{"id":22815,"date":"2024-03-08T11:38:51","date_gmt":"2024-03-08T08:38:51","guid":{"rendered":"https:\/\/ziarulderimnic.ro\/?p=22815"},"modified":"2024-03-08T11:38:51","modified_gmt":"2024-03-08T08:38:51","slug":"spatii-culturale-nr-2-4","status":"publish","type":"post","link":"https:\/\/ziarulderimnic.ro\/?p=22815","title":{"rendered":"Spa\u021bii culturale nr. 2 (4)"},"content":{"rendered":"<p><strong>VICTORIA DU\u0162U<\/strong><\/p>\n<p><strong>Pa\u015fi<\/strong><\/p>\n<p>43<br \/>\ndrumul pe care merg<br \/>\ne un drum inutil,<br \/>\ne drumul<br \/>\nce atinge<br \/>\npicioarele mele<br \/>\ncu un \u00eenghe\u0163<br \/>\nal normalului,<br \/>\ncare m\u0103 scufund\u0103<br \/>\n\u00een v\u00e2rtejul uit\u0103rii.<br \/>\n44<br \/>\ncaut prin iluzoriu<br \/>\nm\u00e2na ce m\u0103 atinge<br \/>\nca s\u0103 fac<br \/>\npasul corect.<br \/>\n45<br \/>\neu vreau s\u0103 merg<br \/>\npe fiecare dintre<br \/>\ndrumurile<br \/>\nde sub picioarele mele.<br \/>\ntr\u0103iesc \u00eentr-o \u00een\u015felare,<br \/>\npentru ca totul<br \/>\ns\u0103 fie posibil<br \/>\ndoar<br \/>\nacolo unde<br \/>\nnu mai privesc.<br \/>\n*<br \/>\nr\u0103scrucea de drumuri<br \/>\nnu este dec\u00e2t<br \/>\n\u00een \u00eenchipuirea mea.<br \/>\nap\u0103s pe aripa v\u00e2ntului<br \/>\nca s\u0103 pot zbura<br \/>\n\u00eentr-o lume iluzorie<br \/>\nce m\u0103 face<br \/>\ns\u0103 cuprind \u00een m\u00e2n\u0103<br \/>\ncele patru drumuri<br \/>\nce nu le pot vedea.<br \/>\noare nu asta este<br \/>\n\u00een\u015felarea mea?<br \/>\n46<br \/>\nprivi\u0163i!<br \/>\neu merg<br \/>\n\u015fi-mi m\u0103sor g\u00e2ndurile<br \/>\ncu un cuv\u00e2nt<br \/>\ninventat de mine!<br \/>\n47<br \/>\nlumea aceasta<br \/>\nm\u0103 poart\u0103<br \/>\n\u00eentr-o hain\u0103<br \/>\nce m\u0103 str\u00e2mtoreaz\u0103<br \/>\n\u015fi eu sunt vina<br \/>\npentru care<br \/>\nm\u0103tasea m\u0103 str\u00e2nge<br \/>\n\u015fi nu pot s-o port<br \/>\ndoar creanga copacului<br \/>\nm\u0103 agit\u0103<br \/>\ncu frumuse\u0163ea lui<br \/>\n\u015fi m\u0103 invit\u0103<br \/>\ns\u0103 dezbrac haina lumii<br \/>\n\u015fi s\u0103 \u00eembrac m\u0103tasea cerului<br \/>\nce poart\u0103 \u00een ea<br \/>\nimaginea crengilor<br \/>\nleg\u0103nate pe oglinda albastr\u0103<br \/>\n\u00een care eu m\u0103 privesc.<br \/>\ntr\u0103iesc \u00een aceast\u0103 hain\u0103 a lumii<br \/>\nce o port mereu<br \/>\n\u015fi nu pot s\u0103 o lep\u0103d.<br \/>\n48<br \/>\nDoamne, ast\u0103zi sunt trist\u0103<br \/>\ne semn c\u0103 m-am \u00eendep\u0103rtat de Tine<br \/>\ndar nu \u015ftiu cum s\u0103 fac<br \/>\npentru c\u0103 numai bucuria<br \/>\n\u00eemi d\u0103 putere s\u0103 merg<br \/>\nmai departe.<br \/>\nc\u00e2t de mult m\u0103 \u00eensp\u0103im\u00e2nt\u0103 via\u0163a<br \/>\ndar de ce tr\u0103iesc aceast\u0103 spaim\u0103 ?<br \/>\nvreau s\u0103 m\u0103 las \u00een purtarea Ta de<br \/>\ngrij\u0103<br \/>\ndar s\u0103 nu m\u0103 mai tulbur.<br \/>\n49<br \/>\ncuvintele sunt,<br \/>\npoate nici nu mai \u015ftiu,<br \/>\no simpl\u0103 mi\u015fcare de aer,<br \/>\nun zbor de pas\u0103re,<br \/>\ncu o vitez\u0103 uluitoare<br \/>\nce se ascunde<br \/>\nde zborul r\u0103pitor.<br \/>\n50<br \/>\nla el, cel ne\u015ftiut<br \/>\nfug la el cu g\u00e2ndul<br \/>\nde frica unei noi c\u0103deri,<br \/>\nde spaima unei \u00eendep\u0103rt\u0103ri<br \/>\n\u00een pr\u0103p\u0103stii,<br \/>\nde cel care vrea s\u0103-\u015fi fac\u0103<br \/>\ndin mine<br \/>\ncea mai aleas\u0103 prad\u0103.<br \/>\nDoamne,<br \/>\nm\u0103 cutremur\u0103 lacrima mor\u0163ii<br \/>\nce plou\u0103 pretutindeni.<br \/>\n51<br \/>\nochii mei \u00een privire,<br \/>\nse \u00eenfrico\u015feaz\u0103<br \/>\nla umbrele uria\u015fe<br \/>\nf\u0103cute de m\u00e2n\u0103<br \/>\n\u00eenfrico\u015fat<br \/>\nc\u0103tre soare<br \/>\n52<br \/>\nnu pot s\u0103 spun<br \/>\nnici c\u0103 el curge<br \/>\nnici c\u0103 el st\u0103.