{"id":22523,"date":"2024-01-28T01:54:15","date_gmt":"2024-01-27T22:54:15","guid":{"rendered":"https:\/\/ziarulderimnic.ro\/?p=22523"},"modified":"2024-01-28T01:54:15","modified_gmt":"2024-01-27T22:54:15","slug":"spatii-culturale-nr-4-6","status":"publish","type":"post","link":"https:\/\/ziarulderimnic.ro\/?p=22523","title":{"rendered":"Spa\u021bii culturale nr. 4 (6)"},"content":{"rendered":"<p><strong>Virgil DIACONU<\/strong><br \/>\n<a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/11\/diaconu-v-e1604445376781.jpg\" data-rel=\"lightbox-image-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/11\/diaconu-v-e1604445376781.jpg\" alt=\"\" width=\"476\" height=\"300\" class=\"alignnone size-full wp-image-11800 lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 476px; --smush-placeholder-aspect-ratio: 476\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/11\/diaconu-v-e1604445376781.jpg\" alt=\"\" width=\"476\" height=\"300\" class=\"alignnone size-full wp-image-11800\" \/><\/noscript><\/a><\/p>\n<p><strong>Omul Vulnerabil*<\/strong><\/p>\n<p><em>Pentru Lolita, femeia cu pielea de culoarea gutuii, femeia gutuie&#8230;<\/em><\/p>\n<p><strong>Avu\u021bia<\/strong><\/p>\n<p>Dac\u0103 tot am venit la voi, ia nu mai trage\u021bi cu ochiul la ea \u0219i nu v\u0103 mai uita\u021bi pe furi\u0219 la femeia mea, dac\u0103 tot am venit. Dac\u0103 tot am venit aici, \u00een aceast\u0103 via\u021b\u0103.<br \/>\nMai vede\u021bi-v\u0103 de treburi \u0219i n-o mai ispiti\u021bi cu privirea, c\u00e2nd vine \u00eenf\u0103\u0219urat\u0103 \u00een vulpea ei argintie&#8230; Mai am \u0219i alte griji dec\u00e2t s\u0103 o feresc de capcane, cum sta\u021bi h\u0103ita\u0219i cu ochii pe ea, ca la v\u00e2n\u0103toare.<br \/>\nDe altfel, am g\u0103sit eu o cale s\u0103 o feresc de voi: eu am ascuns-o intr-un c\u00e2ntec. S-o \u0219tie toat\u0103 lumea, s\u0103 n-o ating\u0103 nimeni. S\u0103 nu se spun\u0103 despre mine c\u0103 \u00eemi las avu\u021bia \u00een risipa mul\u021bimii&#8230;<br \/>\nChiar a\u0219a! Mai vede\u021bi-v\u0103 de treburi \u0219i nu m\u0103 mai p\u00e2ndi\u021bi cu tot felul de lucr\u0103turi \u0219i scorneli, c\u0103 va fugi argintoasa cu altul. L\u0103sa\u021bi-m\u0103, c\u0103 \u0219tiu eu ce am de f\u0103cut!<br \/>\nDe voi l\u0103sa eu via\u021ba din m\u00e2n\u0103, are el, Daimonul grij\u0103!<\/p>\n<p><strong><br \/>\nDragostea<\/strong><\/p>\n<p>Eu, care am dezlegat glasurile tainice ale profe\u021bilor, care m-am bucurat de clinchetul vr\u0103biilor \u0219i de glasurile nop\u021bii, care am fost primit \u00een toate casele prin\u021besei, acum, c\u00e2nd m-a spulberat \u00eentru totul, ce voi m\u0103rturisi despre ea?<br \/>\nDragostea nu te las\u0103 \u00een \u00eentuneric, ci \u00ee\u021bi \u00eentinde bra\u021bele. Ea nu love\u0219te, ci m\u00e2ng\u00e2ie.<br \/>\nEa se d\u0103ruie \u00eentotdeauna f\u0103r\u0103 sf\u00e2r\u0219ire: izvoarele ei \u00eemi sunt r\u00e2uri, r\u00e2urile ei \u00eemi sunt m\u0103ri&#8230;<br \/>\nEa apar\u021bine puterilor de peste noi.<br \/>\nNu o st\u0103p\u00e2ne\u0219ti tu, ci ea te st\u0103p\u00e2ne\u0219te pe tine: e\u0219ti slujitor al r\u0103ului &#8211; \u0219i ea \u00ee\u021bi arat\u0103 calea spre bine;<br \/>\nte pierzi \u00een \u021bar\u0103 str\u0103in\u0103 &#8211; \u0219i ea te \u00eentoarce acas\u0103. Acas\u0103, \u00een bra\u021bele ei te \u00eentoarce. C\u0103ci aceasta \u00eenseamn\u0103, necredincio\u0219ilor, acas\u0103: \u00eembr\u0103\u021bi\u0219area care te a\u0219teapt\u0103, Dragostea.