{"id":22207,"date":"2023-12-07T01:47:27","date_gmt":"2023-12-06T22:47:27","guid":{"rendered":"https:\/\/ziarulderimnic.ro\/?p=22207"},"modified":"2023-12-07T01:47:27","modified_gmt":"2023-12-06T22:47:27","slug":"spatii-culturale-nr-91-2","status":"publish","type":"post","link":"https:\/\/ziarulderimnic.ro\/?p=22207","title":{"rendered":"Spa\u021bii culturale nr. 91 (2)"},"content":{"rendered":"<p><em><strong>La aniversar\u0103<\/strong><\/em><\/p>\n<p><strong>Grigore CODRESCU &#8211; 85<\/strong><\/p>\n<p>N. 22 noiembrie 1938, \u00een satul Berbinceni, comuna Secuieni, jude\u021bul Bac\u0103u. Critic literar, publicist, redactor, profesor. Fiul lui Ion \u0219i al Eugeniei Castravete, agricultori cu ascenden\u021b\u0103 r\u0103ze\u0219easc\u0103, \u0219i-a \u00eenceput studiile la \u0219coala din localitatea de ba\u0219tin\u0103 (1945-1952), beneficiind de \u00eendrumarea unor dasc\u0103li de notorietate ai \u00eenv\u0103\u021b\u0103m\u00e2ntului b\u0103c\u0103uan, precum Gheorghe Banu \u0219i Vasile Grosu, personalit\u0103\u021bi prestigioase, formate \u00een \u00eenv\u0103\u021b\u0103m\u00e2ntul pedagogic antebelic. \u00cenc\u0103 din anii de gimnaziu \u00eencepe s\u0103 versifice \u0219i s\u0103 scrie proz\u0103, citind \u00een cenaclul literar al elevilor \u0219i public\u00e2nd la \u201egazeta de perete\u201c a \u0219colii. Admis la \u0218coala Pedagogic\u0103 de \u00cenv\u0103\u021b\u0103tori din Bac\u0103u (\u00een prezent, Colegiul Na\u021bional Pedagogic \u201e\u0218tefan cel Mare\u201d, 1952-1957) devine premiant din primul an, dar moartea tat\u0103lui, \u00een 1953, la Poarta Alb\u0103, dup\u0103 ce \u00een 1952 fusese arestat \u0219i declarat \u201edu\u0219man de clas\u0103\u201d, inclus \u00een r\u00e2ndul chiaburilor \u0219i deportat la Canalul Dun\u0103re-Marea Neagr\u0103, l-a silit s\u0103 \u00eentrerup\u0103 un an studiile, iar examenele finale s\u0103 le sus\u021bin\u0103 \u00een particular, \u00eentruc\u00e2t mama sa, r\u0103mas\u0103 v\u0103duv\u0103 cu \u0219ase copii, nu l-a mai putut \u00eentre\u021bine. \u00cen pofida situa\u021biei tot mai dificile din familie, a continuat s\u0103 \u00eenve\u021be la fel de bine, lu\u00e2ndu-\u0219i ca model pe unul dintre dasc\u0103li, profesorul de limba rom\u00e2n\u0103 Emil Leahu, cel ce l-a \u201eap\u0103rat de demonii anilor \u201950, care mai b\u00e2ntuie \u00eenc\u0103 prin lume\u201d. Al\u0103turi de profesorul-diriginte Remus Vr\u00e2nceanu \u0219i cel de psihologie Emil Tudor, care i-au fost, la r\u00e2ndu-le, modele, acesta i-a stimulat aptitudinile literare, invit\u00e2ndu-l la \u0219edin\u021bele cercului literar \u0219i trimi\u021b\u00e2ndu-i colabor\u0103rile la ziarul local. \u00cenc\u0103 \u00eenainte de absolvire este, r\u00e2nd pe r\u00e2nd, \u00eenv\u0103\u021b\u0103tor la \u0219colile b\u0103c\u0103uane din localit\u0103\u021bile Viforeni, Pr\u0103je\u0219ti \u0219i Berbinceni (1956-1957), iar dup\u0103 efectuarea stagiului militar devine directorul \u0218colii de 7 ani din Petre\u0219ti, jude\u021bul Bac\u0103u (1959-1962), \u00eempreun\u0103 cu o parte dintre colegii de cancelarie, fii ai satului, pun\u00e2nd \u00een func\u021biune Biblioteca s\u0103teasc\u0103 \u0219i Cinematograful rural \u0219i, pe plan profesional, conferind func\u021bionalitate s\u0103lilor de clas\u0103 \u0219i laboratoarelor \u0219colare. Cu toate c\u0103 mama sa dorea s\u0103 ajung\u0103 preot, preocup\u0103rile literare \u0219i vremurile neprielnice studiilor teologice l-au \u00eendemnat s\u0103 opteze pentru Facultatea de Filologie a Universit\u0103\u021bii \u201eAl.I. Cuza\u201d din Ia\u0219i (1962-1967), ale c\u0103rei cursuri reu\u0219e\u0219te s\u0103 le urmeze la \u00eenv\u0103\u021b\u0103m\u00e2ntul de zi, eviden\u021biindu-se ca unul dintre cei mai activi studen\u021bi nu doar ai