{"id":22382,"date":"2024-01-03T16:55:18","date_gmt":"2024-01-03T13:55:18","guid":{"rendered":"https:\/\/ziarulderimnic.ro\/?p=22382"},"modified":"2024-01-03T16:55:18","modified_gmt":"2024-01-03T13:55:18","slug":"literadura-nr-30-10","status":"publish","type":"post","link":"https:\/\/ziarulderimnic.ro\/?p=22382","title":{"rendered":"Literadura nr. 30 (10)"},"content":{"rendered":"

Daniel LUCA<\/strong>
\n\"\"

Templul sunt eu<\/strong><\/p>\n

Atunci c\u00e2nd o scriere na\u0219te discu\u021bii pro \u0219i contra, se bucur\u0103 de interpret\u0103ri care de care mai diverse, autorul nu poate fi dec\u00e2t mul\u021bumit. Este \u0219i cazul Elei Iakab, cu volumul Poemele de la Aethris (edi\u021bia a II-a, rev\u0103zut\u0103 \u0219i ad\u0103ugit\u0103, Editura Castrum de Thymes, Giroc, 2023), \u00eenc\u0103rcat de simboluri \u0219i semnifica\u021bii.
\n Astfel, numerologia joac\u0103 un rol important aici, \u00eent\u00e2lnind cifrele trei, \u0219apte, nou\u0103 \u0219i varia\u021biuni ale acestora. Cifra trei semnific\u0103 ordinea intelectual\u0103 \u0219i spiritual\u0103, \u00een leg\u0103tur\u0103 cu divinitatea, cu universul \u0219i omul; cifra \u0219apte – zilele s\u0103pt\u0103m\u00e2nii, des\u0103v\u00e2r\u0219irea lumii \u0219i \u00eemplinirea vremii, dar \u0219i omul \u00eentreg; iar cifra nou\u0103-m\u0103sura gesta\u021biilor, a c\u0103ut\u0103rilor fructuoase, r\u0103spl\u0103tirea eforturilor, des\u0103v\u00e2r\u0219irea unei crea\u021bii. Prin urmare, este evident caracterul ini\u021biatic al volumului, al c\u0103ut\u0103rii sinelui, des\u0103v\u00e2r\u015firii, \u00eemplinirii.
\n Aethris, la r\u00e2ndu-i, \u00eenseamn\u0103 eter, regiunea superioar\u0103 a aerului, o zon\u0103 superioar\u0103 a cerului, dar diferit\u0103 \u0219i mai \u00eenalt\u0103 dec\u00e2t cea sublunar\u0103. Iar eterul, ca \u0219i sufletul, este invizibil. Cum Templul Aethris este unul interior, se suprapune sinelui (\u201eTe-am l\u0103sat dintotdeauna\/ s\u0103 ciople\u0219ti piatra de temelie\/ a templului \u00een lumina\/ dinl\u0103untrul meu\u201d; \u201e\u0218i totu\u0219i, crede-m\u0103,\/ Doamne,\/ c\u0103 at\u00e2t te iubesc,\/ \u00eenc\u00e2t de \u0219apte sute de ani,\/ Templul Aethris sunt eu\u201d \u2013 Templul Aethris) \u0219i devine puntea de leg\u0103tur\u0103 a acestuia cu divinitatea.
\n \u00cen acest moment, dincolo de timp, trupul e desp\u0103r\u021bit pur \u0219i simplu de suflet, fiin\u021b\u00e2nd dou\u0103 entit\u0103\u021bi separate. Paradoxal, atunci c\u00e2nd cele dou\u0103 entit\u0103\u021bi se contopesc, e atras\u0103 moartea (\u201eC\u00e2nd \u00cengerii mi-au spus\/ c\u0103 a venit vremea\/ s\u0103 p\u0103r\u0103sesc arhipelagul divin\/ \u0219i s\u0103 m\u0103 \u00eentorc \u00een lume,\/ pe loc am murit\u201d \u2013 Arhipelagul \u00cengerilor).
