{"id":21420,"date":"2023-07-01T22:28:30","date_gmt":"2023-07-01T19:28:30","guid":{"rendered":"https:\/\/ziarulderimnic.ro\/?p=21420"},"modified":"2023-07-01T22:28:30","modified_gmt":"2023-07-01T19:28:30","slug":"spatii-culturale-nr-15-13","status":"publish","type":"post","link":"https:\/\/ziarulderimnic.ro\/?p=21420","title":{"rendered":"Spa\u021bii culturale nr. 15 (13)"},"content":{"rendered":"<p><strong>Raftul cu c\u0103r\u021bi<\/strong><br \/>\n\t\t\t\t\t\t\t\t<strong>Nicolai T\u0103icu\u021bu<\/strong><br \/>\n<a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/nicolai.jpg\" data-rel=\"lightbox-image-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/nicolai.jpg\" alt=\"\" width=\"279\" height=\"435\" class=\"alignnone size-full wp-image-11061 lazyload\" data-srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/nicolai.jpg 279w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/nicolai-192x300.jpg 192w\" data-sizes=\"(max-width: 279px) 100vw, 279px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 279px; --smush-placeholder-aspect-ratio: 279\/435;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/nicolai.jpg\" alt=\"\" width=\"279\" height=\"435\" class=\"alignnone size-full wp-image-11061\" srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/nicolai.jpg 279w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/nicolai-192x300.jpg 192w\" sizes=\"(max-width: 279px) 100vw, 279px\" \/><\/noscript><\/a><\/p>\n<p><strong>Nicolae Cabel<\/strong>, <em>L\u0103stun, sub strig\u0103tul frunzei, Editura MAD Linotype, Buz\u0103u &#8211; 2010<\/em>, 168 p. Pe coperta a patra a c\u0103r\u0163ii, poetul Gheorghe Istrate spune:<em> Nicolae Cabel e un poet ascuns \u00een spatele cuvintelor. E parcimonios precum \u00een documentarele lui filmice, \u00een care metafora se sublimenteaz\u0103 \u00een verb, \u00een verbul unic \u015fi visual. I-am urm\u0103rit scrisul olograf. E gotic. Precum spiritul lui descifr\u00e2nd \u00een\u0103l\u0163imile. Red\u0103m elegie (XIV): deschide cerul\/ s\u0103 r\u00eed\u0103 norii\/\/ \u015fi crucea bl\u00eend\u0103\/ pe fruntea ta\/\/ \u015fi frunza nop\u0163ii\/ v\u00eeneaz\u0103 steaua,\/ arpegiu straniu\/ de peruzea\u2026\/\/ oglinzi de \u015foapte\/ coboar\u0103-n tine\/ c\u00eet luntrea c\u0103rnii\/ se va-mb\u0103ia\/\/ \u00een vechea hor\u0103\/ la t\u00eempla m\u0103rii\/ cu pesc\u0103ru\u015ful\/ impenitent\u2026\/\/ sur\u00eede-n rama\/ de vechi iluzii\/ acela\u015fi soare\/ adolescent\u2026 <\/em><\/p>\n<p><strong><br \/>\nCornel Galben<\/strong>, <em>Lecturi aleatorii, Editura Ateneul Scriitorilor, Bac\u0103u, 2010<\/em>, 130 p. Consilierul editorial al c\u0103r\u0163ii de fa\u0163\u0103, poetul Petru Scutelnicu, scrie pe coperta a patra: A<em>leatorii, lecturile sale nu se opresc doar la c\u0103r\u0163ile b\u0103c\u0103uanilor, ca \u00een precedenta secven\u0163\u0103 critic\u0103, ci readuc \u00een centrul aten\u0163iei lucr\u0103rile unor autori din mai toate zonele \u0163\u0103rii, precum \u015fi c\u0103r\u0163ile unor scriitori de limb\u0103 rom\u00e2n\u0103 din afara grani\u0163elor.[\u2026] Generos \u015fi exigent, totodat\u0103, Cornel Galben nu se sfie\u015fte s\u0103 \u015ffichiuie neglijen\u0163ele stilistice date tiparului de autori gr\u0103bi\u0163i, s\u0103 \u00eendrepte erorile de informa\u0163ie ale acestora, s\u0103 deschid\u0103 noi orizonturi de lectur\u0103. Iar o lectur\u0103 util\u0103 e chiar cartea pe care acum v-o propunem.