{"id":22103,"date":"2023-11-03T00:44:56","date_gmt":"2023-11-02T21:44:56","guid":{"rendered":"https:\/\/ziarulderimnic.ro\/?p=22103"},"modified":"2023-11-03T00:44:56","modified_gmt":"2023-11-02T21:44:56","slug":"spatii-culturale-nr-9-11","status":"publish","type":"post","link":"https:\/\/ziarulderimnic.ro\/?p=22103","title":{"rendered":"Spa\u021bii culturale nr. 9 (11)"},"content":{"rendered":"<p><strong>Valeria Manta T\u0103icu\u0163u<\/strong><br \/>\n<a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2023\/02\/valeria-taicutu.jpg\" data-rel=\"lightbox-image-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2023\/02\/valeria-taicutu.jpg\" alt=\"\" width=\"295\" height=\"481\" class=\"alignnone size-full wp-image-20304 lazyload\" data-srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2023\/02\/valeria-taicutu.jpg 295w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2023\/02\/valeria-taicutu-184x300.jpg 184w\" data-sizes=\"(max-width: 295px) 100vw, 295px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 295px; --smush-placeholder-aspect-ratio: 295\/481;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2023\/02\/valeria-taicutu.jpg\" alt=\"\" width=\"295\" height=\"481\" class=\"alignnone size-full wp-image-20304\" srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2023\/02\/valeria-taicutu.jpg 295w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2023\/02\/valeria-taicutu-184x300.jpg 184w\" sizes=\"(max-width: 295px) 100vw, 295px\" \/><\/noscript><\/a><\/p>\n<p><strong>Jocul de-a lini\u015ftea<\/strong><\/p>\n<p>T\u00e2n\u0103rul poet din C\u0103l\u0103ra\u015fi, aflat la al treilea volum (dup\u0103 \u201eOr\u0103 de v\u00e2rf\u201d, Editura Geea, 2003 \u015fi \u201ea\u015fa cum a fost\u201d, Editura Vinea, 2008, scoate acum \u201el-am luat deoparte \u015fi i-am spus\u201d, Editura Brumar, 2009), a fost remarcat devreme de critica literar\u0103, care \u015fi-a manifestat \u00eencrederea \u00een el, premiindu-l (\u015fi la festivalul na\u0163ional \u201ePorni Luceaf\u0103rul&#8230;\u201d, \u015fi la festivalul na\u0163ional \u201eDuiliu Zamfirescu\u201d). I s-a recunoscut nu numai talentul, ci \u015fi prospe\u0163imea imaginilor, capacitatea de a transforma realul printr-un joc de oglinzi, propensiunea spre vis \u015fi u\u015furin\u0163a cu care construie\u015fte lumi imaginare.<br \/>\nUn prim grupaj din volumul \u201el-am luat deoparte \u015fi i-am spus\u201d se intituleaz\u0103 \u201edomni\u015foara o.\u201d \u015fi concentreaz\u0103 lirismul, ascunz\u00e2ndu-l sub plaje narative. Domni\u015foara o., o ipostaz\u0103 imaginar\u0103 a poetului, \u201epoate vedea ceea ce nimeni \/ nu-\u015fi poate imagina\u201d, este lene\u015f\u0103, meditativ\u0103 \u015fi copil\u0103roas\u0103, izolat\u0103 \u00een propriul ei univers. Ochii \u0163inu\u0163i \u00eenchi\u015fi sunt semnul reveriei, al \u00eentoarcerii \u00een sine, al replierii, pentru c\u0103 afar\u0103, \u00een lumea vizibil\u0103, perceptibil\u0103, unde domne\u015fte ra\u0163iunea, se afl\u0103 pericolul pr\u0103bu\u015firii \u00een vid: \u201edac\u0103 ar deschide ochii \/ cu siguran\u0163\u0103    s-ar juca \u00een voie \/ cu animalele imaginare. \/ dac\u0103 nu ar fi a\u015fa lini\u015ftea s-ar risipi \/ din m\u00e2inile ei \u015fi covorul \/ ar cobor\u00ee \u00eenceti\u015for pe marginea \/ unei pr\u0103p\u0103stii.