{"id":23134,"date":"2024-04-25T00:38:07","date_gmt":"2024-04-24T21:38:07","guid":{"rendered":"https:\/\/ziarulderimnic.ro\/?p=23134"},"modified":"2024-04-25T00:38:07","modified_gmt":"2024-04-24T21:38:07","slug":"ora-de-muzica-2-another-love-story","status":"publish","type":"post","link":"https:\/\/ziarulderimnic.ro\/?p=23134","title":{"rendered":"Ora de muzic\u0103 2 &#8211; Another love story"},"content":{"rendered":"<p>       C\u00e2nd \u0219i naratorul are har s\u0103 o transmit\u0103&#8230;.<br \/>\n       Stabilind c\u0103 Dumnezeu \u00eel are deja, dup\u0103 suita defectuoas\u0103 impus\u0103 de pretendentul indecis la noua Rom\u00e2niei pre\u0219edin\u021bie, Geoan\u0103, la r\u00e2nd, dup\u0103 mul\u021bi inspira\u021bi de muze, de propriul creier sau de suflet, st\u0103 Sting. E \u00eentr-adev\u0103r ceva \u00een mentalul s\u0103u determinabil pentru cuvinte \u0219i muzici frumoase \u0219i \u00eenc\u00e2nt\u0103toare. Sad Trombone-ul pare, m\u0103car la nivel de text, o mic\u0103 bijuterie de \u00eemp\u0103r\u021bit idile \u00eentre \u00eendr\u0103gosti\u021bi. Compar\u00e2nd cu pelicula ce \u00eenc\u0103 mai circul\u0103 pe la noi, \u00een care protagonistul principal, dup\u0103 o perioad\u0103 neagr\u0103 din via\u021b\u0103, f\u0103c\u00e2nd un pas dincolo de marea sa m\u00e2hnire, atras parc\u0103 de un magnet, apuc\u0103 trompeta arti\u0219tilor dintr-un bar \u0219i sufl\u0103 ni\u0219te note de te \u00eenfioreaz\u0103, trombonul trist pare s\u0103 concureze cu succes la sec\u021biunea divin. Pu\u021bin diferit. Acolo trona spaima de revenire la via\u021b\u0103, nep\u0103sarea, aici speran\u021ba, ner\u0103bdarea. Un scenariu ce implic\u0103 un muzician, \u00eentr-un chio\u0219c, probabil cu un band mai pu\u021bin supus rigorilor unei fanfare, de\u0219i \u00ee\u0219i trateaz\u0103 colegii cu \u201everde\u201d &#8211; ipotez\u0103 \u00een sprijinul vestimenta\u021biei specifice unor atare adun\u0103ri muzicale. De acolo toate fetele, femeile par zei\u021be, cum \u0219i din partea opus\u0103 c\u00e2nt\u0103re\u021bii par aezii divinit\u0103\u021bii. \u0218i ca-n Luceaf\u0103rul eminescian, o vede azi, \u00eel vede m\u00e2ine, privirile se \u00eent\u00e2lnesc, se fixeaz\u0103 \u0219i dorin\u021ba li-i gata. El ar executa un solo de trombon special pentru ea, ea i-ar \u00eentoarce gestul z\u00e2mbind, o r\u0103splat\u0103 suficient\u0103 c\u00e2t s\u0103 trezeasc\u0103 \u00een el vrerea de a face cu ea \u201ecea mai dulce dragoste\u201d. Desigur, \u00een intona\u021bia \u0219i timbrul lui Sting exist\u0103 de multe ori acea triste\u021be pus\u0103 pe seama trombonistului, \u201eniciodat\u0103 subestimat, niciodat\u0103 exagerat\u201d, o triste\u021be ce pe ea o p\u0103trunde ad\u00e2nc &#8211; \u00een vers \u201e\u00een oase\u201d. Fapt care creeaz\u0103 premisele, sper eu, refrenului: \u201eNumele meu este Trombon Trist&#8230;\u201d. Asem\u0103narea cu filmul &#8211; dac\u0103 ave\u021bi r\u0103bdare caut titlul &#8211; este evident\u0103. Trombonistul nostru dezv\u0103luie c\u0103 ea a g\u0103sit calea, cheia spre sufletul lui, zdrobit, \u00eens\u0103n\u0103to\u0219indu-l. Iar colegii de verde, \u00een camer\u0103, sesiz\u00e2nd \u201edr\u0103ganul\u201d, chiar \u00eel avertizeaz\u0103 c\u0103 tot ce i se \u00eent\u00e2mpl\u0103 pare ca-n film, bine\u00een\u021beles nu cel la care m\u0103 g\u00e2ndesc eu, de\u0219i nimic nu este exclus. Bucurie scurt\u0103, c\u0103ci&#8230;. Spectacolul se termin\u0103, luminile se sting, cortina se trage. Se instaleaz\u0103 aceea\u0219i nelini\u0219te, aceea\u0219i triste\u021be pe chipul trombonistului. Motivul perpetuu \u00eentr-o societate \u00een continu\u0103 mi\u0219care, f\u0103r\u0103 r\u0103bdarea de a da finalitate chiar \u0219i unei idile de o noapte, pre\u021b de c\u00e2teva priviri: un trai mai confortabil. Dup\u0103 ce-i fusese cafeaua de diminea\u021b\u0103, untul de pe p\u00e2inea pr\u0103jit\u0103, ea dispare \u201epentru o slujb\u0103 mai bun\u0103 pe coast\u0103\u201d. Bine, e neverosimil\u0103 diminea\u021ba. A muzicienilor \u00eencepe de la pr\u00e2nz sau dup\u0103. Cu prisosin\u021b\u0103 c\u0103 \u0219i via\u021ba muzicienilor este una bini\u0219or atins\u0103 de un soi de infantilism adolescentin. El \u00eensu\u0219i face conspectul ei: nu prea