{"id":22772,"date":"2024-03-03T00:15:01","date_gmt":"2024-03-02T21:15:01","guid":{"rendered":"https:\/\/ziarulderimnic.ro\/?p=22772"},"modified":"2024-03-03T00:15:01","modified_gmt":"2024-03-02T21:15:01","slug":"spatii-culturale-nr-3-13","status":"publish","type":"post","link":"https:\/\/ziarulderimnic.ro\/?p=22772","title":{"rendered":"Spa\u021bii culturale nr. 3 (13)"},"content":{"rendered":"

Dan Petru\u015fc\u0103<\/strong>, Toate-s cam de pe c\u00e2nd
\n(Poeme), Editura Universitas XXI, Ia\u015fi,
\n2008<\/em>, 88 de pagini. Prefa\u0163\u0103: Constantin
\nDram. Postfa\u0163\u0103: Cassian Maria Spiridon.
\nIlustra\u0163ii: Mihai Chiuaru. Referin\u0163e critice:
\nGrigore Smeu, Gabriel Rusu, Mircea
\nDinutz \u015fi Gheorghe Iorga. Nume de nume
\nvin \u00eentru sus\u0163inerea lui Dan Petru\u015fc\u0103 \u015fi a poemelor sale. \u015eio
\nfac bine, c\u0103 au cu ce: \u201e m\u0103 plimbam pe biciclet\u0103 \/ \u00eencet
\ntr\u0103g\u00e2nd pe str\u0103zi \/ dup\u0103 mine ora\u015ful \/ cu o sfoar\u0103 \/ \u015fi o
\nvoluptuoas\u0103 coad\u0103 \/ de comet\u0103\u201d (din Mai pu\u0163in serios).<\/p>\n


\nTheodor Codreanu<\/strong>, Fragmentele lui
\nLamparia, Funda\u0163ia \u201eScrisul rom\u00e2nesc\u201d,
\n2002, Craiova<\/em>, 199 de pagini. Cu
\naproximativ dou\u0103zeci \u015fi patru de ani \u00een
\nurm\u0103, Edgar Papu, prefa\u0163ator al acestei
\nc\u0103r\u0163i, spunea: \u201eAzi, c\u00e2nd exist\u0103 o adev\u0103rat\u0103
\nfrenezie a <> (a se citi: a
\nbagateliz\u0103rii, a minimaliz\u0103rii, a ostilit\u0103\u0163ii, a relei credin\u0163e)
\nautorul Fragmentele lui Lamparia vine cu pozi\u0163ia, at\u00e2t de
\nnecesar\u0103 ast\u0103zi, a iubirii. Poate c\u0103 tocmai rafinamentul at\u00e2t
\nde sensibil al nuan\u0163elor \u00een g\u00e2ndirea lui Th. Codreanu deriv\u0103
\ndin vechiul esprit de finesse, pe care nu-l pot promova dec\u00e2t
\nles raisons du coeur. Asemenea, azi!?<\/p>\n

Dumitru Br\u0103neanu<\/strong>, Pe muchie de poem
\n* On a poem\u2019s edge, Editura Ateneul
\nscriitorilor, 2008, Bac\u0103u<\/em>, 148 de pagini.
\nPostfa\u0163\u0103: Gheorghe Iorga. Criticul Ioan
\nHolban scrie (pe ultima copert\u0103 a c\u0103r\u0163ii):
\n\u201e\u00centre criv\u0103\u0163ul am\u0103girilor \u015fi \u00eendoial\u0103,
\nc\u0103ut\u00e2nd prezen\u0163a prin absen\u0163\u0103, poezia lui
\nDumitru Br\u0103neanu are distinc\u0163ie \u015fi personalitate\u201d. Noi \u00eel
\nmotiv\u0103m cu un citat din poezia Od\u0103: \u201ene \u00eembr\u0103c\u0103m \u00een trup
\n\/ cu dragoste de \u00eengeri \/ \u015fi peste suflet tragem \/ iadul ca un
\nc\u00e2ntec \/ \u00een juru-mi sap\u0103 g\u00e2ndul \/ pl\u0103ceri perverse \/ mereu
\nne cad \u00een t\u00e2mple \/ amurgurile reflexe.\u201d<\/p>\n

