\u00cemi propun dou\u0103 fronturi paralele de lucru. Cele dou\u0103 cariere alternativ. Pentru \u00eenceput m\u0103 \u00eentorc la albumul lui Sting, cu promisiunea c\u0103 la final sucesc pe toate p\u0103r\u021bile interviul de prin anii 80.
\n Al treilea song de pe \u201evinilul\u201d 44\/876, Waiting For The Break of Day, uzeaz\u0103 cam aceea\u0219i garnitur\u0103 de muzicieni, Sting al nostru, Shaggy, Shippy \u0219i Pizzonia la componistic\u0103, la tobe Sting al lor, la clape \u0219i Martin, \u0219i Shippy, basul Sting, evident, la pian iar Martin \u0219i Geoffrey Keezer, aranjamentele de viori Sting \u0219i Shippy, la percu\u021bii Robert Orton \u0219i Sting cel\u0103lalt, voci prin spate, \u00eenso\u021bitoare, Mellisa \u0219i Gene Noble.
\n Textul…. O jamaican\u0103 de \u00eenceput, engleze\u0219te aproape intraductibil\u0103. Sunt cuvinte fracturate, pref\u0103cute, sub\u021biate ca volum, un ting, un fi…. Ceva \u201echiar acum chestiunea va deveni real\u0103\u201d, ceva cu \u201e\u0219i noua mea apari\u021bie nu va l\u0103sa loc de nicio afacere\u201d. O fi, n-o fi chiar a\u0219a…. C\u00e2t prive\u0219te textul lui Sting, nu las\u0103 loc de \u00eendoieli. Chiar dac\u0103 \u00eembrobode\u0219te ascult\u0103torul cu trei strofe de un banal dezarmant, ca mai apoi…. Soarele asfin\u021bit, lumin\u0103 ce nu vrea s\u0103 mai stea, a\u0219ternut\u0103 l\u00e2ng\u0103 el, el a\u0219tept\u00e2nd pauza de odihn\u0103 binemeritat\u0103 (am dep\u0103\u0219it cadrul textual fiindc\u0103 \u00een sine cam asta vrea s\u0103 induc\u0103 versul-titlu). Dup\u0103 soare…. Luna care st\u0103 \u00een \u00eentunecata noapte departe. O chemare a iubitei, probabil: vino \u0219i \u021bine-m\u0103 aproape disear\u0103. Nu \u0219tiu cum plou\u0103 pe la tropice, \u00eens\u0103 a treia rund\u0103 de vocabule o induce ca pe o certitudine \u0219i sub c\u0103derea-i, Sting \u00eencearc\u0103 s\u0103-i aline toat\u0103 durerea provocat\u0103 de tr\u0103dare. O fi femeia \u00een diferite ipostaze, o fi de cele mai multe ori dezam\u0103git\u0103, totu\u0219i…. Altul este protagonistul. Cet\u0103\u021beanul, omul nemul\u021bumit de legile \u021b\u0103rii, for\u021bat s\u0103 se supun\u0103, p\u00e2ndind, pichet\u00e2nd, a\u0219tept\u00e2nd acea pauz\u0103 binecuv\u00e2ntat\u0103. Legea zi, pauza, noaptea eliberare. V\u0103z\u00e2nd, auzind falsitatea politicienilor care nu \u00eenceteaz\u0103 s\u0103 peroreze. Iar la final…. Dezam\u0103gire \u0219i speran\u021b\u0103 laolalt\u0103. C\u00e2nd \u00een\u021belepciunea se ascunde de ea \u00eens\u0103\u0219i undeva departe, exist\u0103 \u00eenc\u0103 un regat, acolo, un altul unde va veni \u0219i vei avea parte de pauza mult meritat\u0103.
