{"id":24033,"date":"2024-12-15T23:35:58","date_gmt":"2024-12-15T20:35:58","guid":{"rendered":"https:\/\/ziarulderimnic.ro\/?p=24033"},"modified":"2024-12-15T23:35:58","modified_gmt":"2024-12-15T20:35:58","slug":"spatii-culturale-nr-97-12","status":"publish","type":"post","link":"https:\/\/ziarulderimnic.ro\/?p=24033","title":{"rendered":"Spa\u021bii culturale nr. 97 (12)"},"content":{"rendered":"<p><strong>Nicolai T\u0102ICU\u021aU<\/strong><br \/>\n<a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/nicolai.jpg\" data-rel=\"lightbox-image-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/nicolai.jpg\" alt=\"\" width=\"279\" height=\"435\" class=\"alignnone size-full wp-image-11061 lazyload\" data-srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/nicolai.jpg 279w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/nicolai-192x300.jpg 192w\" data-sizes=\"(max-width: 279px) 100vw, 279px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 279px; --smush-placeholder-aspect-ratio: 279\/435;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/nicolai.jpg\" alt=\"\" width=\"279\" height=\"435\" class=\"alignnone size-full wp-image-11061\" srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/nicolai.jpg 279w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/nicolai-192x300.jpg 192w\" sizes=\"(max-width: 279px) 100vw, 279px\" \/><\/noscript><\/a><\/p>\n<p><strong>RAFTUL CU C\u0102R\u021aI<\/strong><\/p>\n<p>Dumitru Br\u0103neanu, De la un g\u00e2nd la altul (de la cre\u0219tinism la neomarxism)&#8230;, Editura PIM, Ia\u0219i, 2024, 303 p. Ader la cele spuse de Petronela Apopei \u00een prefa\u021ba la aceast\u0103 colec\u021bie de eseuri, Vremuri \u0219i suflet de via\u021b\u0103: Radiografierea realit\u0103\u021bii din perioada de dup\u0103 1989 este mai pregnant\u0103, paginile de istorie fiind mult mai ample \u0219i mai gr\u0103itoare dec\u00e2t cele g\u0103site prin c\u0103r\u021bile de istorie \u0219i care eludeaz\u0103 adev\u0103rul frust \u00een detrimentul realit\u0103\u021bii. Cu o m\u00e2ndrie nedisimulat\u0103 de a fi rom\u00e2n, scriitorul se apleac\u0103 cu mult\u0103 d\u0103ruire asupra Cuv\u00e2ntului, drept\u0103\u021bii \u0219i adev\u0103rului, recte Iubirii, prin corectitudinea relat\u0103rilor deferente \u0219i parcurse cu precizie \u0219i obiectivitate.<\/p>\n<p>Viorel Savin, O zi din via\u021ba lui Teofil Avram, Romanele din B, volumul 5, Editura EIKON, Bucure\u0219ti, 2023, 198 p. Pe coperta a patra a c\u0103r\u021bii sunt redate scurte aprecieri critice semnate de Maria F\u0103r\u00eem\u0103, Rodica L\u0103z\u0103rescu, Mihai Botez, Gruia Novac, Marius Manta: A\u0219a cum ne-a obi\u0219nuit, av\u00e2nd toate atuurile celui ce st\u0103p\u00e2ne\u0219te la perfec\u021bie arta scrisului, autorul g\u0103se\u0219te registrele cele mai potrivite \u00een care s\u0103 plaseze un personaj aflat \u00een lupt\u0103 cu propriul destin \u0219i Liviu Antonesei: &#8230; o fresc\u0103 a epocii noastre, a\u0219a cum este surprins\u0103 \u00eentr-un ora\u0219 mijlociu din Moldova \u2013 nu e greu s\u0103 recuno\u0219ti Bac\u0103ul \u2013 \u0219i un portret < \u00een picioare> al unui personaj