facult\u0103\u021bii. Desf\u0103\u0219oar\u0103, astfel, sub \u00eendrumarea unor universitari de prestigiu precum Constantin Ciopraga, Al. Dima, Al. Husar, I. D. L\u0103udat, Mihai Dr\u0103gan \u0219.a., o activitate sus\u021binut\u0103 \u00een cadrul cercurilor studen\u021be\u0219ti de Folcloristic\u0103 \u0219i Istoria literaturii, particip\u0103 la \u00eentrunirile cenaclului literar al Facult\u0103\u021bii \u0219i la sesiunile \u0219tiin\u021bifice, una din lucr\u0103rile sale \u2013 Visul \u00een crea\u021bia poetic\u0103 a lui Al. Philippide \u2013 fiind inclus\u0103 \u00een sumarul publica\u021biei periodice a Universit\u0103\u021bii ie\u0219ene, Caiete selective ale cercurilor \u0219tiin\u021bifice studen\u021be\u0219ti (Ia\u0219i, 1967). Semn al recunoa\u0219terii capacit\u0103\u021bilor sale de studiu \u0219i ale celor organizatorice, este solicitat \u0219i accept\u0103 s\u0103 fie pre\u0219edinte al Asocia\u021biei Studen\u021bilor din Facultatea de Filologie (1965-1967), perioad\u0103 benefic\u0103 pentru revigorarea componentelor \u0219tiin\u021bifice \u0219i culturale, cu at\u00e2t mai mult cu c\u00e2t ap\u0103ruser\u0103 \u0219i primele semne ale \u201edezghe\u021bului\u201c \u0219i  \u201edesovietiz\u0103rii\u201c. \u00cen acela\u0219i interval \u0219i-a continuat activitatea literar\u0103, \u00een 1965 debut\u00e2nd \u00een revista ie\u0219ean\u0103 Cronica, publica\u021bie c\u0103reia i-a propus cronici \u0219i recenzii la c\u0103r\u021bile de literatur\u0103 contemporan\u0103. La sugestia redac\u021biei, a acceptat pseudonimul Gr. Cump\u0103n\u0103, folosit un timp \u0219i la alte publica\u021bii la care a colaborat de-a lungul anilor, \u00eentre care amintim revistele Ateneu, Banchetul, Bucovina literar\u0103, Cadran cultural, Citadela, Convorbiri didactice, Dacia literar\u0103, Plumb, Pro Saeculum, 13 Plus, Salonul literar, Tribuna \u00eenv\u0103\u021b\u0103m\u00e2ntului, Vitraliu. Repartizat la Liceul Teoretic din Adjud (azi, \u201eEmil Botta\u201d, 1967-1969), s-a integrat rapid \u00eentr-un colectiv dornic de performan\u021be, model\u00e2nd c\u00e2teva clase de elevi inteligen\u021bi, \u00eenc\u0103 necontamina\u021bi de dogmatismul \u0219i toxinele specifice epocii. Dup\u0103 noua \u00eemp\u0103r\u021bire administrativ-teritorial\u0103, se transfer\u0103 la Bac\u0103u, activ\u00e2nd ca inspector al Comitetului de Cultur\u0103 \u0219i Art\u0103 (1969-1975), timp \u00een care a controlat \u0219i \u00eendrumat institu\u021bii culturale din jude\u021b, a \u00eenfiin\u021bat o sta\u021bie-pilot pentru cultura de mas\u0103 \u0219i a elaborat studii \u0219i articole de sociologia culturii pentru revista Ateneu. \u00cen 1973 \u0219i-a schimbat numele de stare civil\u0103 \u00een Codrescu, \u00eencerc\u00e2nd astfel s\u0103-\u0219i protejeze familia \u0219i pe sine de repro\u0219urile oficialit\u0103\u021bilor, care-l acuzau c\u0103 nu-\u0219i declarase rudele din S.U.A., de\u0219i acestea erau dintr-o alt\u0103 ramur\u0103 a neamului din care f\u0103cea parte. Cu nostalgia catedrei \u00een suflet, revine \u00een \u00eenv\u0103\u021b\u0103m\u00e2nt, mai \u00eent\u00e2i ca profesor de limba rom\u00e2n\u0103 la Liceul Industrial (azi, Colegiul Tehnic \u201eD. Mangeron\u201d, 1976-1980), apoi, \u00een aceea\u0219i specialitate, la Liceul \u201eVasile Alecsandri\u201d (\u00een prezent, Colegiu Na\u021bional, 1981-1988) \u0219i, \u00een cele din urm\u0103, la Liceul Teoretic \u201eGeorge Bacovia\u201d (actualul Colegiu Na\u021bional \u201eFerdinand I\u201d), institu\u021bie pe care o conduce, \u00eentre anii 1994-1998, ca director, \u0219i de unde se pensioneaz\u0103. \u00cen aceast\u0103 perioad\u0103 a \u00eendrumat elevii \u00een cadrul cercurilor \u0219tiin\u021bifice, al cenaclurilor \u0219colare \u0219i al revistelor de