{"id":24041,"date":"2024-12-22T18:26:26","date_gmt":"2024-12-22T15:26:26","guid":{"rendered":"https:\/\/ziarulderimnic.ro\/?p=24041"},"modified":"2024-12-22T18:26:26","modified_gmt":"2024-12-22T15:26:26","slug":"spatii-culturale-nr-97-13","status":"publish","type":"post","link":"https:\/\/ziarulderimnic.ro\/?p=24041","title":{"rendered":"Spa\u021bii culturale nr. 97 (13)"},"content":{"rendered":"<p><strong>REVISTE LITERARE<\/strong><\/p>\n<p>A c o l a d a, Anul XVIII, nr. 10 (205), octombrie<br \/>\n2024, Satu Mare. Eseurile \u0219i comentariile sunt realizate<br \/>\nRadu Ulmeanu, A\u0219a nu se mai poate, C. D. Zeletin, Un<br \/>\nflorilegiu al suferin\u021bei, Theodor Codreanu, Eminescu \u00een<br \/>\nnote jurnaliere (V), Magda Ursache, Vremi de science<br \/>\nfiction, Vasile Duda, Ovidiu Petca \u0219i fereastra alegoriei<br \/>\npe\u0219terii lui Platon, Mircea Popa, Memorialistica feminin\u0103<br \/>\na deten\u021biei comuniste, Adrian Dinu Rachieru, Despre<br \/>\n\u201eMigra\u021bii&#8230;\u201d, Isabela Vasiliu-Scraba, Revolverul oniric<br \/>\n(I), \u0218tefan Ion Ghilimescu, Anatol France, romancierul<br \/>\nasasinat (I), Leo Butnaru, Succesul \u0219i excesul, Pavel<br \/>\n\u0218u\u0219ar\u0103, Un artist revoltat: Alexandru Trifu. Interviul<br \/>\nAcoladei este realizat de Lucia Negoi\u021b\u0103 cu Gerhard Puri<br \/>\n(I). Alt interviu: Adrian George Itoaf\u0103 \u2013 Florin Dochia.<br \/>\nCritica literar\u0103 este f\u0103cut\u0103 de Gheorghe Grigurcu (Dumitru<br \/>\nAugustin Doman, Zidul de cea\u021b\u0103), Tudorel Urian (Ioan T.<br \/>\nMorar, C\u00e2nd plou\u0103 m\u0103 numesc altfel), Zenovie C\u00e2rlugea<br \/>\n(Sonia Elvireanu, Privirea&#8230; un r\u0103s\u0103rit), Adrian \u021aion<br \/>\n(Simona-Grazia Dima, Fulguriator), Dorina Stoica (Nina<br \/>\nElena Plopeanu, Solomonarul), Constantin Stancu (Daniel<br \/>\nMarian, s\u0103lb\u0103ticiuni), Daniel Marian (Dan Rotaru, Firul<br \/>\nde aer, Savu Popa, De-a v-a\u021bi ascunselea cu poezia,<br \/>\nMarilena Apostu, Ridurile a\u0219tept\u0103rii, Anda Mihaela<br \/>\nMiroiu, Pa\u0219tele Cailor, Lucia Ileana Pop, Sc\u00e2ntei din<br \/>\numbre), Marian Odangiu (Daniela V\u0103leanu, Poezii &#038;<br \/>\nPoems). Spuma zilelor \u0219i nop\u021bilor de lectur\u0103 (Minerul care<br \/>\nscoate aurul din biblioteci) \u0219i din Jurnal (\u201eFlorile<br \/>\npresate\u201d) sunt pagini oferite de Dumitru Augustin Doman,<br \/>\nrespectiv, Gheorghe Grigurcu. Poezia este semnat\u0103 de<br \/>\nDiana Trandafir, Adrian Iftime, Carolyn Mary Kleefeld<br \/>\n(prezentare \u0219i traduceri de Olimpia Iacob), proza, de Ion<br \/>\nToma Ionescu, parodia, de Lucian Per\u021ba \u0219i pamfletul, de<br \/>\nFlorica Bud.<\/p>\n<p>Actualitatea literar\u0103, Anul XIII, nr. 131, august-septembrie 2024, Lugoj.<br \/>\nEseurile, comentariile, varia sunt<br \/>\nrealizate de Nicolae Silade, Despre problemele poeziei \u0219i<br \/>\nale criticii literare, Remus V. Giorgioni, Din nou despre<br \/>\npoe\u021bi &#038; poezie \u0219i \u201ePoarta \u00eentredeschis\u0103\u201d (C\u00e2te ceva<br \/>\ndespre moarte), Cornel Ungureanu, Cu \u0219i despre Niky<br \/>\nWolcz, Adrian Dinu Rachieru, \u201eCazul Doina\u0219\u201d (III), Ionel<br \/>\nBota, Alte \u00eensemn\u0103ri despre poezia lui Geo Dumitrescu,<br \/>\nNina Ceranu, Doru Ar\u0103zan, Gheorghe Seche\u0219an,<br \/>\nSimboluri esen\u021biale \u00een poemul Luceaf\u0103rul, de Mihai<br \/>\nEminescu, Alexandru Moraru, Sub cupola eternit\u0103\u021bii \u0219i<br \/>\nFavoritul sor\u021bii, Carmen Melania Biz\u0103u, Istoria Cercului<br \/>\nCititorilor \u0219i a Cercului Burghez din Dumbrava, Magda<br \/>\nUrsache, Cer pauz\u0103 la realitate! George Motroc este \u00een<br \/>\ndialog cu Sabina Yamamoto, Liliana Popa cu Aura Christi<br \/>\n\u0219i Vasile Proca cu Gheorghe Mihai B\u00e2rlea. Poezia este<br \/>\nsemnat\u0103 de Nicolae Silade, Eugen Dorcescu, Marian<br \/>\nOprea, Anastasia Coste, Vasile Dan Marchi\u0219, Alexandru<br \/>\nSf\u00e2rlea, Victoria Fonari, Laz\u0103r Magu, Luca Cipolla,<br \/>\nLucilla Trapazzo (prezentare \u0219i traducere de Nicoleta<br \/>\nCr\u0103ete), proza, de Constantin Severin, George Dimitriu,<br \/>\nCosmin Popa. Critic\u0103 literar\u0103 fac: Radu Ciobanu (Silviu<br \/>\nGuga, Incredibile iubiri), Const. Miu (Varujan Vosganian,<br \/>\nDublu autoportret), Radu A. Cern\u0103tescu (Marian Apostol,<br \/>\nP\u00e2n\u0103 la cap\u0103t), Adina Alexandrescu (Nicolae Silade,<br \/>\nEverest), Ana Dobre (Andrei Breab\u0103n, Cavalerii Crucii),<br \/>\nAdrian \u021aion (Pan M. Vizirescu \u0219i Bilete de papagal),<br \/>\nGheorghe Seche\u0219an (Mihai Ursulescu, V\u00e2n\u0103torul de<br \/>\namurguri), Silvia-Gabriela Alm\u0103jan (Eugen Dorcescu,<br \/>\nMonts\u00e9gur). La Gheorghe Seche\u0219an au ajuns c\u0103r\u021bile:<br \/>\nGeorge Nina Elian, Gra\u021bia cu care moare o frunz\u0103, Vasile<br \/>\nMuste, Blesteme \u0219i Clelia Ifrim, Mieii lui Abel.<\/p>\n<p>Antares, Anul XXVI, nr. 315-316-317, iulie-august-septembrie 2024, Gala\u021bi-Br\u0103ila.<br \/>\nEdi\u021bia se deschide cu articolul lui Mihai Eminescu, E ciudat c\u0103 tocmai noi&#8230;<br \/>\n(Timpul, 23 sept. 1878). Eseurile \u0219i varia sunt realizate de<br \/>\nDan Gr\u0103dinaru, Mihail Kog\u0103lniceanu, un portret (10),<br \/>\nAdrian Buzdugan, R\u0103zboiul despre care se tace (IV),<br \/>\nValentin Popa, Paul Strepol \u0219i asocia\u021bia Globalit, Leonard<br \/>\nRotaru, Centenar Ion Rotaru, A. P., Lumea lui Denis<br \/>\nTeodorescu (7 picturi pe ultima pagin\u0103 a revistei). Interviu<br \/>\nrealizat de Cornel Simion Galben cu Constantin C\u0103lin<br \/>\n(2019). Poezia este semnat\u0103 de Laura C\u0103t\u0103lina Dragomir,<br \/>\nOctavian Soviany, Edward Estlin Cummings (traducere de<br \/>\nMircea Iv\u0103nescu), Valeriu Valegvi, Gabriel Gherb\u0103lu\u021b\u0103,<br \/>\nPenelopa Zadar, Alexandru Cazacu, Ion Zimbru, Giuseppe<br \/>\nUngaretti (traducere de Nicoleta Dabija), iar proza, de<br \/>\nVasile Datcu, Rodica Bretin, Ion Manea, Ana-Maria<br \/>\nZl\u0103vog, George David, George Dimitriu. Critic\u0103 literar\u0103<br \/>\nfac: Ghi\u021b\u0103 Nazare (Sorin Lungu, Gala\u021bi, ancore \u00een trecut),<br \/>\nOctavian Mihalcea (Octavian Soviany, \u0219aizeci\u0219i\u0219ase),<br \/>\nVasile Leonte (Valeriu Valegvi, Colinele-nvolburate,<br \/>\nGabriel Gherb\u0103lu\u021b\u0103, Joc \u00een doi), Virginia Dimofte-Chiriac<br \/>\n(Ghi\u021b\u0103 Nazare, Lecturi \u00een oglind\u0103), Titi Damian (Florin<br \/>\nAlexandru-Collombo, Avangarda c\u0103peteniei h\u00e2de).<\/p>\n<p>ARGE\u0218, Anul XXIV (LVIII), nr.11 (509), noiembrie<br \/>\n2024. Remarc\u0103m: eseurile, studiile \u0219i varia realizate de<br \/>\nNinel Ganea, Dialectica vie\u021bii moderne, Calinic<br \/>\nArge\u0219eanul, Din frumuse\u021bea lumii v\u0103zute, Gheorghe<br \/>\nGrigurcu, Jurnal de idei, Octavian Soviany, Macedonski \u2013<br \/>\nteoretician al noului, Dumitru Ungureanu, C\u0103r\u021bi necitite la<br \/>\ntimp, Radu Aldulescu, Cu Nobelul \u0219i c\u0103r\u021bile pe mas\u0103, C.E.<br \/>\nSalub, Festivalul Na\u021bional de Muzic\u0103 Folk TRIVALE FEST<br \/>\n2024, Arthur Suciu, Demnitate, Dan Ciachir, Jurnal 2021,<br \/>\nSorin Antohi, Idei \u0219i zile, Gheorghe Smeoreanu, Ce este<br \/>\nvia\u021ba de calitate \u0219i cum poate fi un om c\u00e2t mai moral cu<br \/>\nputin\u021b\u0103, Mircea B\u00e2rsil\u0103, Poezia ca document de existen\u021b\u0103,<br \/>\nMagda Ursache, Dialectul s(c)lav, Cristian Cocea,<br \/>\nM\u0103rirea \u0219i dec\u0103derea scriitorului rom\u00e2n, Dorel T\u0103taru,<br \/>\nPragul b\u0103rb\u0103\u021biei, Mihai Barbu, Tunisia. Pledoarie pentru<br \/>\nlocul unde se vinde fericirea, Vlad Alui Gheorghe, Solo vs.<br \/>\nSolo, Adrian Vasiliu, Grazie di esistere, cartea lui Mircea<br \/>\nFlonta, Filosofia \u00eentr-o lume pragmatic\u0103, aflat\u0103 \u00een<br \/>\ndezbatere: David Ilina, Mircea Flonta despre filosofia<br \/>\ndespre lumea \u00een care tr\u0103im, Ioan Ursu, \u0218ase convorbiri cu<br \/>\nLeonid Dragomir, Lucian Surdu, Profesorul \u00een lumea<br \/>\nnoastr\u0103, Horia Vicen\u021biu P\u0103tra\u0219cu, Filosofie f\u0103r\u0103 adev\u0103r?