{"id":20660,"date":"2023-03-18T22:13:55","date_gmt":"2023-03-18T19:13:55","guid":{"rendered":"https:\/\/ziarulderimnic.ro\/?p=20660"},"modified":"2023-03-18T22:13:55","modified_gmt":"2023-03-18T19:13:55","slug":"spatii-culturale-nr-21-13","status":"publish","type":"post","link":"https:\/\/ziarulderimnic.ro\/?p=20660","title":{"rendered":"Spa\u021bii culturale nr. 21 (13)"},"content":{"rendered":"

Raftul cu c\u0103r\u021bi<\/strong><\/p>\n

\tNicolai T\u0103icu\u021bu<\/strong>
\n\"\"

Ion Beldeanu<\/strong>, Bucovina care ne doare, (Edi\u021bie selectiv\u0103), Editura LIDANA, Suceava, 2011<\/em>, 358 p. Pe man\u0219eta copertei Constantin Cuble\u0219an men\u021bioneaz\u0103: Cartea lui Ion Beldeanu se cite\u0219te cu nesf\u00e2r\u0219it\u0103 am\u0103r\u0103ciune, mai ales g\u00e2ndindu-m\u0103 la regimul pe care \u00eel asigur\u0103 Rom\u00e2nia minorit\u0103\u021bilor na\u021bionale, minorit\u0103\u021bii maghiare, de pild\u0103, ce este cop\u0103rta\u0219\u0103 la guvernarea \u021b\u0103rii \u0219i \u00eenc\u0103 tot nemul\u021bumit\u0103 e, \u00een vreme ce rom\u00e2nii din Ucraina sunt supu\u0219i unui proces sigur de dezna\u021bionalizare, f\u0103r\u0103 ca nimeni, nici chiar ai no\u0219tri s\u0103 ac\u021bioneze ferm \u00een sprijinul lor. Iar istoricul Petru Ursache precizeaz\u0103, pe coperta a patra: \u2026constituie o ampl\u0103 baz\u0103 de documente, sigur\u0103 \u0219i util\u0103 cititorului de ast\u0103zi \u0219i istoricului de m\u00e2ine, o cronic\u0103 vie a unei importante ramuri a rom\u00e2nismului contemporan, victim\u0103 tragic\u0103 a invaziilor slave, profitoare de v\u0103lm\u0103\u0219agul vremurilor, a tratatelor nedrepte, strig\u0103toare la cer. <\/em><\/p>\n


\nViorel Savin<\/strong>, EVANGHELIA ERETIC\u0102, Colec\u021bia OPERA OMNIA \u2013 Poezie contemporan\u0103, Editura Tipo Moldova, Ia\u0219i, 2011<\/em>, 374 p. O nou\u0103 istorie ieroglific\u0103 <\/em>este prefa\u021ba la aceast\u0103 carte, semnat\u0103 de Valeria Manta T\u0103icu\u021bu, carte ce este constituit\u0103 din urm\u0103toarele p\u0103r\u021bi: Istoria lui Melec Purt\u0103torul de nuc\u0103 \u0219i de N\u00fdvas \u00een Cretinozauria, File din jurnalul lui Melec (Carnetul albastru): Lamenta\u021bia fructelor Scrisoarea I-a c\u0103tre rom\u00e2ni, File din jurnalul lui Melec (Manuscrisul de la Valman): Exilat \u00een strig\u0103t Scrisoarea a III-a c\u0103tre rom\u00e2ni, Marele epilog \u0219i Addenda. Antologia este completat\u0103 cu C\u00e2teva considera\u021bii binevoitoare semnate de Ioan Holban, Ion Fercu, Ion Ro\u0219ioru, Ion Tudor Iovian, Adrian Botez \u0219i Grigore Codrescu, de un DIC\u021aIONAR \u0219i de Un roman urmuziano-orwellian, ce constituie o postfa\u021b\u0103 semnat\u0103 de Petre Isachi.<\/p>\n


