Or fi sur\u00e2s \u0219i ei de fixarea penultimei piese….
\n La num\u0103rul cincisprezece pe albumul 44\/876, versiunea luxoas\u0103 \u0219i cu \u021bint\u0103 fizic\u0103 exclusiv\u0103 (traducere pur rom\u00e2neasc\u0103), 16 Fathoms. F\u0103r\u0103 povestea din spate, textul melodiei aproape c\u0103 n-ar avea logic\u0103, te \u00eempiedic\u0103 s\u0103 legi o ac\u021biune fluent\u0103. Povestea fiind reprezentat\u0103 de ceea ce am g\u0103sit: un film produs \u00een 1934 \u0219i reluat \u00een 1948, cu un scenariu \u00een care un scufund\u0103tor, a c\u0103rui ocupa\u021bie se rezuma la culegerea de bure\u021bi, dore\u0219te s\u0103 str\u00e2ng\u0103 bani pentru a-\u0219i cump\u0103ra barca proprie \u0219i a se c\u0103s\u0103tori cu logodnica sa. Filmul se refer\u0103 \u00eens\u0103 la ad\u00e2ncime, Deep fiind adaosul titulaturii, pe c\u00e2nd Sting caut\u0103 16 st\u00e2njeni mai jos. M-am interesat \u0219i de m\u0103sura marin\u0103: 185 cm. Deci cam 30 de metri \u00een aval. Poveste marin\u0103reasc\u0103, etern\u0103. Iubita se simte p\u0103r\u0103sit\u0103, i-o spune marinarului a c\u0103rui nav\u0103 se g\u0103se\u0219te la distan\u021ba de mai sus, o pic\u0103tur\u0103 \u00een imensul ocean, \u00eei spune c\u0103 \u0219tie c\u0103 asta \u00eei este inten\u021bia, s\u0103 plece departe de ora\u0219. Ea st\u00e2nd pe teren solid. (\u00cen\u021belege\u021bi de ce am recurs la o scurt\u0103 sesiune de logic\u0103 \u0219i nu prea mi-a ie\u0219it; da, metafore, \u00eens\u0103…) Nu cade bine nici faptul c\u0103 ea face parte, nitam-nisam, dintr-o familie profetic\u0103 – la or\u0103\u0219enii de r\u00e2nd chestiunea pare de natur\u0103 magic-\u00een\u0219el\u0103toare; femei care cred \u00een puterea c\u0103r\u021bilor de tarot, a za\u021bului de cafea, a bobilor sau cine \u0219tie ce alt mijloc de vr\u0103jire a ra\u021biunii -, ce poate \u0219ti unde se va \u00eendrepta nava marinarului \u0219i unde el va \u00eencerca s\u0103 se reg\u0103seasc\u0103: 16 st\u00e2n… mai jos.
\n Am exagerat pu\u021bin. Desigur, Sting \u0219tie s\u0103 spun\u0103 cuvintele, \u0219tie s\u0103 le pun\u0103 pe creat imagini, st\u0103ri, suspans. Revine cumva la ideea lui Last Ship, mi-a adus aminte de Dead Man’s Boots. Nu numai nava st\u0103 legat\u0103 \u00eenc\u0103 la mal, ci \u0219i sufletul, aceea\u0219i pic\u0103tur\u0103 \u00een ocean. Dar omul abia ce-a venit \u0219i va pleca iar\u0103\u0219i, nu va lua \u00een seam\u0103 femeia \u0219i profe\u021biile ei. Totu\u0219i, cumva \u00eel urm\u0103resc, s-au s\u0103dit \u00een sufletul lui, dar are puterea de-a-i replica (t\u0103lmaci Shaggy): nu conteaz\u0103 ce spui, nu conteaz\u0103 ce faci, \u00eencerci s\u0103-mi strici ziua, \u00eemi port coroana \u0219i nu po\u021bi s\u0103 mi-o iei, g\u00e2nde\u0219ti c\u0103 sunt un ratat, \u00eens\u0103 te \u00een\u0219eli…. Da, ce urmeaz\u0103 este greu traductibil, din cauza jamaicanei limbi \u0219i a scrierii aproximate dup\u0103 cum se aude. Ceva de genul: femeie, sunt b\u0103rbat, sunt \u00eenconjurat de energii pozitive, nu negative cum \u00eencerci s\u0103 le induci.
\n Revenit la timon\u0103, Sting intr\u0103 \u00een sufletul marinarului, \u00een plin\u0103 furtun\u0103, a\u0219a cum el navigheaz\u0103 pe sunet ca pe ocean, cu rug\u0103 c\u0103tre Dumnezeu s\u0103-l treac\u0103 de \u00eentuneric, s\u0103 nu se \u00eenece. \u00cens\u0103, profe\u021bia femeii p\u0103r\u0103site la mal c\u00e2ndva \u00eel va ajunge, p\u00e2nzele vor deveni zdren\u021be \u00eens\u00e2ngerate, catargul se va rupe. Cum fiecare sper\u0103, acela\u0219i Domn ceresc va veni s\u0103-l g\u0103seasc\u0103 acolo unde nava se va scufunda, unde el, sorocit, se va \u00eeneca. 16 st\u00e2njeni mai jos….
