{"id":23863,"date":"2024-10-23T01:28:17","date_gmt":"2024-10-22T22:28:17","guid":{"rendered":"https:\/\/ziarulderimnic.ro\/?p=23863"},"modified":"2024-10-23T01:28:17","modified_gmt":"2024-10-22T22:28:17","slug":"spatii-culturale-nr-96-12","status":"publish","type":"post","link":"https:\/\/ziarulderimnic.ro\/?p=23863","title":{"rendered":"Spa\u021bii culturale nr. 96 (12)"},"content":{"rendered":"<p><strong>Nicolai T\u0102ICU\u021aU <\/strong><br \/>\n<a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/nicolai.jpg\" data-rel=\"lightbox-image-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/nicolai.jpg\" alt=\"\" width=\"279\" height=\"435\" class=\"alignnone size-full wp-image-11061 lazyload\" data-srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/nicolai.jpg 279w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/nicolai-192x300.jpg 192w\" data-sizes=\"(max-width: 279px) 100vw, 279px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 279px; --smush-placeholder-aspect-ratio: 279\/435;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/nicolai.jpg\" alt=\"\" width=\"279\" height=\"435\" class=\"alignnone size-full wp-image-11061\" srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/nicolai.jpg 279w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/nicolai-192x300.jpg 192w\" sizes=\"(max-width: 279px) 100vw, 279px\" \/><\/noscript><\/a><\/p>\n<p><strong>RAFTUL CU C\u0102R\u021aI<\/strong><\/p>\n<p>Dumitru Augustin Doman, Zidul de cea\u021b\u0103, Editura Limes, Flore\u0219ti, 2023, 131 p. Pe coperta a patra, Adrian Alui Gheorghe remarc\u0103: Dumitru Augustin Doman este un caz de scriitor care schimb\u0103 spada prozei pe floreta poeziei cu o lejeritate care \u00eel las\u0103 plin de uimire pe cititor. Cartea de poezie de fa\u021b\u0103 este o prob\u0103 de cum cuv\u00e2ntul pus la muncile inspira\u021biei se ia at\u00e2t de mult \u0219i de bine \u00een serios, \u00eenc\u00e2t mul\u021bi poe\u021bi vor sim\u021bi respira\u021bia fierbinte a celui care vine cu mult aplomb din urm\u0103.<\/p>\n<p>Virgil Diaconu, Poezia lui Mihai Eminescu \u00een viziunea scriitorilor de azi. Anchet\u0103, Clubul Mitteleuropa &#038; Grupul \u201eCara\u0219ul\u201d Oravi\u021ba, 2024, 310 p. Au participat: Paul Aretzu, Marian Barbu, Horia B\u0103descu, Elisabeta Bog\u0103\u021ban, Ionel Bota, Zenovie C\u00e2rlugea, Iosif Cheie-Pantea, Iulian Chivu, Theodor Codreanu, Daniel Corbu, Ioana Cosma, Lucian Costache, Constantin Cuble\u0219an, \u0218erban Denk, Ana Dobre, Alexandru Dobrescu, Florin Dochia, Eugen Dorcescu, Nicolae Georgescu, Aureliu Goci, Ovidiu Ivancu, Alexandru Jurcan, Valeria Manta T\u0103icu\u021bu, Nicolae Mecu, Grid Modorcea, Mariana Nicolae, George Olteanu, Liviu Pendefunda, Adrian Dinu Rachieru, Ioan N. Ro\u0219ca, Viorel Savin, Nicolae Silade, Octavian Soviany, Alex \u0218tef\u0103nescu, Constantin Trandafir, Radu Ulmeanu, Magda Ursache, Nina Vasile, Geo Vasile, C\u0103lin Vlasie, Radu Voinescu, Varujan Vosganian, Lidia Zadeh Petrescu. Volumul se \u00eencheie cu un Portretul literar al ini\u021biatorului acestei antologii, Virgil Diaconu).<\/p>\n<p>Petre Isachi, Convorbiri imaginare cu Jorge Luis Borges, ed. a II-a, Editura Salonul literar, Odobe\u0219ti, 2024, 341 p. Ion Fercu apreciaz\u0103: C\u0103ut\u0103tor de leacuri pentru r\u0103nile pustiului din noi, spectacol de gal\u0103 al m\u0103\u0219tilor, fantastic al fantasticului \u00eenrudit cu s\u00e2ngele albastru al \u00eendr\u0103znelilor nietzscheene, opul isachian este povestea insului s\u0103n\u0103tos intrat \u00een malaxorul unui spital de psihiatrie, povestea noastr\u0103, sor\u0103 geam\u0103n\u0103 <\/p>\n<p>celei din \u201eZbor deasupra unui cuib de cuci&#8221;, o odisee despre noi aventurierii supravie\u021buirii care sper\u0103m mereu s\u0103 ne apropiem de mitica Ithaca, de\u0219i ne afl\u0103m deja pe \u021b\u0103rmul ei. Tot pe coperta a patra, o scurt\u0103 apreciere critic\u0103 face \u0219i Culi\u021b\u0103 Ioan U\u0219urelu.