{"id":2943,"date":"2016-02-10T09:36:12","date_gmt":"2016-02-10T06:36:12","guid":{"rendered":"http:\/\/ziarulderimnic.ro\/?p=2943"},"modified":"2016-02-10T09:36:12","modified_gmt":"2016-02-10T06:36:12","slug":"ora-de-muzica-147","status":"publish","type":"post","link":"https:\/\/ziarulderimnic.ro\/?p=2943","title":{"rendered":"Ora de muzic\u0103 147"},"content":{"rendered":"<p><a href=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2016\/02\/image-4.jpeg\" rel=\"attachment wp-att-2944\" data-rel=\"lightbox-image-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" data-src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2016\/02\/image-4-300x185.jpeg\" alt=\"image\" width=\"300\" height=\"185\" class=\"alignnone size-medium wp-image-2944 lazyload\" data-srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2016\/02\/image-4-300x185.jpeg 300w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2016\/02\/image-4-768x475.jpeg 768w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2016\/02\/image-4.jpeg 825w\" data-sizes=\"(max-width: 300px) 100vw, 300px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 300px; --smush-placeholder-aspect-ratio: 300\/185;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2016\/02\/image-4-300x185.jpeg\" alt=\"image\" width=\"300\" height=\"185\" class=\"alignnone size-medium wp-image-2944\" srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2016\/02\/image-4-300x185.jpeg 300w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2016\/02\/image-4-768x475.jpeg 768w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2016\/02\/image-4.jpeg 825w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/noscript><\/a><\/p>\n<p>      Ferice de cel plecat cu pluta, lui nu-i trebuiesc relevan\u021be \u0219i texte filozofice cu care s\u0103-\u0219i explice marile taine ale lumii.<br \/>\n      Nici celor mai r\u0103s\u0103ri\u021bi cu intelectul nu le sunt necesare sofisticatele prelegeri muzicale ale lui Sting, o F\u0103r\u00e2mi\u021b\u0103 de colo, un Salam de dincolo sunt suficiente pentru un festin bogat, se simt s\u0103tui dup\u0103 ce s-au ghiftuit ei \u0219i ascult\u0103torii de bucate folclorice, \u00eendesate orl-istic la final de zile 7 repetate de 52 de ori. Poporul mul\u021bumit, l\u0103utarul sa\u021biat. De parale. Extaz deplin! Nu tu c\u0103l\u0103torie imaginar\u0103 prin junglele africane, nu tu interpretare de curte regal\u0103, nici m\u0103car o poveste cu Fe\u021bi-Frumo\u0219i, ca s\u0103 nu ne \u00eenchipuim c\u0103 \u00een\u021belegerea poate dep\u0103\u0219i realitatea lui Verzere\u0219an \u0219i atinge transcedentalismul lui Kant. Departe de ei aceste tr\u0103iri sublime. Cum catalogheaz\u0103 ei lumea doar dintr-a lor percep\u021bie, cum nu exist\u0103 dec\u00e2t a lor parte, iar de cealalt\u0103 nici nu vor s\u0103 \u0219tie, e un fapt mai mult dec\u00e2t banal, dar blamabil, o oglind\u0103 bun\u0103 de \u00eencercat din c\u00e2nd \u00een c\u00e2nd: i te \u00eenf\u0103\u021bi\u0219ezi pur \u0219i ea te arat\u0103 murdar, i te ar\u0103\u021bi perfect \u0219i ea se m\u0103sc\u0103re\u0219te \u00een fa\u021b\u0103-\u021bi, i te a\u0219ezi cult ca la \u0219ez\u0103torile literare \u0219i ea te prive\u0219te t\u00e2mp, \u00eei vorbe\u0219ti despre adev\u0103ruri \u0219i ea nu \u0219tie alt r\u0103spuns dec\u00e2t o minciun\u0103 sfruntat\u0103.