\u201d (\u201epe covor\u201d).<br \/>\nPoemele narative din grupaj au \u00een centru nu o idee, ci un gest aparent banal, a c\u0103rui semnifica\u0163ie se descoper\u0103 spre final, atunci c\u00e2nd, practic, feed-back-ul apare imperios necesar: lectura trebuie ref\u0103cut\u0103, dinspre cap\u0103t spre \u00eenceput, pentru ca \u00een\u0163elesul s\u0103 se clarifice. \u00cen \u201eembrion\u201d, nara\u0163iunea aparent simpl\u0103, voit impersonal\u0103 (se prefer\u0103 relatarea la persoana a treia singular) a unei plimb\u0103ri oarecare se transform\u0103 \u00eentr-un poem bine regizat despre moarte \u015fi rena\u015ftere: \u201eacum este \u00een fa\u0163a unui morm\u00e2nt gol \/ \u015fi tot privind \u00een jos treptat treptat \/ membrele ei apoi tot trupul ei ar putea deveni inerte \/ \u015fi aluneca \u00een groap\u0103 \/\/ dar acolo jos domni\u015foara o. s-ar \/ sim\u0163i la fel de lini\u015ftit\u0103 ca un embrion \/ \u00eentr-un uter moale \u015fi cald\u201d. Daniel D. Marin refuz\u0103 podoabele stilistice, dar reu\u015fe\u015fte s\u0103 ob\u0163in\u0103 efecte artistice din folosirea timpurilor verbale: este preferat condi\u0163ionalul optativ, suger\u00e2nd tr\u0103iri, ac\u0163iuni, st\u0103ri posibile, dorite, situate \u00eentr-un imaginar spre care se \u00eendreapt\u0103 domni\u015foara o. Naratorul \u015ftie \u00eentotdeauna mai multe dec\u00e2t ipostaza liric\u0103 \u00een care se proiecteaz\u0103, astfel c\u0103 aceast\u0103 proiec\u0163ie, purt\u00e2nd numele de \u201edomni\u015foara o.\u201d, \u00ee\u015fi poate p\u0103stra \u201elini\u015ftea\u201d (lexem prezent \u00een majoritatea poemelor), se poate juca (\u201eun joc nou\u201d), poate aduce \u00een lumea ei personaje fabuloase (\u201ebatman\u201d) ori livre\u015fti (\u201emicul prin\u0163\u201d). Jocul \u00een oglind\u0103 \u00eensemn\u0103 cunoa\u015ftere \u015fi re-cunoa\u015ftere, descoperire a esen\u0163elor prin oglindire, posibilitate de trecere, prin oglindire, dincolo de aparen\u0163e. Cei \u201edoi oameni furio\u015fi\u201d, fotografia\u0163i atunci c\u00e2nd se certau, se transform\u0103, sub ochiul inocent al domni\u015foarei o., \u00een ceea ce ar trebui s\u0103 fie: fiindc\u0103, \u00een poemele lui Daniel D. Marin, realitatea este fluid\u0103, \u00een permanent\u0103 schimbare, nesupus\u0103 regulilor ra\u0163iunii, ci regulilor nescrise ale inimii: \/\u00eentr-o noapte abia puse capul \/ pe pern\u0103 c\u0103 auzi cum doi oameni \/ se \u00eenjurau de mama focului \/ domni\u015foara o. ie\u015fi pe hol \u015fi-i v\u0103zu \/ pe cei doi mai mai s\u0103 se ia \/ la b\u0103taie erau ro\u015fii la fa\u0163\u0103 \u015fi \/ aveau ochii sco\u015fi din orbite \/\/ domni\u015foara o. le f\u0103cu o poz\u0103 pe furi\u015f \/ se strecur\u0103 \u00een camer\u0103 apoi sub p\u0103tur\u0103. \/ deschise aparatul foto \u015fi se uit\u0103 \/ cu \u00eenc\u00e2ntare la poz\u0103. f\u0103cu ochii mari \/ \u00een poz\u0103 cei doi oameni furio\u015fi z\u00e2mbeau \u015fi \/ \u00eei f\u0103ceau \u015ftreng\u0103re\u015fte cu ochiul\u201d.