{"id":22754,"date":"2024-02-28T22:51:33","date_gmt":"2024-02-28T19:51:33","guid":{"rendered":"https:\/\/ziarulderimnic.ro\/?p=22754"},"modified":"2024-02-28T22:52:25","modified_gmt":"2024-02-28T19:52:25","slug":"spatii-culturale-nr-3-10","status":"publish","type":"post","link":"https:\/\/ziarulderimnic.ro\/?p=22754","title":{"rendered":"Spa\u021bii culturale nr. 3 (10)"},"content":{"rendered":"<p><strong>Nicolae Pogonaru<\/strong><br \/>\n<a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/03\/pogonaru-1-e1615817102676.jpg\" data-rel=\"lightbox-image-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/03\/pogonaru-1-e1615817102676.jpg\" alt=\"\" width=\"350\" height=\"423\" class=\"alignnone size-full wp-image-13981 lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 350px; --smush-placeholder-aspect-ratio: 350\/423;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/03\/pogonaru-1-e1615817102676.jpg\" alt=\"\" width=\"350\" height=\"423\" class=\"alignnone size-full wp-image-13981\" \/><\/noscript><\/a><\/p>\n<p><strong>amintire pascal\u0103<\/strong><\/p>\n<p>miros de zambile<br \/>\n\u015fi narcise<br \/>\nne umpleau casele de vise<br \/>\nprimele p\u0103s\u0103ri<br \/>\nvenite din \u0163\u0103rile calde<br \/>\ncoborau \u00een praful uli\u0163ei<br \/>\ns\u0103 se scalde<br \/>\npe l\u00e2ng\u0103 garduri<br \/>\nf\u0103r\u0103 jug<br \/>\nsau resteu<br \/>\nie\u015feau la c\u0103ldur\u0103<br \/>\nboii lui Dumnezeu<br \/>\np\u0103p\u0103diile<br \/>\ncu miile<br \/>\n\u00eeng\u0103lbeneau islazul comunal<br \/>\n\u00eenve\u015fm\u00e2ntate de adieri tandre<br \/>\nde v\u00e2nt<br \/>\nparc\u0103 stelele cerului<br \/>\ncoborau pe p\u0103m\u00e2nt<br \/>\ncare cu a \u00eengerilor \u00eeng\u0103duin\u0163\u0103<br \/>\nveneau s\u0103 fac\u0103<br \/>\nschimb de locuin\u0163\u0103<br \/>\n\u015fi de la etajele universului<br \/>\ndin zona reziden\u0163ial\u0103 din rai<br \/>\nle pl\u0103cea \u015fi lor<br \/>\ns\u0103 respire un aer curat de la \u0163ar\u0103<br \/>\nm\u0103car \u00een lunile aprilie mai<br \/>\n\u00een s\u0103pt\u0103m\u00e2na mare<br \/>\ncu smerenie<br \/>\n\u00een fiecare sear\u0103<br \/>\nmergeam la denie<br \/>\nera tot o forfot\u0103<br \/>\nprin cur\u0163i sau livezi<br \/>\nne\u015ftiind ce-i a\u015fteapt\u0103<br \/>\nzburdau pe suhat<br \/>\nmiei \u015fi iezi<br \/>\nsub soarele ocrotitor<br \/>\n\u015fi cuminte<br \/>\nm\u0103 duceam cu bunica<br \/>\ns\u0103 \u00eengrijim de morminte<br \/>\ncozonacii se coceau<br \/>\npe \u00eendelete \u00een cuptor<br \/>\n\u015fi ne invadau n\u0103rile<br \/>\ncu aromele lor<br \/>\nc\u00e2nd voiam s\u0103 rup o bucat\u0103<br \/>\ncu poft\u0103 f\u0103r\u0103 fr\u00e2n\u0103<br \/>\nm\u0103 lovea cu mama<br \/>\ncu v\u0103traiul<br \/>\npeste m\u00e2n\u0103<br \/>\nfiindc\u0103 vezi dumneata<br \/>\nn-avea rost<br \/>\ns\u0103 te-\u00eemp\u0103rt\u0103\u015fe\u015fti<br \/>\ndac\u0103 nu \u0163ineai post<br \/>\nvinerea<br \/>\nprimeni\u0163i ne duceam<br \/>\nde acas\u0103 la biseric\u0103<br \/>\ns\u0103 trecem<br \/>\npe sub mas\u0103<br \/>\nspre o lume angelic\u0103<br \/>\niar \u00een ajunul Pa\u015ftelui<br \/>\ntaica p\u0103rintele<br \/>\nne d\u0103dea bui-bui<br \/>\ntoat\u0103 lumea<br \/>\nera \u00eembr\u0103cat\u0103<br \/>\n\u00een haine de la stoc<br \/>\nfiecare era<br \/>\nun fel de manechin<br \/>\npentru o parad\u0103<br \/>\na modei ad-hoc<br \/>\n\u00een Duminica<br \/>\nde Inviere Divin\u0103<br \/>\ndin ceruri<br \/>\ncurgea parc\u0103<br \/>\nmai mult\u0103 lumin\u0103<br \/>\nIisus era un om cumsecade<br \/>\na\u015fa cum scrie prin c\u0103r\u0163i<br \/>\nse oprea din drum<br \/>\nst\u0103tea de vorb\u0103<br \/>\ncu oamenii pe la por\u0163i<br \/>\nle punea c\u00e2te<br \/>\no \u00eentrebare<br \/>\napoi pleca<br \/>\ns\u0103 se preg\u0103teasc\u0103<br \/>\npatruzeci de zile<br \/>\npentru \u00cen\u0103l\u0163are<\/p>\n<p><strong><br \/>\np\u0103pu\u015fi \u015fi portocale<\/strong><\/p>\n<p>cam prin clasa I sau a doua<br \/>\nera la mod\u0103<br \/>\npentru fetele<br \/>\nde pe uli\u0163\u0103<br \/>\ns\u0103 mearg\u0103 la doctor<br \/>\ns\u0103 le scoat\u0103<br \/>\npolipii \u015fi g\u00e2lcile<br \/>\ndup\u0103 c\u00e2teva zile<br \/>\nse-ntorceau acas\u0103<br \/>\ncu c\u00e2te o p\u0103pu\u015f\u0103<br \/>\nmare \u00een bra\u0163e<br \/>\nmergeau \u00eencet \u00eencet<br \/>\ncu m\u0103micile<br \/>\nse uitau \u00een stanga \u015fi dreapta<br \/>\ns\u0103 le vad\u0103 lumea<br \/>\nc\u00e2t de curajoase au fost<br \/>\nc\u00e2nd le-a