<br \/>\nobiectul acesta<br \/>\nce nu mai este,<br \/>\nera c\u00e2ndva un ochi<br \/>\nprin care g\u00e2ndul<br \/>\nputea s\u0103 vad\u0103<br \/>\nstr\u0103fulgerarea<br \/>\nunei idei.<br \/>\n53<br \/>\n\u015fti\u0163i c\u0103 exist\u0103 acest obiect<br \/>\ndevenit g\u00e2nd<br \/>\nce nu mai poate fi distrus<br \/>\nde nimeni.<br \/>\ngata, nu-mi mai este fric\u0103.<br \/>\n54<br \/>\ndin fereastr\u0103 apoi<br \/>\nsticla se tope\u015fte<br \/>\n\u00eentr-o raz\u0103,<br \/>\nvenit\u0103 de nic\u0103ieri.<br \/>\nraza lumineaz\u0103<br \/>\n\u00eentr-un alt \u00eentuneric<br \/>\nce nu poate cuprinde<br \/>\nangoasa g\u00e2ndului.<\/p>\n<p><strong><br \/>\nValeria MANTA T\u0102ICU\u021aU<\/strong><br \/>\n<a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2023\/02\/valeria-taicutu.jpg\" data-rel=\"lightbox-image-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2023\/02\/valeria-taicutu.jpg\" alt=\"\" width=\"295\" height=\"481\" class=\"alignnone size-full wp-image-20304 lazyload\" data-srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2023\/02\/valeria-taicutu.jpg 295w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2023\/02\/valeria-taicutu-184x300.jpg 184w\" data-sizes=\"(max-width: 295px) 100vw, 295px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 295px; --smush-placeholder-aspect-ratio: 295\/481;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2023\/02\/valeria-taicutu.jpg\" alt=\"\" width=\"295\" height=\"481\" class=\"alignnone size-full wp-image-20304\" srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2023\/02\/valeria-taicutu.jpg 295w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2023\/02\/valeria-taicutu-184x300.jpg 184w\" sizes=\"(max-width: 295px) 100vw, 295px\" \/><\/noscript><\/a><\/p>\n<p><strong>Ieronim T\u0103taru<\/strong><\/p>\n<p>Om de cultur\u0103 \u00een adev\u0103ratul \u015fi frumosul sens<br \/>\nal cuv\u00e2ntului, Ieronim T\u0103taru este cunoscut<br \/>\nmai ales datorit\u0103 studiilor sale de istorie<br \/>\nliterar\u0103, de literatur\u0103 comparat\u0103 ori de istoria artelor<br \/>\npublicate \u00een revista \u201eAxioma\u201d \u015fi nu numai. Toate<br \/>\nlucr\u0103rile \u2013 fie c\u0103 au avut drept obiect crea\u0163iile epice, lirice,<br \/>\ndramatice, eseistice \u015fi memorialistice, artele vizuale sau<br \/>\nstudiile estetice \u015fi critice publicate de scriitori de-a lungul<br \/>\nvremii, se remarc\u0103 prin seriozitatea document\u0103rii, sim\u0163ul<br \/>\nvalorii \u015fi capacitate de sintez\u0103.<br \/>\nVolumul \u201eMeridiane\u201d, ap\u0103rut \u00een 2007 la Editura<br \/>\nFunda\u0163iei Culturale Libra, are nu mai pu\u0163in de 518 pagini,<br \/>\n\u00een format mare: un adev\u0103rat tom, a c\u0103rui lectur\u0103 ofer\u0103 nu<br \/>\nnumai informa\u0163ii utile \u015fi diversificate, ci \u015fi sugestii de<br \/>\nlectur\u0103, leg\u0103turi, trimiteri, extrapol\u0103ri, sugestii<br \/>\ncomparatiste etc. Nici un cuv\u00e2nt nu este de prisos, pentru<br \/>\nc\u0103 dl. T\u0103taru are meticulozitatea \u015fi \u00eenc\u0103p\u0103\u0163\u00e2narea<br \/>\nc\u0103rturarului de \u015fcoal\u0103 veche \u015fi solid\u0103: nu las\u0103 nimic la<br \/>\n\u00eent\u00e2mplare, detest\u0103 aproxim\u0103rile \u015fi documentarea \u201edup\u0103<br \/>\nureche\u201d, empirismul \u015fi lipsa de probitate. Fiecare<br \/>\nafirma\u0163ie pe care o face istoricul ploie\u015ftean este urmarea<br \/>\nunei cercet\u0103ri minu\u0163ioase \u015fi dovada orelor \u00eendelungate<br \/>\npetrecute \u00een bibliotec\u0103. Impresionantul aparat<br \/>\nbibliografic, notele \u015fi adnot\u0103rile au drept scop edificarea<br \/>\ncititorului, trimiterea lui \u201ela surs\u0103\u201d \u015fi sunt f\u0103cute din<br \/>\n\u201edorin\u0163a cunoa\u015fterii unor mari valori ale culturii<br \/>\neuropene \u015fi americane, repere sigure, credem, pentru o<br \/>\nmai bun\u0103 \u00een\u0163elegere \u015fi apreciere a crea\u0163iei artistice de azi\u201d.