\nEmilian Marcu<\/strong>, Sfera de ap\u0103, Editura Premier, 2011, Ploie\u0219ti<\/em>, 158 p. \u00cen prima parte a c\u0103r\u021bii, Cuibul cuv\u00e2ntului<\/em>, Emilian Marcu, \u00eenz\u0103pezit de g\u00e2nduri, \u00eentoarce fa\u021ba poemului spre lucrul \u0219i fapta sf\u00e2nt\u0103 (\u00cen vatra sacr\u0103, Arbore, Putna, Aburul p\u00e2inii, Magii venir\u0103, Gr\u00e2ul din pomeni, Rar\u0103u, Mierea-nflore\u0219te-n rug\u0103, Zugravii iconari etc.): Cuibul cuv\u00e2ntului \u00een stupul legendar\/ Putere-mbrac\u0103 bl\u00e2nd \u00een tainic\u0103 rostire\/ De secole, \u0219i-i straj\u0103 \u00eemplinit\u0103 la hotar\/ \u00cen preacurata vraj\u0103, sf\u00e2nt\u0103 logodire.(Cuibul cuv\u00e2ntului…). Cea de-a doua parte a c\u0103r\u021bii, Sfera de ap\u0103, sub forma sonetului, este dedicat\u0103 iubirii. Cit\u0103m prima strof\u0103 din Terestr\u0103 \u00eemplinire<\/em>…: Terestr\u0103 \u00eemplinire \u00eemi e\u0219ti \u00een clipa rar\u0103\/ Pe c\u00e2nd amurgu-n fluturi se las\u0103-njunghiat\/ Cenu\u0219ile iubirii de-acuma sunt de cear\u0103;\/ Trecutu-n disperare-i uitare \u0219i p\u0103cat.<\/em> <\/p>\n


\nOana Orlea<\/strong>, \u00cent\u00e2lniri pe muchie de cu\u021bit, LEDA \u2013 Grupul editorial Corint, Bucure\u0219ti, 2011<\/em>, 160 p. Despre cartea Oanei Orlea (pseudonimul de scriitoare al Mariei-Ioana Cantacuzino), Elena Bulat, care face \u0219i traducerea din limba francez\u0103, spune: Patruzeci \u0219i \u0219apte de scrieri, greu clasificabile, \u021bes\u0103turi tensionate, imagin\u00e2nd intersect\u0103ri de fantastic, oniric \u0219i real, acel real \u00eentunecat tr\u0103it de autoare, din magma c\u0103ruia pulseaz\u0103 surprinz\u0103tor, parc\u0103 zb\u0103t\u00e2ndu-se, via\u021ba, mereu primejduit\u0103, mereu pe muchie de cu\u021bit. Iar Sanda Stolojan, printre altele, men\u021bioneaz\u0103: (\u2026) Un absurd cotidian legat de nivelul derizoriu \u0219i prozaic la care este redus omul, dar un absurd terifiant c\u0103ci frica este omniprezent\u0103 \u2013 c\u00e2nd mascat\u0103, ascuns\u0103, subtil\u0103, c\u00e2nd brutal\u0103, primitiv\u0103, agresiv\u0103. Rareori r\u0103ul insidios al totalitarismului \u00een varianta sa rom\u00e2neasc\u0103 va fi fost demascat cu at\u00e2ta for\u021b\u0103 \u0219i originalitate. <\/em> <\/p>\n


\nMelania Cuc<\/strong>, Via dolorosa, Editura NICO, T\u00e2rgu Mure\u0219, 2011<\/em>, 106 p. \u00cen volumul Literatura rom\u00e2n\u0103 contemporan\u0103, prelungiri, la capitolul Poete de azi. Crochiuri, Irina Petra\u0219, referitor la crea\u021bia Melaniei Cuc, men\u021bioneaz\u0103: (\u2026) De altminteri, trecerea de la poemele descriind un peisaj l\u0103untric cu detalii bine conturate la tablete eseistice pline de nerv sau, mai apoi, la roman, nu e crizic\u0103, nici definitiv\u0103. O anume \u00eenc\u0103rc\u0103tur\u0103 metaforic\u0103 secondeaz\u0103 tabletele jurnalistei ori proza, epicul e prezent \u00een subtextul poemelor, un transfer \u00eenspre senza\u021bional, la limita dintre real \u0219i suprarenal, informeaz\u0103 periodic versul.(\u2026) Cit\u0103m din poemul \u00cen col\u021bul vie\u021bii: Solzii sunt r\u0103zui\u021bi f\u0103r\u0103 anestezic\/ De pe \u0219tima b\u0103tr\u00e2n\u0103.\/ \u00cen oglind\u0103,\/ Str\u0103lucesc galantarele de-mi iau ochii!\/ Lumea este liber\u0103 s\u0103 m\u0103 \u021bin\u0103\/ C\u00e2t vrea \u0219i c\u00e2t poate\/ \u00cen c\u00e2rlige de aur,\/ A\u0219a,\/ Afumat\u0103 cu foc de c\u00e2rpe umezite cu s\u00e2nge! (\u2026)<\/em><\/p>\n