<br \/>\nDe aceea, v\u0103 spun: ast\u0103zi sunt rege \u00een \u021bara nuf\u0103rului \u00eenflorit, \u00een \u021bara florii de cais&#8230;<br \/>\nEu, care am fost primit \u00een toate casele prin\u021besei, care am fost pus de ea \u00een scaunul celor puternici \u0219i care am fost zv\u00e2rlit de ea \u00een pulberea drumului, eu sunt chiar m\u0103rturia puterilor ei. C\u00e2t despre cel lipsit de Dragoste, acesta nici nu exist\u0103. Ca \u0219i mort este el, lipsa Dragostei este sf\u00e2r\u0219itul v\u0103zut, chipul Apocalipsei.<\/p>\n<p><strong><br \/>\nFemeia t\u00e2n\u0103r\u0103<\/strong><\/p>\n<p>Mai bine spune\u021bi voi despre Ea, \u0219tiutorilor, cine este&#8230;<br \/>\n&#8211;\tNu poate fi dec\u00e2t dep\u0103rtarea &#8211; spune peregrinul. Cu pu\u021bin\u0103 \u0219tiin\u021b\u0103 vei fi un om-departe.<br \/>\n&#8211;\tEste punctul t\u0103u vulnerabil &#8211; url\u0103 invulnerabilul. Alt\u0103 glorie nu o s\u0103 ai niciodat\u0103.<br \/>\n&#8211;\tBa este un nod &#8211; \u00eemi \u0219opte\u0219te Gordus. Fere\u0219te-1 de s\u0103bii!<br \/>\n&#8211;\tNu \u0219ti\u021bi nici unul nimic. Este un voal de m\u0103tase. Alb \u0219i f\u0103r\u0103 sf\u00e2r\u0219it &#8211; zice viermele de m\u0103tase. Se va \u00eentinde peste ziua ta f\u0103r\u0103 s\u0103 mai po\u021bi spune care \u00ee\u021bi este ziua sau m\u0103tasea care este&#8230;<br \/>\n&#8211; Este o carte cu \u00eendoieli ca o carte cu pierderi &#8211; spune \u00een\u021beleptul. Cite\u0219te-o! F\u0103-\u021bi table de legi din ea dac\u0103 po\u021bi&#8230;<br \/>\nNumai mie mi se pare c\u0103 este o femeie t\u00e2n\u0103r\u0103, pe care, de at\u00e2ta ceart\u0103 st\u00e2rnita \u00eentre prieteni, am \u0219i \u00eenceput s-o iubesc.<br \/>\n&#8211;\tAlt\u0103 dep\u0103rtare nu \u021bi-ai g\u0103sit? Mergi \u0219i nu-i dai de cap\u0103t, spune peregrinul.<br \/>\n&#8211;\tCe ran\u0103 lumeasc\u0103 ti s-a dat! &#8211; zice Achile. Dac\u0103 vrei s-o atingi, \u021bine s\u0103ge\u021bile mele&#8230;<br \/>\n&#8211;\tO, ce mai nod, ce lucrare a cugetului dat\u0103 la s\u0103bii&#8230; Taie-1 \u0219i ai s\u0103 te lepezi de lauri.<br \/>\n&#8211;\tM\u0103tasea s-a terminat &#8211; spune m\u0103t\u0103sosul. Au venit al\u021bii \u0219i-au c\u0103lcat-o-n picioare, a\u0219a \u00eenc\u00e2t, dac\u0103 ai \u00eentinde-o peste nop\u021bile ce \u021bi-au r\u0103mas, totuna cu ele ar fi.<br \/>\n&#8211;\tN-o mai r\u0103sfoi &#8211; tace ultimul. Te va pierde!<br \/>\nNumai mie mi se pare c\u0103 este o femeie t\u00e2n\u0103r\u0103 pe care nu am s-o pierd niciodat\u0103. Pe care am \u0219i \u00eenceput s-o iubesc. Repede, c\u00e2t mai am vreme!<\/p>\n<p><strong><br \/>\n\u00cembr\u0103\u021bi\u0219area<\/strong><\/p>\n<p>La \u00eenceput a fost \u00eembr\u0103\u021bi\u0219area &#8211; a\u0219 fi spus &#8211; dac\u0103 mi-ar fi fost mie dat s\u0103 scriu Cartea C\u0103r\u021bilor&#8230; Dar cum cineva s-a gr\u0103bit s\u0103 fac\u0103 lumea \u00eenaintea mea, pot spune doar c\u0103 istoria \u00eembr\u0103\u021bi\u0219\u0103rii a \u00eenceput cu b\u0103rbatul \u0219i femeia care locuiau \u00een acela\u0219i trup, \u00een aceea\u0219i \u00eembr\u0103\u021bi\u0219are. Jum\u0103t\u0103\u021bile care se caut\u0103 de atunci prin lume depun m\u0103rturie de \u00eembr\u0103\u021bi\u0219area pierdut\u0103. Eu \u00eensumi sunt azi o \u021bar\u0103 a pierderii, leb\u0103da care \u0219i-a f\u0103cut cuib \u00een um\u0103rul meu este o \u00eembr\u0103\u021bi\u0219are la timpul trecut.