incredibil de interesant. <\/p>\n<p>Petre Isachi, Despre dramaturgia lui Viorel Savin, Editura Rotipo, Ia\u0219i, 2024, 200 p. Prieten de-o via\u021b\u0103 cu scriitorul Viorel Savin, Petre Isachi a adunat \u00een acest volum cronicile literare scrise la piesele: Hotel \u201eFar East\u201d, Bustul, C\u0103derea (trei moduri de sinucidere), Ginere de import, Funia sau com\u00e9dia supunerii, Gre\u0219eala, Poarta sau Ini\u021bierea, \u0218tefan dup\u0103-amiaza, Doamne, f\u0103 ca Schnauzer s\u0103 c\u00e2\u0219tige! Jocuri (de unu, de doi&#8230;), Cifracom\u00e9dia, B\u0103tr\u00e2na \u0219i ho\u021bul, Insola\u021bia (fars\u0103 transcendental\u0103), Lucruri \u0219i fiin\u021be, \u00cenchisoarea de sunete (Clopotul), Despre Eustina \u0219i Frangopol (Colegii), Bucuria de a fi \u00eendurerat la Tomis. Alte aprecieri critice sunt date de Mircea Ghi\u021bulescu (inclusiv prefa\u021ba la aceast\u0103 carte, A fi dramaturg la Bac\u0103u), Paul Cornel Chitic, Constantin Cuble\u0219an, Vlad Sorianu, Val. Condurache.<\/p>\n<p>Gina Zaharia, C\u0103l\u0103torii deraiate, Editgraph, Buz\u0103u, 2024, 122 p. Nu demult colege de cenaclu, prietena, \u0219i \u00eentru poezie, Mihaela Roxana Boboc apreciaz\u0103: Poeta reu\u0219e\u0219te s\u0103 \u00ee\u0219i men\u021bin\u0103 amprenta personal\u0103, construind un spa\u021biu poetic autentic \u0219i inconfundabil, de o mare for\u021b\u0103 expresiv\u0103, \u00een care fiecare cuv\u00e2nt este ales cu grij\u0103 \u0219i fiecare imagine este construit\u0103 cu precizie. Prin aceast\u0103 abordare, Gina Zaharia \u00ee\u0219i demonstreaz\u0103 nu doar m\u0103iestria stilistic\u0103, ci \u0219i capacitatea de a se reinventa, invit\u00e2nd cititorul s\u0103 participe la o c\u0103l\u0103torie de descoperire \u0219i introspec\u021bie. <\/p>\n<p>Ion Cristofor, Autori sub lup\u0103, Editura Ninis, Str\u00e2mtura, 2024, 168 p. Cu \u00eenalt\u0103 sim\u021bire, Ion Cristofor are sub lup\u0103 poe\u021bii: Elisabeta Bo\u021ban, Rodica Brad P\u0103una, Vasile Mic, Rely Schwartzberg, Constantin Preda, Marius \u021aion, Nu\u021ba Cr\u0103ciun, Paulin Octavian Boldi\u0219, Alexandru Petria, Aurel R\u0103u, Romulus Moldovan, Beke S\u00e1ndor, Carmen Doreal, Marilena B. Matei, Marcel Mure\u0219eanu, Andreea Iulia Scridon, Antunela Stoica, Elina Adam, prozatorii: Silviu Buzan, Diana Adamek, Getta Bergoff, Pu\u0219a Lia Popan, Manuela Sanda B\u0103c\u0103oanu, Corina Popa, Toma T. Mugea, Radu Ulmeanu, Tatian Miu\u021b\u0103, Iulian D\u0103m\u0103cu\u0219, Victor Tecar \u0219i criticii: Haig Acterian, Nicolae Manolescu, Constantin Cuble\u0219an, Maria Vaida, Marian Barbu, George Vigdor, Mihaela Meravei. Cartea este \u00eencheiat\u0103 cu un Documentar: Aron Cotru\u0219 inedit \u0219i Aron Cotru\u0219 \u0219i o manifestare rom\u00e2neasc\u0103 din Los Angeles.<\/p>\n<p>Lumini\u021ba Zaharia, Contraste, Editura Eminescu, Bucure\u0219ti, 2005, 134 p. \u0218i adev\u0103r spune D. Vasile Delceanu: \u00cen acest volum de poezii autoarea se arat\u0103 pe sine cu sufletul doldora de poezie. Are acel <ce> nelini\u0219tit \u0219i nelini\u0219titor \u0219i, \u00eendr\u0103znea\u021b\u0103 \u00een logodirea cuvintelor, le \u00eenham\u0103 frumos la <calea\u0219ca de aur> a metaforei. C\u00e2ntecul izvor\u0103\u0219te dintr-o suferin\u021b\u0103 \u2013 tr\u0103it\u0103 sau \u00eenchipuit\u0103 \u2013 pe care nu \u0219i-o strig\u0103 a disperare, ci o \u00eenv\u0103luie \u00eentr-o melodie zis\u0103 \u00een surdin\u0103 sub permanen\u021ba melancoliei.