{"id":22842,"date":"2024-03-11T23:45:52","date_gmt":"2024-03-11T20:45:52","guid":{"rendered":"https:\/\/ziarulderimnic.ro\/?p=22842"},"modified":"2024-03-11T23:45:52","modified_gmt":"2024-03-11T20:45:52","slug":"spatii-culturale-nr-2-8","status":"publish","type":"post","link":"https:\/\/ziarulderimnic.ro\/?p=22842","title":{"rendered":"Spa\u021bii culturale nr. 2 (8)"},"content":{"rendered":"<p><strong>VICTORIA MILESCU<\/strong><br \/>\n<a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/v.-milescu.jpg\" data-rel=\"lightbox-image-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/v.-milescu.jpg\" alt=\"\" width=\"224\" height=\"304\" class=\"alignnone size-full wp-image-11641 lazyload\" data-srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/v.-milescu.jpg 224w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/v.-milescu-221x300.jpg 221w\" data-sizes=\"(max-width: 224px) 100vw, 224px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 224px; --smush-placeholder-aspect-ratio: 224\/304;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/v.-milescu.jpg\" alt=\"\" width=\"224\" height=\"304\" class=\"alignnone size-full wp-image-11641\" srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/v.-milescu.jpg 224w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/v.-milescu-221x300.jpg 221w\" sizes=\"(max-width: 224px) 100vw, 224px\" \/><\/noscript><\/a><\/p>\n<p><strong>C\u00c2ND POEMUL \u00ce\u015eI SCHIMB\u0102<br \/>\nPIELEA<\/strong><\/p>\n<p>Odat\u0103 la o mie de ani<br \/>\nvechea piele \u00eel p\u0103r\u0103se\u015fte<br \/>\nrup\u00e2ndu-se din \u00eencheieturi,<br \/>\ntrosnind<br \/>\ncad zdren\u0163e<br \/>\nde rime, de versuri<br \/>\nde pe trupul cu zb\u00e2rcituri<br \/>\ntermin\u00e2ndu-se cu copite sc\u00e2nteind<br \/>\no clip\u0103 doar r\u0103m\u00e2ne-n lumin\u0103<br \/>\ntrupul alb-g\u0103lbui-umed<br \/>\ntrupul pur al poemului<br \/>\ncare apoi trec\u00e2nd din m\u00e2n\u0103 \u00een m\u00e2n\u0103<br \/>\ndintr-un secol \u00een altul<br \/>\nse tumefiaz\u0103<br \/>\nse acoper\u0103 cu r\u0103ni, invective, bale<br \/>\nlipindu-i-se ca un ve\u015fm\u00e2nt<br \/>\ndirect pe limfa albastr\u0103<br \/>\namestecat\u0103 cu praf de aur<br \/>\ncu timpul devine dur, r\u0103u, perfid<br \/>\nprinde o crust\u0103 de mucegai<br \/>\nconsiderat\u0103 apoi rafinament\u2026<\/p>\n<p><strong><br \/>\nEI\u2026<\/strong><\/p>\n<p>Poate c\u0103 e tot un fel de a scrie<br \/>\nc\u00e2nd \u00ee\u0163i treci cu\u0163itul peste grumaz<br \/>\nl\u0103s\u00e2nd s\u0103 cad\u0103<br \/>\no \u0163east\u0103 inocent\u0103 pe tipsie<br \/>\nde dragul t\u0103u, erezie<br \/>\nel va merge la balamuc ori<br \/>\nla pu\u015fc\u0103ria poemelor asasine<br \/>\nscriindu-se unele pe altele<br \/>\nPoate c\u0103 a\u015fa arde poemul<br \/>\n\u00eempreun\u0103 cu poetul<br \/>\nla masa de joc<br \/>\nmoartea culege cenu\u015fa<br \/>\ncu unghii lungi, false,<br \/>\ndate cu cinamon<br \/>\ncu chip de cea\u0163\u0103<br \/>\nar vrea s\u0103 se \u00eendr\u0103gosteasc\u0103<br \/>\n\u015fi s\u0103 renasc\u0103<br \/>\nPoate c\u0103 a\u015fa salvezi poemul c\u00e2nd<br \/>\nabia te mai \u0163ii pe picioare<br \/>\nud, lihnit, cu fa\u0163a zdrobit\u0103 lipindute<br \/>\nde trunchiul unui copac<br \/>\nce brusc \u00eencepe s\u0103 geam\u0103<br \/>\nc\u0103ci p\u00e2n\u0103 atunci n-a \u00eenflorit<br \/>\nniciodat\u0103<br \/>\nel te acoper\u0103<br \/>\ncu o ploaie de bile cu \u0163epi<br \/>\nc\u0103z\u00e2nd pe pavajul<br \/>\ncu acele desene dr\u0103ce\u015fti<br \/>\nsub care nu \u015ftiu cine a scris:<br \/>\nBun-venit, p\u0103m\u00e2nteni!