{"id":22369,"date":"2024-01-01T23:10:52","date_gmt":"2024-01-01T20:10:52","guid":{"rendered":"https:\/\/ziarulderimnic.ro\/?p=22369"},"modified":"2024-01-01T23:11:14","modified_gmt":"2024-01-01T20:11:14","slug":"literadura-nr-30-8","status":"publish","type":"post","link":"https:\/\/ziarulderimnic.ro\/?p=22369","title":{"rendered":"Literadura nr. 30 (8)"},"content":{"rendered":"

Lumini\u021ba GIURGIU<\/strong><\/p>\n

Volume de poezie publicate:
\n\u201eflagrant delict de emo\u021bie\u201d – Eikon 2021
\n\u201ef\u0103r\u0103 suflare\u201d – Eikon 2022;
\n\u201efloare carnivor\u0103, speran\u021ba\u201d – Editura pentru Art\u0103 \u0219i Literatur\u0103 2023;
\nRedactor \u0219ef la revista de cultur\u0103 online bel-esprit.ro<\/p>\n

linguri \u00een loc de cu\u021bit<\/strong><\/p>\n

p\u0103dure de portocali, \u021bi-s ochii mu\u0219c\u0103tur\u0103 de verbe
\nla butoniera lor \u00eenver\u0219unat\u0103 \u0219i dulce
\n\u00eemi port crucea, tr\u0103iesc
\ndin mersul fructelor pe bolta
\nunei zodii de ap\u0103 ce se poart\u0103 descul\u021b\u0103
\n\u0219i fur\u0103 p\u0103m\u00e2nt de la lotri<\/p>\n

via\u021ba-mi ofer\u0103 linguri, iar eu
\nn-am nevoie dec\u00e2t de-un cu\u021bit c\u00e2t
\nun pe\u0219ti\u0219or argintiu \u00eentr-un pantof
\n de lac.<\/p>\n


\nrecunoa\u0219te!<\/strong><\/p>\n

desen\u0103m cercuri
\nspui te iubesc \u0219i, brutal, porne\u0219te o und\u0103
\nbuc\u0103\u021bi din mine arunc f\u0103r\u0103 s\u0103 rup nimic
\ntu – cr\u00e2mpeiul \u00eentreg
\nse na\u0219te-o algebr\u0103 savuroas\u0103 cu floarea ei
\nf\u0103r\u0103 tulpin\u0103<\/p>\n

leziuni are pe fa\u021b\u0103 \u0219i genunchi fractura\u021bi de moda lichid\u0103
\n\u00eemi face neru\u0219inate, \u00eenduio\u0219ate semne
\nhai, vino-ncoa’! e\u0219ti a mea, nu
\nte \u00eempotrivi uns\u0103
\ncu alifia cea aurie din poezie po\u021bi r\u0103bda frigul
\nmeu cosmic, a\u0219a cum sunt:<\/p>\n

diminea\u021ba verde \u0219i putred seara<\/p>\n

un imatur genial
\nrecunoa\u0219te!<\/p>\n

c\u0103m\u0103\u0219ile tale<\/em><\/p>\n

le calc \u0219i c\u0103m\u0103\u0219ile tale sf\u00e2r\u00e2ie ca marochinul
\n\u00eembibat cu n\u0103luci
\n\u00eenainte s\u0103 le \u00eembraci \u00ee\u021bi lepezi propria
\npiele \u0219i mi-o arunci<\/p>\n

coase-o!<\/em><\/p>\n

ce osteneal\u0103 \u0219i p\u00e2n\u0103-n sear\u0103
\ntot iau de la mine \u0219i pun milimetru p\u0103trat
\ncerc \u0219i alte puteri<\/p>\n

m\u0103 g\u0103se\u0219ti \u00eenf\u0103\u0219urat\u0103 \u0219i nou
\nnou\u021b\u0103, t\u00e2rziu, c\u00e2nd citesc nop\u021bii
\ncu voce tare:<\/p>\n