\n Azi, aceea\u0219i providen\u021b\u0103 m-a \u00eembiat s\u0103 caut, f\u0103r\u0103 s\u0103 g\u0103sesc ceva concludent, una sau dou\u0103 piese rock solide, b\u0103rb\u0103te\u0219ti, asteriscat\u0103 pentru uzul de ordin facil al colegilor de trup\u0103. \u0218i cine-i mai tare \u0219i mai tare? ACDC. Parcurg fiecare debut \u0219i \u00eenc\u0103 sunt mirat c\u00e2t de simplu \u0219i destul de asem\u0103n\u0103tor \u00eencep piesele. Doar chitara, uneori cu un singur riff, alteori cu dou\u0103 sau un set. C\u00e2t se poate de banal la c\u00e2t de sofisticat\u0103 a ajuns muzica de gen.
\n Cam la fel se poate trage linie \u0219i dup\u0103 cele 15 ale perechii Sting-Shaggy. O tobi\u021b\u0103, dou\u0103, trei. Desigur, varia\u021bii, desigur, aruncate \u00een \u201elupt\u0103\u201d armele \u0219i armatele necesare c\u00e2\u0219tig\u0103rii b\u0103t\u0103liei cu auditoriul. De la primul b\u0103\u021b, dou\u0103 de fapt, lovite simultan premierul \u0219i cinelul, pe timpul patru, l\u0103sat lung p\u00e2n\u0103 la primele acorduri \u0219i primele note de solist. Toba \u201efredon\u00e2nd\u201d un raggae-funk, orga \u021bin\u00e2nd isonul cu prelungi acorduri c\u00e2t o m\u0103sur\u0103 pe SolM \u0219i Sim, iar vocea \u00eeng\u00e2n\u00e2nd refrenul. Cel cu sixteen fathoms down. Baleind \u00eentre cvint\u0103, cvart\u0103, ter\u021b\u0103, cvint\u0103 – ale lui SolM -, ter\u021b\u0103, contradominant\u0103, tonic\u0103, cvint\u0103 inferioar\u0103 – Sim – \u0219i dup\u0103 \u00eenc\u0103 un A (melodia primului vers), pe gol instrumental, se auto \u00eemperecheaz\u0103 cu o ter\u021b\u0103 superioar\u0103 \u0219i execut\u0103 si, si, la, fa#, si, descendent: optime, optime, \u0219aisprezecime, optime, optime cu punct. Strofa schimb\u0103 ordinea celor dou\u0103 acorduri anterioare – vocea tot descendent\u0103 -, la care adaug\u0103 \u00eenvior\u0103torul MiM \u0219i Fa#M ce rezolv\u0103 \u0219i \u00eencheie caden\u021ba – vocea este \u00een ascenden\u021b\u0103 melodic\u0103 – \u0219i unde avem tob\u0103 cu un room ca efect reverbator \u0219i bas, apoi \u0219i orga pe a doua optime a fiec\u0103rui timp. Refrenul doi cap\u0103t\u0103 \u0219i un instrument din seria celor de percu\u021bie, un soi de mallets cu sunete un pic prelungite (nici xilofon, nici, vibrafon, nici altele la fel), marimba se numesc, care merg pe dou\u0103 note \u00een ter\u021be – cvint\u0103-ter\u021b\u0103, subdominant\u0103-contradominant\u0103, ter\u021b\u0103-tonic\u0103 -, ocolind prima optime din timpul 1 \u0219i 3, executate doar \u00een \u0219aisprezecimi \u00een rest….
\n Omenire mai pu\u021bin\u0103 dup\u0103 cum se \u0219i aude. La instrumente, voci \u0219i butoane. Kierszenbaum este produc\u0103tor, co-compozitor, keyboard-ist, marimb-ist, drum-ist, bass-ist \u0219i percu\u021bionist (sunt c\u00e2nd \u0219i c\u00e2nd ni\u0219te b\u0103t\u0103iu\u021be \u00een ulcelu\u021be atinse de acela\u0219i room cu iz de anii 60). Adic\u0103 le-a f\u0103cut pe toate. Mai pu\u021bin vocile me\u0219terilor. Toat\u0103 \u201elucrarea\u201d s-a tras \u00een studioul Cherrytree \u00een Los Angeles \u0219i al Sear Sound Studio. La mixer a stat Shaggy. Compozitori \u0219i Sting, \u0219i Orton. S\u0103 nu-mi spune\u021bi c\u0103 nu \u0219ti\u021bi numele real al lui Shaggy. To\u021bi Doamne \u0219i to\u021bi trei!<\/p>\n","protected":false},"excerpt":{"rendered":"
Or fi sur\u00e2s \u0219i ei de fixarea penultimei piese…. La num\u0103rul cincisprezece pe albumul 44\/876, versiunea luxoas\u0103 \u0219i cu \u021bint\u0103<\/p>\n","protected":false},"author":7,"featured_media":10495,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"ngg_post_thumbnail":0,"video_url":"","footnotes":""},"categories":[7,116],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/23603"}],"collection":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=23603"}],"version-history":[{"count":1,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/23603\/revisions"}],"predecessor-version":[{"id":23604,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/23603\/revisions\/23604"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/media\/10495"}],"wp:attachment":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=23603"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=23603"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=23603"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}