<\/p>\n<p><strong><br \/>\nDATOR E\u015eTI S\u0102 MORI<\/strong><\/p>\n<p>\u015ei vin viermii cei iubitori<br \/>\n\u015fi coropi\u015fni\u0163ele<br \/>\ndup\u0103 semnalul secret<br \/>\nvin repede, tu sc\u00e2nce\u015fti<br \/>\napoi r\u0103cne\u015fti<br \/>\nodat\u0103 cu p\u0103m\u00e2ntul<br \/>\npr\u0103v\u0103lit peste piept<br \/>\nr\u0103cnetul urc\u0103 prin r\u0103d\u0103cinile<br \/>\ncorcodu\u015fului<br \/>\nr\u0103s\u0103rit peste noapte<br \/>\nizbucnind \u00een flori roz-albe<br \/>\nce frumos \u00eenfloresc viermii<br \/>\ns\u00e2nilor t\u0103i<br \/>\nr\u00e2mele gurii tale<br \/>\ncum se r\u0103sfa\u0163\u0103 melcii<br \/>\n\u00een orbitele de opal<br \/>\nfluturii vin s\u0103 polenizeze<br \/>\nfrec\u00e2ndu-\u015fi picioru\u015fele de corolele<br \/>\nclipind pe sub gene<br \/>\narmata albinelor vine la datorie<br \/>\nvei fi mierea din stup<br \/>\n\u00eendulcind gura blestemului<br \/>\nnimeni nu are timp de pierdut<\/p>\n<p><strong><br \/>\nDRUMUL DISTRUGERII<\/strong><\/p>\n<p>Ploaia cade-n genunchi<br \/>\nvictima ia chipul c\u0103l\u0103ului<br \/>\nbeau pic\u0103tura inventat\u0103<br \/>\nla institutul de cercetare a demen\u0163ei<br \/>\nmerg pe culoarul ra\u0163iunii<br \/>\ncu becule\u0163e aprinse de-o parte \u015fi de alta<br \/>\np\u00e2n\u0103 c\u00e2nd va c\u0103dea re\u0163eaua<br \/>\nelectric\u0103<br \/>\nmerg pe drumul facerii \u015fi desfacerii<br \/>\ndup\u0103 standardele de aur<br \/>\ndeduse din spaima be\u0163iei de ocru<br \/>\ncei bravi se amestec\u0103 cu cei<br \/>\nla\u015fi<br \/>\nies hibrizi superior organiza\u0163i<br \/>\ncu cifr\u0103 octanic\u0103 uria\u015f\u0103 concesionez<br \/>\np\u0103durile subterane rezerve de crom<br \/>\nsavant dispuse<br \/>\n\u00een creierul comunitar victima se<br \/>\naga\u0163\u0103 de c\u0103l\u0103u<br \/>\nreg\u0103sindu-\u015fi punctul de sprijin<br \/>\nmoartea seam\u0103n\u0103 cu oricare dintre noi<br \/>\nse \u00eenrude\u015fte cu oricine<br \/>\ntraverseaz\u0103 cu onestitate<br \/>\ncriza solicitudinii<br \/>\noric\u0103rui pachebot scufundat\u2026<\/p>\n<p><strong><br \/>\nNU VEI MURI, DAR\u2026<\/strong><\/p>\n<p>N\u0103scut\u0103 pentru suplicii<br \/>\nde aceea bine p\u0103zit\u0103<br \/>\na\u0163ipe\u015fti \u00een autobuzul<br \/>\ncare ne duce la munc\u0103 for\u0163at\u0103<br \/>\ncopacii alinia\u0163i salut\u0103<br \/>\nlumina muribund\u0103<br \/>\nscheletele din beton<br \/>\nprivit de sus poligonul pare<br \/>\ntabla de \u015fah a unui rege nebun<br \/>\ndeta\u015famente cu c\u0103\u015fti printre<br \/>\nbuburuze<br \/>\ncineva opre\u015fte clipa<br \/>\ncineva blocheaz\u0103 eternitatea<br \/>\nadministr\u00e2ndu-i somniferul<br \/>\ncineva opre\u015fte liftul<br \/>\nlumina sare de la \u00een\u0103l\u0163ime<br \/>\nrup\u00e2ndu-\u015fi g\u00e2tul<br \/>\nnoaptea \u00ee\u015fi rupe rochia pentru<br \/>\nbandaje.<\/p>\n<p><strong><br \/>\nDECAPITAT \u015eI LIBER<\/strong><\/p>\n<p>\u00cemi scot pantofii, m\u0103nu\u015file<br \/>\np\u0103trunse de r\u0103ceala stelei<br \/>\nsalut din mers<br \/>\nultimul bis al vie\u0163ii<br \/>\n\u015fterg machiajul n\u0103cl\u0103it<br \/>\nde pe obrazul figurantului<br \/>\ndin el r\u0103m\u00e2ne doar un vers<br \/>\npe care din p\u0103cate acum<br \/>\nnu mi-l mai amintesc<br \/>\nplec\u00e2nd a\u015fa<br \/>\ndecapitat \u015fi liber\u2026<\/p>\n<p><strong><br \/>\nAERUL AURIU<\/strong><\/p>\n<p>Dragostea \u015ftie drumul, eu nu<br \/>\nea este nev\u0103zut\u0103, eu nu<br \/>\nuneori se \u00eenal\u0163\u0103 at\u00e2t de sus<br \/>\n\u00eenc\u00e2t cred c\u0103 s-a pierdut<br \/>\nnu \u015ftiu dac\u0103 e pentru mine<br \/>\ntrandafirul aruncat \u00een fereastr\u0103<br \/>\nnu \u015ftiu al cui este c\u00e2ntecul<br \/>\nce m\u0103 cheam\u0103 \u015fi m\u0103 \u00eendep\u0103rteaz\u0103<br \/>\nlumina nu mai \u00eencape de lumin\u0103<br \/>\n\u00eentunericul nu se mai gr\u0103be\u015fte<br \/>\ndragostea, f\u0103r\u0103 voia ei, m-a<br \/>\nschimbat<br \/>\nrespir aerul tare \u015fi consistent al<br \/>\nimperiului ei<br \/>\nascuns \u00eenc\u0103 privirilor tale\u2026<\/p>\n<p><strong><br \/>\nLA ANIVERSAR\u0102<\/strong><\/p>\n<p><strong>Radu C\u00e2rneci \u2013 81<\/strong><br \/>\n<a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/carneci-1.jpg\" data-rel=\"lightbox-image-1\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/carneci-1.jpg\" alt=\"\" width=\"334\" height=\"359\" class=\"alignnone