<\/p>\n<p> Rodica Dasc\u0103lu, Diminea\u021ba e mereu de partea ta, Editura Leviathan, Bucure\u0219ti, 2024, 134 p. \u00cen prefa\u021ba, Via\u021ba \u00een oglinda destinului, Pu\u0219a Roth apreciaz\u0103: Diminea\u021ba e mereu de partea ta (&#8230;) poate fi \u0219i un imn despre condi\u021bia primordial\u0103, paradisiac\u0103 a omului, despre puterea g\u00e2ndului, despre \u00eentreaga gam\u0103 a sentimentelor care ne coloreaz\u0103 existen\u021ba, despre zborul nostru p\u0103m\u00e2ntean prin anotimpurile vie\u021bii, con\u0219tien\u021bi fiind c\u0103 Undeva, \u00een univers, se afl\u0103 un loc binecuv\u00e2ntat.\/ E doar al t\u0103u, chiar din secunda primului strig\u0103t. (Unduiri stelare) <\/p>\n<p>Genovel-Florentin Fr\u0103\u021bil\u0103, Teino Kor, Editura Creator, Bra\u0219ov, 2024, 403 p. Regretatul Alexandru M\u0103ciuc\u0103 spunea: O c\u0103l\u0103torie ini\u021biatic\u0103 pornit\u0103 de la mitul misteriilor eleusine \u0219i care r\u0103zbate veacurile p\u00e2n\u0103 \u00een zilele noastre. Pe parcursul acesteia, va fi descoperit misterul t\u0103bli\u021belor de aur de la Sinaia, dar \u0219i resortul intim al \u00eentocmirii testamentului Reginei Maria. \u00cen prezent, prin conexiuni care sfideaz\u0103 timpul, vei fi martorul dezv\u0103luirii adev\u0103ratului scop al vizitelor Regelui Charles \u00een Rom\u00e2nia. Printr-un r\u0103spuns filosofic \u0219i poetic, cartea deschide por\u021bile c\u0103tre \u00een\u021belepciunea ancestral\u0103 a misteriilor eleusine, \u00eentrez\u0103rind secretul nemuririi. O incursiune c\u0103tre Sine care va lumina c\u0103ile cunoa\u0219terii interioare, ridic\u00e2nd nivelul con\u0219tiin\u021bei.  <\/p>\n<p>Petru Nica, M\u0103rturii peste veac. Tr\u0103iri \u00een V\u0103ratec, Editura Salonul literar, Odobe\u0219ti, 2024, 215 p. Culi\u021b\u0103 Ioan U\u0219urelu, editorul acestei c\u0103r\u021bi men\u021bioneaz\u0103: Magia \u0219i Istoria V\u0103ratecului, cu limba specific\u0103, chiar cu paremiologia  \u0219i filosofia locului ne dau importan\u021ba \u0219i originalitatea c\u0103r\u021bii. \u021a\u0103rani ca \u0218tefan E\u0219anu, Costic\u0103 Nica (tat\u0103l autorului), \u00eenv\u0103\u021b\u0103tori ca Adrian \u0219i Georgeta G\u00eerbule\u021b, femei ca Mari\u021ba Nichiteanu \u0219i al\u021bii fac din volum cartea de c\u0103p\u0103t\u00e2i a lui Petru Nica (\u0219i a satului natal), dezv\u0103luind un Scriitor Adev\u0103rat, un Credincios, un Patriot M\u00e2ndru de \u201eOameni cari au fost\u201d.