{"id":22874,"date":"2024-03-18T00:45:52","date_gmt":"2024-03-17T21:45:52","guid":{"rendered":"https:\/\/ziarulderimnic.ro\/?p=22874"},"modified":"2024-03-18T00:45:52","modified_gmt":"2024-03-17T21:45:52","slug":"spatii-culturale-nr-2-14","status":"publish","type":"post","link":"https:\/\/ziarulderimnic.ro\/?p=22874","title":{"rendered":"Spa\u021bii culturale nr. 2 (14)"},"content":{"rendered":"<p><strong>Reviste literare<\/strong><\/p>\n<p><strong>APOSTROF<\/strong>, <em>Anul XIX, nr. 12 (223), 2008<\/em>. Marta Petreu<br \/>\n\u015fi Ovidiu Pecican propun o interesant\u0103 lec\u0163ie de g\u00e2ndire<br \/>\nprin chestionarul \u201eanchetei\u201d Apostrof &#8211; \u201eFranz Kafka\u201d.<br \/>\nR\u0103spund: Liviu Antonesei, Paul Aretzu, Leo Butnaru,<br \/>\nDumitru Cerna, Michael Finkenthal, Carmen Firan<br \/>\n(printr-un poem), Iolanda Malamen, Elisabeta Pop \u015fi<br \/>\nMihaela Ursu. La rubrica \u201edosar\u201d, Moshe Idel \u00eel prezint\u0103<br \/>\npe Johannes Reuchlin \u2013 \u201e Cabala, filozofia pitagoreic\u0103 \u015fi<br \/>\ninterpret\u0103rile moderne (II)\u201d, iar Nicolae Balot\u0103 este<br \/>\nprezent cu un fragment (\u201eLa \u00eenchisoarea militar\u0103\u201d) din<br \/>\nAbisul luminat. Cartea \u00eent\u00e2i. \u00cen spa\u0163iile rezervate rubricii<br \/>\n\u201eCu ochiul liber\u201d semneaz\u0103: Gelu Ionescu (Horia Ursu,<br \/>\nAsediul Vienei), Iulian Boldea (Mihail G\u0103l\u0103\u0163anu, Poeme<br \/>\namniotice), Ovidiu Pecican (Virgil Stanciu, Dic\u0163ionar de<br \/>\nangli\u015fti \u015fi americani\u015fti rom\u00e2ni), Constantina Raveca<br \/>\nBuleu (Modernism \u015fi antimodernism: Noi perspective<br \/>\ninter-disciplinare, coordonator-Sorin Antohi) \u015etefan<br \/>\nBolea (S\u00f8ren Kierkegaard, Opere II), iar cronicile literare<br \/>\napar\u0163in Irinei Petra\u015f (Alexandru Ecovoiu, Cei trei copii-<br \/>\nMozart) \u015fi lui \u015etefan Borb\u00e9ly (Paul Cornea, Originile<br \/>\nromantismului rom\u00e2nesc). Poemul este prezent prin<br \/>\ndou\u0103 crea\u0163ii ale Gabrielei Toma.<\/p>\n<p><strong><br \/>\nAXIOMA<\/strong>, <em>Anul IX nr.11 (104) \/ 2008<\/em>. \u00cen deschidere<br \/>\nIeronim T\u0103taru ne propune o \u201eC\u0103l\u0103torie \u00een Kutyland\u201d<br \/>\n(Tablete din \u0163ara lui Kuty, Tudor Arghezi), iar Constantin<br \/>\nTrandafir c\u00e2teva secven\u0163e critice asupra operei lui Marin<br \/>\nPreda. Gherasim Rusu Togan \u00ee\u015fi continu\u0103 studiul de<br \/>\nmitologie rom\u00e2n\u0103 (\u201eJocul Inchipuirilor \u00een<br \/>\nimaginarul magic: diversitatea \u00eentruchip\u0103rilor,<br \/>\nsalvate azi de metaforele poeticului\u201d), ca Sebastian<br \/>\n\u015etef\u0103nuc\u0103 s\u0103 prezinte \u201eP\u0103durea \u2013 o simbolistic\u0103 polar\u0103\u201d.