{"id":21945,"date":"2023-10-08T17:56:38","date_gmt":"2023-10-08T14:56:38","guid":{"rendered":"https:\/\/ziarulderimnic.ro\/?p=21945"},"modified":"2023-10-08T17:56:38","modified_gmt":"2023-10-08T14:56:38","slug":"spatii-culturale-nr-10-14","status":"publish","type":"post","link":"https:\/\/ziarulderimnic.ro\/?p=21945","title":{"rendered":"Spa\u021bii culturale nr. 10 (14)"},"content":{"rendered":"<p><strong>ARGE\u015e<\/strong>, Serie nou\u0103, Anul X (XLV), nr.3 (333), martie<br \/>\n2010, Pite\u015fti. Mirela Neagoe \u00ee\u015fi intituleaz\u0103 \u00eensemn\u0103rile<br \/>\nde la o lansare Cartea care a n\u0103scut un scriitor. Cartea cu<br \/>\npricina este Recurs la memorie \u2013 convorbiri cu Mihai<br \/>\nUngheanu \u015fi apar\u0163ine ziaristului pite\u015ftean Mihai<br \/>\nGolescu. Vizavi de aceast\u0103 carte, Dumitru Ungureanu<br \/>\nspune, printre altele: M\u0103 a\u015fteptam ca Mihai Ungheanu,<br \/>\naflat la v\u00e2rsta c\u00e2nd \u00ee\u015fi putea permite luxul sincerit\u0103\u0163ii, s\u0103<br \/>\nelucideze m\u0103car b\u0103t\u0103liile literare la care a participat. Nu<br \/>\na \u00eendr\u0103znit. S-a rezumat la idei b\u0103t\u0103torit\u0103, la preciz\u0103ri ce nu<br \/>\nprecizeaz\u0103, la explica\u0163ii pro domo ce nu explic\u0103. \u015ei conchide:<br \/>\nText ce poate folosi unui istoric literar, cu condi\u0163ia s\u0103 fie<br \/>\nvreunul masochist ca s\u0103 desc\u00e2lceasc\u0103 ideile cuiva socotit<br \/>\nscriitor rom\u00e2n. Mai degrab\u0103 \u201eMare Rom\u00e2n\u201d, dec\u00e2t scriitor.<br \/>\nDoina Jela: Talentul \u015fi caracterul sunt lucruri diferite \u015fi<br \/>\ncare nu se influen\u0163eaz\u0103 deloc reciproc. Citatul face parte<br \/>\ndin r\u0103spunsul dat anchetei ini\u0163iate de Jean Dumitra\u015fcu.<br \/>\nAurel Sibiceanu se dest\u0103inuie (\u00een continuare): Glorio\u015fii<br \/>\nani ai rat\u0103rii. \u00censemn\u0103ri despre boema pite\u015ftean\u0103 a anilor<br \/>\n`70-`80 (XIX). Dup\u0103 dou\u0103zeci de ani (III). La fel se<br \/>\ndest\u0103inuie Liviu Ioan Stoiciu (Nu-mi pot schimba<br \/>\ndestinul, degeaba m\u0103 pl\u00e2ng) \u015fi Luca Pi\u0163u (Secven\u0163e<br \/>\n\u00eendosariate cu Petre Stoica, Virgil Mazilescu \u015fi LIS).<br \/>\nReferitor la moartea lui Labi\u015f, Marin Ioni\u0163\u0103 noteaz\u0103:<br \/>\nOric\u00e2te variante au fost lansate \u00een circula\u0163ie, \u015fi se vor mai<br \/>\nlansa, una singur\u0103 nu poate fi pus\u0103 la \u00eendoial\u0103: corpul s\u0103u<br \/>\nera \u00eembibat cu alcool \u00een momentul accidentului.<br \/>\nPersonalitatea lui Solomon Marcus, la 85 de ani, este<br \/>\npus\u0103 \u00een eviden\u0163\u0103 prin texte (prescurtate) semnate de:<br \/>\nIon C. \u015etefan, Gheorghe P\u0103un, Ilie P\u00e2rvu, C\u0103t\u0103lin<br \/>\nMamali, Ana Blandiana \u015fi Mona V\u00e2lceanu. Iar despre<br \/>\nromanul lui Bogdan Suceav\u0103, Venea din timpul diez,<br \/>\nscriu (texte coordonate de Jean Dumitra\u015fcu): Daniel<br \/>\nCristea-Enache, Paul Cernat, Nicolae Oprea, Liviu<br \/>\nAntonesei, Horia G\u00e2rbea, Mihail Vakulovski, Mircea<br \/>\nPric\u0103jan, Marius Mihe\u0163, Dan Stanca, Simona Vasilache,<br \/>\nSanda Cordo\u015f, Doris Mironescu \u015fi Mircea Gheorghe.<br \/>\n\u015etefan Ion Ghilimescu face cronic\u0103 literar\u0103 c\u0103r\u0163ii lui<br \/>\nMircea B\u00e2rsil\u0103, Monede cu portretul meu. Poezia acestui<br \/>\nnum\u0103r apar\u0163ine lui Flori B\u0103l\u0103nescu \u015fi Lilianei Fili\u015fan,<br \/>\niar proza lui Ion Lic\u0103 Vulpe\u015fti.