{"id":25263,"date":"2026-01-07T09:16:02","date_gmt":"2026-01-07T06:16:02","guid":{"rendered":"https:\/\/ziarulderimnic.ro\/?p=25263"},"modified":"2026-01-07T09:16:02","modified_gmt":"2026-01-07T06:16:02","slug":"literadura-nr-38-2","status":"publish","type":"post","link":"https:\/\/ziarulderimnic.ro\/?p=25263","title":{"rendered":"Literadura nr. 38 (2)"},"content":{"rendered":"

Dan D. G\u00ceRJOAB\u0102 <\/strong>
\n\"\"

I. \u00cen pragul t\u0103cerii<\/strong><\/p>\n

E o lini\u0219te \u00een v\u0103zduh ca o rug\u0103 de copil adormit.
\nZ\u0103pada cade ca o lumin\u0103 ce-\u0219i caut\u0103 r\u0103d\u0103cina.
\n\u00cen mine, g\u00e2ndurile se rotesc ca \u00eengerii \u00een jurul unei icoane nev\u0103zute.
\n\u0218i simt cum timpul nu mai curge, ci se \u00eenchin\u0103.<\/p>\n

\u00cen aceast\u0103 clip\u0103, Fiul se na\u0219te iar \u2014 nu \u00een Betleem,
\nci \u00een umbra fiec\u0103rui suflet ce a uitat s\u0103 cread\u0103.
\nP\u0103m\u00e2ntul respir\u0103 \u00een genunchi,
\niar cerul \u00ee\u0219i deschide coasta pentru a primi lumina.<\/p>\n

\u0218tiu, Doamne, c\u0103 Taina nu se poate \u00een\u021belege,
\nci doar tr\u0103i,
\nca o ran\u0103 dulce \u00een inima care s-a l\u0103sat r\u0103stignit\u0103 de dor.
\n\u00cen pragul Cr\u0103ciunului, tot ce e viu
\ndevine rug\u0103ciune.<\/p>\n


\nII. Despre g\u00e2ndul care se roag\u0103<\/strong><\/p>\n

G\u00e2ndul omului e o flac\u0103r\u0103 prins\u0103 \u00eentre dou\u0103 sufl\u0103ri:
\nuna de lut, alta de Duh.
\n\u00cen ajunul Na\u0219terii, flac\u0103ra se face stea
\n\u0219i caut\u0103 Pruncul din noi.<\/p>\n

Uneori credin\u021ba e doar un pas f\u0103cut pe z\u0103pad\u0103,
\ncare nu las\u0103 urm\u0103 \u2014 dar \u00eenc\u0103lze\u0219te.
\nM\u0103 g\u00e2ndesc la Magii care nu \u0219tiau unde merg,
\ndar \u0219tiau C\u0103tre Cine.
\n\u0218i-mi dau seama c\u0103 tot ce e adev\u0103rat se na\u0219te \u00een ne\u0219tiin\u021b\u0103,
\n\u00een acel loc dintre \u00eentuneric \u0219i har,
\nunde sufletul tace \u0219i \u00eenva\u021b\u0103 s\u0103 asculte.<\/p>\n

Acolo, \u00een ad\u00e2nc, Cr\u0103ciunul nu e o s\u0103rb\u0103toare,
\nci o tain\u0103 de respira\u021bie \u00eentre om \u0219i Dumnezeu.
\nO singur\u0103 b\u0103taie de inim\u0103 \u2014
\n\u0219i ve\u0219nicia se face trup.<\/p>\n


\nIII. Noaptea care lumineaz\u0103<\/strong><\/p>\n

E noapte.
\nDar noaptea aceasta nu e a \u00eentunericului.
\nE o noapte care arde din\u0103untru,
\nca un t\u0103ciune sub cenu\u0219a lumii.<\/p>\n

M\u0103 plimb prin t\u0103cerea ei ca printr-un templu de abur.
\nSimt cum stelele sunt doar g\u00e2nduri
\nale lui Dumnezeu despre om.
\n\u0218i fiecare suflet e o icoan\u0103 care \u00eencearc\u0103 s\u0103-\u0219i aminteasc\u0103
\ncum arat\u0103 chipul ce a fost zidit din lumin\u0103.<\/p>\n

\u00cen ieslea min\u021bii mele,
\ncugetele se pleac\u0103,
\n\u0219i, pentru o clip\u0103, \u00een\u021beleg:
\nnu omul se na\u0219te \u00een lume,
\nci lumea se na\u0219te iar\u0103\u0219i \u00een om,
\nde fiecare dat\u0103 c\u00e2nd Hristos intr\u0103 \u00een el.<\/p>\n

Atunci \u0219i moartea tace,
\n\u0219i cerul se deschide ca o ran\u0103 vindecat\u0103.<\/p>\n


