{"id":22580,"date":"2024-02-04T01:00:12","date_gmt":"2024-02-03T22:00:12","guid":{"rendered":"https:\/\/ziarulderimnic.ro\/?p=22580"},"modified":"2024-02-04T01:00:12","modified_gmt":"2024-02-03T22:00:12","slug":"spatii-culturale-nr-4-13","status":"publish","type":"post","link":"https:\/\/ziarulderimnic.ro\/?p=22580","title":{"rendered":"Spa\u021bii culturale nr. 4 (13)"},"content":{"rendered":"

RAFTUL CU C\u0102R\u021aI<\/strong><\/p>\n

Nicolai T\u0102ICU\u021aU <\/strong>
\n\"\"

Mihaela Malea Stroe<\/strong>, 7×7 poeme
\nde iubire, Editura Pastel, Bra\u0219ov, 2009,
\n85 de pagini<\/em>. Cuv\u00e2nt \u00eenso\u021bitor: A.I.
\nBrumaru. Pe coperta a patra, Bianca
\nOsnaga spune: \u201eCelebrare a iubirii,
\nexpresie a unei sensibilit\u0103\u021bi profund
\nspiritualizate, complicate de fiorul
\nmetafizic al proiec\u021biilor \u00een timp, de lirismul rafinat \u0219i liber
\nde mode poetice, 7×7 poeme de iubire e reconfirmarea
\nunui poet adev\u0103rat – \u0219i azi, \u0219i m\u00e2ine…” Cit\u0103m din Poem
\ndespre nesomnul z\u0103pezilor: \u201eCuvintele tale au venit s\u0103
\n\u00eembr\u0103\u021bi\u0219eze, \/ S\u0103 \u00eent\u00e2mpine cuvintele mele \/ \u0218i-au purces
\ndimpreun\u0103 spre rug, spre altar, \/ De m\u00e2n\u0103 \u021bin\u00e2ndu-se au
\npurces \/ Pe marginea pr\u0103p\u0103stiilor … spre un alt \u00een\u021beles.”<\/p>\n


\nIon Maria<\/strong>, pozi\u021bia lotus. Editura
\nVinea, Bucure\u0219ti, 2008, 90 de pagini.<\/em>
\nConsfin\u021birea este dat\u0103 de Gheorghe
\nGrigurcu: \u201eExist\u0103 suflete care, a\u0219a cum
\nspunea Montherlant, curg c\u0103tre absolut \u00een
\nchipul \u00een care apa curge c\u0103tre mare. C\u0103tre
\nun astfel de suflet care este excep\u021bionalul
\npoet Ion Maria se \u00eendreapt\u0103 pre\u021buirea mea admirativ\u0103,
\nemo\u021bia mea confratem\u0103.” Volumul are patru sec\u021biuni:
\npozi\u021bia lotus, \u00eentre lup \u0219i miel, pata \u0219i piramida. Iat\u0103 ce
\n\u00eenseamn\u0103 A fi poet pentru Ion Maria: \u201es\u0103 po\u021bi vedea \/ vara
\n\/ urma pa\u0219ilor \/ pe care ast\u0103 iarn\u0103 \/ i-ai l\u0103sat \/ \u00een z\u0103pad\u0103.”<\/p>\n


\nIoan-Petru Viziteu<\/strong>, T\u0103cerea de clopot
\n*Le silence du cloche* The silence of the
\nbell, Editura Funda\u021biei Culturale
\nCancicov, 2008, Bac\u0103u, 178 de pagini.<\/em>
\nVersiunea \u00een limba francez\u0103 a poemelor
\napar\u021bine Florentinei Florin, iar cea \u00een
\nlimba englez\u0103 Cristinei Ghiciu\u0219c\u0103.
\n: Grafica acestei c\u0103r\u021bi este realizat\u0103 de
\nC\u0103lin Veronica. O liric\u0103 de sorginte existen\u021bialist\u0103
\ncuprinde cele dou\u0103 p\u0103r\u021bi ale volumului de fa\u021b\u0103: G\u00e2nduri
\nprofane \u0219i Alergat de solsti\u021biu. \u201eAm c\u0103zut \/ Din ordine \/
\n\u00een haos \/ \u0218i-n s\u00e2mburi \/ De lumin\u0103 \/ Am intrat \/ Durere,
\n\/ Matrice timid\u0103 \/ Pentru continua \/ prefacere. \/\/
\nColoan\u0103 a t\u0103cerii \/ Voi fi.” (S\u00e2mburi de lumin\u0103)<\/p>\n