<\/em><\/p>\n<p><strong><br \/>\nIonel Necula<\/strong>, <em>Spiritul vr\u00e2ncean \u00een lecturi elective, 2010<\/em>, 228 p. Autorul ne d\u0103 c\u00e2teva l\u0103muriri \u00eentr-o postfa\u0163\u0103 provizorie:<em> Este un fel de cronic\u0103 a zbaterilor livre\u015fti a ultimilor cinci ani, poate cea mai fertil\u0103 din istoria devenirii culturale vr\u00e2ncene. Sunt convins c\u0103 lucrarea nu este exhaustiv\u0103\u2026 Drept urmare, se opre\u015fte asupra c\u0103r\u0163ilor urm\u0103torilor autori: Constantin Am\u0103riu\u0163ei, Ionel Bandrabur, Adrian Botez, Camelia Ciobotaru, Constan\u0163a Cornil\u0103, Adrian Cosmin Cocioab\u0103, Valeriu D. Cotea, Ion Croitoru, G.G.Constandache, Mircea Dinutz, Victor Frunz\u0103, Constantin Ghini\u0163\u0103, Ion Micheci, Gheorghe Mocanu, Marin Moscu, Costic\u0103 Neagu, Gheorghe Neagu, Aurel Neculai, \u015etefania Oproescu, Ion Panait, Virgil Panait, George P\u0103tr\u0103\u015fcanu, Dumitru Pricop, Florin Paraschiv, Ionic\u0103 Sava, Liviu Ioan Stoiciu, Puiu Siru, Paul Spirescu, Culi\u0163\u0103 Ion U\u015furelu, Janine Vadislav, Mariana Vicki V\u00e2rtosu. <\/em><\/p>\n<p><strong><br \/>\nAdrian Lungu<\/strong>, <em>MARIA, Editura CITADELA, Satu Mare, 2010<\/em>, 222 p. Prefa\u0163atorul acestui roman, criticul Petre Isachi precizeaz\u0103:<em> Centrul iradiant al acestei pove\u015fti de iubire, asemenea tuturor pove\u015ftilor de acest tip din lume, este Maria, tip estetic permanent (\u00een viziunea autorului), ce personific\u0103 dual, at\u00e2t natura feminin\u0103 din incon\u015ftientul b\u0103rbatului (pe care instan\u0163a auctorial\u0103 o exploateaz\u0103 excelent), c\u00e2t \u015fi natura masculin\u0103 din incon\u015ftientul femeii.[\u2026] Ipostazierea feminit\u0103\u0163ii ca revelare a sinelui \u00eei impune lui Adrian Lungu principiul reflexiv al oglinzii (oglinda = Cel\u0103lalt) folosit compozi\u0163ional \u00een articularea pove\u015ftii de iubire, un principiu al dedubl\u0103rii, ce-I permite personajului \u2013 narator, dar \u015fi vocii auctoriale, s\u0103 se proiecteze \u00een apele sufletului feminin.<\/em><\/p>\n<p><strong><br \/>\nAlexandru Sp\u0103taru<\/strong>, <em>Jurnal de g\u00e2nduri, Editura Vasiliana &#8217;98, Ia\u015fi, 2010<\/em>, 132 p. Cartea este prefa\u0163at\u0103 de Amalia Voicu. Pe coperta a patra a c\u0103r\u0163ii, Victor Sterom spune: <em>Poetul Alexandru Sp\u0103taru prefer\u0103, \u00een tot ce scrie (a se citi: creeaz\u0103), drumul drept de la cuv\u00e2nt la emo\u0163ie, de la expresie la medita\u0163ie, printr-o experien\u0163\u0103 asumat\u0103 a simplit\u0103\u0163ii. Atmosfera liric\u0103 rezid\u0103 \u00een valorile trainice ale sentimentului \u015fi g\u00e2ndului, ale omenescului profund ce a caracterizat cea mai fertil\u0103 tradi\u0163ie a poeziei noastre dintotdeauna. Exemplific\u0103m cu poemul Dac\u0103 n-a\u0163i \u015ftiut: Nici dac\u0103\/ voi avea parte\/ de-o \u00eembr\u0103\u0163i\u015fare de spini\/ continu\u0103\/\/ \u015fi cu s\u00e2ngele meu\/ a\u015f inunda lumea toat\u0103,\/ n-a\u015f avea motive\/ s\u0103 mor.\/\/ \u00cen\u0163elege\u0163i de ce\/ la \u00eenmorm\u00e2ntarea mea\/ n-am s\u0103 vin.<\/em><\/p>\n<p><strong><br \/>\nDumitru Airinei-Adam<\/strong>, <em>Parfum de duminic\u0103, Editura Pro Plumb, Bac\u0103u, 2010<\/em>, 68 p. Autorul are urm\u0103torul cuv\u00e2nt \u00eenainte: <em>Parfum de duminic\u0103 \u2013 metafizica unor c\u0103ut\u0103ri atractive \u2013 via\u0163a \u00eentre vis \u015fi realitate, pilduire aforistic\u0103, lectur\u0103 u\u015foar\u0103 \u015fi la fel de agreabil\u0103 precum parfumul florilor \u00een eterna \u015fi neasemuita lor candoare. Frumos spus! Dar, r\u0103sfoind placheta, nu am g\u0103sit parfumul\u2026 Red\u0103m: De n-a\u015f fi eu\/ Sc\u00e2rbit\/ De-at\u00e2ta minciun\u0103\/ G\u00e2rbovit\/ De-at\u00e2ta necinste\/\/ Ce-ai fi tu?