{"id":22739,"date":"2024-02-27T00:48:51","date_gmt":"2024-02-26T21:48:51","guid":{"rendered":"https:\/\/ziarulderimnic.ro\/?p=22739"},"modified":"2024-02-27T00:48:51","modified_gmt":"2024-02-26T21:48:51","slug":"spatii-culturale-nr-3-8","status":"publish","type":"post","link":"https:\/\/ziarulderimnic.ro\/?p=22739","title":{"rendered":"Spa\u021bii culturale nr. 3 (8)"},"content":{"rendered":"

Radu Voinescu<\/strong><\/p>\n

PENUMBRE<\/strong><\/p>\n

Copiii nen\u0103scu\u0163i<\/strong><\/p>\n

Oare cum viseaz\u0103 copiii nen\u0103scu\u0163i?
\nCum e pl\u00e2nsul lor?
\nAsculta\u0163i o clip\u0103, atunci c\u00e2nd soarele scap\u0103t\u0103,
\nc\u00e2nd v\u00e2ntul nu mai bate, c\u00e2nd vine
\nceasul odihnei de sear\u0103,
\nc\u00e2nd glasurile se mut\u0103 din strad\u0103,
\nc\u00e2nd tac motoarele automobilelor,
\nc\u00e2nd mierlele negre privesc
\nla secera lunii,
\nc\u00e2nd numai apele m\u00e2loase
\nmai curg \u00een canalele ora\u015fului
\n\u015fi ve\u0163i putea auzi copii nen\u0103scu\u0163i,
\nsc\u00e2ncetul lor u\u015for\u2026
\nGrijulii s\u0103 nu
\nne tulbure lini\u015ftea, copiii
\ncare nu \u015ftiu dec\u00e2t toba
\nlini\u015ftitoare a inimii;
\ns\u0103 nu ne b\u00e2ntuie visele, copiii nen\u0103scu\u0163i,
\nau \u00een ochii \u00eenchi\u015fi doar
\namintiri de la \u00eenceputul lumii,
\ncopiii nen\u0103scu\u0163i, cumin\u0163i,
\nl\u0103s\u00e2ndu-se devora\u0163i de c\u00e2ini,
\nde pisici fl\u0103m\u00e2nde,
\nciuguli\u0163i de p\u0103s\u0103ri \u00een amiezi care ard maidanele,
\nputrezind ne\u015ftiu\u0163i la r\u0103d\u0103cinile cai\u015filor,
\ndu\u015fi, \u00eencolona\u0163i, spre h\u0103urile canalelor
\ncufund\u00e2ndu-se mocirl\u0103 \u015fi \u00een uitare,
\namintindu-\u015fi, poate,
\ndoar sporov\u0103iala
\nstenic\u0103 a doctorilor,
\nmirosul formolului \u015fi
\nchicotelile femeilor care \u00eemping
\nc\u0103rucioare albe, aseptice\u2026<\/p>\n


\nSora divin\u0103<\/strong><\/p>\n

Te apropii, printre eunuci,
\ncu pasul t\u0103u moale,
\n\u0163i-ai sc\u0103ldat \u00een lapte de capr\u0103
\n\u015fi \u00een miere, pielea
\nca petala florii de lotus,
\nsclavele nubiene \u0163i-au piept\u0103nat p\u0103rul,
\n\u0163i-au \u00eennegrit pleoapele
\ncu mesdemet,
\ncontururile buzelor \u0163i le-au rotunjit,
\nobrajii sunt albi\u0163i
\ncu praf de perle,
\n\u0163i-au uns trupul cu sucuri
\ndin planta nemuririi.
\nVino, tu, sculptat\u0103
\nprecum gazelele
\naduse din savanele de peste de\u015fert
\nde v\u00e2n\u0103torii no\u015ftri,
\nvinul ne va alerga prin s\u00e2nge
\nne vom \u00eemb\u0103ta privindu-ne
\n\u00een ochi,
\nTe chem,
\ncum Ptah a strigat
\nlumea s\u0103 se nasc\u0103,
\npe tine, cu r\u0103suflarea fierbinte
\nprecum Sehmet.
\nCum Geb \u015fi Nut ne vom uni,
\nspi\u0163a noastr\u0103 aleas\u0103 Hathor o va perpetua.
\nTe v\u0103d printre genele \u00eennegrite,
\naceste bra\u0163e lungi, aceste figuri
\nde pe pere\u0163i, de ibi\u015fi,
\nvom sta aici
\np\u00e2n\u0103 c\u00e2nd Anubis ne va purta
\n\u00een barca lui de papirus,
\ndincolo de Delt\u0103,
\n\u015fi mai departe, la atlan\u0163i.
\nTe chem
\ns\u0103-\u0163i simt c\u0103ldura,
\npotirul s\u0103-mi str\u00e2ng\u0103 s\u0103m\u00e2n\u0163a
\ns\u0103 o ad\u0103posteasc\u0103
\ns\u0103 o hr\u0103neasc\u0103.
\nTe voi culca pe a\u015fternutul regal,
\nca pe Tefnut.
\nVom fi, sor\u0103 divin\u0103 a mea,
\nca soarele \u015fi luna
\ncuprin\u015fi \u00een inelul de diamant
\npe care-l pune Apofis pe cer,
\nla eclips\u0103.<\/p>\n


\nVraja<\/strong><\/p>\n

M\u0103car o dat\u0103 s\u0103 se prind\u0103 de privirea mea,
\ns\u0103 z\u0103boveasc\u0103 pe chipul luminat
\nca la biseric\u0103,
\nAr \u00een\u0163elege at\u00e2tea promisiuni, ar vedea
\nsufletul meu ca un porumbel,
\nnefast\u0103 pornire a dragostei,
\ns\u0103 \u00eemi ating\u0103 cu palma pieptul
\ns\u0103 \u00eemi simt\u0103 inima
\n\u00eenghesuit\u0103 de curbura coastelor
\nde c\u00e2nd m\u0103 \u015ftiu,
\nnetezimea pielii,
\ns\u0103 \u015ftie c\u0103 nimeni ca el
\nnu a avut vreodat\u0103
\nbucuria mea \u00eentreag\u0103
\nvenera\u0163ia,
\nsenza\u0163ia c\u0103 m\u0103 transform
\n\u00eentr-o lum\u00e2nare care se scurge
\npe pardoseal\u0103.
\nah, \u015fi ghebul, dac\u0103 l-ar atinge,
\ns\u0103 m\u0103 prefac\u0103 \u00een fata
\npe care mama ar fi putut s\u0103 o nasc\u0103\u2026<\/p>\n


