{"id":24378,"date":"2025-03-07T00:36:34","date_gmt":"2025-03-06T21:36:34","guid":{"rendered":"https:\/\/ziarulderimnic.ro\/?p=24378"},"modified":"2025-03-07T00:36:34","modified_gmt":"2025-03-06T21:36:34","slug":"cenaclul-alexandru-sihleanu-1-martie-2025","status":"publish","type":"post","link":"https:\/\/ziarulderimnic.ro\/?p=24378","title":{"rendered":"Cenaclul Alexandru Sihleanu – 1 Martie 2025"},"content":{"rendered":"

TALENT \u0218I CULTUR\u0102, DOU\u0102 NO\u021aIUNI CE DEFINESC ADEV\u0102RATUL ARTIST<\/strong><\/p>\n

\tS\u00e2mb\u0103t\u0103, 01 martie, Sf. Cuv. Mc. Evdochia; Sf. Cuv. Domnina (S\u00e2mb\u0103ta Sfin\u021bilor Cuvio\u0219i), \u0219edin\u021ba Cenaclului literar Alexandru Sihleanu de la Centrul Cultural Florica Cristoforeanu din R\u00e2mnicu S\u0103rat a debutat cu momentul in memoriam celor pleca\u021bi dintre noi: Gheorghe \u0218aramet, Grigore Radu St\u0103nescu, Florea Costache, \u0218tefan \u0218erb\u0103nescu, Mihai Voicu, Mircea. V. Homescu, Matinc\u0103 Costea, Smarandache (Manea) Aghean\u0103, George Anghel. Dumnezeu s\u0103-i odihneasc\u0103 \u00een pace!
\n\tDl col. Mihai Doina a lecturat la momentul in memoriam: \u201eRespect\u00e2nd tradi\u021bia, azi, la zi de s\u0103rb\u0103toare, celebr\u00e2nd venirea prim\u0103verii, am pl\u0103cerea s\u0103 ofer un m\u0103r\u021bi\u0219or\u2026 vocal (datorit\u0103 situa\u021biei) tripletei de aur a cenaclului: Mircea V. Homescu, Matinc\u0103 Costea \u0219i Smarandache (Manea) Aghean\u0103. V-am preg\u0103tit istoricul, semnifica\u021bia \u0219i legenda m\u0103r\u021bi\u0219orului.
\n\tS\u0103rb\u0103toarea de azi este specific rom\u00e2neasc\u0103 \u0219i vine de la str\u0103mo\u0219ii no\u0219tri tracii. Primele m\u0103r\u021bi\u0219oare au ap\u0103rut \u00eenc\u0103 de acum 8.000 de ani. Pe vremea dacilor m\u0103r\u021bi\u0219oarele erau confec\u021bionate \u00een timpul iernii \u0219i constau din pietricele albe \u0219i ro\u0219ii \u00een\u0219irate pe o a\u021b\u0103. Boga\u021bii confec\u021bionau m\u0103r\u021bi\u0219oare din monede at\u00e2rnate de fire sub\u021biri de m\u0103tase sau de l\u00e2n\u0103, vopsite \u00een negru \u0219i alb. Monedele din aur, bronz, sau argint indicau statutul social.
\n\tM\u0103r\u021bi\u0219orul era purtat toat\u0103 luna martie. Dacii considerau c\u0103 aceste amulete aduc fertilitate, frumuse\u021be, noroc \u0219i vreme bun\u0103, precum \u0219i prevenirea arsurilor din cauza soarelui. Este \u0219i explica\u021bia oferirii m\u0103r\u021bi\u0219orului doar la partea feminin\u0103.