<\/p>\n<p>Ion Fercu, Nietzsche \u2013 sihastrul din noi, Editura Academiei Rom\u00e2ne, Bucure\u0219ti, 2024, 334 p. \u00cen loc de vorbele obosite ale unui cuv\u00e2nt \u00eenainte Ion Fercu face unele men\u021biuni: Incendiile aprinse de Nietzsche \u00een inima spiritului nostru sunt vii \u0219i ast\u0103zi. Unele dintre acestea poate c\u0103 ar trebui stinse; altele, dimpotriv\u0103, \u00eentre\u021binute. E dificil s\u0103 fii pompierul de serviciu \u00een universul lui. E\u0219ti hulit\/premiat \u0219i c\u00e2nd stingi, dar \u0219i c\u00e2nd \u00eencurajezi unele v\u00e2lv\u0103t\u0103i. S\u0103 stingi totul ar fi o catastrof\u0103. S\u0103 la\u0219i \u00een via\u021b\u0103 toate incendiile ar fi ca \u0219i cum \u021bi-ai face un abonament pe via\u021b\u0103 la hula altora.  <\/p>\n<p>Codru\u021ba Vancea, Paravane de lini\u0219te, Editura Limes, Flore\u0219ti, 2024, 70 p. Despre acest nou volum, Mircea Petean spune: Codru\u021ba Vancea \u0219tie s\u0103 priveasc\u0103, \u0219tie s\u0103 asculte atent\u0103 la detalii, \u0219i scrie cu g\u00e2ndul la semenii ei c\u0103rora nici c\u0103 le pas\u0103 de zdroaba ei&#8230; Dar ea nu pare deloc indispus\u0103, dimpotriv\u0103, trece z\u00e2mbind dinspre o cas\u0103 \u00eenspre alt\u0103 cas\u0103, dinspre un vers spre alt vers, dinspre cuv\u00e2nt spre t\u0103cere. Poemele se rostuiesc din imagini rupte din cotidian sau create de o fantezie bun\u0103 conduc\u0103toare de energie vital\u0103&#8230;<\/p>\n<p>Silvia Miler, A pentru un a (amare pentru un amic), Editura Ateneul Scriitorilor, Bac\u0103u, 2021, 139 p. Emilian Marcu spune despre poezia Silviei Miler: Scris\u0103 corect \u0219i coerent, adesea \u00een dulcele stil clasic, (&#8230;) poezia \u00eenainteaz\u0103, pas cu pas, spre cititor. Truditatea \u0219i o anume spaim\u0103 par a-\u0219i pune amprenta pe versurile scrise cu o not\u0103 de patetism pentru u\u0219oara dezordine din suflet. Colocvialitatea pe care o inspir\u0103 aceste versuri ne face s\u0103 credem \u00een sinceritatea autoarei, \u00een gesturile ei lirice, de o tandre\u021be netrucat\u0103.<\/p>\n<p>Ottilia Ardeleanu, Tu\u0219e de cuvinte,  Ex Ponto, Constan\u021ba, 2023, 70 p. Constantin Grigoru\u021b\u0103 remarc\u0103, \u00eentr-o scurt\u0103 interven\u021bie critic\u0103: Sufletul poetic investigheaz\u0103 noi teritorii ale crea\u021biei, fecunde, pline de armonie \u0219i culoare. Aceast\u0103 \u00eentrep\u0103trundere cuv\u00e2nt-culoare, cu m\u0103iestrie oferit\u0103 privirii, \u00eendeamn\u0103 la un agreabil popas spiritual, incitant \u0219i totodat\u0103 dornic s\u0103 ofere celui aflat \u00een c\u0103utarea frumosului, o stare de bine.<\/p>\n<p>Marian Ilie, M\u0103rturisiri \u0219i fulgura\u021bii la foc de tab\u0103r\u0103, Editura Betta, Bucure\u0219ti, 2023, 171 p. \u00cen prefa\u021ba, Marian Ilie, Don Quijote de Gulianca \u00eenfrunt\u00e2nd via\u021ba \u0219i poezia, criticul Nicolae Georgescu spune: \u00cen volumul de fa\u021b\u0103 \u00eel descoperim pe Marian Ilie \u00een postura unui Don Quijote modern, pragmatic \u00een raporturile sale cu via\u021ba, v\u0103z\u00e2ndu-\u0219i cu o indiferen\u021b\u0103 disimulat\u0103 drumul prin \u00eentinsul \u021binut al Antagoniei printre fostele mori de v\u00e2nt devenite \u00een viziunea sa focuri de tab\u0103r\u0103, \u00een care societatea (inclusiv mediul scriitoricesc) e divizat\u0103. Un Don Quijote de Gulianca hot\u0103r\u00e2t s\u0103-\u0219i duc\u0103 la cap\u0103t visul nutrit \u00eenc\u0103 din anii studen\u021biei, acela de a face cunoscut\u0103 la noi literatura turc\u0103 \u0219i \u00een Turcia literatura rom\u00e2n\u0103.