\nLucian Strochi<\/strong>, Cuv\u00e2ntul cuv\u00e2nt, Editura Cetatea Doamnei, Piatra Neam\u021b, 2011<\/em>, 425 p. Cele 58 de poeme ale c\u0103r\u021bii sunt transpuse \u00een cinci limbi str\u0103ine, de urm\u0103torii traduc\u0103tori: Iuliana Cute-Petric (lb. latin\u0103), Dana Anca Strochi \u0219i Mihai Botez (lb. francez\u0103), Liliana Matase de Rivas (lb. spaniol\u0103), Delia Carmen Tom\u0219a-Holin (lb. german\u0103) \u0219i Dana Iorgulescu (lb. englez\u0103). Gheorghe Simion spune, la un moment dat, \u00een prefa\u021b\u0103: \u2026 Aproape c\u0103 nu mai e niciun r\u0103gaz \u00eentre a scrie \u0219i a citi, concomiten\u021ba acerb\u0103 face parte din arta poetic\u0103 a d-lui Lucian Strochi un instantaneu fulgurant, at\u00e2t c\u00e2t \u00eei este \u00eeng\u0103duit sufletului s\u0103 se \u00eentrevad\u0103: \u201e\u0219i sufletu-mi \u00eentors e o prefa\u021b\u0103\u2026\/ doar versul e arip\u0103 de \u00eenger.\u201d<\/em><\/p>\n


\nMaria Pal<\/strong>, Recviem, Editura Napoca Star, 2011<\/em>, 83 p. C\u00e2nd ai atins starea de gra\u021bie a poeziei \u0219i exi\u0219ti prin aceasta, mi se pare corect ca poemul s\u0103 se expun\u0103 (ilustra\u021biile din carte apar\u021bin autoarei) precum o corol\u0103 \u00een fream\u0103t continuu, iar titlul s\u0103-i fie trunchi \u0219i r\u0103d\u0103cin\u0103. Tocmai de aceea, poemele Mariei Pal din Recviem nu ai cum s\u0103 le nume\u0219ti poeme cu capul \u00een jos. Spre exemplu: vorbele tale deschid ferestre\/ ora\u0219ul intr\u0103 bulucindu-se spre inima ta\/\/ cu privirea albit\u0103 peste noapte\/ fumul din horn \u00eel \u00eencingi peste br\u00e2u\/ \u0219i-ncerci acroba\u021bia de-a te \u00eentoarce \u00een tine \u00eensu\u021bi\/\/ sfioas\u0103\/ trece-o lumin\u0103 \u00eent\u00e2rziat\u0103 prin ochii t\u0103i \u00eenfrunzi\u021bi\/\/ din ei\/ un juc\u0103u\u0219 pui de zeu \u021binte\u0219te cu arcul spre mine\/\/\/ cel ce-nl\u0103n\u021buie lumina\/ ademene\u0219te asfin\u021bitul cu numele meu.<\/em><\/p>\n


\nLaurian St\u0103nchescu<\/strong>, R\u00e2su’-Pl\u00e2nsu’ lui Nichita St\u0103nescu, Editura Brumar, Timi\u0219oara, 2010<\/em>, 282 p. Despre cei prezen\u021bi \u00een aceast\u0103 carte, L.S. spune: Domniile lor nu se num\u0103r\u0103 printre cei care spun c\u0103 au stat l\u00e2ng\u0103 Nichita \u00een timpul vie\u021bii, ci se num\u0103r\u0103 printre cei care \u00eei \u021bin moartea \u00een via\u021b\u0103. Iat\u0103 c\u00e2\u021biva: Paul Aretzu, Valeriu Anania, Nicolae Breban, Zoe Dumitrescu Bu\u0219ulenga, Paul Cernat, Gheorghe Grigurcu, Gheorghe Istrate, Emilian Marcu, Nicolae Manolescu, F\u0103nu\u0219 Neagu, Adrian Dinu Rachieru, Ioanid Romanescu, Robert \u0218erban, Laurian St\u0103nchescu, Eugen Simion, Gheorghe Tomozei, Marin Sorescu, Cornel Ungureanu, Grigore Vieru, Varujan Vosganian, Sterian Vicol, Constantin Gherghinoiu, Milo Gligorievi\u0107, Sinan Gudzevi\u0107, Srba Ignjatovi\u0107, Gheorghe Schwartz, Cassian Maria Spiridon, Milan Zivanovi\u0107.<\/em><\/p>\n