\n\tRo\u0219u \u0219i alb, din \u0219nurul m\u0103r\u021bi\u0219orului, apare \u00eempreun\u0103 cu legenda babei Dochia, care \u00ee\u0219i trimite fiica s\u0103 spele haine la r\u00e2u, pe timp geros \u0219i cu burni\u021b\u0103. Fiica pl\u00e2ngea \u0219i sp\u0103la. A ap\u0103rut un t\u00e2n\u0103r care se numea M\u0103r\u021bi\u0219or. Afl\u00e2nd de ce pl\u00e2nge fata, el i-a oferit o floare, pe care i-a prins-o \u00een p\u0103r \u0219i a \u00eendemnat fata s\u0103 spele \u00eenc\u0103 o dat\u0103 hainele, care au devenit deodat\u0103 albe, curate, precum erau noi. Acas\u0103, mama cea rea a v\u0103zut floarea din p\u0103rul fiicei. Crez\u00e2nd c\u0103 a venit prim\u0103vara, b\u0103tr\u00e2na a pornit cu turma de oi pe munte. Pe drum vremea era frumoas\u0103, iar b\u0103tr\u00e2na a renun\u021bat treptat la cojoacele pe care le purta\u2026 \u0219i erau zece de toate. Dar \u00een v\u00e2rful muntelui b\u0103tr\u00e2na a fost prins\u0103 de burni\u021b\u0103. A ap\u0103rut \u0219i t\u00e2n\u0103rul M\u0103r\u021bi\u0219or \u0219i a transformat oile \u0219i b\u0103tr\u00e2na \u00een pietre. De atunci ro\u0219u \u0219i alb simbolizeaz\u0103 lupta \u00eentre bine \u0219i r\u0103u, \u00eentre iarn\u0103 \u0219i prim\u0103var\u0103.
\n\tB\u0103tr\u00e2na Dochia a existat \u00een realitate, numele ei \u00eentreg: Evdochia. Ru\u0219ii cre\u0219tini-ortodoc\u0219i de stil vechi o s\u0103rb\u0103toresc anual la 1 martie. \u00cen folclorul rom\u00e2nesc am \u00eent\u00e2lnit \u0219ase babe \u0219i \u0219ase mo\u0219negi. Echilibrul se p\u0103streaz\u0103. Babele: Baba Cloan\u021ba, Baba Dochia, Baba H\u00e2rca, Baba Novac, Baba Oarba, Ali Baba. Mo\u0219negii: Mo\u0219 Cr\u0103ciun, Mo\u0219 Ajun, Mo\u0219 Martin, Mo\u0219 Nicolae, Mo\u0219 Ion Roat\u0103, Mo\u0219 Ene. \u00cen limba dacilor \u201ebaba\u201d semnifica: tat\u0103, preot, \u00een\u021belept. Zilele babelor semnifica cele zece cojoace ale Evdochiei.
\n\tLa vechii traci \u00eenceputul anului se s\u0103rb\u0103torea la 1 martie, luna care purta numele zeului Marsyas Silen, considerat inventatorul fluierului. Cultul s\u0103u era legat de glia matern\u0103 \u0219i de vegeta\u021bie. Acesta era considerat ocrotitor al c\u00e2mpului \u0219i al turmelor. Acesta personifica rena\u0219terea naturii. Lui \u00eei erau consacrate s\u0103rb\u0103torile prim\u0103verii, ale florilor \u0219i fecundit\u0103\u021bii naturii.
\n\t\u00cen literatur\u0103 prima men\u021bionare a m\u0103r\u021bi\u0219orului apar\u021bine lui Iordache Golescu. Dar \u0219i Tudor Arghezi face specula\u021bii asupra m\u0103r\u021bi\u0219orului. Amintesc aici volumul Cu bastonul prin Bucure\u0219ti. Prin pitorescul descrierii locurilor din capital\u0103. Arghezi introduce \u0219i o glum\u0103, pe care \u00eemi permit s\u0103 o transcriu: \u201eUn giuvaergiu, ca s\u0103-\u0219i v\u00e2nd\u0103 firele miraculoase ale m\u0103r\u021bi\u0219orului, a avut ideea s\u0103 at\u00e2rne de ele c\u00e2te o m\u0103rturie, care a intrat \u00een pre\u021b. Pe c\u00e2nd se pl\u0103tea firul, bijuteria era gratuit\u0103. Regula s-a stricat c\u00e2nd bijuteria a \u00eenceput s\u0103 fie v\u00e2ndut\u0103, devenind firul de m\u0103tase gratuit\u2026\u201d
\n\t\u2026Vine repede \u0219i 9 martie, ziua de mucenici: atunci se suprapun dou\u0103 s\u0103rb\u0103tori \u2013 ultima \u201ezi a Babelor\u201d \u0219i prima \u201ezi a Mo\u0219ilor\u201d. Atunci se omagiaz\u0103 cei 40 Mucenici ar\u0219i pentru credin\u021ba lor. Noi, to\u021bi, cei vii, suntem obliga\u021bi s\u0103-i omagiem cu 40 de pahare (dar nu goale, ci golite)\u201d.