<br \/>\nDe ast\u0103 dat\u0103 ca traduc\u0103tor, Ion Ro\u015fioru ne propune<br \/>\npoezie de Charles Cros \u015fi Emile Verhaeren, iar \u00eempreun\u0103<br \/>\ncu Luiza P\u0103v\u0103luc\u0103, 8 poe\u0163i portughezi, cu 8 pantumuri.<br \/>\nPartea literar\u0103 a revistei este completat\u0103 cu interven\u0163iile<br \/>\ncritice ale lui Marian Chirulescu, Nicolae Dumitrescu \u015fi<br \/>\nBucur Chiriac.<\/p>\n<p><strong><br \/>\nAXIOMA<\/strong>, <em>Anul IX nr. 12 (105) \/ 2008<\/em>. Deschiderea o<br \/>\nface tot Ieronim T\u0103taru cu un studiu pertinent la \u201eIstoria<br \/>\ncritic\u0103 a literaturii rom\u00e2ne\u201d a lui Nicolae Manolescu.<br \/>\nConstantin Trandafir prezint\u0103 miniantologia realizat\u0103 de<br \/>\nDionisie Duma din primele trei volume de poezie ale lui<br \/>\nNichita St\u0103nescu \u2013 \u201eO pat\u0103 de s\u00e2nge care vorbe\u015fte\u201d, cu<br \/>\nversiune \u00een limba englez\u0103. Dup\u0103 \u201eT\u0103m\u0103duirea prin<br \/>\ncuv\u00e2nt\u201d a lui Gherasim Rusu Togan, proza este prezent\u0103<br \/>\nprin fragmentul de roman al Vioric\u0103i R\u0103du\u0163\u0103, iar poezia<br \/>\nprin crea\u0163iile lui Marian Ruscu \u015fi Ion Ro\u015fioru.<\/p>\n<p><strong><br \/>\nBUCOVINA LITERAR\u0102<\/strong>, <em>Serie nou\u0103 Anul XIX nr. 11-<br \/>\n12 (213-214) \/ 2008<\/em>. Dup\u0103 editorialul lui Ion Beldeanu \u2013<br \/>\n\u201eUn reper de istorie literar\u0103: Societatea Scriitorilor<br \/>\nBucovineni\u201d, Theodor Codreanu consemneaz\u0103 un<br \/>\ninterviu cu acad. Constantin Ciopraga. Cronicile literare<br \/>\nsunt semnate de Emanuela Ilie (Monica Patriche, Darul<br \/>\nde nunt\u0103), Ion Ro\u015fioru (Arthur Porumboiu, Poeme<br \/>\noptimiste din vremea Ciumei Ro\u015fii), Rodica Mure\u015fan<br \/>\n(Aida Hancer, Eva nim\u0103nui), Valeriu Cu\u015fner (Mircea<br \/>\nIoan Casimcea, N\u0103lucirile Cavalerului), ca notele de<br \/>\nlector ale lui Ion Beldeanu s\u0103 se refere la: Marian Barbu \u2013<br \/>\n\u201eTr\u0103ind printre c\u0103r\u0163i\u201d, Nichita St\u0103nescu \u2013 \u201eO pat\u0103 de<br \/>\ns\u00e2nge care vorbe\u015fte. A bloodstain speaks\u201d \u015fi Dumitru<br \/>\nAugustin Doman \u2013 \u201eMoartea noastr\u0103 cea de toate zilele\u201d.<br \/>\nEseurile num\u0103rului de revist\u0103 sunt \u201eEtic \u015fi estetic \u00een<br \/>\ng\u00e2ndirea lui \u015etefan Lupa\u015fcu\u201d de Theodor Codreanu \u015fi<br \/>\n\u201eIpostaze ale eroului revolu\u0163ionar naumian \u00een procesul<br \/>\nde devenire a sinelui\u201d de Isabel Vintil\u0103. Proza este<br \/>\nsemnat\u0103 de Leo Butnaru \u015fi Cristina B\u00eendiu. Remarcabile<br \/>\npoemele lui Hora\u0163iu Stamatin.