{"id":2435,"date":"2015-10-13T09:38:04","date_gmt":"2015-10-13T06:38:04","guid":{"rendered":"http:\/\/ziarulderimnic.ro\/?p=2435"},"modified":"2015-10-14T10:02:42","modified_gmt":"2015-10-14T07:02:42","slug":"muzica-88","status":"publish","type":"post","link":"https:\/\/ziarulderimnic.ro\/?p=2435","title":{"rendered":"Ora de muzic\u0103 88"},"content":{"rendered":"<p><a href=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2015\/10\/image5.jpeg\" data-rel=\"lightbox-image-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-2436 aligncenter lazyload\" data-src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2015\/10\/image5.jpeg\" alt=\"image\" width=\"212\" height=\"183\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 212px; --smush-placeholder-aspect-ratio: 212\/183;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-2436 aligncenter\" src=\"http:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2015\/10\/image5.jpeg\" alt=\"image\" width=\"212\" height=\"183\" \/><\/noscript><\/a><\/p>\n<p style=\"text-align: justify;\">V-am vorbit despre minu\u021biozitatea lui Sting. \u0218i-a trecut \u00een catastiful cu c\u00e2ntece fiecare disc ap\u0103rut vreodat\u0103 sub semn\u0103tur\u0103 proprie.<br \/>\nDe nu foram \u00een ad\u00e2ncuri, precum TBM-ul de sf\u0103r\u00e2mat piatr\u0103 pentru tunele, r\u0103m\u00e2neam f\u0103r\u0103 o apari\u021bie sub titlul Sting at the Movies, o colec\u021bie cu melodiile ap\u0103rute ca soundtrack-uri \u00een filme, \u00eencunun\u00e2nd astfel o activitate de 25 de ani. Sunt \u0219aptesprezece la num\u0103r patru sunt, le ve\u021bi recunoa\u0219te, crea\u021bii de pe timpul lui Police \u0219i doar le voi \u00een\u0219irui: De Do Do Do, De Da Da Da, I norn For You, Need Your Love So Bad, Englishman in New York, Someone To Watch Over Me, Demolition Man, Shape Of My Heart, All For Love, The Secret Marriage, This Cowboy Song, It&#8217;s Probably Me, Angel Eyes, Moonlight, My One And Only Love, Fragile, Murder by Numbers, Valparaiso. De notat ziua public\u0103rii: 1 Decembrie 1997. Japonia.<br \/>\nBrand New Day. C\u00e2ntecul \u0219i videoclipul. De fapt invers. Videoclipul p\u00e2n\u0103 aproape de final e un pic&#8230;, aduce a infatuare. Nu neap\u0103rat rolul de Iisus jucat de Sting, ci c\u00e2teva gesturi care mie mi se par nelalocul lor. M\u00e2inile care fac loc prin mul\u021bime, m\u00e2inile care impun \u00eengenuncherea, cei patru bodygarzi, cer\u0219etorul \u00een genunghi de asemenea&#8230;. Sunt \u00eens\u0103 \u0219i m\u00e2ini care aduc fericire, sunt&#8230;. Piesa este o realizare, nu putea face discordan\u021b\u0103 cu timpurile \u0219i vine cu o completare la Mercury Falling, cu o \u00eembun\u0103t\u0103\u021bire sau mai bine zis cu o maturizare a melodiilor pe care eu le credeam prea ,,u\u0219oare&#8221; fa\u021b\u0103 de preten\u021biozitatea \u0219i pre\u021biozitatea din trecut a muzicianului. Versurile ocup\u0103 vreo trei pagini, cuvintele sunt de tip complementar, iubire, restartare&#8230;. Mi-au adus aminte, f\u0103r\u0103 vrere, de ,,rock-ul de dragoste&#8221; al lui George Nicolescu, ,,sunt b\u0103rbatul, e\u0219ti femeia&#8230;&#8221;, asta a\u0219a ca s\u0103 fie \u00eentre cei f\u0103r\u0103 vedere. Stevie Wonder este coparticipant la instrumenta\u021bie, aduc\u00e2nd binecunoscutele-i pasaje de muzicu\u021b\u0103, \u00eentregind