\n Dar o moarte c\u00e2t o \u00eenviere ca taumaturg, un vindec\u0103tor, un f\u0103c\u0103tor de minuni [\u201eLa poarta r\u0103s\u0103ritean\u0103\/ a templului, semin\u021bii \u00eentregi\/ a\u0219teptau s\u0103 vindec\/ mame, copii, regi,\/ vraci, astrologi.\/\/ De \u0219apte ori a dezlegat\/ firavul taumaturg\/ nodul mor\u021bii mele\/ \u0219i mi-a pl\u0103smuit o alt\u0103, \u0219i o alt\u0103, \u0219i o alt\u0103 aur\u0103\u201d \u2013 Numai din aura mea].
\n Uimit\u0103 de lucrarea taumaturgului, \u00eens\u0103\u0219i moartea cere clemen\u021b\u0103, ruga fiindu-i ascultat\u0103 (\u201e\u00abopre\u0219te stingerea taumaturgului!\/\/ O vreme, Doamne, o v\u00e2rst\u0103!\u00bb\/\/ S-a f\u0103cut lini\u0219te.\/\/ Apele, focul, eterul\/ au \u00eencremenit.\/\/ Dintr-o s\u0103m\u00e2n\u021b\u0103 invizibil\u0103, \/ cre\u0219tea frumuse\u021bea nep\u0103m\u00e2ntean\u0103 a taumaturgului\u201d \u2013 Ultimul dar p\u0103m\u00e2ntean).
\n Ini\u021bierea nu poate avea loc \u00een absen\u021ba iubirii. Care, la r\u00e2ndu-i, este de dou\u0103 feluri: p\u0103m\u00e2ntean\u0103 (\u201e\u0218i ne iubeam at\u00e2t de mult, \/ \u00eenc\u00e2t moartea picta \/ \u00een grotele ei\/ trupurile arcuite \u00een aer\/ cu o gra\u021bie str\u0103in\u0103\/ p\u0103m\u00e2ntenilor\u201d \u2013 Moartea picta) \u0219i divin\u0103, oamenii nefiind l\u0103sa\u021bi niciodat\u0103 singuri (\u201eCarul \u00eempletit din ramuri de tamarin,\/ trandafirii crescu\u021bi \u00een r\u0103nile bra\u021belor\/ mele arse \u00een timpul \u00eentoarcerii\/ la templu, purtau \u00eenl\u0103untrul lor\/ cuvintele Zeului de pe al \u0219aptelea munte\u201d \u2013 Pe drumul \u00eentoarcerii).
\n Prin credin\u021b\u0103, de altfel, omul ajunge s\u0103 se \u00eemplineasc\u0103, s\u0103 se des\u0103v\u00e2r\u0219easc\u0103, descoperindu-se pe sine \u00eensu\u0219i, dar con\u0219tientiz\u00e2nd \u0219i puterea de origine divin\u0103 care zace \u00eentr-\u00eensul (\u201eSub imensul Arbore\/ din poarta lunar\u0103\/ a templului,\/ o putere ciudat\u0103\/ z\u0103mislea semne\/ \u00een bra\u021bele mele.\/\/ De aer. De foc\/ De p\u0103m\u00e2nt\u201d \u2013 Viziune celest\u0103).
\n Treptat, pe nesim\u021bite, \u00eensu\u0219i Zeul se transform\u0103 \u00een Dumnezeu, ajung\u00e2ndu-se \u00een acest fel la o a doua des\u0103v\u00e2r\u0219ire, \u00eentrupat\u0103 \u00een Genez\u0103 (\u201eDumnezeu\/ mi-a promis\/ c\u0103 vom asculta\/ \u00een turnuri,\/ la por\u021bi \u0219i altare,\/ sunetele create\/ \u00een cele \u0219apte nop\u021bi\/ ale Genezei\u201d \u2013 Ora\u0219ul sublim).
\nPoemele de la Aethris m\u0103rturisesc lumii puterea lui Dumnezeu, puterea Cuv\u00e2ntului, dar \u0219i puterea Omului. <\/p>\n