<\/p>\n<p><strong><br \/>\nA x i o m a<\/strong>, anul XI, nr. 3 (120), martie 2010, Ploie\u015fti.<br \/>\nAvem bucuria de a scrie despre revista Axioma la<br \/>\n\u00eemplinirea a zece ani de apari\u0163ie. \u015ei ne bucur\u0103m al\u0103turi<br \/>\nde Marian Ruscu (director), Ieronim T\u0103taru (redactor<br \/>\n\u015fef) \u015fi de redactorii ei. Ieronim T\u0103taru men\u0163ioneaz\u0103: n-a<br \/>\nfost un program pur literar, de\u015fi literatura a ocupat mereu<br \/>\nspa\u0163iul cel mai \u00eentins al revistei; am dorit \u015fi, dup\u0103 opinia<br \/>\nnoastr\u0103, am reu\u015fit s\u0103 edit\u0103m o publica\u0163ie general cultural\u0103,<br \/>\ncu o arie \u00eentins\u0103 de preocup\u0103ri literare, \u015ftiin\u0163ifice, de istorie<br \/>\na religiilor \u015fi ideilor religioase \u015fi artistice. Iar Marian Ruscu<br \/>\nprecizeaz\u0103:&#8230;cred c\u0103 cel mai important lucru \u00eel reprezint\u0103<br \/>\nstr\u00e2ngerea \u00een jurul revistei a celor mai importante<br \/>\npersonalit\u0103\u0163i ale culturii, \u015ftiin\u0163ei \u015fi artelor prahovene&#8230; Cu<br \/>\nacest prilej consemneaz\u0103 g\u00e2nduri: prof. univ. dr. Ion<br \/>\nB\u0103lu, conf. univ. dr. Mihai Brescan, prof. Marian<br \/>\nChirulescu, prof. dr. Christian Cr\u0103ciun, prof. Nicolae<br \/>\nDumitrescu, ing. Lucian Gruia, lector univ. dr. Sanda<br \/>\nH\u00e2rlav Maistorovici, prof. univ. dr. Miron Oprea, prof.<br \/>\nemerit Paul D. Popescu, prof. Constantin Popovici,<br \/>\nlector univ. dr. Diana R\u00eenciog, prof. dr. Constantin<br \/>\nTrandafir, ing. Constantin Trestioreanu, Florin Dochia,<br \/>\nred. \u015fef la \u201eRevista nou\u0103\u201d, Gheorghe Andrei Neagu,<br \/>\nred. \u015fef la \u201eOglinda literar\u0103\u201d, Cassian Maria Spiridon,<br \/>\nred. \u015fef la \u201eConvorbiri literare\u201d, Valeria Manta T\u0103icu\u0163u,<br \/>\nred. \u015fef la \u201eSpa\u0163ii culturale\u201d \u015fi Lucian Vasiliu, red. \u015fef<br \/>\nla \u201eDacia literar\u0103\u201d. Ca de obicei, noi vom recenza doar<br \/>\npartea literar\u0103 a revistei. A\u015fa c\u0103 scriu despre c\u0103r\u0163ile<br \/>\naltora: C. Trandafir (Augustin Buzura, Vocile nop\u0163ii \u015fi<br \/>\nFe\u0163ele t\u0103cerii), Ion B\u0103lu (Laz\u0103r Avram\/ Paula<br \/>\nRomanescu \u2013 traducere, Ritmuri m\u0103ierene\/ Rythmes<br \/>\nma\u00eferiens), Nicolae Dumitrescu (Ieronim T\u0103taru, Semne<br \/>\n\u2013 4 \u2013 literatur\u0103 \u015fi arte plastice), Codru\u0163 Constantinescu<br \/>\n(Bernhard Schlink, \u00centoarcerea acas\u0103) \u015fi Florin Dochia<br \/>\n(Alain de Mijolla, Freud et la France, 1885-1945). Mircea<br \/>\nColo\u015fenco scrie despre na\u015fterea poeziei C\u00e2ntec a lui<br \/>\nNichita St\u0103nescu, iar Marian Chirulescu vine cu Nichita<br \/>\nSt\u0103nescu \u2013 Bibliografie \u2013 Addenda(VIII) \u2013 martie 2009-<br \/>\nfebr.2010. Maria-Mirabela Negroiu \u00eel prezint\u0103 pe Bujor<br \/>\nNedelcovici \u2013 publicist. Poezia este prezent\u0103 prin:<br \/>\nMarian Ruscu, Viorica R\u0103du\u0163\u0103, George Pa\u015fa \u015fi Beatrice<br \/>\nGuerriero (Germania).