<br \/>\ncritica literar\u0103 f\u0103cut\u0103 de Nicolae Oprea (Istoria unui destin<br \/>\nliterar: Vladimir Streinu), Sorin Lavric (Alexandru<br \/>\nMironescu, Admirabila t\u0103cere), Jean Dumitra\u0219cu<br \/>\n(Vladimir Streinu, Curs de estetica poeziei), Dan<br \/>\nAnghelescu (Mihaela Albu, Cuvintele mor \u00een picioare),<br \/>\nMihai Posada (Simona-Grazia Dima, Fulguriator). Poezia<br \/>\neste semnat\u0103 de Fran\u00e7ois Villon (traducere de Gabriel<br \/>\nP\u00e2rvan), Mircea B\u00e2rsil\u0103, Andreea-Daniela Com\u0103nescu,<br \/>\nMikola Skuba (traducere de Leo Butnaru), Cristian<br \/>\nMele\u0219teu, Grigore Chitul \u0219i Paul-Mircea Iordache, iar<br \/>\nproza, de Andrei Ungureanu.<\/p>\n<p>Ateneu, Anul 61 (serie nou\u0103), nr. 662, octombrie<br \/>\n2024, Bac\u0103u. Eseurile, comentariile \u0219i varia sunt realizate<br \/>\nde Al. Ioanid, Fragmentarium, Alin Sebastian Popa,<br \/>\nSimpozionul Na\u021bional \u201eVasile P\u00e2rvan\u201d, edi\u021bia 2024, (A.),<br \/>\nSimpozionul Na\u021bional de Estetic\u0103 \u0219i Premiul \u201eRadu<br \/>\nBeligan\u201d, In memoriam Constantin C\u0103lin scriu Emil<br \/>\nNicolae \u0219i Dan Petru\u0219c\u0103, iar in memoriam Victor Mitocaru<br \/>\nscrie (R). Ioan D\u0103nil\u0103, Bac\u0103ul (pre)primar (LXV) \u2013<br \/>\nLimitele unui CD\u0218, \u201eDe la Casa Alecsandri, la Casa<br \/>\nZeletinilor\u201d, Tele\u0219coala \u201eAteneu\u201d\u2013 Eveniment editorial-\u0219tiin\u021bific<br \/>\n\u0219i dialog cu Dinu Fl\u0103m\u00e2nd: Bacovia este<br \/>\nadev\u0103ratul punct de cotitur\u0103 \u00een poezia rom\u00e2neasc\u0103 de<br \/>\ndup\u0103 Eminescu, C. Hanganu , Veronica Boc\u0103ne\u021b-C\u0103lin<br \/>\n\u0219i-a onorat locul natal cu o expozi\u021bie \u0219i o carte, Marius<br \/>\nManta, Sergiu Grap\u0103 \u2013 utopii, distopii \u0219i interviu cu<br \/>\nBianca Rotaru: La Tescani e ca \u0219i cum am voie s\u0103 pictez \u00een<br \/>\nmuzeu f\u0103r\u0103 griji c\u0103 \u00eemi cade culoare pe jos, Elena Ciobanu,<br \/>\nC\u00e2nd Ulise este doar Percy Jackson, Cecilia Moldovan,<br \/>\nS-a \u00eentors poetul \u00een casa p\u0103rinteasc\u0103!, Vasile-Bogd\u0103nel<br \/>\nAntochi, Dintotdeauna acas\u0103, Carmen Mihalache, Cehov<br \/>\n\u00eentr-o nou\u0103 viziune \u0219i Tamara Constantinescu \u0219i bulg\u0103rii<br \/>\nei de timp teatral, Gheorghe Iorga, O introducere \u00een poezia<br \/>\narab\u0103 modern\u0103 \u2013 Conjuncturi, prejudec\u0103\u021bi, iner\u021bii (2),<br \/>\nOzana Kalmuski-Zarea, Vise \u00eenaripate, \u00eenfl\u0103c\u0103rate: Liviu<br \/>\nD\u0103nceanu \u2013 70, Dan Petru\u0219c\u0103, Exista \u00een t\u00e2rgul Bac\u0103ului o<br \/>\nvia\u021b\u0103 boem\u0103, Cornel Simion Galben, Personalit\u0103\u021bi<br \/>\nb\u0103c\u0103uane: Diana Lupescu, Daniel-\u0218tefan Pocovnicu, \u00cen<br \/>\ndeplin\u0103 lumin\u0103, Liviu Franga, Fulgura\u021bii \u0219i iriz\u0103ri (3),<br \/>\nConstantin \u021a\u00eenteanu, Ascuns \u00een v\u0103zul lumii, Ion Fercu,<br \/>\nProiectul de via\u021b\u0103 \u0219i sensul vie\u021bii, Leo Butnaru, Localitate.<br \/>\nCritica literar\u0103 este f\u0103cut\u0103 de Adrian Jicu, (Nona)Genaru,<br \/>\nPetre Isachi (George Cornil\u0103, Hasdeu. Duhuri), Violeta<br \/>\nSavu (Val M\u0103nescu, Mai mult dec\u00e2t at\u00e2t), Tudor Cicu<br \/>\n(Roxelana Radu, Victor Cobzac, \u00centoarcerea), Ionel<br \/>\nSavitescu (Barry Strauss, Zece Cezari). Cronic\u0103 de film:<br \/>\nVioleta Savu, Locul perfect unde s\u0103 nu faci un podcast.<br \/>\nPoezia este semnat\u0103 de Oana Goia, Mih\u00f3k Tam\u00e1s, Silvia<br \/>\nP\u0103tr\u0103\u0219canu \u0219i Maggie Sawkins (prezentare \u0219i traducere de<br \/>\nRaluca-Ioana Crucerescu).<\/p>\n<p>Boem@, anul XVI, nr. 188, octombrie 2024,<br \/>\nGala\u021bi. Eseurile sunt realizate de Petru Ababii, Fenomenul<br \/>\ntranscenden\u021bei \u00een poezia lui M. Eminescu \u0219i Ligia Doina<br \/>\nConstantinescu, Spa\u021biul traducerii ca juxtapunere cu<br \/>\nalteritatea \u2013 II (exemplific\u0103ri: poezie de Doina Uricariu \u0219i<br \/>\nPetre R\u0103u). Critic\u0103 literar\u0103 fac: Mihai Mihalache (Poezia<br \/>\ncre\u0219tin\u0103 preotului-poet Ignatie Grecu), Ana Dobre<br \/>\n(Sebastian Golomoz, Aura lui Sebastian), Petre R\u0103u<br \/>\n(Camelia Mitu, Trezire \u0219i Ignatie Grecu, Adaos la potirul<br \/>\nc\u00e2nt\u0103rii), Dumitru Nicodim-Romar (Geta Lipovanciuc,<br \/>\nAlbe p\u0103s\u0103ri \u00een c\u0103tu\u0219e), Lucia P\u0103tra\u0219cu (Dorin Uritescu,<br \/>\nFirimituri literare), Cristian Mladin (Adriana Mo\u021b, Sub<br \/>\nsemnul clepsidrei). Poezia este semnat\u0103 de Constantin<br \/>\nOanc\u0103, Sandu Teodor, Ana Opran, Mihaela Gudan\u0103, Ella<br \/>\nLeynard, Violeta Andrei Stoicescu, Nicolae Nistor, Maria<br \/>\nTomi\u021b\u0103-Corini, M\u00f3nika T\u00f3th, Luca Cipolla, Omar<br \/>\nKhayyam \u0219i proza, de Dumitru B\u0103lu\u021b\u0103, Aurel Brum\u0103, Ion<br \/>\nDulugeac, Mariana Al-Saleh \u0219i Eugen Oniscu.<br \/>\nBucovina literar\u0103, serie nou\u0103, anul XXXV, nr. 7-<br \/>\n8-9 (401-402-403)\/ 2024, Suceava. Poezia este scris\u0103 de<br \/>\nIon Pop (autograf), Romulus Bucur, A.T. Branca,<br \/>\nConstantin Severin, Alexandru Petria, Suzana F\u00e2nt\u00e2nariu,<br \/>\nAdrian Alui Gheorghe, Z\u00e1vada P\u00e9ter (traducere \u0219i<br \/>\nprezentare de Mih\u00f3k Tam\u00e1s), Nicolae Tzone, Ioan Vintil\u0103<br \/>\nFinti\u0219, proza, de Matei Vi\u0219niec, Marian Ilea, Dan Per\u0219a,<br \/>\nAlexandru Jurcan, Liviu G. Stan, Vasile Aioanei,<br \/>\naforisme, de Gheorghe Grigurcu. Interviurile apar\u021bin lui<br \/>\nAlexandru Ovidiu Vintil\u0103 cu Ioan Es. Pop (in memoriam)<br \/>\n(2011) \u0219i George Motroc cu Maria Orban. Critic\u0103 literar\u0103<br \/>\nfac: Ioan Holban (George Astalo\u0219. 10 ani de la moarte),<br \/>\nSavu Popa (Adrian Alui Gheorghe, Nu-i mai a\u0219tept\u0103m pe<br \/>\nbarbari), Romeo Aurelian Ilie (Valeria Co\u021bofan\u0103, Pentru<br \/>\nce tr\u0103im \u0219i pentru cine murim?), Dumitru Augustin Doman<br \/>\n(Magda Ursache, Universitatea care ucide \u00eenso\u021bit\u0103 de<br \/>\nuniversitatea care se sinucide), Stavrofora Elena<br \/>\nSimionovici (Doina Cernica, Pe aripi de mori de v\u00e2nt \u0219i de<br \/>\ncarte), Alis Niculic\u0103 (Vasile Aioanei, Pedeapsa divin\u0103).<br \/>\nComentariile, eseurile sunt realizate de Alexandru Ovidiu<br \/>\nVintil\u0103, Poetul cu patru nume \u2013 Doru Mihai Mateiciuc,<br \/>\nAdrian Dinu Rachieru, Constantin C\u0103lin \u0219i \u201ecritica<br \/>\nm\u0103runt\u0103\u201d, Emil Nicolae, Telefonul t\u0103cut&#8230;, Doina Cernica,<br \/>\nA plecat Domnul Constantin C\u0103lin din Bucovina, Liviu<br \/>\nPapuc, Scrisori reg\u0103site (XV), Niadi-Corina Cernica,<br \/>\nBabyloniaca. Mitologie babilonian\u0103, Marius Chelaru,<br \/>\nAlexandru T. Stamatiad \u0219i lirica nipon\u0103. O nou\u0103 edi\u021bie a<br \/>\nE\u0219arfelor de m\u0103tase (1), Liviu Ofileanu, Pagini de jurnal<br \/>\n(IX), Liviu Antonesei, Mircea Gheorghe \u0219i literatura<br \/>\nb\u0103tr\u00e2ne\u021bii, Isabel Vintil\u0103, Centenarul suprarealismului.