\nCrucea nop\u0163ii<\/strong><\/p>\n

Le sim\u0163eam urma
\nca iepurilor sau c\u0103prioarelor,
\n\u015fi m\u0103 \u00eenf\u0103\u015furam \u00een c\u0103ldura s\u00e2ngelui lor
\npe care l-am b\u0103ut cu bucurie de zece ori
\np\u00e2n\u0103 s\u0103 dau de ei,
\ncum st\u0103teau ascun\u015fi,
\nmor\u0163i demult de spaim\u0103,
\niar aroma spaimei
\nera cea mai tare b\u0103utur\u0103, \u00een\u0163elege\u0163i voi?
\nc\u0103 de-abia m\u0103 \u0163ineam s\u0103
\nnu v\u0103rs de pl\u0103cere pe ei,
\ncarnea moale \u015fi fraged\u0103
\ncu ce dulcea\u0163\u0103 a tremurat \u00een m\u00e2inile mele,
\nerau mici \u015fi cruzi,
\nc\u0103 nici caisele nu sunt a\u015fa de
\nzemoase \u015fi de dulci,
\n\u015fi eu le spuneam mereu sa nu le fie fric\u0103
\n\u015fi-i \u00eembr\u0103\u0163i\u015fam cu dragoste
\nca pe pui, \u015fi o dat\u0103 le suceam g\u00e2tul,
\n\u015fi briciul g\u0103sea beregata s\u0103 o crape
\nda, c\u0103 erau copii buni, copiii mei erau,
\npe cine s\u0103 iubesc \u015fi eu mai mult
\ndec\u00e2t pe ei,
\nfemeii i-am spus s\u0103 nu se bage
\ndar proastele astea nu pot s\u0103 priceap\u0103 ce le trebuie
\n\u015fi ce nu, de-aia m-am oprit
\ns\u0103 o mu\u015fc, cu din\u0163ii, \u00een\u0163elege\u0163i?, cu din\u0163ii
\ns\u0103-i sf\u00e2\u015fii vinele g\u00e2tului,
\nlup m\u0103 f\u0103cusem, \u015fi alergam,
\ncu p\u0103rul zburlit,
\ncu noaptea groh\u0103ind \u00een urma mea\u2026<\/p>\n


\nVitrinierele<\/strong><\/p>\n

Ele, fetele, v\u00e2nz\u0103toarele magazinului,
\nfemele cu fusti\u0163e scurte,
\ndespic\u0103 energic
\nviermuiala zilnic\u0103
\nde cad seara late \u00een camerele
\nlor \u2013 nici s\u0103 ne mai g\u00e2ndim
\ns\u0103 ne r\u0103corim \u015fi noi, singure,
\nvai, dac\u0103 tot n-avem b\u0103rba\u0163i,
\nnu ne mai arde \u2013
\nFetele, cu fusti\u0163ele lor ro\u015fii, galbene,
\npr\u0103zulii, mov, negre,
\ncu tocurile tropotind
\nponei dr\u0103g\u0103la\u015fi,
\nexcit\u00e2nd auzul clien\u0163ilor
\nplutesc ziua toat\u0103
\n\u00een visul care se va \u00eemplini abia
\nla stingerea luminilor,
\nc\u00e2nd vor lua din vitrin\u0103 manechinele,
\nle vor dezmierda, le vor m\u00e2ng\u00e2ia,
\ncuvinte dulci le vor \u015fopti \u00een urechile de plastic,
\nobrazul lor fierbinte \u015fi-l vor apropia
\nde obrazele reci,
\nvor manevra membrele inerte
\nale acelor b\u0103rba\u0163i ar\u0103to\u015fi, prefec\u0163i,
\nse vor ame\u0163i de privirile lor
\nsticloase, vor frisona
\nla atingerea de ghea\u0163\u0103 a trupurilor \u0163epene
\ntu, nemernico, las\u0103-mi-l \u015fi mie
\np\u2019\u0103sta blond
\nnu te mai uita a\u015fa la el, c\u0103-l
\ntope\u015fti, tic\u0103loaso,
\nm\u00e2ine sear\u0103 va fi mai mult al t\u0103u,
\npe mine m\u0103 vor interesa, m\u00e2ine,
\nbrune\u0163ii.
\nEva \u015fi Ela, cu fusti\u0163ele lor ro\u015fii,
\ngalbene, pr\u0103zulii, mov, negre,
\nstau a\u015fa, sear\u0103 de sear\u0103,
\n\u00ee\u015fi alint\u0103 iubi\u0163ii,
\nm\u00e2inile lor, pricepute,
\npip\u0103ie neru\u015finat
\npulpe de plastic,
\npiepturi de plastic,
\numeri de plastic
\nschimb\u00e2nd costume, \u00eendes\u00e2nd pe cap
\ngrijulii, p\u0103l\u0103riile,
\n\u015fi tremurul care le scutur\u0103 trupurile
\nnu l-ar \u00eemp\u0103rt\u0103\u015fi
\ncu nimeni…
\nC\u00e2t de cumin\u0163i sunt iubi\u0163ii lor!
\nCe supuse trupurile netede,
\no letargie irezistibil\u0103, atingerea formelor
\nce stau toat\u0103 ziua ascunse trec\u0103torilor!
\n…\u015ei se du\u015fm\u0103nesc de moarte,
\npre\u0163 de o clip\u0103,
\npentru privilegiul privirilor de ghea\u0163\u0103 \u2013
\ncine poate ghici,
\nc\u00e2t\u0103 voluptate
\nseara,
\n\u00eend\u0103r\u0103tul vitrinelor cufundate \u00een
\npenumbr\u0103!?<\/p>\n


\nSILVIA IOANA SOFINETI<\/strong>
\n\"\"