size-full wp-image-13601 lazyload\" data-srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/carneci-1.jpg 334w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/carneci-1-279x300.jpg 279w\" data-sizes=\"(max-width: 334px) 100vw, 334px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 334px; --smush-placeholder-aspect-ratio: 334\/359;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/carneci-1.jpg\" alt=\"\" width=\"334\" height=\"359\" class=\"alignnone size-full wp-image-13601\" srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/carneci-1.jpg 334w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/carneci-1-279x300.jpg 279w\" sizes=\"(max-width: 334px) 100vw, 334px\" \/><\/noscript><\/a><\/p>\n<p>Poet, eseist, traduc\u0103tor, jurnalist literar, editor.<br \/>\nN\u0103scut la 14 februarie 1928, \u00een satul Valea lui Lal \u2013<br \/>\ncomuna Pardo\u015fi, jud. R\u00eemnicu S\u0103rat (azi, Buz\u0103u).<br \/>\nLicen\u0163iat al Facult\u0103\u0163ii de Silvicultur\u0103 din Bra\u015fov<br \/>\n(1954).<br \/>\nA \u00eenfiin\u0163at, \u00een 1964, la Bac\u0103u, revista de cultur\u0103 Ateneu<br \/>\n(serie nou\u0103). A fost secretar al Uniunii Scriitorilor (1972\u2013<br \/>\n1976), apoi \u015fef al sec\u0163iei de literatur\u0103 \u015fi art\u0103 la revista<br \/>\nContemporanul (1976\u20131990). Actualmente, director al Editurii<br \/>\nOrion (din 1991) \u015fi director executiv al Funda\u0163iei Na\u0163ionale<br \/>\n\u201eIzvoare\u201c pentru protec\u0163ia Naturii \u015fi Artelor \u00een Rom\u00e2nia<br \/>\n(\u00eencep\u00e2nd cu 1997).<br \/>\nDin bogata-i oper\u0103 subliniem: Org\u0103 \u015fi iarb\u0103 \u2013 1966; Umbra<br \/>\nfemeii (sonete) \u2013 1968; Centaur \u00eendr\u0103gostit \u2013 1969; Gr\u0103dina \u00een<br \/>\nform\u0103 de vis noi sonete de iubire) \u2013 1970; C\u00e2nt\u00e2nd dintr-un<br \/>\narbore \u2013 1971; Oracol deschis \u2013 1971; C\u00e2ntarea c\u00e2nt\u0103rilor<br \/>\n(parafraz\u0103 modern\u0103 la celebrul text omonim, din Vechiul<br \/>\nTestament, atribuit regelui Solomon) \u2013 1973; Banchetul \u2013<br \/>\n1973; Temerile lui Orfeu \u2013 1978; Un spa\u0163iu de dor (col. \u201ecele mai<br \/>\nfrumoase poezii\u201c) \u2013 1980; Sonete (de iubire \u015fi moarte) \u2013 1983;<br \/>\nClipa etern\u0103 (col. \u201epoe\u0163i rom\u00e2ni contemporani\u201c) \u20131988;<br \/>\nScrisorile c\u0103tre Dorador (text rom\u00e2n-francez) \u2013 1997; Heraldica<br \/>\niubirii (col. \u201ebiblioteca pentru to\u0163i\u201c) \u2013 1999; Scrieri (edi\u0163ie \u00een<br \/>\ntrei volume, \u00eengrijit\u0103 de autor, selec\u0163ie din \u00eentreaga-i oper\u0103:<br \/>\nI \u2013 Arborele memoriei; II \u2013 Heraldica iubirii; III \u2013 Clipa etern\u0103) \u2013<br \/>\n2004. Din traduceri, not\u0103m (numai pe cele editate \u00een<br \/>\nvolume): L\u00e9opold S\u00e9dar Senghor (Senegal): Jertfe negre \u2013<br \/>\n1969; Sre\u010dko Kosovel (Slovenia): Extazul mor\u0163ii \u2013 1975; Kahlil<br \/>\nGibran (Liban): Profetul \u2013 1983; Charles Baudelaire (Fran\u0163a):<br \/>\nFlorile r\u0103ului \u201eLes fleurs du mal\u201c (prima integral\u0103 liric\u0103<br \/>\nBaudelaire \u00een limba rom\u00e2n\u0103, \u00eenf\u0103ptuit\u0103 de un singur<br \/>\ntraduc\u0103tor) \u2013 1991; Jacques Chessex (Elve\u0163ia): Elegiile lui<br \/>\nYorik \u2013 1995; Mousse Boulanger (Elve\u0163ia): Inim\u0103 de aur \u2013 1998;<br \/>\nDelmira Agustini (Uruguai): Dulci elegii \u2013 2002.