<br \/>\n    Poate c\u0103 exist\u0103 o sentin\u021b\u0103, o peniten\u021b\u0103 numai bun\u0103 de isp\u0103\u0219it, o metod\u0103 de tortur\u0103 pentru astfel de specimene, cu duiumul r\u0103s\u0103rite dup\u0103 anul de gra\u021bie 1980. Nu cu ,,\u021bepuiri \u021bepe\u0219ti&#8221;, nu cu infuzie de ardei iute pus pe foc, nici m\u0103car cu biciul, ci doar cu c\u0103\u0219tile \u00eendesate pe urechi nu mai pu\u021bin de dou\u0103 ore continuu pe zi. Muzic\u0103 death \u0219i tresh. S\u0103 \u00een\u021beleag\u0103 \u0219i ei ce este acela exces de stil muzical, c\u0103 vorba aia: cui pe cui se scoate. Poate a\u0219a ajung \u0219i ei la mijloc, nici \u00een iad, nici pe p\u0103m\u00e2nt, nici hor\u0103 dar nici metal, nici s\u00e2rb\u0103 dar nici dulceg\u0103rii infantile, manea cu at\u00e2t mai pu\u021bin sau \u00een aceea\u0219i m\u0103sur\u0103 cu&#8230;. Pe cuv\u00e2nt, cu orice alege\u021bi, n-are nicio importan\u021b\u0103. Dac\u0103 muzica s-ar reduce doar la at\u00e2t, s-ar epuiza \u00een mai pu\u021bin de dou\u0103 nun\u021bi. Din trei \u00een trei minute, f\u0103r\u0103 repeti\u021bie, po\u021bi \u00eengr\u0103m\u0103di \u00een 48 de ore toat\u0103 discografia acestei p\u0103r\u021bi de lume ,,inventat\u0103&#8221; \u00een ultimii zece ani, dac\u0103 faci o selec\u021bie a ,,traducerilor&#8221; din alte limbi te alegi cu jum\u0103tate, dac\u0103 le cau\u021bi \u0219i la originalitate dup\u0103 legea plagiatului nu r\u0103m\u00e2i dec\u00e2t cu un filon s\u0103rac de dou\u0103, trei per zon\u0103 ,,folcloric\u0103&#8221;. S\u0103 trecem \u0219i la ,,oponenta pozitiv\u0103&#8221;, pop-disco&#8230;? Aici chiar c\u0103 dup\u0103 triere n-o s\u0103 r\u0103m\u00e2ne\u021bi cu mai mult de una pe gen, dar ,,varientarea&#8221; nu este un obicei cotidian, el are ob\u00e2r\u0219ii vechi, de la Enescu \u0219i \u00eenainta\u0219ii citire.<br \/>\n    Dar eu am alt\u0103 treab\u0103, s\u0103 v\u0103 vorbesc despre cei cu adev\u0103rat marcan\u021bi \u0219i aduc\u0103tori de suflu nou muzical, de exprim\u0103ri multiple, nea\u0219teptate&#8230;. L\u00e9von Minassian&#8230;. Parc\u0103 sunt \u0219i doinele noastre p\u0103trunz\u0103toare, s\u0103 le ascul\u021bi din glas de b\u0103tr\u00e2n\u0103 t\u00e2nguindu-\u0219i dorurile, neputin\u021bele, triste\u021bea \u0219i jalea pentru cei pierdu\u021bi, singur\u0103tatea, te apuc\u0103 pl\u00e2nsul, dar s\u0103 stai cu urechea aplecat\u0103 la interpretarea din Doudouk, dup\u0103 t\u0103lm\u0103cirea fran\u021buzeasc\u0103 a denumirii acestui instrument armenesc, a unui b\u0103rbat, este deja de-a dreptul supranatural. Asta da tr\u0103ire! C\u00e2nt\u0103 acelea\u0219i note ca maneli\u0219tii no\u0219tri f\u0103r\u0103 s\u0103 m\u0103 duc\u0103 cu g\u00e2ndul la paranghelii \u0219ii destr\u0103b\u0103lare, le sufl\u0103 rar, prelung, nu cu excese de tril pe final de m\u0103sur\u0103 ci doar cu un tremurat perfect al buzelor \u00eenfr\u0103\u021bite cu lemnul anciilor. Ingenios lucrat, fluierul este alc\u0103tuit din dou\u0103 p\u0103r\u021bi: corpul, cu opt orificii, de obicei al patru \u0219i al cincilea mai apropiate, are extremitatea de sus pu\u021bin \u00eengro\u0219at\u0103 \u00een care se introduce mu\u0219tiucul, partea prin care se trimite aerul, de form\u0103 multipl\u0103. Acesta \u00eencepe cu dou\u0103 ancii plate, lipite \u00een lateral, care au un colier de siguran\u021b\u0103 la mijloc de care st\u0103 ag\u0103\u021bat cu a\u021b\u0103 un cilindru de lemn, cu o fant\u0103 alungit\u0103 \u00eentr-o parte, folosit pentru a proteja cele dou\u0103 lamele de lemn la transport. La cap\u0103tul lor fac corp comun cu mu\u0219tiucul \u00een sine, cilindric pe o lungime de un centimetru, care se prelunge\u0219te spre cealalt\u0103 extremitate cu o parte conic\u0103, \u00eenvelit\u0103 \u00een a\u021b\u0103 \u00eenf\u0103\u0219urat\u0103 circular, parte care se introduce \u00een fluierul propriu-zis. Instrumentul are o vechime considerabil\u0103, peste 1500 de ani, este specific Armeniei \u0219i a c\u0103p\u0103tat privilegiul de a fi unul dintre cele ce au fost incluse \u00een patrimoniul Unesco ca Masterpiece of the Intangible