<br \/>\nChiar dac\u0103 m\u0103rcile eului liric lipsesc, secven\u0163ele \u00een jurul c\u0103rora se construiesc poemele presupun o selec\u0163ie subiectiv\u0103 \u015fi se justific\u0103 prin nevoia de a vedea altfel realitatea. Poeme remarcabile pot fi reg\u0103site \u015fi \u00een celelalte grupaje din volum (\u201edragonul f\u0103r\u0103 aripi\u201d, \u201ec\u00e2nd a ajuns l\u00e2ng\u0103 noi\u201d, \u201eivan\u201d, \u201eca un duh straniu\u201d), dar cel mai bine realizat, din punctul de vedere al fabulosului liric, mi se pare primul grupaj. Nu lipsit de interes este \u201eivan\u201d, dar acolo influen\u0163ele livre\u015fti, mascate de un fel de lectur\u0103 \u201e\u00een r\u0103sp\u0103r\u201d, sunt, pe alocuri, sup\u0103r\u0103tor de evidente. \u015ei nu at\u00e2t trimiterea la Dostoievski, de exemplu, deranjeaz\u0103, c\u00e2t jovialitatea, minimalizarea tragismului, transformarea durerii \u00een spectacol: \u201es\u0103rmanul ivan nu mai poate merge \/ st\u0103 toat\u0103 ziua \u00een curte \u015fi c\u00e2nd \/ se plictise\u015fte de smotocit g\u0103inile \/ pl\u00e2nge \u00eenecat c\u0103ci mama grushenka face \/ de m\u00e2ncare \u015fi atunci sufletul lui ivan \/ clocote\u015fte ca-ntr-o oal\u0103 cu m\u0103m\u0103lig\u0103\u201d (\u201epicioarele lui ivan\u201d). Daniel D. Marin este un poet de la care cititorul a\u015fteapt\u0103 \u2013 \u015fi accept\u0103 &#8211; ludicul inteligent, fabulosul \u015fi \u201evis\u0103toria\u201d, nu \u00eens\u0103 \u015fi trucurile postmodernist-ieftine prin care se demitizeaz\u0103 \/ desacralizeaz\u0103, ori se arunc\u0103 \u00een aer valorile consacrate, ori se ridiculizeaz\u0103 tot ceea ce nu \u0163ine de fenomenologie, de cotidian, de concret-perceptibil.<br \/>\nC\u0103 Daniel D. Marin poate schimba relativ u\u015for tonalitatea \u2013 performan\u0163\u0103 datorat\u0103 \u015fi faptului c\u0103 posed\u0103 a\u015fa-numita \u201eg\u00e2ndire poetic\u0103\u201d &#8211;  pare limpede. O spun c\u00e2teva poeme, printre care \u015fi cel intitulat \u201eun vis ciudat\u201d: \u201emurise cineva \u015fi \/ ne-am dus to\u0163i la cimitir cu flori \/ eram un pic nedumeri\u0163i \/ eu mergeam ca un somnambul \/ o visasem peste noapte \/ avea o tiar\u0103 din aia \/ cum purtau reginele africane \/ st\u0103tea pe un tron uria\u015f de aur \/ \u015fi m\u0103 privea rece \u015fi fix \/ apoi \u00eemi repeta ceva \/ eu eram atent de fiecare dat\u0103 \/ \u015fi totu\u015fi nu \u00een\u0163elegeam un cuv\u00e2nt \/ m\u0103car \u015fi ea \u00eemi spunea cu o voce \/ din ce \u00een ce mai puternic\u0103 \/ acela\u015fi lucru \u015fi eu parc\u0103 eram surd\u201d.