{"id":20989,"date":"2023-05-05T16:46:08","date_gmt":"2023-05-05T13:46:08","guid":{"rendered":"https:\/\/ziarulderimnic.ro\/?p=20989"},"modified":"2023-05-05T16:48:05","modified_gmt":"2023-05-05T13:48:05","slug":"spatii-culturale-nr-18-12","status":"publish","type":"post","link":"https:\/\/ziarulderimnic.ro\/?p=20989","title":{"rendered":"Spa\u021bii culturale nr. 18 (12)"},"content":{"rendered":"

Petru\u0163 P\u00c2RVESCU<\/strong>
\n\"\"

1.
\niar\u0103\u015fi
\n\u015fi iar\u0103\u015fi acelea\u015fi istorii vei spune
\nde mii de ani acelea\u015fi istorii
\n\u015fi am fost prieteni ca niciodat\u0103 doamne
\n\u015fi am iubit aceea\u015fi femeie nebun\u0103 de dragoste
\n\u015fi \u0163i-am b\u0103tut trupul \u00een cuie de aur
\niar tu
\nte risipe\u015fti
\nte risipe\u015fti omule<\/p>\n

2.
\nv\u00e2n\u0103m \u00eencorda\u0163i pe c\u00e2mpia numerelor m\u0103trea\u0163a ro\u015fie
\nminusculul animal diabolic cu mii de picioru\u015fe
\ncare ne st\u00e2njene\u015fte visul
\nalerg\u0103m bezmetici printre fire \u00eenalte de tensiune
\nelectrizate \/ printre puternice N. K.W. 2007-07-7
\nvr\u0103ji\u0163i de v\u00e2n\u0103toarea interzis\u0103
\nde pl\u0103cerea pocnetului sec \u00eentre unghii a b\u0103\u015ficu\u0163ei de s\u00e2nge alerg\u00e2nd\u0103<\/p>\n

drumul nop\u0163ilor c\u0103tre ziu\u0103 \u00eenmugure\u015fte pulberea visului prin galaxiile disper\u0103rii numai umbra ta luminoas\u0103 \u00een fiecare diminea\u0163\u0103 a mor\u0163ii trece f\u0103clia dintr-un ochi \u00eentr-altul ca pe o aleas\u0103 dezmo\u015ftenire<\/p>\n

cum s\u0103 nume\u015fti clipa aceasta
\ndar pe cea de ieri
\ndar pe cea de m\u00e2ine
\n(nu te \u00eentrebi niciodat\u0103)
\ne o pl\u0103cere sadic\u0103 \u00een tine ce te arunc\u0103 \u00eenainte
\nrisipa (fericit
\ncocolo\u015ful ce spore\u015fte distan\u0163a pr\u0103v\u0103lindu-se)
\ns\u0103 atingi parametrii
\n\u00een v\u00e2rful pantei s\u0103 tragi chiulul speran\u0163ei
\n\u00eentre dou\u0103 maluri verzi un r\u00e2u de lacrimi putred<\/p>\n

B\u0102IETE
\n\u00eenc\u0103 o drojdie (esen\u0163a sperie esen\u0163a doboar\u0103
\ndintr-o dat\u0103
\na\u015fa pe-ndelete visul ne \u00eencalec\u0103 u\u015for f\u0103r\u0103 grab\u0103)
\n\u00eenc\u0103 un r\u00e2nd
\nla tot poporul care \u00eencape pe poart\u0103
\nsunt fericit c\u0103 m\u0103 pip\u0103i
\n\u015fi asta conteaz\u0103<\/p>\n

3.
\nmor stelele l\u00e2ng\u0103 tine \u015fi tu nu tresari
\nmor stelele pe cer \u015fi tu nu clipe\u015fti
\nte \u00eendoie\u015fti doar de fiul omului de greutatea glon\u0163ului
\nde culoare ierbii dup\u0103 aceea<\/p>\n

relaxeaz\u0103-te
\n\u00eentinde genunchiul limba \u015fi degetul mic al vederii
\n(ai aceea\u015fi obsesie boln\u0103vicioas\u0103)
\nuite
\npicioarele goale p\u00e2n\u0103 dincolo de poale
\npe strada plin\u0103
\nlungi
\ndrepte \u00eenfipte \u00een maluri zdravene
\ncum merg cum \u00eenainteaz\u0103 libere
\ndans\u00e2nd \u00een aerul incendiat<\/p>\n