<br \/>\nRadu C\u00e2rneci este \u015fi autorul unor mari antologii literare,<br \/>\nastfel: Sonete \u2013 Shakespeare \u2013 Voiculescu \u2013 1996; Arborele<br \/>\nneuit\u0103rii (cuprinz\u00e2nd poe\u0163i de limb\u0103 rom\u00e2n\u0103 din Israel) \u2013<br \/>\n1997; Miori\u0163a \u2013 \u00een \u015fapte limbi (rom\u00e2n\u0103, francez\u0103, spaniol\u0103,<br \/>\nitalian\u0103, englez\u0103, german\u0103, rus\u0103) \u2013 1997; Poezia P\u0103durii rom\u00e2ne<br \/>\n(patru volume; I \u2013 poezie popular\u0103 de inspira\u0163ie silvestr\u0103; II<br \/>\n\u2013 clasicii; III \u2013 modernii; IV \u2013 contemporanii) \u2013 2001;<br \/>\nCinegetica (trei volume de texte din literatura universal\u0103 \u015fi<br \/>\nrom\u00e2n\u0103) \u2013 2003; Istoria P\u0103durii Rom\u00e2ne\u015fti de acad. Const. C.<br \/>\nGiurescu \u2013 2004.<br \/>\nPremii ale Academiei Rom\u00e2ne \u015fi Uniunii Scriitorilor,<br \/>\nDoctor Honoris Causa al Universit\u0103\u0163ii Bac\u0103u.<\/p>\n<p><strong><br \/>\nOUL ETERN<\/strong><\/p>\n<p>se \u00eenchin\u0103 lui Br\u00e2ncu\u015fi<br \/>\nochi al t\u0103riei f\u0103r\u0103 de fiin\u0163\u0103<br \/>\nmateriei rodind \u00een prisosin\u0163\u0103<br \/>\nsublim de vis esen\u0163elor primare<br \/>\nr\u0103spuns cer\u00e2nd o singur\u0103-ntrebare<br \/>\npunct hialin \u00eentemeind credin\u0163\u0103<br \/>\nochi al t\u0103riei f\u0103r\u0103 de fiin\u0163\u0103<br \/>\n(\u2026matrice-n care se \u00eencheag\u0103 sporul<br \/>\na tot ce-a risipit Risipitorul<br \/>\nad\u00e2nc de chip \u015fi ascunz\u00e2nd ad\u00e2ncul<br \/>\n\u00een care se-ntrupeaz\u0103 tainic pruncul<br \/>\nedenic semn: femeie tu e\u015fti dorul<br \/>\nmatrice-n care se \u00eencheag\u0103 sporul\u2026)<br \/>\n\u2026nimic f\u0103r\u0103 de tine \u015fi nici-unde<br \/>\ntu \u00eel p\u0103trunzi pe cel ce te p\u0103trunde<br \/>\ndai g\u00e2nd \u00een grai auzului privire<br \/>\ncu gustul pip\u0103i spre nem\u0103rginire<br \/>\n\u015fi-l mirosind neantul se ascunde:<br \/>\nnimic f\u0103r\u0103 de tine \u015fi nici-unde\u2026<\/p>\n<p><strong><br \/>\n\u00ceMPOTRIVA MATERIEI<\/strong><\/p>\n<p>\u2026sufletul iar \u00eel b\u0103nuiesc a fire<br \/>\nnem\u0103rginire prins\u0103-n m\u0103rginire<br \/>\nde visuri caste \u015fi de patimi grele<br \/>\nefluviind dinspre \u015fi c\u0103tre stele<br \/>\no nez\u0103rit\u0103, \u2013 ascuns\u0103 str\u0103lucire<br \/>\nsufletul iar \u00eel b\u0103nuiesc a fire<br \/>\n(\u2026precum o cea\u0163\u0103-n cea\u0163a nev\u0103zut\u0103<br \/>\nne\u00eenceput eram ne\u00eenceput\u0103<br \/>\nerai mireasm\u0103 dor eram ardoare<br \/>\nvuiet de trup \u015fi f\u0103r\u0103 de pudoare<br \/>\nr\u0103pus ades de spad\u0103 ori cucut\u0103<br \/>\nprecum o cea\u0163\u0103-n cea\u0163a nev\u0103zut\u0103\u2026)<br \/>\n\u2026putere st\u0103ruind \u00een frumuse\u0163e:<br \/>\nchip se ivind \u00een mii \u015fi mii de fe\u0163e<br \/>\nv\u0103paie f\u0103r\u0103 cauz\u0103 ori moarte<br \/>\nivind ad\u00e2ncul \u00een ad\u00e2nc de soarte<br \/>\nideile voind s\u0103 le r\u0103sfe\u0163e:<br \/>\nputere st\u0103ruind \u00een frumuse\u0163e\u2026<\/p>\n<p><strong><br \/>\nLE PETIT PRINCE<\/strong><\/p>\n<p>se \u00eenchin\u0103 luiAntoine de Saint Exup\u00e9ry<br \/>\n\u2026El vine doar la clipa de durere<br \/>\nca \u00eenvierea-n clipa de-nviere<br \/>\nmister \u00een fraged miez de puritate<br \/>\nlumin\u0103-n pa\u015fii f\u0103r\u0103 de p\u0103cate<br \/>\npolen de cer amenin\u0163\u00e2nd cu miere:<br \/>\nEl vine doar la clipa de durere<br \/>\n(\u2026o stea s\u0103 am, a mea de dor fierbinte<br \/>\nc-o paji\u015fte albastr\u0103 de cuvinte<br \/>\n\u015fi-o floare st\u00e2nd \u00een veghe aurie<br \/>\nmiracolului str\u00e2ns \u00een poezie<br \/>\ns\u0103 nu existe timpul ce ne minte:<br \/>\no stea s\u0103 am, a mea de dor fierbinte\u2026)<br \/>\n\u2026tr\u0103ie\u015fte poate-ascuns \u00een fiecare<br \/>\nfrumos \u015fi bl\u00e2nd \u015fi purt\u0103tor de zare<br \/>\njuc\u00e2ndu-se de-a moartea f\u0103r\u0103 moarte<br \/>\nc\u0103tre un astru-mbietor departe<br \/>\nspre a zbura c\u00e2nd taine nu mai are \u2013<br \/>\ntr\u0103ie\u015fte poate-ascuns \u00een fiecare\u2026<\/p>\n<p><strong><br \/>\nSUFERIND CU OTHELO<\/strong><\/p>\n<p>\u2026\u00een somn m\u0103 p\u0103r\u0103sesc plec\u00e2nd spre mine<br \/>\ncel