Elemente de folclor
\n\u00een satul lui Zaharia Stancu<\/strong><\/p>\n

\u00centruc\u00eet romanul se vrea o \u201emonografie\u201d a satului din
\nLunca Dun\u0103rii, elementele folclorice nu puteau lipsi.
\nZaharia Stancu adun\u0103 tradi\u0163ii \u015fi obiceiuri care ilustreaz\u0103
\nexisten\u0163a uman\u0103 de la na\u015ftere p\u00een\u0103 la moarte, dar \u015fi
\nelemente de medicin\u0103 empiric\u0103, leacuri b\u0103be\u015fti, practici
\npseudo-magice \u015fi, mai ales, un num\u0103r impresionant de
\ndoine de haiducie, de c\u0103t\u0103nie, anticiocoie\u015fti (se asortau cu
\nlupta comuni\u015ftilor \u00eempotriva du\u015fmanilor de clas\u0103), balade,
\nc\u00eentece b\u0103tr\u00eene\u015fti, dansuri populare (jocul C\u0103lu\u015farilor, de
\nexemplu). \u00cen primele pagini, cititorului i se ofer\u0103 un c\u00eentec
\nepic antiboieresc, spus de m\u0103tu\u015fa U\u0163up\u0103r printre buze, \u00eencet,
\n\u00eencet, ca \u015fi cum i-ar fi team\u0103 s\u0103 nu se aud\u0103 cuvintele rostite
\ndincolo de fereastr\u0103, \u00een uli\u0163\u0103 :Toate plugurile umbl\u0103,\/ numai
\nplugule\u0163ul meu \/ l-a-n\u0163epenit Dumnezeu.\/ Dar o da \u015fi
\nDumnezeu \/ s\u0103 umble \u015fi plugul meu, \/ s\u0103 trag brazda dracului \/
\nla u\u015fa spurcatului, \/ \u00een pieptul boierului, \/ o br\u0103zdu\u0163\u0103 d-ale
\nsfinte, \/ s-o \u0163in\u0103 boierii minte\u2026\/ C\u0103 mi-am v\u00eendut c\u0103m\u0103\u015foar\u0103 \/
\n\u015fi cump\u0103rai s\u0103bioar\u0103\u2026\/ Plugule\u0163ul meu nebun, \/ cum te
\npref\u0103cu\u015fi \u00een tun! \/ Vezi, a\u015fa mai pot ara, \/ s\u0103 mai scap de angara,
\n\/ s\u0103 sc\u0103p\u0103m de ciocoime, \/ s\u0103 tr\u0103im \u015fi noi mai bine\u2026 (5-6,I).
\nVersuri din aceea\u015fi categorie c\u00eent\u0103 \u015fi Pantilie, fiul
\nm\u0103tu\u015fii U\u0163up\u0103r. Acesta le scorne\u015fte din mintea lui, apoi \u00eei
\n\u00eenva\u0163\u0103 pe l\u0103utari \u015fi-i \u00eendeamn\u0103 s\u0103 le c\u00eente \u015fi altora, ca s\u0103 i
\nse duc\u0103 pomina. Mari\u0163a c\u00eent\u0103 c\u00eentece de mahala : Mi\u015fule, ce faci
\ntu, Mi\u015fule ?\/ Hai fii cuminte, Mi\u015fule,\/ Nu m\u0103 ciupi!\u2026(125,II)
\nsau \u00eeng\u00een\u0103 cu jale : Are-n lume noroc, are,\/ Cine moare fat\u0103
\nmare,\/ Are-n lume norocel,\/ Cine moare mititel\u2026(126,II).
\nCopiii au \u015fi ei folclorul lor, aproape neobservabil \u00een
\n\u00eenv\u0103lm\u0103\u015fagul de fapte \u015fi evenimente narate. Desc\u00eentecul
\nmelcului vine \u00een memoria lui Darie de departe, din anii
\npetrecu\u0163i pe malurile Dun\u0103rii, dar modul cum este inserat
\n\u00een text creeaz\u0103 senza\u0163ia c\u0103 ne afl\u0103m \u00een fa\u0163a unei
\nreminiscen\u0163e livre\u015fti ( v. Ion Barbu): Melc, melc, codobelc, \/
\nScoate coarne boure\u015fti, \/ \u015ei te du la Dun\u0103re, \/ De bea ap\u0103 tulbure,
\n\/ \u015ei te du la balt\u0103 \/ De bea ap\u0103 cald\u0103, \/ \u015ei te suie pe bu\u015ftean \/ \u015ei
\nm\u0103n\u00eenc\u0103 leu\u015ftean\u2026 (311,II).
\nCei mici inventeaz\u0103 c\u00eentece, a\u015fa cum este cel \u201ededicat\u201d
\nlui Mi\u015fu3, inocentul convins c\u0103 pe copii \u00eei aduce barza,
\nmotiv de batjocur\u0103 pentru ceilal\u0163i, deja \u201e\u015fcoli\u0163i\u201d \u00een
\n\u00eenghesuiala promiscu\u0103 din bordeiul natal: puii berzei ies, ca
\n\u015fi puii de g\u0103in\u0103, ca \u015fi bobocii de ra\u0163\u0103 ori de g\u00eesc\u0103 din ou\u0103. Vi\u0163elul
\n\u00eel fat\u0103 vaca. Iedul \u00eel fat\u0103 capra. Mielul \u00eel fat\u0103 oaia. Pe copil \u00eel na\u015fte
\nmaic\u0103-sa.(237,I) \u00cen rest, folclorul copiilor cuprinde jocuri
\narhaice, cum ar fi de-a caii \u015fi c\u0103l\u0103re\u0163ii, dar distrac\u0163ia de
\nbaz\u0103 este dusul cailor la p\u0103scut \u015fi b\u0103taia, aceasta nelipsind
\ndec\u00eet \u00een somn. Iarna, c\u00eend vremea nu le permite s\u0103 se
\nh\u00eerjoneasc\u0103 pe afar\u0103, stau pe l\u00eeng\u0103 cei mari \u015fi ascult\u0103 nu
\npove\u015fti, ci legende despre turcii care au n\u0103v\u0103lit de at\u00eetea
\nori \u015fi au fost alunga\u0163i sau au fost asimila\u0163i (v. legenda
\ndespre Daud, pe care l-a \u00eembl\u00eenzit Zarinca) sau despre
\ncazacul Geant\u0103, care \u015fi-a b\u0103tut joc de p\u0103g\u00eeni.
\nCa \u00een orice spa\u0163iu folcloric, legendele despre comori
\nascunse, comori pe care danseaz\u0103 fl\u0103c\u0103ri, comori
\nblestemate \u015fi comori c\u0103utate nu puteau lipsi. Pe cale oral\u0103
\n\u015fi anonim\u0103 \u00eenc\u0103 mai circul\u0103 pove\u015fti despre cazane cu bani
\n\u00eengropate \u00eentr-un anumit loc. Cei mai creduli a\u015fteapt\u0103 s\u0103
\nvin\u0103 seara ca s\u0103 poat\u0103 s\u0103pa dup\u0103 comori imaginare.
\nDatorit\u0103 acestei obsesii colective a c\u00ee\u015ftigului nemuncit,