<\/p>\n<p><strong><br \/>\nNICOLAE POGONARU<\/strong><br \/>\n<a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/03\/pogonaru-1-e1615817102676.jpg\" data-rel=\"lightbox-image-1\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/03\/pogonaru-1-e1615817102676.jpg\" alt=\"\" width=\"350\" height=\"423\" class=\"alignnone size-full wp-image-13981 lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 350px; --smush-placeholder-aspect-ratio: 350\/423;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/03\/pogonaru-1-e1615817102676.jpg\" alt=\"\" width=\"350\" height=\"423\" class=\"alignnone size-full wp-image-13981\" \/><\/noscript><\/a><\/p>\n<p><strong>\u00eenghi\u0163itul \u00een sec<\/strong><\/p>\n<p>la o prim\u0103 analiz\u0103<br \/>\ncred c\u0103 nu ar fi<br \/>\na\u015fa grea ie\u015firea din criz\u0103<br \/>\nmai \u00eent\u00e2i ciocoii cei noi<br \/>\nparlamentarii mini\u015ftrii ho\u0163ii<br \/>\nadic\u0103 mai to\u0163i mafio\u0163ii<br \/>\ncu finii lor dar \u015fi na\u015fii<br \/>\nar trebui s\u0103 scoat\u0103<br \/>\ndin m\u00e2nec\u0103 a\u015fii<br \/>\ns\u0103 poat\u0103 omul de r\u00e2nd<br \/>\nde pe strad\u0103<br \/>\ns\u0103-i g\u0103seasc\u0103 \u015fi s\u0103 vad\u0103<br \/>\nregulile de \u00eenavu\u0163ire<br \/>\n\u015fi de prosperitate<br \/>\ndar nu \u00een timp \u00eendelung<br \/>\nci a\u015fa peste noapte<br \/>\nsau to\u0163i cei cu stare<br \/>\ns\u0103 scoat\u0103 averile de pe la b\u0103nci<br \/>\nde prin buzunare<br \/>\ns\u0103 devin\u0103 buni samariteni<br \/>\n\u015fi s\u0103 le \u00eempart\u0103<br \/>\nla am\u0103r\u00e2\u0163ii de p\u0103m\u00e2nteni<br \/>\nm\u0103 ve\u0163i \u00eentreba dac\u0103<br \/>\n\u00eendestula\u0163ii sunt extratere\u015ftri<br \/>\n\u015ftiu doar c\u0103 le place<br \/>\ns\u0103 fie ecve\u015ftri<br \/>\ncelor de la putere<br \/>\n\u015fi s\u0103 pluteasc\u0103 \u00een alte sfere<br \/>\nde unde nu au cum s\u0103 coboare<br \/>\npe sol<br \/>\ns\u0103 fie mai aproape de popor<br \/>\na\u015fa c\u0103 aceast\u0103 solu\u0163ie<br \/>\npasse parole<br \/>\ns-ar mai putea<br \/>\ndac\u0103 ar fi voin\u0163a politic\u0103<br \/>\n\u015fi s-ar vrea<br \/>\ns\u0103 se scoat\u0103 na\u0163iunea din belea<br \/>\nca puternicii din capul statului<br \/>\ns\u0103 \u00eentreprind\u0103 un act de caritate<br \/>\n\u015fi s\u0103 doneze pe un an<br \/>\nsalariile la spitale<br \/>\n\u015fi aziluri de noapte<br \/>\niar popii<br \/>\nc\u00e2nd cei tineri<br \/>\nse duc la biseric\u0103<br \/>\ns\u0103 le pun\u0103 pirostriile<br \/>\ns\u0103 fac\u0103 bine s\u0103 le doneze<br \/>\npe 5 ani toate liturghiile<br \/>\n\u015fi a\u015fa cum guvernul a lansat<br \/>\nsloganul prima cas\u0103<br \/>\n\u015fi biserica s\u0103 lanseze lozinca<br \/>\nprima mireas\u0103<br \/>\ndar ar fi greu<br \/>\npentru c\u0103 nimeni zic ei<br \/>\nnu vrea s\u0103 m\u00e2nie pe Dumnezeu<br \/>\npatronii de restaurante de baruri<br \/>\nsau de bombe de cartier<br \/>\nar face pe fiecare consumator boier<br \/>\ndac\u0103 o dat\u0103 pe s\u0103pt\u0103m\u00e2n\u0103<br \/>\nar fi cu dare de m\u00e2n\u0103<br \/>\n\u015fi i-ar l\u0103sa pe to\u0163i<br \/>\ngratis<br \/>\ns\u0103 le intre \u00een gur\u0103<br \/>\nm\u00e2nc\u0103ruri alese<br \/>\ndar mai ales b\u0103utur\u0103<br \/>\noricum este<br \/>\ncu ochiul liber vizibil<br \/>\nc\u0103 nici lucrul acesta<br \/>\nnu este posibil<br \/>\natunci poate mall-urile<br \/>\ncarrefour-urile dedemanii<br \/>\nar putea oferi moca<br \/>\nm\u0103rfurile sau banii<br \/>\ndar pe astfel de vremuri nebune<br \/>\ncine e prost<br \/>\ns\u0103 arunce cu cadouri<br \/>\n\u00een lume<br \/>\nc\u00e2inii vagabonzi<br \/>\ndac\u0103 i-am aduna \u00eentr-un an<br \/>\nam putea la export<br \/>\ns\u0103-i d\u0103m \u00een Vietnam sau Taiwan<br \/>\n\u00eenc\u00e2t aceste popoare<br \/>\ncu ochii piezi\u015fi<br \/>\nne-ar umple visteria de bac\u015fi\u015f<br \/>\n\u015fi Pib-ul<br \/>\nar sta pe picioarele lui<br \/>\nhot\u0103r\u00e2t ca un pitbull<br \/>\nimposibil protec\u0163ia maidanezilor zice<br \/>\n\u015fi aceast\u0103 posibilitate<br \/>\nar trebui s\u0103 abdice<br \/>\natunci ar fi bine dac\u0103<br \/>\nprintr-o metamorfoz\u0103 divin\u0103<br \/>\noamenii ar avea<br \/>\nstomac de bovin\u0103<br \/>\ni-ai vedea bun\u0103oar\u0103<br \/>\npe pacien\u0163i asistente<br \/>\n\u015fi pe doctori \u00een stare<br \/>\ns\u0103 pasc\u0103 iarba<br \/>\nde pe peluzele<br \/>\nde l\u00e2ng\u0103 spitale<br \/>\niar dup\u0103 principiul analogic<br \/>\n\u00een mod cu totul<br \/>\n\u015fi cu totul ecologic<br \/>\ncet\u0103\u0163enii s-ar hr\u0103ni<br \/>\ncu iarba de pe marginea \u015fan\u0163ului<br \/>\nde pe izlazuri comunale<br \/>\nsau p\u0103\u015funi<br \/>\nmii de luni<br \/>\nmilioane de zile<br \/>\nf\u0103r\u0103 ur\u0103 \u015fi p\u0103rtinire<br \/>\ntoat\u0103 \u0163ara ar putea fi<br \/>\n\u00eemp\u0103r\u0163it\u0103 \u00een parcele<br \/>\nprotejate cu garduri electrice<br \/>\npentru rezerve \u015fi vremuri grele<br \/>\n\u015fi vara pe f\u00e2ne\u0163e<br \/>\nai vedea motocositoarele<br \/>\nde diminea\u0163a p\u00e2n\u0103 apune soarele<br \/>\npun\u00e2nd otava \u00een c\u0103pi\u0163e<br \/>\nat\u00e2t pentru omul de r\u00e2nd<br \/>\ndar \u015fi pentru cel cu fi\u0163e<br \/>\naceasta nu se poate<br \/>\nzise supremul EL<br \/>\niarba ne trebuie<br \/>\npentru \u015feptel<br \/>\nconstat\u00e2nd c\u0103 totu\u015fi<br \/>\neste grea ie\u015firea din criz\u0103<br \/>\nau venit filozofi finan\u0163i\u015fti<br \/>\ncu idei \u00een valiz\u0103<br \/>\n\u015fi au stabilit<br \/>\nc\u0103 singura solu\u0163ie<br \/>\n\u00een caz de \u00eenec<br \/>\neste \u00eenghi\u0163itul \u00een sec<\/p>\n<p><strong><br \/>\nRomania land of choice<br \/>\n     (hip-hop)<\/strong><\/p>\n<p>tr\u0103im \u00een vitez\u0103 \u00eentr-o lume nebun\u0103<br \/>\ncopiii se nasc cu cheia de g\u00e2t<br \/>\n\u015fi cu mobilul \u00een m\u00e2n\u0103<br \/>\n\u00eenc\u0103 din faza intrauterin\u0103<br \/>\n\u00eenva\u0163\u0103 s\u0103 citeasc\u0103 factura<br \/>\nla gaze \u00eentre\u0163inere lumin\u0103<br \/>\nc\u00e2nd dup\u0103 nou\u0103 luni de-nchisoare<br \/>\nse las\u0103 la vatr\u0103<br \/>\nfac ochii roat\u0103<br \/>\n\u015fi se uit\u0103 \u00een zare<br \/>\nc\u0103tre Spanii Germanii Italii<br \/>\nunde se pare c\u0103 se c\u00e2\u015f\u0163ig\u0103<br \/>\nmai abitir banii<br \/>\najung b\u0103ie\u0163i mari<br \/>\n\u00eenva\u0163\u0103 nu-nva\u0163\u0103<br \/>\ndespre arta supravie\u0163uirii<br \/>\n\u00een economia de pia\u0163\u0103<br \/>\ncum s\u0103 exploreze<br \/>\nf\u0103r\u0103 costum de scafandru<br \/>\noceanul unei existen\u0163e banale<br \/>\nsau cum s\u0103 mearg\u0103 pe jos<br \/>\nf\u0103r\u0103 sa aib\u0103 picioare<br \/>\n\u00een capitalismul din jungl\u0103<br \/>\ncu acroba\u0163ii financiare de Tarzan<br \/>\n\u00eenva\u0163\u0103 cum s\u0103 pun\u0103<br \/>\nban peste ban<br \/>\nc\u00e2\u015ftig\u00e2nd \u00eentr-o lun\u0103<br \/>\nc\u00e2t poporu-ntr-un an<br \/>\npe la optsprezece ani<br \/>\np\u0103rin\u0163i cu pe\u015fin<br \/>\nle cump\u0103r\u0103 vile<br \/>\n\u015fi megama\u015fini<br \/>\napoi la iarb\u0103 verde<br \/>\ndup\u0103 ce beau<br \/>\n\u015fi \u00ee\u015fi savureaz\u0103 friptura<br \/>\nsingura lor distrac\u0163ie<br \/>\ne s\u0103 fac\u0103 schimb de gaze<br \/>\ncu natura<br \/>\n\u00eencet \u00eencet \u00eenv\u0103\u0163\u00e2nd la departe<br \/>\n\u00ee\u015fi cump\u0103r\u0103 diplome<br \/>\ncu \u015ftiin\u0163\u0103 de carte<br \/>\nde la tarabe private<br \/>\ncu facult\u0103\u0163i multe mari \u015fi late<br \/>\npetrec\u00e2ndu-\u015fi via\u0163a<br \/>\n\u00een baruri de fi\u0163e \u015fi cluburi<br \/>\nc\u00e2nd devin mai maturi<br \/>\nvor s-ajung\u0103 la struguri<br \/>\n\u00eentr-un t\u00e2rziu<br \/>\nchelio\u015fi \u015fi cu bur\u0163i<br \/>\nse adun\u0103 la sfat<br \/>\n\u015fi prin tertipuri electorale<br \/>\nintr\u0103-n camera deputa\u0163ilor<br \/>\nsau \u00een senat<br \/>\n\u015fi a\u015fa \u00eentr-o \u0163ar\u0103 pe moarte<br \/>\n\u00een care sunt mai multe licen\u0163e<br \/>\ndec\u00e2t carte<br \/>\nsingura sc\u0103pare<br \/>\neste s\u0103 umbli chiaun \u015fi haihui<br \/>\npe-aici<br \/>\nprin land of choice-ul<br \/>\nnim\u0103nui<\/p>\n<p><strong><br \/>\nADRIAN BOTEZ<\/strong><br \/>\n<a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/09\/botez-e1600891694364.jpg\" data-rel=\"lightbox-image-2\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/09\/botez-e1600891694364.jpg\" alt=\"\" width=\"300\" height=\"357\" class=\"alignnone size-full wp-image-10875 lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 300px; --smush-placeholder-aspect-ratio: 300\/357;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/09\/botez-e1600891694364.jpg\" alt=\"\" width=\"300\" height=\"357\" class=\"alignnone size-full wp-image-10875\" \/><\/noscript><\/a><\/p>\n<p><strong>DESPRE CEL N\u0102SCUT ATUNCI, ACOLO&#8230;<\/strong><\/p>\n<p>Te-ai n\u0103scut \u00eentre cei mai s\u0103raci dintre<br \/>\ns\u0103racii P\u0103m\u00e2ntului: \u00eentre cei care nu au<br \/>\nchipul m\u0103re\u0163ului Om \u2013 \u015fi \u00eentre<br \/>\npribegi<\/p>\n<p>nimeni nu a mai v\u0103zut at\u00e2tea<br \/>\npun\u0163i de lumin\u0103 \u2013 \u00eentre<br \/>\npeticele \u00eentunericului lumii \u2013 nimeni<br \/>\nnu a mai v\u0103zut at\u00e2ta<br \/>\nsperan\u0163\u0103 \u2013 \u00eentre cei care deja<br \/>\nplecaser\u0103 capul \u2013 pentru izbitura<br \/>\nfinal\u0103<\/p>\n<p>Te-ai n\u0103scut \u2013 deci \u2013 pentru ca s\u0103<br \/>\nvindeci n\u0103dejdea<\/p>\n<p>\u015fi to\u0163i cei cu ochii pleca\u0163i \u2013 din mine \u2013 deodat\u0103<br \/>\ns-au privit drept \u00een ochi \u015fi<br \/>\ns-au recunoscut<\/p>\n<p>\u00een fiecare clip\u0103 Te na\u015fti \u2013 e\u015fti \u00een<br \/>\nmine \u2013 de\u015fi<br \/>\no faci cu at\u00e2ta putere &#8211; \u00eenc\u00e2t<br \/>\nfiecare clip\u0103 arde orbitor \u2013 \u015fi apoi<br \/>\n\u00een cenu\u015f\u0103 se pr\u0103bu\u015fe\u015fte<\/p>\n<p>va veni un Cr\u0103ciun al orbilor<br \/>\nde tot \u015fi senin ferici\u0163i \u2013 f\u0103r\u0103 nicio umbr\u0103 de<br \/>\nfuningine sub pleoape<\/p>\n<p>p\u00e2n\u0103 atunci \u2013 noi \u2013 cei s\u0103raci \u2013 \u015fi<br \/>\nvoi \u2013 cei orbi<br \/>\ns\u0103 nu ne pierdem atingerea<br \/>\ncald\u0103 a m\u00e2inilor: \u00eentre<br \/>\nm\u00e2inile noastre \u2013 ginga\u015f unele cu altele<br \/>\nnuntite \u2013 se  coace jar pentru<br \/>\nStea \u015fi jar pentru P\u00e2ine \u2013 \u015fi<br \/>\nP\u00e2inea \u2013 sub crusta ei de lumin\u0103 \u2013 pe to\u0163i<br \/>\nne num\u0103r\u0103 \u015fi ne<br \/>\nr\u0103s-num\u0103r\u0103 \u2013 precum raze ale unei Nesf\u00e2r\u015fite<br \/>\nViitoare Dimine\u0163i: Diminea\u0163a<br \/>\nTurmelor Luminii \u2013 \u00eembulzite<br \/>\nsub sunet de clopot \u2013 spre<br \/>\nCerul care nu se mai \u00eenchide<\/p>\n<p>                    *<\/p>\n<p>nimeni nu va mai ucide: S\u00e2ngele va r\u0103m\u00e2ne \u00een<br \/>\nve\u015fnic Potir<\/p>\n<p>Te-ai n\u0103scut s\u0103<br \/>\n\u00eempaci \u2013 Te-ai n\u0103scut s\u0103<br \/>\nune\u015fti \u2013 Te-ai n\u0103scut s\u0103<br \/>\nabole\u015fti mu\u015fc\u0103tura \u2013 \u00eempuns\u0103tura<br \/>\numilin\u0163a cumplit\u0103 de a fi dedesubtul t\u0103ieturii<br \/>\ncrimei<\/p>\n<p>e\u015fti Dumnezeul meu \u2013 al<br \/>\nsingurei mele iubiri<\/p>\n<p>dar Tu \u2013 Pruncule \u2013 nu po\u0163i fi<br \/>\nDumnezeul meu \u015fi Dumnezeul<br \/>\nlor: nu e\u015fti St\u0103p\u00e2n al hotarelor \u2013 ci<br \/>\nBucurie \u015fi Lumin\u0103 f\u0103r\u0103<br \/>\n\u00eenceput \u015fi sf\u00e2r\u015fit<\/p>\n<p>                *<\/p>\n<p>niciodat\u0103 n-ai ucis \u00eentru<br \/>\nhotar \u2013 ci ai vindecat<br \/>\nmereu \u2013 \u00eentru<br \/>\nrecunoa\u015ftere<\/p>\n<p>                *<\/p>\n<p>Paiul de Iesle \u2013 din<br \/>\nStea \u2013 Steaua din<br \/>\nCoroan\u0103 de Mag \u2013 Coroana<br \/>\nad\u00e2nc rotit\u0103 \u00een F\u00e2nt\u00e2na<br \/>\nsufletului meu<\/p>\n<p>de-a dreapta Coroanei<br \/>\nBourul \u2013 de-a st\u00e2nga<br \/>\nAsinul :  \u00een mijlocul<br \/>\nCrucii \u2013 Pruncul P\u0103stor<br \/>\nInorogul &#8211;  cu frunte-ns\u00e2ngerat\u0103 de sudoarea<br \/>\nefortului luminii \u2013 \u00een\u0163eleapt\u0103 c\u00e2t toate<br \/>\nSc\u0103rile<\/p>\n<p><strong><br \/>\nDESPRE MINE<\/strong><\/p>\n<p>despre mine \u2013 de-acum<br \/>\nvoi vorbi la trecut: ceilal\u0163i<br \/>\nnu vor vorbi<br \/>\ndeloc<\/p>\n<p>smulge-m\u0103 somnului \u2013 Doamne<br \/>\ns\u0103 n-aud pa\u015fii