gui\u0163at orelistul<br \/>\nte-a durut f\u0103<br \/>\n\u00eentreba c\u00e2te-o bab\u0103<br \/>\ncu musta\u0163a abia mijit\u0103<br \/>\nde se z\u0103rea din capul uli\u0163ei<br \/>\nda de unde bre<br \/>\nca c\u00e2nd m-a pi\u015fcat un purice<br \/>\n\u015fi r\u00e2dea cu-n\u0163eles c\u0103tre m\u0103-sa<br \/>\nspre invidia altor fete<br \/>\nf\u0103r\u0103 p\u0103pu\u015fi<br \/>\nc\u00e2nd se-nt\u00e2mpla<br \/>\ns\u0103 se-mboln\u0103veasc\u0103 sora mea<br \/>\nde-i f\u0103cea<br \/>\nnea Gheorghi\u0163\u0103 Sanitaru<br \/>\nstreptomicin\u0103 sau penicilin\u0103<br \/>\nmama \u00eei d\u0103dea portocale<br \/>\ncare cred c\u0103 erau foarte scumpe<br \/>\nde lua doar dou\u0103<br \/>\npe s\u0103pt\u0103m\u00e2n\u0103<br \/>\ni le desf\u0103cea<br \/>\nfelii felii<br \/>\n\u015fi m\u00e2nca una c\u00e2te una<br \/>\n\u015fi eu m\u0103 uitam cu poft\u0103<br \/>\n\u015fi seara dup\u0103 Tat\u0103l nostru<br \/>\nmai ad\u0103ugam o rug\u0103ciune<br \/>\nd\u0103 Doamne<br \/>\ns\u0103 m\u0103-mboln\u0103vesc \u015fi eu<br \/>\ns\u0103-mi cumpere \u015fi mie<br \/>\nmama<br \/>\nportocale<\/p>\n<p><strong><br \/>\nsoba veche<\/strong><\/p>\n<p>polata care d\u0103dea spre gr\u0103din\u0103<br \/>\nera un cimitir al obiectelor vechi<br \/>\ncam \u00eentr-o r\u00e2n\u0103<br \/>\nacoperit\u0103 cu memoria bradului<br \/>\nst\u0103tea \u00een ploaie \u00een v\u00e2nt \u00een eter<br \/>\nparc\u0103 at\u00e2rna<br \/>\nde m\u00e2neca cerului stingher<br \/>\nvara era r\u0103coroas\u0103<br \/>\nmirosea a bucurie<br \/>\ndar \u015fi a angoas\u0103<br \/>\nera un fel de cas\u0103<br \/>\npentru oalele cu smal\u0163ul s\u0103rit<br \/>\npentru fierul de c\u0103lcat cu c\u0103rbuni<br \/>\npentru cuiburile de r\u00e2ndunele<br \/>\nsau l\u0103stuni<br \/>\npentru p\u0103ianjenii aurii \u015fi nebuni<br \/>\ng\u0103seai acolo chiar gamela bunicului<br \/>\ndin r\u0103zboiul de Independen\u0163\u0103<br \/>\npu\u015fca av\u00e2nd \u0163eava retezat\u0103<br \/>\nde urgen\u0163\u0103<br \/>\ncu doi coco\u015fi<br \/>\ncred c\u0103 unul dintre ei<br \/>\nie\u015fea \u00een zori \u00een c\u00e2rca gardului<br \/>\ndin fundul gr\u0103dinii<br \/>\n\u015fi d\u0103dea de\u015fteptarea<br \/>\np\u00e2n\u0103 dincolo de casa Didinii<br \/>\n\u00een cui mai erau at\u00e2rnate<br \/>\n\u015fei c\u0103l\u0103rite pe de\u015felate<br \/>\nhamuri vechi cu miros de cai n\u0103r\u0103va\u015fi<br \/>\nc\u0103pestre cu care \u00eencercam<br \/>\ns\u0103 \u0163inem copil\u0103ria pe loc<br \/>\nsau potcoave pe care<br \/>\nle b\u0103team \u00een poart\u0103<br \/>\ns\u0103 ne-aduc\u0103 noroc<br \/>\ndar cel mai mult<br \/>\n\u00eemi pl\u0103cea soba<br \/>\npe care se g\u0103tise<br \/>\nm\u00e2ncare pentru to\u0163i<br \/>\nsau se fiersese coliva pentru mor\u0163i<br \/>\ncare topea gerul iarna<br \/>\nsau pe care se uscau rufele<br \/>\naduse de-afar\u0103 \u00eenghe\u0163ate os<br \/>\npe plita ei coceam boabele de<br \/>\nporumb<br \/>\ng\u0103site pe \u015ftiule\u0163ii r\u0103t\u0103ci\u0163i toamna<br \/>\ndup\u0103 recolta din c\u00e2mp<br \/>\n\u015fi doamne ce mai mergea<br \/>\nmustul \u00een\u0103sprit<br \/>\ndin argeleanc\u0103 zaib\u0103r \u015fi teraz<br \/>\nde ne r\u0103m\u00e2neau la gur\u0103 must\u0103\u0163i<br \/>\n\u015fi ne-nro\u015feam la obraz<br \/>\n\u00een gura ei intrau<br \/>\nmulte parcele din p\u0103durea<br \/>\nde la Tis\u0103u<br \/>\nsau brichete de mangal<br \/>\naduse de c\u0103ru\u0163ele po\u015fta\u015filor<br \/>\nde la depoul Buz\u0103u<br \/>\npe care uneori \u00eel ardeam degeaba<br \/>\nochiurile ei pline de funingine<br \/>\ndeveneau ro\u0163i de ma\u015fini virtuale<br \/>\ncu care alergam prin gr\u0103dini<br \/>\nsau pe islaz la vale<br \/>\nprintre scaie\u0163i \u015fi m\u0103r\u0103cini<br \/>\nimitam din buze ma\u015fini<br \/>\npe care le conduceam pe-ndelete<br \/>\nla noi se uitau cu coada ochiului<br \/>\nfete<br \/>\npicioarele din cornier<br \/>\nle duceam la Titi morarul<br \/>\ns\u0103 ne fac\u0103 la menghin\u0103<br \/>\ndin ele patine<br \/>\nle vl\u0103guiam bine<br \/>\n\u015fi ne d\u0103deam eheuu<br \/>\ncu cea mai mare vitez\u0103 pe ele\u015fteu<br \/>\np\u00e2n\u0103 la urm\u0103 din ea<br \/>\na mai r\u0103mas doar un schelet<br \/>\npe care un vecin l-a dus<br \/>\nla fier vechi<br \/>\npe c\u00e2\u0163iva lei<br \/>\npe care i-a b\u0103ut la nea Mitel<br \/>\nla bufet<\/p>\n<p><strong><br \/>\nfurtuna de var\u0103<\/strong><\/p>\n<p>blitz-uri uria\u015fe<br \/>\nstr\u0103luminau cerul<br \/>\nelefan\u0163i cenu\u015fii zbur\u0103tori<br \/>\nse amestecau printre nori<br \/>\nnu mai exista orizont<br \/>\nera \u00eentuneric<br \/>\nca \u00een urma obuzelor<br \/>\npe front<br \/>\np\u0103s\u0103rile zbur\u0103t\u0103cite<br \/>\nse pitulau prin z\u0103voi<br \/>\npe sub stre\u015fini<br \/>\nsub clai<br \/>\nsau \u00een \u015fur\u0103<br \/>\ndun\u0103re curgea ploaia<br \/>\nprin b\u0103t\u0103tur\u0103<br \/>\ncu bulbuci<br \/>\nse strecura iute<br \/>\nprintre uluci<br \/>\nfulgere se-nfigeau<br \/>\nca hangere<br \/>\n\u015fi fiori de treceau<br \/>\ndin cap spre picere<br \/>\nbunica cu grij\u0103<br \/>\ncobora din pridvor<br \/>\n\u015fi-n fa\u0163a u\u015fii<br \/>\n\u00eenfigea un topor<br \/>\nc\u00e2nd norii \u00eencepeau<br \/>\ns\u0103 se mai sub\u0163ie<br \/>\ntrimetea \u00eenspre ei<br \/>\nfum gros de t\u0103m\u00e2ie<br \/>\ns\u0103-i mai sperie<br \/>\ns\u0103 se r\u0103coreasc\u0103<br \/>\n\u015fi z\u0103rile s\u0103 se limpezeasc\u0103<br \/>\nde trosnea<br \/>\nc\u00e2te-o dat\u0103<br \/>\nmai tare<br \/>\npoporul<br \/>\nse ridica \u00een picioare<br \/>\nc\u0103uta spre icoane<br \/>\nse-nchina<br \/>\nse deda la canoane<br \/>\ncelor<br \/>\ncare pe vreme bun\u0103<br \/>\nerau p\u0103g\u00e2ni<br \/>\n\u00een timpul pr\u0103p\u0103dului<br \/>\nle cre\u015fteau zece m\u00e2ini<br \/>\ns\u0103 le-ajung\u0103<br \/>\npentru cruci \u015fi rug\u0103ciuni<br \/>\nfiindc\u0103 doar la greu<br \/>\n\u015fi-aduceau \u015fi ei aminte<br \/>\nde Dumnezeu<br \/>\nprintre nori zdren\u0163ui\u0163i<br \/>\n\u015fi pete de-alba\u015ftri<br \/>\nse-n\u0103l\u0163a curcubeul m\u0103iastru<br \/>\npomii se scuturau r\u0103cori\u0163i<br \/>\nde ap\u0103 de ploaie<br \/>\nsub rodul bogat<br \/>\ncrengu\u0163e \u00eencepeau<br \/>\ns\u0103 se-ndoaie<br \/>\n\u015fi c\u00e2nd potopul<br \/>\nera pe duc\u0103<br \/>\nse umplea de larm\u0103<br \/>\nuniversul din lunc\u0103<br \/>\npe la por\u0163i<br \/>\nie\u015feau oameni<br \/>\ncu lope\u0163i \u015fi cu sape<br \/>\ns\u0103 dea drumul<br \/>\nla b\u0103l\u0163i<br \/>\nca p\u00e2n\u0103 \u00een pragul serii<br \/>\ns\u0103 se scurg\u0103<br \/>\ntocmai \u00een G\u00e2rla Morii<br \/>\napoi totul<br \/>\nintra \u00een normal<br \/>\npeste o or\u0103<br \/>\npe p\u0103m\u00e2ntul zbicit<br \/>\nne-apucam de fotbal<br \/>\n\u00een r\u0103sp\u00e2ntie<br \/>\np\u00e2n\u0103 c\u00e2nd<br \/>\nstele \u00eencepeau<br \/>\ns\u0103-\u015fi fac\u0103 prin vazduh<br \/>\np\u00e2rtie<\/p>\n<p><strong><br \/>\nclip<\/strong><\/p>\n<p>\u015fi alergam \u015fi alergam<br \/>\nde diminea\u0163a p\u00e2n\u0103 seara<br \/>\naveam vacan\u0163\u0103 \u00een ghiozdan<br \/>\npe uli\u0163e-nflorise vara<\/p>\n<p>ne adunam to\u0163i la r\u0103scruce<br \/>\nc\u00e2nd soarele p\u0103\u015ftea pe cer<br \/>\nultimii nori printre uluce<br \/>\nadia v\u00e2ntul pasager<\/p>\n<p>cu-arome proaspete de bozii<br \/>\n\u015fi de cucut\u0103 c\u00e2nt\u0103toare<br \/>\n\u00een vene ne pulsau to\u0163i iezii<br \/>\npe care-i b\u0103nuiam \u00een zare<\/p>\n<p>\u015farpe de-argint curgea Buz\u0103ul<br \/>\nprintre r\u0103chite printre maluri<br \/>\nne aruncam viteji \u00een t\u0103ul<br \/>\ncare ne-acoperea cu valuri<\/p>\n<p>de bucurie \u015fi r\u0103coare<br \/>\nvarani de ap\u0103 pe nisipuri<br \/>\nie\u015feam cu spatele-n dogoare<br \/>\nca ziarele scoase din \u015fpalturi<\/p>\n<p>t\u00e2rziu c\u00e2nd ne-ntorceam acas\u0103<br \/>\ncai negri cu z\u0103bala-n spume<br \/>\nintram \u015fi ne a\u015fezam la mas\u0103<br \/>\nchiar \u00een gr\u0103dina cu legume<\/p>\n<p>pe dealuri amurgea v\u0103zduhul<br \/>\n\u015fi se pierdea \u00een dep\u0103rtare<br \/>\nziua \u00eencet \u00ee\u015fi d\u0103dea duhul<br \/>\nluna cu mers de fat\u0103 mare<\/p>\n<p>se r\u0103sf\u0103\u0163a printre luceferi<br \/>\nnoi adormeam pe-al pernei scut<br \/>\na doua zi eram mai teferi<br \/>\n\u015fi o luam de la \u00eenceput<\/p>\n<p><strong><br \/>\nVALERIU MATEI<\/strong><\/p>\n<p><strong>TAINA CARE AP\u0102R\u0102<br \/>\nPOETUL<br \/>\nREG\u0102SI-VOM ADEV\u0102RUL?