<\/p>\n<p><strong><br \/>\nCAFENEAUA LITERAR\u0102<\/strong>, <em>Anul V nr. 12 \/ 66 \/ 2008<\/em>.<br \/>\nVirgil Diaconu continu\u0103 discu\u0163ia cu Gheorghe Grigurcu,<br \/>\nca invitat al Cafenelei, acum despre \u201e\u015ecoala de literatur\u0103\u201d,<br \/>\niar Clara M\u0103rgineanu \u00eel are invitat \u201ela o cafea mic\u0103\u201d pe<br \/>\nPetru Popescu. Apoi, iau atitudine \u015etefan Ion Ghilimescu<br \/>\n(Karl Marx, Drepturile omului \u015fi provincialismul ar\u0163\u0103gos)<br \/>\n\u015fi Luca Pi\u0163u (Modest\u0103 contribu\u0163ie la prop\u0103\u015firea studiilor<br \/>\nde HATMANOLOGIE CENESASIC\u0102). \u00cen acest num\u0103r \u00ee\u015fi<br \/>\nexprim\u0103 opiniile lectorii: Rodica Mati\u015f (Horia Corche\u015f,<br \/>\nSonat\u0103 pentru frumoasa am\u0103ruie), Livia Ro\u015fca (Cartea cu<br \/>\nbunici), Aureliu Goci (Mircea Ghi\u0163ulescu, Istoria Literaturii<br \/>\nRom\u00e2ne. Dramaturgia), Florentin Popescu (Virgil<br \/>\nDiaconu, Destinul poeziei moderne) \u015fi Virgil Diaconu<br \/>\n(Nicolae Eremia, Ro\u0163ile de os\u00e2nd\u0103). Poezia este prezent\u0103<br \/>\nprin crea\u0163iile lui Ancelin Roseti, Nicolae B\u0103ciu\u0163 \u015fi Sherko<br \/>\nBekas (ultimul beneficiind de traducerile Niculinei Oprea).<\/p>\n<p><strong><br \/>\nCETATEA CULTURAL\u0102<\/strong>, <em>Seria a III-a, Anul IX, nr. 12<br \/>\n(84),2008<\/em>. Criticul \u015fi istoricul literar Dumitru Micu a<br \/>\n\u00eemplinit 80 de ani. La mul\u0163i ani, domnule profesor! Dac\u0103<br \/>\nR\u0103zvan Voicu expune \u00een eseul s\u0103u \u201eTimpul adev\u0103rului\u201d,<br \/>\nIon Cristofor opineaz\u0103 despre \u201eEseurile domnului Iancu<br \/>\nFeldstein\u201d, iar Dana Elena Rujea, pornind de la<br \/>\nimportan\u0163a conexiunii str\u00e2nse dintre literatur\u0103 \u015fi<br \/>\nlingvistic\u0103, ne prezint\u0103 un studiu despre \u201eStilistic\u0103,<br \/>\nliteratur\u0103 \u015fi relevan\u0163\u0103 metodic\u0103\u201d. Adrian Botez ne<br \/>\nprezint\u0103 detaliat \u015fi argumentat apartenen\u0163a lui Ion<br \/>\nCreang\u0103 la Loja iohanic\u0103, iar Iulian Bitoleanu scrie despre<br \/>\n\u201eCronicarul literar Mihai Eminescu\u201d. Iosif-Cristian<br \/>\nPa\u015fcal\u0103u face aprecieri critice asupra studiului lui Dan<br \/>\nBruda\u015fcu Goga \u015fi criticii s\u0103i. Cronici literare semneaz\u0103:<br \/>\nTudor Negoescu (Remus Valeriu Giorgioni, Kiriat<br \/>\nSepher), Luciana Medve (Ion Cristofor, O cu\u015fc\u0103 pentru<br \/>\npoet), Liviu Com\u015fia (Aurel Pop, La Hanul Verbelor),<br \/>\nDaniel L\u0103c\u0103tu\u015f (Daniela Voicu, Poemul \u00eengerilor \u015fi Copil<br \/>\nIonu\u0163, Clipa de luciditate) \u015fi Flaviu Niculescu (Doina<br \/>\nBurzo, Altfel de vise). Poezia este semnat\u0103 de Gavril<br \/>\nMoldovan, Ion M\u0103rgineanu, Victoria Milescu, Martha<br \/>\nIzsak, Alexandra Emilia Bucur, Cornel Vana, Ecaterina<br \/>\nBazgan, iar la \u201eMeridiane lirice\u201d sunt prezen\u0163i trei poe\u0163i<br \/>\ngreci: Dimitris P. Kraniotis, Dimitris Varos \u015fi Constantin<br \/>\nP. Cavafy \u00een traducerea lui Dan Bruda\u015fcu.