\np\u00een\u0103 \u015fi curtea lui Darie se \u00eembog\u0103\u0163e\u015fte, an de an, cu c\u00eete o
\ngroap\u0103, lucru perfect normal \u00een ochii celorlal\u0163i. Zvonistica
\nde tip folcloric spune despre cei care au bete\u015fuguri trupe\u015fti
\nsau mor din cauze necunoscute c\u0103 au g\u0103sit banii, dar cu
\nblestem asupra lor, c\u0103ci nu s\u00eent bani cura\u0163i, ci fura\u0163i sau
\np\u0103ta\u0163i de s\u00eenge.
\nSupersti\u0163iile \u015fi credin\u0163ele ocup\u0103 un loc de frunte \u00een
\nmentalitatea \u0163\u0103ranului imaginat de Zaharia Stancu. Astfel,
\ncei care se nasc cu c\u0103i\u0163\u0103 sigur vor fi strigoi \u015fi vor veni dup\u0103
\nmoarte s\u0103 sug\u0103 s\u00eengele rudelor. Exist\u0103, bine\u00een\u0163eles, \u015fi o
\nmetod\u0103 de a \u00eempiedica strigoirea, care const\u0103 \u00een
\nintroducerea unei undrele \u00een inima mortului. Pruncii care
\n\u00ee\u015fi dau drumul \u00een sc\u0103ld\u0103toare (150,II) vor avea numai reu\u015fite
\n\u00een via\u0163\u0103. Cei care ating doar c\u0103ma\u015fa unuia care s-a \u00eenecat
\nvor avea numai nenoroc, spre deosebire de cei care o
\n\u00eembrac\u0103 (de fapt, c\u0103ma\u015fa defunctului r\u0103m\u00eene mo\u015ftenire
\nunui frate mai mic, a\u015fa c\u0103 acesta poate trage n\u0103dejde la
\nnoroc \u00een via\u0163\u0103). Copiii care \u00eencearc\u0103 sau chiar reu\u015fesc s\u0103-\u015fi
\nloveasc\u0103 p\u0103rin\u0163ii s\u0103v\u00eer\u015fesc un mare p\u0103cat \u015fi, conform legii
\ntalionului, m\u00eena vinovat\u0103 se va usca de la um\u0103r p\u00een\u0103 la
\ndegete. P\u0103catul poate fi iertat prin omor\u00eerea unui p\u0103ianjen.
\nExplica\u0163ia tr\u0103snetului este foarte plastic\u0103: c\u00eend e cerul
\n\u00eennorat \u015fi nu plou\u0103 iese sf\u00eentul Ilie la plimbare prin nori cu
\nc\u0103ru\u0163a lui. C\u0103ru\u0163a sf\u00eentului are ro\u0163i de foc. \u015ei caii sf\u00eentului s\u00eent
\ntot de foc \u2013 n\u0103luci de v\u0103p\u0103i. Copitele cailor, ro\u0163ile c\u0103ru\u0163ei zguduie
\nnorii \u015fi-i scutur\u0103 de ploaie. Diavolul se ascunde. Sf\u00eentul Ilie, cu
\nochii pe el. \u00cel vede \u015fi trage cu s\u0103geata de foc \u00een el. \u0102sta e
\ntr\u0103snetul. \u00cel nimere\u015fte s\u0103geata pe Sarsail\u0103, \u00eei p\u00eerle\u015fte pielea.
\nDup\u0103 tr\u0103snet miroase totdeauna a p\u00eerlit\u2026(68,II). Dac\u0103 plou\u0103
\nprea tare, se pune sare pe prag pentru a domoli ploaia.
\nDin c\u00eend \u00een c\u00eend, luna este m\u00eencat\u0103 de v\u00eercolac. Potrivit
\ntradi\u0163iei, acesta are drept gazd\u0103 un om normal care, c\u00eend
\nvede c\u0103 este lun\u0103 plin\u0103 \u015fi simte c\u0103 i-a venit vremea, pleac\u0103
\nde acas\u0103 \u015fi se ascunde \u00eentr-un tufi\u015f, unde cade \u00eentr-un
\nsomn ad\u00eenc. \u00cen timpul somnului, v\u00eercolacul iese din trupul
\nomului, pleac\u0103 s\u0103 m\u0103n\u00eence luna, se \u00eentoarce n\u0103du\u015fit, ostenit,
\nstors de puteri, ca dup\u0103 o c\u0103l\u0103torie lung\u0103, iar c\u00eend se treze\u015fte,
\ngazda \u00ee\u015fi aduce aminte doar c\u0103 a f\u0103cut un drum lung prin
\nv\u0103zduh. Asemenea anomalii psihice sau fizice pot ap\u0103rea
\ndac\u0103 \u00een timpul sarcinii femeile v\u0103d schilozi, milogi sau
\nbetegi. Unele leap\u0103d\u0103, altele nasc copii cu cap de broasc\u0103, cu
\naripi, ca pe\u015ftii, scurte, \u00een loc de m\u00eeini, ori cu picioarele lipite
\n(86,II).
\nOmul nu trebuie s\u0103-\u015fi dea moartea sau s\u0103 \u015fi-o cheme,
\npentru c\u0103 o are \u00een m\u0103duva oaselor, din clipa \u00een care s-a
\npl\u0103m\u0103dit. [\u2026] Moartea ori o chemi, ori n-o chemi, tot vine c\u00eend
\n\u00ee\u0163i este dat s\u0103 vin\u0103 \u015fi\u2026te ia\u2026(17,II), iar crucile de pe
\nmorm\u00eent, dac\u0103 au c\u0103zut, nu trebuie ridicate, ci l\u0103sate s\u0103 se
\nfac\u0103 una cu \u0163\u0103r\u00eena (94,I)
\nObiceiurile \u2013 practici rituale
\nMonografia satului natal al lui Darie este realizat\u0103
\nmai ales prin descrierea c\u00eetorva obiceiuri \u015fi tradi\u0163ii, cele
\nmai multe legate de ceremonialul nun\u0163ii. De\u015fi s\u00eent
\nprezentate fragmentar, f\u0103r\u0103 o inten\u0163ie artistic\u0103 elaborat\u0103,
\nevenimentele din aceast\u0103 categorie au c\u00eeteva lucruri \u00een
\ncomun.
\nTotul \u00eencepe dup\u0103 ce fetele \u015fi fl\u0103c\u0103ii se prind \u00een hor\u0103 ;
\natunci se \u015ftie c\u0103, \u00een anul acela, fetele prinse la joc se vor
\nm\u0103rita. \u00cen caz contrar, \u00eentreaga lor familie este f\u0103cut\u0103 de
\nr\u00ees prin intermediul strig\u0103turilor, despre care am vorbit
\n\u00eentr-un subcapitol anterior. Dup\u0103 ce tinerii hot\u0103r\u0103sc s\u0103 se
\nc\u0103s\u0103toreasc\u0103, p\u0103rin\u0163ii b\u0103iatului se duc la viitorii cuscri
\npentru a se tocmi \u00een privin\u0163a zestrei. \u00cen func\u0163ie de avere,