mul\u021bi bani de pe bilete pu\u021bine la reprezenta\u021bii, bar dup\u0103 bar \u00een drumul spre hotel, traiul dintr-un hotel \u00een altul sau chiar acela\u0219i o perioad\u0103. Revine triste\u021bea, \u00een timbru, \u00een intona\u021bie, \u201estrig\u0103t disperat, geam\u0103t, alunec\u00e2nd de la bas profund la bariton singuratic\u201d, asum\u00e2ndu-\u0219i permanentul nume. Apoi, spre final, Sting insereaz\u0103 aceea\u0219i poveste cu care fiecare muzician este al\u0103ptat (eu av\u00e2nd ca mu\u0219\u0103 pe domnul Ghiulea Marcel): pornirea de la o gam\u0103 major\u0103, vesel\u0103, hot\u0103r\u00e2t\u0103, c\u0103tre una minor\u0103, lacrimogen\u0103, trist\u0103, ezitant\u0103, cobor\u00e2nd o ter\u021b\u0103 mic\u0103. Tocmai aceast\u0103 trecere \u0219i r\u0103m\u00e2nere \u00een apele umbrite ale minorit\u0103\u021bii pare o alunecare (la trombon executat\u0103 cu culisa) spre ad\u00e2ncuri, nesf\u00e2r\u0219it\u0103, \u201escufund\u00e2ndu-se ca o piatr\u0103\u201d, nu mai departe de  \u201dresturile cu care ai fost aruncat\u201d. \u00cens\u0103 r\u0103m\u00e2n destule \u00een tine, de\u0219i timpul trece, \u0219i ele p\u0103trund \u00een tine \u201ep\u00e2n\u0103 la oase, p\u00e2n\u0103 la os&#8230;\u201d.<br \/>\n        \u00cen fa\u021ba \u201epoeziei\u201d muzica p\u0103le\u0219te. \u00cemi doream altceva. \u00cen Angel Eyes cu Lopez \u0219i Caviezel, trompeta pl\u00e2nge efectiv. Acele treceri prin intervalele secund\u0103 mic\u0103, secund\u0103 m\u0103rit\u0103, secund\u0103 mic\u0103 (minorul armonic), treceri prin sol#, mib, si&#8230;. Nici nu se compar\u0103. Natural Boy, c\u00e2ntat \u00een tandem de Jon Hassel \u0219i un flautist \u201erupe\u201d. Sad Trombone este un raggae u\u0219urel, cu inser\u021bii de wah-wah pe chitar\u0103, trombonul sus\u021bine Sol minorul cum poate &#8211; re, sol, la, sib&#8230;, do, la, sib, sol &#8211; , cu un singur exces pentru fondul armonic, un mi (sexta mare), incomparabil cu do# din FaM5+ din Natural Boy. Armonia nu dep\u0103\u0219e\u0219te Solm, FaM dec\u00e2t acolo unde mi al trombonului for\u021beaz\u0103 nota \u0219i, \u00een stil Sting, din colec\u021bia sa, alege Solm, Solm7+, Solm7, Solm7-, dar \u0219i de la Michelle al Beatles-ului.<br \/>\n       Nu sunt trecute la versuri strig\u0103turile de \u00eenceput ale lui Shaggy, rapid rostite \u0219i repetate de mai multe ori: love&#8230;, i like it&#8230;, coming&#8230;.<br \/>\n      Domnii de la instrumente \u0219i aparate. Zice-se c\u0103 e scriitura lui Sting, Shaggy, Pizzonia \u0219i Shippy. Tot Shippy cu produc\u021bia adi\u021bional\u0103. Sting International produc\u0103torul, vocile din background \u0219i tot el are rolul de mixman la Ranch Studios. Creditele pentru instrumente sunt atribuite lui Shippy \u0219i Sting International cu excep\u021bia&#8230;. De\u0219i Shippy este \u0219i la chitar\u0103 bas, la fel ca Sting. De\u0219i acela\u0219i Shippy este \u0219i la keyboarduri, la fel ca Kierszenbaum \u0219i Machine Gun Funk. La chitare presteaz\u0103 bine, precis Dominic, Andy Bassford \u0219i Glenn Rogers. Pianul \u00eei apar\u021bine lui Geoffrey Keezer. Iar trombonul, nu at\u00e2t de trist, Clark Gayton.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>C\u00e2nd \u0219i naratorul are har s\u0103 o transmit\u0103&#8230;. Stabilind c\u0103 Dumnezeu \u00eel are deja, dup\u0103 suita defectuoas\u0103 impus\u0103 de pretendentul<\/p>\n","protected":false},"author":7,"featured_media":10495,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"ngg_post_thumbnail":0,"video_url":"","footnotes":""},"categories":[7,116],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/23134"}],"collection":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=23134"}],"version-history":[{"count":1,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/23134\/revisions"}],"predecessor-version":[{"id":23135,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/23134\/revisions\/23135"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/media\/10495"}],"wp:attachment":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=23134"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=23134"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=23134"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}