Iubirea nu moare niciodat\u0103<\/strong><\/p>\n

Multe poezii sunt pline de pesimism, \u00eens\u0103 cele pe care le semneaz\u0103 Gheorghe Mihai B\u00e2rlea sunt de un optimism molipsitor (Sigilii de sare, Editura Limes, Flore\u0219ti, 2019).
\n Poetul este con\u0219tient de for\u021ba cuv\u00e2ntului s\u0103u (\u201epoetul e o revolu\u021bie \/ c\u00e2nd \u00ee\u0219i apleac\u0103 aripa \u00eeng\u00e2ndurat\u0103\u201d \u2013 Patria \u0219i poetul) \u0219i tocmai de aceea mesajul s\u0103u nu trebuie s\u0103 fie doar o simpl\u0103 reflectare a realit\u0103\u021bii, ci s\u0103 cuprind\u0103 \u00eentr-\u00eensul acest sentiment minunat care este iubirea (\u201ePoezia, \/ \u00een c\u0103utarea realit\u0103\u021bii \/ reinventeaz\u0103 pove\u0219ti – \/ un peisaj, un vis, o dram\u0103, \/ banalit\u0103\u021bi din via\u021ba cotidian\u0103, \/ b\u00e2rfe cultivate despre mirare, \/ dar niciodat\u0103 nu uit\u0103 dragostea – \/ care te face mare, \/ singura parte a realit\u0103\u021bii \/ ce nu moare\u201d \u2013 Inocen\u021b\u0103). Ori dac\u0103 iubirea nu moare, nici fericirea nu va pieri vreodat\u0103, cele dou\u0103 fiind interconectate (Clipa de fericire, \/ ca stropul de rou\u0103, \/ ca lacrima, \/ la atingerea v\u00e2ntului se usuc\u0103; \/\/ r\u0103m\u00e2ne un sigiliu de sare, \/ ad\u00e2nc \u00eenr\u0103mat \u00eentre pleoape, \/ care nu se tope\u0219te \/ \u0219i nu se usuc\u0103, \/ ci cre\u0219te\u201d).
\n Desigur, iubirea nu r\u0103m\u00e2ne \u00eentr-un singur loc, ci se disipeaz\u0103 \u00een tot \u0219i \u00een toate, aduc\u00e2nd cu sine bun\u0103tatea, bucuria, credin\u021ba, iubirea aproapelui, a naturii, a locurilor. Omul ajunge s\u0103 fie cuprins \u00eentru totul de bucuria tr\u0103irii clipei, p\u00e2n\u0103 \u00eentr-acolo \u00eenc\u00e2t dob\u00e2nde\u0219te siguran\u021ba eternit\u0103\u021bii vie\u021bii (\u201eBucur\u0103-te de frumuse\u021bea lumii, \/ crede c\u0103 e\u0219ti \u00een rai \/ \u0219i toate drumurile sunt \u0219i pentru tine \/ (…) \/ \u00eenc\u00e2t te va str\u0103bate g\u00e2ndul \/ c\u0103 via\u021ba ta este f\u0103r\u0103 sf\u00e2r\u0219it\u201d \u2013 Te bucur\u0103).