s\u00e2nii
\n\u00eei vezi
\nmari rotunzi (naturali)
\ndoi la num\u0103r (l\u0103sa\u0163i peste burta m\u0103noas\u0103
\nuna singur\u0103 ml\u0103dioas\u0103)
\ncum te \u00eempung cu boturile lor ascu\u0163ite umede prin
\nbluza sub\u0163ire<\/p>\n

tigrule
\nte ui\u0163i pierdut
\n\u015fi ea se pierde
\npe c\u00e2mpia limpede verde
\naH
\nochii t\u0103i mici apo\u015fi cum ling \u00een aer contururile
\n\u015foldurile grele umbroase
\nmass-turb\u00e2ndu-se<\/p>\n

am\u0103r\u00e2tule
\ntoate organele ei mi\u015fc\u0103toare zorn\u0103itoare
\nte pun \u00een mi\u015fcare pe bulevardul victoriei
\nun car alegoric cu sens unic<\/p>\n

(g\u00e2lci g\u00e2lci motof\u00e2lci
\neu v\u0103 trag
\nvoi s\u0103 v\u0103 trage\u0163i
\nca bumbacul s\u0103 v\u0103 face\u0163i
\ndin bumbac
\nca bobul de mac
\ndin bobul de mac ca bobul de mei
\ndin bobul de mei
\nnimic s\u0103 nu mai r\u0103m\u00e2n\u0103 din voi!)<\/p>\n

de
\nmii de ani
\nlocuim \u00een apropierea conductelor de gazolin\u0103 prietene
\nfiecare sc\u0103f\u00e2rlie se viseaz\u0103 o g\u0103m\u0103lie de chibrit aurit
\no fisur\u0103 numai \u00een betonul fierbinte
\n\u015fi nu mai r\u0103m\u00e2ne nimic<\/p>\n

s\u0103rim cu to\u0163i din axe
\nplutim
\nne \u00eenv\u00e2rtim invers \/ pe dos
\ncu toate instala\u0163iile (ace brice
\n\u015fi carice)
\nmarionete gonflabile ale unui circ global p\u0103gubos<\/p>\n

\u00eennebune\u015fte iarba printre copitele cailor \u00een parcul municipal unde fanfara dr\u00e2mboie\u015fte un mar\u015f triumfal pe c\u00e2nd la periferia memoriei se \u00eenal\u0163\u0103 imnuri ale salubrit\u0103\u0163ii incendiind c\u00e2mpia pe toate laturile deodat\u0103 r\u00e2uri de lapte \u015fi miere curg vertical printre ciulini \u00een fl\u0103c\u0103ri \u015fi stele g\u0103unoase mitropolia pe deal (un s\u00e2n pe care niciodat\u0103 gura nu am s\u0103 pun) doar malaxorul de vat\u0103 colorat\u0103 ce poart\u0103 \u00een tatuaje matricele cordoane toarce firul amnezic al hainei ce ne \u00eembrac\u0103 a\u015fa c\u0103li\u0163i \u00een spaima de valuri aruncat\u0103 \u00een brazde umede cu bumbi str\u0103lucitori fermoare \u015fi blacheuri vom invada c\u00e2mpia \u00eenflorat\u0103 \/ un lung covor pestri\u0163 cu ciucurii plesnind de voio\u015fie prin care moartea de via\u0163\u0103 se departe r\u00e2njind printre ostre\u0163e de aur cu baierele sparte<\/p>\n

4.
\nstai neputincios \u00een ograda ta
\n\u015fi auzi
\n\u015fi prive\u015fti prin perete<\/p>\n

vecinu(L)
\n\u00ee\u015fi devor\u0103 femeia ca pe o legum\u0103 zeieasc\u0103
\no sugrum\u0103 lent str\u00e2ng\u00e2nd-o sistematic \u00een bra\u0163e
\n(vine o acvil\u0103 bicefal\u0103 \u015fi acoper\u0103 fereastra)
\no asfixiaz\u0103 s\u0103rut\u00e2nd-o p\u0103tima\u015f pe gur\u0103
\npe s\u00e2n
\n\u015fi pe g\u00e2t
\npe sf\u00e2rcul mirat pe b\u0103nu\u0163 \u015fi pe stem\u0103
\no paralizeaz\u0103 cu sexu(L) \u00eentre poale
\n(un stol imens de p\u0103s\u0103ri zboar\u0103 direct prin perete)<\/p>\n