<br \/>\nGellu Naum \u2013 Primitivitatea l\u0103untric\u0103, Felix Nicolau,<br \/>\nModalit\u0103\u021bi de evaluare a cantit\u0103\u021bii de estetic \u00een literatura<br \/>\nrom\u00e2n\u0103. <\/p>\n<p>Bucure\u0219tiul literar \u0219i artistic, anul XIV, nr. 10<br \/>\n(157), octombrie 2024. Eseurile, consemn\u0103rile, istoria<br \/>\nliterar\u0103, varia sunt realizate de Florentin Popescu, Mai<br \/>\navem &#8211; totu\u0219i! \u2013 \u0219i primari de isprav\u0103 (editorial) \u0219i<br \/>\nScriitorul Nicolae Rotaru a devenit amintire, Reporter,<br \/>\nF\u0103r\u0103 tam-tam \u0219i f\u0103r\u0103 publicitate s-a fondat Biblioteca<br \/>\ns\u0103teasc\u0103 FLORENTIN POPESCU \u0219i Invita\u021bie la<br \/>\nCAFENEAUA LITERAR\u0102, Octavian Onea, Cu sculptorul<br \/>\nVlad Ciobanu \u00een tab\u0103ra de la Kopaonik, Serbia, Dumitru<br \/>\nMatal\u0103, Ceea ce d\u0103uneaz\u0103 grav armoniei, Ion Haine\u0219,<br \/>\nMihail Sebastian. Vasile Voiculescu 1889-1963 \u2013 140 de<br \/>\nani de la na\u0219tere: Ultimele sonete&#8230;, Am trecut prin toate&#8230;<br \/>\n(interviu de N. Crevedia), G\u00e2nduri, atitudini, sentimente,<br \/>\nDalia Bialkovski, Constantin Mur \u0219i plutirea spre \u00eenalt,<br \/>\nRadu Adrian, File de istorie (XV), Firi\u021b\u0103 Carp, Portugalia<br \/>\nprintr-un om, Titus V\u00eejeu, Edith S\u00f6dergran, Marian<br \/>\nNencescu, De la Zoroastru la Zarathustra. Mituri vechi \u00een<br \/>\nhaine noi, Adrian Popa, Un eveniment cultural de marc\u0103<br \/>\nla Palatul Br\u0103tianu, Ion Andrei\u021b\u0103, Evoc\u00e2ndu-l pe De<br \/>\nGaulle. Critic\u0103 literar\u0103 fac: Florentin Popescu (Nichifor<br \/>\nCrainic, Zile albe, zile negre. Amintiri din via\u021ba mea),<br \/>\nAlexandru Cazacu (Florea Firan, Memoria emigra\u021biei),<br \/>\nTania Jilavu (Ion Munteanu, Iar peste ape a c\u0103zut o stea),<br \/>\nCrina Decusar\u0103 Boc\u0219an (Daniela-Olgu\u021ba Iordache, Uria\u0219ii.<br \/>\nEseuri \u0219i reportaje arhaice). Poezia este semnat\u0103 de<br \/>\nComan \u0218ova, Edith S\u00f6dergran (traducere de Veronica<br \/>\nPorumbacu), Gela Enea, Savian Mur, proza, de Ion Gorun<br \/>\n(1863-1929), Emil Dinga \u0219i Vasile Szolga. La Atelierul<br \/>\nArtelor vizuale: Vasile Voiculescu \u2013 140. Ve\u0219minte ale<br \/>\noperei.<\/p>\n<p>Cafeneaua literar\u0103, Anul XXII, nr. 10\/260,<br \/>\noctombrie, 2024, Pite\u0219ti. Premiile revistei: Adrian Dinu<br \/>\nRachieru \u2013 Premiul pentru Critic\u0103 \u0219i istorie literar\u0103,<br \/>\nRadu Aldulescu \u2013 Premiul OPERA OMNIA pentru<br \/>\nroman, Ioan Vintil\u0103 Finti\u0219 \u2013 Premiul pentru Poezie,<br \/>\nConstantin Manea \u2013 Premiu pentru Traduceri, Cristian<br \/>\nMele\u0219teu \u2013 Premiul pentru Roman. Eseurile \u0219i<br \/>\ncomentariile sunt realizate de Ion Simu\u021b, Un mare prozator<br \/>\n\u00eentr-un con de umbr\u0103: Bedros Horasangian, Jean<br \/>\nDumitra\u0219cu, Genera\u021bia \u02bc60 \u2013 genera\u021bia socialismului (ep.<br \/>\n37) \u2013 Nicolae Drago\u0219, c\u00e2nt\u0103re\u021bul viteazului Ceau\u0219escu,<br \/>\nAdrian Dinu Rachieru, Florin Mugur, un poet uitat?<br \/>\nMagda Ursache, SF-ul nostru cel de toate zilele, Cleopatra<br \/>\nLorin\u021biu prezint\u0103 Arhiva Gheorghe Tomozei: Miron Radu<br \/>\nParaschivescu: \u201eautor al unor poeme durabile, capabile<br \/>\ns\u0103-i sugereze \u0219i prin ne\u00eemplinire, \u00eemplinirea\u201d. La Arte<br \/>\npoetice se afl\u0103 poezie de Virgil Diaconu, Cornel Florin<br \/>\nCuble\u0219an, Alexandru Petria \u0219i Anca Daniela Lovin. Critica<br \/>\nliterar\u0103 este f\u0103cut\u0103 de Ana Dobre (Gabriel Garcia Marquez,<br \/>\nNe vedem \u00een august), Ionel Bota (\u201eM\u00e2ndrul vis\u201d.<br \/>\nSpectacol \u0219i melancolie \u00een poezia lui \u0218t. O. Iosif \u0219i<br \/>\nIerarhiile inviolabile. Om \u0219i Dumnezeu \u00een cartea de debut<br \/>\na lui Lucian Blaga), Iulian Chivu (Marian Chivu,<br \/>\nAmprentele timpului, Mirela-Ioana Dorcescu, Bucuria<br \/>\ntextului), Liliana Rus (Paul Auster, Palatul lunii), Cristian<br \/>\nMele\u0219teu (Andrei D\u00eerl\u0103u, Cartea lucrurilor tainice).<br \/>\nPoezie semneaz\u0103: Nicole Sere, Ioan Vintil\u0103 Finti\u0219, Virgil<br \/>\nDiaconu \u0219i&#8230; Epopeea lui Izdubar (traducere de Liana<br \/>\nAlecu). Actualitate: Lidia Vianu, Touched by an Angel\/<br \/>\nAtins de \u00eenger, Virgil Diaconu, Singur sub aripi\/ Alone<br \/>\nunder the Wings, Mihai Nicolae, C\u0103l\u0103torii identitare.<br \/>\nRom\u00e2nii megie\u0219i &#8211; 2, Virgil Diaconu, Die Blaue<br \/>\nUmarmung\/ \u00cembr\u0103\u021bi\u0219area albastr\u0103, Andrei D\u00eerl\u0103u,<br \/>\nPandemia. <\/p>\n<p>Caiete silvane, nr.237, octombrie 2024, Zal\u0103u.<br \/>\nEseurile, comentariile, varia sunt realizate de Alice Valeria<br \/>\nMicu, Pledoarie pentru apropiere, Imelda Chi\u021ba,<br \/>\nAutoportret \u00een&#8230; Zbor, Marcel Lucaciu, Nelini\u0219ti r\u0103zle\u021be<br \/>\n(X), Doina Adriana Nicol\u0103i\u021b\u0103, S\u0103v\u00e2r\u0219inul, mereu o atrac\u021bie<br \/>\nliterar\u0103, Alexandru Jurcan, Anul Kafka, Alexandru Bogdan K\u00fcrti,<br \/>\nConferin\u021b\u0103 dedicat\u0103 celui mai important<br \/>\nfilosof rom\u00e2n, Marta Petreu, Cum este filosofia lui Blaga,<br \/>\nMarin Pop, Emil Lobon\u021biu, primar al ora\u0219ului \u0218imleul<br \/>\nSilvaniei, Ioan F. Pop, Texte de trecut (in)existen\u021ba,<br \/>\nMonica Mare, Aspecte etnografice legate de satul<br \/>\nN\u0103pradea, Vasile Hatos, Conferin\u021be despre Dante \u0219i<br \/>\nPapini la Floren\u021ba, Viorel Cernica, O interpretare a<br \/>\nautenticit\u0103\u021bii existen\u021biale \u0219i a opusului s\u0103u. Interviuri :<br \/>\nMircea Popa cu Ion Talo\u0219 (IV) \u0219i Alexandru-Bogdan K\u00fcrti<br \/>\ncu Sergiu Chiril\u0103. Semnal: Viorel Gh. T\u0103utan, Cu ochii \u00een<br \/>\npatru (Memorii altfel). Critic\u0103 literar\u0103 fac: Viorel Mure\u0219an<br \/>\n(Ioan Moldovan, Azi), Carmen Ardelean (Scriitori din<br \/>\n\u021aara Silvaniei), Menu\u021b Maximinian (Ion Radu Zegreanu,<br \/>\nJurnalul cu haikuuri), Adrian Lesenciuc (Rodica Fle\u0219ariu<br \/>\nMarinescu, Amprente italiene), Voichi\u021ba Lung (Nikos<br \/>\nKazantzakis, S\u0103r\u0103cu\u021bul lui Dumnezeu), Tudor Alexandru<br \/>\nTrif (Constantin Acosmei, Juc\u0103ria mortului). Poezia este<br \/>\nsemnat\u0103 de Vasile Dan Marchi\u0219 (\u00eenso\u021bit\u0103 de parodia lui<br \/>\nLucian Per\u021ba), Codru\u021ba Vancea, Marco Pelliccioli<br \/>\n(traducere: Lucia Ileana Pop), Viorel T\u0103utan, Ioan<br \/>\nMoldovan, Silvia Bodea S\u0103l\u0103jan, Alexandru Cazacu,<br \/>\nNicolae Nistor, Teodor S\u0103r\u0103cu\u021b-Com\u0103nescu, M\u0103d\u0103lina<br \/>\nVirginia Antonescu, Anda Com\u0219a-Chi\u0219, Radu Chiorean,<br \/>\nAlina Caraghin, Hans Magnus Enzensberger (traducere:<br \/>\nIleana M\u0103l\u0103ncioiu \u0219i Aurelian State) iar proza, de Daniel<br \/>\nHoblea \u2013 60 (in memoriam) \u0219i C\u0103t\u0103lina Ha\u0219otti. <\/p>\n<p>Convorbiri literare, anul CLVII, nr. 9 (345),<br \/>\nseptembrie 2024, Ia\u0219i. Din bogatul sumar scoatem \u00een<br \/>\neviden\u021b\u0103 aici eseurile realizate de Cassian Maria Spiridon,<br \/>\nPoezia realelor \u0219i universul liric, Mircea Martin,<br \/>\nPledoarie pentru o comunitate intelectual\u0103, Ion Papuc,<br \/>\nDelia Muntean, Theodor Codreanu, Grigore Vieru \u0219i<br \/>\nontologia poetic\u0103 a dorului (II), \u0218tefan Afloroaei, Faptul<br \/>\ndistinct al recunoa\u0219terii. Gadamer \u0219i Kawabata, Mircea<br \/>\nPopa, Mihai Ralea, Mircea Platon, Reforma sistemului de<br \/>\neduca\u021bie \u00een Afganistan. Contribu\u021bia exper\u021bilor rom\u00e2ni (I),<br \/>\nGheorghe Cliveti, Sf\u00e2r\u0219itul tragic al lui N. Iorga \u0219i<br \/>\nreaprinderea disputei \u00eentre \u201etradi\u021bionali\u0219ti\u201d \u0219i<br \/>\n\u201emoderni\u0219ti\u201d literari pe timpul anilor 1941-1946 (I), Ioan<br \/>\nHolban, C\u0103rturar \u0219i c\u0103l\u0103tor, Constantin Bostan, Memoria<br \/>\nce nu vrea s\u0103 se piard\u0103: Vasile Ciurea, \u00een scrisori c\u0103tre C.