care-am fost spre-acela care vine<br \/>\nrecunosc\u00e2nd iubiri \u015fi timp \u015fi spa\u0163ii<br \/>\nbrav lupt\u0103tor \u015fi-acele genera\u0163ii<br \/>\ncare s-au dus ori care-mi bat \u00een vine<br \/>\n\u00een somn m\u0103 p\u0103r\u0103sesc plec\u00e2nd spre mine\u2026<br \/>\n(\u2026te aflu iar minune-n zarea st\u00e2ns\u0103<br \/>\nchip \u00eentru chip chem\u00e2ndu-m\u0103 \u015fi pl\u00e2ns\u0103<br \/>\n\u00een s\u00e2ngele-mi ce te-a ucis prin vreme<br \/>\n\u015fi \u00eenc\u0103 taina sufletului geme<br \/>\nca o comoar\u0103 \u00een ad\u00e2ncuri str\u00e2ns\u0103<br \/>\nte aflu iar minune-n zarea st\u00e2ns\u0103\u2026)<br \/>\n\u2026ce greu m-adun din cosmica be\u0163ie!<br \/>\nst\u0103 trupul \u00een ad\u00e2nc\u0103 letargie<br \/>\nabia fiind \u015fi nefiind: departe<br \/>\ncel care-am fost de mine se desparte<br \/>\nc\u00e2nd zori \u00een z\u0103ri trandafiriu adie<br \/>\nce greu m-adun din cosmica be\u0163ie\u2026<\/p>\n<p><strong><br \/>\nTRECEA A\u015eA T\u0102CUT\u0102 \u015eI REGIN\u0102<\/strong><\/p>\n<p>(un vis ce m\u0103 b\u00e2ntuie)<br \/>\n\u2026Moartea venea pe un cal alb frumoas\u0103<br \/>\nde o zvelte\u0163e pur\u0103 majestuoas\u0103<br \/>\nvoaluri de cer \u00eei fluturau sihastre<br \/>\n\u015fi p\u0103s\u0103ri o-nso\u0163eau cu voci albastre<br \/>\n\u00eentr-o mireasm\u0103 din miresme scoas\u0103:<br \/>\nMoartea venea pe un cal alb frumoas\u0103\u2026<br \/>\n(\u2026cine e\u015fti tu de aer \u015fi de lun\u0103<br \/>\n&#8211; de-mi sun\u0103 somnul visele-mi r\u0103sun\u0103<br \/>\niar s\u00e2ngele \u00eemi cade-n ierbi ca rou\u0103 \u2013<br \/>\ntu-mi r\u0103v\u0103\u015fe\u015fti fiin\u0163ele-am\u00e2ndou\u0103<br \/>\n\u015fi spaimelor m\u0103 dai ca-ntr-o furtun\u0103<br \/>\ncine e\u015fti tu, de aer \u015fi de lun\u0103?\u2026)<br \/>\n\u2026trecea a\u015fa t\u0103cut\u0103 \u015fi regin\u0103<br \/>\nsorbind \u00een ochi lumina din lumin\u0103<br \/>\nci n-a voit s\u0103 m\u0103 priveasc\u0103-n fa\u0163\u0103<br \/>\n\u2013 ardeam superb \u00een firea mea de cea\u0163\u0103<br \/>\n\u015fi-o muzic\u0103 m\u0103 st\u0103p\u00e2nea divin\u0103 \u2013<br \/>\ntrecea a\u015fa t\u0103cut\u0103 \u015fi regin\u0103\u2026<\/p>\n<p><strong><br \/>\nV\u00c2RSTA<\/strong><\/p>\n<p>&#8230; epuiz\u0103ri, anxiet\u0103\u0163i, momente:<br \/>\nde dincolo priviri c\u0103t\u00e2nd atente<br \/>\ncu dor ademenindu-ne spre ele<br \/>\n\u2013 sunet-destin \u00een cosmice m\u0103rgele<br \/>\n\u015fi nop\u0163i de veghe, zilelor accente \u2013<br \/>\nepuiz\u0103ri, anxiet\u0103\u0163i, momente&#8230;<br \/>\n(&#8230; de n-ai fi tu \u00een teama din aorte<br \/>\n\u00een g\u00e2ndurile n\u0103v\u0103lind cohorte<br \/>\nn-ar fi nici ispitirile-esen\u0163e<br \/>\nnici transparen\u0163a d\u00e2ndu-mi transparen\u0163e<br \/>\n\u2013 o, f\u0103r\u0103 soare-n v\u00e2rf p\u0103m\u00e2ntul mort e! \u2013<br \/>\nde n-ai fi tu \u00een teama din aorte&#8230;)<br \/>\n&#8230; ned\u00e2ndu-m\u0103 pl\u0103cerilor de\u015farte<br \/>\nci c\u0103ut\u00e2nd a sufletului parte<br \/>\n\u00een partea dinspre umbra luminat\u0103<br \/>\nlumina m\u0103 lumin\u0103 ca o pat\u0103<br \/>\nstr\u0103lucitor n\u0103sc\u00e2ndu-m\u0103 \u00een moarte<br \/>\nned\u00e2ndu-m\u0103 pl\u0103cerilor de\u015farte&#8230;<\/p>\n<p><strong><br \/>\nCE IERBURI FI-VOM\u2026<\/strong><\/p>\n<p>\u2026privindu-te eu uit c\u0103 mai exi\u015fti<br \/>\nse isc\u0103-n mine ceea ce tu i\u015fti:<br \/>\nun timp \u00een care timpul cre\u015fte bun<br \/>\n\u015fi fericite paji\u015fti \u00eel adun<br \/>\niar ochii mei de bucurii par tri\u015fti:<br \/>\nprivindu-te, eu uit c\u0103 mai exi\u015fti\u2026<br \/>\n(\u2026topiri de trup \u00een arderea de tot<br \/>\nvag desenate umbre care pot<br \/>\name\u0163itor \u00eenvinge g\u00e2nd \u015fi dor<br \/>\nsemin\u0163e-n viul lung leg\u0103n\u0103tor<br \/>\n\u00een sus, \u00een jos, ame\u0163itor \u00eenot:<br \/>\ntopiri de trup \u00een arderea de tot\u2026)<br \/>\n\u2026ce ierburi fi-vom, ce p\u0103m\u00e2nt duios<br \/>\nce glesne s\u0103ruta-vom luminos<br \/>\nce fiare \u00eembl\u00e2nzi-vom, ce azur<br \/>\nvom r\u0103sturna \u00een chipul nostru pur<br \/>\nc\u00e2nd clopote vor bate-armonios<br \/>\nce ierburi fi-vom, ce p\u0103m\u00e2nt duios!