un tablou muzical de o calitate deosebit\u0103. E o schimbare normal\u0103 de sound, timpurile timbrale se \u00eennoiser\u0103, se \u00eembun\u0103t\u0103\u021biser\u0103 substan\u021bial \u0219i aspectul \u0103sta se datoreaz\u0103 lui Kipper, dar \u0219i b\u0103ncilor de tonuri din ce \u00een ce mai rafinate ale celor de la Spectrasonics, companie fundat\u0103 \u00een 1994 de Eric Persing, unul dintre pionierii revolu\u021biilor instrumentelor cu claviaturi \u0219i de soft, av\u00e2nd printre realiz\u0103ri sunetele de la seriile Roland JV, XP, mai b\u0103tr\u00e2nul dar novatorul D50, c\u00e2t \u0219i toate cunoscutele programe muzicale de calculator, instrumente virtuale, Atmosphere, Trillian, Stylus, Omnisphere, adev\u0103rate depozite de ,,&#8230; the rhythm in your tune&#8230;&#8221; ca s\u0103-l citez pe Sting, de basuri, chit\u0103ri, piane, viori, fonduri, pad-uri dup\u0103 numele englezesc, dintre cele mai rafinate \u0219i mai ciudat emise, un complex de \u00eenregistr\u0103ri de \u00eenalt\u0103 calitate cu zeci de microfoane&#8230;. Ca s\u0103 nu par\u0103 vorb\u0103 goal\u0103 afirma\u021biile mele, v\u0103 dezv\u0103lui procesul de fabricare al unuia dintre sunete. Au luat un pian, i-au montat microfoane dedesubt, deasupra, la pedale, l\u00e2ng\u0103 clape&#8230;, i-au dat foc \u0219i au \u00eenceput s\u0103 \u00eenregistreze fiecare mocneal\u0103 \u0219i ardere. Burning Piano se nume\u0219te acest nou instrument.<br \/>\nEste aproape imposibil s\u0103 mai auzi \u00een crea\u021biile pop din zilele noastre ca prima descindere de voce s\u0103 apar\u0103 la minutul 1 secunda 29 a\u0219a cum o face Sting \u00een A Tousand Years, o pies\u0103 de aproape \u0219ase minute, prima de pe album, un ,,bluz&#8221; ce abund\u0103 de tonuri complexe, de fundaluri \u00eenchise la culoare ce induc calm, triste\u021be, acompaniate de isonul vocii t\u00e2nguit pe chitara pref\u0103cut\u0103 parc\u0103 \u00een vioar\u0103 c\u00e2ntat\u0103 \u00een flageolete, flancate de o ritmic\u0103 precis\u0103, clar\u0103, f\u0103r\u0103 imixtiuni de armonice. Textul descinde printre mii \u0219i milioane de vie\u021bi, minciuni, certitudini, ignoran\u021be, universuri, toate pentru un singur deziderat: eterna iubire pentru EA.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>V-am vorbit despre minu\u021biozitatea lui Sting. \u0218i-a trecut \u00een catastiful cu c\u00e2ntece fiecare disc ap\u0103rut vreodat\u0103 sub semn\u0103tur\u0103 proprie. De<\/p>\n","protected":false},"author":7,"featured_media":2436,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"ngg_post_thumbnail":0,"video_url":"","footnotes":""},"categories":[7,116],"tags":[216,232,117,148,121,270,272,139],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/2435"}],"collection":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2435"}],"version-history":[{"count":3,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/2435\/revisions"}],"predecessor-version":[{"id":2451,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/2435\/revisions\/2451"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/media\/2436"}],"wp:attachment":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2435"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2435"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2435"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}