<br \/>\nDe bun\u0103 seam\u0103, eu cred c\u0103 \u00eembr\u0103\u021bi\u0219area este unic\u0103 \u0219i c\u0103 n-o po\u021bi schimba a\u0219a, ca pe o hain\u0103 veche. Numai \u00eempieli\u021batele astea de liceene nu \u0219tiu cum fac de trec mereu dintr-o \u00eembr\u0103\u021bi\u0219are \u00een alta, ca dintr-o zi \u00een cealalt\u0103 zi. \u0218i asta \u00een timp ce mie, de singur ce sunt, \u00eemi scap\u0103 toate din bra\u021be&#8230; \u0218i asta \u00een timp ce bra\u021bele mele deschid dep\u0103rt\u0103ri sub crepuscul&#8230;<br \/>\nDac\u0103 vreunul dintre voi are sentimentul c\u0103 a cuprins ceva de necuprins, acela se afl\u0103 sigur \u00een \u00eembr\u0103\u021bi\u0219are.<br \/>\nCasele noastre se sprijin\u0103 pe \u00eembr\u0103\u021bi\u0219are. O cas\u0103 f\u0103r\u0103 \u00eembr\u0103\u021bi\u0219are este o cas\u0103 pustie, singur\u0103tatea sparge pere\u021bii&#8230;<br \/>\nS\u0103 nu crezi c\u0103 \u00eembr\u0103\u021bi\u0219area este numai a trupului. Trupul celui iubit poate pleca, \u00eembr\u0103\u021bi\u0219area r\u0103m\u00e2ne. Eu \u00eensumi mai c\u0103l\u0103toresc \u00een \u00eembr\u0103\u021bi\u0219area unei femei, a unei femei pierdute acum \u00een p\u0103m\u00e2nt&#8230;<br \/>\nFere\u0219te-te, dac\u0103 \u00ee\u021bi st\u0103 \u00een puteri, de omul f\u0103r\u0103 \u00eembr\u0103\u021bi\u0219are. El are bra\u021be de piatr\u0103, el are sufletul zidit.<br \/>\n\u0218i, mai ales, de \u00eembr\u0103\u021bi\u0219\u0103rile viclene s\u0103 te fere\u0219ti,<br \/>\nc\u0103ci te vor pierde! De altfel, acestea nici nu sunt \u00eembr\u0103\u021bi\u0219\u0103ri, pentru c\u0103 \u00een ele nu poate locui nimeni. Pentru c\u0103 \u00een ele e\u0219ti singur. Or, adev\u0103rul \u00eembr\u0103\u021bi\u0219\u0103rii este acela c\u0103 prin ea te lepezi de singur\u0103tate. De aceast\u0103 singur\u0103tate mai mare ca lumea&#8230;<\/p>\n<p><strong><br \/>\nOmul vulnerabil<\/strong><\/p>\n<p>Femeia cu cire\u0219e la urechi.<br \/>\nFemeia care d\u0103 iama prin cear\u0219afurile mele.<br \/>\nEa \u00eemi oxigeneaz\u0103 zilele c\u00e2nd r\u0103m\u00e2n f\u0103r\u0103 aer. Ea seam\u0103n\u0103 lumin\u0103 acolo unde nu v\u0103d dec\u00e2t<br \/>\n\u00eentuneric.<br \/>\nO vrabie care zboar\u0103 \u00een lipsa mea de cer.<br \/>\nA fi \u00eendr\u0103gostit: a intra \u00een acest t\u0103r\u00e2m fabulos, \u00een aur\u0103.<br \/>\nDa, numai iubita mea este \u00eembr\u0103cat\u0103 \u00een aur\u0103 de sus p\u00e2n\u0103 jos!<br \/>\n\u0218i numai eu sunt atins de aura ei, de sus p\u00e2n\u0103 jos&#8230;<br \/>\nDin t\u0103lpi p\u00e2n\u0103 la steaua.<br \/>\nEu sunt atinsul de aur\u0103, eu sunt un om vulnerabil.<br \/>\nUn singur cuv\u00e2nt de-al ei m\u0103 poate stinge, un singur gest m\u0103 poate fr\u00e2nge. Cum s\u0103 m\u0103 ap\u0103r?<br \/>\nDac\u0103 m\u0103 ridic \u00eempotriva ei &#8211; \u00eempotriva mea m\u0103 ridic!<br \/>\nDac\u0103 ea este r\u0103nit\u0103 &#8211; r\u0103nile ei pe mine m\u0103 dor. C\u00e2nd \u00eei este frig &#8211; eu \u00eensumi tremur.