<\/p>\n<p>Daniel \u00centuneric, \u00centoarcere acas\u0103, Editura Limes, Flore\u0219ti, 2023, 78 p. Pe coperta a patra a plachetei Adrian Jicu remarc\u0103: Noul volum semnat de Daniel \u00centuneric (&#8230;) marcheaz\u0103, simbolic, o tripl\u0103 revenire: la Dumnezeu, la locurile natale \u0219i la sine \u00eensu\u0219i, \u00eentr-un efort recuperator \u0219i autoscopic, manifestat \u00een versuri de factur\u0103 ap\u0103sat (neo)tradi\u021bionalist\u0103. E, de fapt, o continuare a vechilor preocup\u0103ri ale autorului, un ins aplecat asupra marilor \u00eentreb\u0103ri existen\u021biale, c\u0103rora le propune r\u0103spunsuri simple, dar ferme. <\/p>\n<p>Adrian Matei, Poemele unui satiric incurabil, Editura L imes, Flore\u0219ti, 2024, 131 p. \u00cen prefa\u021ba la acest volum, Gheorghe Andrei Neagu remarc\u0103: \u00cen noianul poetic oferit de autorii contemporani, cu greu po\u021bi deslu\u0219i voci creatoare de sine st\u0103t\u0103toare. Acolo unde se ocup\u0103 de \u201ecalul breaz\u201d, \u201epoemul smart &#8211; porcului\u201d, \u201eg\u0103ina ignifug\u0103\u201d, \u201eg\u00e2\u0219te\u201d, \u201ecabalina\u201d, \u201em\u0103gar\u201d, \u201edihor\u201d, \u201erechin\u201d \u0219i alte animale, g\u00e2ndul te duce spre oarece preocup\u0103ri orweliene. Dar nu, poetul are un discurs propriu, care-l desparte de lumea necuv\u00e2nt\u0103toarelor \u00eentr-un mod adeseori hazliu, dar plin de \u00een\u021belepciune. <\/p>\n<p>Mihai Vintil\u0103, Generalul de h\u00e2rtie \u2013 proz\u0103 scurt\u0103, Editura InfoEST, Sili\u0219tea, 2024, 55 p. \u00centr-un cuv\u00e2nt \u00eenainte Mircea C\u0103rbunaru remarc\u0103: Acest mini-volum de fic\u021biune speculativ\u0103 imerseaz\u0103 ad\u00e2nc \u00eentr-o realitate apropiat\u0103 de cea tr\u0103it\u0103 sau cunoscut\u0103 de noi to\u021bi. Uneori te duce la marginea satirei sociale, dar \u00een spatele \u00eentregului ansamblu \u00eentrez\u0103rim un autor treaz, cu mult\u0103 imagina\u021bie, nostalgic fa\u021b\u0103 de vremurile \u00een care omul era mai bine valorizat ca individ \u0219i personalitate, un scriitor \u00een care mocne\u0219te o revolt\u0103 social\u0103 permanent\u0103. <\/p>\n<p> Metafore com\u0103ne\u0219tene, Antologie, volumul al VII-tea, Editura Vasile Alecsandri, Bac\u0103u, 2024, 333 p. Eseurile acestui volum sunt realizate de M\u0103d\u0103 Deea, Scrisoare mentorului nostru &#8211; Leonid Iacob, Simona Ecaterina Stoica, Poveste despre terapie, M\u0103d\u0103lina Andreea Miron, \u201eLacrimile mele v\u0103 \u00eent\u00e2mpin\u0103!\u201d, Metaforimn, compozi\u021bie de Nicu Garai. Sunt antologa\u021bi cu poezie: Alina Apostoaie, Ionica Bandrabur, Doina Boac\u0219\u0103, Claudiu-Andrei Butnaru, Constantin Col\u0103cel (epigram\u0103), Nicolae Garai, \u0218tefan Ghioc, Alexandra-Ioana Harapu, Savina Hrebenciuc, Helena Lavinia Hristodoulakis, <\/p>\n<p>Dumitru Ichim, Ionela Magdan, Valeria Manta T\u0103icu\u021bu, Val M\u0103nescu, Toader Oprea, Dan Sandu, Roberta-Corina Stan, Bogdan G. Stoian, Aurelian \u0218tef\u0103nescu, Vasile Ungureanu, Nicu Vatavu, cu proz\u0103: Ionica Bandrabur, Octav Dospinescu, M\u0103d\u0103lina Andreea Miron, Ion Mois\u0103, Ion Moraru-Ca\u0219in, Gheorghe Movil\u0103, Neculai Oprea, Dumitru Pantelimon, Irene Postolache, Ionu\u021b Preda, Petru Rotaru, Viorica Rotaru, Doina Maria Rusu, Constantin \u021a\u0103ranu, Maria Ungurean, Laura Vacaru, Maria Vatavu, iar la pictur\u0103: Maria Darie, Marina Lidia Kanabe, Mihai