<\/p>\n<p><strong><br \/>\nDACIA LITERAR\u0102<\/strong>, <em>Anul XVIII (serie nou\u0103)nr. 81 (6 \/<br \/>\n2008)<\/em>. Din \u201eArca lui Paul Miron\u201d, cel care a fost una dintre<br \/>\ncele mai importante figuri ale diasporei rom\u00e2ne\u015fti, scriu:<br \/>\nAlexandru Zub, Florin Faifer, Ioan Holban, Emanuela Ilie,<br \/>\nGrigore Elisei, Ioan R\u0103ducea, Ovidiu Laz\u0103r, Florin C\u00e2ntec<br \/>\n\u015fi Carmen Minculescu. Interviurile lui C\u0103lin Ciobotari<br \/>\nsunt cu oameni din lumea teatrului: Petru Ciubotaru,<br \/>\nSergiu Tudose \u015fi Florin Mircea. Poezia respir\u0103 prin<br \/>\nGeorge Popa, Nicolae Matca\u015f, Bianca Marcovici, Corina<br \/>\nIrimi\u0163\u0103 \u015fi Nicolae Mihai, iar pulsul editorial este luat de<br \/>\nConstantin Ciopraga (Ioan Timofte, Personalit\u0103\u0163i ie\u015fene)<br \/>\nAmalia Voicu (Emanuela Ilie, Hieroglifele poe\u0163ilor),<br \/>\nConstantin Secu, George B\u0103d\u0103r\u0103u, Postmodernismul<br \/>\nrom\u00e2nesc), Nicolae Busuioc (Mihai Merticaru, Arca lui<br \/>\nPetrarca), Cristina Chiprian (Ionu\u0163 Radu, Secven\u0163e ale<br \/>\nintr\u0103rii \u00een via\u0163\u0103), (Rodian Dr\u0103goi, Lumin\u0103 de mireas\u0103) \u015fi<br \/>\nAureliu Goci (Melania Cuc, Femeia \u00een fa\u0163a lui<br \/>\nDumnezeu).<\/p>\n<p><strong><br \/>\nDIAGONALE<\/strong>, Anul I, nr.4,nov.-dec. 2008 Diagonalele<br \/>\nbuzoiene ale lui Radu Voinescu zic iar de bine \u00een cultura<br \/>\nrom\u00e2n\u0103. Nu are cum fi altfel at\u00e2ta timp c\u00e2t \u015fi \u00een acest<br \/>\nnum\u0103r semneaz\u0103 Liviu Ioan Stoiciu \u2013 \u201eFoaie de parcurs \u2013<br \/>\nJurnalul de la Agigea (III)\u201d, Alex. \u015etef\u0103nescu \u2013 \u201ePenajul<br \/>\np\u0103s\u0103rilor \u00een perioada de \u00eemperechere\u201d (eseu), Ion Lazu \u2013<br \/>\n\u201eOdiseea pl\u0103cilor memoriale (III)\u201d, Aura Christi \u2013<br \/>\n\u201eFoamea de viu (III)\u201d, Octavian Soviany \u2013 \u201eO promo\u0163ie<br \/>\nexperimentalist\u0103 (III)\u201d. Studiul \u201eCritica moderat\u0103 fa\u0163\u0103 cu<br \/>\niconoclastia avangardist\u0103\u201d al lui Constantin Trandafir \u00eel<br \/>\nvizeaz\u0103 pe poetul \u015fi criticul de poezie Ion Pop. Apoi,<br \/>\nMarian R\u0103dulescu rememoreaz\u0103 o \u00eent\u00e2lnire a lui cu<br \/>\nNicolae Simache \u015fi Nichita St\u0103nescu, iar George Tarara<br \/>\nprezint\u0103 \u201eSpiritualitatea european\u0103 \u015fi