<\/p>\n<p><strong><br \/>\nBUCOVINA LITERAR\u0102<\/strong>, serie nou\u0103, Anul XXI,<br \/>\nnr.3 (229),martie 2010, Suceava. Pe post de editorial este<br \/>\namplasat profundul studiu al lui Petru Ursache \u2013<br \/>\nFic\u0163iuni thanatice la Eminescu. \u00centr-un spa\u0163iu restr\u00e2ns<br \/>\nL.D. Clement opineaz\u0103 (printre altele) despre Herta<br \/>\nM\u00fcller: \u015etiut\u0103, marcat\u0103 \u00een memoria (adesea scurt\u0103) a<br \/>\nrom\u00e2nilor \u015fi fixat\u0103 \u201ecu Nobel\u201d, ca o plant\u0103 \u00een ierbar. Marcel<br \/>\nMure\u015feanu consemneaz\u0103 convorbirea avut\u0103 cu criticul<br \/>\nliterar Constantin Cuble\u015fan. Fondul de poezie al<br \/>\nrevistei este asigurat de: Octavian Doclin, Victor<br \/>\nMunteanu, Monica Rizea \u015fi Emil Ianu\u015f, iar ce de proz\u0103<br \/>\nde Constantin P. Popescu. Cronicile literare sunt<br \/>\nsemnate de: Theodor Codreanu (Adrian Dinu<br \/>\nRachieru, Eminescu dup\u0103 Eminescu \u2013 Texte \u015fi contexte),<br \/>\nGeorge Bodea (Matei Vi\u015fniec, Sindromul de panic\u0103 \u00een<br \/>\nOra\u015ful Luminilor), Emanuela Ilie (Mariana \u015eora, Dou\u0103<br \/>\njurnale fa\u0163\u0103 \u00een fa\u0163\u0103), Ioan Holban (Tiberiu Br\u0103ilean,<br \/>\nMelcul Ciufulit) \u015fi Tudor Nedelcea (Nicolae Dabija,<br \/>\nTem\u0103 pentru acas\u0103). De remarcat eseul lui Alexandru<br \/>\nOvidiu Vintil\u0103 \u2013 Dialog \u015fi libertate (O propedeutic\u0103<br \/>\nsumar\u0103 asupra conceptului de libertate) I.1. In memoriam,<br \/>\nNicolae C\u00e2rlan \u00eencadreaz\u0103 poezia lui Dim P\u0103curariu<br \/>\n\u00eentre prezentare \u015fi fi\u015f\u0103 bibliografic\u0103. Autograful este dat<br \/>\nde Gheorghe Istrate prin dou\u0103 ritualuri. \u00cen medalion<br \/>\nsunt pu\u015fi Leonard Gavriliu \u015fi Constantin Bl\u0103naru prin<br \/>\n\u00eensemn\u0103rile lui Mihai Merticaru \u015fi Emil Simion. Fac<br \/>\nrecenzii: Ion Hurjui (Gheorghe Lupu, Umbra<br \/>\nprivighetorii), Lavinia \u015eerban (Mircea \u015eerb\u0103nescu, Via\u0163a<br \/>\ne \u00een alt\u0103 parte \u015fi Lumini\u0163a \u0162aran (Ioan Bile\u0163chi-Albescu,<br \/>\nConspecte filologice) \u015fi Iano\u015f \u0162urcanu (Iulian Filip, Lunai<br \/>\nuna). Notele de lector ale lui Ion Beldeanu se opresc la:<br \/>\nViata e \u00een alt\u0103 parte de Mircea \u015eerb\u0103nescu, Cea mai curat\u0103<br \/>\nlacrim\u0103 a noastr\u0103 de Grigore Crigan, Pompe funebre de<br \/>\nMircea Radu Iacoban \u015fi Zidul cu privighetori de Viorel<br \/>\nDinescu. Constantin C\u0103lin ne prezint\u0103 c\u00e2teva file din<br \/>\nJurnal despre Bacovia (3), iar Doina Cernica ne invit\u0103 pe<br \/>\nnava cu p\u00e2nzele desf\u0103cute a lui Jean Bart. \u00cen final, Radu<br \/>\nC\u00e2rneci a\u015faz\u0103 \u00een limba rom\u00e2n\u0103 poeme de Rainer Maria<br \/>\nRilke, iar Marius Chelaru \u00eel prezint\u0103 pe Skender<br \/>\nSherifi, poet n\u0103scut \u00een Kosovo.<\/p>\n<p><strong><br \/>\nCafeneaua literar\u0103<\/strong>, anul VI, nr.12\/75, decembrie<br \/>\n2009, Pite\u015fti. Vizavi de topul realizat de Rom\u00e2nia liber\u0103<br \/>\n\u00een luna ianuarie 2010, privindu-i pe cei mai citi\u0163i poe\u0163i<br \/>\nrom\u00e2ni, ne al\u0103tur\u0103m opiniei lui Gheorghe Grigurcu \u015fi<br \/>\nz\u00e2mbim amar la asemenea st\u00e2ngace \u201eexerci\u0163ii de<br \/>\nadmira\u0163ie\u201d ierarhizate, pe care n\u0103d\u0103jduim c\u0103 timpul,<br \/>\nneav\u00e2nd \u00eencotro, le va corija. Despre atitudini \u015fi<br \/>\nconvingeri ferme