\/\/ N-ai fi nimic!\/ \u015ei mai r\u0103u\u2026\/ Ai fi \u00een locul meu\u2026 sau  Doamne,\/ Atot\u015ftiutor\/ Judec\u0103\u0163ii de Apoi\/\/ Ajut\u0103-ne\/ S\u0103 \u015ftim \u015fi noi\/ De unde vin:\/ violatorii de babe\/ politicienii escroci\/ guvernan\u0163ii impostori\/ criminalii\/ pierdu\u0163i\/ \u00een animalul \u2013 om\/\/ Care-i planul T\u0103u? <\/em><br \/>\n<strong><br \/>\nEleonora Stamate<\/strong>, <em>Via\u0163\u0103 la imperfect\/ Living Imperfectly, Pax Aura Mundi, Gala\u0163i, 2010<\/em>, 90 p. Traducere din limba rom\u00e2n\u0103 de Petru Iamandi. \u00cen prefa\u0163\u0103, Calistrat Costin spune: <em>Auster\u0103, \u00eenvolburat\u0103, \u00eenl\u0103crimat\u0103 pe alocuri, nu mai pu\u0163in sincer\u0103, feminin\u0103 \u00een esen\u0163a ei, este poezia Eleonorei Stamate\u2026 La r\u00e2ndul s\u0103u, \u00een postfa\u0163\u0103, Paul Blaj consemneaz\u0103: \u2026remarc aceea\u015fi linie diafan\u0103, nostalgic\u0103, emolientizat\u0103 de o inducere \u00eentr-un univers simplu, specific inimilor curate, spa\u0163iu neprofanat de o lume a dipsomaniacilor erudi\u0163i au ba, ci orientat spre melancolie \u00een\u0163eleapt\u0103, precoce, fapt ce \u00eenmiresmeaz\u0103 lectura\u2026 Ca pe coperta a patra C.D. Zeletin s\u0103 conchid\u0103: O poezie sincer\u0103 \u015fi frumoas\u0103, str\u0103b\u0103tut\u0103 de obsesia lexicului genuin \u015fi a tot ce scap\u0103 printre cuvinte, \u00een a c\u0103rei lumin\u0103 se limpezesc negurile g\u00e2ndului. <\/em><\/p>\n<p><strong><br \/>\nConstantin Telu Leonte<\/strong>, <em>Tatuaje pe o gean\u0103 de rai, Editura Pro Plumb, Bac\u0103u, 2010<\/em>, 108 p. Din prefa\u0163a semnat\u0103 de criticul Grigore Codrescu, cit\u0103m: Ce<em>ea ce atrage aten\u0163ia cititorului \u00een volumul lansat acum este voluptatea cu care acest autor deruleaz\u0103 o imagistic\u0103 bogat\u0103 \u015fi, adesea, semnificativ\u0103\u2026 Exemplific\u0103m cu poemul Perpetuum: Din \u0163\u0103r\u00e2n\u0103 am venit\/ \u00cen \u0163\u0103r\u00e2n\u0103 ne-om duce.\/ Vom exista \u00een c\u0103r\u0103mizi\/ \u00cen lutul galben dintre grinzi,\/ \u00cen c\u0103ni me\u015fte\u015fugite fin\/ \u015ei chiar \u015fi-n vin.\/ C\u0103ci boaba dulce\/ De p\u0103m\u00e2nt hr\u0103nit\u0103\/ Tot \u00een p\u0103m\u00e2nt s-o duce.\/ Vom exista \u00een fructul dat \u00een p\u00e2rg\/ \u015ei \u00een parfumul unei flori,\/ Vom fi oriunde \u015fi oric\u00e2nd\/ \u00cen forme noi, \u00een noi culori. <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Raftul cu c\u0103r\u021bi Nicolai T\u0103icu\u021bu Nicolae Cabel, L\u0103stun, sub strig\u0103tul frunzei, Editura MAD Linotype, Buz\u0103u &#8211; 2010, 168 p. Pe<\/p>\n","protected":false},"author":18,"featured_media":10070,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"ngg_post_thumbnail":0,"video_url":"","footnotes":""},"categories":[7,328],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/21420"}],"collection":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=21420"}],"version-history":[{"count":1,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/21420\/revisions"}],"predecessor-version":[{"id":21421,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/21420\/revisions\/21421"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/media\/10070"}],"wp:attachment":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=21420"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=21420"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=21420"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}