<br \/>\nMot\u0103\u0219 (I), aforismele lui Gheorghe Grigurcu, dialogul lui<br \/>\nTraian Sandu cu Elionor Danusia Popescu, r\u0103spunsul lui<br \/>\nIulian Boldea la ancheta revistei, Actualitatea<br \/>\njunimismului. Apoi, poezia semnat\u0103 de Miron Kiropol,<br \/>\nMircea Streinul, Aura Christi, Elena Vulc\u0103nescu, Lina<br \/>\nCodreanu, proza, de Alexa Pa\u0219cu, Dan Marius Cosma,<br \/>\ncritica literar\u0103 f\u0103cut\u0103 de Daniel Cristea-Enache (Mihai<br \/>\nUrsachi, Paji\u0219tea rotund\u0103 din v\u00e2rful de ac), Ioan Lascu<br \/>\n(Horia G\u00e2rbea, Amintiri cu poduri), Constantin Dram (Dan<br \/>\nPer\u0219a, Icar 89), Alexandra Olteanu (Ion Mure\u0219an,<br \/>\nIndulgen\u021be), Adrian Dinu Rachieru (Dinastia P\u0103unescu),<br \/>\nVasile Spiridon (Petru Dumitriu. Faldurile<br \/>\nsubcon\u0219tientului), Antonio Patra\u0219 (Literatura gulagului,<br \/>\n\u00eentre document \u0219i fic\u021biune), Otilia Ungureanu (Monica<br \/>\nPillat, O candel\u0103 \u00een noapte), Cristina Scarlat (Mircea<br \/>\nB\u00e2rsil\u0103, Vise, Reverii, Vedenii), Adrian G. Romila<br \/>\n(Alexandru N. Stermin, C\u0103zu\u021bi din jungl\u0103), Gellu Dorian<br \/>\n(Ion Pop, Proba focului), Ioana Diaconescu (Radu<br \/>\nFlorescu, Ritualuri de \u00eemb\u0103tr\u00e2nire a sufletului), Gabriel<br \/>\nBurlacu (Varujan Vosganian, Dublu autoportret),<br \/>\nAlexandru Cazacu (Adrian Lesenciuc, gEneida), Diana<br \/>\nDobri\u021ba B\u00eelea (Daniela Andronache, Sf\u00e2nta Sofia), Darie<br \/>\nDucan (Andrei Novac, lumea ta\/ carnea mea\/ oasele<br \/>\nnoastre), Adrian Jicu (Vasile Gribincea, Coeren\u021ba<br \/>\nlabirintic\u0103).<\/p>\n<p>Cu cioara vopsit\u0103, Anul II, nr. 4 (10)\/ 2024,<br \/>\nBro\u0219teni, Vrancea. \u201eCu cioroiul vopsit\u201d este editorialul lui<br \/>\nGheorghe Mocanu. Caricatura de pe prima pagin\u0103-copert\u0103<br \/>\napar\u021bine lui Petrache Plopeanu. Anda Toma vine cu<br \/>\nCocoficuri pentru min\u021bi juc\u0103u\u0219e. Proz\u0103 scurt\u0103 (satiric\u0103)<br \/>\nscriu: Nina Elena Plopeanu, Vasile Larco, Viorel<br \/>\nSireteanu, Corneliu Stanciu, Petrache Plopeanu, Angela<br \/>\nSilion, Const. Miu, Mihai Manolescu, Petru\u0219 Andrei,<br \/>\npoezie satiric\u0103: Const. Miu, Gheorghe Mocanu,<br \/>\nGheorghi\u021b\u0103 Sucoverschi, Maximilian Opai\u021b, Toma<br \/>\nGrigorie, Petru\u0219 Andrei, D.M. Movili\u021beanu, Mihai<br \/>\nManolescu, Mircea Manolescu, Valentin David, Liliana<br \/>\nPopa, epigrame: D.M. Movili\u021beanu, Vasile Ifrim, Toma<br \/>\nGrigorie, fabule: Vasile Ifrim, Lucica Nistor, articol de<br \/>\natitudine: Gheorghe Mocanu, \u201eCu cioara vopsit\u0103\u201d de<br \/>\nziua educa\u021biei, eseu: Mihai St\u00eencaru, Femeia \u0219i Inteligen\u021ba<br \/>\nArtificial\u0103. <\/p>\n<p>Dun\u0103rea de Jos, nr. 271, octombrie 2024, Gala\u021bi.<br \/>\nEseurile \u0219i varia sunt realizate de Theodor Vasilescu,<br \/>\nRena\u0219terea sec. XIV-XVII, Carmen Andrei, Tr\u0103dare. A<br \/>\n\u00een\u0219ela voit \u0219i perfid? \u0219i Despre bog\u0103\u021bie, universaluri<br \/>\numane \u0219i&#8230; morminte, Marius Dumitrache, In memoriam<br \/>\nJames Earl Jones, Radu Mo\u021boc, Heraldica Moldovei (XIV\u0002XIX), Corneliu Stoica, In memoriam Gheorghe I. Anghel,<br \/>\nDic\u021bionar. Arti\u0219ti plastici g\u0103l\u0103\u021beni (206), Sculptorul Florin<br \/>\nMarin a revenit \u00een ora\u0219ul natal cu o expozi\u021bie personal\u0103<br \/>\ndup\u0103 20 de ani. Critica literar\u0103 este f\u0103cut\u0103 de Octavian<br \/>\nMihalcea (Maria Calleya, Focuri albe), \u0219i Nicolae<br \/>\nBacalba\u0219a (Iosif Roca, Saga ceang\u0103ilor). Poezia este<br \/>\nsemnat\u0103 de Gabriel Gherb\u0103lu\u021b\u0103, iar proza, de Daria Voinea,<br \/>\nIon Manea \u0219i Ion Dulugeac.<\/p>\n<p>Expres cultural, Anul VIII, nr. 10 (94),<br \/>\noctombrie, 2024, Ia\u0219i. Poezia este semnat\u0103 de Petre Stoica,<br \/>\nSimona-Grazia Dima, Savu Popa, George Vigdor,<br \/>\nAlexandru Petria, iar proza, de Gellu Dorian. Eseurile,<br \/>\ncomentariile \u0219i varia sunt realizate de Liviu Ioan Stoiciu,<br \/>\n\u201eCanoniz\u0103ri\u201d conjuncturale, Nicolae Panaite, Reverii<br \/>\nautumnale, Constantin Coroiu, Ibr\u0103ileanu \u0219i cultul Iubirii,<br \/>\nLeo Butnaru, C\u0103ut\u00e2nd termeni de compara\u021bie, Nicolae<br \/>\nBusuioc, Despre boemie, Liviu Antonesei, Al. Zub 90 \u2013 Pe<br \/>\nurmele c\u0103rturarului, Daniel \u0218tefan Pocovnicu,<br \/>\n\u201eSingularit\u0103\u021bile\u201d admira\u021biei, Traian D. Laz\u0103r, Un<br \/>\nmonument livresc \u2013 Iuliei \u0219i lui B.P. Hasdeu, \u0218tefan<br \/>\nAmari\u021bei, Despre etimologia cuv\u00e2ntului Moldova,<br \/>\nGheorghe L\u0103z\u0103rescu, Punte poetic\u0103 \u00eentre culturi, Victor<br \/>\nDurnea, Un \u201eDiscipol\u201d uitat &#8211; Horia Liman, Doru<br \/>\nSc\u0103rl\u0103tescu, Sf\u00e2ntul Ierarh Dosoftei: 400 de ani de la<br \/>\nna\u0219tere, Bogdan Hanu, Post(st)\u0103ri, Eugen Munteanu,<br \/>\nR\u0103stimp parizian, 1997-2000. Jurnal epistolar (XXVI),<br \/>\nIonel Bostan, Literatura \u2013 c\u00e2mp tactic. Anii 1980, Adrian<br \/>\nAlui Gheorghe, \u201eAltarul \u00een reconfigurare\u201d la Dacian<br \/>\nAndoni, Nicolae Tzone, \u201eMinunate me\u0219tere Foar\u021b\u0103&#8230;\u201d,<br \/>\nFlavius Paraschiv, Str\u0103inii, Emanuel Vasiliu, Ea, Ioan<br \/>\nR\u0103ducea, Limitator 70, Adrian Dinu Rachieru, Marin<br \/>\nMincu, polemistul intratabil (I), Constantin Pricop,<br \/>\nPoveste despre avangard\u0103 \u0219i manifest\u0103rile ei. Critic\u0103<br \/>\nliterar\u0103 fac: Daniel Marian (Cristina Danilov, Cuf\u0103rul lui<br \/>\nCain), Cristina Scarlat (Arcadie Suceveanu, Opera<br \/>\npoetic\u0103), Vasile Fluturel (Emilian Marcu, Tainele<br \/>\ncaligrafului), Cornel Simion Galben (Daniel \u00centuneric,<br \/>\nPridvor). <\/p>\n<p>F e e d B a c k, Anul XXI, nr. 9-10, septembrie-octombrie 2024, Ia\u0219i.<br \/>\nEseurile \u0219i varia sunt realizate de<br \/>\nDaniel Corbu, Literatura \u0219i agresiva invazie a<br \/>\nmediocrit\u0103\u021bii (editorial), Poetul Aurel Dumitra\u0219cu, poezie<br \/>\n\u0219i prietenie, Theodor Codreanu \u2013 portret, Pavel G\u0103t\u0103ian\u021bu<br \/>\n(1957-2015), Ana Blandiana sau poezia ca viziune \u0219i<br \/>\ndimensiune metafizic\u0103 a fiin\u021bei, acad. Ioan-Aurel Pop,<br \/>\nDistrugerea memoriei colective, Nichita Danilov,<br \/>\nParticula lui Dumnezeu, Florin C\u00e2ntic, Imaginea ca<br \/>\nnostalgie la Mircea Eliade, Basarab Nicolescu,<br \/>\nFeminizarea social\u0103 \u0219i Dimensiunea poetic\u0103 a existen\u021bei,<br \/>\nMihai Cimpoi, Limbajul mitopo(i)etic eminescian \u0219i<br \/>\ncon\u0219tiin\u021ba de sine a poeziei rom\u00e2ne\u0219ti, Miron Kiropol,<br \/>\nCel\u0103lalt versant al vie\u021bii, Gheorghe Simon, Transparen\u021ba<br \/>\nascuns\u0103, Lucian Zeen Her\u0219covici, Mihai Eminescu \u00een<br \/>\nlimbile ebraic\u0103 \u0219i idi\u0219, Daniela Sitar-T\u0103ut, Marin Sorescu<br \/>\n\u2013 homo faber\/ homo ludens, Lucian Gruia, Afinit\u0103\u021bi<br \/>\nelective, Blaga-Br\u00e2ncu\u0219i, Sa\u0219a Pan\u0103, Evad\u0103ri, Andrei<br \/>\nSturdza, Adi Cusin (1941-2009), Jean Poncet, Importan\u021ba<br \/>\ntraducerii \u00een lumea contemporan\u0103 (traducere de Mihaela Gen\u021biana St\u0103ni\u0219or),<br \/>\nRodica Grigore, Istorie, tradi\u021bie \u0219i<br \/>\nmodernitate \u00een opera borgesian\u0103, Lazlo Alexandru,<br \/>\nLectura lui Dante. \u00cengerul r\u0103zboinic (Infernul IX).<br \/>\nInterviuri: Afrodita Cionchin \u2013 Aurelian Silvestru \u0219i<br \/>\nCassian Maria Spiridon \u2013 Mihai Ursachi (2001). Critic\u0103<br \/>\nliterar\u0103 fac: Mioara Bahna (\u0218tefan Mitroi, Atunci c\u00e2nd<br \/>\nmereu era duminic\u0103), Hora\u021biu Stamatin (George<br \/>\nVulturescu, Monograme pe pietrele nordului), Daniel<br \/>\nCorbu (Liviu \u021aiplica, Cealalt\u0103 libertate, Alexandrina<br \/>\nTulics, Ne\u00eentreruptele zboruri). Aforismele apar\u021bin lui<br \/>\nIonu\u021b Caragea. Poezia este semnat\u0103 de Alexandru Cazacu,<br \/>\nAndreea Maftei, Florina Zaharia, Liviu Antonesei, \u0218tefan<br \/>\nMitroi, Horia Zilieru, Codru\u021ba Vancea, Florentin<br \/>\nSmarandache, Adam Pusloji\u010d, Alexandru Vlad, George<br \/>\nAstalo\u0219, Valentina Becart, Alexandrina Tulics, Lhana<br \/>\nRoma-Nova, Florentin Palaghia, Adi Cusin, Ana<br \/>\nBlandiana, Fernando Pessoa (traducere de Geo Vasile),<br \/>\nJohn Digby (traducere de Olimpia Iacob), Victor Brauner,<br \/>\nMiguel de Unamuno (prezentare \u0219i traducere de Daniel<br \/>\nLascu), Nasos Vaghenas (traduceri de Andreas Rados \u0219i<br \/>\nVictor Ivanovici, Guillaume Apollinaire. Suplimentul<br \/>\nrevistei: Charles Baudelaire (traducere de Al. Philippide).