femeia e marea \u0219i b\u0103rbatul de\u0219ertul
\nprecum apa \u0219i setea
\nse du\u0219m\u0103nesc \u0219i se caut\u0103<\/p>\n

pentru clipa suprem\u0103 c\u00e2nd nu
\no s\u0103-\u0219i mai \u00eencap\u0103 \u00een piele
\n\u2003
\n
\nora de croitorie <\/strong><\/p>\n

la ora c\u00e2nd ambra \u00ee\u015fi pierde conturul
\n\u015fi-n trestii se umfl\u0103 cimpoaiele m\u0103rii
\nmi se deschide t\u00e2mpla \u015fi \u00een\u0103untru
\npo\u021bi vedea anticari tineri practic\u00e2nd
\ncroitoria cursiv\u0103:<\/p>\n

la umerii dumneavoastr\u0103 se potrive\u015fte Bukowski, niciun milimetru \u00een plus
\niar \u021bie, obraznico, z\u00e2mbetul Ninei, cu guler \u00eenalt
\ntimbre \u015fi pipe, nu \u021binem, domnule Pablo
\n(azi este joi, nu ne
\ntutuim)
\ndar pot croi valuri \u00een form\u0103 de inim\u0103-albastr\u0103
\ns\u0103 vi le cos direct sub piele ca s\u0103 sim\u021bi\u021bi
\nce simt eu c\u00e2nd mii de furnici
\n\u00eemi car\u0103 foarfeci prin suflet
\nnu, nu te zdrobi, iubitule, las-o a\u015fa, deschis\u0103
\nspitale de t\u00e2mpla mea nu exist\u0103
\n\u015fi eu ador anticarii<\/p>\n


\nFernando Pastor-MATA <\/strong><\/p>\n

(public\u0103 cu pseudonimul Fernando Pastor Pons – Madrid, 1954), scriitor \u0219i jurnalist. Studiaz\u0103 Istoria \u0219i Geografia \u0219i ob\u021bine titlul de licen\u021biat la Universitatea Complutense din Madrid, de\u021bine func\u021bii de conducere \u00een diverse organiza\u021bii culturale na\u021bionale \u0219i interna\u021bionale. A publicat dou\u0103 volume de poezii \u0219i \u00een diverse antologii \u0219i reviste din mediul na\u021bional \u0219i interna\u021bional.
\nTraducere \u0219i prezentare de Elisabeta Bo\u021ban<\/p>\n

Oferte de munc\u0103 1\u2019 40\u2019\u2019<\/strong><\/p>\n

\u0218i dup\u0103 \u201eAngaj\u0103m director\/
\nzidar\/ tehnician\/ func\u021bionar sau operator\u201d
\no descriere care \u021bi se potrive\u0219te \u0219i
\nlipsesc doar numele t\u0103u \u0219i
\nactul de identitate;
\na\u0219a c\u0103 te prezin\u021bi
\npentru c\u0103 \u0219tii c\u0103 nimeni
\nnu are preg\u0103tirea \u0219i experien\u021ba ta
\n\u0219i nici nu e dispus s\u0103 lucreze
\npentru at\u00e2t c\u00e2t
\ne\u0219ti tu dispus, \u00een situa\u021bia dat\u0103,
\ns\u0103 prime\u0219ti ca zilier.
\nAt\u00e2t de disperat e\u0219ti!<\/p>\n

Dar observi dezolat
\nc\u0103 \u00een numai \u0219ase minute
\n\u021bi se refuz\u0103 cererea de munc\u0103
\n\u0219i c\u0103 pentru cel care face selec\u021bia
\nsau pentru cine marcheaz\u0103 parametri,
\nv\u00e2rsta ta are mai mult\u0103 greutate dec\u00e2t orice alt factor diferen\u021bial.<\/p>\n