<\/strong><\/p>\n<p>\u201cLas\u0103-te r\u0103stignit, adev\u0103rule, poate c\u0103 astfel te va g\u0103si<br \/>\nlumea \u00een sufletul ei a\u015fa cum l-a g\u0103sit pe Iisus Hristos\u201d,<br \/>\nspunea \u00een unul dintre aforismele sale, cu o \u00een\u0163elepciune<br \/>\nesen\u0163ializat\u0103 de dramele pe care le-a tr\u0103it, poetul Grigore<br \/>\nVieru. Spirit al veacului, autorul Numelui t\u0103u a focalizat<br \/>\n\u00een opera sa poetic\u0103, g\u00e2ndurile \u015fi sentimentele omului<br \/>\ncontemporan, dar, mai ales, pe cele ale unei comunit\u0103\u0163i<br \/>\nrupte brutal de vatra ei matricial\u0103, sentimentele<br \/>\nautentice de neam \u015fi de \u0163ar\u0103. De\u015fi \u00een Basarabia opera sa<br \/>\ne aparent cunoscut\u0103 de toat\u0103 lumea, ea \u00eenso\u0163ind via\u0163a<br \/>\nc\u00e2torva genera\u0163ii de la primii pa\u015fi \u015fi p\u00e2n\u0103 la ad\u00e2nci<br \/>\nb\u0103tr\u00e2ne\u0163e, de\u015fi versurile sale sunt recitate sau c\u00e2ntate de<br \/>\nnumero\u015fi actori, interpre\u0163i sau de publicul larg, doar<br \/>\ndup\u0103 dispari\u0163ia tragic\u0103 a lui Grigore Vieru adev\u0103rul<br \/>\nvie\u0163ii \u015fi al operei marelui poet \u00eencepe s\u0103 fie c\u0103utat de<br \/>\nrom\u00e2nii de la r\u0103s\u0103rit de Prut, afla\u0163i de dou\u0103 decenii<br \/>\n\u00eentr-un chinuitor \u015fi dramatic proces de redob\u00e2ndire a<br \/>\npropriei identit\u0103\u0163i.<br \/>\n\u00cen plan poetic, adev\u0103rul s\u0103u e comun cu al tuturor<br \/>\npoe\u0163ilor reprezentativi pentru o comunitate, un popor, o<br \/>\nna\u0163iune \u2013 revelarea prin Logos a marilor probleme<br \/>\nexisten\u0163iale, a frumosului care va salva lumea. Iar poezia lui<br \/>\nGrigore Vieru, \u00een pofida unor cli\u015fee de interpretare,<br \/>\nveridice, dar \u015fi st\u00e2njenitoare, \u00eentrune\u015fte calit\u0103\u0163ile unui<br \/>\nunivers poetic complex, nerevelat \u00eenc\u0103 sub toate aspectele<br \/>\nde investiga\u0163iile critice.<br \/>\n\u00cen plan social \u015fi na\u0163ional, adev\u0103rul pe care l-a c\u0103utat \u015fi<br \/>\npentru care a militat Grigore Vieru mai r\u0103m\u00e2ne \u015fi ast\u0103zi<br \/>\n\u00een c\u00e2mpul de b\u0103t\u0103lie \u00eentre for\u0163ele malefice care ne-au \u0163inut<br \/>\n\u00een captivitatea imperiului r\u0103ului \u015fi cele ce doresc<br \/>\nre\u00eentregirea noastr\u0103 spiritual\u0103, refacerea con\u015ftiin\u0163ei<br \/>\nrom\u00e2ne\u015fti \u015fi a celei civice, revenirea la valorile<br \/>\ntradi\u0163ionale, la normalitatea unei vie\u0163i na\u0163ionale, demne<br \/>\npentru orice popor la \u00eenceputul mileniului al treilea.<br \/>\nReg\u0103si-vom oare acest adev\u0103r? Vom dezlega p\u00e2n\u0103 la<br \/>\ncap\u0103t toat\u0103 gama de probleme legate de<br \/>\nFERICIREA \u015eI NEFERICIREA POETULUI<br \/>\nDe ce poetul a fost un nelini\u015ftit chiar \u015fi \u00een ultimii ani<br \/>\nai vie\u0163ii? De ce nu s-a retras \u00een spatele cortinei aurite a<br \/>\nlaudelor binemeritate sau a exegezelor ample \u015fi<br \/>\nasiguratorii de clar\u0103 statuare \u00een contextul literar general<br \/>\nrom\u00e2nesc, nu a stat proptit \u00een vreun jil\u0163 de piele de forma<br \/>\ntronului, spre a da verdicte \u015fi a fi mentor de \u015fcoli literare,<br \/>\nla care aspiran\u0163ii la gloria Parnasului s\u0103-\u015fi dr\u0103m\u0103luiasc\u0103<br \/>\nbiografiile? Ba, mai mult chiar, \u00eentristat de laude, el le-a<br \/>\ndat acestor jinduitori prilejuri de cu totul \u015fi cu totul alte<br \/>\ninterpret\u0103ri, c\u00e2nd, \u00een replic\u0103, afirma public: \u201eN-am geniu<br \/>\n\u015fi nici nu \u015ftiu dac\u0103 sunt un mare poet\u201d. \u201eAsta e!\u201d- \u00ee\u015fi<br \/>\nspuneau \u015fmenarii biografiilor lustruite la lumina<br \/>\nopai\u0163elor unor critici de ga\u015fc\u0103, care-i dau ghes literaturii<br \/>\ncu istorii scrise pe ap\u0103. \u201ePoate c\u0103 noi suntem mai buni ca<br \/>\nel, mai mari.\u201d \u015ei l-au tot \u00eencol\u0163it pe la adun\u0103ri obscure sau<br \/>\n\u00een epistole colective, fluturate-n pro\u0163apul inconsisten\u0163ei<br \/>\nlor. S\u0103-i l\u0103s\u0103m \u00een plata domnilor, iar no\u0163iunea de geniu s\u0103<br \/>\nle-o restituim romanticilor, oricum e apanajul lor. C\u00e2t<br \/>\ndespre poezia lui Grigore Vieru, s-o plas\u0103m acolo unde \u00eei<br \/>\neste locul \u2013 al\u0103turi de operele create de al\u0163i mari poe\u0163i ai<br \/>\ngenera\u0163iei sale: Nichita St\u0103nescu, Nicolae Labi\u015f, Marin<br \/>\nSorescu, Ioan Alexandru, Cezar Iv\u0103nescu. Oricum crea\u0163ia<br \/>\nliterar\u0103 a acestei genera\u0163ii, care a asigurat revenirea la<br \/>\nfiresc prin restabilirea tradi\u0163iilor marilor clasici, are un rol<br \/>\nimportant \u00een comunicarea mereu vie a neamului nostru,<br \/>\niar crea\u0163ia lui Grigore Vieru \u00ee\u015fi are un loc distinct \u00een via\u0163a<br \/>\npoeziei rom\u00e2ne\u015fti \u015fi \u00een poezia vie\u0163ii rom\u00e2nilor.