\u2026<\/p>\n<p><strong><br \/>\nValeria MANTA T\u0102ICU\u021aU<\/strong><br \/>\n<a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2023\/02\/valeria-taicutu.jpg\" data-rel=\"lightbox-image-2\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2023\/02\/valeria-taicutu.jpg\" alt=\"\" width=\"295\" height=\"481\" class=\"alignnone size-full wp-image-20304 lazyload\" data-srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2023\/02\/valeria-taicutu.jpg 295w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2023\/02\/valeria-taicutu-184x300.jpg 184w\" data-sizes=\"(max-width: 295px) 100vw, 295px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 295px; --smush-placeholder-aspect-ratio: 295\/481;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2023\/02\/valeria-taicutu.jpg\" alt=\"\" width=\"295\" height=\"481\" class=\"alignnone size-full wp-image-20304\" srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2023\/02\/valeria-taicutu.jpg 295w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2023\/02\/valeria-taicutu-184x300.jpg 184w\" sizes=\"(max-width: 295px) 100vw, 295px\" \/><\/noscript><\/a><\/p>\n<p><strong>RADU C\u00c2RNECI<\/strong><br \/>\n<strong>P\u0103s\u0103ri de v\u00e2nt \u015fi de r\u0103coare<\/strong><\/p>\n<p>Ceea ce-l caracterizeaz\u0103 pe Radu C\u00e2rneci este, \u00een<br \/>\nprimul r\u00e2nd, for\u0163a creatoare. S-ar putea spune<br \/>\ndespre el c\u0103 a ie\u015fit \u00eenving\u0103tor \u00een lupta cu<br \/>\ntimpul, de vreme ce, dup\u0103 o \u00eendelungat\u0103 carier\u0103 artistic\u0103,<br \/>\npe parcursul c\u0103reia a fost martor la multe modific\u0103rile<br \/>\ntematice \u015fi structurale din lirica rom\u00e2neasc\u0103, \u00eel reg\u0103sim<br \/>\nla fel de creativ, transform\u00e2nd \u00een metafor\u0103, asemenea lui<br \/>\nArghezi, tot ce atinge. Tr\u0103irea \u00een imaginar, boema,<br \/>\nrisipirea \u00een regatul poeziei nu l-au \u00eempiedicat pe poet s\u0103<br \/>\nfie harnic \u015fi atent cu propria lui imagine, astfel c\u0103, pe<br \/>\nl\u00e2ng\u0103 scris, el a desf\u0103\u015furat \u2013 \u015fi \u00eenc\u0103 mai desf\u0103\u015foar\u0103 \u2013 o<br \/>\nimpresionant\u0103 munc\u0103 de editor \u015fi de traduc\u0103tor.<br \/>\n\u201eScrierile\u201d (din care au ap\u0103rut, p\u00e2n\u0103 acum, trei volume<br \/>\nla Editura Orion \u00een 2004) pot fi considerate un mesaj c\u0103tre<br \/>\ncontemporani \u015fi c\u0103tre posteritate, prin care se solicit\u0103<br \/>\ndreapta judecat\u0103; cititorii \u015fi criticii literari se cuvine s\u0103 ia,<br \/>\nla contactul cu opera lui Radu C\u00e2rneci, drept reper<br \/>\nvaloric selec\u0163ia f\u0103cut\u0103 de poetul \u00eensu\u015fi, f\u0103r\u0103 a fi nevoie de<br \/>\no c\u0103utare suplimentar\u0103 \u2013 \u015fi nu \u00eentotdeauna rodnic\u0103 \u015fi<br \/>\nonest\u0103 \u2013 prin manuscrise \u015fi volume publicate.<br \/>\nPrimul volum de \u201eScrieri\u201d cuprinde o selec\u0163ie din<br \/>\nvolumele \u201eOrg\u0103 \u015fi iarb\u0103\u201d (1966), \u201eUmbra femeii\u201d (1968),<br \/>\n\u201eIarba verde, acas\u0103\u201d (1968), \u201eGr\u0103dina \u00een form\u0103 de vis\u201d<br \/>\n(1970), \u201eOracol deschis\u201d (1971), C\u00e2nt\u00e2nd dintr-un arbore\u201d<br \/>\n(1971), \u201eNobila stirpe\u201d (1976), \u201eTemerile lui Orfeu\u201d<br \/>\n(1978), \u201eTimpul judec\u0103tor\u201d (1982). Poezia este una solar\u0103,<br \/>\nce sugereaz\u0103 frenezia tr\u0103irii, zborul, patima, risipirea \u00een<br \/>\n\u201elumina de aur\u201d. Partea cereasc\u0103 \u015fi cea p\u0103m\u00e2nteasc\u0103 din<br \/>\nstructura poetului se \u00eenfrunt\u0103, gener\u00e2nd