dialogheaz\u0103 Monica Mure\u015fan cu<br \/>\nAurel Pop, iar Adrian Dinu Rachieru \u00eel prezint\u0103 pe<br \/>\nAdrian Marino \u2013 un om liber (I), pornind de la recenta<br \/>\ncarte a acestuia, Via\u0163a unui om singur. Lectorii Radu<br \/>\nCange \u015fi Virgil Diaconu scriu despre Apocalipsa de<br \/>\nfiecare zi a lui Daniel Corbu, respectiv, Hermeneutica<br \/>\nlibert\u0103\u0163ii a lui \u015etefan Dumitru Afrimescu, iar Nicolae<br \/>\nEremia \u015fi Ion Pachia Tatomirescu despre Neantul<br \/>\nrom\u00e2nesc, carte semnat\u0103 de Emil Cioran, despre Luca<br \/>\nPi\u0163u \u015fi Sorin Antohi, respectiv, despre Poeme de \u015fapte<br \/>\nzile de Miron \u0162ic. Pavel \u015eu\u015far\u0103 prezint\u0103 un poet al<br \/>\nluminii \u2013 pictorul Ion Pantilie la 65 de ani. Poezia din<br \/>\nrevist\u0103 are autori pe: Sorin Lucaci, Maria Chirtoag\u0103,<br \/>\nAlexandru Cet\u0103\u0163eanu (Canada) \u015fi Synthia Jacob.<br \/>\nZguduitor eseul lui Ion Lazu, Memorialul scriitorilor<br \/>\n\u00eencarcera\u0163i sub regimul comunist. Clara M\u0103rgineanu<br \/>\nschi\u0163eaz\u0103 portretul lui Florin Safer din Bogd\u0103ne\u015ftii<br \/>\nVasluiului, posesorul unei biblioteci cu 13 000 de<br \/>\nvolume (cump\u0103rate). Vorbind despre Lec\u0163ia<br \/>\nuniversitarilor japonezi pentru elevii rom\u00e2ni (Moriyama<br \/>\nTomohiro \u015fi Okahara Tsuguharu, invita\u0163i ai \u015ecolii nr. 6<br \/>\n\u201eNicolae B\u0103lcescu\u201d din Pite\u015fti), Virgil Diaconu conchide:<br \/>\nDup\u0103 ceea ce suport\u0103m \u00een urma politicii aberante de acas\u0103,<br \/>\nmodul \u00een care japonezii percep Rom\u00e2nia te face s\u0103 speri.<\/p>\n<p><strong><br \/>\nDACIA LITERAR\u0102<\/strong>, anul XXI (serie nou\u0103 din 1990),<br \/>\nnr. 89 (2\/2010), Ia\u015fi. Direc\u0163ia spre \u00eenaltul nivel al revistei<br \/>\neste relevat, de ast\u0103 dat\u0103, de Stelian Dumistr\u0103cel: Dac\u0103<br \/>\n\u00een \u201eDacia literar\u0103\u201d am \u00eencercat, \u00een timp, o cronic\u0103 suigeneris<br \/>\nasupra situa\u0163iei limbii rom\u00e2ne \u00een contemporaneitate,<br \/>\ninteresul nostru s-a \u00eendreptat asupra unor direc\u0163ii din<br \/>\nprogramul general de la 1840 al revistei, proiectat asupra<br \/>\nproblemelor actuale ale limbii rom\u00e2ne literare, prin aceasta<br \/>\n\u00een\u0163eleg\u00e2nd, de exemplu, preocuparea pentru unitatea limbii<br \/>\nca un continuum, p\u0103str\u00e2nd dialogul peste timp cu diverse<br \/>\nniveluri stilistice, cu manifest\u0103ri ale diferitelor zone<br \/>\ngeografice \u015fi st\u0103ri culturale, adaptate unor variate a\u015ftept\u0103ri<br \/>\nale g\u00e2ndirii \u015fi sensibilit\u0103\u0163ii cititorilor. \u015ei astfel, Eminescu \u015fi<br \/>\nHeidegger (II) \u015fi Eminescu azi sunt dou\u0103 eseuri semnate<br \/>\nde George Popa, respectiv Daniel Corbu. Despre<br \/>\nAvantajele \u015fi dezavantajele unui scriitor rom\u00e2n la Paris este<br \/>\nintervievat Matei Vi\u015fniec de Carmen Veronica Steiciuc.