<br \/>\nEu sunt atinsul de aur\u0103, eu sunt un om vulnerabil.<br \/>\nDe la o vreme, eu nu-mi mai g\u0103sesc locul.<br \/>\nEu nu mai am loc nici chiar \u00een trupul meu.<br \/>\nNu mai am loc, pentru c\u0103 aici locuie\u0219te de fapt ea.<br \/>\nAici locuie\u0219te ea, \u00een timp ce eu r\u0103t\u0103cesc pe afar\u0103, c\u0103ut\u00e2ndu-mi un loc de lini\u0219te \u0219i netulburare&#8230; C\u0103ut\u00e2ndu-mi un loc de lini\u0219te \u0219i netulburare, pe care tocmai aura nu m\u0103 las\u0103 s\u0103 \u00eel g\u0103sesc&#8230;<br \/>\nDa, eu sunt atinsul de aur\u0103. Eu sunt un om vulnerabil.<\/p>\n<p>*Din <em> Calea parabolei<\/em>, o carte \u00een lucru.<\/p>\n<p><strong><br \/>\nMARI POE\u021aI AI IUBIRII<\/strong><\/p>\n<p><strong>PUBLIUS OVIDIUS NASO<\/strong><br \/>\n(46 \u00ee.C. &#8211; 17 d.C.)<\/p>\n<p>\u00eentr-o traducere de <strong>RADU C\u00c2RNECI<\/strong><\/p>\n<p>C\u00e2nt\u0103re\u021b al iubirilor ginga\u0219e (tenerorum lusor amorum), cum \u00eensu\u0219i se caracterizeaz\u0103, Publius Ovidius Naso, unul din poe\u021bii reprezentativi ai lumii antice (primul mare poet ce a tr\u0103it \u0219i \u00een actualul spa\u021biu rom\u00e2nesc), s-a n\u0103scut la Sulmona \u00een anul 41 \u00ee.H. \u0219i a murit la Tomis (Constan\u021ba de azi) \u00een anul 18 d.H. Face parte din ultima genera\u021bie a fastuosului secol al lui August. Dup\u0103 studii juridice, la Roma, a ocupat c\u00e2teva func\u021bii \u00een administra\u021bia Imperiului. Mai apoi s-a dedicat numai poeziei, devenind favoritul cur\u021bii imperiale \u0219i al cercurilor aristocratice. \u00een anul 8 d. H., Ovidiu a fost exilat, din ordinul \u00eemp\u0103ratului, la Tomis: cauza (improbabil\u0103) ar fi amestecul \u00een aventurile scandaloase ale luliei, fiica lui August. Dar motivul adev\u0103rat se crede c\u0103-1 constituie cartea sa, Arta iubirii, care a favorizat \u0219i incitat la depravare, submin\u00e2nd morala public\u0103.<br \/>\nOpera sa: Amoruri (Amores), elegii de dragoste; Arta iubirii (Ars amandi), iubirea ca art\u0103, ca joc subtil \u0219i spiritual; Heroidele (Heroides), scrisori de dragoste imaginare ale unor personaje din mitologia greac\u0103 \u0219i roman\u0103; Fastele (Pastes), un fel de calendar al s\u0103rb\u0103torilor de peste an la romani; Metamorfozele (Metamorfoses), prelucr\u0103ri ale mitologiei antichit\u0103\u021bii greco-romane, privind transformarea oamenilor (dup\u0103 moarte) \u00een plante, animale, astre; Ponticele (Ex Ponto) \u0219i Tristele (Tristia) scrise la Pontul Euxin. \u00cen durere \u0219i disperare, \u00een a\u0219teptarea gra\u021bierii sale. Ca opere de rangul doi, amintim: Remediile iubirii (Remedia amoris); Cosmetica sau dresuri pentru fa\u021b\u0103 (Medicamina faciae); tragedia Medeea (ce nu ni s-a p\u0103strat); Halientica (un mic tratat despre pe\u0219tii din apele Pontului Euxin). La toate acestea mai trebuie ad\u0103ugat un poem \u00een limba getic\u0103, scriere, de asemeni, pierdut\u0103, care ar fi constituit un izvor sigur pentru cunoa\u0219terea graiului din Scitia minor (Dobrogeade azi).<br \/>\n\u00cen total, opera lui Ovidiu reprezint\u0103 expresia culturii latine ajuns la cump\u0103na dintre maxima \u00eenflorire \u0219i \u00eenceputul decaden\u021bei acesteia.