<br \/>\n\u00centrez\u0103riri, Anul XII, nr. 48, decembrie 2024,<br \/>\nP\u00e2rscov. Poezia din acest num\u0103r poart\u0103 semn\u0103turile:<br \/>\nVasile Voiculescu, Nicolae Prelipceanu, Denisa<br \/>\nCom\u0103nescu, Laura Alexandru, Tudor Cicu, Passionaria<br \/>\nStoicescu, Florentina Filip, Constantin Costea, Dumitru<br \/>\nIchim, iar proza: Gh. Postelnicu. Eseurile, comentariile,<br \/>\npaginile de istorie \u0219i spiritualitate sunt realizate de Acad.<br \/>\nIoan Aurel Pop, 1 Decembrie \u2013 Ziua Na\u021bional\u0103 a Rom\u00e2niei<br \/>\n(editorial), Nicolae Prelipceanu, Pe de alt\u0103 parte (text<br \/>\npreluat din Rom\u00e2nia literar\u0103, nr. 36\/2024), Gheorghe<br \/>\nPostelnicu, Vasile Voiculescu \u00een edi\u021bii definitive (partea a<br \/>\nII-a), Elena Stroe-Otav\u0103, Gheorghe Stroe: dic\u021bionarul<br \/>\npersonajelor literare (fragmente), I. Nedelea, Vorbe \u0219i<br \/>\nt\u00e2lcuri &#8211; Agent cu secrete, George Petrovai,<br \/>\nRecomand\u0103rile g\u00e2nditorilor antici greci \u00een materie de<br \/>\nfericire, Enache Necula, Familia cre\u0219tin\u0103, Georgeta<br \/>\nTudor, Despre relativitatea adev\u0103rului \u0219i Jurnal de<br \/>\nnavetist (Via\u021ba \u00eentre dou\u0103 trenuri), Constantin Costea,<br \/>\nMe\u0219te\u0219uguri \u021b\u0103r\u0103ne\u0219ti tradi\u021bionale din depresiunea<br \/>\nTrestia-Od\u0103ile, Adrian-Nicolae Popescu, Pe torentele<br \/>\ntimpului \u0219i O cas\u0103 \u0219i mai multe suflete&#8230;, C.M. Dr\u0103gan,<br \/>\nDemocra\u021bia&#8230; m\u0103re\u021bia \u0219i dec\u0103derea na\u021bional\u0103, Dumitru<br \/>\nIchim, Urmele pa\u0219ilor \u2013 arip\u0103 vis\u00e2nd (2, 3, 4), Elis P.,<br \/>\nOamenii de l\u00e2ng\u0103 noi. Critica literar\u0103 este f\u0103cut\u0103 de Tudor<br \/>\nCicu (Aurel Covrig, O mam\u0103 \u00ee\u0219i strig\u0103 dezn\u0103dejdea) \u0219i Titi<br \/>\nDamian (Passionaria Stoicescu, De-a cerul, de-a p\u0103m\u00e2ntul<br \/>\n\u0219i de-a via\u021ba \u2013partea a doua). Rafaela Mihai este prezent\u0103<br \/>\ncu dou\u0103 xilogravuri.<\/p>\n<p>L i t e r a N o v a, Anul II, nr. 4 (8), octombrie-decembrie 2024,<br \/>\nParla, Madrid. Poezia este semnat\u0103 de<br \/>\nMihai Eminescu (cu versiune \u00een limba spaniol\u0103 de Lavinia<br \/>\nIenceanu), Cezar Baltag (cu versiune \u00een limba spaniol\u0103 de<br \/>\nDavid B\u0103lt\u0103re\u021bu), Doina Uricariu (cu versiune \u00een limba<br \/>\nspaniol\u0103 de Lavinia Ienceanu), Faustino Lobato (traducere<br \/>\ndin limba spaniol\u0103 de Drago\u0219 Cosmin Popa), Mihai<br \/>\nM\u0103niu\u021biu (cu versiune \u00een limba spaniol\u0103 de Pablo L\u00f3pez<br \/>\nGarc\u00ed), Hanna Bota (cu versiune \u00een limba spaniol\u0103 de<br \/>\nDrago\u0219 Cosmin Popa), Olimpiu Nu\u0219felean (cu versiune \u00een<br \/>\nlimba spaniol\u0103 de Drago\u0219 Cosmin Popa), Mircea B\u00e2rsil\u0103<br \/>\n(cu versiune \u00een limba spaniol\u0103 de Lavinia Ienceanu), Pavel<br \/>\n\u0218u\u0219ar\u0103 (cu versiune \u00een limba spaniol\u0103 de David B\u0103lt\u0103re\u021bu),<br \/>\nVeronica Balaj (cu versiune \u00een limba spaniol\u0103 de David<br \/>\nB\u0103lt\u0103re\u021bu), Sylvain Jules (traducere din limba francez\u0103 de<br \/>\nGabrielle Sava), Viorel Mirea (cu versiune \u00een limba<br \/>\nspaniol\u0103 de Carmen Bulzan), Teresa Gom\u00e9z (cu versiune<br \/>\ndin limba spaniol\u0103 de Felix Nicolau), Alda Merini (cu<br \/>\nversiune din limba italian\u0103 de Violeta Daniela Cop\u0103ceanu),<br \/>\nYuli Cruz Lezcano (cu versiune din limba spaniol\u0103 de<br \/>\nMarilena B. Matei), Ottilia Ardeleanu, Emanuela Bu\u0219oi,<br \/>\nDumitru Andreica, Marin Dumitrescu, iar proza, de Emilia<br \/>\nPoenaru Moldovan, Liliana Ardelean, George Dimitriu,<br \/>\nIon R. Popa, \u0218tefan Jurc\u0103. Daniela \u0218ontic\u0103 realizeaz\u0103 un<br \/>\ninterviu cu Adrian Popescu: Poezia este un act asem\u0103n\u0103tor<br \/>\nrug\u0103ciunii. Dintre eseuri, comentarii, pagini de istorie,<br \/>\nvaria amintim pe cele realizate de Mircea B\u00e2rsil\u0103, Poezia<br \/>\nlui Gabriel Chifu, Viorel Mure\u0219an, Poezia \u00eentre bufonerie<br \/>\n\u0219i litanie (la Mihai M\u0103niu\u021biu), Ioan-Aurel Pop, De ce<br \/>\ndesc\u0103lecat dinspre Transilvania? Tudor Nedelcea, Mircea<br \/>\nPopa, un (ultim?) editor de excep\u021bie, Florian Copcea,<br \/>\nEnigmele unui manuscris lexicografic din secolul al XVIII-lea,<br \/>\nPavel \u0218u\u0219ar\u0103, Artizanat, eseuri \u0219i infrastructur\u0103<br \/>\nmitologic\u0103, Vianu Mure\u0219an, Despre umbr\u0103 \u0219i t\u0103cere,<br \/>\nCristina Danilov, \u00cen vizorul terorii.<\/p>\n<p>L i t e r &#8211; C l u b, Anul IX, nr. 2-3 (34-35), iunie-decembrie 2024.<br \/>\nBiblioraftul s-a \u00eembog\u0103\u021bit cu noi volume:<br \/>\nTheodor Codreanu, Fragmentarium eminescologic, A<br \/>\ndoua schimbare la fa\u021b\u0103 \u0219i Ion Barbu \u0219i ermetismul canonic,<br \/>\nLina Codreanu, Conexiuni culturale basarabene, Lecturi<br \/>\nde frontier\u0103 \u0219i Hu\u0219ii \u00een arcada vremurilor. Crestoma\u021bie<br \/>\n(coord.), Petru\u0219 Andrei, Ars poetica, Liliana Moga, Ion<br \/>\nGh. Pricop, scriitor al satului rom\u00e2nesc. Caiet<br \/>\nbiobibliografic aniversar. Eseurile \u0219i varia sunt realizate<br \/>\nde Daniela Ouatu, Cuv\u00e2nt de felicitare, Lidia Grosu, \u00cen<br \/>\ncartea f\u0103r\u0103 vam\u0103, Autorul, Ana Opran, La mijloc de<br \/>\nseptembrie, Dorina Carp Nenici, \u201eA c\u0103zut o frunz\u0103-n calea<br \/>\nta!\u201d, Theodor Codreanu, Numere \u00een labirint (2004), Lina<br \/>\nCodreanu, Ceasornicul elve\u021bian, Livia Andrei, Doamne,<br \/>\nc\u00e2t de tineri mai eram! Teodor Pracsiu, Panseuri rebele \u0219i<br \/>\nScrisori inedite: Edgar Papu c\u0103tre Theodor<br \/>\nCodreanu(1988). Critic\u0103 literar\u0103 fac: Ionel Necula (Petru\u0219<br \/>\nAndrei, Ars poetica) \u0219i Ana Opran (Lina Codreanu \u2013<br \/>\ncoordonator, Hu\u0219ii \u00een arcada vremurilor. Crestoma\u021bie).<br \/>\nPoezia este scris\u0103 de Zina Izba\u0219, Iano\u0219 \u021aurcanu, Tatiana<br \/>\nBurdea, Georgeta Stroiescu, Ana Onic\u0103, Dorina Carp<br \/>\nNenici, Martin Cata, Mihaela Albu, Elina Cojocaru,<br \/>\nDaniela Ouatu, Petru\u0219 Andrei, Adrian Tala\u0219man, Marcel<br \/>\nMiron, Vasilica Grigora\u0219, George D. Pite\u0219, R\u0103zvan R\u0103di\u021b\u0103,<br \/>\nAna Opran, Vasile Larco \u0219i proz\u0103, de lena Netcu \u0219i Nela<br \/>\nDiana Radu-Grigorescu. \u00cen galeria plastic\u0103 sunt lucr\u0103ri de<br \/>\nMirela Balan.<\/p>\n<p>Mi\u0219carea literar\u0103, Anul XXIII, nr. 2 (90), 2024,<br \/>\nBistri\u021ba. Eseurile sunt realizate de Olimpiu Nu\u0219felean,<br \/>\n\u00centre filele \u00eeng\u0103lbenite ale unei arhive (editorial),<br \/>\nConstantin Cuble\u0219an, Profesorul Mircea Popa \u2013 istoricul<br \/>\nliterar, Ioan Chiril\u0103, Prof. univ. dr. Mircea Popa \u2013 un spirit<br \/>\ndedicat culturii \u0219i neamului, Gheorghe Glodeanu,<br \/>\n\u201eAproapele de departe\u201d \u2013 un volum de Mircea Popa, Ion<br \/>\nCristofor, Mircea Popa \u2013 critic \u0219i istoric literar, Adrian<br \/>\n\u021aion, Mircea Popa despre \u201edalbul pribeag\u201d \u0218tefan Baciu,<br \/>\nZenovie C\u00e2rlugea, \u201eCr\u0103i\u0219orul Apusenilor\u201d \u2013 f\u0103uritor de<br \/>\nistorie na\u021bional\u0103, Menu\u021b Maximinian, Ideea Eminescu,<br \/>\nDoina Macarie, Areopag publicistic transilv\u0103nean, Tudor<br \/>\nNedelcea, Un (ultim?) editor de excep\u021bie \u2013 Mircea Popa,<br \/>\nAmalia Levey, Jurnalul Marinarului N\u0103s\u0103udean, Ioan<br \/>\nSeni, Universitarul Mircea Popa \u0219i ASTRA, Mircea Popa,<br \/>\nMircea Gelu Buta sau spiritul constructiv, Interviu: Ion<br \/>\nCristofor \u2013 Mircea Popa. Critic\u0103 literar\u0103 fac: Teodora<br \/>\nUIean (Cartea c\u0103r\u021bilor copil\u0103riei), Olimpiu Nu\u0219felean<br \/>\n(Gabriel Chifu, Despre petrecerea de sine \u0219i alte poezii),<br \/>\n\u0218tefan Vida Marinescu (Mircea Petean, Poemele Anei\/<br \/>\nAnnas Gedichte), Ion Radu Z\u0103greanu (Casandra Ioan,<br \/>\nAproape \u00een\u021beleasa fericire), Icu Cr\u0103ciun (Laura C.