<br \/>\nPoezie semneaz\u0103 Raluca Brancomir \u015fi Victor<br \/>\nMunteanu, iar Nicolae Mare\u015f \u00eel prezint\u0103 \u015fi traduce din<br \/>\npoezia lui, pe Jan Kaprowski. Proza acestui num\u0103r<br \/>\napar\u0163ine lui Adrian G. Romila. \u00cen Arca lui Noe se afl\u0103:<br \/>\nAlexandru Zub cu evocarea profesoarei Doina<br \/>\nUngureanu, Grigore Elisei care scrie despre etnograful<br \/>\nEmilia Pavel \u015fi c\u0103r\u0163ile ei, Olti\u0163a C\u00e2ntec cu prezentarea<br \/>\nc\u0103r\u0163ii Emiliei Pavel \u2013 Valori etnografice rom\u00e2ne\u015fti \u00een<br \/>\nimagini, Vasilian Dobo\u015f vorbind despre Muzeul<br \/>\n\u201eSf\u00e2ntul ierarh Dosoftei-mitropolitul\u201d, Bogdan Ulmu<br \/>\ncu file dintr-un jurnal teatral desprinse din Jocurile<br \/>\nfic\u0163iunii bovarice \u00een literatur\u0103 \u015fi teatru \u2013 teza de doctorat<br \/>\na actri\u0163ei clujene Miriam Cuibus. Valentin Ciuc\u0103 a venit<br \/>\ncu Polifonii grafice \u015fi sculpturale: Mihai Ie\u0163e\u015fen \u015fi \u00cengeri \u015fi<br \/>\ntemple: Gabriela \u015fi Sabin Drinceanu, iar Ilie Danilov cu<br \/>\nSincretism \u00een romanul \u201eIdiotul\u201d de F.M.Dostoievski (II).<br \/>\nBibliofilii sunt: Ilie Dan (O edi\u0163ie \u201eadev\u0103rat\u0103\u201d din opera lui<br \/>\nCreang\u0103),Ioan Holban (Dorin Tudoran \u015fi poezia sa),<br \/>\nEmanuela Ilie (Mariana \u015eora, Dou\u0103 jurnale fa\u0163\u0103 \u00een fa\u0163\u0103) \u015fi<br \/>\nIrina Ciobotaru (Varujan Vosganian, Cartea \u015foaptelor).<\/p>\n<p><strong><br \/>\nOGLINDA LITERAR\u0102<\/strong>, anul IX, nr.100,aprilie<br \/>\n2010, Foc\u015fani. \u00cen editorialul num\u0103rului 100 al revistei<br \/>\nOglinda literar\u0103, Gabriel Funica adev\u0103r spune: de la un<br \/>\nnum\u0103r la altul, \u201eOglinda literar\u0103\u201d a evoluat constant, form\u0103<br \/>\n\u015fi con\u0163inut, ocup\u00e2nd \u00een prezent, credem cu obiectivitate, un<br \/>\nloc onorabil \u00een ierarhia publica\u0163iilor culturale din Rom\u00e2nia.<br \/>\nAcest eveniment a fost salutat admirativ de 46 de<br \/>\ncolaboratori, dintre care (datorit\u0103 spa\u0163iului restr\u00e2ns)<br \/>\nnumim 15: Radu C\u00e2rneci, Gheorghe Istrate, Isabela<br \/>\nVasiliu-Scraba, Nicolae B\u0103ciu\u0163, Baki Ymeri, Angela<br \/>\nFurtun\u0103, Tudor Cicu, Valentin Talpalaru, Gellu<br \/>\nDorian, Melania Cuc, Virgil Diaconu, Constantin<br \/>\nFrosin, Marius Chelaru, Aurel Pop, Liviu Pendefunda.<br \/>\nDin acest num\u0103r remarc\u0103m: poezie semnat\u0103 de Radu<br \/>\nC\u00e2rneci, Camelia Ciobotaru, Violeta Ion, Baki Ymeri,<br \/>\nFelix Zamora, Adrian Botez \u015fi Lili Goia; proza semnat\u0103<br \/>\nde C\u0103t\u0103lin R\u0103dulescu, Nicoleta S\u0103lbatecu \u015fi Mihaela<br \/>\nDordea; eseul lui Adrian Dinu Rachieru \u2013 Ion Milo\u015f &#8211; o<br \/>\nvoce european\u0103; eseul Pentru Tribunalul Suprem al Poeziei,<br \/>\nal Ecriturii de azi scris de Ion Pachia Tatomirescu la<br \/>\ncartea lui Virgil Diaconu, Destinul poeziei moderne;<br \/>\nMarius Chelaru cu prezentarea c\u0103r\u0163ii Voi spune tot<br \/>\nvr\u0103jitorului meu, liric\u0103 negro-african\u0103 (antologie, cuv\u00e2nt<br \/>\n\u00eenainte, t\u0103lm\u0103ciri \u015fi note biobibliografice de Constantin<br \/>\nCarbar\u0103u); \u201ejurnalul\u201d lui George Anca, Probabilit\u0103\u0163i<br \/>\nsuprapuse \u00een invizibil; \u201ejurnalul mongol\u201d Zbor peste<br \/>\nm\u0103n\u0103stire al lui Leo Butnaru; \u201ejurnalul neconven\u0163ional\u201d<br \/>\nSoart\u0103, destin, demonism&#8230; al lui Ioan Dumitru Denciu;<br \/>\nTu(r)nul de control al lui Virgil Panait; \u201eItinerarul<br \/>\nspiritual\u201d, Cui prodest?, propus de Dan Bruda\u015fcu \u015fi O<br \/>\npercep\u0163ie aparte asupra divinit\u0103\u0163ii