<\/p>\n<p><strong><br \/>\nORFEU \u0218I EURIDICE<\/strong><\/p>\n<p>\u00cen palida-i mantie, Himeneu &#8211; zeul nuntirii &#8211; Creta l\u0103s\u00e2nd, spre-a thracilor \u021bar\u0103 se-ndreapt\u0103, Unde, cu ner\u0103bdare \u00eel cheam\u0103 Orfeu; el vine F\u0103r\u0103, \u00eens\u0103,-a aduce cald\u0103 vorbire, vesel sur\u00e2s \u0218i nici fericire. Chiar facla-i din m\u00e2n\u0103-i p\u00e2lp\u00e2ie abia \u00een urm\u0103 l\u0103s\u00e2nd un fum nec\u0103cios ce d\u0103 lacrimi; Zeul o clatin\u0103-n van, flac\u0103ra nu mugure\u0219te. Semn r\u0103u fu acesta, dar \u0219i mai amar\u0103 urmarea, C\u0103ci frageda soa\u021b\u0103, Eurydice, printre naiade, \u00eentre ierburi c\u0103zu otr\u0103vit\u0103 de-un \u0219arpe \u0219i moare, Iar c\u00e2nt\u0103re\u021bul Rhodopei o pl\u00e2nge-ndelung, \u00eendelung, Ci vru \u00een ad\u00e2ncul regat al umbrelor chiar s\u0103 p\u0103trund\u0103 \u0218i, deci, p\u00e2n\u0103 la Styx el cobor\u00ee prin poarta Tenara, Printre popoare de aer, n\u0103lucile care c\u00e2ndva Primiser\u0103 \u00eenmorm\u00e2ntarea; cu \u00eendr\u0103zneal\u0103 se duce La Persephona \u0219i Pluto &#8211; cel peste Hades mai mare-, \u0218i lyra f\u0103c\u00e2nd-o s\u0103 sune, cu vocea-i de lacrim\u0103 \u00eencepu: &#8222;O, voi m\u0103rimi ale lumii subp\u0103m\u00e2ntene, Unde to\u021bi p\u0103m\u00e2ntenii vin c\u00e2nd clipa din urm\u0103 sose\u0219te, De-i cu putin\u021b\u0103 \u0219i dac\u0103 \u00eeng\u0103dui\u021bi, f\u0103r\u0103 de-ocol, S\u0103 v\u0103 spun cel adev\u0103r crunt care m-aduce la voi Pe mine, care n-am cobor\u00e2t \u00eenc\u0103 \u00een negrul Tartar, Nici s\u0103 fr\u00e2ng toate trei g\u00e2turi cu \u0219erpi groaznid<br \/>\nvederii<br \/>\nAle acestei dih\u0103nii ce-a z\u0103mislit-o Meduza, Ei chemar\u0103 pe Eurydice dintre umbrele ultime. Aceasta veni, u\u0219or \u0219chiop\u0103t\u00e2nd din pricina r\u0103nii. Orfeu o dob\u00e2ndi ca pe-un dar, oblig\u00e2ndu-se, \u00eens\u0103, Ochii-napoi s\u0103 nu-ntoarc\u0103 p\u00e2n&#8217; ce-n lumin\u0103 ie\u0219i-vor Peste-a&#8217; Avernului v\u0103i, altfel zadarnic e totul&#8230; &#8230;\u0218i \u00een ad\u00e2nca t\u0103cere plecar\u0103 pe o c\u0103rare Iat\u0103-mi aici venit s\u0103-mi caut so\u021bia ucis\u0103 De-o viper\u0103 pe care c\u0103lcase, \u0219i-n anii s\u0103i fragezi Muri. Ah, am venit s\u0103 am lunga putere s\u0103 suf\u0103r, Dar dragostea-mi fu mai puternic\u0103. Dar e un destin Deasupra, la noi, poate \u0219i-aici, destinul este destin, \u0218i dac\u0103 povestea acelei r\u0103piri nu e poveste, Dragostea v-a unit \u0219i pe voi. Ah, de-i a\u0219a, v\u0103 conjur. Pe-aceste \u021binuturi de groaz\u0103, pe haosul nesf\u00e2r\u0219it, Pe-aceast\u0103 \u021bar\u0103 a marei t\u0103ceri, v\u0103 implor, desface\u021bi Urzeala soartei prea iute-ncheiat\u0103 a minunatei, Iubitei Euridice! Da, \u00eendatora\u021bi v\u0103 suntem: Dup\u0103 scurta noastr\u0103 tr\u0103ire sub soare suntem chema\u021bi Mai cur\u00e2nd, mai t\u00e2rziu \u00een aceste \u021binuturi de cea\u021b\u0103, Aceasta-i casa noastr\u0103 din urm\u0103 \u0219i-n eternitate; Numai voi domni\u021bi peste toate neamurile lumii, Da, \u0219i c\u00e2nd Eurydice va \u00eemplini anii s\u0103i to\u021bi, Gata de moarte, va fi legilor voastre supus\u0103. Nu v-o cer, deci, \u00eentru totul! Iar dac\u0103 Ursitoarele Nu vor Eurydicei via\u021ba s\u0103-ntoarne, hot\u0103r\u00e2t sunt, Iat\u0103, s\u0103 nu m\u0103 \u00eentorc, moartea noastr\u0103 \u00een doi acum S\u0103 v\u0103 bucure!