esen\u0163a cre\u015ftin\u0103\u201d \u00een<br \/>\nMemorie \u015fi identitate de Ioan Paul al II-lea. Florin Dochia<br \/>\nni-l prezint\u0103 pe J.M.G. Le Cl\u00e9zio \u015fi optica sa vizionar\u0103, iar<br \/>\nBucur Chiriac ne \u201earat\u0103\u201d \u201eO scrisoare deschis\u0103 a lui<br \/>\nAlexandr Soljeni\u0163\u00een. Emil Niculescu recupereaz\u0103 din<br \/>\n\u201epraful bibliotecilor\u201d \u201eUn rob al bibliografiei la Mizil\u201d,<br \/>\niar Viorel Fr\u00eencu ne informeaz\u0103 despre: \u201d170 de pres\u0103 la<br \/>\n\u00centorsura Carpa\u0163ilor \u2013 Publicistica buzoian\u0103 \u015fi<br \/>\nr\u00e2mnicean\u0103. Interviul Diagonalelor este realizat de Radu<br \/>\nVoinescu cu Geo Vasile. Horia G\u00e2rbea ne \u201epoart\u0103\u201d prin<br \/>\n\u201eHangzhou, ora\u015ful-parc al m\u0103t\u0103sii\u201d , iar Marilena \u0162epu\u015f<br \/>\nprin s\u0103li de teatru din Rom\u00e2nia, \u00eempreun\u0103 cu Fra\u0163ii<br \/>\nPresniakov, Oleg \u015fi Vladimir, \u015fi piesele lor. Proza este<br \/>\nprezent\u0103 printr-un fragment din romanul Mutilare de<br \/>\nDan Stanca, iar poezia prin poemele lui Traian T. Co\u015fovei<br \/>\n\u015fi ale laureatei premiului Nobel pentru literatur\u0103 pe anul<br \/>\n1996, poloneza Wis\u0142awa Szymborska \u00een traducerea<br \/>\nPassionariei Stoicescu \u015fi a lui Constantin Geamba\u015fu.<\/p>\n<p><strong><br \/>\nOGLINDA LITERAR\u0102<\/strong>, <em>Anul VII Nr.84, dec. 2008<\/em>.<br \/>\nAbunden\u0163a eseurilor din acest num\u0103r (17) nu \u015ftirbe\u015fte<br \/>\nvaloarea. Cit\u0103m c\u00e2teva: \u201eGheorghe Neagu \u00eentr-o<br \/>\ndispozi\u0163ie narativ\u0103\u201d de Ionel Necula, \u201eCritica f\u0103r\u0103 organ<br \/>\na doamnei profesor doctor Monica I. Costea\u201d de Virgil<br \/>\nDiaconu, \u201eComponentele Limbajului &#038; Politica\u201d de Lucia<br \/>\nD\u0103r\u0103mu\u015f, \u201eLibertatea de a nu fi liber\u201d de Paul Spirescu,<br \/>\n\u201eCreier \u015fi Inim\u0103 \u00een Viziune Pascalian\u0103 \u015fi Eshatologic\u0103\u201d<br \/>\nde Mircea Homescu, \u201eMircea Eliade \u015fi Jurnalul<br \/>\nportughez\u201d de Viviana P. Dehelean, \u201eP\u00e2n\u0103 nu va fi prea<br \/>\nt\u00e2rziu\u201d de Ionel Bota \u015fi \u201eIspitele lui Horia G\u00e2rbea\u201d de Ion<br \/>\nPopescu Br\u0103diceni. Din critica literar\u0103, ap\u0103rut\u0103 la o<br \/>\nmultitudine de rubrici, remarc\u0103m: \u201eTr\u0103irea serafic\u0103 \u00een<br \/>\npoezia religioas\u0103 a lui V. Voiculescu\u201d (Nicolae Dorel<br \/>\nTrifu), \u201eDumitru Cerna, un fiu al poemelor lutnice\u201d<br \/>\n(Monica Grosu), \u201eT\u0103ierea melcului de cochilie\u201d<br \/>\n(Geo Vasile), \u201eTextul literar \u00eentre con\u015ftiin\u0163\u0103 \u015fi<br \/>\nmemorie\u201d (Liviu Com\u015fia), \u201eJurnalul unui partizan<br \/>\npolonez sau Misterul golfului s\u0103lbatic\u201d (St\u0103nic\u0103<br \/>\nBudeanu), \u201eGheorghe Mocanu: <<Din umbra\nmun\u0163ilor>> un volum de proz\u0103 fermec\u0103tor\u201d (Miron \u0162ic),<br \/>\n\u201eAportul lui Eminescu, gazetarul, \u00een impunerea limbii<br \/>\nliterare\u201d (Mircea Truic\u0103) \u015fi \u201e<<Cazul>> Ferenczy Gorgy\u201d<br \/>\n(Dan Bruda\u015fcu). La \u201eproz\u0103\u201d se \u00eenscriu: Anda Bejan,<br \/>\nNeculai I\u015ftoc, Camelia Ciobotaru \u015fi Mihai Ganea, iar din<br \/>\ncele 23 de semn\u0103turi de la \u201epoezie\u201d am ales: \u015etefania<br \/>\nOproescu, Lauren\u0163iu Selegian, Liliana Ursu, \u015etefan<br \/>\nCiobanu, Lucia Cherciu \u015fi pe ale lui Lucian Per\u0163a \u015fi Efim<br \/>\nTarlapan pentru parodii<\/p>\n<p><strong><br \/>\nPORTO FRANCO<\/strong>, <em>Anul XVIII (152) Serie nou\u0103,<br \/>\nnoiembrie-decembrie 2008<\/em>. Prin \u201eDespre artist \u015fi destinul<br \/>\ns\u0103u\u201d ne este readus \u00een aten\u0163ie Ioanid Romanescu prin<br \/>\ns\u00e2rguin\u0163a lui Sterian Vicol, cel care \u00eei dedic\u0103 \u015fi un poem<br \/>\nin memoriam. Dimensiuni ale operei Hortensiei Papadat<br \/>\nBengescu sunt relevate de Vasile Spiridon (comentariu),<br \/>\nVlad Zb\u00e2rciog (istorie literar\u0103) \u015fi Ana Dobre (eseu). De<br \/>\nremarcat interviul lui Ionel Necula cu D.C. Zeletin<br \/>\n\u201edespre matricea spiritual\u0103 a Moldovei de Jos\u201d. Au<br \/>\ncronici literare Anastasia Dumitru (Liviu Gr\u0103soiu,<br \/>\nVoiculesciana) \u015fi I.Necula (Mihai Ganea, F\u00e2nt\u00e2na lui<br \/>\nPintea), iar Tudor Palladi face profilul poetului Dumitru<br \/>\nB\u0103lu\u0163\u0103. Proza este prezent\u0103 prin crea\u0163iile lui Gheorghe<br \/>\nMocanu, S\u0103ndel Dumitru \u015fi Mihai Ganea, iar poezia este<br \/>\namplu reprezentat\u0103 prin Valentin Talpalaru, Aida<br \/>\nHancer, Nelu Oancea, Cosmin Dragomir, Mu\u015fata Matei,<br \/>\nAna M\u00e2\u015flea, Valentin Mahmut \u015fi mul\u0163i al\u0163ii. Rotind<br \/>\nrevista cu 180\u00b0, de la N la S, descoperim Almanahul<br \/>\nrevistei PORTO FRANCO, Anul I, nr.1, Gala\u0163i, 2009.<\/p>\n<p><strong><br \/>\nVIA\u0162A ROM\u00c2NEASC\u0102<\/strong>, <em>nr.11 \/ 2008<\/em>. Eviden\u0163iem<br \/>\natitudinile pro \u015fi contra ale lui Bogdan Cre\u0163u, Daniel<br \/>\nCristea-Enache, ale Nicoletei S\u0103lcudeanu \u015fi Simonei<br \/>\nVasilache vis \u00e0 vis de \u201eIluziile literaturii rom\u00e2ne\u201d de<br \/>\nEugen Negrici, \u201eFragmente din n\u0103stru\u015fnica istorie a lumii<br \/>\nde Gabriel Chifu tr\u0103it\u0103 \u015fi tot de el povestit\u0103 (proze sau<br \/>\npoeme)\u201d\u015fi \u201e Eugen Negrici \u00een dialog cu Daniel Cristea-<br \/>\nEnache\u201c. Antologia liric\u0103 a VR este realizat\u0103 de: Carmen<br \/>\nFiran, Ioana Geac\u0103r \u015fi Lumini\u0163a Zaharia, iar cronicile<br \/>\nliterare apar\u0163in Gra\u0163ielei Benga \u015fi lui Marcel Lucaciu.