\n Iar\u0103 acum muzicile. E loc…. Debut\u00e2nd doar cu pianul, a\u0219tept\u0103rile auditive converg spre un soi de lini\u0219te orchestral\u0103. Acolo un fond \u00eenfundat de acompaniat, cine \u0219tie ce mici \u0219i calme interven\u021bii de chitar\u0103 cu ton discret…. E loc \u0219i de alt\u0103 interpretare, diferit\u0103 de cea care urmeaz\u0103 \u00een fapt. Reverie spart\u0103 de patru b\u0103t\u0103i pe p\u0103trimi stridente de premier. \u00cenlocuind \u201ebe\u021be!\u201d-le cerute de muzicieni tobo\u0219arilor, ca s\u0103 aib\u0103 un ghidaj. Bas, tobe \u00een ritm normal, \u201epatru a patra\u201d – tot din \u201earsenalul\u201d uzual al muzicienilor – viori, o chit\u0103ru\u021b\u0103 cu dou\u0103 note, acelea\u0219i, \u0219i dou\u0103 acorduri scurte, optimile 2 din timpii 3 \u0219i 4 ale m\u0103surilor pare (2 \u0219i 4), mai cur\u00e2nd c\u00e2ntate de harpischord dec\u00e2t de wurlitzer. Concomitent recto-tono pe versurile alocate lui Shaggy. Voce sc\u0103zut\u0103 \u00een frecven\u021be \u0219i la Sting. \u00cen fine, nu ridic\u0103 \u201eglasul\u201d dec\u00e2t pe finalul strofei a doua, dar catifelat. Credeam \u00een fidelitatea total\u0103 a site-ul oficial, m-am trezit totu\u0219i \u00een fa\u021ba unor lipsuri inexplicabile. Interven\u021bia lui Shaggy de la mijlocul piesei a fost radiat\u0103. Acolo. \u00cen celelalte locuri de pe internet exist\u0103. Chiar scrierea este mai aproape de o traducere dintr-o englez\u0103 mult mai complet\u0103. Astfel c\u0103 \u00eent\u00e2ia interven\u021bie sun\u0103 \u201eSper ca \u00eent\u00e2lnirile s\u0103 devin\u0103 reale, Nu voi sta a\u0219tept\u00e2nd pe la col\u021buri, dac\u0103 nu \u00eemi iese nimic din asta.\u201d. \u0218i uite cum s-a dus pe \u201eapa s\u00e2mbetei\u201d lipsa noimei. Descop\u0103r \u00eens\u0103 la urm\u0103toarea zicere shaggy-an\u0103 o cantitate nea\u0219teptat\u0103 de metafore, imagini unice. Cine a v\u0103zut r\u0103s\u0103rind luna albastr\u0103? Anul\u00e2nd astfel pozi\u021bia de far al nop\u021bii, cei ce vor privi \u00een larg vor z\u0103ri vag mareele. Parc\u0103 f\u0103r\u0103 \u00eengrijorare, cel ce descrie acest tablou nocturn prezice ciocnirea navelor r\u0103t\u0103cite prin aceast\u0103 p\u00e2cl\u0103. El \u00eensu\u0219i sim\u021bindu-se \u00eenghi\u021bit de ritmul \u00eenainte \u0219i \u00eenapoi (surprinz\u0103tor!), m\u00e2inile nu-\u0219i pot g\u0103si lini\u0219tea, tremur\u0103, nu pot dec\u00e2t s\u0103 se roage, un pre\u021b mic pentru sufletul ce trebuie s\u0103 pl\u0103teasc\u0103, l\u0103crima\u021bi pentru ziua ce a apus. De la \u201eploaie\u201d \u00eenainte, Sting \u00ee\u0219i reia stilul binecunoscut, notele din ambitusul s\u0103u obi\u0219nuit, dar mai aspru dec\u00e2t \u00een trecut, vizibil \u00eemb\u0103tr\u00e2nit. Vocilesuport \u201dnegre\u201d apar abia pe ultimele patru versuri \u0219i sunt perfec armonizate, de acolo, de la mama goespel-ului, de\u0219i-s de s\u0103m\u00e2n\u021b\u0103 jamaican\u0103. Nice and interesting!<\/p>\n","protected":false},"excerpt":{"rendered":"
\u00cemi propun dou\u0103 fronturi paralele de lucru. Cele dou\u0103 cariere alternativ. Pentru \u00eenceput m\u0103 \u00eentorc la albumul lui Sting, cu<\/p>\n","protected":false},"author":7,"featured_media":10495,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"ngg_post_thumbnail":0,"video_url":"","footnotes":""},"categories":[7,116],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/22380"}],"collection":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=22380"}],"version-history":[{"count":1,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/22380\/revisions"}],"predecessor-version":[{"id":22381,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/22380\/revisions\/22381"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/media\/10495"}],"wp:attachment":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=22380"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=22380"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=22380"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}