<br \/>\nMunteanu, Exil \u00een str\u0103lucirea umbrei \u0219i Elena M,<br \/>\nC\u00eempean, Nu e vina mea c\u0103 (ei) scriu), Virgil Ra\u021biu (Iulian<br \/>\nD\u0103m\u0103cu\u0219, 9 pove\u0219ti), Iacob Naro\u0219 (Damaschin Pop-Buia,<br \/>\nDrumul lui Iacob \u0219i Ionel Popa, Scrisori despre Liviu<br \/>\nRebreanu), L\u00f6rinczi Francisc-Mihai (Mihai Posada,<br \/>\nCartea \u00eent\u00e2mpin\u0103rilor), Ion Buza\u0219i (Mircea Gelu Buta,<br \/>\nIulian Maniu \u0219i N\u0103s\u0103udul), Dorel Cosma (Cristina Mirela<br \/>\nRus, Lumina din cuv\u00e2nt), Drago\u0219-Andrei Dr\u0103ghici (Ioana<br \/>\nDunea, Id), Gheorghe Glodeanu (Magia celor o mie \u0219i una<br \/>\nde nop\u021bi), Victor \u0218tir (Eugen Uricaru, Supunerea). Poezia<br \/>\neste semnat\u0103 de Simona-Grazia Dima, Flaviu Claudiu<br \/>\nMihali, Elena Olaru Negu\u0219, Ionu\u021b Caragea, Marilena B.<br \/>\nMatei, Anda Com\u0219a-Chi\u0219, Daria Gheorghi\u021b\u0103, Lucian Per\u021ba<br \/>\n(parodii) \u0219i proza, de Cornel Cotu\u021biu, Alexandru Jurcan,<br \/>\nIoan Grig Bo\u021b, Icu Cr\u0103ciun, Ana Ciobanu. <\/p>\n<p>N e u m a, Anul VIII, nr. 9-10 (83-84)\/ 2024, Cluj-Napoca.<br \/>\nRemarc\u0103m: eseurile, studiile \u0219i varia realizate de<br \/>\nAndrea H. Hede\u0219, Trei lebede (editorial), Horia G\u00e2rbea,<br \/>\nRecens\u0103m\u00e2ntul bobocilor, Virgil Mihaiu, O exemplar\u0103<br \/>\ncolaborare muzical\u0103 rom\u00e2no-helvet\u0103, Gheorghe<br \/>\nL\u0103z\u0103rescu, Socrate, apari\u021bia scrisului \u0219i&#8230; internetul,<br \/>\nCarmen Duvalma, Mituri \u0219i simboluri \u00een proza lui I.L.<br \/>\nCaragiale, Gheorghe Glodeanu, Jurnalul unui poet<br \/>\ndamnat, Gheorghe Grigurcu, Aforisme, Gelu Negrea,<br \/>\nR\u0103zle\u021be, Ramona M\u00fcller, Kukutsa, oi\u021ba c\u0103l\u0103toare, Profa \u0219i<br \/>\nOmul de serviciu, Miruna Dr\u0103ghici, Lux \u0219i devo\u021biune \u2013<br \/>\nFoarte bogatele ore ale Ducelui de Berry, dialogul lui Ion<br \/>\nBogdan \u0218tef\u0103nescu cu Diana Rotaru, critica literar\u0103 f\u0103cut\u0103<br \/>\nde Monica Grosu (Varujan Vosganian, Dublu<br \/>\nautoportret), Flavia Adam (Mircea Teculescu, Costumul<br \/>\ngol al astronautului), Ana Dobre (Simona-Grazia Dima,<br \/>\nFulguriator), Lucian Gruia (Maria Calciu, Nu m-am<br \/>\nascuns \u00een labirint), Evelyne Croitoru (Adriana Butoi,<br \/>\nIntersec\u021bii), Ioana Diaconescu (Radu Florescu, Ritualuri<br \/>\nde \u00eemb\u0103tr\u00e2nire a sufletului), Nicoleta Milea (Andrea H.<br \/>\nHede\u0219, Marea e frumoas\u0103 ca tine, Horia G\u00e2rbea, de 12 lei<br \/>\niarb\u0103), Savu Popa (Teo Cabel, Copacul cu \u0219arpe),<br \/>\nChristian Cr\u0103ciun (Cristina Copia, C\u0103l\u0103torii \u00eentre dou\u0103<br \/>\nlumi), Christian T\u0103ma\u0219 (Sonia Elvireanu, Privirea&#8230; un<br \/>\nr\u0103s\u0103rit), Elena Puru\u0219niuc (Dumitru Chioaru, Melancoliile<br \/>\nunui b\u0103tr\u00e2n c\u0103rturar), Felix Nicolau (Lucian Vasiliu,<br \/>\nalcoforado. o poveste), George Volceanov (Corneliu-Victor Dr\u0103ghici, Iacov).<br \/>\nPoezia este semnat\u0103 de Aurel<br \/>\nR\u0103u, Cassian Maria Spiridon, Victor Constantin M\u0103ru\u021boiu,<br \/>\nAna Ardeleanu, George B\u0103icoianu, Mircea Dr\u0103g\u0103nescu,<br \/>\nVasko Popa (traducere de Lucian Alexiu, Slavomir<br \/>\nGvozdanovici), Mihai Babei, Gabriel Nicolae Mih\u0103il\u0103,<br \/>\nAhmet Yal\u00e7inkaya (traducere din englez\u0103 de Andrea H.<br \/>\nHede\u0219), Aurora Popescu, \u0218tefan Tudor Baciu, Lumini\u021ba<br \/>\nGiurgiu, Mirela Cocheci, proza, de Matei Vi\u0219niec, Cornel<br \/>\nNistea, Rodica Bretin, Arian Leka (prezentare \u0219i traducere<br \/>\nde Ioana Diaconescu), C\u0103t\u0103lin R\u0103dulescu, Mircea<br \/>\nTeculescu, teatru, de Adrian Andrei. <\/p>\n<p>P l u m b, Anul XX, nr. 212, noiembrie 2024, Bac\u0103u.<br \/>\nPrima pagin\u0103 este in memoriam Vasile Iosif, cu scurte<br \/>\naprecieri de Drago\u0219 Vicol, Ioan D\u0103nil\u0103, Paul Everac.<br \/>\nEseurile \u0219i varia sunt realizate de Mihai Buznea, Sirenele.<br \/>\nSunetele mor\u021bii, Ioan Vulcan-Agniteanul, Sf\u00e2ntul<br \/>\nArdealului, Ion B\u0103rbun\u021boiu, Eugen Jebeleanu, un lord al<br \/>\ntimpului s\u0103u \u0219i al crea\u021biei sale, Livia Ciuperc\u0103, Remember<br \/>\nAurora Cornu, Maria-Loredana Ple\u0219ca, C\u00e2nd la deal \u0219i<br \/>\nc\u00e2nd la vale? Ana Opran, Taormina, Mihaela B\u0103bu\u0219anu,<br \/>\nRevista \u201eAlbatros\u201d vol. 37 (prezentare), Romulus-Dan<br \/>\nBusnea, Managerul Maria Dohotaru, printre<br \/>\nprofesioni\u0219tii editurilor din Romania, Cornel Simion<br \/>\nGalben, Aniversare \u2013 Veronica V. C\u0103lin. Evenimentul<br \/>\nToamna Bacovian\u0103 a Scriitorilor (31.10 \u2013 02.11.2024) a<br \/>\nfost deschis de vernisajul miniexpozi\u021biei de pictur\u0103 a poetei<br \/>\nSilvia Miler, cu prezentarea scriitorului Lucian Strochi \u0219i<br \/>\ndezbaterea AI, la care au participat: Dan Per\u0219a, Camelia<br \/>\nIuliana Radu, Petrache Plopeanu, Valeria Manta T\u0103icu\u021bu,<br \/>\nGabriel Arv\u0103tescu, Ecaterina Botoncea, Gheorghe<br \/>\nMocanu, Adrian Dinu Rachieru, Lucian Strochi, Ion Fercu,<br \/>\nCristina \u0218tefan, Ramona Etna. A doua zi au fost prezentate<br \/>\n22 de noi c\u0103r\u021bi (sub coordonarea Valeriei Manta T\u0103icu\u021bu)<br \/>\n\u0219i acordarea premiilor Filialei Bac\u0103u pe anul 2023: Adrian<br \/>\nDinu Rachieru \u2013 opera omnia, Dan Per\u0219a \u2013 proz\u0103, Nicolai<br \/>\nT\u0103icu\u021bu \u2013 poezie, Liviu Chiscop \u2013 critic\u0103 literar\u0103, Antonia<br \/>\nIlie \u2013 debut. Premii speciale au primit Ioan Pr\u0103ji\u0219teanu,<br \/>\nDoina Cernica, Victor Munteanu, Victoria Fonari,<br \/>\nPetronela Apopei, Ion Dinvale, Cornel Simion Galben,<br \/>\nMaria Elena Cu\u0219nir, Mihai Mericaru, Cornel B\u0103lan. \u00cen ziua<br \/>\na treia, dup\u0103 elogii aduse de Lucian Strochi, Petronela<br \/>\nApopei \u0219i Liviu Chiscop lui George Bacovia \u0219i poeziei sale<br \/>\ns-au prezentat revistele: Spa\u021bii Culturale, Plumb, Ateneu,<br \/>\nAmurg sentimental, Liter-Club, Cu cioara vopsit\u0103 13 Plus<br \/>\n\u0219i Salonul Literar. Critica literar\u0103 este f\u0103cut\u0103 de Constantin<br \/>\nDram (Cristina Danilov, Fuga din Babel), Issabela Cotelin<br \/>\n(Victor Atanasiu, \u00censemn\u0103rile unui critic foarte t\u00e2n\u0103r),<br \/>\nMioara Bahna (Grigore Curcanu, Z\u0103pada de jar),<br \/>\nPetronela Apopei (Valeria Manta T\u0103icu\u021bu, P\u00e2ntecul<br \/>\nfierbinte al urii), Lucian Gruia (Eva Constantinescu,<br \/>\nEcouri \u2013 102 sonete), Constantin Oanc\u0103 (Adrian Talab\u0103,<br \/>\n\u00cengeri pe suflet), Valeria Manta T\u0103icu\u021bu (Cristina \u0218tefan,<br \/>\nSe numea Petru), Ottilia Ardeleanu (Carmen Cristina<br \/>\nOltean, Lumini \u0219i umbre), Elena Puru\u0219niuc (Lavinia<br \/>\nBrani\u0219te, M\u0103 g\u0103se\u0219ti c\u00e2nd vrei), Daniel Luca (Adrian<br \/>\nGeorge Itoaf\u0103, Zgomotul nefiresc din ad\u00e2ncul de umbre),<br \/>\nClelia Ifrim (Maria-Ileana T\u0103nase, Destine (clan)destine),<br \/>\nAurelian Goci (Mihai Pascaru, Co\u0219ul zilnic), Mihai Botez<br \/>\n(Emil Ariton, Impresia de basm elegiac\u0103), Diana Dobri\u021ba<br \/>\nB\u00eelea (Victoria Stolojanu-Munteanu, Cleptomanii),<br \/>\nConstantin Miu (Doina Dabija, La firul ierbii), Ana<br \/>\nLudu\u0219an (Vladimir Sorokin, Manaraga). Poezia este<br \/>\nsemnat\u0103 de Silvia Curelaru Ib\u0103nescu, Veronica Rusu-Bucico,<br \/>\nAdrian George Itoaf\u0103, Vasile Larco.