profil, particip\u00e2nd la sesiuni de referate \u0219i comunic\u0103ri ale profesorilor cu lucr\u0103ri \u0219tiin\u021bifico-didactice, \u00een parte publicate \u00een reviste \u0219i culegeri (Ziaristul Mihai Eminescu la 1877, Bacovia \u2013 singur\u0103tatea poetului, Factorii agresiunii \u00eempotriva lecturii, G. Ibr\u0103ileanu \u2013 profesorul Liceului \u201ePrincipele Ferdinand\u201d, Resursele dramatice ale teatrului lui Lucian Blaga \u0219.a.). Ales de colegii de specialitate ca pre\u0219edinte al Filialei Bac\u0103u a Societ\u0103\u021bii de \u0218tiin\u021be Filologice din Rom\u00e2nia (1977-1990), a izbutit s\u0103 organizeze activit\u0103\u021bi \u0219tiin\u021bifice de \u021binut\u0103, cu invita\u021bi prestigio\u0219i de la Universit\u0103\u021bile din Bucure\u0219ti, Cluj \u0219i Ia\u0219i (C. Ciopraga, L. Leonte, C. Parfene, M. Zamfir, D. Sc\u0103rl\u0103tescu\u2026), o sesiune republican\u0103 dedicat\u0103 Centenarului George Bacovia (noiembrie 1981) \u0219i etapele Olimpiadei de Limba \u0219i Literatura Rom\u00e2n\u0103 \u201eMihai Eminescu\u201d, a stimulat prezentarea periodic\u0103 a nout\u0103\u021bilor editoriale \u0219i revuistice de specialitate etc. \u00cen 1990, s-a al\u0103turat profesorului Mihai Semenov \u0219i grupului de profesori din gimnazii \u0219i licee b\u0103c\u0103uane, pun\u00e2nd bazele revistei Convorbiri didactice, publica\u021bie dedicat\u0103 \u00eenv\u0103\u021b\u0103m\u00e2ntului preuniversitar \u0219i pe care a condus-o o perioad\u0103, \u00een calitate de redactor-\u0219ef. Debuteaz\u0103 editorial \u00een 2001, cu volumul Limba \u0219i literatura rom\u00e2n\u0103 la bacalaureat (Editura Plumb, Bac\u0103u), lucrare \u0219tiin\u021bifico-didactic\u0103 urmat\u0103 de o carte similar\u0103 \u2013 Galeria personajelor literare \u00een gimnaziu \u0219i liceu (Editura Convorbiri didactice, Bac\u0103u, 2006) \u2013 \u0219i de volumele de critic\u0103 literar\u0103 Lecturi neconven\u021bionale (Editura ProPlumb, Bac\u0103u, 2009), Spectacolul Istoriei critice&#8230; manolesciene (Editura Corgal Press, Bac\u0103u, 2010), Jurnalul criticului incomod (idem, 2011), Marea critic\u0103 fa\u021b\u0103 cu valorile literare actuale (idem, 2012), Imposibila revan\u0219\u0103 (idem, 2013), Ironicul reflexiv Calistrat Costin (Editura Rovimed Publishers, Bac\u0103u, 2013), Lucidul anxios \u0219i retractil Ion Tudor Iovian (Editura Corgal Press, 2015), Personalit\u0103\u021bile timpului \u0219i contemporanii no\u0219tri (idem, 2016; edi\u021bia a II-a, rev\u0103zut\u0103 \u0219i ad\u0103ugit\u0103, 2018), Charles Baudelaire dup\u0103 150 de ani (Editura Rovimed Publishers, 2018), Pagini din jurnalul unui critic incomod (idem, 2019), Serghei Esenin. Din tenebrele mor\u021bii, spre glorie universal\u0103 (idem, 2019), Cartea seniorului incomod (idem, 2020), \u0219i Limba \u0219i literatura rom\u00e2n\u0103. Bacalaureat pentru to\u021bi rom\u00e2nii: sinteze, analize literare, planuri tematice, repere de interpretare, modele de compozi\u021bii (idem, 2021), de povestirile memorialistice Imposibila revan\u0219\u0103 (Editura Corgal Press, 2013; edi\u021bia a II-a, rev\u0103zut\u0103 \u0219i ad\u0103ugit\u0103, Editura Rovimed Publishers, 2018), de prefe\u021be \u0219i postfe\u021be ce au \u00eenso\u021bit c\u0103r\u021bile unor autori b\u0103c\u0103uani. A fost, de asemenea, inclus cu texte critice \u00een Bac\u0103ul Cultural &#8211; 600. Antologia Plumb, 2008 (Editura Ateneul Scriitorilor, Bac\u0103u, 2008) \u0219i Sub semnul lui Bacovia (Editura Artbook, Bac\u0103u, 2015). Cu o energie creatoare debordant\u0103, definitiveaz\u0103 \u00een prezent un volum de proz\u0103 scurt\u0103 \u0219i un roman, c\u0103rora le poate ad\u0103uga oric\u00e2nd un volum consistent de eseuri \u0219i cronici literare, risipite deocamdat\u0103 \u00een paginile publica\u021biilor din \u021bar\u0103. Pentru activitatea sa literar\u0103 a fost r\u0103spl\u0103tit cu Premiul \u201eOctavian Voicu\u201d al revistei Plumb, pentru critic\u0103 (2008, 2014), cu Diploma de Favoare (2010) \u0219i Premiul Opera omnia ale Filialei Bac\u0103u a Uniunii Scriitorilor (2023). Membru al consiliului editorial al revistei Plumb \u0219i al Filialei Bac\u0103u a Uniunii Scriitorilor (2011), s-a implicat \u00een via\u021ba cultural\u0103 a Bac\u0103ului, f\u0103r\u0103 ca edilii acestuia s\u0103-i r\u0103spl\u0103teasc\u0103 \u00een vreun fel meritele. Vasluianul Petru\u0219 Andrei, \u00een schimb, i-a consacrat monografia Seniorul Grigore Codrescu (Editura Rovimed Publishers, 2022), iar noi l-am inclus \u00een dic\u021bionarele Personalit\u0103\u021bi b\u0103c\u0103uane, vol. V (Editura Corgal Press, 2011) \u0219i Scriitori b\u0103c\u0103uani (idem, 2012).<\/p>\n<p>                  <strong> Cornel Simion GALBEN<\/strong><\/p>\n<p><strong><br \/>\nMariana P\u00c2NDARU B\u00c2RG\u0102U<\/strong><\/p>\n<p><strong>C\u00e2ntece p\u00e2n\u0103 la Cer<\/strong><\/p>\n<p>1. M\u0103 rog la Bunul Dumnezeu<br \/>\no floare s\u0103 r\u0103sar\u0103<br \/>\ndin trupul meu<\/p>\n<p>\u0218i s\u0103 pluteasc\u0103<br \/>\n\u2013 umbr\u0103 de jar<br \/>\npeste aceast\u0103 nem\u0103rginit\u0103<br \/>\nlume de var<\/p>\n<p>\u0218i s\u0103 presare<br \/>\ndin loc \u00een loc<br \/>\ndorul inimii mele<br \/>\natins\u0103 de foc<\/p>\n<p> 2. Doamne al tuturor oamenilor<br \/>\nIat\u0103, acum cuv\u00e2ntul mi-l rup<br \/>\ns\u0103-\u021bi spun c\u0103 singur\u0103<br \/>\nmi-am legat<br \/>\n\u00eenc\u0103 o piatr\u0103 de g\u00e2t<\/p>\n<p>C\u0103ci drumul meu<br \/>\nf\u0103r\u0103 s\u0103 \u0219tiu<br \/>\nA fost ca un ceas<br \/>\npetrecut \u00een pustiu.<\/p>\n<p> <strong><br \/>\n Semne \u00een crucea nop\u021bii<\/strong><\/p>\n<p>1. Doamne<br \/>\nCel mai adesea<br \/>\nm\u0103 folosesc de sl\u0103b\u0103noage cuvinte<br \/>\ns\u0103 te \u00eent\u00e2mpin<br \/>\n\u00een pragul casei mele de lut<\/p>\n<p>Dar tu, bl\u00e2nd \u0219i \u00eeng\u0103duitor<br \/>\ncu ne\u0219tiutorii<br \/>\na\u0219tep\u021bi r\u0103bd\u0103tor<br \/>\napoi intri \u0219i luminezi \u00eentunericul<br \/>\ncu dragostea Ta<br \/>\ncea f\u0103r\u0103 de margini.<\/p>\n<p><em><strong><br \/>\nCenaclul poe\u021bilor din cer <\/strong><\/em><\/p>\n<p><strong>Lucian M\u0102N\u0102ILESCU<\/strong><\/p>\n<p>(11 noiembrie 1951 \u2013 4 noiembrie 2020)<\/p>\n<p><strong>\u00ceNTOARCEREA LUI ULISE<\/strong><\/p>\n<p>I-a fost dor de \u00eenchipuirea<br \/>\nridat\u0103 a Penelopei,<br \/>\na plutit pe m\u0103rile singur\u0103t\u0103\u021bii<br \/>\n\u0219tiind c\u0103, undeva, departe,<br \/>\ne insula \u00eemp\u0103c\u0103rii cu sine&#8230;<\/p>\n<p>l-au ademenit sirenele<br \/>\nspre \u021b\u0103rmuri luxuriante, a \u00eennoptat<br \/>\n\u00een ochiul ciclopului<br \/>\ndar nu s-a oprit&#8230;<\/p>\n<p>Valurile au devenit de piatr\u0103, cerul<br \/>\na c\u0103zut \u00een ad\u00e2ncuri&#8230;<br \/>\ndar nu s-a oprit&#8230;<\/p>\n<p>T\u00e2rziu, ajuns \u00eentr-un port<br \/>\nnecunoscut, cu gluga<br \/>\npe cap \u0219i cu t\u0103cerea pe buze,<br \/>\na intrat \u00eentr-o c\u00e2rcium\u0103 \u2013<\/p>\n<p>Ithaca era acolo: o mas\u0103, dou\u0103 scaune<br \/>\n\u0219i un soare palid sp\u00e2nzurat<br \/>\nde tavanul \u00eentunericului.<\/p>\n<p><strong><br \/>\nIMPERIUL NISIPULUI<\/strong><\/p>\n<p>\u201eAcum vom cucerii lumea!\u201d,<br \/>\nle-a spus Alexandru generalilor s\u0103i<br \/>\ndesen\u00e2nd  \u00een nisip conturul<br \/>\nnoului imperiu.