\n Odat\u0103 alungat din jurul t\u0103u ceea ce este r\u0103u, ur\u00e2t, \u00eentunecat, vei vedea via\u021ba cu al\u021bi ochi \u0219i vei l\u0103sa loc visului (\u201e\u00een absen\u021ba visului, \/ e\u0219ti f\u0103r\u0103 ie\u0219ire\u201d \u2013 \u00cen absen\u021ba visului) \u0219i speran\u021bei (\u201eacolo unde speran\u021ba p\u0103trunde, \/ moare \u0219i spaima de moarte\u201d \u2013 Puterea ta).
\n La conturarea fericirii contribuie \u0219i amintirea p\u0103rin\u021bilor, a locurilor copil\u0103riei, a copil\u0103riei \u00eens\u0103\u0219i, nimic pozitiv din via\u021ba ta netrebuind l\u0103sat prad\u0103 uit\u0103rii.
\n Iar dac\u0103 tu \u00eensu\u021bi ai \u00eenf\u0103ptuit ceva ce nu ar fi trebuit, lupt\u0103 s\u0103 \u00eendrep\u021bi situa\u021bia, s\u0103 schimbi r\u0103ul \u00een bine, s\u0103 fii un adev\u0103rat exemplu, demn de urmat (\u201eDac\u0103 ai f\u0103cut un r\u0103u, \/ \u00eel vei vindeca; \/ dac\u0103 ai f\u0103cut un bine, \/ \u00eel vei \u00eenmul\u021bi; \/ cu putin\u021b\u0103-i totul \/ dac\u0103 po\u021bi iubi\u201d \u2013 Cer \u0219i \u00eenstelare).
\n Iubirea, de altfel, trebuie s\u0103 vin\u0103 din str\u0103fundurile fiin\u021bei tale, s\u0103 crezi \u00een ea \u0219i \u00een puterea sa, \u00een caz contrar ea neav\u00e2nd niciun efect asupra celorlal\u021bi. Doar astfel flac\u0103ra iubirii va deveni at\u00e2t de vie, de \u00eenalt\u0103, \u00eenc\u00e2t nu va exista o alta care s\u0103 o \u00eentreac\u0103 (\u201enu exist\u0103 flac\u0103r\u0103 mai \u00eenalt\u0103 ca iubirea – \/\/ arde p\u00e2n\u0103 c\u00e2nd inelul de nunt\u0103 \/ redevine piatr\u0103\u201d \u2013 Flac\u0103ra iubirii).
\n Iubirea cu care-i \u00eenv\u0103lui pe cei din jur \u021bi se va \u00eentoarce \u00eensutit, \u00eenmiit chiar, \u00eenapoi din \u00eenalturi, iar \u00eentoarcerea-i nu va putea trece neobservat\u0103 (\u201eS\u0103 rode\u0219ti, rodirea-i frumuse\u021bea \/ marelui \u00eenalt ceresc \u0219i viu, \/ cum de-a pururi purpura luminii \/ \u00eencol\u021be\u0219te \u00een piatr\u0103 \u0219i pustiu, \/\/ \u0219i-\u021bi arat\u0103 calea, \u00eenso\u021bindu-\u021bi g\u00e2ndul, \/ r\u0103s\u0103ritul zilei, soarele-n apus, \/ te cuprinde visul \u0219i prive\u0219ti prin el \/ cum se \u00eentorc la via\u021b\u0103 cele ce s-au dus …\u201d \u2013 Rodire \u0219i rod).
\n Poezia lui Gheorghe Mihai B\u00e2rlea este un elogiu adus vie\u021bii, fiind o oaz\u0103 de lumin\u0103 \u00een vremurile neprielnice pe care le str\u0103batem.<\/p>\n