Nechita-Burcule\u021b, Aurelian \u0218tef\u0103nescu, Simona Ecaterina Stoica, Maria Ungurean. Critic\u0103 literar\u0103 fac: Ionica Bandrabur (Octav Dospinescu, Pic\u0103turi de via\u021b\u0103, Nicu Vatavu, Petale \u00een clepsidr\u0103), Octav Dospinescu (Doina Maria Rusu, Poeziile durerii, Nicu Vatavu, Petale \u00een clepsidr\u0103 \u0219i comentariul, Spovedanie \u00een fa\u021ba judec\u0103torilor mei), Petru Rotaru (Dumitru Pantelimon, Paltinul), M\u0103d\u0103lina Andreea Miron (Val M\u0103nescu, totul e bine \u0219i nimic nu m-a durut). Ion Mois\u0103 consemneaz\u0103 o serie de evenimente: Lansare de carte la T\u00e2rgu Ocna, Sala coloanelor \u2013 Palatul Ghika din Com\u0103ne\u0219ti (mar\u021bi, 8 august 2023), Simpozion la Sl\u00e2nic, Lansare de carte Val M\u0103nescu, Hotel Panoramic \u2013 Sl\u0103nic Moldova (duminic\u0103, 14 ianuarie 2024), Expozi\u021bie de tablouri, Zilele culturii c\u0103linesciene. <\/p>\n<p><strong><br \/>\nNathalie AGOMERI<\/strong><\/p>\n<p><strong>Adagio la o nocturn\u0103<\/strong><br \/>\n                       (pantum liber)<\/p>\n<p>C\u00e2nd notele se-av\u00e2nt\u0103-n celestul zbor complet,<br \/>\nSub repezi ploi de stele pl\u0103cut sc\u00e2nteietoare,<br \/>\nUn vast absolut indigo azuriu-violet<br \/>\nD\u0103-n leag\u0103n Constela\u0163ii tot mai str\u0103lucitoare.<\/p>\n<p>Sub repezi ploi de stele pl\u0103cut sc\u00e2nteietoare,<br \/>\nNimbat\u0103-i armonia de Lira de Argint;<br \/>\nD\u0103-n leag\u0103n Constela\u0163ii tot mai str\u0103lucitoare<br \/>\nNocturna-n care-i rege albastrul infinit.<\/p>\n<p>Nimbat\u0103-i armonia de Lira de Argint<br \/>\nPrin sidefate triluri cu mii de perle roze<br \/>\nNocturna-n care-i rege albastrul infinit<br \/>\nDe la magie p\u00e2n\u0103-n ecoul unei proze.<\/p>\n<p>Prin sidefate triluri cu mii de perle roze<br \/>\nAdagio-ul are un farmec indiscret<br \/>\nDe la magie p\u00e2n\u0103-n ecoul unei proze<br \/>\nC\u00e2nd notele se-av\u00e2nt\u0103-n celestul zbor complet.<\/p>\n<p>                                  Traducere de<strong> Ion RO\u0218IORU<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nicolai T\u0102ICU\u021aU RAFTUL CU C\u0102R\u021aI Dumitru Br\u0103neanu, De la un g\u00e2nd la altul (de la cre\u0219tinism la neomarxism)&#8230;, Editura PIM,<\/p>\n","protected":false},"author":18,"featured_media":18831,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"ngg_post_thumbnail":0,"video_url":"","footnotes":""},"categories":[7,328],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/24033"}],"collection":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=24033"}],"version-history":[{"count":1,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/24033\/revisions"}],"predecessor-version":[{"id":24034,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/24033\/revisions\/24034"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/media\/18831"}],"wp:attachment":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=24033"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=24033"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=24033"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}