\nzestrea cuprinde un num\u0103r de loturi de p\u0103m\u00eent, animale \u015fi,
\neventual, o cas\u0103, plus lada de zestre, lacra, \u00een care s\u00eent puse
\n\u0163oalele (c\u0103ma\u015f\u0103 de mireas\u0103, c\u0103ma\u015f\u0103 de ginere, c\u0103ma\u015f\u0103 pentru na\u015f
\n\u015fi na\u015f\u0103 (185,I), c\u0103p\u0103t\u00eeiele, pernele, a\u015fternutul (191,I).Dup\u0103
\nnegocierile sf\u00eer\u015fite, nu de pu\u0163ine ori, cu tradi\u0163ionala b\u0103taie,
\nginerele \u00ee\u015fi alege un frate de m\u00een\u0103 care merge din cas\u0103 \u00een
\ncas\u0103 cu o plosc\u0103 p\u00eentecoas\u0103 \u015fi invit\u0103 rudele la nunt\u0103. Nunta
\n\u00eencepe duminic\u0103 diminea\u0163a: \u00eent\u00eei se aduce o creang\u0103 mare
\nde cire\u015f, bradul miresei, care este \u00eempodobit\u0103 cu fir de
\nbusuioc, cu panglici colorate \u015fi panglici de beteal\u0103 alb\u0103.
\nApoi este \u00eembr\u0103cat\u0103 mireasa, care arat\u0103 ca o magaoaie, pe
\ncare o str\u00eeng pantofii \u015fi care trebuie s\u0103 stea p\u00een\u0103 c\u00eend intr\u0103
\n\u00een a\u015fternut [\u2026] dreapt\u0103, de parc\u0103 ar fi \u00eenghi\u0163it un b\u0103\u0163 (189, I).
\nC\u00eend este gata, t\u00een\u0103ra este dus\u0103 la f\u00eent\u00een\u0103 de c\u0103tre fratele de
\nm\u00een\u0103. De aici, fata se \u00eendreapt\u0103 spre noua ei cas\u0103, purt\u00eend
\npe um\u0103r cobili\u0163a cu cele dou\u0103 vedre. Drumul acesta este
\nsimbolic pentru viitorul ei de slug\u0103 \u00een casa b\u0103rbatului. \u00cen
\njurul cobili\u0163ei se \u00eencinge o hor\u0103, una singur\u0103, care se \u00eenv\u00eerte
\nde trei ori. Vedrele s\u00eent pline \u015fi semnific\u0103 faptul c\u0103 femeia
\nva duce greul \u00een c\u0103snicie. Ajuns\u0103 la noua locuin\u0163\u0103, mireasa
\ne \u00eent\u00eempinat\u0103 de soacr\u0103, care \u00eei d\u0103 s\u0103 m\u0103n\u00eence p\u00eeine cu sare.
\nInvariabil, fata \u00eencepe s\u0103 pl\u00eeng\u0103, iar l\u0103utarii c\u00eent\u0103: Taci,
\nmireas\u0103, nu mai pl\u00eenge,\/ C\u0103 la m\u0103-ta mi te-oi duce,\/ Ori atunci,
\nori nici atunci\/ C\u00eend o face plopul nuci\u2026(191,I). Spre sear\u0103, se
\nporne\u015fte adev\u0103rata hor\u0103, care se transform\u0103 \u00een scurt timp
\n\u00een alai pentru \u00eensur\u0103\u0163eii preg\u0103ti\u0163i s\u0103 semneze actele la
\nprim\u0103rie \u015fi s\u0103 se cunune \u00een fa\u0163a lui Dumnezeu. C\u00eend hora
\neste \u00een toi, c\u00eeteodat\u0103 se \u00eent\u00eempl\u0103 s\u0103 vin\u0103 \u0163iganii cu ur\u015fii.
\nAnimalele imit\u0103 dansul oamenilor, apoi merg cu o c\u0103ciul\u0103
\n\u00eentre labe pe la fiecare ca s\u0103-\u015fi ia r\u0103splata. Dac\u0103 suma
\nstr\u00eens\u0103 este generoas\u0103, \u015feful ursarilor o pune pe ursoaica
\nb\u0103tr\u00een\u0103 s\u0103 fac\u0103 pe mireasa: Ursoaica se urc\u0103 \u00een patul miresei
\ndintr-o s\u0103ritur\u0103. \u00cei c\u00eent\u0103 Dud\u0103u c\u00eentece de mireas\u0103. Se face
\nursoaica ghem \u00een pat. \u00ce\u015fi str\u00eenge picioarele din urm\u0103. \u00ce\u015fi acoper\u0103
\nfa\u0163a cu labele. E ru\u015finoas\u0103 tare [\u2026] Se \u00eentinde Didina. Morm\u0103ie.
\nSe \u00eentoarce cu p\u00eentecul \u00een sus, \u00ee\u015fi arat\u0103 p\u00eentecul cu p\u0103r ro\u015f, \u0163\u00ee\u0163ele
\nb\u0103tr\u00eene, uscate, negre. Se gudur\u0103, tremur\u0103 toat\u0103\u2026 Iar \u00ee\u015fi astup\u0103
\nfa\u0163a cu labele. Morm\u0103ie \u00eencet. Se strecoar\u0103 jos, cu botul ating\u00eend
\np\u0103m\u00eentul (193,I). Ritualul acesta are menirea de a
\nbinecuv\u00eenta culcu\u015ful, de a face ca viitorii copii s\u0103 fie
\nfrumo\u015fi \u015fi s\u0103n\u0103to\u015fi. Dup\u0103 osp\u0103\u0163 urmeaz\u0103 ceasul darurilor:
\nna\u015fii primesc c\u0103m\u0103\u015fi \u015fi \u015ftergare din borangic cu flori mari,
\nro\u015fii, apoi pun pe un taler darul \u00een bani, pild\u0103 urmat\u0103 \u015fi
\nde meseni. Nunta nu s-a \u00eencheiat \u00eens\u0103. Mireasa este supus\u0103
\n\u201eprobei c\u0103m\u0103\u015fii\u201d (despre care am vorbit anterior), iar
\n\u00eenainte de a se lumina de ziu\u0103, dou\u0103 femei \u015fi doi b\u0103rba\u0163i
\npornesc cu l\u0103utari la socrii mici, duc\u00eend vestea c\u0103 mireasa
\na fost g\u0103sit\u0103 fat\u0103 mare. Vestitorii s\u00eent cinsti\u0163i \u015fi prind dou\u0103
\ng\u0103ini albe, le boiesc cu ro\u015fu \u015fi se \u00eentorc chiuind, cu
\nh\u0103rm\u0103laie, la casa ginerelui. De aici pleac\u0103 din nou la socrii
\nmici, de data aceasta \u00eenso\u0163i\u0163i de mire \u015fi de mireas\u0103, de na\u015fi
\n\u015fi de fratele de m\u00een\u0103, la o alt\u0103 repriz\u0103 de petrecere cu mas\u0103
\nmare \u015fi l\u0103utari, \u00eentr-o abunden\u0163\u0103 de bucate \u00een total\u0103
\ncontradic\u0163ie cu imaginea creat\u0103 la \u00eenceputul romanului.