Mahmoud Darvish<\/strong>, Sunt arab, Editura
\nKriterion, 2009, Cluj-Napoca<\/em>, 100 de
\npagini. Aceast\u0103 carte de poeme a ap\u0103rut
\nsub auspiciile Clubului Rom\u00e2no-Arab de
\nCultur\u0103 \u015fi Pres\u0103. Traducerea din limba
\narab\u0103 \u015fi cuv\u00e2ntul \u00eenainte apar\u0163in lui George
\nGrigore. Pentru prezentarea de fa\u0163\u0103 am ales
\npartea de \u00eenceput a amplului poem Acela este chipul ei \u015fi
\naceasta este sinuciderea \u00eendr\u0103gostitului: \u201eA\u015f vrea s\u0103-mi iau ca
\ntrup copacii: \/ Seara l-a min\u0163it.\/ M\u0103rturisesc c\u0103 eu l-am
\nacoperit cu t\u0103cere \/ L\u00e2ng\u0103 mare \/ M\u0103rturisesc c\u0103 l-am pus
\n\u00eentre rou\u0103 \u015fi sinucidere\u201d.<\/p>\n

BAC\u0102UL CULTURAL \u2013 600<\/strong>, antologia
\nPLUMB, 2008, (vol. I), Editura Ateneul
\nscriitorilor<\/em>, 199 de pagini. Edi\u0163ia este
\n\u00eengrijit\u0103 de poetul Petru Scutelnicu. Sunt
\nantologa\u0163i: la poezie treizeci \u015fi cinci de
\nscriitori, iar la proz\u0103, optsprezece. Nu
\nlipsesc de aici Sergiu Adam, Radu C\u00e2rneci,
\nCalistrat Costin, Ovidiu Genaru, Dan-Bogdan Hanu, Viorel
\nSavin, Petru Cimpoe\u015fu, Petre Isachi. De asemenea, sunt
\nantologa\u0163i pictorii: Ioan Burlacu, Carmen Istrate Murariu,
\nIoan M\u0103ric, Gelu Parascan \u015fi Catinca Popescu. Al\u0163i
\nnou\u0103sprezece arti\u015fti plastici asigur\u0103, prin lucr\u0103rile lor,
\nilustrarea acestei c\u0103r\u0163i. Frumos \u015fi durabil.<\/p>\n

Liviu Gr\u0103soiu<\/strong>, Apari\u0163ii nea\u015fteptate,
\nEditura Nou\u0103, 2008, Bucure\u015fti<\/em>, 295 de
\npagini. Incitante la lectur\u0103 \u015fi pentru
\ninformare sunt preciz\u0103rile autorului:
\n\u201eApari\u0163iile nea\u015fteptate adun\u0103 comentarii
\nscrise \u015fi publicate vreme de \u015fase ani
\n(ianuarie 2002 \u2013 decembrie 2007 inclusiv) \u00een
\nConvorbiri literare la rubrica purt\u00e2nd acela\u015fi titlu. Sunt cronici
\nla c\u0103r\u0163i pe care nimeni nu le a\u015ftepta, c\u0103r\u0163i pe a c\u0103ror valoare
\ncriticul mizeaz\u0103 \u015fi, \u00een plus, are satisfac\u0163ia de a fi primul (\u015fi
\nchiar unicul) lor recenzent…. Al\u0103turi de nume de rezonan\u0163\u0103
\n\u00een cultura ultimilor decenii, v\u0103 ve\u0163i \u00eent\u00e2lni cu altele, abia
\nacum dezv\u0103luite \u015fi intrate \u00een circuitul culturii actuale.\u201d<\/p>\n