\n\tA continuat lectorul de serviciu dl Alexandru Gabriel Dinu, alias Alecsander Dinuenze, cu un eseu Spadasinul \u00eensetat de perfec\u021biune. V\u0103 ofer lectura:
\n\t\u201e(Spadasinul \u00eensetat de perfec\u021biune). \u00cen ad\u00e2ncurile Japoniei, c\u00e2nd cea\u021ba dimine\u021bii \u00eembr\u0103\u021bi\u0219eaz\u0103 duios p\u0103durile de bambus \u0219i felinarele de piatr\u0103 arunc\u0103 umbre tremur\u0103toare peste florile de lotus ce \u00eempodobesc gra\u021bios smaraldul iazului sihastru, o siluet\u0103 \u00eentunecat\u0103 \u00ee\u0219i ajusteaz\u0103 p\u0103l\u0103ria de paie \u0219i porne\u0219te \u00eeng\u00e2ndurat\u0103 pe o mic\u0103 potec\u0103 pietruit\u0103. Trop\u0103itul sandalelor de lemn reverbereaz\u0103 domol printre parcelele rebele de iarb\u0103 ce se ivesc timid din pavajul drumului singuratic. Rozalii \u0219i pure, florile de cire\u0219 danseaz\u0103 \u00een v\u00e2rtejuri sublime de culoare, purtate suav pe melancolicul c\u00e2ntec de flaut al v\u00e2ntului pribeag. De pe ramurile arborilor \u00eenflori\u021bi, alunec\u0103 melodios ultimele pic\u0103turi de rou\u0103, \u00een timp ce silueta misterioas\u0103 \u00ee\u0219i continu\u0103 drumul. Roba neagr\u0103 cu care se acoperea era zdren\u021buit\u0103 \u0219i murd\u0103rit\u0103 pe alocuri de ro\u0219iatice pete de s\u00e2nge, prin barba lui aspr\u0103 \u0219i ne\u00eengrijit\u0103 trecea u\u0219or boarea bl\u00e2nd\u0103 \u0219i r\u0103coroas\u0103 a dimine\u021bii. Un singur lucru str\u0103lucea la acest c\u0103l\u0103tor enigmatic, t\u0103i\u0219ul s\u0103biilor \u00eencinse la br\u00e2u care rev\u0103rsau sc\u00e2ntei argintii sub umbra Por\u021bilor Torii. Ecoul numelui s\u0103u \u00eengrozea to\u021bi spadasinii \u021a\u0103rii Soarelui R\u0103sare, Miyamoto Musashi. \t\u00cen copil\u0103ria sa, Musashi era un r\u00e2u ne\u00eembl\u00e2nzit, curg\u00e2nd haotic \u0219i cu o for\u021b\u0103 colosal\u0103 spre marea \u00eenvolburat\u0103 a contradic\u021biilor l\u0103untrice. \u00centre disciplinele riguroase ale artelor mar\u021biale \u0219i chemarea unei libert\u0103\u021bi primordiale, el a ales calea sabiei, transformat\u0103 de m\u00e2inile sale \u00eentr-un instrument al perfec\u021biunii. S\u0103biile m\u00e2nuite de el dep\u0103\u0219eau stadiul de simple arme, ele deveneau o extensie a sufletului s\u0103u \u00eensetat de des\u0103v\u00e2r\u0219ire. T\u0103i\u0219urile lor erau o punte \u00eentre lumea v\u0103zut\u0103 \u0219i cea nev\u0103zut\u0103, un liman auriu al ordinii \u0219i clarit\u0103\u021bii. Sub cerul nop\u021bii care era prins \u00eentr-un dans etern cu stelele, t\u00e2n\u0103rul Musashi a \u00eenv\u0103\u021bat s\u0103-\u0219i tempereze focul interior, s\u0103-\u0219i ascut\u0103 mintea \u0219i spiritul la fel de bine ca t\u0103i\u0219urile katanelor sale. \tFiecare duel al lui Musashi era un spectacol de o frumuse\u021be