<\/p>\n<p>Aura Crei\u021baru, Calliope \u0219i coloniile de fluturi, Editura Princeps Multimedia, Ia\u0219i, 2024, 111 p. \u00cen prefa\u021ba, Aur\u0103 de Calliope cu tr\u0103s\u0103turi de Euterpe, Florin Dochia men\u021bioneaz\u0103 \u0219i aceasta: M\u0103rturiile din acest volum \u021bin de zona sensibil\u0103 a atmosferei interioare, a permanen\u021bei tr\u0103irilor profunde, reflexivitatea este o component\u0103 asumat\u0103, autoarea scrie cu scop, desfide actul gratuit al dicteului automat, verbiozitatea de\u0219\u0103n\u021bat\u0103, are mereu ceva de spus \u0219i o face hot\u0103r\u00e2t, cu mijloacele cele potrivite spre a convinge \u0219i a crea emo\u021bie.  <\/p>\n<p>Lumini\u021ba Zaharia, et Dieu cr\u00e9a le chat, Editura Neuma, Apahida, 2024, 78 p. Tudor C\u0103lin Zarojanu apreciaz\u0103: Lumini\u021ba Zaharia nu va \u00eenceta niciodat\u0103 s\u0103 m\u0103 fascineze cu u\u0219urin\u021ba cu care trece prin toate registrele lirice, pe toate subiectele. (&#8230;) \u0218i \u00een acest volum, ca \u00een toate celelalte ale sale, pe l\u00e2ng\u0103 faptul c\u0103 poeziile sunt \u00eenc\u00e2nt\u0103toare \u0219i deseori str\u0103b\u0103tute de ironie \u0219i autoironie exist\u0103 versuri, imagini \u0219i expresii memorabile, precum \u2013 ca s\u0103 pomenesc doar una, heart storming, ca alternativ\u0103 sclipitoare la brain storming&#8230;<\/p>\n<p>Lumini\u021ba Pot\u00eerniche, Apa nu avea nicio u\u0219\u0103, Editura Tracus Arte, Bucure\u0219ti, 2023, 126 p. Despre aceast\u0103 carte Nona Rapotan afirm\u0103: Un volum paradoxal de&#8230; bun. (&#8230;)  Pentru cei n\u0103scu\u021bi (sau\/\u0219i crescu\u021bi) la mal de Dun\u0103re, apa nu doar c\u0103 are ceva magic \u00een ea, dar \u00eenainte de orice are putere. Puterea acesteia este mai prezent\u0103 \u00een vie\u021bile celor care locuiesc malurile fluviului dec\u00e2t am crede. (&#8230;) &#8230; curgerea apei fascineaz\u0103 \u0219i duce cu ea g\u00e2ndurile oamenilor, a\u0219az\u0103 \u00een matca lor emo\u021biile \u0219i \u00eent\u00e2mpl\u0103rile de zi cu zi.<\/p>\n<p>Angela-Ana Gr\u0103dinaru, Istoria anecdotic\u0103 \u0219i infailibil\u0103 a literaturii rom\u00e2ne \u2013 pentru elevi, studen\u021bi, c\u0103rturari ori doar curio\u0219i, ca s\u0103 se instruiasc\u0103 \u0219i s\u0103 se distreze, Editura Nord Sud, Bucure\u0219ti, 2022, 383 p. \u00cen Cuv\u00e2nt \u00eenainte autoarea spune despre aceast\u0103 carte: Este o istorie neobi\u0219nuit\u0103, fiindc\u0103 are o form\u0103 concuren\u021bial\u0103, de joc instructiv-educativ. Se adreseaz\u0103 tuturor, mai doxa\u021bi \u0219i mai ageamii, mai mici sau mai mari. Pentru cei ce se vor \u00eencumeta s\u0103 solu\u021bioneze chestionarele, trebuie s\u0103 \u0219tie c\u0103 vor alege o liter\u0103 din patru, iar dac\u0103, \u0219i cu noroc ori doar crezu\u021bi pe cuv\u00e2nt, vor rezolva\/ vor rezolva\u201d peste jum\u0103tate din chestionare zic c\u0103 merit\u0103 felicita\u021bi, la trei sferturi r\u0103spunsuri bune dublu \u0219i f\u0103cu\u021bi profesori, cum \u00eei \u00eencurajeaz\u0103 o lege a \u00eenv\u0103\u021b\u0103m\u00e2ntului