Pentru c\u0103 \u00een acest univers
\nhaotic \u00een care singura
\ncertitudine este precara condi\u021bie a b\u0103tr\u00e2ne\u021bii
\n\u0219i a mor\u021bii, e inacceptabil faptul c\u0103 tu ai \u00eemplinit ani
\n\u0219i se consider\u0103 c\u0103 e\u0219ti,
\nla jum\u0103tatea v\u00e2rstei tale laborabile
\n\u0219i cu dou\u0103zeci \u0219i cinci
\nde acum \u00eenainte,
\ncineva deja prea b\u0103tr\u00e2n
\npentru a continua s\u0103 munceasc\u0103.<\/p>\n

\u0218i \u00een acest context
\n\u00een care \u00een Spania e\u0219ti b\u0103gat cu for\u021ba,
\nnu mai \u0219tii dac\u0103 s\u0103 te legi
\nde etica disper\u0103rii \u0219i a urii
\nsau de estetica dec\u0103derii \u0219i a dezol\u0103rii;
\ncum s-ar zice, nu \u0219tii dac\u0103 s\u0103 te pui \u00een contra
\na tot ceea ce se mi\u0219c\u0103
\n\u0219i f\u0103r\u0103 nici o deosebire
\np\u00e2n\u0103 c\u00e2nd, \u00een final, s\u0103 te ucid\u0103 sias*
\n(*Serviciul pentru Interven\u0163ii \u015fi Ac\u0163iuni Speciale)
\nsau s\u0103-\u021bi tragi tu \u00eensu\u021bi un glon\u021b \u00een gur\u0103.<\/p>\n


\nLidia ZADEH<\/strong><\/p>\n

POEMUL INVIZIBIL<\/strong><\/p>\n

A\u0219 invoca ‘poemul invizibil’
\nDin lumea de h\u00e2rtie \u0219i confetti
\n\u00cen forma lui constr\u00e2ns\u0103 ilizibil
\nSculptat\u0103 de Alberto Giacometti<\/p>\n

Un manuscris uitat \u00eentr-o mansard\u0103
\nNemuritor cu glas imperceptibil
\nCa holograma-visului brasard\u0103
\nMatri\u021ba unui chip cioplit sensibil <\/p>\n

Sonetul prim sau ultimul cadril
\nCu pumnul t\u0103u tu glasul mi-l suprim\u0103
\nE\u0219ti \u00eenc\u0103 un cronc\u0103nitor ostil
\n\u0218i n-o s\u0103 recuno\u0219ti c\u0103 faci o crim\u0103<\/p>\n

R\u0103m\u00e2n cu gust amar din toate astea
\n\u0218i tu c\u0103l\u0103u cuv\u00e2ntului dint\u00e2i
\nPuteam s\u0103 duc o b\u0103t\u0103lie-n oastea
\nArti\u0219tilor pe c\u00e2mpul nim\u0103nui<\/p>\n

Sau s\u0103 r\u0103m\u00e2n o umbr\u0103 \u00een uitare
\nSmerit\u0103 pe altarul ori\u0219icui
\n\u0218i-a\u0219 fi chiar asfin\u021bitul muzei tale<\/p>\n


\nPARADA<\/strong><\/p>\n

O ultim\u0103 parad\u0103 f\u0103r\u0103 glorii
\nCu spectatorii tri\u0219ti \u0219i obosi\u021bi
\nFac plec\u0103ciuni din \u0219ale scriitorii
\nC\u00e2nd te sl\u0103vesc \u0219i azi cam plictisi\u021bi <\/p>\n

Vor defila prin ochii t\u0103i poeme
\nAplaudate-n gloatele din drum
\nCu versuri aruncate de sisteme
\n\u00cen tomberoane mirosind a scrum <\/p>\n

Ca un spectacol dintr-o am\u0103gire
\nLa care te visezi \u00eencoronat
\nE doar poveste dintr-o damblagire
\nDe la-nceput \u0219i p\u00e2n\u0103 peste cap<\/p>\n