sesizat\u0103 de Tudor Cicu<br \/>\ncitind cartea lui Ionu\u0163 Caragea, Absen\u0163a a ceea ce suntem;<br \/>\nAurel Pop \u00een dialog cu poetul Theodor Damian; eseul<br \/>\nlui Ioan Toderi\u0163\u0103, referitor la poezia lui Emilian Marcu<br \/>\n\u015fi cronica literar\u0103 semnat\u0103 de Cristian Neagu la cartea<br \/>\nlui Adrian Botez, Aici \u2013 la \u00eent\u00e2lnirea tuturor c\u00e2inilor, dar<br \/>\n\u015fi eseul despre Kafka \u015fi kafkianism, Inten\u0163iuni monografice<br \/>\nde George Petrovai.<\/p>\n<p><strong><br \/>\nPOESIS<\/strong>, Anul XXI, nr.1-2-3 (228-229-230), ianuarie-martie<br \/>\n2010, Satu Mare. George Vulturescu prezint\u0103<br \/>\npoezia lui Dorin Tudoran \u015fi, pentru noi, \u00ee\u015fi \u00eendreapt\u0103<br \/>\naten\u0163ia asupra volumelor de poezie Uneori plutirea,<br \/>\nRespira\u0163ie artificial\u0103, Pasaj de pietoni \u015fi Semne particulare.<br \/>\nAceasta pentru c\u0103, \u00een perioada 14-15 ianuarie 2010, la<br \/>\nBoto\u015fani, lui Dorin Tudoran i-a fost atribuit Premiul<br \/>\nNa\u0163ional pentru poezie \u201eMihai Eminescu\u201d \u2013 Opera<br \/>\nOmnia. Tot cu aceast\u0103 ocazie, Premiul Na\u0163ional de<br \/>\nLiteratur\u0103 \u201eMihai Eminescu\u201d \u2013 Opera Prima i-a fost<br \/>\nacordat lui Stoian G. Bogdan pentru cartea Chipurile.<br \/>\n(Este prezent \u00een acest num\u0103r al revistei cu trei poeme).<br \/>\nCronici literare la c\u0103r\u0163i de poezie sunt f\u0103cute de: Vasile<br \/>\nSpiridon (Francisca Ricinski, Trenul f\u0103r\u0103 ro\u0163i\/ Zug ohne<br \/>\nR\u00e4der. Scrisori \u201e\u00eent\u00e2rziate\u201d \u015fi alte urme de creion\/<br \/>\nVersp\u00e4tete\u201d Briefe und andene Bleitiftspuren), Viorel<br \/>\nMure\u015fan (Claudiu Komartin, Un anotimp \u00een Berceni),<br \/>\nSimion Bogd\u0103nescu (Valeriu Stancu, Triunghiuri cu<br \/>\npupila albastr\u0103), Ion Zuba\u015fcu (Elena Vl\u0103d\u0103reanu, Spa\u0163iu<br \/>\nprivat), Emanuela Ilie (Poezia t\u00e2n\u0103r\u0103 de la Ia\u015fi. Voci<br \/>\nfeminine I, Lavinia Iacob), Gheorghe Mocu\u0163a (Lumini\u0163a<br \/>\nUrs, Singur\u0103tatea tat\u0103lui meu), Mircea Pop (Dan D\u0103nil\u0103,<br \/>\n50 de poeme), Imelda Chin\u0163a (Daniel S\u0103uca, Cartierul<br \/>\nvestic al iadului) \u015fi Magda Grigore (Coni\u0163a Lena,<br \/>\nSupradoza \u2013 poeme de uscat zilele). Vin cu poezie: Varujan<br \/>\nVosganian, Elena \u015etefoi, Adrian Alui Gheorghe,<br \/>\nMircea Opri\u0163\u0103, Daniel Pi\u015fcu \u015fi tinerii Carmen Stanciu \u015fi<br \/>\nAdrian Matus. Grigore Crigan \u00eel intervieveaz\u0103 pe<br \/>\n\u015etefan Hostiuc, iar istoricul literar Gra\u0163ian Jucan ne<br \/>\nvorbe\u015fte despre Mihai Eminescu \u015fi Jan Urban Jarnik.<br \/>\nEseurile sunt semnate de Daniela Sitar-T\u0103ut, Gheorghe<br \/>\nGlodeanu, Marian Barbu \u015fi Isabela Vasiliu-Scraba.<br \/>\nTraducerile sunt realizate din: Bertholt Brecht (Simion<br \/>\nD\u0103nil\u0103), Uejima Onitsuna, Taneda Sant\u014dka, Paul-Louis<br \/>\nChouchaud, Ren\u00e9 Maublanc, Giorgios Seferis, Jorge<br \/>\nLuis Borges, Ezra Loomis Pound, Kobayashi Issa, Jack<br \/>\nKronac (Pagini din istoria haiku, Marius Chelaru),<br \/>\nSelima Hill (Ioana Horea), H\u00e9di Bouraoui (Ion<br \/>\nCristofor). Lucian Per\u0163a parodiaz\u0103 din poezia lui<br \/>\nRobert \u015eerban, Gavril Moldovan, Andrei Zanca,<br \/>\nSimion Iuga, George Petrovai, Radu Florescu \u015fi<br \/>\nConstantin Rupa.