terifiant\u0103, un balet \u00eentre via\u021b\u0103 \u0219i moarte, \u00een care mi\u0219c\u0103rile sale p\u0103reau orchestrate de o m\u00e2n\u0103 divin\u0103. \u00centr-un c\u00e2mp luminat de razele trandafirii ale apusului, unde bambusul fream\u0103t\u0103 sub adierea p\u0103tima\u0219\u0103 a v\u00e2ntului, el \u00ee\u0219i g\u0103sea echilibrul \u00eentre for\u021b\u0103 \u0219i subtilitate. Mi\u0219c\u0103rile sale erau precum valurile m\u0103rii ce se rostogolesc ne\u00eencetat, o combina\u021bie de gra\u021bie \u0219i brutalitate ce l\u0103sa martorii f\u0103r\u0103 cuvinte. \u00cen astfel de momente, katanele lui str\u0103luceau ambiguu sub soare, reflect\u00e2nd nu doar lumin\u0103, ci \u0219i dorin\u021ba arz\u0103toare de atingere a perfec\u021biunii absolute. Acum ca alte d\u0103\u021bi, el c\u0103l\u0103tore\u0219te singur pe drumul des\u0103v\u00e2r\u0219irii, precum o comet\u0103 ce str\u0103bate infinitul. Ajuns \u00eentr-o p\u0103dure de bambus, unde fo\u0219netul frunzelor se contope\u0219te cu \u0219oaptele v\u00e2ntului, el \u00ee\u0219i scoate s\u0103biile \u0219i \u00eencepe un dans al perfec\u021biunii. Fiecare lovitur\u0103 devine un haiku dumnezeiesc, iar fiecare mi\u0219care un tribut adus universului. T\u0103i\u0219ul sabiei sale despic\u0103 aerul, cre\u00e2nd o muzic\u0103 mut\u0103, \u00een timp ce el reflecteaz\u0103 la conceptul de perfec\u021biune, la armonia dintre lumin\u0103 \u0219i \u00eentuneric. Istovit de antrenament, se a\u0219eaz\u0103 l\u00e2ng\u0103 o cascad\u0103 \u00eenspumat\u0103, desf\u0103c\u00e2nd un pergament \u00eenvechit \u0219i demonstr\u00e2nd c\u0103 m\u00e2nuie\u0219te arta \u00een\u021belepciunii la fel de bine ca arta sabiei. Pe genunchii s\u0103i str\u0103luce\u0219te Go Rin No Sho-Cartea celor cinci cercuri. De data aceasta e p\u0103tat de cerneal\u0103 \u0219i nu de s\u00e2nge. El dest\u0103inuie pe pergament tainele acumulate \u00eendelungul unei vie\u021bi dedicate auto-\u00eembun\u0103t\u0103\u021birii continue. Aici, g\u00e2ndurile sale despre strategie, via\u021b\u0103 \u0219i moarte s-au preschimbat \u00een cuvinte \u0219lefuite armonios, asemenea unor flori de cire\u0219 ce alunec\u0103 delicat pe p\u0103m\u00e2ntul reav\u0103n \u00eenecat de lucirile solare. El a v\u0103zut perfec\u021biunea nu ca pe un sf\u00e2r\u0219it, ci ca pe o c\u0103l\u0103torie, o c\u0103utare ne\u00eencetat\u0103 de a transcende limitele umane. \u00cen fiecare duel, \u00een fiecare lovitur\u0103, se afla un univers de cunoa\u0219tere. Totodat\u0103, el g\u0103sea ecouri ale acestei perfec\u021biuni \u00een arta servirii ceaiului, \u00een modelarea sublim\u0103 a vaselor de lut, \u00een fine\u021bea gr\u0103din\u0103ritului autentic \u0219i \u00een orice activitate monden\u0103 ce, rafinat\u0103 de voin\u021ba \u0219i ingeniozitatea uman\u0103, poate \u00eentruchipa des\u0103v\u00e2r\u0219irea pur\u0103\u201d.