\u00ce\u021bi trec prin ochi to\u021bi anii tinere\u021bii
\nCu bune \u0219i cu rele cum au fost
\nCa \u00eentr-un secol n\u0103ruit triste\u021bii
\nPlini de regrete f\u0103r\u0103 ad\u0103post<\/p>\n

Te-ai d\u0103ruit \u00een via\u021b\u0103 ca vale\u021bii
\n\u0218i versul \u021bi-a fost cas\u0103 din str\u0103buni
\nDar uite-acum c\u00e2nd s-au trezit asce\u021bii
\nIar s-a umplut spitalul de nebuni <\/p>\n

Un ieri obscur \u00eenv\u0103luit \u00een clar
\nPrin vremurile astea precursoare
\nPoe\u021bilor ce scriu vers f\u0103r\u0103 har
\nCa farisei cu muze protectoare <\/p>\n

A\u0219 da silaba vorbei os\u00e2ndite
\nC\u00e2nd vicii \u0219i cartu\u0219e stau la p\u00e2nd\u0103
\n\u00centr-un declin de versuri erudite
\nSpre infinitul minus s\u0103 o v\u00e2nd\u0103 <\/p>\n

\u00cen strofele cu versul pref\u0103cut
\nDurerea \u00eenc\u0103 poate s\u0103 respire
\nPl\u0103tim tribut poemelor din lut
\n\u00cen lumea libert\u0103\u021bilor martire <\/p>\n


\nCATEDRALA<\/strong><\/p>\n

Tr\u0103iesc \u00een autentic f\u0103r\u0103 \u021bar\u0103
\nC\u00e2nd pa\u0219ii prin\u0219i \u00een cerc sunt tem\u0103tori
\n\u0218i silueta-mi ziduri \u00eenconjoar\u0103
\n\u00centr-un altar ferit de pr\u0103d\u0103tori<\/p>\n

Cu sufletul s\u0103tul de am\u0103giri
\nPe buze obosite necuvinte
\n\u00cen stolul meu de triste amintiri
\nM\u0103 \u00eempletesc cu aripi de cuvinte<\/p>\n

\u021ai-am construit \u00een g\u00e2nd o catedral\u0103
\nCu candelabre grele de cristal
\nAzi candel\u0103 arz\u00e2nd pe vertical\u0103
\nLumin\u0103 ca o raz\u0103 pe metal <\/p>\n

\u0218i \u00een oglinzi golite din altar
\nOcean evaporat dintr-o porunc\u0103
\nN\u0103luca unei plaje fragmentar
\nDe veacuri e\u0219uat\u0103 sub o st\u00e2nc\u0103<\/p>\n

O mare aurit\u0103-n jurul ei
\nC\u00e2nd zeii mai veneau la \u021b\u0103rm s\u0103-noate
\nPe plajele v\u00e2ndute de atei
\nAcum aud doar valuri repetate <\/p>\n

Dar uneori bat clopote de cear\u0103
\n\u00centr-un ecou trec cioburi de fereastr\u0103
\n\u0218i v\u0103d din turla g\u00e2ndului de sear\u0103
\nDoar aripi dintr-o pas\u0103re m\u0103iastr\u0103 <\/p>\n","protected":false},"excerpt":{"rendered":"

Lumini\u021ba GIURGIU Volume de poezie publicate: \u201eflagrant delict de emo\u021bie\u201d – Eikon 2021 \u201ef\u0103r\u0103 suflare\u201d – Eikon 2022; \u201efloare carnivor\u0103,<\/p>\n","protected":false},"author":17,"featured_media":22311,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"ngg_post_thumbnail":0,"video_url":"","footnotes":""},"categories":[7,329],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/22369"}],"collection":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/users\/17"}],"replies":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=22369"}],"version-history":[{"count":2,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/22369\/revisions"}],"predecessor-version":[{"id":22371,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/22369\/revisions\/22371"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/media\/22311"}],"wp:attachment":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=22369"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=22369"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=22369"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}