<br \/>\nVIA\u0162A ROM\u00c2NEASC\u0102, nr.12 \/ 2008 La ancheta VR<br \/>\n\u201eBasarabia, \u00eenspre europenitate?\u201d au r\u0103spuns Liviu<br \/>\nAntonesei, Gheorghe Grigurcu \u015fi Simona D\u0103ncil\u0103.<br \/>\nDumitru Radu Popa ni-l prezint\u0103 pe Le Cl\u00e9zio,<br \/>\nc\u00e2\u015ftig\u0103torul premiului Nobel pentru literatur\u0103 pe anul<br \/>\n2008, iar pe Gabriel St\u0103nescu \u00eel g\u0103sim \u00een dialog cu Sanda<br \/>\nGolopen\u0163ia despre Mircea Eliade. Dureroase, iar\u0103\u015fi, sunt<br \/>\n\u201enotele dinl\u0103untru\u201d ale lui G. Pienescu. Prin \u201eNichita<br \/>\nSt\u0103nescu sau poezia ca libertate\u201d Damian Necula ne<br \/>\nreaminte\u015fte \u015fi faptul c\u0103 pe 13 decembrie 2008 s-au<br \/>\n\u00eemplinit 25 ani de la trecerea lui Nichita \u00een nefiin\u0163\u0103.<br \/>\nComentariile critice sunt f\u0103cute de Simona-Grazia Dima,<br \/>\ndespre antologia de autor \u201eRoua plural\u201d edi\u0163ia a doua, a<br \/>\nConstan\u0163ei Buzea \u015fi de Ion Pop despre Virgil Leon \u015fi ale<br \/>\nsale dou\u0103 c\u0103r\u0163i: \u201eUnu\u201d \u015fi \u201e2\u201d. Cronicile literare sunt<br \/>\nsemnate de Paul Aretzu, Nicoleta S\u0103lcudeanu,<br \/>\nConstantin Pricop \u015fi Viorica R\u0103du\u0163\u0103. Poezia acestui<br \/>\nnum\u0103r este salvat\u0103 de traducerile lui Leo Butnaru din<br \/>\nlirica Annei Ahmatova.<\/p>\n<p><em>Cititorul de reviste<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Reviste literare APOSTROF, Anul XIX, nr. 12 (223), 2008. Marta Petreu \u015fi Ovidiu Pecican propun o interesant\u0103 lec\u0163ie de g\u00e2ndire<\/p>\n","protected":false},"author":18,"featured_media":10070,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"ngg_post_thumbnail":0,"video_url":"","footnotes":""},"categories":[7,328],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/22874"}],"collection":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=22874"}],"version-history":[{"count":1,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/22874\/revisions"}],"predecessor-version":[{"id":22875,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/22874\/revisions\/22875"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/media\/10070"}],"wp:attachment":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=22874"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=22874"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=22874"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}