\nIV. Cuv\u00e2ntul care se face suflet<\/strong><\/p>\n

La \u00eenceput a fost Cuv\u00e2ntul,
\ndar nimeni nu \u0219tie c\u0103 la sf\u00e2r\u0219it tot El r\u0103m\u00e2ne.
\nToate g\u00e2ndurile noastre sunt ecouri ale acelui \u00eenceput,
\nbuc\u0103\u021bi de Logos r\u0103t\u0103cite \u00een labirintul trupului.<\/p>\n

De Cr\u0103ciun, Cuv\u00e2ntul nu doar vorbe\u0219te,
\nEl se \u00eentrupeaz\u0103 \u00een t\u0103cerea care \u00eenv\u0103luie pruncul.
\nEl coboar\u0103 p\u00e2n\u0103 \u00een frica noastr\u0103,
\n\u0219i o face lumin\u0103.
\nEl se atinge de rana omului
\n\u0219i o nume\u0219te dragoste.<\/p>\n

\u0218i \u00een clipa aceea,
\ng\u00e2ndurile nu mai caut\u0103 sensul,
\nci devin rug\u0103ciune.
\nPentru c\u0103 numai atunci \u00een\u021belegi:
\ncredin\u021ba nu e o idee,
\nci o na\u0219tere perpetu\u0103 a lui Dumnezeu \u00een om<\/p>\n


\nFlorentin POPESCU<\/strong>
\n\"\"