<br \/>\nCriticul literar mai afirm\u0103, cu modestie \u015fi cu bun\u0103<br \/>\ninten\u0163ie: \u201eAm f\u0103cut dorite, instructive \u015fi pl\u0103cute popasuri<br \/>\n\u00een lumea unor crea\u0163ii literare, de la Niccoll\u00f2 Machiavelli<br \/>\nla Albert Camus, \u015fi \u00een aceea a imaginilor picturale \u015fi<br \/>\nsculpturale, de la Hieronymus Bosch la Marc Chagall, cu<br \/>\nat\u00e2t mai mult cu c\u00e2t ne-am apropiat de vremea noastr\u0103<br \/>\n(\u00eentr-o deschidere \u00een V, cum se spune\u201d. Toate eseurile din<br \/>\nvolum au aerul unor convorbiri cu cartea \u015fi cu autorul,<br \/>\n\u0163in\u00e2ndu-se, totodat\u0103, seama de influen\u0163e (gustul<br \/>\ncomparatismului, al sincroniz\u0103rii, al stabilirii de leg\u0103turi<br \/>\nculturale fiind una dintre notele dominante ale<br \/>\ndemersului eseistic al lui Ieronim T\u0103taru).<br \/>\nAutorul se opre\u015fte la autori \u015fi la teme fundamentale<br \/>\npentru \u00een\u0163elegerea fenomenului cultural. \u015ei poate c\u0103 nu<br \/>\n\u00eent\u00e2mpl\u0103tor volumul \u00eencepe cu epopeea lui Ghilgame\u015f \u00een<br \/>\ninterpretarea lui Nichita St\u0103nescu, eseul concentr\u00e2nd<br \/>\n\u201estrig\u0103tul abisal \u015fi rostire despre \u00een\u0163elegerea sinelui\u201d.<br \/>\nUrmeaz\u0103, firesc, o interpretare a miturilor esen\u0163iale, a<br \/>\n\u201ecentrelor energetice\u201d \u015fi a semnelor neperisabilit\u0103\u0163ii, care<br \/>\nsunt zeii.<br \/>\nDe la bun \u00eenceput, Ieronim T\u0103taru precizeaz\u0103 c\u0103 nu<br \/>\na urm\u0103rit neap\u0103rat o cronologie \u2013 a apari\u0163iei operelor la<br \/>\ncare se refer\u0103, ci, mai cur\u00e2nd, o cronologie a apari\u0163iei<br \/>\neseurilor adunate \u00een volum, astfel c\u0103 Jean Jacques<br \/>\nRousseau, Machiavelli \u015fi Caragiale se afl\u0103 la c\u00e2teva pagini<br \/>\n\u2013 ce-i drept, dense c\u00e2t un volum \u2013 distan\u0163\u0103. De altfel,<br \/>\nCaragiale a fost dintotdeauna subiectul preferat de studiu<br \/>\nal lui Ieronim T\u0103taru, criticul manifest\u00e2nd o preocupare<br \/>\nconstant\u0103 \u00een dezv\u0103luirea unor aspecte noi ori \u00een<br \/>\nclarificarea unor controverse legate de via\u0163a \u015fi opera<br \/>\ndramaturgului. Pornind de la textul caragialean, \u00een care<br \/>\npersonajele \u00ee\u015fi demonstreaz\u0103 incultura prin citate<br \/>\n\u201efabricate\u201d \u015fi atribuite lui Machiavelli, Ieronim T\u0103taru<br \/>\ntrece apoi la cercetarea unor m\u0103rturii, a documentelor de<br \/>\nepoc\u0103, a coresponden\u0163ei lui Caragiale \u015fi probeaz\u0103 faptul<br \/>\nc\u0103 autorul rom\u00e2n nu numai c\u0103 citise operele italianului,<br \/>\ndar le \u015fi \u00een\u0163elesese altfel dec\u00e2t o f\u0103cuser\u0103 contemporanii<br \/>\ns\u0103i (v. \u201eNiccoll\u00f2 Machiavelli dinspre Caragiale\u201d).<br \/>\nUn eseu care \u00eenc\u00e2nt\u0103 prin elegan\u0163\u0103 \u015fi impresioneaz\u0103<br \/>\nprin r\u0103bdarea document\u0103rii este cel dedicat lui V.<br \/>\nVoiculescu \u015fi Sonetelor sale \u00een traducere imaginar\u0103 (v.<br \/>\n\u201eUn suprem omagiu adus divinului brit\u201d). Pentru<br \/>\ndocumentare, Ieronim T\u0103taru alege ce-i mai bun: edi\u0163ia<br \/>\nprinceps a lui Perpessicius, referin\u0163ele critice semnate<br \/>\nde Zoe Dumitrescu-Bu\u015fulenga, \u015etegan Augustin<br \/>\nDoina\u015f, Teodor Ro\u015fca \u2013 acesta \u015fi \u00een calitate de traduc\u0103tor<br \/>\nal sonetelor shakespeareane &#8211; , Adrian Marino, Ov. S.