mi\u015fcarea<br \/>\nascendent\u0103, somnul \u015fi visele, c\u0103utarea aripilor \u201e\u00een vuietul<br \/>\nde timp\u201d. Radu C\u00e2rneci apar\u0163ine genera\u0163iei 60, cea care a<br \/>\nparticipat efectiv la resurec\u0163ia lirismului, dep\u0103\u015find<br \/>\nperioada festivist\u0103, epicizant\u0103, pe care Labi\u015f o p\u0103r\u0103se\u015fte<br \/>\ncel dint\u00e2i, urmat de majoritatea poe\u0163ilor din acea<br \/>\nperioad\u0103. Se cuvine amintit faptul c\u0103 aceast\u0103 genera\u0163ie<br \/>\neste cea care a propus valoarea estetic\u0103 drept element<br \/>\nfundamental al operelor literare, astfel c\u0103 s-a putut trece<br \/>\nde la mimarea unor st\u0103ri \/ tr\u0103iri, de la risipirea \u00een<br \/>\nproduc\u0163ii \u201ede linie\u201d, patriotarde, la interiorizarea<br \/>\nlirismului. Radu C\u00e2rneci recupereaz\u0103 tonalitatea<br \/>\nsubiectiv\u0103, situ\u00e2ndu-se \u00eentr-un plan metafizic, prin<br \/>\ntranscendere \/ ascensiune. Metafora p\u0103s\u0103rii \u00een zbor spre<br \/>\n\u00eenalt revine obsesiv, semnific\u00e2nd nu doar nevoia de ie\u015fire<br \/>\ndin contingent, ci \u015fi for\u0163a de a-\u015fi pune \u00een acord fiin\u0163a<br \/>\nintim\u0103 cu ritmul astral: \u201eDulce pas\u0103re a tinere\u0163ii noastre<br \/>\n\/ tu, ce r\u0103m\u00e2i undeva \/ unde nu r\u0103m\u00e2nem noi, dulce<br \/>\npas\u0103re \/ iart\u0103-ne nou\u0103 c\u0103 \u00ee\u0163i urm\u0103rim zborul \/ slujind<br \/>\nchipului t\u0103u \u015fi ne iart\u0103 dac\u0103 \/ &#8211; \u00eendr\u0103znind s\u0103 credem c\u0103<br \/>\nnu ne p\u0103r\u0103se\u015fti &#8211; \/ g\u00e2ndim la chipul \u015fi c\u00e2ntecele tale \/ ca<br \/>\nla s\u00e2ngele nostru \/\/ Carnea noastr\u0103 de o fiin\u0163\u0103 cu \/<br \/>\ncarnea ta neprih\u0103nit\u0103 de timp \/ nervii \u015fi p\u0103rul \u015fi pa\u015fii<br \/>\nno\u015ftri \/ de o fiin\u0163\u0103 cu \/ aripile tale \/ de-o fiin\u0163\u0103 cu \/ ochii<br \/>\n\/ t\u0103i \/ g\u00e2ndul \u015fi cutezan\u0163a noastr\u0103 r\u0103m\u00e2n aici \/ iar tu te<br \/>\nduci undeva unde nu este durere&#8230;\u201d (\u201eDulce pas\u0103re a<br \/>\ntinere\u0163ii\u201d). Se \u00eent\u00e2lnesc \u00een poemele de \u00eenceput acela\u015fi<br \/>\nvitalism de sorginte blagian\u0103, pierdut cumva dup\u0103 cel deal<br \/>\ndoilea r\u0103zboi mondial, precum \u015fi tonalitatea orfic\u0103 a<br \/>\ntr\u0103irii. Poezia nu mai pune \u00een acord lucrurile \u015fi<br \/>\nfenomenele, stabilind raporturi spa\u0163io-temporale \u015fi<br \/>\ncauzale, nu mai este o experien\u0163\u0103 \u015ftiin\u0163ific\u0103 \u015fi ideologic\u0103,<br \/>\nci o \u00eencercare de punere \u00een rela\u0163ie a eului cu lucrurile \u015fi cu<br \/>\nfenomenele, ceea ce \u00eenseamn\u0103, de fapt, g\u00e2ndire poetic\u0103.<br \/>\nRealitatea \u00een sine conteaz\u0103 doar \u00een m\u0103sura \u00een care poate<br \/>\nfi decantat\u0103, cur\u0103\u0163at\u0103 de balast, decorporalizat\u0103 prin<br \/>\nfiltrul subiectivit\u0103\u0163ii artistice. Ea nu mai poate fi reg\u0103sit\u0103<br \/>\n\u00een stare brut\u0103 \u00een poeme, cu scopul declarat al manipul\u0103rii<br \/>\ncititorului. Radu C\u00e2rneci \u00ee\u015fi construie\u015fte propriul univers<br \/>\n\u015fi o mitologie proprie, armoniz\u00e2nd stratul ideatic \u015fi<br \/>\nexpresia artistic\u0103: \u201eSus, acolo, p\u0103s\u0103rile de r\u0103coare \/<br \/>\np\u0103s\u0103rile de v\u00e2nt l\u00e2ng\u0103 cer \/ de fulger p\u0103s\u0103ri de grindeni<br \/>\n\/ acolo, sus, p\u0103s\u0103rile noastre &#8211; \/ vulturii, vulturii. \/\/<br \/>\np\u0103s\u0103ri de soare de la Zamolxe \/ cu aripi de s\u0103ge\u0163i \/ p\u0103s\u0103ri<br \/>\ncare fac dragoste \u00een zbor \/ p\u0103s\u0103ri de nesomn, veghe &#8211; \/<br \/>\nvulturii, vulturii. \/\/ P\u0103s\u0103ri de g\u00e2nd, de lini\u015fti mari \/ de<br \/>\nacolo p\u00e2n\u0103 aici: ochii lor \/ de acolo