fa cum bine spunea cineva, \u015fi pe fondul unei crize economice deprimant mediatizate, este pu\u0163in<\/p>\n","protected":false},"author":18,"featured_media":4514,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"ngg_post_thumbnail":0,"video_url":"","footnotes":""},"categories":[314,7],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/4540"}],"collection":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4540"}],"version-history":[{"count":1,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/4540\/revisions"}],"predecessor-version":[{"id":4541,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/4540\/revisions\/4541"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/media\/4514"}],"wp:attachment":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4540"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4540"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4540"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}