<br \/>\nCrohm\u0103lniceanu, Perpessicius, Elena Zaharia Filipa\u015f<br \/>\n\u015f.a., neomi\u0163\u00e2nd, pentru edificarea cititorului, s\u0103<br \/>\nprezinte, comparativ, structura sonetului italian \u015fi a<br \/>\ncelui nordic, prin exemplific\u0103ri pe text (Michelangelo \u015fi<br \/>\nShakespeare). Despre sonetele lui Voiculescu s-a scris<br \/>\nmult, dar parc\u0103 niciodat\u0103 cu at\u00e2ta seriozitate \u015fi<br \/>\nprofunzime, f\u0103r\u0103 inten\u0163ii \u201epatriotice\u201d, dar cu grij\u0103<br \/>\npentru eviden\u0163ierea contribu\u0163iei reale a poetului rom\u00e2n,<br \/>\na talentului \u015fi originalit\u0103\u0163ii sale.<br \/>\nCititorul volumului \u201eMeridiane\u201d c\u0103l\u0103tore\u015fte apoi prin<br \/>\nlumea lui Jonathan Swift sau a lui Diderot, \u00ee\u015fi aminte\u015fte<br \/>\nde mitul faustic, dar \u015fi de duioasele suspine din Lenau,<br \/>\narunc\u0103 o privire asupra metodei (v. Sainte-Beuve), afl\u0103<br \/>\ndespre scrieri ale lui Edgar Allan Poe \u00een traducerea lui<br \/>\nI.L. Caragiale \u015fi Luca Ion Caragiale, se delecteaz\u0103 cu<br \/>\npoemele Vene\u0163iei ori cu \u201eprivirile \u00een Florile r\u0103ului\u201d,<br \/>\n\u00eencearc\u0103 \u201etenta\u0163ia neantului\u201d ori ce \u00eenseamn\u0103<br \/>\n\u201eautocunoa\u015ftere \u015fi autoperfec\u0163ionare moral\u0103\u201d.<br \/>\nC\u0103r\u0163i valoroase, autori faimo\u015fi sunt aduna\u0163i la acest<br \/>\nveritabil \u201edivan\u201d al arti\u015ftilor \u015fi al \u00een\u0163elep\u0163ilor, astfel c\u0103,<br \/>\ndup\u0103 parcurgerea volumului de eseuri, \u00eencerci acel<br \/>\nsentiment de \u00een\u0103l\u0163are spiritual\u0103 nicic\u00e2nd desuet.<\/p>\n<p><strong><br \/>\nLAUREN\u0162IU SELEGIAN<\/strong><\/p>\n<p><strong>Poeme<\/strong><\/p>\n<p>1<br \/>\ndac\u0103 m\u0103 doare,<br \/>\neste c\u0103 nemurirea se clatin\u0103 ca o pas\u0103re putred\u0103<br \/>\nsau c\u0103 degetele mele \u0163i-au atins din nou degetele.<br \/>\n\u015ei dac\u0103 mi-e sete,<br \/>\neste c\u0103 tu e\u015fti muntele meu de fericire<br \/>\npeste care cerul refuz\u0103 s\u0103-\u015fi lepede lacrima&#8230;<br \/>\ntimid\u0103 cum stai \u015fi at\u00e2t de frumoas\u0103,<br \/>\nca o umbr\u0103 pierdut\u0103 \u00een pulberea zilelor,<br \/>\ncu cearc\u0103nul acesta crud \u015fi \u00eenvins<br \/>\nde \u00een\u0103l\u0163imea a\u015ftept\u0103rii,<br \/>\nsau ca o st\u00e2nc\u0103 r\u0103nit\u0103 de ecou<br \/>\n\u00eenfrigurat\u0103<br \/>\nca o t\u0103cere ce desparte masca de t\u00e2mpl\u0103,<br \/>\nsau ca un \u00eenger adus la mal<br \/>\nde valuri c\u0103zute \u00een p\u0103cat<br \/>\n***<br \/>\nvisul meu ascuns<br \/>\n\u00een pumnul de \u00eentuneric al dep\u0103rt\u0103rii<br \/>\nvis cu tot nisipul lumii \u00eenghesuit \u00eentr-o singur\u0103 lacrim\u0103<br \/>\nvis alb, de cear\u0103,<br \/>\nla hotarul dintre iubire \u015fi realitate<br \/>\n2<br \/>\nnu e\u015fti dec\u00e2t o c\u0103dere de \u00eenger,<br \/>\nun semn,<br \/>\nun nor de ghea\u0163\u0103 deasupra unui nor de foc&#8230;<br \/>\no pas\u0103re \u00eempietrit\u0103<br \/>\n\u00een zborul spre alt\u0103 pas\u0103re \u00eempietrit\u0103<br \/>\n3<br \/>\nochii mei<br \/>\nced\u00e2nd frumuse\u0163ea ta<br \/>\naltor ochi blestema\u0163i<br \/>\ngolul acesta de l\u00e2ng\u0103 noi<br \/>\n\u015fi de care se leag\u0103 trista,<br \/>\ncumplita noastr\u0103 speran\u0163\u0103<br \/>\n***<br \/>\nacolo unde copiii zboar\u0103<br \/>\ncu p\u0103s\u0103ri r\u0103pitoare \u00een a\u015fternuturi<br \/>\n\u015fi unde, dac\u0103 iube\u015fti,<br \/>\nte transformi \u00een prim\u0103var\u0103<br \/>\nacolo, sub cerul senin<br \/>\n\u015fi cu p\u0103rul \u00eempletit<br \/>\n\u00een florile c\u00e2mpului,<br \/>\ncum stai a\u015ftept\u00e2ndu-m\u0103<br \/>\n***<br \/>\nr\u0103mas\u0103 \u00een cump\u0103na anilor,<br \/>\naripa<br \/>\ndin gr\u0103dina ve\u015fniciei rupt\u0103<br \/>\n\u015fi \u00eenvelind clipa de m\u0103tase a<br \/>\nfericirii<br \/>\natins\u0103 de lacrimi,<br \/>\nzgura lucrurilor nev\u0103zute\u2026<br \/>\nnoduri de lumin\u0103,<br \/>\nflorile,<br \/>\nbuc\u0103\u0163i de s\u00e2nge \u015fi de zbor<br \/>\nz\u00e2mbetul acestui om ce c\u00e2nt\u0103,<br \/>\nc\u00e2ntecul acestui om ce moare\u2026<br \/>\ncuvintele tale,<br \/>\np\u0103s\u0103ri ciugulindu-mi inima c\u0103zut\u0103 pe jos<br \/>\ncandel\u0103, m\u00e2na mea<br \/>\nce r\u0103zbate bezna p\u00e2n\u0103 te arde<br \/>\npe tine, sau luna de pe cer,<br \/>\npiatra fierbinte pe care se a\u015fterne toamna,<br \/>\nurma de pas, valul m\u0103rii, sau c\u0103 zbor.<br \/>\nSau c\u0103 m\u0103 iube\u015fti&#8230;<br \/>\nNici nu mai \u015ftiu ce visez<br \/>\njum\u0103tate din mine<br \/>\ne\u015fti tu,<br \/>\njum\u0103tate sunt mort\u2026<br \/>\n\u015fterg praful a\u015fternut<br \/>\npeste chipul t\u0103u<br \/>\n\u015fi-\u0163i v\u0103d oglinda acoperit\u0103<br \/>\ncu un cearceaf;<br \/>\n\u00eemi \u00eempart hainele cuvintelor goale<br \/>\n\u015fi ele m\u0103 refuz\u0103;<br \/>\nnu pot s\u0103 merg \u00een aripi,<br \/>\ndar pot s\u0103 zbor cu picioarele;<br \/>\nnu-\u0163i pot r\u0103pi lumina,<br \/>\ndar te pot purta prin \u00eentuneric<\/p>\n<p><strong><br \/>\nFLORIN DOCHIA<\/strong><br \/>\n<a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/dochia.jpg\" data-rel=\"lightbox-image-1\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/dochia.jpg\" alt=\"\" width=\"314\" height=\"315\" class=\"alignnone size-full wp-image-15854 lazyload\" data-srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/dochia.jpg 314w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/dochia-300x300.jpg 300w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/dochia-150x150.jpg 150w\" data-sizes=\"(max-width: 314px) 100vw, 314px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 314px; --smush-placeholder-aspect-ratio: 314\/315;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/dochia.jpg\" alt=\"\" width=\"314\" height=\"315\" class=\"alignnone size-full wp-image-15854\" srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/dochia.jpg 314w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/dochia-300x300.jpg 300w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/dochia-150x150.jpg 150w\" sizes=\"(max-width: 314px) 100vw, 314px\" \/><\/noscript><\/a><\/p>\n<p><strong>\u00cent\u00e2lniri cu Max<\/strong><br \/>\n(continuare din num\u0103rul trecut)<\/p>\n<p>Michel se \u00eembrac\u0103 pentru plimbarea de sear\u0103.<br \/>\nBarca se clatin\u0103 u\u015for. Valurile s-au domolit,<br \/>\naproape c\u0103 nu e nici o adiere. Iese din cabin\u0103<br \/>\npe punte, urc\u0103 cele cinci trepte ale sc\u0103rii de lemn care-l<br \/>\nduce pe faleza din pl\u0103ci de granit cioplit. Se las\u0103 cea\u0163a.<br \/>\nDin dep\u0103rtare se aude muzic\u0103: un bar plin de tineri<br \/>\nvis\u0103tori. \u015eiruri de lumini estompate de-a lungul str\u0103zii.<br \/>\nLa cap\u0103t, deasupra muzicii, pe o culme, silueta neclar\u0103 a<br \/>\nunei pietre tombale \u00eenalte, \u00een form\u0103 de elice, luminat\u0103 de<br \/>\ndou\u0103 reflectoare. Acolo c\u0103zuse demult un avion dobor\u00e2t<br \/>\nde artileria german\u0103. Doi francezi se zdrobiser\u0103 de<br \/>\np\u0103m\u00e2nt. Nu mai urcase \u00een ultima vreme scara de beton<br \/>\np\u00e2n\u0103 la micul platou, s\u0103 se a\u015feze pe banca de la marginea<br \/>\n\u0163\u0103rmului \u00eenalt, mu\u015fcat de valuri. Valurile ca o m\u00e2ng\u00e2iere,<br \/>\nvalurile ca o mu\u015fc\u0103tur\u0103. Se va duce acum, \u00een\u0103l\u0163imea e<br \/>\ndeasupra ce\u0163ii, prive\u015fte \u00een larg f\u0103r\u0103 s\u0103 vad\u0103 altceva dec\u00e2t<br \/>\nluminile vagi ale unei nave trec\u00e2nd lent spre est. \u00ee\u015fi<br \/>\n\u00eenchipuie c\u0103 e chiar pe punte a unei alte nave, cum se<br \/>\n\u00eent\u00e2mpla pe vremuri, p\u00e2n\u0103 \u00een urm\u0103 cu cincisprezece ani,<br \/>\ndar \u015fi acum, \u00een fiecare martie, c\u00e2nd traverseaz\u0103 Canalul<br \/>\nca s\u0103-\u015fi re\u00eennoiasc\u0103 viza de apatrid.