mor\u0163ii<br \/>\nsmulge-m\u0103 vie\u0163ii \u2013 s\u0103<br \/>\nnu mai simt \u2013 priponit\u0103 \u00een n\u0103ri<br \/>\nduhoarea crimei perpetue<\/p>\n<p>mi-e sil\u0103  &#8211; ru\u015fine cumplit\u0103 mi-e &#8211; de muncile<br \/>\ns\u00e2ngeroase ale<br \/>\np\u0103m\u00e2ntului \u2013 mi-e indiferent\u0103<br \/>\ncrucea de martir \u2013 exasperat sunt de<br \/>\nrepeti\u0163iile con\u015ftiincioase ale absurdului<\/p>\n<p>doar pe Hristos \u2013 semen \u015fi \u2013 bl\u00e2nd<br \/>\nC\u0103l\u0103uz\u0103 \u2013 \u00eel \u00eeng\u0103dui \u2013 pe sub<br \/>\n\u00eentuneca\u0163ii chiparo\u015fi \u2013 insistent \u015fi<br \/>\ngrotesc fo\u015fnitori \u2013 p\u00e2n\u0103 la sc\u00e2r\u0163\u00e2it de<br \/>\ncavou<\/p>\n<p>                       *<\/p>\n<p>trec\u0103torule  &#8211; du-te \u015fi spune<br \/>\ncui mai \u015ftie ori mai<br \/>\npoate-asculta &#8211;  c\u0103 eu am murit aici \u2013 ap\u0103r\u00e2nd<br \/>\nlegile Lui &#8211; ucig\u00e2nd<br \/>\nimpostura<\/p>\n<p><strong><br \/>\nGLASURILE  APEI<\/strong><\/p>\n<p>p\u00e2r\u00e2ul gungure\u015fte \u2013 r\u00e2ul \u2013 de-acum<br \/>\nvorbe\u015fte \u2013 fluviul \u00eencepe \u015fi<br \/>\n\u0163ine discursuri \u2013 iar marea \u015fi<br \/>\noceanele \u2013 profetizeaz\u0103<br \/>\ntun\u0103tor<\/p>\n<p><strong><br \/>\n\u00ceNTRE FULGER \u015eI TUNET<\/strong><\/p>\n<p>\u00eentre fulger \u015fi<br \/>\ntunet \u2013 se desf\u0103\u015foar\u0103 fiin\u0163area<br \/>\nmea: Dumnezeu fulger\u0103 \u2013 chiar<br \/>\ntr\u0103sne\u015fte \u2013 inspirat de puritatea<br \/>\nst\u00e2ncilor \u2013 iar eu<br \/>\neu \u2013 puturosul om \u2013 \u00eent\u00e2rzii<br \/>\npotrivind sunetele<br \/>\ntunetului \u2013 s\u0103 ia urma \u2013 \u015font\u00e2c-\u015font\u00e2c<br \/>\nEi \u2013 Triumfalei \u00eentru<br \/>\nFastul Exploziei Facerii<br \/>\nLumini<\/p>\n<p>Poezie \u2013 ajunge-L din urm\u0103 pe<br \/>\nNev\u0103zutul Cosmic \u2013 sau m\u0103car pe<br \/>\nDistinsul Dirijor!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Valeria Manta T\u0103icu\u0163u Jocul de-a lini\u015ftea T\u00e2n\u0103rul poet din C\u0103l\u0103ra\u015fi, aflat la al treilea volum (dup\u0103 \u201eOr\u0103 de v\u00e2rf\u201d, Editura<\/p>\n","protected":false},"author":18,"featured_media":10070,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"ngg_post_thumbnail":0,"video_url":"","footnotes":""},"categories":[7,328],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/22103"}],"collection":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=22103"}],"version-history":[{"count":1,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/22103\/revisions"}],"predecessor-version":[{"id":22104,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/22103\/revisions\/22104"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/media\/10070"}],"wp:attachment":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=22103"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=22103"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=22103"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}