VEZI
\nAUZI
\nMIRO\u015eI
\nPIP\u0102I toate acestea \u015fi te cuprinde frica disperarea
\nnebunia Fratre<\/p>\n

ai vrea s\u0103 pleci \u00een alt\u0103 parte
\n(o singur\u0103 camer\u0103 d\u0103 spre p\u0103dure)
\nai vrea s\u0103 te duci cumva s\u0103-i despar\u0163i
\ns\u0103-i aduni
\n\u015fi s\u0103-i scazi (g\u0103se\u015fti c\u0103-i uman
\ncre\u015ftine\u015fte)
\ndar
\nceva te re\u0163ine
\nceva te opre\u015fte
\nceva te \u0163intuie\u015fte pe scaun \u00een buc\u0103t\u0103rie<\/p>\n

\u00eenjuri printre din\u0163i
\n\u015fi din\u0163ii se fac floricele \u015fi zaruri \u00een gur\u0103
\n(doamne
\nm\u00e2ntuie\u015fte-ne
\nc\u0103 adev\u0103rul se pierde dintre fiii omului)<\/p>\n

auzi
\nsi vezi mai departe
\nfemeia se zbate spasmodic \u00eentre via\u0163\u0103 \u015fi moarte
\n\u00eentre moarte \u015fi via\u0163\u0103
\ncu capul \u00eentr-o parte cu ochii pe spate
\ncu p\u0103rul \u00een fl\u0103c\u0103ri v\u00e2lvoi electrizat d\u00e2nd pe-afar\u0103
\ndoar m\u00e2inile lui grele mari noduroase s\u0103bii acidulate
\ndespic\u0103 cinstit hot\u0103r\u00e2t trupul femeii \u00eenaripate<\/p>\n

de sus p\u00e2n\u0103 jos
\nde jos p\u00e2n\u0103 sus
\n(un flaut de s\u00e2nge \u00een auz \u015fi-n privire)
\nde la coapse la \u015folduri de la glezne la buze
\ntrupul ei cald trandafiriu plin de alge lipitori \u015fi meduze<\/p>\n

STAIII strigi
\n\u015fi strigarea \u00een tine plesne\u015fte
\nca \u00eentr-o scorbur\u0103 oul care se na\u015fte \u015fi zboar\u0103<\/p>\n

STAIII gheooorgheee
\ne-a taaa
\nm\u0103
\nn-o omor\u00ee c\u00e2ine\u015fte fratre
\ndar ei se iubesc nebuni mai departe<\/p>\n

5.
\n\u00een spatele fiec\u0103ruia
\nst\u0103 altul
\n\u00een spatele altuia
\nst\u0103 altcineva
\ncu \u0163eava florilor de crin la ceaf\u0103
\ncu \u0163eava florilor de crin la ochi
\nla ureche
\nla butonier\u0103
\nla sex<\/p>\n

\u00eentoarce-Te
\n\u015fi ai s\u0103 vezi doar gaura alb\u0103
\nc\u0103derea petalelor \u015fi din c\u00e2nd \u00een c\u00e2nd ve\u015fnicia!<\/p>\n


\nFlorin Caragiu<\/strong>
\n\"\"

\u00centre Escher \u015fi Ioan, Noduri de Tymp <\/strong>
\n(Ioan-Mircea Popovici, \u201eFata m\u0103rii\u201d (ed. Nautica, 2011)<\/p>\n