<br \/>\nC\u00e2\u0163iva tineri pe motociclete trec \u00een vitez\u0103 \u015fi se pierd \u00een<br \/>\ncea\u0163\u0103. Strada e pustie. Doar o umbr\u0103 pare c\u0103 se prelinge<br \/>\npe l\u00e2ng\u0103 zidurile caselor vechi, pe trotuarul de vizavi. O<br \/>\nfemeie zvelt\u0103, cu p\u0103rul ro\u015fcat, care se opre\u015fte uneori cu<br \/>\nm\u00e2inile \u00een buzunarele jachetei galbene \u015fi prive\u015fte<br \/>\nfrontoanele. Michel las\u0103 \u00een urm\u0103 Bassin Freycinet cu<br \/>\nb\u0103rcile sale \u015fi cu barca lui \u00eentre ele. Plimbarea asta e la fel<br \/>\nca altele \u015fi altfel, totu\u015fi. E ca o \u00eentrebare, ca o nedumerire,<br \/>\nca o c\u0103utare de sens: pentru ce toate acestea? Pentru ce<br \/>\nvisurile moarte sau abia ag\u0103\u0163ate de-un fir sub\u0163ire, cum un<br \/>\np\u0103ianjen \u00een b\u0103taia v\u00e2ntului a\u015ftept\u00e2nd o prad\u0103 care nu<br \/>\nvine, care nu va veni? Pentru ce visele toate locuind pe<br \/>\nstr\u0103zile \u00eenguste din cartierul lisboez Alfama \u015fi deodat\u0103<br \/>\nvisul cu sf\u00e2r\u015fitul lui Mu\u015fat la Paris, pe un pod, v\u0103zut prin<br \/>\nochii lui Max v\u0103zut prin ochii lui Mu\u015fat care-l vede pe<br \/>\nMax care \u00eei vede privirea albastr\u0103 \u015fi se cufund\u0103 \u00een ea cu<br \/>\nochii lui cenu\u015fii ca st\u00e2nca de nisip, o frontier\u0103 dincolo de<br \/>\ncare nu e nimic, nici dorin\u0163\u0103, nici ur\u0103, nici pace, doar o<br \/>\ncurgere lene\u015f\u0103 care se vrea torent, cascad\u0103, care se vrea,<br \/>\nf\u0103r\u0103 s\u0103 \u015ftie, moarte? O moarte cuib\u0103rit\u0103 \u00een via\u0163\u0103 ca<br \/>\nb\u0103nu\u0163ul din ou care hr\u0103ne\u015fte puiul, o hran\u0103 neagr\u0103,<br \/>\n\u00een\u015fel\u0103toare pentru c\u0103 o v\u0103d aurie, luminoas\u0103 \u015fi ea m\u0103<br \/>\notr\u0103ve\u015fte \u2013 dar acest lucru nu \u015ftie s\u0103 \u015fi-l spun\u0103 Mu\u015fat \u00een<br \/>\nclipa c\u00e2nd cade sub ro\u0163ile negre ale ma\u015finii ro\u015fii \u015fi le<br \/>\nspune \u00een mintea lui Michel, cel ce nu \u00een\u0163elege visul nou<br \/>\ncare a rupt \u015firul viselor obi\u015fnuite cu Alberta din Alfama<br \/>\n\u2013 o moarte visat\u0103 \u00een locul unei mor\u0163i aflate t\u00e2rziu, c\u00e2nd<br \/>\nnimic nu se mai putea spune, ce \u00eenseamn\u0103 aceast\u0103<br \/>\n\u00eenlocuire?<br \/>\nUneori se \u00eent\u00e2lnea cu Pedro, fiul Albetei, \u015fedeau \u00een<br \/>\natelierul lui de la marginea Parisului, dup\u0103 ceremonia<br \/>\nunui vernisaj, a unei inaugur\u0103ri, \u015fedeau \u015fi t\u0103ceau despre<br \/>\nAlberta. O dat\u0103 chiar venise Pedrito la F\u00e9camp, expusese<br \/>\n\u00een curtea Palatului B\u00e9n\u00e9dictine, se plimbaser\u0103 pe<br \/>\nBoulevard des Belges, apoi mai departe, la Etretat-ul lui<br \/>\nMichel Leblanc, unde ajunseser\u0103 cu ma\u015fina lui Pedrito \u015fi<br \/>\nunde respiraser\u0103 aerul cu miros de alge \u015fi crabi putrezind<br \/>\n\u00eentre pietre, priviser\u0103 fluxul venind jos, la zeci de metri,<br \/>\numpl\u00e2nd pe\u015fterile din \u0163\u0103rmul calcaros, alung\u00e2nd p\u0103s\u0103rile<br \/>\nspre cuiburile s\u0103pate sus, la ad\u0103post de ap\u0103 \u015fi de<br \/>\npr\u0103d\u0103tori. De mult\u0103 vreme, Pedro \u00eel avea numai pe el,<br \/>\nat\u00e2ta r\u0103m\u0103sese din trecut, un b\u0103tr\u00e2n refugiat pe o barc\u0103 \u00een<br \/>\nBassin Freycinet, privind spre Cote de La Vi\u00e9rge,<br \/>\na\u015ftept\u00e2nd nu se \u015ftie ce, poate un semn de via\u0163\u0103 de la o<br \/>\nDoamn\u0103 \u00een Negru, o mireas\u0103 etern\u0103 a c\u0103rei nunt\u0103<br \/>\nre\u00eencepe mereu \u015fi nu se consum\u0103 nicic\u00e2nd. \u015ei el \u00eel vrea<br \/>\nnumai pe fiul Albertei care s\u0103-i aminteasc\u0103 tavernele din<br \/>\nAlfama \u015fi camerele \u00eenghesuite pe care le dorea \u00een lungile<br \/>\nzile pe mare, popasul totdeauna prea scurt, consumat<br \/>\nprea repede, ca un amor \u00een liftul hotelului c\u00e2nd butonul<br \/>\n\u201cstop\u201d lipse\u015fte sau e defect.<br \/>\nAlberta \u00eei umplea via\u0163a de la care nu a\u015fteptase<br \/>\nniciodat\u0103 prea mult. Ocupase &#8211; umpluse deplin! \u2013 un loc<br \/>\ndespre care nici nu \u015ftia c\u0103 e gol \u00een fiin\u0163a sa. \u00cei lipsea din<br \/>\nclipa \u00een care p\u0103r\u0103sea portul pentru cine \u015ftie ce c\u0103l\u0103torie<br \/>\nde c\u00e2teva luni. Alfama Albertei se a\u015fezase \u00een sufletul lui<br \/>\nl\u00e2ng\u0103 imaginea micului sat \u00een care \u00ee\u015fi petrecea verile, \u00een<br \/>\ncopil\u0103rie, la bunici. O ran\u0103 dulce unea cele dou\u0103 teritorii<br \/>\nale memoriei \u015fi peste ea dragostea f\u0103r\u0103 sa\u0163iu: marea. Sau<br \/>\nnu peste ea, ci \u00een locul ei, marea ca o ran\u0103 dulce, nu ca o<br \/>\ncicatrice, nu, o ran\u0103 care nu vrea \u015fi nu vreau s\u0103 se vindece<br \/>\n(spunea), o ran\u0103 care e semnul iubirii viului, cauza \u015fi<br \/>\nefectul vie\u0163ii. Mereu plec\u00e2nd \u015fi mereu \u00eentorc\u00e2ndu-se c\u0103tre<br \/>\nsine. Incertitudine, \u00eendoial\u0103, nehot\u0103r\u00e2re, speran\u0163\u0103,<br \/>\nstabilitate. Ea e mereu acolo, moarte \u015fi via\u0163\u0103 \u00eembr\u0103\u0163i\u015fate,<br \/>\nhr\u0103nindu-se una din cealalt\u0103. Marea care nu accept\u0103<br \/>\nmasca, nu \u00een\u0163elege minciuna, dar na\u015fte vraja. Vraja care<br \/>\nl-a prins c\u00e2ndva pe le, fiu al dealurilor, al livezilor, la<br \/>\np\u0103durilor de fag, al coastelor n\u0103p\u0103dite de c\u0103tin\u0103 \u015fi de tufe<br \/>\nde alun. Mare pe care o ura Alberta, o ura cu tandre\u0163e, o<br \/>\ncerta \u00eembufnat\u0103, pentru ca apoi s\u0103 i se roage din grij\u0103<br \/>\nAlberta. R\u0103t\u0103ceau adesea pe str\u0103du\u0163ele \u00eenguste, cu rufe<br \/>\n\u00eentinse la uscat pe sfori groase de un deget \u00een plin\u0103 strad\u0103,<br \/>\ndeasupra capetelor lor. Treceau prin Largo das Portas do<br \/>\nSol, vechea poart\u0103 a ora\u015fului, urmau linia str\u0103vechiului<br \/>\ntramvai 12 p\u00e2n\u0103 la Largo de Santa Luiza, se opreau pe<br \/>\nMirador ca s\u0103 admire panorama ora\u015fului, cu Mosteiro de<br \/>\nSao Vicente la St\u00e2nga \u015fi biserica Sf. Mihail \u00een dreapta. Dar<br \/>\nmai cu seam\u0103 estuarul r\u00e2ului Tejo, din care vedeau \u015fi de<br \/>\nla fereastr\u0103 o f\u00e2\u015fie \u00eengust\u0103, ca o fant\u0103 deschis\u0103 spre ocean.<br \/>\n\u00cenl\u0103n\u0163ui\u0163i r\u0103t\u0103ceau, schimb\u00e2nd aromele pielii, r\u0103sufl\u0103rile,<br \/>\nvisele\u2026 Din cur\u0163i acoperite de flori multicolore, femei<br \/>\np\u0103reau s\u0103i invite \u00een casele viu colorate, cu fa\u0163ade de<br \/>\nceramic\u0103, vechi de sute de ani. Se pierdeau \u00een cetele de<br \/>\nturi\u015fti, ca \u015fi cum s-ar fi transportat \u00een alt\u0103 lume, \u00een alte<br \/>\nlumi. Respirau aerul s\u0103rat, se hr\u0103neau cu el, parc\u0103 nici nu<br \/>\n\u015ftiau altul, \u015fi asta \u00eei lega p\u00e2n\u0103 \u00een nop\u0163ile fierbin\u0163i de<br \/>\ndragoste, c\u00e2nd \u00eel cuprindea \u00een l\u0103untrul trupului ei \u015fi-l<br \/>\np\u0103stra acolo \u00eendelung, ca-ntr-o placent\u0103 primordial\u0103 pe<br \/>\ncare nici el nu voia s-o p\u0103r\u0103seasc\u0103, tem\u0103tor fa\u0163\u0103 de lumea<br \/>\nde afar\u0103, de pr\u0103d\u0103torii din fundul sufletului, de am\u00e2narea<br \/>\nhot\u0103r\u00e2rii de a nu mai pleca departe, prea departe.