\n\tLectorul de ast\u0103zi, prin stilul s\u0103u \u0219i \u021bin\u00e2nd cont de v\u00e2rst\u0103, merge pe urmele eroului s\u0103u, c\u0103tre perfec\u021biune. M\u0103 \u00eenclin \u0219i \u00eei urez drum bun, s\u0103 ating\u0103\u2026 perfec\u021biunea!
\n \u201eAst\u0103zi, \u00een format restr\u00e2ns, dar plin de valoare, reu\u0219e\u0219te s\u0103 ne intre \u00een suflet t\u00e2n\u0103rul nostru coleg Dinu Alexandru. Folosind cuvintele ca o spad\u0103, \u00eencearc\u0103 s\u0103 le m\u00e2nuiasc\u0103 cu talent, dar \u0219i cu gra\u021bie. Apreciind cultura japonez\u0103, este un t\u00e2n\u0103r pe cale de a o iubi necondi\u021bionat. Privindu-l pe t\u00e2n\u0103rul Dinu, f\u0103r\u0103 s\u0103 vreau, m\u0103 g\u00e2ndesc la un t\u00e2n\u0103r japonez, care se plimb\u0103 diminea\u021ba pe sub cire\u0219ii \u00eenflori\u021bi, \u00een buzunar av\u00e2nd o carte cu haiku-uri \u0219i la cing\u0103toare o katana. Cred c\u0103 se duce spre maestrul s\u0103u, care pe l\u00e2ng\u0103 arta nobil\u0103 a m\u00e2nuirii armei, \u00eel va \u00eenv\u0103\u021ba \u0219i ce \u00eenseamn\u0103 r\u0103bdarea, curajul \u0219i devotamentul. T\u00e2n\u0103rul Dinu concentreaz\u0103 \u00een scrierea sa r\u00e2nduri pline de esen\u021b\u0103. M\u0103 mir c\u0103 \u00ee\u0219i g\u0103sesc locul \u0219i cuvinte din domeniul artei armelor \u0219i din domeniul sensibilit\u0103\u021bii. A\u0219 vrea s\u0103 \u00eei amintesc c\u0103 al\u0103turi de haiku-ul japonez se g\u0103se\u0219te \u0219i limerick-ul englezesc. T\u00e2n\u0103rul nostru are un curaj extraordinar. Poate c\u0103, acum mii de ani \u00een urm\u0103, un t\u00e2n\u0103r japonez a trecut \u0219i prin neamurile sale de demult. Japonezii, c\u00e2nd plecau la lupt\u0103, spuneau, strig\u0103tul lor r\u0103zboinic: \u201eTora! Tora! Tora!\u201d A\u0219 vrea s\u0103 spun c\u0103 acest cuv\u00e2nt Tora, este folosit \u0219i de evrei, c\u00e2nd se refer\u0103 la cartea lor sf\u00e2nt\u0103. Ce ne-a prezentat ast\u0103zi dl Dinu, sper s\u0103 fie numai \u00eenceputul unui studiu pe care s\u0103-l dezvolte \u00een ani de zile. Minte are, deschidere are, cuvintele \u00eei sunt la \u00eendem\u00e2n\u0103. \u00cel rog s\u0103 le foloseasc\u0103. A\u0219 dori s\u0103 \u00eenchei apun\u00e2ndu-i: Tora! Tora! Tora! dl Dinu, pentru c\u0103 meri\u021bi!\u201d (Dan Zanfirescu)
\n\t\u201eSurpriza zilei: a ap\u0103rut un t\u00e2n\u0103r scriitor \u201ejaponez\u201d, l\u00e2ng\u0103 un inginer \u201ejaponez\u201d. \u00cen fiecare suflet doarme c\u00e2te un talent. Dl Dinu a reu\u0219it s\u0103 trezeasc\u0103 talentul s\u0103u, iar azi \u00eel urc\u0103 deasupra celorlalte talente ale sale. Ceea ce ne-a prezentat ast\u0103zi, este \u00een concordan\u021b\u0103 cu cerin\u021bele literaturii. Textul este \u00eengrijit, elegant, reflect\u0103 g\u00e2ndurile \u0219i emo\u021biile autorului. Limbajul este entuziasmant, metaforic \u0219i uneori figurant. Acestea reflect\u0103 \u0219i lecturile pe care le-a parcurs. Crea\u021bia prezentat\u0103 ast\u0103zi este \u00eenc\u00e2nt\u0103toare \u0219i frumoas\u0103, dezv\u0103luind un suflet ginga\u0219, vis\u0103tor \u0219i sensibil, dar mai dezv\u0103luie \u0219i un \u201epix\u201d inspirat, \u00eenzestrat cu imagina\u021bie mult\u0103. Stilul este \u00eengrijit, elegant. Mi se pare foarte reu\u0219it\u0103 alegerea primei zile de prim\u0103var\u0103 pentru prima lectur\u0103 \u00een cenaclu a unui coleg foarte t\u00e2n\u0103r, precum este prim\u0103vara \u00eentre anotimpurile anului, iar vremea pl\u0103cut\u0103 de azi, dup\u0103 cea geroas\u0103 \u0219i ur\u00e2t\u0103, arat\u0103 c\u0103 lectorul este \u00een gra\u021biile divinit\u0103\u021bii. Azi s-au adunat mai multe zile de s\u0103rb\u0103toare: prima zi de prim\u0103var\u0103, prima lecturare \u00een cenaclu \u0219i prima dintre \u201ezilele Babei\u201d. T\u00e2n\u0103rul dovede\u0219te o maturitate \u00een exprimare. Felicit lectorul \u0219i \u00eei urez un drum drept \u00een cultura r\u00e2mnicean\u0103 \u0219i nu numai, zile senine \u0219i reu\u0219ite f\u0103r\u0103 num\u0103r!\u201d (Mihai Doina)
\n\tS\u00e2mb\u0103t\u0103, 08 martie, \u00eencep\u00e2nd cu ora 11:00, lectorul de serviciu al \u0219edin\u021bei Cenaclului \u201eAlexandru Sihleanu\u201d va fi dl Dan Zanfirescu. O s\u0103pt\u0103m\u00e2n\u0103 frumoas\u0103 \u0219i spor la scris! V\u0103 a\u0219tept\u0103m, cu drag!<\/p>\n","protected":false},"excerpt":{"rendered":"

TALENT \u0218I CULTUR\u0102, DOU\u0102 NO\u021aIUNI CE DEFINESC ADEV\u0102RATUL ARTIST S\u00e2mb\u0103t\u0103, 01 martie, Sf. Cuv. Mc. Evdochia; Sf. Cuv. Domnina (S\u00e2mb\u0103ta<\/p>\n","protected":false},"author":15,"featured_media":4784,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"ngg_post_thumbnail":0,"video_url":"","footnotes":""},"categories":[307,7],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/24378"}],"collection":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/users\/15"}],"replies":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=24378"}],"version-history":[{"count":1,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/24378\/revisions"}],"predecessor-version":[{"id":24379,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/24378\/revisions\/24379"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/media\/4784"}],"wp:attachment":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=24378"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=24378"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=24378"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}