\nPetrecerea continu\u0103, ca \u00een pove\u015fti, trei zile \u015fi trei nop\u0163i,
\np\u00een\u0103 mar\u0163i diminea\u0163a, c\u00eend mireasa duce trei plocoane: unul
\n\u00een casa din care a plecat, altul la na\u015f, ambele pentru iert\u0103ciune,
\niar pe cel de-al treilea fratelui de m\u00een\u0103, pentru osteneala
\nprilejuit\u0103 de nunt\u0103 (195,I).
\nObiceiurile referitoare la celelalte evenimente majore
\ndin via\u0163a omului, na\u015fterea \u015fi \u00eenmorm\u00eentarea, nu
\nbeneficiaz\u0103 de aceea\u015fi aten\u0163ie acordat\u0103 de Zaharia Stancu
\nnun\u0163ii, iar pomenile de dup\u0103 moarte s\u00eent descrise \u015fi mai
\nlapidar. \u00cen schimb, s\u00eent adunate alte obiceiuri, de origine
\narhaic\u0103, printre ele afl\u00eendu-se binecuv\u00eentarea de la ur\u015fi,
\ndatul \u00een tivic \u015fi paparudele.
\nScenele de violen\u0163\u0103 de\u015f\u0103n\u0163at\u0103 s\u00eent descrise cu
\nvoluptate: \u00een seara l\u0103satului de sec, fl\u0103c\u0103ii satului prind
\nc\u00eeinii, le leag\u0103 o tinichea de coad\u0103 \u015fi-i bodog\u0103nesc cu ciomagul,
\nceea ce \u00eenseamn\u0103 c\u0103 i-au dat \u00een tivic. C\u00eeinele nedat \u00een tivic \u00een
\nziua de Sf\u00eentul Toader s-ar putea s\u0103 \u015fi turbeze \u00een timpul anului,
\nastfel c\u0103 nici unul nu scap\u0103 neb\u0103tut (183, I).
\nPe timp de secet\u0103, v\u0103tra\u015fii \u00ee\u015fi a\u015faz\u0103 la marginea satului
\n\u015fatra. Paparudele s\u00eent \u0163ig\u0103nci, copilandre goale pu\u015fc\u0103, ce
\npoart\u0103 cununi de bozii pe cap \u015fi-n jurul \u015foldurilor. \u00ce\u015fi
\n\u00eencep jocul b\u0103t\u00eend din palme, s\u0103lt\u00eend de parc\u0103 ar fi apucate
\nde iele, c\u00eent\u00eend \u00eentr-un glas cu un \u0163\u0103ran b\u0103tr\u00een: Paparud\u0103,
\nrud\u0103, \/ Vino de te ud\u0103. \/ Ca s\u0103 cad\u0103 ploile, \/ Cu g\u0103le\u0163ile, \/
\nPaparudele; \/ S\u0103 dea porumburile \/ C\u00eet gardurile, \/ Paparudele;
\n\/ S\u0103 creasc\u0103 spicele \/ C\u00eet vr\u0103bile, \/ Paparudele; \/ S\u0103 sporeasc\u0103
\ngr\u00eenele, \/ S\u0103 umple p\u0103tulele \/ Paparudele; \/ S\u0103 porneasc\u0103 ploile,
\n\/ Paparudele\u2026 (115, I).
\n\u0162ig\u0103ncile, ar\u0103mii, goale, se ast\u00eemp\u0103r\u0103 numai c\u00eend jocul
\nlor este stins cu o c\u0103ldare de ap\u0103.
\nTot \u0163iganii s\u00eent aceia care, de Rusalii, merg din sat \u00een
\nsat cu c\u0103lu\u015ful, ritual care, de altfel, este tradi\u0163ional
\nrom\u00e2nesc. Zaharia Stancu produce astfel, probabil f\u0103r\u0103
\ninten\u0163ie, o denaturare a acestui rit, mai ales c\u0103 prin alte
\np\u0103r\u0163i (spune Amos, angajat pe mo\u015fia lui Arghir) \u00een jocul
\nc\u0103lu\u015farilor intr\u0103 nu \u0163iganii, ci fl\u0103c\u0103ii cei mai m\u00eendri [\u2026] \u0103ti\u0163i
\nca de nunt\u0103 (298, II). Descrierea c\u0103lu\u015fului este f\u0103cut\u0103
\ncinematografic, cu obsesia detaliului: Au \u00eembr\u0103cat \u0163iganii
\ntot ce au avut mai prost \u00een corturile lor, au luat o pr\u0103jin\u0103 lung\u0103
\n\u015fi \u00een v\u00eerful ei au ag\u0103\u0163at o f\u00ee\u015fie ro\u015fie, mare, de p\u00eenz\u0103. Pr\u0103jina au
\n\u00eenf\u0103\u015furat-o \u00een buc\u0103\u0163i de pelin. Au mers, alai lung, g\u0103l\u0103gios, la
\nmalul Dun\u0103rii [\u2026] \u00een s\u00eemb\u0103ta Rusaliilor. Mutul \u015fi c\u0103lu\u015farii
\ns-au jurat, \u015fi jur\u0103m\u00eentul a fost f\u0103cut pe duhul \u015fi coarnele
\nnecuratului, c\u0103 timp de o s\u0103pt\u0103m\u00een\u0103, c\u00eet va \u0163ine c\u0103lu\u015ful, el n-o
\ns\u0103 scoat\u0103 nici un cuv\u00eent din gur\u0103, orice s-ar \u00eent\u00eempla. Ceilal\u0163i
\n\u0163igani au jurat \u015fi ei, tot pe duhul \u015fi pe coarnele diavolului, c\u0103 se
\nvor supune orbe\u015fte mutului, orice le-ar face mutul, \u015fi c\u0103 nu-i vor
\npurta nici o pic\u0103 nici c\u00eet va \u0163ine c\u0103lu\u015ful, nici dup\u0103 ce c\u0103lu\u015ful va
\nfi spart, pentru loviturile primite de la el. Jur\u0103m\u00eentul s-a rostit
\ncu m\u00eena pe steagul \u00eenf\u0103\u015furat \u00een pelin. C\u0103lu\u015farii \u015fi-au aninat la
\nbr\u00eeu buchete de pelin, \u015fi-au \u00eenfipt fire de pelin la p\u0103l\u0103rie, \u00een s\u00een
\n\u015fi-au b\u0103gat pelin\u2026 Nu v\u0103 mira\u0163i\u2026 Cine nu poart\u0103 pelin la el
\n\u00een s\u0103pt\u0103m\u00eena Rusaliilor, poate s\u0103 fie luat \u00een c\u0103lu\u015f, poate s\u0103
\nr\u0103m\u00een\u0103 cantaur. Mutului i s-a lipit de obraz o barb\u0103 de c\u00eel\u0163i.
\nPeste musta\u0163a lui stufoas\u0103 i s-au lipit must\u0103\u0163i de c\u00eenep\u0103, mai
\nstufoase, \u015fi i s-a dat \u00een m\u00een\u0103 o sabie de lemn, vopsit\u0103 \u00een ro\u015fu; \u00een
\nfa\u0163\u0103 i s-a pus un \u015for\u0163 muieresc\u2026 C\u0103lu\u015ful are l\u0103utari \u2013 un \u0163igan