\nAdrian Dinu Rachieru<\/strong>, McLumea \u0219i
\nCultura Publicitar\u0103 (zece eseuri despre
\npsihosociologia publicit\u0103\u021bii), Editura
\nAugusta; Artpress, 2008, Timi\u0219oara, 196
\nde pagini.<\/em> Motto: \u201eConsum, deci exist”
\nAceast\u0103 contagioas\u0103 filosofie global\u0103 a
\nsupraconsumului are ca pre\u021bios aliat
\npia\u021ba, indiscutabil factor de masificare. In
\npofida voin\u021bei de divertisment,
\nconsecin\u021ba – paradoxal\u0103 – e tocmai s\u0103r\u0103cirea vie\u021bii.
\nSatisfacerea poftelor face din prosperitate propriul s\u0103u
\nidol, opulen\u021ba sfid\u0103toare se \u00eenso\u021be\u0219te cu abrutizarea,
\nfragiliz\u00e2nd via\u021ba intim\u0103 \u0219i comunitar\u0103. \u00eentrebarea e dac\u0103
\n\u00een fa\u021ba ofensivei consumeriste (consumul devenind forma
\nmentis a societ\u0103\u021bii de azi) putem dob\u00e2ndi un salvator
\nnivel imunitar. \u0218i dac\u0103 \u00een fa\u021ba avalan\u0219ei pericolelor
\ncomune, \u00eentre\u021bin\u00e2nd nelini\u0219ti legitime, asincroniile
\nPlanetei, altoite pe paradigma conflictualist\u0103, vor afla un
\nizb\u0103vitor r\u0103spuns comun. Fiindc\u0103 nu tr\u0103im cu to\u021bii \u00een
\naceea\u0219i epoc\u0103, mai mult, manevr\u0103m – recunosc anali\u0219tii –
\ndou\u0103 \u00ablimbi\u00bb. Pe de o parte, retorica triumfalist\u0103 \u0219i
\neuforia iresponsabil\u0103; pe de alt\u0103 parte, reticen\u021ba,
\nscepticismul dizolvant, fatalist. \u00eenc\u00e2t ne r\u0103m\u00e2ne (pentru
\na cunoa\u0219te \u0219i \u00eengr\u0103di – m\u0103car – r\u0103ul) \u0219ansa lucidit\u0103\u021bii.”
\n(citat din Argumentul autorului)<\/p>\n


\nAna Panaitescu<\/strong>, Matematici k-n
\npove\u0219ti (culegere de probleme pentru
\neroi), Editura Olimpus, 2009, R\u00e2mnicu
\nS\u0103rat, 60 de pagini.<\/em> Unde k este o
\nconstant\u0103 logic\u0103. \u201eLucrarea \u00ee\u0219i propune
\no abordare umanist\u0103, cu probleme
\n\u00eent\u00e2lnite \u00een basme, povestiri, legende,
\npoezii…” Astfel c\u0103 avem Problemele lui
\nCreang\u0103 (probleme din Harap Alb, Ivan Turbinc\u0103,
\nPovestea porcului \u0219i din altele),
\nProblemele lui… Ispirescu (probleme din Aleodor \u00eemp\u0103rat, Greuceanu,
\nCiob\u0103na\u0219ul cel iste\u021b \u0219i din altele),
\nProbleme \u00een versuri \u0219i Alte probleme.
\nToate au propuneri de solu\u021bii.
\nR\u0103m\u00e2ne doar s\u0103 opta\u021bi pentru ele.<\/p>\n