\nRamona M\u00dcLLER <\/strong>
\n\"\"

Cele mai frumoase costume sunt c\u0103r\u021bile <\/strong><\/p>\n

\u00cen cadrul manifest\u0103rilor prilejuite de \u00eemplinirea a 130 de ani de bibliotec\u0103 public\u0103 la Buz\u0103u, mar\u021bi 31.10.2023, la Biblioteca Jude\u021bean\u0103 \u201eV. Voiculescu\u201d Buz\u0103u a avut loc o lansare multipl\u0103 de carte:\u201e\ud835\udc0f\ud835\udc2b\ud835\udc28\ud835\udc1f\ud835\udc1a \ud835\udc1d\ud835\udc22\ud835\udc27\ud835\udc2d\ud835\udc2b\ud835\udc1e \ud835\udc29\ud835\udc1a\u0306\ud835\udc29\ud835\udc1a\u0306\ud835\udc1d\ud835\udc22\ud835\udc22 \ud835\udc2c\u0326\ud835\udc22 \ud835\udc1c\ud835\udc1a\ud835\udc1c\ud835\udc2d\ud835\udc2e\ud835\udc2c\u0326\ud835\udc22\u201d, ed. Neuma (volum rom\u00e2n-francez-german) \u0219i Cealalt\u0103 fiin\u021b\u0103 a mea ed. Tracus Arte semnate de Ramona M\u00fcller \u0219i \u201e\ud835\udc0f\ud835\udc2b\ud835\udc1e\ud835\udc33\ud835\udc1e\ud835\udc27\ud835\udc2d\ud835\udc2e\ud835\udc25 \ud835\udc1d\ud835\udc22\ud835\udc27\ud835\udc2d\ud835\udc2b\ud835\udc1e \ud835\udc1c\ud835\udc25\ud835\udc22\ud835\udc29\ud835\udc1e\u201d , ed. Detectiv literar; \u201e\ud835\udc19\ud835\udc1b\ud835\udc28\ud835\udc2b \ud835\udc22\ud835\udc27\ud835\udc2d\ud835\udc1e\ud835\udc2b\ud835\udc33\ud835\udc22\ud835\udc2c\u201d, ed. Princeps Multimedia semnate de Aura Crei\u021baru Amfitrionul evenimentului a fost directorul bibliotecii, Sorin Burlacu, iar invitat special scriitorul \u0219i jurnalistul Florin Dochia.
\n Cele dou\u0103 autoare locuiesc \u00een Ploie\u0219ti. \u00ce\u0219i leag\u0103 existen\u021ba de Buz\u0103u, de locurile natale prin cariera didactic\u0103 \u0219i prin activit\u0103\u021bile literare din anii anteriori.
\n Cele patru volume de versuri au fost analizate critic de c\u0103tre Florin Dochia \u00eentr-un expozeu analitic. Conform acestuia, Aura Crei\u021baru \u0219i Ramona M\u00fcller sunt autoare elegiace \u0219i poete de atitudine, deoarece ele nu scriu despre ceea ce viseaz\u0103, ci construiesc versurile pe realitate. Cuv\u00e2ntul Aurei Crei\u021baru vine \u0219i completeaz\u0103 o realitate formatat\u0103 dintr-o alt\u0103 realitate, iar tr\u0103irea triste\u021bii amplific\u0103 vibra\u021bia interioar\u0103. \u00cen cazul Ramonei M\u00fcller, prin \u201eCealalt\u0103 fiin\u021b\u0103 a mea\u201d aceasta atinge un alt nivel al sensului s\u0103u liric, prin exerci\u021biul conving\u0103tor de adev\u0103r \u0219i libertate.
\nAu fost prezen\u021bi Valeria Manta T\u0103icu\u021bu, Nicolai T\u0103icu\u021bu, Tudor Cicu, Nicolae Pogonaru, Gina Zaharia, Elena Radu, Mihaela Roxana Boboc, Mircea T\u0103nase, Roxana Mihaela Constantinescu, Marian, Mihai, Gheorghe Ciobanu, Marcela Chiri\u021b\u0103, Toni Marcela Apostoliu, Nicoleta Zaharia, Maria Voicu, M\u0103d\u0103lina \u0219i Ionu\u021b Aldea, Marius C\u0103t\u0103lin Negoi\u021b\u0103, Dana Gheorghe, Pompilius Micu, Elena Carmen Grau, Adrian Crei\u021baru, Dumitru Paleacu, Ionu\u021b, Anca \u0219i Alicia Dogaru, Vlad M\u00fcller, Vivi, Sanda Baiu, Valentina Bucur. <\/p>\n


\nConcursul Na\u021bional de SF \u0219i Fantasy, edi\u021bia a II-a, 2023<\/strong><\/p>\n

Edi\u021bia a doua a Concursului na\u021bional de SF \u0219i Fantasy s-a finalizat: ceea ce \u00eenseamn\u0103 c\u0103 nu mai este o \u00eent\u00e2mplare. Concursul trebuie s\u0103 devin\u0103 tradi\u021bie, a spus Gabriela Serena Petrescu la deschiderea festivit\u0103\u021bii de premiere a evenimentului mai sus men\u021bionat.
\n Juriul a fost \u0219i anul acesta prezidat de scriitorul Alexandru Mironov secondat de Ana Maria Negril\u0103 \u0219i de C\u0103t\u0103lin Badea Gheracostea.
\n Alexandru Mironov cucere\u0219te audien\u021ba cu subiectele sale interesante \u0219i incitante despre provoc\u0103rile viitorului, \u00eencep\u00e2nd de la performan\u021bele \u0219tiin\u021bei p\u00e2n\u0103 la literatura SF care materializeaz\u0103 ideile \u00eendr\u0103zne\u021be angren\u00e2nd imagina\u021bia cititorilor \u00eentr-un carusel.
\n Materialele primite au fost de calitate superioar\u0103 primei edi\u021bii a men\u021biona\u021b scriitoarea Ana Maria Negril\u0103. Literatura Sf are un public select. \u00cen timp, a influen\u021bat cititorii \u0219i tehnologia.
\n Concursul este dotat cu premii substan\u021biale \u0219i organizatorii ar dori ca cei care particip\u0103 cu texte la concurs s\u0103 ia \u00een calcul c\u0103 trebuie s\u0103 participe \u0219i la premiere dac\u0103 c\u00e2\u0219tig\u0103.
\n Octogenara Angela Dina Mo\u021b\u0103\u021b\u0103ianu a impresionat prin vitalitate.
\n Au revenit la Buz\u0103u Ioana Maria Trif, Bra\u0219ov, \u0219i Mara Cernat.<\/p>\n