&#8221;&#8230; Astfel Orfeu se jelea deodat\u0103 Cu-al strunelor vaier, da, \u0219i albele umbre pl\u00e2ngeau De mila-i: Tantal se opri din setea-i nebun\u0103, La fel a lui Ixion roat\u0103; nici vulturii nu mai Sf\u00e2rtecar\u0103 fica\u021bii celor os\u00e2ndi\u021bi, Danaidele \u00ee\u0219i uitar\u0103 de urne; Sisif se-a\u0219ez\u0103 pe st\u00e2nca-i Chinuitoare; Eumenidele cu fa\u021ba \u00een lacrimi priveau, Iar Pluto \u0219i Persephona, chiar ei, st\u0103p\u00e2nii pe Hades, La ruga &#8211; cu at\u00e2ta durere c\u00e2ntat\u0103 &#8211; cedar\u0103;<br \/>\nCe urc\u0103 pr\u0103p\u0103stioas\u0103 prin spaime \u0219i ce\u021buri ad\u00e2nci, \u0218i-aproape c-ajunser\u0103 Ia a p\u0103m\u00e2ntului buz\u0103, C\u00e2nd el, de team\u0103-a n-o pierde din nou \u0219i dornic s-o vad\u0103 \u0218i-ntoarse privirea! \u0219i-n clip\u0103 fu tras\u0103 spre-ad\u00e2ncuri: Zadarnic bra\u021bele-ntinse spre-Orfeu, str\u00e2nsoarea dorindu-i, S\u0103-l str\u00e2ng\u0103 dorind! ci ea: nefericire! cuprinse doar Aerul gol. Din nou se vede Eurydice murind, Ci ea de-al ei so\u021b nu se pl\u00e2nge (cum s-ar fi pl\u00e2ns de<br \/>\nmarea-i Nebuna iertare!?&#8230;) \u0219i-un ultim adio-i trimite, Iar lui \u00eei p\u0103trunde abia \u00een auz a dragostei \u0219oapt\u0103 C\u00e2nd ea se pr\u0103vale! Uluit de-a doua murire a Eurydicei, Orfeu a-ncremenit ca atunci c\u00e2nd \u00eentreitul grumaz (dintre care cel din mijloc \u00een lan\u021b) Al c\u00e2inelui Cerber v\u0103zuse; spaima-i pieri deodat\u0103 Cu vechea-i \u00eenf\u0103\u021bi\u0219are c\u00e2nd trupul i se-mpietri Asemeni lui Olenus, care f\u0103r\u0103delegile So\u021biei asupra-\u0219i a tras spre-a lui vinov\u0103\u021bire;<br \/>\nAsemeni \u021bie, s\u0103rman\u0103 Letee, prea m\u00e2ndr\u0103 fiind De-a ta frumuse\u021be; o biete inimi odinioar\u0103 At\u00e2t de unite, acum ni\u0219te st\u00e2nci, doar, pe-al Idei Ve\u0219nic v\u00e2rf umed&#8230; Iar\u0103\u0219i se roag\u0103 Orfeu, luntra\u0219ul Charon \u00eel \u00eendep\u0103rteaz\u0103; dar el \u0219apte zile \u00eenc\u0103 Pe malul Styxului (ne\u00eenflorit de Ceres vrodat\u0103!) Durerea \u00ee\u0219i pl\u00e2nse, \u0219i numai lacrimi doru-1 hr\u0103nir\u0103. Ah, cr\u00e2nceni sunt zeii din Hades \u0219i ne-ndur\u0103tori.<br \/>\nOrfeu Spre mun\u021bii Rhodope \u0219i Hemus porni prin Criv\u0103\u021b, \u00eenvins!&#8230;<\/p>\n<p><strong><br \/>\nLEANDRU C\u0102TRE HERO <\/strong><\/p>\n<p>\u00cen scris, doar, pot s\u0103-\u021bi spun dorirea mea, Fecioar\u0103, tu, care sluje\u0219ti la Venus<br \/>\nAcolo-n Sestos, c\u0103ci furtuna rea M-a-mpiedicat &#8211; \u0219i-a\u0219 vrea s\u0103 zbor dar eu nu-s Vreo pas\u0103re m\u0103iastr\u0103. Tu cite\u0219ti Scrisoarea-mi prea-ntristat\u0103. Valul greu S-azv\u00e2rle-n \u021b\u0103rm cu for\u021bele-i dr\u0103ce\u0219ti Spre a-1 domoli. E cerul c\u0103tr\u0103nit Iar v\u00e2ntul mai nebun c\u0103 niciodat\u0103 V\u0103zduhul bubuind \u0219i r\u0103scolind A valurilor turm\u0103-nfuriat\u0103.