<br \/>\n&#8211; Cum s\u0103 g\u0103sesc o c\u0103tu\u015f\u0103 care s\u0103 te \u0163in\u0103 l\u00e2ng\u0103 mine?<br \/>\nCea a dragostei mele pare prea slab\u0103. A\u015f vrea s-o prind<br \/>\nde m\u00e2na ta cu pielea mirosind a flori de m\u0103r \u015fi de cire\u015f \u015fi<br \/>\ns\u0103 te port cu mine mereu.<br \/>\n&#8211; Va veni \u015fi vremea aceea, Alberta, va veni\u2026 (O<br \/>\nmin\u0163ea, \u015ftia c\u0103 o minte, nu putea renun\u0163a la c\u0103l\u0103torii, din<br \/>\nasta tr\u0103ia \u015fi cu asta tr\u0103ia, era visul prim, visul \u00eemplinit \u00een<br \/>\ncare de a\u015fezase temeinic).<br \/>\n&#8211; \u015etii, Ruben zice c\u0103 atunci c\u00e2nd tu e\u015fti plecat eu c\u00e2nt<br \/>\naltfel, mai din inim\u0103. A constatat c\u0103 \u015fi clien\u0163ii sunt mai<br \/>\ndarnici atunci.<br \/>\n&#8211; Tu c\u00e2n\u0163i mereu din inim\u0103. \u015ei apoi, c\u00e2ntecele voastre<br \/>\nsunt despre iubiri pierdute \u015fi glorii trecute, c\u00e2nd lipsesc,<br \/>\nm\u0103 iube\u015fti mai mult\u2026 Michel r\u00e2de \u015fi Alberta \u00eel<br \/>\n\u00eenghionte\u015fte, apoi \u00eel cuprinde din nou, \u00eel \u00eenl\u0103n\u0163uie cu<br \/>\ntrupul ei de femeie \u00eemplinit\u0103.<br \/>\nLumina serii va fi murit de mult c\u00e2nd se \u00eembrac\u0103 \u015fi<br \/>\npleac\u0103 la barul lui Ruben, l\u0103s\u00e2ndu-l singur la masa unde<br \/>\nau cinat, cu sticla de vin rubiniu la \u00eendem\u00e2n\u0103. \u00cel va trezi<br \/>\nc\u00e2nd se va \u00eentoarce, s\u0103rut\u00e2ndu-l \u00een ureche, ca o adiere<br \/>\ncald\u0103, \u00eei va fr\u0103m\u00e2nta pielea mirosind vag a tutun, o va<br \/>\np\u0103trunde calm \u015fi vor adormi p\u00e2n\u0103 diminea\u0163a t\u00e2rziu.<br \/>\nAlfama se estompeaz\u0103 \u015fi-i ia locul Bassin Freycinet \u015fi<br \/>\nBassin B\u00e9rigny \u2013 alte ape ale aceluia\u015fi ocean, doar mai<br \/>\nb\u0103tr\u00e2n cu c\u00e2teva decenii. Ei, dar ce \u00eenseamn\u0103 asta la scara<br \/>\neternit\u0103\u0163ii? Michel sur\u00e2de \u015fi p\u0103\u015fe\u015fte mai departe pe<br \/>\ngranitul falezei. Silueta cu jachet\u0103 galben\u0103 pare mai<br \/>\naproape. Pare c\u0103 vrea s\u0103 traverseze, se uit\u0103 de-a lungul<br \/>\ndrumului s\u0103 se asigure c\u0103 nu vine nici o ma\u015fin\u0103.<br \/>\n(Fragment dintr-un volum \u00een lucru)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>VICTORIA DU\u0162U Pa\u015fi 43 drumul pe care merg e un drum inutil, e drumul ce atinge picioarele mele cu un<\/p>\n","protected":false},"author":18,"featured_media":10070,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"ngg_post_thumbnail":0,"video_url":"","footnotes":""},"categories":[7,328],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/22815"}],"collection":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=22815"}],"version-history":[{"count":1,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/22815\/revisions"}],"predecessor-version":[{"id":22816,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/22815\/revisions\/22816"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/media\/10070"}],"wp:attachment":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=22815"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=22815"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=22815"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}