\nSherko Bekas<\/strong>, Eufratul, taina destinului meu, selec\u021bie \u0219i traducere: Niculina Oprea, prefa\u021b\u0103: Christian T\u0103ma\u021b, Editura Ars Longa, Ia\u0219i, 2011<\/em>, 110 p. \u0218i spune prefa\u021batorul: Poemele lui Sherko Bekas, unul dintre cei mai importan\u021bi poe\u021bi moderni din Kurdistan-ul irakian, reunite \u00een volumul de fa\u021b\u0103, constituie o c\u0103utare \u0219i o rememorare a sinelui c\u0103l\u0103uzit\u0103 de \u00een\u021belepciunea Eufratului, axa esen\u021bial\u0103 \u0219i existen\u021bial\u0103 a parcursului poetic: \u201eAdesea Eufratul vine tu\u0219ind\/ \u0219i se a\u0219eaz\u0103\/ l\u00e2ng\u0103 coastele mele.\/ Cu m\u00e2inile sale,\/ tremur\u00e2nde,\/ \u00ee\u0219i prinde barba barba \u0219i zice:\/ vorbe\u0219te despre poezia ce r\u0103m\u00e2ne\/ p\u00e2n\u0103 la sf\u00e2r\u0219it [\u2026] (Eufratul) \u2026Profund condi\u021bionate de valorile fiin\u021bei umane, poemele lui Sherko Bekas, elaborate \u0219i de o sensibilitate aparte, constituie tot at\u00e2tea momente de reflec\u021bie asupra lumii \u0219i a lumilor ei, o cale privilegiat\u0103, \u00eendreptat\u0103 spre reg\u0103sirea omului universal. <\/em><\/p>\n


\nEmil Lungeanu<\/strong>, C\u0103l\u0103tor \u00een Parnas, Odiseea literar\u0103 a lui Florentin Popescu, Editura Dacia XXI, Cluj-Napoca, 2011<\/em>, 116 p. O carte de critic\u0103 \u0219i istorie literar\u0103, despre care autorul afirm\u0103: Insolit\u0103 ca formul\u0103 \u0219i probabil f\u0103r\u0103 precedent, \u201e\u00eencercarea monografic\u0103\u201d de fa\u021b\u0103, conceput\u0103 integral \u00een versuri \u00een chipul unei epopei (!), propune \u00een cheie ludic\u0103 un portret literar Florentin Popescu supus judec\u0103\u021bii cititorului at\u00e2t cu opera propriu-zis\u0103, c\u00e2t \u0219i cu fragmente din exegeza ei de p\u00e2n\u0103 acum, ad\u0103ug\u00e2ndu-le comentarii \u0219i contribu\u021bii personale originale printr-o diversitate de tehnici merg\u00e2nd p\u00e2n\u0103 la intertextualism liric, reportaj, interviu, pamflet, autobiografism \u0219i chiar dialog dramatic<\/em>. Iar Henri Zalis spune: Prodigios peregrin, inventiv creator de c\u00e2nturi hesiodice, Emil Lungeanu s-a decis s\u0103 defri\u0219eze abundenta vegeta\u021bie a C\u0103l\u0103toriei prin Parnas. A avut \u00een vedere cam tot ce spun pe seama lui Florentin Popescu numero\u0219ii s\u0103i comentatori. <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Raftul cu c\u0103r\u021bi Nicolai T\u0103icu\u021bu Ion Beldeanu, Bucovina care ne doare, (Edi\u021bie selectiv\u0103), Editura LIDANA, Suceava, 2011, 358 p. Pe<\/p>\n","protected":false},"author":18,"featured_media":10070,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"ngg_post_thumbnail":0,"video_url":"","footnotes":""},"categories":[7,328],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/20660"}],"collection":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=20660"}],"version-history":[{"count":1,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/20660\/revisions"}],"predecessor-version":[{"id":20661,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/20660\/revisions\/20661"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/media\/10070"}],"wp:attachment":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=20660"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=20660"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=20660"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}