<br \/>\nDoar un cor\u0103bier s-a-ncumetat<br \/>\nScrisoarea-mi s\u0103-ti aduc\u0103 &#8211; f\u0103r&#8217;de mine! C-am vrut s\u0103-l \u00eenso\u021besc dar l-am sc\u0103pat; C\u00e2t ai clipi \u201edin ochi plec\u0103. Ah, cine M-ar ajuta? Dac-a\u0219 zbura, ai fi \u00een bra\u021bele-mi, \u0219i-ai mei ar \u00een\u021belege Iubirea-mi tot mai m\u00e2ndr\u0103 zi de zi \u0218i nimeni n-ar cerca s\u0103 ne dezlege. Da, -ndurerat, pe \u021b\u0103rmul r\u0103scolit Eu am r\u0103mas zic\u00e2nd \u00een sinea mea;<br \/>\n\u201eTe du, scrisoare, g\u00e2ndu-mi norocit, De mine scris, va fi citit de ea Cu-ndr\u0103gostita-i gur\u0103 z\u00e2mbitoare \u0218i din\u021bii dec\u00e2t neaua mai frumo\u0219i&#8230;&#8221; Acestea au fost vorbele pe care Le-am murmurat. Ci, norii furio\u0219i Se v\u00e2nzoleau. \u0218i m\u00e2na c\u0103tre tine Iar am \u00eentins-o; ah, voi dep\u0103rt\u0103ri, Cum v-a\u0219 topi cu dorurile-mi pline La draga mea s\u0103 zbor; ne-voitori Sunt \u00eens\u0103 zeii! Nu-i Pontul lini\u0219tit Spre-a m\u0103 purta Ia dulcea mea st\u0103p\u00e2n\u0103! Sunt \u0219apte nop\u021bi, \u0219i iat\u0103,-s urgisit Ca \u00eentr-o ve\u0219nicie f\u0103r\u0103 lun\u0103,<br \/>\nMi-e somnul treaz \u0219i chinul necurmat \u0218i singur stau pe st\u00e2nc\u0103-n v\u00e2nt t\u0103ios Privind spre \u021b\u0103rmul cel \u00eence\u021bo\u0219at \u0218-aievea-s l\u00e2ng\u0103 tine, chip duios. Ah, draga mea, se deslu\u0219esc lumini Acolo?! Ins\u0103 v\u0103zul m\u0103 \u00een\u0219eal\u0103 &#8211; Am \u00eencercat s\u0103-not: ocean venin E Pontul \u0219i nu cade la-nvoial\u0103 \u0218i-av\u00e2ntul mi s-a pr\u0103bu\u0219it n\u0103t\u00e2ng;<br \/>\nAh, v\u00e2nt nebun, tu, Criv\u0103\u021b, figur\u0103-n spa\u021biu, De ce \u00eemi e\u0219ti potrivnic p\u00e2n\u0103 pl\u00e2ng C\u00e2nd m\u0103rii-i dai iubirea f\u0103r\u0103 sa\u021biu?<br \/>\nSuspinul, numai \u00eentru el m-adun Pe \u021b\u0103rmul b\u00e2ntuit de valuri grele Ah, cum a\u0219 vrea sub ceru-acum p\u0103g\u00e2n S\u0103 m\u0103 av\u00e2nt, cu dorurile mele S\u0103 potolesc al apelor noian Iar v\u00e2ntul domolit s\u0103 m\u0103 alinte \u0218i s\u0103 m\u0103 poarte ca pe-un n\u0103zdr\u0103van La \u021b\u0103rmul de iubire ce nu minte, Cu bra\u021bele v\u00e2njoase s\u0103-mi fac drum Spre farul cu lumina-mbietoare! Ci, tu cite\u0219ti scrisoarea mea acum C\u0103 \u021bi-a sosit! O, clip\u0103 domnitoare!<br \/>\nAh, zeii de m-ajut\u0103, \u00een cur\u00e2nd \u00een bra\u021be te voi str\u00e2nge, nu \u00een g\u00e2nd!<\/p>\n<p><em>\u201eHeroides&#8221; \u2014 Cartea XVIII: spune Leandru<br \/>\nLeandru, un t\u00e2n\u0103r de pe \u021b\u0103rmul asiatic (Dardanele), din Abydos, o \u00eendr\u0103gise pe Hero, o t\u00e2n\u0103r\u0103 din cetatea de pe cel\u0103lalt \u021b\u0103rm, din Sestos. Acest mit transpune \u00een plan poetic leg\u0103turile ce se stabiliser\u0103, ca \u0219i influen\u021bele reciproce, v\u0103dite \u00eenc\u0103 din antichitate, \u00eentre popoarele Asiei \u0219i Europei.<\/em><\/p>\n<p><strong><br \/>\nSCRISOARE REFUZAT\u0102<\/strong><br \/>\n(fragment)<\/p>\n<p>Deci, nu \u021bi-ai primit scrisoarea<br \/>\n\u0219i \u021bi-a-ntors-o necitit\u0103;<br \/>\nNu te \u00eentrista: e sigur<br \/>\nc\u0103-\u021bi va fi cur\u00e2nd iubit\u0103!<br \/>\nDoar cu-ncetul, \u0219tii prea bine,<br \/>\nt\u0103ura\u0219ii jugu-nva\u021b\u0103,<br \/>\nCaii-n fr\u00e2u, la fel,<br \/>\ncu-ncetul se supun: aceea\u0219i via\u021b\u0103:<br \/>\nZi de zi, tot folosindu-l<br \/>\nlan\u021bul de otel cedeaz\u0103,<br \/>\nPlugul \u00ee\u0219i toce\u0219te fierul<br \/>\n\u00een p\u0103m\u00e2ntu&#8217; ce-l br\u0103zdeaz\u0103;<br \/>\nSt\u00e2nca, cea mai tare st\u00e2nc\u0103,<br \/>\nare-o zi n\u0103ruitoare<br \/>\nSub fragila pic\u0103tur\u0103<br \/>\ncea etern r\u0103zb\u0103t\u0103toare!