<br \/>\nA\u015fadar, poetul Grigore Vieru avea, se pare, toate<br \/>\nmotivele s\u0103 fie fericit. Opera \u015fi via\u0163a p\u0103reau \u00eemplinite,<br \/>\npre\u0163uirea \u015fi admira\u0163ia de care se bucura era unic\u0103 \u015fi<br \/>\nrarisim\u0103 pentru un scriitor de la r\u0103scrucea acestor milenii.<br \/>\nCel pu\u0163in a\u015fa cred cei pentru care un astfel de<br \/>\ndeznod\u0103m\u00e2nt individual ar fi chiar pricina intim\u0103 \u015fi<br \/>\ninterioar\u0103 a existen\u0163ei lor.<br \/>\nPoetul Grigore Vieru, cel \u00eenrudit, prin simplitatea<br \/>\nsa profund\u0103, cu Bacovia, era convins, la fel ca oricare<br \/>\nalt mare poet al acestui neam, c\u0103 fericirea ar fi trebuit<br \/>\ns\u0103 fie, dac\u0103 nu a tuturor, cel pu\u0163in a vorbitorilor limbii<br \/>\n\u00een care \u015fi-a visat imaginile \u015fi a \u00eendurat suferin\u0163ele. E<br \/>\nchiar felul de a fi al arti\u015ftilor autentici, e modul sublim,<br \/>\nsuperior de neglijare a fericirii personale, caracteristic<br \/>\ncelor, \u00een fiin\u0163a c\u0103rora, a\u015fa cum o spunea marele<br \/>\nEminescu, se bate inima lumii. Iat\u0103 de ce poetul a fost<br \/>\nmereu un nelini\u015ftit, un captiv al zbuciumului<br \/>\nne\u00eemplinirilor noastre comune, un sem\u0103n\u0103tor de<br \/>\nlumin\u0103 \u00eentr-o societate dezinformat\u0103 \u015fi intoxicat\u0103 de<br \/>\nminciuni mai abitir dec\u00e2t \u00een perioada ocupa\u0163iei<br \/>\nsovietice. Iat\u0103 de ce el era ferm convins c\u0103 poetului,<br \/>\naidoma c\u0103l\u0103torului, \u00eei st\u0103 bine cu drumul, fiindc\u0103,<br \/>\noriunde acest drum \u00eent\u00e2lne\u015fte o a\u015fezare, acolo sunt<br \/>\nmul\u0163i dintre cei c\u0103rora Logosul s\u0103u le poate fi de mare<br \/>\najutor \u00eentru a-\u015fi g\u0103si rostul \u015fi \u00eemplinirea sufleteasc\u0103.<br \/>\n\u015ei oriunde \u00eent\u00e2lne\u015fte nefericirea, care are mereu la<br \/>\norigine o nedreptate, poetul vibreaz\u0103 ca o strun\u0103<br \/>\nr\u0103nit\u0103 de un c\u00e2ntec ne\u00eemplinit. Verbul lui devine t\u0103ios,<br \/>\nizbucnirile publice poart\u0103y necru\u0163\u0103toarea lav\u0103 a<br \/>\narderii slinului \u015fi nep\u0103s\u0103rii.<br \/>\nNelini\u015ftea lui Grigore Vieru a fost aidoma unui fluviu<br \/>\npe timp de ar\u015fi\u0163\u0103. Celor mai mul\u0163i le-a potolit setea \u015fi le-a<br \/>\n\u00eenrourat sufletul, motoceilor de negur\u0103 le-a provoac\u0103<br \/>\ndisconfort \u015fi ace\u015ftia au aruncat cu pietre \u00een apele-i<br \/>\nr\u0103coritoare spre a-i tulbura fireasca alunecare spre marea<br \/>\ncea mare. \u00cencol\u0163it de cei din urm\u0103 \u2013 neajutora\u0163i ucenici ai<br \/>\nmoftului de salon cu s\u00e2nul mereu plin de pietre \u2013 poetul s-a<br \/>\nv\u0103zut nevoit s\u0103 le r\u0103spund\u0103, \u015fi de multe ori a f\u0103cut-o cu<br \/>\nlini\u015ftea domoal\u0103 a fluviului ce arunc\u0103 \u015fi asupra nisipurilor<br \/>\nsterpe o und\u0103 r\u0103coritoare. Cine \u015ftie, poate se mai stinge<br \/>\ninvidia lor potopitoare sau, vorba c\u00e2ntecului: \u201ePoate vor<br \/>\nrodi vreodat\u0103\u201d. Oricum, chiar \u015fi cel mai infim rod poate<br \/>\ndiminua c\u00e2t de c\u00e2t nefericirea general\u0103, iar fluviul, oric\u00e2te<br \/>\nfurtuni s-ar abate asupra-i, \u00ee\u015fi recap\u0103t\u0103 treptat senina<br \/>\nclaritate, urm\u00e2ndu-\u015fi neab\u0103tut fireasca albie.<br \/>\nPoetul Grigore Vieru a avut un motiv \u00een plus s\u0103 fie<br \/>\nsenin \u015fi \u00eencrez\u0103tor \u00een diminuarea treptat\u0103 a nefericirii<br \/>\nnoastre colective, \u00een inevitabila atingere a limanului,<br \/>\ndincolo de care ne vom reg\u0103si, integri, \u00een spa\u0163iul ce ni l-a<br \/>\nh\u0103r\u0103zit Dumnezeu. Acest motiv \u00een plus sunt prietenii \u015fi<br \/>\ncontemporanii s\u0103i fideli \u2013 copiii, crescu\u0163i cu Abecedarul<br \/>\ns\u0103u, cea mai cutremur\u0103toare de con\u015ftiin\u0163\u0103 carte (Nichita<br \/>\nSt\u0103nescu) \u015fi Albinu\u0163a sa, o veritabil\u0103 Odisee a copiilor<br \/>\nbasarabeni, menit\u0103 s\u0103-i re\u00eentoarc\u0103 \u00een Itaca frumosului \u015fi<br \/>\nadev\u0103rului propriei lor identit\u0103\u0163i. Nu cunosc un alt scriitor<br \/>\nimportant al ultimei jum\u0103t\u0103\u0163i de veac, opera c\u0103ruia s\u0103 fi<br \/>\navut un rol at\u00e2t de hot\u0103r\u00e2tor \u00een destinul genera\u0163iilor ce i-au<br \/>\nurmat. Dar tocmai aceast\u0103 situare distinct\u0103 a autorului<br \/>\nNumelui t\u0103u i-a sporit durerea \u015fi nefericirea, de vreme ce,<br \/>\nla distan\u0163\u0103 de c\u00e2teva decenii de la apari\u0163ia acestor c\u0103r\u0163i de<br \/>\nc\u0103p\u0103t\u00e2i ale copiilor de la r\u0103s\u0103rit de Prut, \u00een satele<br \/>\nrom\u00e2ne\u015fti din st\u00e2nga Nistrului \u015fcolile de limb\u0103 rom\u00e2n\u0103<br \/>\nsunt \u00eenchise cu for\u0163a, \u00een dreapta Nistrului cohortele<br \/>\n\u00eentunericului mai uneltesc \u00eenc\u0103 \u00eempotriva istoriei<br \/>\nrom\u00e2nilor \u015fi a limbii rom\u00e2ne, iar prin urbile blazate<br \/>\nheralzii negurii debuteaz\u0103 \u201ccritic\u201d, d\u00e2nd verdicte<br \/>\nveninoase operei poetului, f\u0103r\u0103 s\u0103 \u015ftie c\u0103 urna de gunoi a<br \/>\nistoriei e deja plin\u0103 de asemenea verdicte, pronun\u0163ate<br \/>\nc\u00e2ndva de v\u00e2rcolacii defunctului imperiu sovietic.<br \/>\n\u00cencrez\u0103tor \u00een puterea divin\u0103, \u00een taina care \u00eel ap\u0103ra \u015fi<br \/>\nne ap\u0103r\u0103 tuturor fiin\u0163a, poetul Grigore Vieru, cu destinul<br \/>\n\u015fi opera \u00eemplinite, a trecut la cele ve\u015fnice \u00eentristat c\u0103<br \/>\nbucuria copiilor de a-\u015fi redob\u00e2ndi propria lor identitate<br \/>\nmai este \u00eenc\u0103 amenin\u0163at\u0103. El era profund \u00eendurerat de<br \/>\nnefericirea altora, de nefericirea noastr\u0103 a tuturora. A<br \/>\nneamului din care a f\u0103cut \u015fi face parte.<\/p>\n<p><em>2009, februarie<\/em><\/p>\n<p><strong><br \/>\nC\u0102MA\u015eA LUI<br \/>\nGRIGORE VIERU<\/strong><\/p>\n<p>La balconul de unde Poetul privea cerul,<br \/>\nca un drapel fr\u00e2nt \u00eentr-o lupt\u0103 nedreapt\u0103,<br \/>\nc\u0103ma\u015fa lui sinilie prins\u0103 de gerul<br \/>\niernii cumplite, ca un osta\u015f fidel a\u015fteapt\u0103<br \/>\ns-o \u00eembrace Poetul; dar el a plecat de-acas\u0103<br \/>\npun\u00e2ndu-\u015fi c\u0103ma\u015fa mor\u0163ii \u2013 grea povar\u0103<br \/>\npentru inima lui r\u0103nit\u0103 \u015fi ars\u0103<br \/>\nde minciuna trufa\u015f\u0103, de otrava barbar\u0103<br \/>\naruncate asupra-ne de tri\u015forii de fars\u0103<br \/>\najun\u015fi la putere \u2013 ur\u00e2ciunea f\u0103r\u0103 suflet, f\u0103r\u0103 cuget,<br \/>\nsp\u00e2n ro\u015fcat, pardosit cu lozinci patriotarde,<br \/>\ncu privirea-mp\u0103ro\u015fat\u0103 \u015fi la f\u0103lci umflat \u015fi buget,<br \/>\nscribul slinos \u00een slujba hidoaselor hoarde\u2026<br \/>\nCa o raz\u0103 de soare \u00een bezna f\u0103r\u0103 sf\u00e2r\u015fit<br \/>\nPoetul venea s\u0103-\u0163i aduc\u0103 adev\u0103rul,<br \/>\na\u015fchie de neam, divizat \u015fi nedrept\u0103\u0163it,<br \/>\ncopil orfan c\u0103ruia i s-a furat viitorul.<br \/>\nPoetul \u00eenfrunta viscole \u015fi furtuni,<br \/>\nploi cu piatr\u0103 \u015fi surp\u0103ri de p\u0103m\u00e2nt<br \/>\ns\u0103-\u0163i aduc\u0103 icoana adev\u0103ra\u0163ilor t\u0103i str\u0103buni,<br \/>\ns\u0103 te \u00eenal\u0163e din bezn\u0103 prin crez \u015fi cuv\u00e2nt.<br \/>\nNu iarna l-a strivit, nu negura nop\u0163ii \u2013<br \/>\nh\u0103ul minciunii \u015fi-al urii inima i-a sf\u00e2\u015fiat,<br \/>\ncu\u0163itul lui Iuda pieptul lui firav l-a-njunghiat,<br \/>\ntimpul sugrumat de mi\u015fei<br \/>\nl-a f\u0103cut s\u0103-mbrace c\u0103ma\u015fa tat\u0103lui mort la r\u0103scrucile<br \/>\nsor\u0163ii,<br \/>\nc\u0103ma\u015fa \u00eens\u00e2ngerat\u0103 a mor\u0163ii cu toate durerile ei\u2026<br \/>\nLa balconul Poetului razele soarelui pal \u015fi cernit<br \/>\nm\u00e2ng\u00e2ie firul de via\u0163\u0103 r\u0103mas \u00een c\u0103ma\u015fa de stele,<br \/>\nca o pas\u0103re a cerului ea se zbate \u015fi flutur\u0103-n infinit\u2026<br \/>\nSpune-i, mam\u0103 \u00eendurerat\u0103, lui Dumnezeu c\u0103 Poetul<br \/>\na murit,<br \/>\nSpune-i, maic\u0103 Maria, lui Dumnezeu c\u0103 versul lui<br \/>\nn-a murit!<\/p>\n<p><strong><br \/>\nGEORGIANA PANAIT<\/strong><\/p>\n<p><strong>GRIGORE VIERU<\/strong><\/p>\n<p>Activitatea sa literar\u0103, politic\u0103, educativ\u0103, a f\u0103cut din<br \/>\nGRIGORE VIERU una dintre cele mai puternice personalit\u0103\u0163i<br \/>\nlupt\u0103toare pentru drepturile omului.