{"id":3804,"date":"2016-07-04T09:46:47","date_gmt":"2016-07-04T06:46:47","guid":{"rendered":"http:\/\/ziarulderimnic.ro\/?p=3804"},"modified":"2016-07-21T09:08:17","modified_gmt":"2016-07-21T06:08:17","slug":"ora-de-muzica-195","status":"publish","type":"post","link":"https:\/\/ziarulderimnic.ro\/?p=3804","title":{"rendered":"Ora de muzic\u0103 195"},"content":{"rendered":"<p><a href=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2016\/07\/image.jpeg\" data-rel=\"lightbox-image-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" data-src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2016\/07\/image-300x79.jpeg\" alt=\"image\" width=\"300\" height=\"79\" class=\"alignnone size-medium wp-image-3805 lazyload\" data-srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2016\/07\/image-300x79.jpeg 300w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2016\/07\/image-768x203.jpeg 768w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2016\/07\/image.jpeg 829w\" data-sizes=\"(max-width: 300px) 100vw, 300px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 300px; --smush-placeholder-aspect-ratio: 300\/79;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2016\/07\/image-300x79.jpeg\" alt=\"image\" width=\"300\" height=\"79\" class=\"alignnone size-medium wp-image-3805\" srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2016\/07\/image-300x79.jpeg 300w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2016\/07\/image-768x203.jpeg 768w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2016\/07\/image.jpeg 829w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/noscript><\/a><br \/>\n    Ecourile acelei c\u00e2nt\u0103ri din pragul iernii s-au stins, luminile rampei \u0219i-au \u00eenchis ochii multicolori, scaunele au r\u0103mas goale.<br \/>\n     Zumzetul spectatorilor a amu\u021bit \u0219i-a r\u0103mas suspendat \u00een ultimul cadru cinematografic, de un negru p\u0103trunz\u0103tor, \u00eenaintea lui \u00eens\u0103, dezv\u0103luirile nu mai conteniser\u0103, convoaie de travaille-ori se \u00eengr\u0103m\u0103diser\u0103 \u00een dosul retinei disperate, \u00eengrijorat\u0103 c\u0103 un nume ar fi putut s\u0103-i scape. Pentru o cl\u0103dire de felul celei de la Durham, un adev\u0103rat uria\u0219 de piatr\u0103, este necesar\u0103 o administra\u021bie cu reguli severe, ultimului cap\u0103t de lum\u00e2nare trebuie s\u0103 i se \u0219tie parcursul fiindc\u0103 la final, titanul trebuie s\u0103-\u0219i doarm\u0103 somnul arhitectonic lini\u0219tit, p\u0103zit de cel delegat s\u0103 trag\u0103 ultimul dup\u0103 el u\u0219a. Dac\u0103 \u00een fiecare noapte de iarn\u0103&#8230; s-ar petrece o astfel de desf\u0103\u0219urare de griji \u0219i atribu\u021bii, ar ceda destule sisteme nervoase sub presiunea unui singur cuv\u00e2nt: motor! Respira\u021biile s-ar g\u00e2tui \u0219i dup\u0103 prima cl\u0103mp\u0103nire de plachet\u0103 cu duble s-ar desc\u0103tu\u0219a \u00eentr-o izbucnire necontrolat\u0103. Artist fiind, ai aceast\u0103 senza\u021bie c\u0103 spectacolul este o oal\u0103 umplut\u0103 ochi cu ap\u0103 \u00een plin clocot, dar \u00eentr-un mediu adecvat, educat, elevat, lucrurile par a reveni la normal \u0219i a c\u0103p\u0103ta suple\u021bea unei desf\u0103\u0219ur\u0103ri f\u0103r\u0103 sincope \u0219i contratimpi.<br \/>\n   C\u00e2teodat\u0103 m\u0103 trezesc cu o \u00eentrebare aflat\u0103 aproape de pragul ra\u021biunii de trimis la spitalul de psihiatrie: de ce \u0219i-ar dedica at\u00e2t de mul\u021bi indivizi tot timpul unei manifest\u0103ri ce las\u0103 doar c\u00e2teva fotografii mi\u0219c\u0103toare \u0219i ceva valuri auditive \u00een minte? \u0218ti\u021bi tendin\u021ba rom\u00e2neasc\u0103 de a bagateliza actul artistic reduc\u00e2ndu-l la zero \u0219i \u00eendemnul afurisit al tuturor celor ce nu le arde de astfel de ,,pierderi de vreme&#8221;, ,,La munc\u0103, fir-a\u021bi ai naibii!