\u201eApa trece\/ via\u0163a r\u0103m\u00e2ne-n iedera de pe zid\/ s-a \u00eenc\u0103rcat visarea de v\u0103zduh\/ un abur peste ape\/ cu fo\u015fnetul de stuf\u201d [Prolog de logodn\u0103. (Lumina dint\u00e2i)]. \u00cen poemele lui Ioan Mircea Popovici \u2013 universitar matematician \u2013 din volumul \u201eFata m\u0103rii\u201d (ed. Nautica, 2011) respir\u0103 misterul locuirii unui vis ce ia na\u015ftere la \u00eentret\u0103ierea \u00eentre cer, mare \u015fi p\u0103m\u00e2nt. Pe fondul de t\u0103cere, intimist, al atmosferei lirice, c\u00e2mpul vizual rarefiat al contempla\u0163iei e traversat de figuri ce se deplaseaz\u0103 ca ni\u015fte piese \u00eentr-un joc de \u015fah cu enigmatice strategii, sau ca elementele unui puzzle ce-\u015fi caut\u0103 potrivirea. Ne \u00eent\u00e2mpin\u0103 o adev\u0103rat\u0103 heraldic\u0103 litoral\u0103 \u015fi casnic\u0103. \u00cen acest t\u0103r\u00e2m, cu sc\u00e2nteieri liturgice, al \u00eent\u00e2lnirii elementelor \u015fi oglindirii f\u0103pturilor, pare c\u0103 se \u00eentrevede geneza timpului \u00eensu\u015fi: \u201epe casa cu cariatide \u015fi cr\u0103p\u0103turi\/ p\u0103s\u0103rile din ochiul musculi\u0163ei de b\u0103legar\/\/ clipa rostogolit\u0103 \u00een turnul cel mic (\u2026) altarul \u015fi darul\/ acolo-n clipa dint\u00e2i\u201d (\u00een ziua dint\u00e2i), care devine \u201ehran\u0103\u201d pentru spirit: \u201ee\u015fti poet\/ hrana ta-i din toate clipele\u201d [de nunta t\u0103cerii (via\u0163a r\u0103m\u00e2ne-n iedera de pe zid)].
\nO mi\u015fcare circular\u0103 \u00eenv\u0103luie memoria: \u201eurmele carelor\/ f\u0103cuser\u0103 t\u0103ietur\u0103\/ \u00een pragul por\u0163ii mari\/ a cet\u0103\u0163ii\/ te-ai speriat de \u015farpe\/ eu m-am apropiat de el\/ el s-a dezbr\u0103cat de piele\/ \u015fi \u0163i-a spus\/ \u00eembrac\u0103-\u0163i amintirile cu ea\u201d (ap\u0103-foc). O alta, ascensional\u0103, cu vectorul ei de transcendere, e desemnat\u0103 prin simbolul ini\u0163iatic al sc\u0103rii: \u201ec\u0103lcasem treptele sc\u0103rii\/ de mii de ori\/ f\u0103r\u0103 s\u0103 \u015ftiu\/ c\u0103 una din ele-i\/ c\u0103rarea lunii\/ adus\u0103 de Alexis de la cap\u0103tul lumii\u201d, f\u0103r\u0103 a se diminua din for\u0163a corelativului obiectiv sau din capacitatea de reac\u0163ie a sensibilit\u0103\u0163ii \u00een raport cu tremurul unui microcosmos \u00eensufle\u0163it: \u201epe c\u0103rarea cu plopi\/ melcul trage urma de pleoap\u0103\/\/ eram curios de acum\/ ce lume \u00eenvele\u015fte sufletul lui\u201d (dimine\u0163i de julie).
\n\u00centre real \u015fi virtual au loc transferen\u0163e sub semnul unei reverii muzicale: \u201edin fotografie\/ a ie\u015fit el\/ mi-a \u00eentins pensulele (\u2026) s\u0103 mergem acolo\/ sub portativ\u201d (din gr\u0103dina inorogului alb). Poezia creeaz\u0103, astfel, un spa\u0163iu de \u00eent\u00e2lnire consonant\u0103 a libert\u0103\u0163ilor, \u00een care survin, la fiece pas, extensia percep\u0163iei, eflorescen\u0163a, neobi\u015fnuitul: \u201ela farul p\u0103r\u0103sit se vede-o lumin\u0103\/ pesc\u0103ru\u015ful r\u0103nit de la far mi-a adus floarea m\u0103slinului (\u2026) libertatea mea e libertatea ta\/ arcadele pontice au f\u0103cut ramuri (\u2026) din multele pietre\/ a r\u0103mas\/ piatra vie\u0163ii (ora m\u0103slinului s\u0103lbatec).
\nS\u00e2mburele acestei libert\u0103\u0163i desf\u0103\u015furate este \u00eens\u0103\u015fi via\u0163a ce se dezm\u0103rgine\u015fte prin invocare: \u201ec\u00e2te un fir de nisip\/ pe dunga albastr\u0103\/ hr\u0103ne\u015fte o scoic\u0103 (\u2026) pe prag\/ semnele tale Doamne\u201d (pe c\u0103rarea ars\u0103 de curcubeu); \u201e\u00een mireasma m\u0103slinului\/ s\u0103lbatec \u00eenflorit\/ ia-mi Doamne umbra g\u00e2ndului\/ \u015fi f\u0103-i loc\/ pe scara vaporului\/ din celebrul port\/ Rodador\u201d (scara vaporului). O invocare ce face loc germina\u0163iei spirituale: \u201esus\/ C\u00e2ntarea C\u00e2nt\u0103rilor\/\/ fereastra\/ fereastr\u0103 deschis\u0103 (\u2026) va trebui s\u0103 tai din crengi\/ s\u0103 las florilor\/ loc de fruct\u201d (fereastra).