<\/p>\n<p>R\u0103sunetul cultural, Anul XII, nr. 10 (138),<br \/>\noctombrie 2024, Bistri\u021ba-N\u0103s\u0103ud. Eseurile, comentariile \u0219i<br \/>\nomnia sunt realizate de Olimpiu Nu\u0219felean, C\u00eeinii de la<br \/>\nCerbob\u00eel, Laura Goia, Pe urmele lui George Co\u0219buc (I),<br \/>\nIon Buza\u0219i, Andrei Mure\u0219anu \u0219i Bistri\u021ba natal\u0103,<br \/>\nIonela-Silvia Nu\u0219felean, Prezen\u021be bistri\u021bene \u00een Tab\u0103ra<br \/>\n\u201eLiteratura tinerilor\u201d de la Neptun, Mircea Daro\u0219i, Avram<br \/>\nIancu \u00een dramaturgia rom\u00e2neasc\u0103, Const. Miu, Aspecte<br \/>\nale teologiei \u00eenchin\u0103rii, Florica Bud, Lansarea Copil\u0103riei<br \/>\n\u0219i Carnavalul din poian\u0103, Elena M. C\u00eempan, La Cluj e<br \/>\naltceva. Semnal editorial: Irina Petra\u0219, Teoria literaturii.<br \/>\nDic\u021bionar-antologie. Critic\u0103 literar\u0103 fac: Aurel Scridon<br \/>\n(Elena M. C\u00eempan, Poeme de duminic\u0103. Str\u0103zile Bistri\u021bei),<br \/>\nElena M. C\u00eempan (Daniele Dell\u02bcAgnola, Luna din cuf\u0103r),<br \/>\nIcu Cr\u0103ciun (Hora\u021biu M\u0103l\u0103ele, Triste\u021bea ploilor), Ion<br \/>\nCristofor (Menu\u021b Maximinian, Lecturi. O perspectiv\u0103<br \/>\nsubiectiv\u0103), Radu I. Munteanu (Gheorghe S\u0103s\u0103rman,<br \/>\nadev\u0103rata cronic\u0103 a mor\u021bii lui Ya\u0219u Ha-Nozri), Niculae<br \/>\nVr\u0103sma\u0219 (George \u021a\u00e2ra, Ce r\u0103m\u00e2ne din ce trece), Mihai<br \/>\nVintil\u0103 (Samar Yzbek, La por\u021bile t\u0103r\u00e2mului de nic\u0103ieri).<br \/>\nPoezia este semnat\u0103 de Menu\u021b Maximinian, Gavril<br \/>\nMoldovan \u0219i Ana Ardeleanu.<\/p>\n<p>S c r i p t o r, Anul X, nr. 11-12 (119-120),<br \/>\nnoiembrie-decembrie 2024, Ia\u0219i. Poezia este semnat\u0103 de<br \/>\nEmilian Galaicu-P\u0103un (cu poem desenat de Drago\u0219<br \/>\nP\u0103tra\u0219cu), Cornelius Dr\u0103gan, Elena Ilash, Maria Ivanov,<br \/>\nWilliam Carlos Williams (prezentare \u0219i traducere de Adina<br \/>\nBarda\u0219), B\u00e9atrice Dauvre (prezentare \u0219i traducere de<br \/>\nC\u0103t\u0103lina Fr\u00e2ncu), iar proza, de Radu Negrescu-Su\u021bu \u0219i<br \/>\nAndrea Arismendi (prezentare \u0219i traducere de Aura<br \/>\nCristina Bunoro). Lingvistica este pus\u0103 \u00een eviden\u021b\u0103 de<br \/>\nEmina C\u0103p\u0103ln\u0103\u0219an, Din dulcele dic\u021bionarelor, Laura<br \/>\nCarmen Cu\u021bitaru, Despre voce, Cristina Florescu, Azor,<br \/>\nGrivei \u0219i al\u021bii. Dialogurile revistei sunt realizate de<br \/>\nTeodora Stanciu cu Andrei Ple\u0219u \u0219i Grigore Ilisei cu Gloria<br \/>\nL\u0103c\u0103tu\u0219u, iar trialogul, de Vasile B\u0103nescu, Nicu Gavrilu\u021b\u0103,<br \/>\nIoan-Aurel Pop. Eseurile, comentariile, varia sunt realizate<br \/>\nde Ioan Holban, Constantin Hrehor, Gheorghe Cliveti,<br \/>\nIoan-Aurel Pop, Vasile Iancu, G\u00e2nduri despre rom\u00e2nii din<br \/>\nTransnistria, Gellu Dorian, Eminescu, a\u0219a cum l-am<br \/>\nvisat&#8230; (11), Dumitru Vitcu, O \u00eent\u00e2mplare nostim\u0103 cu<br \/>\nistorici ie\u0219eni \u201ecari au fost\u201d, Liviu Ioan Stoiciu, Din anul<br \/>\nrevolu\u021biei. De uz strict personal (LVI), Ioan Oancea,<br \/>\nIstorisiri despre art\u0103 (II), Petru Bejan, \u00cengerii lui Liviu<br \/>\n\u0218optelea, Dinu Ioan Nicula, TIFF 2024 \u2013 Arenele<br \/>\ncinematografului, Ioan R\u0103ducea, Eminescu, altfel, Simona<br \/>\nModreanu, Solomon Marcus, g\u00e2ndirea complex\u0103 \u0219i<br \/>\nc\u0103utarea timpului, Leo Butnaru, De la Homer spre Cehov,<br \/>\nvia Institutul de Literatur\u0103 \u201eGorki\u201d, Radu A. Cern\u0103tescu,<br \/>\nFilosofia lui Fernando Pessoa. Critic\u0103 literar\u0103 fac: Lucian<br \/>\nScurtu (Vasile Igna, Roata), Radu Cucuteanu (Gheorghe<br \/>\nErizanu, \u0218i-am s\u0103 devin erou), Constantin Cuble\u0219an (Liviu<br \/>\nCap\u0219a, La marginea cerului), Otilia Ungureanu (Radu<br \/>\nFlorescu, Ritualuri de \u00eemb\u0103tr\u00e2nire a sufletului), Gruia<br \/>\nNovac (Nicolae Busuioc, Visele celor \u0219apte nop\u021bi).<\/p>\n<p>U R M U Z, Anul XI,( serie a doua), N.. 9-10\/ 2024,<br \/>\nC\u00e2mpina. Poezia este semnat\u0103 de William Butler Yeats,<br \/>\nEzra Pound, Rudgard Kipling, Elisabeth Bishop (cu poem<br \/>\ncomentat), Katye Berta (cu poem comentat), Nichita<br \/>\nSt\u0103nescu, Ion Stratan, Traian T. Co\u0219ovei, Octavian<br \/>\nMihalcea, Adrian Vasile Ifteme, Marin Sorescu, Leonid<br \/>\nDimov, Camelia Marin, Liana Dupont, Valeriu Valegvi,<br \/>\nTudor Arghezi, Zaharia Stancu, Margaret Atwood, Charles<br \/>\nBukovski, Han Kang, Tara Zo\u00f6 Roshe. Critic\u0103 literar\u0103 fac:<br \/>\nFlorin Dochia (Gabriel Alexe, esen\u021ba ma\u0219inii, Horia<br \/>\nG\u00e2rbea, de 12 lei iarb\u0103 \u0219i Mircea Teculescu, Costumul gol<br \/>\nal astronautului), Mioara Bahna (Ana Enache, Fantomele<br \/>\nKareniene), Carmina Iorga (Dan Dr\u0103goi, Alfabetul inimii),<br \/>\nPetronela Apopei (Mihaele Aionesei, Albatrosul cu aripi<br \/>\nde sare), Dorin N\u0103dr\u0103u (Captivantele poeme haiku din<br \/>\nlirica lui Dumitru Ichim), Ic\u0103 S\u0103li\u0219teanu (Carmen Secere,<br \/>\nBlank \u0219i Daniela \u0218ontic\u0103, C\u00e2ntece pentru vr\u0103bii \u0219i<br \/>\nmotoare). Cinema: Raluca Faraon, Arizona dream (1993).<br \/>\nPe ultima copert\u0103, la tema poeziei din aceast\u0103 edi\u021bie, un<br \/>\ntablou cu pe\u0219ti de Paul Klee. (T\u0103lm\u0103cirile s-au realizat prin<br \/>\ninterven\u021bia Inteligen\u021bei Artificiale strict supravegheat\u0103 de<br \/>\nInteligen\u021ba Uman\u0103).<\/p>\n<p>U Z P, Nr. 35\/ 2024. Continu\u0103m, cu \u00eencredere \u00een noi<br \/>\n\u00een\u0219ine este editorialul lui Sorin Stanciu, pre\u0219edinte al<br \/>\nUZPR. Din articolele acestui num\u0103r remarc\u0103m pe cele<br \/>\nscrise de Claudius Dociu, Avem filiale puternice,<br \/>\nimplicate, generatoare de idei remarcabile, Dan<br \/>\nConstantin, De ce cred mul\u021bi c\u0103 \u201ene-a trecut glon\u021bul pe la<br \/>\nureche\u201d&#8230;, M\u0103d\u0103lina Corina Diaconu, Radio UZPR \u0219i<br \/>\n\u0218coala de Var\u0103 a Academiei Rom\u00e2ne \u2013 edi\u021bia a III-a \u0219i<br \/>\nCentenarul congreselor de studii bizantine (1924-2024).<br \/>\nCongresul de la Bucure\u0219ti (19240) \u0219i interna\u021bionalizarea<br \/>\nstudiilor bizantine, Elena M. C\u00eempan, Casa Ziari\u0219tilor\/ a<br \/>\nJurnali\u0219tilor, Lucia Tocaci, Emo\u021biile unui jurnalist<br \/>\ndebutant, Emilian M. Dobrescu, ONU. Jurnali\u0219tii din exil,<br \/>\nFloren\u021b Mocanu, R\u0103ul a p\u0103truns \u00een lume prin poarta<br \/>\ndeschis\u0103 a inculturii, Mihai Hafia Traista, \u201eLa \u00eenceput a<br \/>\nfost cuv\u00e2ntul\u201d&#8230; pe urm\u0103 a fost r\u0103zboiul, Marian<br \/>\nNencescu, \u00centre crea\u021bie \u0219i consum, Florica R. C\u00e2ndea,<br \/>\nC\u0103rturari ar\u0103deni. Petre Pascu (Semlac) \u2013 115 ani de la<br \/>\nna\u0219tere \u0219i 30 de ani de la (pe)trecerea din via\u021b\u0103, Cristian<br \/>\nOvidiu Dinic\u0103, O realizare editorial\u0103 inedit\u0103, \u00een<br \/>\ncoordonarea scriitorului Mihai C\u0103lug\u0103ri\u021boiu, Roxana<br \/>\nIstudor, Reuniunea regional\u0103 a conducerii UZPR cu<br \/>\nmembri ai filialelor din zona Olteniei, Livia Ciuperc\u0103,<br \/>\n\u201eVoievozii cuv\u00e2ntului \u0219i ai faptelor bune\u201d de Maria<br \/>\nStanciu, Mariana Moga, Femei \u00een lumea literaturii,<br \/>\nAugustin L\u0103z\u0103roiu, Critica \u0219i rolul ei, Augustin Mure\u0219an,<br \/>\nSteagul de onoare al lui Avram Iancu \u0219i semnifica\u021bia sa<br \/>\nistoric\u0103, Vasile Luca, S\u0103rb\u0103toare omagial\u0103 dedicat\u0103 lui<br \/>\nAvram Iancu, la T\u00e2rgu Mure\u0219, Silvana Cojoc\u0103ra\u0219u, Vara<br \/>\ncultural\u0103 la&#8230; Liman, Zalina Gabriela Neagu, \u201eTimpul\u201d \u2013<br \/>\nun ziar de excep\u021bie \u0219i un triumvirat str\u0103lucit \u00een istoria<br \/>\npublicisticii rom\u00e2ne\u0219ti, Puiu Nistoreanu, \u00cent\u00e2lnire Picasso<br \/>\n\u2013 Sir David Brewster, Ion Ti\u021ba-C\u0103lin, Umori\u0219tii<br \/>\nconst\u0103n\u021beni fac istorie la \u021b\u0103rmul M\u0103rii Negre. <\/p>\n<p>Vatra veche, Serie veche nou\u0103, Anul XVI, nr. 10<br \/>\n(190) octombrie 2024, T\u00e2rgu Mure\u0219. \u00cen acest num\u0103r<br \/>\ndialogurile apar\u021bin lui Ionu\u021b Vulpescu cu Ioan Aurel Pop<br \/>\n(III) \u0219i cu Gabriela Adame\u0219teanu (II), Cristina P\u0103un cu<br \/>\nMircea P\u00e2slaru, iar eseurile, comentariile \u0219i varia sunt<br \/>\nrealizate de Nicolae B\u0103ciu\u021b, Ana Blandiana \u201eprin\u021besa<br \/>\nliterelor\u201d, Aurel Buzincu, Frontul literar \u0219i \u00eenflorirea<br \/>\nliteraturii (II), Ionel Popa, Proza literar\u0103 a lui Lucian<br \/>\nBlaga (XII), Gheorghe Sar\u0103u, Coresponden\u021ba lui Dimitrie<br \/>\nStelaru (LXXV), Dorin N\u0103dr\u0103u, Jurnalul lui Marin<br \/>\nSorescu, Rodica L\u0103z\u0103rescu, acad. Alexandru Zub \u2013 90,<br \/>\nZenovie C\u00e2rlugea, \u201eFantazianul\u201d (XIII), Ecaterina<br \/>\n\u021aar\u0103lung\u0103, Jurnal de prezen\u021b\u0103 (XVIII), Veronica Pavel<br \/>\nLerner, Gellu Naum (1 aug. 1915 \u2013 29 sept. 2001), acad.