\ncu dibla, alt \u0163igan cu cobza [\u2026]. \u00cen timpul jocului mutul face
\nsemne c\u0103lu\u015farilor s\u0103-ntind\u0103 pod. Se a\u015faz\u0103 \u00een patru labe, unul
\nl\u00eeng\u0103 altul, c\u0103lu\u015farii. Mutul vegheaz\u0103 ca alinierea s\u0103 fie bun\u0103..
\nE mul\u0163umit mutul \u015fi \u00eenal\u0163\u0103, ca un voievod \u00eenainte de a intra cu
\narmata \u00een \u0163ara du\u015fman\u0103, sabia \u00een sus. Se preg\u0103te\u015fte s\u0103 treac\u0103
\npodul la vr\u0103jma\u015f. Dar iat\u0103 c\u0103 alt c\u0103lu\u015far \u00eei face festa; iese cu
\ncapul dincolo de r\u00eend; mutul \u00eel bate p\u00een\u0103-l face s\u0103-\u015fi reia locul.
\nDin nou mutul vrea s\u0103 treac\u0103 podul. C\u0103lu\u015farul de la mijloc se
\nculc\u0103 pe burt\u0103. A venit apa mare, a rupt podul. Mutul se chinuie
\ncu sabia; dac\u0103 loviturile nu-i ajung, le \u00eente\u0163e\u015fte. C\u0103lu\u015farii, \u00een
\nsf\u00eer\u015fit, r\u0103m\u00een nemi\u015fca\u0163i. Acum podul e bun. Mutul se urc\u0103 pe
\npod \u015fi \u00eencearc\u0103 s\u0103-l treac\u0103. A trecut peste unul, peste doi, peste
\ntrei, peste cinci c\u0103lu\u015fari. La al \u015faselea, podul se rupe, mutul se
\nrostogole\u015fte de-a berbeleacul \u00een \u0163\u0103r\u00een\u0103. C\u0103lu\u015farii sar frip\u0163i.
\nLautarii care au privit tot timpul cu ochii sticlo\u015fi dau drumul
\nc\u00eentecului \u2013 \u00een iure\u015f nebun porne\u015fte c\u00eentecul. Propti\u0163i \u00een
\nciomege, c\u0103lu\u015farii joac\u0103, le scap\u0103r\u0103 picioarele. R\u00eeuri de n\u0103du\u015feal\u0103
\ncurg de pe trupurile lor. La opinci \u015fi la genunchi, c\u0103lu\u015farii \u015fi-au
\nlegat clopo\u0163ei. Jocul e zorn\u0103it. Mai abitir dec\u00eet to\u0163i joac\u0103 mutul\u2026
\nUn c\u0103lu\u015far se desprinde din r\u00eenduri, se urc\u0103 \u00eentr-un copac.
\nMutul bag\u0103 de seam\u0103, opre\u015fte c\u0103lu\u015ful, se duce s\u0103-l aduc\u0103 pe
\nfugar \u00een r\u00eenduri. Se urc\u0103 \u00een copac dup\u0103 c\u0103lu\u015far. Acela se urc\u0103 \u015fi
\nmai sus. Mutul dup\u0103 el. Loviturile de sabie curg droaie.
\nC\u0103lu\u015farul sare jos. Sare \u015fi mutul. Jocul re\u00eencepe. Acum c\u0103lu\u015farii
\njoac\u0103 mai domol, mutul nu mai are nici o grij\u0103, l\u0103utarii c\u00eent\u0103.
\nMutul se apropie de mul\u0163ime. Pe unii oameni \u00eei love\u015fte cu sabia,
\ns\u0103 fac\u0103 cercul de joc pentru c\u0103lu\u015fari mai larg. Pe femei le
\n\u00eempunge \u00een fuste[\u2026]. \u00cen ultima zi din s\u0103pt\u0103m\u00eena Rusaliilor,
\ndup\u0103 sc\u0103p\u0103tatul soarelui, c\u0103lu\u015farii s-au dus pe malul apei, acolo
\nunde au f\u0103cut jur\u0103m\u00eentul, c\u00eend au pornit c\u0103lu\u015ful. Fr\u00eeng steagul
\n\u015fi-l arunc\u0103 pe ap\u0103. Sabia mutului e \u015fi ea aruncat\u0103, dup\u0103 steag, pe
\nap\u0103. Mutul \u00ee\u015fi rupe barba fals\u0103, must\u0103\u0163ile false, le arunc\u0103 dup\u0103
\nsabie. Jur\u0103m\u00eentul a fost \u0163inut, c\u0103lu\u015ful s-a spart. (296-298, II)
\nAcest joc este catalogat de Amos drept un caraghiosl\u00eec plin
\nde m\u0103sc\u0103ri, care vine de la turci.
\nDintre toate dansurile populare, hora este descris\u0103 cu
\nexces de lirism, poate pentru c\u0103 se potrivea mai bine cu
\nstructura intim\u0103 a lui Zaharia Stancu. C\u00eentecele, horele,
\nproverbele, ghicitorile \u015fi basmele vin din vremuri str\u0103vechi
\n\u015fi au fost n\u0103scocite de oameni \u00een momentele lor de restri\u015fte
\nsau nostalgie, de obid\u0103 \u015fi \u00eempilare, batjocur\u0103 \u015fi suferin\u0163\u0103 (299,
\nII). Din sufletul poporului chinuit, dar plin de speran\u0163\u0103 \u00eentr-o
\nvreme mai bun\u0103, s-au iscat melodiile acestea largi, generoase, \u00een
\nritmul c\u0103rora \u015fi acum, peste veacuri \u015fi veacuri, rom\u00e2nii leag\u0103
\nhore \u00eentinse pe care le joac\u0103 f\u0103lo\u015fi, cu pa\u015fi mari, cu fruntea sus,
\nde parc\u0103 \u00eentreaga lume ar fi a lor, numai a lor, hore de st\u0103p\u00eeni ai
\np\u0103m\u00eenturilor \u015fi ai p\u0103durilor, ai apelor \u015fi ai z\u0103voaielor, ai
\nplaiurilor \u015fi ai mun\u0163ilor \u015fi ai v\u0103zduhurilor, hore de oameni
\nslobozi \u015fi ferici\u0163i.[\u2026]Unele hore se desfac \u015fi se leag\u0103n\u0103 m\u00eendre,
\npline de frumuse\u0163e, lini\u015ftite ca apele mari care curg printre
\nmaluri m\u0103runte, domol-domol, altele repezi, zvelte, b\u0103tute totu\u015fi
\nvijelios pe loc (299,II). Altele s\u00eent hore \u00een care se vede m\u0103re\u0163ia
\n\u015fi \u00eencrederea poporului \u00een biruin\u0163\u0103 \u015fi \u00een fericire \u015fi s\u00eent hore \u00een
\ncare se arat\u0103 lupta \u00eempotriva ap\u0103s\u0103rii (300, II). C\u00eet de