\nMihaela Malea Stroe<\/strong>, Anotimp
\n|f\u0103r\u0103 nume * La saison sans nom *
\ns Namenlose Jahreszeit * No name
\nseason, Editura Pastel, Bra\u0219ov, 2009, 64
\nde pagini.<\/em> Versiunea poemelor \u00een limba
\ngerman\u0103 este realizat\u0103 de Hans Bergel,
\nliar \u00een limbile francez\u0103 \u0219i englez\u0103 de
\nValeria Manta T\u0103icu\u021bu. Tot V.M.T. spune
\npe coperta a patra a c\u0103r\u021bii: \u201e\u00een buna tradi\u021bie a poe\u021bilor
\nardeleni, Mihaela Malea Stroe scrie cu sinceritate despre
\nvia\u021b\u0103, despre moarte \u0219i despre dragoste, despre rela\u021bia
\nsinelui cu universul \u0219i despre dimensiunea christic \/
\nmesianic\u0103 a oric\u0103rui creator de frumos.” \u201eS\u0103 \u0219tii \/ C\u0103 \u0219i
\natunci c\u00e2nd tac \/ Sunt pe aproape; te port \/ \u00een vise, sub
\npleoape, \/ \u00een g\u00e2ndurile \/ Niciodat\u0103 transformate \u00een
\n\u0219oapte, \/ \u00een zori, \u00een amurg \u0219i \u00een noapte.”(Confesiune)<\/p>\n


\nDan Bruda\u0219cu<\/strong>, Degetele timpului,
\nEditura Sedan, Cluj-Napoca, 2009, 103
\npagini.<\/em> Autorul precizeaz\u0103: \u201e\u00cen
\ndialogul intitulat Phaidros, Platon
\nspunea: Cine se apropie de por\u021bile
\npoeziei f\u0103r\u0103 s\u0103 fie cuprins de nebunia
\nmuzelor, \u00een credin\u021ba c\u0103 poate s\u0103 ajung\u0103
\npoet numai datorit\u0103 artei, va fi
\nnedes\u0103v\u00e2r\u0219it, iar poezia lui, de om cuminte, p\u0103le\u0219te fa\u021b\u0103
\nde aceea a oamenilor cuprin\u0219i de nebunie.” Dan
\nBruda\u0219cu s-a conformat acestui adev\u0103r \u00eenc\u0103 de acum 30
\nde ani. Numai c\u0103 nu \u0219i-a adunat dec\u00e2t acum versurile
\n\u00eentr-o carte. \u201eCopacul acesta \/ nu-i de aici, \/ dar \u00ee\u0219i
\narat\u0103 \/ r\u0103d\u0103cinile str\u00e2mbe \/ \u00een v\u0103zul trec\u0103torilor. \/
\nFrunzele lui au devenit \/ fluturi \/ dans\u00e2nd la auzul \/
\nfluierului de argint. \/ Firele de iarb\u0103 sunt \/ str\u0103ine \u0219i
\nele \/ \u0219i nu pot masca uimirea.” (din R\u0103d\u0103cini \u00een v\u00e2nt)<\/p>\n","protected":false},"excerpt":{"rendered":"

RAFTUL CU C\u0102R\u021aI Nicolai T\u0102ICU\u021aU Mihaela Malea Stroe, 7×7 poeme de iubire, Editura Pastel, Bra\u0219ov, 2009, 85 de pagini. Cuv\u00e2nt<\/p>\n","protected":false},"author":18,"featured_media":10070,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"ngg_post_thumbnail":0,"video_url":"","footnotes":""},"categories":[7,328],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/22580"}],"collection":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=22580"}],"version-history":[{"count":1,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/22580\/revisions"}],"predecessor-version":[{"id":22581,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/22580\/revisions\/22581"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/media\/10070"}],"wp:attachment":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=22580"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=22580"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=22580"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}