<br \/>\nIoan Aurel Pop, De la romani la rom\u00e2ni \u2013 pledoarie pentru<br \/>\nlatinitate (XII), Dan Dungaciu, Geopolitica limbii, Nicolae<br \/>\nSuciu, Poetul nemuririi noastre, la Viena, Camelia<br \/>\nSuruianu, Mitropolitul Tit Simedrea \u0219i Rugul Aprins.<br \/>\nDespre Dumitru Hurub\u0103 \u2013 80 scriu: Denisa Toma, Ion<br \/>\nL\u0103c\u0103tu\u0219u, Nicolae B\u0103ciu\u021b \u0219i Doina B\u0103l\u021bat. Critic\u0103 literar\u0103<br \/>\nfac: Tudor Palland (Geta Lipovanciuc, Curcubeul<br \/>\n\u00eentreb\u0103rilor), Daniela Bullas (Daniel Marian,<br \/>\ns\u0103lb\u0103ticiuni), Nicolae Suciu (L\u00f6rinczi Francisc Mihai,<br \/>\nSilicve de lunaria), Mircea M. Pop (Sabin Tambrea,<br \/>\nVaterl\u04d3nder), Radu Aldulescu (Daniela Giurculescu,<br \/>\nTrecutele nimicuri), Simona Mihu\u021biu (Dan Toma Dulciu,<br \/>\nEminescu \u2013 Itinerar vienez), Dan Rujea (Dan Apostol, Din<br \/>\ntainele naturii). Poezia este semnat\u0103 de Ana Blandiana.<br \/>\nCamelia Ardelean, Valentina Becart, Emilia Amariei,<br \/>\nGloria Casandra Ni\u021bu, Patrizio Avella (prezentare: Valeria<br \/>\nBil\u021b, traducere: Simona Cacoian), Valeria Bil\u021b, Marcel<br \/>\nMure\u0219eanu \u0219i Angela Furtun\u0103 (cu versiuni \u00een limba englez\u0103<br \/>\nde Mihaela Mudure), Elena Nistor, Lumini\u021ba Pot\u00e2rniche,<br \/>\nBianca Marcovici, Nicolae M\u0103tca\u0219 \u0219i Vasile Larco.<br \/>\nVia\u021ba noastr\u0103, Revist\u0103 a Asocia\u021biei Casa de Ajutor<br \/>\nReciproc a Pensionarilor \u201eElena Cuza\u201d B\u00e2rlad, nr. 64,<br \/>\noctombrie 2024. Din bogatul con\u021binut al revistei remarc\u0103m<br \/>\neseurile realizate de Alexandrina Pascal, Vremea<br \/>\namintirilor (editorial) \u0219i Dialog cu \u00een\u021belepciunea, Emil<br \/>\nCosmin Mihai, Seniori colecta\u021bi la realit\u0103\u021bile vie\u021bii,<br \/>\nRoxana Miron-Feraru, Tinerii de azi&#8230; b\u0103tr\u00e2nii de m\u00e2ine,<br \/>\nGhi\u021b\u0103 Cristian, Arta de a \u00eemb\u0103tr\u00e2ni frumos \u0219i s\u0103n\u0103tos \u0219i<br \/>\nSerghei Colo\u0219enco, Livia Andrei, \u201eNu credeam s\u0103-nv\u0103\u021b a<br \/>\nmuri vreodat\u0103\u201d, Ioan Adam, Universul v\u00e2rstei a treia,<br \/>\nEcaterina Dendrino-Teletin, Octombrie 2024, Z\u00e2nica<br \/>\nT\u0103m\u0103\u0219anu, Nu-\u021bi fie fric\u0103 de b\u0103tr\u00e2ne\u021be! Fii m\u00e2ndru de<br \/>\nv\u00e2rsta ta! Gabriele Elena Aioani\u021boaie, B\u0103tr\u00e2ne\u021bea, surs\u0103<br \/>\nde inspira\u021bie pentru tineri, Andrei-Nicolae Mihai, despre<br \/>\ncopiii din care nu vor mai ie\u0219i b\u0103tr\u00e2ni, Silviu Man,<br \/>\nA\u0219tept\u00e2nd, Lucia Munteanu, Respect \u0219i recuno\u0219tin\u021b\u0103<br \/>\nseniorilor \u0219colii, Vasile Chelaru, Daruri de cuvinte,<br \/>\nPaul-Florentin Rudi, Movilenii B\u00e2rladului \u2013 casa bunicilor&#8230;<br \/>\nleag\u0103nul copil\u0103riei mele, Alina R\u0103u\u0219, Amintiri din r\u0103zboi,<br \/>\nCarolina Boro\u0219, Destine zbuciumate, Dorina Stoica, \u201eCe a<br \/>\n\u00eempreunat Dumnezeu, omul s\u0103 nu despart\u0103\u201d, Petru\u0219<br \/>\nAndrei, Fra\u021bii-profesori-scriitori: Mircea \u0219i Serghei<br \/>\nColo\u0219enco, Mihai Sultana Vicol, N\u0103stase For\u021bu, pictori la<br \/>\n\u00eengeri, critica literar\u0103 f\u0103cut\u0103 de Petru\u0219 Andrei (Valeria<br \/>\nManta T\u0103icu\u021bu, P\u00e2ntecul fierbinte al urii). Poezia este<br \/>\nsemnat\u0103 de Ionel Dorin, Ion Dobrin, L\u0103cr\u0103mioara-Iolandina Ivan,<br \/>\nPetru\u0219 Andrei, Alexandru Vlahu\u021b\u0103, Dorina<br \/>\nStoica, Sorin Dumitrache, Maximilian Opai\u021b (epigram\u0103),<br \/>\niar proz\u0103, de Adina S\u00e2nziana Durcan, Adrian Hohot\u0103,<br \/>\n\u0218tefan Bogdan Halapciug, Florentina Loredana Dalian,<br \/>\nIrina Nichifor \u0219i Mihai Batog-Bujeni\u021b\u0103.<\/p>\n<p>ZENIT 22, Nr. 11\/ 2024, Alba Iulia. Ioan Radu<br \/>\nV\u0103c\u0103rescu scrie editorialul Geocritic\u0103, iar opiniile \u0219i<br \/>\nevoc\u0103rile apar\u021bin lui Gheorghe Cri\u0219an, Lec\u021biile capitalei<br \/>\nculturale, Paul Magheru, Despre de\u0219tept\u0103ciune,<br \/>\ninteligen\u021b\u0103 \u0219i \u00een\u021belepciune, Costel Balint, Timi\u0219oara \u2013<br \/>\nL\u00e1szlo Tokes \u2013 \u00eenceputul revolu\u021biei, Viorel Horea \u021a\u00e2nta\u0219,<br \/>\nLimbajul de argou al de\u021binu\u021bilor din Rom\u00e2nia \u0219i Danielei<br \/>\nBarb Floroian, Olivia Tima. Tezaurul Uman Viu de pe<br \/>\nValea Arie\u0219ului. Daniela Floroian realizeaz\u0103 interviu cu<br \/>\nVarujan Vosganian. Critica literar\u0103 este f\u0103cut\u0103 de Mihai<br \/>\nPosada (Radu Matei Todoran, Transilvania: lacrimi \u0219i<br \/>\ncruci, Ionel Bota, (Maria Trandafir, Subiectivitate \u0219i<br \/>\nobiectivitate \u00een propria poveste), Florian Copcea (Biserica<br \/>\ncre\u0219tin-ortodox\u0103 sub voievodul Nicolae Alexandru<br \/>\nBasarab), Emil C\u0103t\u0103lin Neghin\u0103 (O cronic\u0103 de carte \u2013<br \/>\nMihai Posada \u2013 din euphoria, m\u00e2ndra gr\u0103din\u0103), Anca<br \/>\nS\u00eerghie (Emil Cioran \u00een dou\u0103 abord\u0103ri dramaturgice ale<br \/>\nlui Cornel Teulea \u0219i Colocviul de la R\u0103\u0219inari), Victor Rusu<br \/>\n(Toma Grigorie, Scrisori c\u0103tre tinere\u021be, Marin Rada, Semn<br \/>\nde carte), Dumitru M\u0103lin (Ionel \u021a\u00eerc, Sf\u00e2r\u0219itul patetic al<br \/>\nverii. Poezia este semnat\u0103 de Dumitru M\u0103lin, Radu Matei<br \/>\nTodoran, Mihai Posada, Costel Stancu, Costel Nedelcu,<br \/>\nEvelyne Maria Croitoru, Mirel Laz\u0103r, Simona-Grazia<br \/>\nDima, Carolina Baldea, Laura Staicu, Camelia Morda<br \/>\nBaciu, Sonia Elvireanu (cu versiune \u00een limba german\u0103 de<br \/>\nDarius Stoian), Maria Aloman \u0219i Ioan Filimon (epigrame),<br \/>\nproza, de Radu Matei Todoran, Dumitru M\u0103lin, Constantin<br \/>\nM\u0103r\u0103scu, Ioan Popa, Ovidiu Bucur, Gabriel Burlacu,<br \/>\nEugenia Mucea \u0219i teatru, de Cornel Teulea. <\/p>\n<p><em>Cititorul de reviste <\/em><\/p>\n<p><strong>Redac\u021bia revistei \u201eSpa\u021bii<br \/>\nculturale\u201d v\u0103 ureaz\u0103 s\u0103rb\u0103tori<br \/>\nfericite \u0219i \u201eLa mul\u021bi ani!\u201d. <\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>REVISTE LITERARE A c o l a d a, Anul XVIII, nr. 10 (205), octombrie 2024, Satu Mare. Eseurile \u0219i<\/p>\n","protected":false},"author":18,"featured_media":18831,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"ngg_post_thumbnail":0,"video_url":"","footnotes":""},"categories":[7,328],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/24041"}],"collection":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=24041"}],"version-history":[{"count":1,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/24041\/revisions"}],"predecessor-version":[{"id":24042,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/24041\/revisions\/24042"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/media\/18831"}],"wp:attachment":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=24041"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=24041"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=24041"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}