<\/p>\n<p>\u0218i o\u0219tile m\u0103r\u0219\u0103luiau \u0219i falanga amenin\u021ba cerul&#8230;<\/p>\n<p>Piciorul descul\u021b al unui sclav \u0219i v\u00e2ntul<br \/>\nau risipit harta Macedoneanului&#8230;<\/p>\n<p><strong><br \/>\nSPECTACOL CU HAMLET<\/strong><\/p>\n<p>Yorick coboar\u0103 din lun\u0103<br \/>\ncu capul sub bra\u021b<br \/>\n\u0219i r\u00e2de \u0219i-l d\u0103 de-a dura<br \/>\npovestind cine se ascunde<br \/>\ndup\u0103 draperii&#8230;<\/p>\n<p>\u00centre timp, \u00een cu\u0219ca sufleorului<br \/>\n\u0219i-au f\u0103cut culcu\u0219<br \/>\nc\u0103r\u021bile b\u0103tr\u00e2nului Will \u0219i \u0219oarecii<br \/>\n\u00eenfometa\u021bi ai postmodernismului.<\/p>\n<p><strong><br \/>\nPOETUL \u00ceN BABILON<\/strong><br \/>\n                               (lui Liviu Ofileanu)<\/p>\n<p>Poetul trude\u0219te de o via\u021b\u0103<br \/>\nla cetatea Babilonului<br \/>\npe care o mut\u0103 dintr-o \u021bar\u0103 \u00een alta,<br \/>\ndintr-un ora\u0219 \u00een altul, de au ajuns<br \/>\nzeii s\u0103 umble dup\u0103 el, speria\u021bi<br \/>\nde scrijelirea cuneiform\u0103 a limbii<br \/>\n\u0219i de felul \u00een care zidurile<br \/>\nse ridic\u0103 spre cer.<\/p>\n<p>M\u0103 bucur, cum naiba s\u0103 nu m\u0103 bucur,<br \/>\nc\u00e2nd iadul poe\u021bilor<br \/>\ne cea mai sclipitoare bucat\u0103 de rai&#8230;<\/p>\n<p>\u0218i zic:<br \/>\n\u201eLas\u0103 Doamne, mai las\u0103 \u0219i tu<br \/>\nde la tine, c\u0103 uite ce frumo\u0219i sunt<br \/>\nderbedeii cuvintelor!\u201d<\/p>\n<p><strong><br \/>\nDOAR V\u00c2NTUL<\/strong><\/p>\n<p>\u00cen loc de ochi are dou\u0103 lacrimi,<br \/>\npip\u0103ind cu ele \u00eentunericul<br \/>\nprecum Homer, c\u00e2nt\u0103re\u021bul.<\/p>\n<p>Pe aceste pietre de la por\u021bile Troiei<br \/>\n\u0219ezum \u0219i pl\u00e2nsem<\/p>\n<p>Nimic o corabie \u00een larg,<br \/>\nnimeni \u00eentre zidurile ruinate&#8230;<\/p>\n<p>Se aude doar v\u00e2ntul \u0219i dorul de cas\u0103<br \/>\nc\u0103ruia \u00een\u021belepciunea<br \/>\nnu poate s\u0103-i fac\u0103 fa\u021b\u0103. <\/p>\n<p><strong><br \/>\nC\u0102\u021aEAUA<\/strong><\/p>\n<p>&#8211; Ce e cu soarele?<br \/>\n&#8211; A asfin\u021bit!<br \/>\n&#8211; Dar despre pas\u0103rea<br \/>\nnop\u021bii ce-ai auzit?<br \/>\n&#8211; Unii spun c\u0103 ar fi zburat!&#8230;<br \/>\n\u00eentr-un cer \u00eendep\u0103rtat.<br \/>\n&#8211; Despre copilul meu<br \/>\npierdut prin lume<br \/>\nmai ai vreo veste?<br \/>\n&#8211; El a plecat \u00een \u021binutul<br \/>\nde cea\u021b\u0103 \u0219i e singur \u0219i \u00eel latr\u0103<br \/>\nc\u0103\u021beaua asta de via\u021b\u0103&#8230;<\/p>\n<p><strong><br \/>\nCOCHILIA DE MELC<\/strong><\/p>\n<p>Libertatea \u2013 cum spunea bunul Marx \u2013<br \/>\ne o necesitate \u00een\u021beleas\u0103.<br \/>\nA\u0219adar suntem liberi!<\/p>\n<p>Dar nu precum pe\u0219tii sau<br \/>\np\u0103s\u0103rile, libertatea noastr\u0103<br \/>\ne o cochilie de melc<br \/>\nstrivit\u0103 sub \u0219enilele sor\u021bii.<\/p>\n<p><strong><br \/>\n\u021a\u0102RM T\u00c2RZIU<\/strong><\/p>\n<p>Am tr\u0103it \u00een v\u0103zduh,<br \/>\nmi-am pus ploile \u0219i v\u00e2ntul<br \/>\npe umeri \u0219i nici un ad\u0103post<br \/>\nn-a fost mai temeinic<br \/>\ndec\u00e2t acela&#8230;<\/p>\n<p>Dar acum e t\u00e2rziu&#8230;.<\/p>\n<p>Inima flutur\u0103 o n\u0103fram\u0103 ro\u0219ie<br \/>\nc\u0103tre corabia lui Orion<br \/>\ncare pleac\u0103 \u00een larg&#8230; <\/p>\n<p><strong><br \/>\nUM\u0102RUL IMAGINAR<\/strong><\/p>\n<p>Trebuie s\u0103 orbec\u0103i printre ceilal\u021bi, pip\u0103ind<br \/>\npere\u021bii fragili ai \u00eent\u00e2mpl\u0103rii, s\u0103 alergi,<br \/>\ns\u0103 \u00eennoptezi tot mai departe,<br \/>\ns\u0103 gre\u0219e\u0219ti metroul, trenul sau via\u021ba<br \/>\ncer\u00e2nd mereu un bilet p\u00e2n\u0103 la cel\u0103lalt cap\u0103t.<\/p>\n<p>\u0218i pe urm\u0103 s\u0103 prive\u0219ti pe geam<br \/>\ncum lumea r\u0103m\u00e2ne \u00een urm\u0103,<br \/>\ncu ora\u0219ele ei de fum, cu c\u00e2mpiile<br \/>\ninundate de ploile ierbii \u0219i, t\u00e2rziu,<br \/>\ns\u0103 adormi, cu capul pe um\u0103rul imaginar<br \/>\nal iubitei tale din adolescen\u021b\u0103.