<\/p>\n<p><strong><br \/>\nPRO SAECULUM<\/strong>, Anul IX, nr. 1-2 (61-62) \u2013 15<br \/>\nian.-1 martie 2010, Foc\u015fani. Cu aten\u0163ie \u015fi \u00eenalt<br \/>\nprofesionalism, revista, al c\u0103rei redactor \u015fef este<br \/>\nneobositul Mircea Dinutz, se prezint\u0103 bine structurat\u0103<br \/>\npe rubrici (cantitativ \u015fi valoric). \u015ei pentru c\u0103 acest<br \/>\nspa\u0163iu este rezervat doar \u201etrecerii \u00een revist\u0103\u201d, o s\u0103<br \/>\neviden\u0163iem doar \u201eesen\u0163ele tari\u201d. Astfel: eseu \u2013 D. R.<br \/>\nPopescu (Pionii otr\u0103vi\u0163i), Irina Mavrodin (\u015ei iat\u0103-m\u0103,<br \/>\n\u00eenc\u0103 o dat\u0103&#8230;), C-tin Coroiu (Lec\u0163ia de literatur\u0103),<br \/>\nDumitru Velea (Tolstoi \u015fi diferen\u0163ialele istoriei), Tudor<br \/>\nCicu (Spectacolul poetic de sub acoperi\u015ful lumii), N.Rusu<br \/>\n(Canonul criticii revolu\u0163ioniste), Valeria Manta T\u0103icu\u0163u<br \/>\n(Ion Creang\u0103 \u2013 Mo\u015f Nichifor co\u0163cariul; registrul LIS \u2013<br \/>\nLiviu Ioan Stoiciu (Jurnalul poemelor); contemporanii<br \/>\nno\u015ftri \u2013 Magda Ursache (\u00cen book\u0103t\u0103rie), Petru Ursache<br \/>\nintervievat de Lucia D\u0103r\u0103mu\u015f; profil \u2013 Lucian B\u00e2giu<br \/>\n(Tabula smaragdina); folclor rom\u00e2nesc \u2013 Iordan Datcu<br \/>\n(Rom\u00e2nii din Transnistria \u00eentr-o monografie); portrete \u00een<br \/>\npeni\u0163\u0103 \u2013 Florentin Popescu (Pragmatism \u015fi deschidere:<br \/>\nHoria G\u00e2rbea); poesis \u2013 Passionaria Stoicescu, Liviu<br \/>\nPendefunda, Alexandru Jurcan; proz\u0103 \u2013 Mariana<br \/>\nZavati Gardner, N. Havriliuc, M. R. Iacoban;<br \/>\nmeridiane \u2013 Alice Harison (poezie \u00een traducerea<br \/>\nMarianei Zavati Gardner), Nguyen Chi Thien (poezie<br \/>\n\u00een traducerea lui Ion Ro\u015fioru); lector \u2013 Ioan Adam<br \/>\n(Teodora F\u00eent\u00eenaru, Vitralii patinate), Eugen Evu (<br \/>\nAdrian Botez, Aici \u2013 la-nt\u00e2lnirea tuturor c\u00e2inilor),<br \/>\nNicolae B\u00e2rna (Nicolae Breban \u2013 \u201epoet epic\u201d), Viorica<br \/>\nR\u0103du\u0163\u0103 (Doinea Cetea, Triunghiul Bermudelor), Grigore<br \/>\nCodrescu (Petru Popescu, Supleantul), C-tin Buiciuc<br \/>\n(Remus Valeriu Giorgioni, Cei \u015fapte mor\u0163i uria\u015fi), Titi<br \/>\nDamian (Florentin Popescu, Eu v-am citit pe to\u0163i),<br \/>\nMircea Dinutz (Constantin Trandafir, 1989.Vedere din<br \/>\nprovincie), Vlad Zb\u00e2rciog (Teo Chiriac, Monstrul sacru);<br \/>\nscriitori din Ialomi\u015fa \u2013 Gh. Dobre, \u015eerban Codrin,<br \/>\nCostel Bunoaica, Ilie Com\u0103ni\u0163\u0103, Florin Ciocea, Nicolae<br \/>\nTeoharie, Dan Elias (poezie), Ioan Ne\u015fu (proz\u0103);<br \/>\nVrancea literar\u0103 \u2013 Doina Popa, Camelia Ciobotaru,<br \/>\nPaul Spirescu, Adrian Botez, George Cornil\u0103, Florinel<br \/>\nAgafi\u0163ei, Lili Goia, C-tin Frosin.<\/p>\n<p><strong><br \/>\nRevista Nou\u0103<\/strong>, anul V, nr. 2 (59)\/2019, C\u00e2mpina.<br \/>\nPlonj\u00e2nd \u00een real, Florin Dochia relateaz\u0103: N-am num\u0103rat<br \/>\nniciodat\u0103 c\u00e2te nop\u0163i \u015fi c\u00e2te zile s-au adunat pe strada mea.<br \/>\nC\u00e2t de sup\u0103r\u0103tor vi s-ar p\u0103rea, num\u0103rul lor nu este egal.