p\u00e2n\u0103 aici: m\u00e2ndria lor<br \/>\n\/ de acolo p\u00e2n\u0103 aici: puterea lor &#8211; \/ vulturii, vulturii\u201d<br \/>\n(\u201ePoem cu vulturi\u201d). Pas\u0103rea simbolizeaz\u0103, deopotriv\u0103,<br \/>\nnevoia de integrare \u00een fluxul elementelor, c\u0103utarea<br \/>\nr\u0103d\u0103cinii cosmice a propriei fiin\u0163e, dar \u015fi lupta cu stihiile,<br \/>\ncu timpul \u015fi cu spa\u0163iul, percep\u0163ia fondului grav, tragic al<br \/>\nexisten\u0163ei. \u00centr-un \u201ePoem cu clopote\u201d, este exprimat, \u00een<br \/>\nlimbaj metaforic, tragismul condi\u0163iei umane, \u201etr\u0103irea sub<br \/>\nvremi\u201d, statutul ontologic incert al fiin\u0163ei: \u201eIntr\u0103 \u00een noi<br \/>\nclopote de p\u0103m\u00e2nt \/ clopote de oase dans\u00e2nd \/ din stele<br \/>\ndin cioc\u00e2rlii din gr\u00e2ne \/ \u00een noi azi \u00een copii m\u00e2ine \/ o \u0163ar\u0103<br \/>\nde clopote \u00een noi r\u0103sun\u00e2nd &#8211; \/\/ sus, vulturi de clopote<br \/>\nzboar\u0103 rotund&#8230;\u201d. \u00cen volumul \u201eSonete\u201d din 1983, vulturii<br \/>\npar trimi\u015fi ai zeilor, gata s\u0103-l pedepseasc\u0103 pe \u00eendr\u0103zne\u0163ul<br \/>\nce le imit\u0103 propensiunea cosmic\u0103, \u015fi sfideaz\u0103 \u00eenaltul,<br \/>\nstihiile \u015fi zeii: \u201ealpestre paji\u015fti strecur\u00e2nd verdea\u0163\u0103 \/<br \/>\ns\u0103ge\u0163i de haos n\u0103lucind privirea \/ \u015fi vulturii sfid\u00e2nd \u00een<br \/>\ncer pieirea \/ iar c\u0103tre toate fapta-mi \u00eendr\u0103znea\u0163\u0103!&#8230;\u201d<br \/>\n(\u201ePrecuv\u00e2ntarea risipitorului \u2013 sonet prelung\u201d).<br \/>\n\u00cen volumele ulterioare, \u015fi mai ales \u00een volumul deja<br \/>\npomenit de sonete, Radu C\u00e2rneci \u00ee\u015fi tempereaz\u0103<br \/>\nexuberan\u0163a \/ exaltarea. Senzualitatea adolescentin\u0103, pur\u0103<br \/>\n\u015fi impetuoas\u0103, este treptat \u00eenlocuit\u0103 de patima grea \u015fi<br \/>\nfierbinte a c\u0103rnii, dar \u015fi cu spaima trecerii. Presim\u0163irea<br \/>\nmor\u0163ii, confruntarea cu destinul, rela\u0163ia cu divinitatea<br \/>\n\u00eenlocuiesc frenezia tr\u0103irii din primele volume. Discursul<br \/>\npoetic are acum o tonalitate grav\u0103, \u00een care fundamental\u0103<br \/>\nnu mai este c\u0103utarea identit\u0103\u0163ii, ci \u00eemp\u0103carea cu sine, cu<br \/>\ndivinitatea, cu universul; \u201eS\u0103 speri c\u0103 moartea e \u00een alt\u0103<br \/>\nvia\u0163\u0103 \/ s\u0103 crezi c\u0103 Via\u0163a-aceea nu te-a\u015fteapt\u0103 \/ S\u0103 ui\u0163i deal<br \/>\nVe\u015fniciei ochi de ghea\u0163\u0103 \/\/ La cump\u0103n\u0103 pe nev\u0103zuta<br \/>\ntreapt\u0103 \/ eu m\u0103 topesc \u00een mine ca o cea\u0163\u0103 \/ \u00een clipa ce<br \/>\nspre clip\u0103 m\u0103 \u00eendreapt\u0103&#8230;\u201d (\u201eMurim mereu cu fiecare<br \/>\nclip\u0103\u201d).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>VICTORIA MILESCU C\u00c2ND POEMUL \u00ce\u015eI SCHIMB\u0102 PIELEA Odat\u0103 la o mie de ani vechea piele \u00eel p\u0103r\u0103se\u015fte rup\u00e2ndu-se din \u00eencheieturi,<\/p>\n","protected":false},"author":18,"featured_media":10070,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"ngg_post_thumbnail":0,"video_url":"","footnotes":""},"categories":[7,328],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/22842"}],"collection":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=22842"}],"version-history":[{"count":1,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/22842\/revisions"}],"predecessor-version":[{"id":22843,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/22842\/revisions\/22843"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/media\/10070"}],"wp:attachment":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=22842"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=22842"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=22842"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}