<br \/>\n Fii tenace \u0219i, cu timpul,<br \/>\nPenelopa se va da!<br \/>\nTroia a fost cucerit\u0103<br \/>\ndup\u0103 zece ani! A\u0219aa&#8230;<br \/>\nVa citi! de nu-\u021bi r\u0103spunde<br \/>\nn-o sili: s-o la\u0219i pe g\u00e2nduri;<br \/>\nF\u0103 iubirea s-o citeasc\u0103<br \/>\n\u0219i direct, \u0219i printre r\u00e2nduri.<br \/>\nCine a citit o dat\u0103<br \/>\nva dori s\u0103 \u0219i r\u0103spund\u0103<br \/>\n\u0218i cu-ncetul, doar cu-ncetul,<br \/>\nva intra-n fierbintea und\u0103,<br \/>\n\u00een scrisoarea-nt\u00e2ia, sigur<br \/>\nva vroi s\u0103 te opreasc\u0103,<br \/>\nS\u0103 te roage s\u0103 nu-i tulburi<br \/>\nbuna tihn\u0103 omeneasc\u0103,<br \/>\nTainic \u00eens\u0103 te dore\u0219te<br \/>\n\u0219i statornic ea viseaz\u0103<br \/>\n Cum c-o urm\u0103re\u0219ti \u0219i cum c\u0103<br \/>\n\u021ai se d\u0103ruie viteaz\u0103!<\/p>\n<p>Din <em>\u201eArta iubirii&#8221; (Ars amandi)<\/em>, Cartea I<\/p>\n<p><strong><br \/>\n LEONTIN P\u0102UN<\/strong><br \/>\n<strong>FINEART<\/strong><\/p>\n<p>Leontin P\u0103un s-a n\u0103scut \u00een 1978 la R\u00e2mnicu S\u0103rat, a urmat<br \/>\nLiceul de Art\u0103 \u201eOctav B\u0103ncil\u0103\u201d din la\u0219i \u0219i<br \/>\nAcademia de Arte \u201eGeorge Enescu\u201d. A expus \u00een nenum\u0103rate<br \/>\nlocuri din \u021bar\u0103, are lucr\u0103ri monumentale de comand\u0103 social\u0103<br \/>\nla Sihlea, R\u00e2mnicu S\u0103rat, la\u0219i, Techirghiol, N\u0103vodari.<br \/>\nArtistul a f\u0103cut stagii de documentare \u00een Rom\u00e2nia, la Hobi\u021ba,<br \/>\n\u0219i la Vene\u021bia, Italia. \u00een anul 2000 a fost distins &#8211;<br \/>\n\u00eempreun\u0103 cu colegii ie\u0219eni &#8211; cu Marele Premiu la \u0218coala<br \/>\nInterna\u021bional\u0103 de Art\u0103, Constan\u021ba. Coordoneaz\u0103, \u00eempreun\u0103 cu<br \/>\nAlina Avram, Galeria FineArt din la\u0219i, prin intermediul c\u0103reia<br \/>\npromoveaz\u0103 lucr\u0103ri de art\u0103 modern\u0103,<br \/>\nav\u00e2nd drept autori arti\u0219ti contemporani.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Virgil DIACONU Omul Vulnerabil* Pentru Lolita, femeia cu pielea de culoarea gutuii, femeia gutuie&#8230; Avu\u021bia Dac\u0103 tot am venit la<\/p>\n","protected":false},"author":18,"featured_media":10070,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"ngg_post_thumbnail":0,"video_url":"","footnotes":""},"categories":[7,328],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/22523"}],"collection":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=22523"}],"version-history":[{"count":1,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/22523\/revisions"}],"predecessor-version":[{"id":22524,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/22523\/revisions\/22524"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/media\/10070"}],"wp:attachment":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=22523"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=22523"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=22523"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}