\npropagandistic sun\u0103 aceast\u0103 idealizare a horei, care d\u0103 mai
\nmult senza\u0163ia unui dans tribal indian \u00eempotriva for\u0163elor
\nr\u0103ului (filmat \u00een studiourile cinematografice DEFA Berlin)!
\nFarmece \u015fi leacuri
\nMemoria lui Darie a adunat leacuri b\u0103be\u015fti \u015fi farmece
\nprelucrate artistic de scritorul de mai t\u00eerziu. Puterea
\nmagic\u0103 a cuv\u00eentului e \u00eentrebuin\u0163at\u0103 la desc\u00eentece, unele
\ndoar compila\u0163ii, altele pure inven\u0163ii: Plecai pe cale, pe c\u0103rare,
\n\/ M\u0103-nt\u00eelnii c-o fat\u0103 mare, \/ Fata mare cu o tiug\u0103 la spinare, \/
\n\u00cen tiug\u0103-o barabul\u0103\u2026 \/ – Unde te duci, fat\u0103 mare? \/ – Spre
\nsoare-r\u0103sare, \/ S\u0103 arunc boala b\u0103iatului \/ \u00cen pustiu, \/ Unde
\nnu se afl\u0103 \u0163ipenie de om viu. \/ S\u0103 r\u0103m\u00een\u0103 b\u0103iatul curat, \/ luminat,
\n\/ Ca steaua din cer, \/ Ca roua din c\u00eemp, \/ Ca poalele Maicii
\nPrecista. (42, II).
\nBlestemele, majoritatea inventate sau prelucrate, nu au
\nnici for\u0163a, nici savoarea blestemelor argheziene.
\nDestinatari s\u00eent \u00eendeob\u015fte boierii (vede-i-a\u015f \u00een p\u0103m\u00eent cu
\niarb\u0103 pe piept \u2013 52,I), ajutoarele lor (arde-l-ar focul s\u0103-l ard\u0103!
\n\u2013 107,I) sau acriturile satului, c\u0103rora li se prezice ruina: o s\u0103
\nvie s\u0103r\u0103cia peste ei; o s\u0103-i apuce calicia \u00een haine domne\u015fti (43,I).
\nPotrivit mentalit\u0103\u0163ii rurale, multe boli ori bete\u015fuguri \u00ee\u015fi
\nafl\u0103 r\u0103d\u0103cina \u00een blesteme. Fiindc\u0103 i s-a tot spus usca-\u0163i-s-ar
\npicioarele, (96,II), Darie devine din Din\u0163osul, \u015echiopul, ceea
\nce-l \u00eempiedic\u0103 s\u0103 urmeze \u015fcoala de ofi\u0163eri.
\n\u00cen ceea ce prive\u015fte leacurile, exist\u0103 o sumedenie, pentru
\ntoate v\u00eerstele \u015fi pentru toate bolile. Dac\u0103 este vorba de
\nfriguri, medicina le trateaz\u0103 cu chinin\u0103; cum descul\u0163ii n-au
\nbani de a\u015fa ceva, se apeleaz\u0103 la zeam\u0103 de salcie \u015fi la
\npansamente cu frunze de sun\u0103toare care ard pielea. N\u0103jitul
\nconst\u0103 \u00een umflarea gingiilor; sub umfl\u0103tur\u0103 r\u0103sar bube
\nmici, c\u00eet m\u0103ciulia chibritului, cu v\u00eerful alb, care se sparg,
\nf\u0103c\u00eend loc altora. Aceast\u0103 boal\u0103 se trateaz\u0103 cu un desc\u00eentec
\n\u015fi cl\u0103tirea gurii cu le\u015fie de diminea\u0163a p\u00een\u0103 seara t\u00eerziu.
\nVraciul N\u0103b\u0103dae, consider\u00eend c\u0103 peste Darie au dat
\nielele \u015fi de aceea are piciorul beteag, le spune p\u0103rin\u0163ilor s\u0103i
\nc\u0103 trebuie s\u0103 toarne \u00een tipar un picioru\u015f de argint, pe care
\ns\u0103-l at\u00eerne apoi \u00een biseric\u0103, la icoana Maicii Domnului.
\nDac\u0103 nu se \u015ftie de ce boal\u0103 sufer\u0103 o anumit\u0103 persoan\u0103,
\ni se ghice\u015fte \u00een plumb. Nimeni nu se bazeaz\u0103 prea mult pe
\nvr\u0103jile Dioaic\u0103i, dar, c\u00eend dau de necaz, oamenii s\u00eent
\ncapabili s\u0103 cread\u0103 \u00een orice. Astfel, \u0163\u00eercovnicul Florea Floac\u0103
\ne convins c\u0103 prin farmece \u00eel poate omor\u00ee pe Gic\u0103 St\u0103nescu
\npentru a-i lua postul de notar; \u00een urma apelului la
\nvr\u0103jitoare, sfin\u0163ii din biseric\u0103 r\u0103m\u00een f\u0103r\u0103 ochi.
\nDac\u0103 o fat\u0103 nu s-a m\u0103ritat la timp \u015fi nici nu are pe\u0163itori,
\nDioaica e cea care preg\u0103te\u015fte farmece. Dac\u0103 un b\u0103rbat
\n\u00eensurat \u00ee\u015fi neglijeaz\u0103 familia, tot Dioaica dezleag\u0103
\ndesc\u00eentecul de ur\u00eet pe care l-au f\u0103cut du\u015fmancele, iar dac\u0103
\nun fl\u0103c\u0103u este ignorat de cea pe care o iube\u015fte, face baba de
\ndragoste (45,II).<\/p>\n","protected":false},"excerpt":{"rendered":"

Radu Voinescu PENUMBRE Copiii nen\u0103scu\u0163i Oare cum viseaz\u0103 copiii nen\u0103scu\u0163i? Cum e pl\u00e2nsul lor? Asculta\u0163i o clip\u0103, atunci c\u00e2nd soarele<\/p>\n","protected":false},"author":18,"featured_media":10070,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"ngg_post_thumbnail":0,"video_url":"","footnotes":""},"categories":[7,328],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/22739"}],"collection":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=22739"}],"version-history":[{"count":1,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/22739\/revisions"}],"predecessor-version":[{"id":22740,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/22739\/revisions\/22740"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/media\/10070"}],"wp:attachment":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=22739"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=22739"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=22739"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}