<\/p>\n<p><strong><br \/>\nVIERMELE DULCE DIN M\u0102R<\/strong><\/p>\n<p>Singura dat\u0103 c\u00e2nd l-am dus pe bunicul<br \/>\nla ora\u0219, cu ma\u0219ina, \u00een timp ce urcam<br \/>\nserpentinele ploii el se mira de<br \/>\ncum fugeau copacii \u00eenapoi spre<br \/>\nsatul din munte, \u00eenz\u0103pezit sub turla<br \/>\nde biseric\u0103 a cerului&#8230;<\/p>\n<p>Vezi tu, m\u0103i nepoate, \u00eemi spunea,<br \/>\nprivind \u00een oglinda retrovizoare<br \/>\nc\u0103ru\u021ba lui cu coviltir r\u0103mas\u0103 \u00een urm\u0103,<br \/>\neu f\u0103ceam drumul \u0103sta \u00een trei-patru zile;<br \/>\nmai vorbeam cu un om, mai ascultam<br \/>\no mierl\u0103 \u0219i m\u0103 g\u00e2ndeam c\u00e2t porumb<br \/>\no s\u0103 iau pe butoiul cu \u021buic\u0103 \u0219i ce<br \/>\ns\u0103-i cump\u0103r Mariei din t\u00e2rg c\u00e2nd m-oi \u00eentoarce.<\/p>\n<p>Seara desh\u0103mam stelele \u0219i m\u0103<br \/>\nodihneam pe un bra\u021b de f\u00e2n<br \/>\nauzind inima rumeg\u00e2nd  \u00eentunericul&#8230;<\/p>\n<p>Ce vremuri, m\u0103i nepoate! Ce vremuri&#8230;<br \/>\nPe atunci fericirea era viermele<br \/>\ndulce din m\u0103r \u0219i fiecare drum dura<br \/>\nc\u00e2t o via\u021b\u0103 de om&#8230;<\/p>\n<p><strong><br \/>\nCOPILUL DIN STELE<\/strong><\/p>\n<p>Nu mai \u0219tiu cine este copilul<br \/>\ncare se joac\u0103 de-a mine cu via\u021ba<br \/>\n\u0219i r\u00e2de \u0219i se \u00eendep\u0103rteaz\u0103 prin<br \/>\nh\u0103\u021bi\u0219ul  de stele&#8230;<\/p>\n<p>Nu mai \u0219tiu!&#8230;<\/p>\n<p>Latr\u0103 un c\u00e2ine undeva, departe,<br \/>\n\u00een inima mea.<\/p>\n<p><strong><br \/>\nT\u00c2RZIUL<\/strong><\/p>\n<p>Pe scena improvizat\u0103 a marelui b\u00e2lci&#8230;<br \/>\nro\u021bile norocului se \u00eenv\u00e2rt \u0219i<br \/>\np\u0103l\u0103riile magicienilor se umplu de iepuri&#8230;<\/p>\n<p>\u201eHai acas\u0103, s\u0103 ne juc\u0103m de-a fericirea!\u201d<br \/>\nse roag\u0103 fiul meu de cerul albastru<\/p>\n<p>\u201eHai s\u0103 mergem acas\u0103!\u201d, zice \u0219i tata,<br \/>\ncare acum e mult mai t\u00e2n\u0103r ca mine.<\/p>\n<p>Bunicul e cel mai copil dintre noi \u2013<br \/>\n\u0219i-a cump\u0103rat un ochean prin care<br \/>\nlumea se vede foarte departe:<\/p>\n<p>\u201eHai s\u0103 mergem!\u201d, ofteaz\u0103 \u0219i el, dup\u0103 ce<br \/>\nscoate soarele  din buzunarul de la ceas<br \/>\n\u0219i vede c\u0103 ni se face t\u00e2rziu&#8230;<\/p>\n<p>Acum mergem to\u021bi patru pe drumul pustiu<br \/>\n\u0219i ne latr\u0103 \u00eentunericul&#8230;<\/p>\n<p><strong><br \/>\nOctavian VOICU<\/strong><\/p>\n<p>                       (28.10.1940-7.1.2005)<\/p>\n<p><strong>Rug\u0103ciunea din vis<\/strong><\/p>\n<p>Din tot ce e frumos \u0219i bun pe p\u0103m\u00e2nt<br \/>\nD\u0103-mi, Doamne, putere s\u0103 iau<br \/>\nSeva \u201eArborelui Sf\u00e2nt\u201d<br \/>\n\u0218i roua dimine\u021bii s-o beau.<\/p>\n<p>Din curcubeu s\u0103 iau culoare,<br \/>\nPenel din spicul gr\u00e2ului<br \/>\n\u0218i-n dulce susur de izvoare<br \/>\nS-alerg de-a lungul r\u00e2ului.<\/p>\n<p>Pref\u0103-m\u0103, Doamne,-ntr-o albin\u0103,<br \/>\nS-adun polenul florilor,<br \/>\nNoaptea s\u0103-mi fie senin\u0103,<br \/>\n\u00cenfiorat\u0103 &#8211; ivirea zorilor\u2026<\/p>\n<p>O perl\u0103 pre\u021bioas\u0103-mi mai doresc<br \/>\nS-o port la br\u00e2u ca talisman,<br \/>\n\u00cen ad\u00e2ncimea m\u0103rii s-o g\u0103sesc<br \/>\nSau \u00een ad\u00e2ncul marelui ocean.<\/p>\n<p>Doamne, dac\u0103 cer prea mult,<br \/>\nD\u0103-mi mai pu\u021bin, m\u0103 dojene\u0219te,<br \/>\nDar din visul de demult<br \/>\nNu m\u0103 trezi dec\u00e2t dumnezeie\u0219te!