\nLivrescul p\u0103str\u00e2nd aroma nobil\u0103 a vechimii se suprapune, aici, cu via\u0163a: \u201efluturele-\u015fi \u00eentinse aripile\/ \u015fi r\u0103mase-n petala florii\/ dintr-un vechi semn de carte\u201d (prima or\u0103 de var\u0103), preg\u0103tindu-i, printr-o disponibilitate chenotic\u0103, apogeul: \u201ela mijlocul dimine\u0163ii de Rusalii\/ ne-am salutat \u015fi mi-ai zis\/ m\u0103 voi l\u0103sa de scris\/ c\u00e2nd anii vor fi mai grei \u015fi mai cura\u0163i\u201d (pe c\u0103r\u0103rile inimii).
\nUn plus de culoare \u00eel aduc figurile ce \u00eensufle\u0163esc, peste tot, priveli\u015ftea, prin \u201eintrigi\u201d \u0163esute cu un fir din care nu lipse\u015fte flavoarea intertextualit\u0103\u0163ii: \u201e\u00een turnul cu scoici\/ perlele juc\u0103torului cu m\u0103rgele de sticl\u0103 (\u2026) pe marele bulevard\/ t\u0103ieturi cenu\u015fii polei \u015fi umbrele (…) sub pat\/ dorra ascuns\u0103\/ de petarde \u015fi lume\/ pe cuptor\/ motanul picasso\/ \u015fi \u015fapte ce\u015fti de cafea\/ pe vapor doi brazi de Cr\u0103ciun (…) un copil\/ s-a luat dup\u0103 mine\u201d (miresme s\u0103rate).
\nRelieful viu, de poveste, r\u0103sun\u0103 de notele unei ambian\u0163e orientate spre om, p\u0103trunse de fiorul umaniz\u0103rii: \u201enote vesele-s str\u0103ine \u015fi mi-e visul cald\/ iedera mi-a str\u00e2ns pe ziduri c\u00e2rdul de cocori (\u2026) c\u00e2ntecul se ascunde dup\u0103 l\u0103tratul c\u00e2inelui\/ ponna se cere-n bra\u0163e\/ picasso se a\u015faz\u0103 la \u015fevalet\u201d (scara cu ploi \u015fi c\u00e2ntec).
\nPersonajele ies, pirandellian, \u00een c\u0103utarea autorului, urm\u00e2ndu-l \u00een propriul s\u0103u salt de la armonia structurii la plenitudinea cuv\u00e2ntului f\u0103cut trup: \u201eie\u015fisem din poveste\/ personajele m\u0103 c\u0103utau\/ \u00een casa de pe plaj\u0103 (\u2026) nimerisem pe Scara lui Ioan\/ dup\u0103 ce r\u0103t\u0103cisem\/ pe scara lui Escher\u201d [Epilog \u2013 scrisoarea lui Alexis (despre scaie\u0163i \u015fi floarea de mac)].
\nValen\u0163ele purificatoare ale voiajului poetic pot fi citite \u00een ochiul pe\u015ftelui (str\u0103vechi simbol hristic): \u201eplou\u0103\/ vin cu barca\/ s\u0103 salvez p\u00e2nzele albe\u201d (\u00een ochiul pe\u015ftelui).
\n\u00cen vocea distinct\u0103 a autorului, \u201epoezia \u015fi drama aburesc frumos\u201d, des\u0163\u0103rmurind locul \u015fi \u201erostogolind clipa pe linia vie\u0163ii\u201d, \u00eempletind \u201enoduri de Tymp\u201d \u00eentr-un \u201epeisaj interior \u00eentors \u00een lumina de la marginea infinitului\u201d (Angela Mamier). Cele \u201eo mie de re\u0163ete de fericire ale lui isihie\u201d \u00eentorc c\u00e2ntecul miresei \u2013 fata m\u0103rii din \u201ecercul de ap\u0103\u201d \u2013 spre izvoarele Cuv\u00e2ntului.<\/p>\n","protected":false},"excerpt":{"rendered":"

Petru\u0163 P\u00c2RVESCU Medita\u0163ia clorofilei \u201eE o lumin\u0103 pe care v\u00e2ntul a stins-o.\u201d (G. Trakl) 1. iar\u0103\u015fi \u015fi iar\u0103\u015fi acelea\u015fi istorii<\/p>\n","protected":false},"author":18,"featured_media":10070,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"ngg_post_thumbnail":0,"video_url":"","footnotes":""},"categories":[7,328],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/20989"}],"collection":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=20989"}],"version-history":[{"count":3,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/20989\/revisions"}],"predecessor-version":[{"id":20992,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/20989\/revisions\/20992"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/media\/10070"}],"wp:attachment":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=20989"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=20989"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=20989"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}