&#8221;, de la el \u0219i incursiunea mea \u00een nefirescul g\u00e2ndurilor. Totu\u0219i, chestiunea are c\u00e2teva variante de r\u0103spuns pertinente, clinic s\u0103n\u0103toase, fire\u0219ti. Protagonistul are nevoie de sprijin, primii care \u00eel ofer\u0103 sunt membri de familie, dup\u0103 ace\u0219tia vin colegii de breasl\u0103 \u0219i apoi lista de angrena\u021bi pl\u0103ti\u021bi sau antrena\u021bi \u00een mi\u0219care de pl\u0103cere. Desigur, cei c\u0103rora li se ofer\u0103 o remunera\u021bie sunt m\u00e2na\u021bi din interes, unii \u00eencredin\u021ba\u021bi c\u0103 presteaz\u0103 o munc\u0103 u\u0219oar\u0103, futil\u0103, al\u021bii pentru considerentul c\u0103 pot sluji arta din admira\u021bie, dar \u0219i din neputin\u021ba de a fi putut deveni ei \u00een\u0219i\u0219i cei de pe scen\u0103.<br \/>\n   M-am lungit cu explica\u021biile \u0219i oamenii a\u0219teapt\u0103. \u00cen spatele rampei, \u00eenainte \u0219i dup\u0103, au stat: Jim Gable &#8211; regizor \u0219i produc\u0103tor, Kathryn Schenker, Manfred Seipt, Jeffrey Vanderveen, Chris Roberts &#8211; produc\u0103tori executivi, Ann Kim &#8211; produc\u0103tor, mixajul spectacolului, mixajul \u00een sistem 5.1 \u0219i \u00eenregistrarea audio &#8211; Donal Hodgson, mixaj 5.1 \u0219i masterizarea &#8211; Ian Cooper, ,,\u00eendulcirea&#8221; sunetului &#8211; Ken Dahlinger, Jeff Richter &#8211; editor, Manfred ,,Ollie&#8221; Olma &#8211; conceptul luminilor, Christopher Bretnall &#8211; produc\u0103tor de linie, Eve Adair &#8211; regizor asociat, William Francis &#8211; managerul turneului, Roy Lamb &#8211; managerul de produc\u021bie, Danny Quatrochi &#8211; secven\u021be de chitar\u0103 \u00eenregistrat\u0103, Howard Page &#8211; responsabil de-al casei cu sunetul, Ian Newton &#8211; inginerul de monitonizare a sunetului, Hermann Vaitl &#8211; inginerul sistemului de sunet, Markus Heifenfinge &#8211; tehnicianul monitoniz\u0103rii, Nathalie Marie-Curry &#8211; asistent de produc\u021bie, Julia Nelson &#8211; coordonator de produc\u021bie, Antony Warren &#8211; produc\u0103torul spectacolului live, Steffi Gom &#8211; coordonatorul spectacolului live, Robert Molnar \u0219i Jim Mancuso &#8211; stilist \u0219i respectiv asistent de stilist, Simon Baker &#8211; coafor, Nichola Bellamy &#8211; machiaj, Sarah Hopkins &#8211; furnizor. Produc\u021bia materialului video s-a realizat \u00een Germania, la SIVision TV Production \u0219i a avut urm\u0103toarea echip\u0103: Imre Sereg &#8211; managerul proiectului, Hilda Sereg &#8211; produc\u021bie, Andreas Schafer \u0219i Enrico Peter &#8211; managerii pe partea tehnic\u0103, Patrick Hiller &#8211; inginerul conceptului video , Sebastian Wutschik \u0219i Rolf Eckertz &#8211; concept video, Michael Lindermeir &#8211; inginer audio, Christian Brauer &#8211; tehnician audio, Falk Kotulla &#8211; inginer de \u00eenregistrare, Ralf Doehler, Mirko Szappat \u0219i Mathias Stoeckl &#8211; asisten\u021bi, Holer Kreher, Peter Mulhbauer \u0219i Michael Rott &#8211; \u0219oferi, Rainer Kasig &#8211; tehnician SuperTechno, Hannsjorg Ulitzner &#8211; operator SuperTechno, Rudiger Kasig \u0219i Daniel Moller &#8211; tehnician \u0219i respectiv operator ai lui Jimmy Jib, Christian Gartner &#8211; operatorul camerei macara, Guido Lux \u0219i Damir Zorlak &#8211; operatorul camerei de fond \u0219i asistentul acestuia, Thomas Knein, Neil Coffey, Andreas