<br \/>\nGrigore Vieru (1935-2009) s-a afirmat ca unul dintre cei<br \/>\nmai talenta\u0163i poe\u0163i din Republica Moldova. Volumele sale:<br \/>\n\u201eVersuri\u201d (1965), \u201eNumele t\u0103u\u201d (1968), \u201eAproape\u201d (1974),<br \/>\n\u201eFiindc\u0103 iubesc\u201d (1980), \u201eTaina care m\u0103 ap\u0103r\u0103\u201d (1983), \u201eCel<br \/>\ncare sunt\u201d (1987) au constituit adev\u0103rate capodopere \u00een<br \/>\nliteratura rom\u00e2n\u0103. \u00cen operele sale, G. Vieru porne\u015fte de la<br \/>\ndivinitate ori poate mai cur\u00e2nd de la sacralizarea unor fiin\u0163e<br \/>\n\u015fi adev\u0103ruri, pe care literatura \u201erealismului socialist\u201d,<br \/>\nnereu\u015find s\u0103 le lichideze definitiv, le trecea cu ostenta\u0163ie pe<br \/>\nun plan secundar.<br \/>\nC\u0103r\u0163ile lui Grigore Vieru dedicate celor mici: \u201cAlarma \u201c<br \/>\n(1957), \u201cMuzicu\u0163e\u201d (1958), \u201cLa fereastra cu minuni \u201c (1960),<br \/>\n\u201cF\u0103t-Frumos \u2013 curcubeul\u201d \u015fi \u201cBun\u0103 ziua, fulgilor!\u201d (1961),<br \/>\n\u201dPoezii de seama voastr\u0103\u201d (1967), \u201cTrei iezi\u201d,<br \/>\n\u201cAbecedarul\u201d (1970), \u201cAlbinu\u0163a\u201d (1980) sunt, de fapt, ferestre<br \/>\ndeschise, \u00een primul r\u00e2nd, spre minunea graiului matern. Mai<br \/>\nt\u00e2rziu se va orienta spre cititorul matur, pentru care va scrie<br \/>\nnumeroase volume de versuri: \u201cVersuri\u201d (1965), \u201cNumele<br \/>\nt\u0103u\u201d (1968), \u201cUn verde ne vede\u201d (1976), \u201cTaina care m\u0103 ap\u0103r\u0103<br \/>\n\u201c (1983), \u201eCel care sunt\u201d (1987), \u201eFiindc\u0103 iubesc\u201d (1980),<br \/>\n\u201eSteaua de vineri\u201d (1987), \u201eR\u0103d\u0103cina de foc\u201d (1988), \u201eHristos<br \/>\nnu are nici o vin\u0103\u201d (1991), \u201eRug\u0103ciune pentru mama\u201d (1994),<br \/>\n\u201eStrigat-am c\u0103tre tine\u201d (1999), volume antologice: \u201cScrieri<br \/>\nalese\u201d, \u201cAcum \u015fi \u00een veac\u201d (patru edi\u0163ii: 1997, 1999, 2000, 2001)<br \/>\n\u015f. a., \u00eens\u0103 \u00eentr-o profesiune de credin\u0163\u0103 va sus\u0163ine: \u201ePoezia<br \/>\nmea de acolo porne\u015fte, din copil\u0103rie\u201d. Ferice de copiii care au<br \/>\ndescoperit \u015fi mai descoper\u0103 \u00eenc\u0103 miracolele limbii materne<br \/>\nprin intermediul versurilor lui Grigore Vieru: \u201ePe ramul<br \/>\nverde tace \/ O pas\u0103re m\u0103iastr\u0103. \/ Cu drag \u015fi cu mirare \/<br \/>\nAscult\u0103 limba noastr\u0103. \/ De-ar spune \u015fi cuvinte, \/ C\u00e2nd c\u00e2nt\u0103<br \/>\nla fereastr\u0103, \/ Ea le-ar lua, \u015ftiu bine, \/ Din limba sf\u00e2nt\u0103 a<br \/>\nnoastr\u0103!\u201d. Lupta pentru limba rom\u00e2n\u0103 ca limb\u0103 de stat \u015fi<br \/>\npentru grafia latin\u0103, purtat\u0103 cu eroic\u0103 energie de acest scriitor,<br \/>\na fost \u00een fond lupta pentru reg\u0103sirea unit\u0103\u0163ii culturale.<br \/>\n\u00centreaga poezie a genera\u0163iei lui Grigore Vieru este profund<br \/>\nmarcat\u0103 de acest complex cultural \u015fi politic. \u00cen poezia lui<br \/>\nGrigore Vieru \u00eent\u00e2lnim misterul cosmic, taina, natura \u00een<br \/>\nplenitudinea ei, \u00een \u201efireasca ordine\u201c, dar \u015fi o dimensiune<br \/>\nmoral\u0103 care ordoneaz\u0103. Aceast\u0103 dimensiune moral\u0103 e<br \/>\npregnant\u0103 mai ales \u00een poezia oracular-mesianic\u0103, \u00een poezia de<br \/>\nstrig\u0103t existen\u0163ial. Altfel, poetul a devenit un tribun \u00een<br \/>\nap\u0103rarea limbii rom\u00e2ne \u015fi a fiin\u0163ei rom\u00e2ne\u015fti.<br \/>\nOrientarea spre \u201cr\u0103d\u0103cina de foc\u201d \u00eenseamn\u0103 o eroic\u0103<br \/>\nrecuperare a identit\u0103\u0163ii spirituale, afirmarea m\u00e2ndriei<br \/>\nautohtonului.<br \/>\nLa baza operei poetice a lui Grigore Vieru stau trei motive:<br \/>\nmama, p\u0103m\u00e2ntul \u015fi iubirea. Fiecare poezie, fiecare vers,<br \/>\npoetul le sap\u0103 ad\u00e2nc, p\u00e2n\u0103 ajunge la r\u00e2vnita ap\u0103 vie a<br \/>\nadev\u0103ratei inspira\u0163ii poetice: \u201eMai bun noroc \u015fi avere \/ Mare<br \/>\neu nu am \/ Dec\u00e2t \u00een suflet graiul \/ Acestui pa\u015fnic neam.\u201d<br \/>\nPoetul descoper\u0103 \u00een fiin\u0163a mamei coordonate esen\u0163iale.<br \/>\nDac\u0103 duminica ea este cea care pivoteaz\u0103 timpul sacru, atunci<br \/>\nludicul marcheaz\u0103 spa\u0163iul. Tema intens cultivat\u0103 este a mamei<br \/>\n\u00eendurerate de moartea \u00een r\u0103zboi a fiului ei.