Oameni \u015fi locuri din Buz\u0103ul de alt\u0103dat\u0103 (XXXIV)<\/p>\n

Cu V. Voiculescu la P\u00e2rscov \u0219i mai departe (IV)<\/strong><\/p>\n

La marginea frumosului spa\u0163iu al primilor ani de pruncie \u2013 casa, gr\u0103dina, iazul, copacii \u015fi florile din ograd\u0103 \u2013 se afl\u0103 cel\u0103lalt univers, de care aminteam: satul. \u00cent\u00e2mplarea a f\u0103cut ca el s\u0103 fie descoperit de V. Voiculescu prin c\u00e2teva puncte \u201efierbin\u0163i\u201c: Hanul, hora, \u015fantierul noii \u015fcoli, r\u00e2ul Buz\u0103u \u2013 loc al unor escapade pesc\u0103re\u015fti de neuitat pentru toata via\u0163a, Muchea, plin\u0103 de c\u0103l\u0163una\u015fi \u015fi viorele prim\u0103vara \u015f.a. \u015ei nu \u00een ultimul r\u00e2nd biserica \u2013 spa\u0163iu de purificare moral\u0103, cu s\u0103rb\u0103tori fundamentale, despre care viitorul scriitor va face m\u0103rturisiri ce pun \u00een lumin\u0103, f\u0103r\u0103 nici un fel de dubii, cheia de bolt\u0103 a form\u0103rii \u015fi orient\u0103rii lui spirituale \u015fi intelectuale, ca \u015fi pe aceea a \u00eentregii opere poetice de la senectute.
\n\u201eHanul cu ur\u015fi\u201c, numit a\u015fa pentru c\u0103 aci p\u00e2rscovenii puteau vedea ursarii pun\u00e2nd animalele dresate s\u0103 danseze, constituie unul din reperele importante ale satului, iar copilul n\u0103scut s\u0103 devin\u0103 scriitor nu-l poate omite din amintirile lui, a\u015fa cum i s-au \u00eentip\u0103rit acelea \u00een memorie pe c\u00e2nd f\u0103cea primele tentative de a cunoa\u015fte mai de aproape \u015fi alte orizonturi dec\u00e2t cele ce se sf\u00e2r\u015feau cu casa \u015fi gr\u0103dina, ori cu \u201eprisaca chiaburilor albine\u201c.
\nUn text ap\u0103rut postum \u015fi \u00eendelung comentat de c\u0103tre biografii lui V. Voiculescu, intitulat chiar a\u015fa Poemul Hanului cu ur\u015fi, ne aduce azi \u015fi aceast\u0103 m\u0103rturie \u2013 cea a cunoa\u015fterii \u015fi descoperirii de care aminteam.
\nDescrierile cuprinse \u00een acest text sunt f\u0103cute de scriitor dup\u0103 o tehnic\u0103 pe care am numi-o cinematografic\u0103: \u00eent\u00e2i sunt \u201epanoramate\u201c cadrele, altfel spus situarea topografic\u0103 a hanului (\u201ea\u015fezat \u00een inima muncelelelor, la \u00eembuc\u0103tura a patru v\u0103i\u201c), apoi c\u0103r\u0103rile \u015fi drumurile ce se \u00eentretaie \u00een locul cu pricina (\u201edrumul oii\u201c, \u201edrumul s\u0103rii\u201c, \u201edrumul oalelor \u015fi ulcelelor\u201c, \u201edrumul lemnului\u201c), pentru ca \u2013 \u00een fine \u2013 s\u0103 afl\u0103m c\u0103 \u201ela r\u0103sp\u00e2ntia lor, hanul sta ca o trec\u0103toare de hotar \u00eentre munte \u015fi \u015fes, pus s\u0103 ia vam\u0103 tuturor c\u00e2te se v\u00e2nturau \u00eentre am\u00e2ndou\u0103\u201c.
\nSchimbarea de cadru \u2013 de la cel general, panoramic la cel mai apropiat apare fireasc\u0103, exact ca-ntr-o secven\u0163\u0103 de film: \u201eCl\u0103dit din piatr\u0103, cu acoperi\u015f larg de \u015findril\u0103 (hanul, n.n.) el \u00ee\u015fi deschidea din tind\u0103, de-a lungul unei s\u0103li ce-l str\u0103b\u0103tea de la un cap la altul od\u0103ile mari s\u0103 g\u0103zduiasc\u0103 un sat, afar\u0103 de pol\u0103\u0163ile din dos, unde s\u0103l\u0103\u015fluia hangiul, cu nevasta, pui\u0163a copiilor, ad\u0103ugat\u0103 cu arga\u0163i \u015fi slujnice. Dup\u0103 un timp, Oan\u0103 \u00eei anin\u0103, la un pr\u0103gu\u015f al p\u00e2r\u00e2ului de-al\u0103turi, o moar\u0103, un darac \u015fi o piv\u0103. Iar sub o co\u015farc\u0103 prip\u0103\u015fi un me\u015fter cu foaie \u015fi nicoval\u0103. A\u015fa c\u0103 forfota nu se mai sf\u00e2r\u015fea: de peste drum era oprit\u0103 pentru hodin\u0103 \u015fi g\u0103zduire; peste b\u0103\u015ftina\u015fii veni\u0163i la t\u00e2rguieli sau cinste, mai erau gospodarii din dou\u0103zeci de sate, care la m\u0103cinat, care la sc\u0103rm\u0103nat l\u00e2n\u0103 ori b\u0103tut dimie; unii s\u0103-\u015fi potcoveasc\u0103 vitele ori s\u0103-\u015fi ferece ro\u0163ile; al\u0163ii s\u0103-\u015fi dreag\u0103 armele sau m\u0103car s\u0103-\u015fi potriveasc\u0103 alte chei \u00een locul celor pierdute. To\u0163i treceau, \u015fi la venit \u015fi la \u00eenapoiat, prin curtea hanului, la toate ceasurile zilei \u015fi nop\u0163ii, c\u0103ci pietrele morii, sc\u0103rm\u0103n\u0103torile \u015fi pivele nu adormeau niciodat\u0103, apele nu aveau hodin\u0103. P\u00e2n\u0103 s\u0103 le vie r\u00e2ndul la moara \u00eengreuiat\u0103, ori la celelalte… ei a\u015fteptau la han cinstind. V\u0103zduhul huia necontenit de huruitul morii, \u015fuierul scocului, b\u0103tutul barosului, r\u0103gete \u015fi nechez\u0103ri, pocnete \u015fi bice, h\u0103ieli \u015fi \u00eenjur\u0103turi; numai duminicile \u015fi s\u0103rb\u0103torile se ostoiau, ca s\u0103 dea r\u00e2nd l\u0103utarilor. Atunci cre\u015ftea larma hanului, numai deschis pentru nego\u0163 \u015fi petrecere.\u201c
\nDe altfel tot acest fragment, prezentarea general\u0103 a hanului nu-i altceva dec\u00e2t o preg\u0103tire pentru ceea ce va urma: apari\u0163ia ursarilor \u015fi a jivinelor dresate de ei s\u0103 joace dup\u0103 cum li se c\u00e2nt\u0103.<\/p>\n","protected":false},"excerpt":{"rendered":"

Dan D. G\u00ceRJOAB\u0102 I. \u00cen pragul t\u0103cerii E o lini\u0219te \u00een v\u0103zduh ca o rug\u0103 de copil adormit. Z\u0103pada cade<\/p>\n","protected":false},"author":17,"featured_media":25249,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"ngg_post_thumbnail":0,"video_url":"","footnotes":""},"categories":[7,329],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/25263"}],"collection":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/users\/17"}],"replies":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=25263"}],"version-history":[{"count":1,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/25263\/revisions"}],"predecessor-version":[{"id":25265,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/25263\/revisions\/25265"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/media\/25249"}],"wp:attachment":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=25263"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=25263"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=25263"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}