Sacherer \u0219i Klaus Scheucher &#8211; operatorii celolalte camere. Documentarea pentru film s-a realizat de Peter Welch, operatorul Raul Ritz, operatorul de imagini Nathan Wiley, asistentul de camer\u0103 Blake Claridge, un \u0219ef al echiperi de electricieni \u00een persoana lui Graham Banks \u0219i un depozitar \u0219i convertitor al datelor adunate &#8211; Oliver Orrom. Echipa de lumini\u0219ti are un \u0219ef peste \u00eentreaga ,,turm\u0103&#8221;, pe Mike Oates, un programator al lor &#8211; Markus Janning \u0219i desigur ,,trep\u0103du\u0219i&#8221;: Tim Oliver, Rupert Reynolds, Andy Hilton, Mark Jones, Gaberial Crosse, Rob Wane, Ryan Hopkins \u0219i Simon Lynch. F\u0103r\u0103 curent electric nu merge nimic, generatoarele pentru toat\u0103 instala\u021bia fiind asigurate de Fourth Generation Ltd. \u0219i \u00eengrijite de Tweed Hurlocker \u0219i ajutoarele Daff Cook \u0219i Steve Bower. Postproduc\u021bia audio-video a fost asigurat\u0103 de edit\u0103rile suplimentare ale lui Chris May, Asaf Eisenberg \u0219i Chris Osterhus. Ce nu se face ast\u0103zi online, se c\u00e2nt\u0103, se vizioneaz\u0103, se editeaz\u0103 produc\u021bii. Beautiful Pictures a f\u0103cut acest gest pentru materialul lui Sting. O umbr\u0103 a pus culorilor Clark Muller \u0219i au asistat editarea Gene Gordon \u0219i Jay Todd. De managementul lui Sting s-a ocupat firma produc\u0103toarei executive, Kathryn Schenker, KSM Inc, dar \u0219i ea personal \u0219i angaja\u021bii acesteia: Tracy Bufferd, Dan Wise \u0219i Dave Sandford. Se aduc mul\u021bumiri lui Anne Heywood, staff-ului \u0219i voluntarilor catedralei, lui Martin Kierszenbaum, Lucy Maxwell-Stewart, Joe Brenner, Joe Penachio, Simon Dixon, Phil Gregory, hotelului Gosforth, The Ship and the Hole, (s\u0103-l fi st\u00e2rnit pe Sting pentru Last Ship?), DPA Microphones, Royal Northern College of Music, suden\u021bilor \u0219i tuturor celor ce s-au perindat pe acolo cu folos. Fa\u021ba comercial\u0103 a DVD-ului se datoreaz\u0103 lui Quinn Lemmers. Universal Music Classical Management &#038; Productins a fost reprezentat\u0103 de Manfred Seipt, Jeffrey Vanderveen, Pierre-Oliver Bardet, Susana Scott \u0219i Ideale Audince. Unitel a delegat pe Ernst Buchruncker ca produc\u0103tor asociat. Au fost \u0219i c\u00e2teva televiziuni care au cooperat la promovarea acestui concert: NRK, YlE\/TV1, EESTI Rahvusringh\u00e4\u00e4ling, Latvian Television, TVP Kultura, Bulgarian National Television, Sveriges Television AB, RSI, Multishow \u0219i nelipsitul BBC din proiectele na\u021bionale engleze\u0219ti. DECCA. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ecourile acelei c\u00e2nt\u0103ri din pragul iernii s-au stins, luminile rampei \u0219i-au \u00eenchis ochii multicolori, scaunele au r\u0103mas goale. Zumzetul spectatorilor<\/p>\n","protected":false},"author":7,"featured_media":3805,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"ngg_post_thumbnail":0,"video_url":"","footnotes":""},"categories":[7,1,116],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/3804"}],"collection":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3804"}],"version-history":[{"count":1,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/3804\/revisions"}],"predecessor-version":[{"id":3806,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/3804\/revisions\/3806"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/media\/3805"}],"wp:attachment":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3804"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3804"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3804"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}