<br \/>\nDe\u015fi motivul r\u0103zboiului este prezent \u00een pozi\u0163ie cheie,<br \/>\nfunc\u0163ia sa se limiteaz\u0103 la fixarea conjuncturii, este \u00een fond o<br \/>\nform\u0103 particular\u0103 a mor\u0163ii. \u00cen opozi\u0163ie cu ea ,\u00eenving\u00e2nd-o, se<br \/>\nafirm\u0103 d\u0103t\u0103toare de via\u0163\u0103 \u2013mama.<br \/>\nPoezia \u201e Mam\u0103, tu e\u015fti&#8230;\u201d are un efect revolu\u0163ionar \u015fi a fost<br \/>\nscris\u0103 \u00een perioada postbelic\u0103. Tema poeziei se define\u015fte prin<br \/>\nconceptul de patrie, astfel \u00eenc\u00e2t mama devine un simbol ce<br \/>\ncuprinde toate axele definitorii ale patriei.<br \/>\nPoezia ilustreaz\u0103 imaginea \u0163\u0103rii reunit\u0103 cu cea a mamei<br \/>\n\u00eentru-un context asamblat \u00een sentimente \u015fi figuri semantice.<br \/>\nMama apare \u00een acest context, precum \u015fi \u00een literatura<br \/>\nrom\u00e2n\u0103, ca un simbol al ad\u0103postului, al credin\u0163ei, al hranei, al<br \/>\ndragostei materne, care este \u00een\u0103l\u0163at \u00een fruntea tuturor<br \/>\nfenomenelor \u015fi fiin\u0163elor de pe acest p\u0103m\u00e2nt. Mama devine<br \/>\nv\u00e2rful emo\u0163iilor \u015fi st\u0103rilor eului liric.<br \/>\nTitlul poeziei este structurat pe baza unei metafore<br \/>\nprofunde, care \u015fi este un \u00eenceput al descrierilor ce vor urma<br \/>\npe parcursul poeziei. Mul\u0163imea de idei ce reliefeaz\u0103 cuv\u00e2ntul<br \/>\n\u201e mama\u201d este ilustrat\u0103 de punctele de suspensie care<br \/>\n\u00eendeamn\u0103 la medita\u0163ie, la g\u00e2ndire profund\u0103 privind universul<br \/>\npatriotic.<br \/>\nPoetul utilizeaz\u0103 un limbaj metaforic profund ce face<br \/>\nleg\u0103tura dintre \u201ecre\u015ftetul\u201d, \u201eochii\u201d, \u201epalmele\u201d, \u201erespira\u0163ia\u201d<br \/>\nmamei \u015fi elementele simbolistice ale patriei. \u201eCre\u015ftetul t\u0103u-<br \/>\n\/ V\u00eerful muntelui \/ Acoperit cu nea.\u201d este o metafor\u0103 ce<br \/>\nrelev\u0103 asem\u0103narea dintre aceste dou\u0103 elemente diverse, \u00eens\u0103<br \/>\ncare exprim\u0103 idei ce sunt similare, ce nuan\u0163eaz\u0103 imensitatea<br \/>\nsufleteasc\u0103 raportat\u0103 la cel mai \u00eenalt punct de pe munte, \u015fi<br \/>\nanume \u201ev\u00e2rful muntelui\u201d; al treilea vers sugereaz\u0103 ideea de<br \/>\nfrumoas\u0103 b\u0103tr\u00e2ne\u0163e, c\u0103runt\u0103, ce apare \u00een asociere cu z\u0103pada<br \/>\nalb\u0103 \u015fi catifelat\u0103 de pe munte.<br \/>\nMetafora \u201ePalmele tale-\/Ar\u0103turile noastre\u201d reliefeaz\u0103<br \/>\nimaginea m\u00e2inilor muncitore \u015fi os\u00e2ndite, cu o piele ridat\u0103 \u00een<br \/>\nasociere cu p\u0103m\u00e2nturile Moldovei arate toamna t\u00e2rziu.<br \/>\nSentimentul unui ad\u00e2nc patriotism asociat cu cel al<br \/>\ndragostei materne \u00eel determin\u0103 pe poet s\u0103 scrie pe mantia<br \/>\nversului p\u00e2n\u0103 la compararea mamei cu ni\u015fte lucruri cum ar fi:<br \/>\npatria, p\u0103m\u00e2ntul \u015fi altele. Vieru adun\u0103 \u00eentr-un centru nuclear<br \/>\nmi\u015fc\u0103rile solemne ale sufletului reflectat spre mam\u0103. Mama<br \/>\ndevine \u00een perioada postbelic\u0103 patria eului liric.<br \/>\nCu Grigore Vieru, poezia se \u00eentoarce la izvorul curat al<br \/>\ng\u00e2ndirii \u015fi sim\u0163irii poeziei populare. Asta nu \u00eenseamn\u0103 c\u0103 nu<br \/>\neste de o izbitoare modernitate, poetul fiind, prin sincronia<br \/>\nsa cu ceea ce se scria \u00een tara, un port drapel pentru poezia din<br \/>\nBasarabia.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nicolae Pogonaru amintire pascal\u0103 miros de zambile \u015fi narcise ne umpleau casele de vise primele p\u0103s\u0103ri venite din \u0163\u0103rile calde<\/p>\n","protected":false},"author":18,"featured_media":10070,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"ngg_post_thumbnail":0,"video_url":"","footnotes":""},"categories":[7,328],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/22754"}],"collection":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=22754"}],"version-history":[{"count":2,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/22754\/revisions"}],"predecessor-version":[{"id":22756,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/22754\/revisions\/22756"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/media\/10070"}],"wp:attachment":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=22754"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=22754"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=22754"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}