<\/p>\n<p><strong><br \/>\nEu sunt Maria<\/strong><\/p>\n<p>Doamne, eu sunt Maria,<br \/>\nPort bucuria numelui frumos,<br \/>\nNumele sf\u00e2nt al Sfintei Fecioare,<br \/>\nMaica Dumnezeului nostru Hristos.<\/p>\n<p>Doamne, eu sunt Maria,<br \/>\nR\u0103t\u0103cit\u0103 petal\u0103 din a c\u00e2mpului floare,<br \/>\nMister al fructului iubirii<br \/>\nDintre p\u0103m\u00e2nt \u0219i razele de soare.<\/p>\n<p>Doamne, eu sunt Maria<br \/>\n\u0218i-s doar o mic\u0103 sc\u00e2nteie<br \/>\nDin flac\u0103ra iubirii p\u0103m\u00e2ntene<br \/>\n\u00centrupat\u0103-n b\u0103rbat \u0219i femeie.<\/p>\n<p>Doamne, eu sunt Maria<br \/>\n\u0218i-am pus \u00een carte fr\u00e2ntura de vers<br \/>\nDin marele poem al lumii,<br \/>\nCe-i nesf\u00e2r\u0219itul Univers.<\/p>\n<p><strong><br \/>\nCred<\/strong><\/p>\n<p>Cred \u00een t\u0103ria fierului,<br \/>\nCred \u00een \u00cenaltul cerului,<br \/>\n\u00cen ochi nevinova\u021bi de c\u0103prioare<br \/>\n\u0218i-n apa rece din izvoare.<br \/>\nCred \u00een lumina Lunii,<br \/>\n\u00cen spicul copt de gr\u00e2u<br \/>\n\u0218i-n \u00eembierea aburului p\u00e2inii.<\/p>\n<p>Cred \u00een marea bucurie,<br \/>\nCred \u00een a omului triste\u021be,<br \/>\nCred \u00een melancolie<br \/>\n\u0218i, uneori, \u00een dulcea nebunie.<br \/>\nCred \u00een firicelul cel de busuioc,<br \/>\nAduc\u0103tor de bine-n case<br \/>\n\u0218i-n dragoste \u2013 noroc.<br \/>\nCred cu t\u0103rie c\u0103 laptele mumii<br \/>\nEste ALFA \u0219i OMEGA lumii.<\/p>\n<p>Cred \u00een imaculatul albului de crin,<br \/>\nCred \u00een nefastitatea crudului destin,<br \/>\nCred \u00een seninul zilelor de var\u0103,<br \/>\nCred \u00een sudoarea frun\u021bii<br \/>\nC\u00e2nd duci o grea povar\u0103.<br \/>\nCred \u00een frumuse\u021bea g\u00e2ndului curat<br \/>\n\u0218i \u00een durerea celui<br \/>\nPrea greu de via\u021b\u0103 \u00eencercat.<\/p>\n<p>Cred \u00een veselie,<br \/>\n\u00cen zbucium \u0219i necaz,<br \/>\nCred \u0219i-mi spun adesea<br \/>\nC\u0103 via\u021ba pe P\u0103m\u00e2nt<br \/>\nE Agonia \u0219i marele Extaz.<\/p>\n<p>Cred \u00een fericirea tinerilor miri,<br \/>\nCred \u00een nemurirea eroilor martiri,<br \/>\nCred \u00een for\u021b\u0103, \u00een putere,<br \/>\nCred \u00een l\u0103untrica durere.<br \/>\nCred \u00een a mor\u021bii os\u00e2nd\u0103<br \/>\n\u0218i-n \u00eencercarea f\u0103r\u0103 de dob\u00e2nd\u0103.<\/p>\n<p>Cred \u00een c\u00e2ntec, \u00een iubire,<br \/>\n\u00cen tot ce-i frumos pe p\u0103m\u00e2nt,<br \/>\nChiar \u0219i-n abstracta fericire,<br \/>\nCred \u00een tot ce-i sf\u00e2nt!<br \/>\nCred \u00een taina g\u00e2ndului<br \/>\nCe-ades am g\u00e2ndit,<br \/>\nC-a fost c\u00e2ndva un \u201e\u00eenceput\u201d,<br \/>\nDar niciodat\u0103 nu va fi \u201esf\u00e2r\u0219it\u201d.<\/p>\n<p>Cred \u00een nebuloasa<br \/>\nDin care P\u0103m\u00e2ntu-i desprins<br \/>\n\u0218i cred \u00een Prometeu<br \/>\nCe-nt\u00e2ia oar\u0103 focul a aprins.<\/p>\n<p>Cred \u00een SF\u00c2NTA RUG\u0102CIUNE<br \/>\nCe-o rostesc \u0219i eu<br \/>\nAproape-n fiece sear\u0103<br \/>\nC\u0103tre Tine, Doamne,<br \/>\n\u0218i Maica Fecioar\u0103!<\/p>\n<p><strong><br \/>\nNefericita singur\u0103tate<\/strong><\/p>\n<p>Cine s\u0103 te strige din dep\u0103rtare,<br \/>\nDe tine s\u0103-\u021bi spun\u0103 c\u0103-i este dor,<br \/>\nCuvinte bune de-mb\u0103rb\u0103tare<br \/>\nCine s\u0103-\u021bi dea c\u00e2nd zilele-\u021bi mor?<\/p>\n<p>Cine s\u0103-\u021bi intre-n \u00eengusta-nc\u0103pere,<br \/>\nS\u0103-\u021bi vad\u0103 icoana la care te-nchini,<br \/>\nCine \u021bi-aduce c\u00e2teva mere,<br \/>\nCine te s\u0103rut\u0103 dac\u0103 suspini?<\/p>\n<p>Cui \u00eemp\u0103rt\u0103\u0219e\u0219ti suferin\u021ba<br \/>\nC\u00e2nd sufletul \u0219i oasele te dor?