Premiile de anul acesta sunt urm\u0103toarele:
\nSec\u021biunea SF
\n1.IONUT CALOTA, Cealalt\u0103 istorie a lumii mele
\n2.ANGELA DINA-MO\u021a\u0102\u021a\u0102IANU – Ceres seniors residence
\n3.MARIUS DICHISAN, Saltul
\nMEN\u021aIUNE: MARA CERNAT, De sus<\/p>\n

Sec\u021biunea Fantasy
\n1.GABRIELA CARUNTU (Gabrinov), Ultima suflare
\n2.VLAD PASENCU, Cursa special\u0103
\n3.GHEORGHE POSTELNICU, Figurant \u00een scena vietii
\nMEN\u021aIUNE: IOANA TRIF, St\u0103p\u00e2nul apei<\/p>\n


\nSorin C\u0102LIN<\/strong>
\n\"\"

Phil Collins la final de carier\u0103<\/strong><\/p>\n

Un muzician cu experien\u021b\u0103, activ parc\u0103 de c\u00e2nd lumea, de\u0219i o scurt\u0103 perioad\u0103 \u0219i-a oferit sie\u0219i \u0219i fiului cel mic o pauz\u0103.
\n Londonez prin na\u0219tere, \u0219i el cel mai mic dintre fra\u021bi, sora, Carole, patinatoare profesionist\u0103 \u0219i agent teatral, ca \u0219i mama, fratele, Clive, unul dintre cei mai cunoscu\u021bi caricaturi\u0219ti englezi.
\n La cinci ani prime\u0219te primul set de tobe juc\u0103rie, schimbat de unul improvizat mai t\u00e2rziu de doi dintre unchii s\u0103i, la care au ad\u0103ugat un trianglu \u0219i o tamburin\u0103, c\u00e2t s\u0103 \u00eencap\u0103 toate \u00eentr-o valiz\u0103. La \u0219apte particip\u0103 la un concurs de talente, unde opre\u0219te orchestra care acompania la jum\u0103tatea melodiei pe motiv c\u0103 \u201eerau \u00een tonul gre\u0219it\u201d. A primit abia pe la 12 ani lec\u021bii de baz\u0103 la pian de la o m\u0103tu\u0219\u0103 \u0219i chestiuni rudimentare de tobe de la Lloyd Ryan \u0219i Frank King. Cu toate acestea, nu a \u00eenv\u0103\u021bat niciodat\u0103 s\u0103 citeasc\u0103 \u0219i s\u0103 scrie \u00een nota\u021bie muzical\u0103, credin\u021ba c\u0103 este suficient\u0103 fredonarea ca s\u0103 poat\u0103 c\u00e2nta regret\u00e2nd-o ulterior.
\n 1964 este anul \u00een care se lanseaz\u0103 ca… actor, fiind unul dintre adolescen\u021bii ce \u021bip\u0103 de bucurie la apari\u021bia idolilor, \u00een pelicula The Beatles – \u201eA Hard Day’s Night\u201d, apoi repartizat \u00een dou\u0103 dintre piesele musicalului \u201eOliver!\u201d, cotat drept \u201ecea mai bun\u0103 interpretare a unui copil din toat\u0103 Londra\u201d. Actor de film, promoter pentru produse de reclam\u0103, caracter puternic, la doar 16 ani se ceart\u0103 cu regizorul uneia dintre peliculele \u00een care fusese selectat s\u0103 apar\u0103.
\n Ratarea vie\u021bii: audi\u021bia pentru a deveni tobo\u0219arul trupei Yes, dup\u0103 ce \u00eei auzise c\u00e2nt\u00e2nd \u00een clubul unde fusese b\u0103iat bun la toate – s\u0103 m\u0103ture, s\u0103 aranjeze scaune, s\u0103 ajute \u00een vestiare. Pur \u0219i simplu nu s-a prezentat.
\n La 18 ani are primul turneu european \u00een grupul de suport pentru John Walker. \u00cen acela\u0219i an, 1969, din membrii cu care se deplasase pe continent s-a format trupa rock Flaming Youth, al\u0103turi de care \u00eenregistreaz\u0103 primul album: Ark 2.
\n La 19 ani i se al\u0103tur\u0103 lui George Harrison perform\u00e2nd pe \u201eArt of Dying\u201d la congas, dar contribu\u021bia sa r\u0103m\u00e2ne neintrodus\u0103 \u00een pies\u0103. Ulterior \u00eei cere beatles-ului explica\u021bii, acesta \u00eei trimite o \u00eenregistrare cu presta\u021bia slab\u0103, Phil \u00ee\u0219i cere scuze, iar George \u00eei m\u0103rturise\u0219te c\u0103 \u00eenregistrarea era o fars\u0103.