Dionisie Vitcu<\/strong>, Din cuibul lebedelor
\nsau R\u0103cnetul unui actor lucrat, Edi\u0163ia a IIa,
\nEditura ALFA, 2007, Ia\u015fi<\/em>, 67 de pagini.
\nPreabunul actor Dionisie Vitcu, de la o
\nvreme se \u0163ine de \u201e\u015fotii\u201d. Chiar \u015fi atunci
\nc\u00e2nd r\u0103cne\u015fte, firea sa liric\u0103 nu-l las\u0103 s-o
\nfac\u0103 prea mult pe durul. Iac\u0103t\u0103: \u201eM\u0103 cain
\nc\u0103-s pus s\u0103 a\u015ftept \/ la r\u0103scruce-n c\u0103rare \/ nedemn c\u0103 m\u0103
\npoart\u0103 orgoliu \/ c\u0103 reaz\u0103m valiza de lemn de-a-c\u0103lare \/ pe
\ncuf\u0103rul greu de recrut \/ c\u0103-n \u015feau\u0103 m\u0103 \u0163in c\u0103 sunt tare \/ s\u0103
\n\u015fed \u00een picioare \u015fi drept \u015fi t\u0103cut.\u201d (din \u00cen loc de sudalm\u0103).<\/p>\n

Monica Patriche<\/strong>, Ascult\u00e2nd pl\u00e2nsul
\nghitarei, Editura Re\u00eentregirea, 2008, Alba
\nIulia<\/em>, 124 de pagini. Sub titlu, la pagina a
\ntreia, autoarea precizeaz\u0103: Pentru o cultur\u0103
\nfilocalic\u0103. La r\u00e2ndul lui, Liviu Stanciu
\n\u00eencheie prefa\u0163a f\u0103cut\u0103 acestei c\u0103r\u0163i astfel:
\n\u201eV\u0103 invit\u0103m, a\u015fadar, la o lectur\u0103 frumoas\u0103,
\nrelaxant\u0103, dar o lectur\u0103 care te face s\u0103 te fr\u0103m\u00e2n\u0163i, s\u0103-\u0163i pui
\n\u00eentreb\u0103ri \u015fi s\u0103-\u0163i r\u0103spunzi, la modul cel mai serios, lu\u00e2nd \u00een
\ncalcul sublimul sufletesc \u015fi pasiunea \u00abostentativ\u00bb (\u00een
\nsegmentul bun de semnifica\u0163ie a acestui cuv\u00e2nt) de evident\u0103
\ncu care s-a reu\u015fit \u00abconstruirea\u00bb acestei lucr\u0103ri.\u201d<\/p>\n

Mihai Merticaru<\/strong>, Arca lui Petrarca \u2013 65
\nde sonete -, Editura Funda\u0163iei Culturale
\nPOEZIA, 2008, Ia\u015fi<\/em>, 98 de pagini. Prefa\u0163\u0103:
\nLucian Strochi. Fi\u015f\u0103 bibliografic\u0103. Referin\u0163e
\ncritice (selectiv): Ioan Holban, Vasile
\nSpiridon, Ioan Enea Moldovan, Petre
\nIsachi, Emil Nicolae, Constantin Tom\u015fa,
\nAdrian Alui Gheorghe, Cristian Livescu, Victor Sterom,
\nEmilian Marcu, George Mihalcea, Floric\u0103 Dan, Iat\u0103 ter\u0163inele
\nunuia dintre sonete: \u201eAi disp\u0103rut cum umbra juc\u0103u\u015f\u0103, \/
\n\u00cendep\u0103rt\u00e2ndu-te cu pa\u015fi de vat\u0103, \/ Focul s\u0103 ne ard\u0103 f\u0103r\u0103
\ncenu\u015f\u0103 \/\/ Peste incurile de spiridu\u015f\u0103. \/ Oric\u0103t ar fi idila dencurcat\u0103,
\n\/ Icoana-\u0163i a r\u0103mas aureolat\u0103.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"

Dan Petru\u015fc\u0103, Toate-s cam de pe c\u00e2nd (Poeme), Editura Universitas XXI, Ia\u015fi, 2008, 88 de pagini. Prefa\u0163\u0103: Constantin Dram. Postfa\u0163\u0103:<\/p>\n","protected":false},"author":18,"featured_media":10070,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"ngg_post_thumbnail":0,"video_url":"","footnotes":""},"categories":[7,328],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/22772"}],"collection":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=22772"}],"version-history":[{"count":1,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/22772\/revisions"}],"predecessor-version":[{"id":22773,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/22772\/revisions\/22773"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/media\/10070"}],"wp:attachment":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=22772"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=22772"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=22772"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}