Heritage of Humanity \u00een 2005. Sunetul s\u0103u se apropie, spun speciali\u0219tii, de cel al clarinetului, dar dup\u0103 umila mea ureche tind s\u0103-l asem\u0103n cu timbrul flautului c\u0103ruia i-am exclus f\u00e2\u0219\u00e2iala produs\u0103 de suflu. Dar ce este un instrument f\u0103r\u0103 cel ce-i d\u0103 via\u021b\u0103? Minassian l-a dus pe culmi \u00eenalte, t\u00e2nguirile lui au redus la t\u0103cere s\u0103lile de concert, pove\u0219tile lui s-au spus \u00een tandemuri nenum\u0103rate, \u00een moduri diverse. S\u0103 nu crede\u021bi c\u0103 i-a fost u\u0219or s\u0103 fure meseria, c\u00e2ntatul la acest instrument se apropie de lucrurile sacre, de \u00eenv\u0103\u021b\u0103turile ascunse, ancestrale, cu greu smulse unor mentori ca Djivan Gasparian \u0219i Valodia Haroutiounian. \u0218i ce mare scofal\u0103 s\u0103 astupi opt g\u0103uri? Uite c\u0103 este, \u00ee\u021bi trebuie r\u0103bdare \u0219i abnega\u021bie pentru cele 16 note c\u00e2ntate \u00een mai pu\u021bin de o octav\u0103 \u0219i jum\u0103tate, de la Fa# \u00een octava a patra p\u00e2na la La din a cincea. Minassian este protagonistul multor coloane sonore de film, un autodidact \u00een acest sector artistic, dar \u0219i compozitor, reu\u0219ind s\u0103 realizeze dou\u0103 albume, \u00een 1998 The Doudouk beyond borders &#8211; L\u00e9von Minassian and Friends \u0219i \u00een 2006 Songs from world apart &#8211; L\u00e9von Minassian &#038; Armand Amar, cel din urm\u0103 compozitor \u0219i el de muzic\u0103 de film, album ce con\u021bine dou\u0103sprezece opusuri \u00eenso\u021bite de Nickelharpa, Viole d\u2019amour, Kamantcha, Oud, Tambouras \u0219i acompaniate de Bulgarian Symphony Orchestra. Contribu\u021biile lui, cet\u0103\u021bean francez n\u0103scut la Marsilia din p\u0103rin\u021bi refugia\u021bi, au fost r\u0103splatite cu Chevalier de l\u2019Ordre des Arts et des Lettres de pre\u0219edintele Chirac \u00een 2003.<br \/>\n     A \u00eent\u00e2lnit \u0219i rom\u00e2ni, mai precis unul, Radu Mh\u0103ileanu, regizor \u0219i scenarist n\u0103scut \u00een Rom\u00e2nia, naturalizat dup\u0103 acel an 1980 de gra\u021bie, ultimul suportabil se pare pentru geniul neao\u0219 ne\u00een\u021beles  \u0219i ne\u00eencuviin\u021bat, \u00een Fran\u021ba, ale c\u0103rui merite au fost recunoscute cel pu\u021bin pentru pelicula The Source din 2011, cea de-a opta din carier\u0103, la festivalul de film de la Cannes. Minassian a \u00eent\u00e2lnit \u0219i a colaborat \u0219i cu alte celebrit\u0103\u021bi, at\u00e2t autohtone, Charles Aznavour, Patrick Fiori, H\u00e9l\u00e8ne Segara, Christophe Ma\u00e9, Daniel Lavoie, dar \u0219i mondiale: Peter Gabriel, Muvrini, Simon Emerson \u0219i Manu Katch\u00e9.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ferice de cel plecat cu pluta, lui nu-i trebuiesc relevan\u021be \u0219i texte filozofice cu care s\u0103-\u0219i explice marile taine ale<\/p>\n","protected":false},"author":7,"featured_media":2944,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"ngg_post_thumbnail":0,"video_url":"","footnotes":""},"categories":[7,116],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/2943"}],"collection":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2943"}],"version-history":[{"count":1,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/2943\/revisions"}],"predecessor-version":[{"id":2945,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/2943\/revisions\/2945"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/media\/2944"}],"wp:attachment":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2943"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2943"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2943"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}