\n Pentru anun\u021bul celor de la Genesis n-a mai ratat audi\u021bia, devenind al patrulea tobo\u0219ar al trupei, al\u0103turi de prietenul \u0219i colegul Caryl (\u00eenlocuit dup\u0103 un an de Steve Hackett), Peter Gabriel, Tony Banks \u0219i Mike Rutherford. Dup\u0103 ce Peter Gabriel p\u0103r\u0103se\u0219te grupul \u00een 1975, Collins devine vocalist \u0219i nu \u00eent\u00e2mpl\u0103tor, \u00een turneul de promovare a primului album, \u201eA Trick of the Tail\u201d, \u0219i \u00een postur\u0103 de lider vocal, \u00eel accept\u0103 pe Bill Bruford al celor de la Yes ca tobo\u0219ar.
\n \u00centre 1970-1977 are diverse colabor\u0103ri, albumul solo al lui Peter Banks – tot un Yes-man -, albumele lui Eno, al colegului Hackett, al grupului jazz Brand X, al lui Johnny the Fox, al celui de debut ce apar\u021binea lui Anthony Phillips.
\n Abia \u00een 1978 \u00eencepe cu adev\u0103rat s\u0103 se ocupe \u0219i de cariera solo, \u00eenregistr\u00e2nd Face Value, albumul de debut \u00een 1981, puternic influen\u021bat de divor\u021bul de so\u021bie \u0219i desp\u0103r\u021birea de cei doi copii \u0219i cei doi c\u00e2ini, \u0219i pe cel de-al doilea \u00een 1982, Hello, I Must Be Going!…
\n \u00cen total 32 de premii ob\u021binute, dintre care 8 Grammy, 3 American Music, 6 Brit, 4 BillBoard Music, 6 Ivor Novello, 1 Mtv Video Music, 1 Nrj Music, 1 Academy, 2 Golden Globe. Nominaliz\u0103ri \u00eenc\u0103 pe at\u00e2tea. 8 albume solo. 14 din 15 albume cu Genesis.
\n Phill Collins, unul dintre tobo\u0219arii mai pu\u021bin obi\u0219nui\u021bi, st\u00e2ngaci, cu seturi Gretsch, Pearl \u0219i Premier, Roland TR-808 \u0219i TR-909, sintetizatoare de la Korg, pianul electric arhi folosit de muzicenii de top, Fender Rhodes.
\n Actor cu stea pe Hollywood Walk of Fame, activist pentru drepturile animalelor, pentru copii \u0219i veteranii de r\u0103zboi. Conservator ca orientare politic\u0103. Cotat cu o avere de 120 de milioane de lire sterline \u00een 2012, fiind al doilea tobo\u0219ar cu o astfel de avere dup\u0103 Ringo Star.
\n O personalitate muzical\u0103 incontestabil\u0103 care la 71 de ani a spus adio scenei, \u00een ultimul concert sus\u021binut la Londra, al\u0103turi de Genesis, \u00een turneul \u201eThe Last Domino\u201d: 26 martie 2022.
\n Mul\u021bumim, maestre!<\/p>\n","protected":false},"excerpt":{"rendered":"

Daniel LUCA Templul sunt eu Atunci c\u00e2nd o scriere na\u0219te discu\u021bii pro \u0219i contra, se bucur\u0103 de interpret\u0103ri care de<\/p>\n","protected":false},"author":17,"featured_media":22311,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"ngg_post_thumbnail":0,"video_url":"","footnotes":""},"categories":[7,329],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/22382"}],"collection":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/users\/17"}],"replies":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=22382"}],"version-history":[{"count":1,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/22382\/revisions"}],"predecessor-version":[{"id":22383,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/22382\/revisions\/22383"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/media\/22311"}],"wp:attachment":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=22382"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=22382"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=22382"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}