n\u0103stru\u0219nic\u0103 \u201e\u00een dezbatere\u201d, dar care, de bun\u0103 seam\u0103, va fi validat\u0103   printr-o ordonan\u021b\u0103 de urgen\u021b\u0103&#8230;  <\/p>\n<p><strong><br \/>\n Viorel DODAN<\/strong><br \/>\n<a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/10\/dodan-2-e1664987068485.jpg\" data-rel=\"lightbox-image-1\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/10\/dodan-2-e1664987068485.jpg\" alt=\"\" width=\"350\" height=\"360\" class=\"alignnone size-full wp-image-19360 lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 350px; --smush-placeholder-aspect-ratio: 350\/360;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/10\/dodan-2-e1664987068485.jpg\" alt=\"\" width=\"350\" height=\"360\" class=\"alignnone size-full wp-image-19360\" \/><\/noscript><\/a><\/p>\n<p><strong>arc\u0103<\/strong><\/p>\n<p>\u00eenaintea potopului<br \/>\nNoe a primit un mesaj<br \/>\nde Undeva s\u0103-\u0219i<br \/>\nfac\u0103 o corabie<br \/>\ns\u0103-\u0219i salveze oamenii<br \/>\ndin semin\u021bia sa<br \/>\n\u0219i animalele p\u0103m\u00e2ntului<\/p>\n<p>potopul a trecut<br \/>\ndar Noe \u00eenc\u0103 mai a\u0219teapt\u0103<br \/>\nun mesaj de Altundeva<br \/>\ncare s\u0103-i spun\u0103<br \/>\nce s\u0103 fac\u0103<br \/>\n\u0219i cum s\u0103<br \/>\ndeosebeasc\u0103<br \/>\noamenii<br \/>\nde animale<\/p>\n<p><strong><br \/>\nDeclara\u021bie pe propria iresponsabilitate<\/strong><\/p>\n<p>De la o vreme,<br \/>\nde c\u00e2nd nop\u021bilor li se cer<br \/>\ndeclara\u021bii pe propriile r\u0103spunderi<br \/>\npentru a ie\u0219i \u00een lume, iar<br \/>\nstelelor li s-a interzis s\u0103<br \/>\nmai umble \u00een roiuri,<br \/>\nm\u0103 tot dezinfectez de g\u00e2ndul<br \/>\nru\u0219inos al necinstei.<br \/>\nRecunosc c\u0103 scriu la negru,<br \/>\nversuri albe,<br \/>\nf\u0103r\u0103 s\u0103 respect<br \/>\nprocesele tehnologice,<br \/>\nnormele metodologice<br \/>\n\u0219i standardele celeste<br \/>\nsuspecte de viralitate semantic\u0103&#8230;<br \/>\nDe aceea,<br \/>\nm\u0103 autodenun\u021b,<br \/>\nm\u0103 autoizolez<br \/>\n\u0219i autoflagelez,<br \/>\nm\u0103 carantinez<br \/>\n\u0219i m\u0103 distan\u021bez social<br \/>\nde oricine m-ar acuza de evazionism literar&#8230;<br \/>\nM\u0103 sp\u0103l pe m\u00e2ini<br \/>\nde tot ce-am s\u0103v\u00e2r\u0219it \u00een neagra ilegalitate,<br \/>\ndoar pentru a recidiva \u00een a r\u0103m\u00e2ne<br \/>\nacela\u0219i negustor necinstit de cuvinte&#8230;                                 <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nicolai T\u0102ICU\u021aU RAFTUL CU C\u0102R\u021aI Dumitru Augustin Doman, Zidul de cea\u021b\u0103, Editura Limes, Flore\u0219ti, 2023, 131 p. Pe coperta a<\/p>\n","protected":false},"author":18,"featured_media":18831,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"ngg_post_thumbnail":0,"video_url":"","footnotes":""},"categories":[7,328],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/23863"}],"collection":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=23863"}],"version-history":[{"count":1,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/23863\/revisions"}],"predecessor-version":[{"id":23864,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/23863\/revisions\/23864"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/media\/18831"}],"wp:attachment":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=23863"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=23863"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=23863"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}