<br \/>\nDup\u0103 noapte vine zi \u2013 cum zice c\u00e2ntecul \u2013 nu are nici o<br \/>\nsemnifica\u0163ie pe strada mea. Asta pentru c\u0103 trec tot felul de<br \/>\nvagabonzi care fur\u0103 tot ce le pic\u0103 la \u00eendem\u00e2n\u0103. Unii au furat<br \/>\nc\u00e2teva b\u0103t\u0103lii strategice pe care nu le-am mai apucat, al\u0163ii<br \/>\nmici r\u0103zboaie de apartament. S-au furat numeroase orgii,<br \/>\ndesigur, s-au furat cantit\u0103\u0163i uria\u015fe de vise, a\u015fa c\u0103, una peste<br \/>\nalta, raftul nop\u0163ilor e pe jum\u0103tate gol. P\u0103i, nu? La 170 de<br \/>\nani de la na\u015ftere, Diana Marinache \u00eei face profilul lui<br \/>\nTitu Maiorescu, iar Viorel Cernica vorbe\u015fte despre<br \/>\nrolul acestuia \u00een cultura rom\u00e2neasc\u0103. Despre Teodor<br \/>\nV\u00e2rgolici la 80 de ani vorbe\u015fte Constantin Trandafir,<br \/>\niar cartea Amintiri din pribegie de Neagu Djuvara \u00eei<br \/>\nprilejuie\u015fte lui Codru\u0163 Constantinescu realizarea<br \/>\neseului A-\u0163i aminti pentru a avea ce povesti. Remarc\u0103m<br \/>\ntraducerea \u015fi prezentarea lui Bogdan Stoicescu: De la<br \/>\nJack Kerouac la Ti-Jean Kerouac. Constantin Trandafir<br \/>\nvine cu secven\u0163e dintr-un Jurnal cu banalit\u0103\u0163i (1974-<br \/>\n2009), iar Iulian Moreanu \u00eei face o cronic\u0103 subiectiv\u0103 la<br \/>\ncartea 1989. Vedere din provincie. Poezia este semnat\u0103<br \/>\nde: Victor Sterom, Ioana Geac\u0103r, Petre Manolache \u015fi<br \/>\nC\u0103lin S\u0103m\u0103rghi\u0163an, iar proza de Iulian Moreanu \u015fi I.<br \/>\nOpri\u015fan. Notele de lectur\u0103 sunt scrise de: Mihai<br \/>\nAntonescu (Sk\u00ebnder Sherifi, \u00cen toamna inimii tale),<br \/>\nGeorge B\u0103d\u0103r\u0103u (Mircea Teculescu, Por\u0163i \u00een dep\u0103rtare),<br \/>\nSerghie Bucur (Ana H\u00e2ncu, Soacra mea tr\u0103snit\u0103), Aurel<br \/>\nM. Buricea (Viorel Dinescu, Zidul cu privighetori),<br \/>\nEugen Evu (Daria Dalin, Pre\u0163ul loialit\u0103\u0163ii), Lucian Gruia<br \/>\n(Lauren\u0163iu Or\u0103\u015fanu, Dic\u0163ionar cu umor geto-dacic),<br \/>\nCristian Neagu (Daniela Voiculescu, Spica), Valeria<br \/>\nManta T\u0103icu\u0163u (\u015etefan Iovan, T\u0103cerea lui Iov), Victor<br \/>\nSterom (Albina Idrizi, Umbrele Turnurilor) \u015fi Gherasim<br \/>\nRusu Togan (Ilie Moise, Oamenii \u015fi locurile Albei).<\/p>\n<p><em>CITITORUL DE REVISTE<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>ARGE\u015e, Serie nou\u0103, Anul X (XLV), nr.3 (333), martie 2010, Pite\u015fti. Mirela Neagoe \u00ee\u015fi intituleaz\u0103 \u00eensemn\u0103rile de la o lansare<\/p>\n","protected":false},"author":18,"featured_media":10070,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"ngg_post_thumbnail":0,"video_url":"","footnotes":""},"categories":[7,328],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/21945"}],"collection":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=21945"}],"version-history":[{"count":1,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/21945\/revisions"}],"predecessor-version":[{"id":21946,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/21945\/revisions\/21946"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/media\/10070"}],"wp:attachment":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=21945"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=21945"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=21945"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}