<br \/>\nZiua \u0219i noaptea te-alini cu credin\u021ba<br \/>\n\u0218i ai \u00een suflet un rece fior\u2026<\/p>\n<p>C\u00e2nd lacrima-\u021bi cade peste obraz,<br \/>\nCine \u021bi-o \u0219terge cu palma iubirii<br \/>\n\u0218i cine \u00een clipa de r\u0103gaz<br \/>\n\u021ai-ascult\u0103 oful ne\u00eemplinirii?<\/p>\n<p>Cine-\u021bi \u00eentinde cupa cea plin\u0103?<br \/>\nCine te ridic\u0103 dac\u0103 ai c\u0103zut?<br \/>\nCine-\u021bi face din bezn\u0103 lumin\u0103?<br \/>\nCine te vede c\u00e2nd treci nev\u0103zut?<\/p>\n<p>Cine-\u021bi \u00eentoarce g\u00e2ndurile tale?<br \/>\nCine-\u021bi trece m\u00e2na prin p\u0103rul c\u0103runt?<br \/>\nCine te-ajut\u0103 ie\u0219indu-\u021bi \u00een cale<br \/>\nC\u00e2nd trupul \u021bi-e greu \u0219i pasul m\u0103runt?<\/p>\n<p>Nefericit \u0219i singur str\u0103ba\u021bi cu \u00eend\u00e2rjire<br \/>\nPustietatea timpului at\u00e2t c\u00e2t a r\u0103mas<br \/>\n\u0218i visezi arar la stropul de iubire<br \/>\nS\u0103-l por\u021bi ca talisman al ultimului ceas.<\/p>\n<p><strong><br \/>\nValeriu GAFENCU<\/strong><\/p>\n<p><strong><br \/>\nColindul robului<\/strong><\/p>\n<p>Pe malul Trotu\u0219ului<br \/>\nC\u00e2nt\u0103 robii Domnului<br \/>\n\u00cenjuga\u021bi cu jugul Lui.<br \/>\nDar c\u00e2ntarea lor e mut\u0103,<br \/>\nC\u0103-i din suferin\u021b\u0103 smuls\u0103,<br \/>\n\u0218i-i cu rug\u0103ciuni crescut\u0103.<\/p>\n<p>\u00cen inima robului<br \/>\nDomnu-\u0218i face ieslea Lui<br \/>\n\u00cen noaptea Cr\u0103ciunului.<br \/>\nFlori de crin din ceruri plou\u0103<br \/>\nPeste ieslea Lui cea nou\u0103<br \/>\n\u0218i din flori picur\u0103 rou\u0103.<\/p>\n<p>St\u0103 un copila\u0219 \u00een zare<br \/>\n\u0218i prive\u0219te cu mirare<br \/>\nO fereastr\u0103 de-nchisoare.<\/p>\n<p>L\u00e2ng\u0103 micul copila\u0219<br \/>\nS-a oprit un \u00eengera\u0219<br \/>\nCe-i \u0219opte\u0219te dr\u0103g\u0103la\u0219:<\/p>\n<p>Azi Cr\u0103ciunul s-a mutat<br \/>\nDin palat la \u00eenchisoare<br \/>\nUnde-I Domnu-ntemni\u021bat;<br \/>\n\u0218i copilul cel din zare<br \/>\nA venit la \u00eenchisoare<br \/>\nS\u0103 tr\u0103iasc\u0103 Praznic mare.<\/p>\n<p><strong><br \/>\nImn celor c\u0103zu\u021bi<\/strong><\/p>\n<p>Pe drumul ve\u015fniciei tu te-ai dus<br \/>\n\u015ei ne-ai l\u0103sat ca testament iubirea<br \/>\nVestit\u0103 de-\u00cemp\u0103ratul Iisus:<br \/>\n\u00cen ea g\u0103si-vom pururi fericirea.<\/p>\n<p>Te-ai dus \u015fi ne-ai l\u0103sat \u00een urma ta<br \/>\nN\u0103dejdea revederii-n Paradis,<br \/>\nMereu vei fi cu noi \u015fi-om a\u015ftepta<br \/>\nS\u0103 ne-nt\u00e2lnim cu sufletul deschis.<\/p>\n<p>Ne-ndemni pe cei ce-n via\u0163\u0103 am r\u0103mas:<br \/>\nLupta\u0163i uni\u0163i \u015fi \u00een acela\u015fi pas,<br \/>\nZidi\u0163i lui Dumnezeu altare sfinte,<br \/>\nP\u0103\u015fi\u0163i pe Calea Vie\u0163ii \u00eenainte!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>La aniversar\u0103 Grigore CODRESCU &#8211; 85 N. 22 noiembrie 1938, \u00een satul Berbinceni, comuna Secuieni, jude\u021bul Bac\u0103u. Critic literar, publicist,<\/p>\n","protected":false},"author":18,"featured_media":18831,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"ngg_post_thumbnail":0,"video_url":"","footnotes":""},"categories":[7,318],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/22207"}],"collection":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=22207"}],"version-history":[{"count":1,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/22207\/revisions"}],"predecessor-version":[{"id":22208,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/22207\/revisions\/22208"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/media\/18831"}],"wp:attachment":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=22207"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=22207"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=22207"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}