{"id":20600,"date":"2023-03-13T21:04:27","date_gmt":"2023-03-13T18:04:27","guid":{"rendered":"https:\/\/ziarulderimnic.ro\/?p=20600"},"modified":"2023-03-13T21:04:27","modified_gmt":"2023-03-13T18:04:27","slug":"spatii-culturale-nr-21-8","status":"publish","type":"post","link":"https:\/\/ziarulderimnic.ro\/?p=20600","title":{"rendered":"Spa\u021bii culturale nr. 21 (8)"},"content":{"rendered":"<p><strong>Din poezia avangardei ruse<\/strong><\/p>\n<p><strong>Varvara MONINA  <\/strong><br \/>\n   (1894 \u2013 1943)<\/p>\n<p>\u2022\tUn nume demn de toat\u0103 aten\u021bia celor ce se intereseaz\u0103 de poezia avangardismului rus, \u00eens\u0103 care, acum mai pu\u021bin de un deceniu, s\u0103 zicem, nu era cunoscut nici chiar istoricilor literari. Prin revistele \u0219i almanahurile anilor 20 se perindaser\u0103, ca \u0219i cum&#8230; fugitiv, nu mai mult de zece poeme ale acestei autoare. A\u0219adar, cea mai mare parte a textelor a r\u0103mas \u00een manuscrise sau \u00een revista-manuscris, pe care \u201eo edita\u201d numeroasa familie Monin \u2013 \u00een special, surorile \u0219i fra\u021bii mai mici ai poetesei.<br \/>\n\u2022\tEste interesant a urm\u0103ri cum poezia autoarei sintetizeaz\u0103, \u00een pl\u0103smuirea ei, lirismul feminin, delicate\u021bea, cu ceea ce era deja caracteristic acelor vremi \u2013 deopotriv\u0103 \u00een plan social \u0219i literar \u2013 nervozitatea, ba chiar supra-\u00eencordarea \u00een efuziunile emo\u021bionale. De aici \u0219i ritmul parc\u0103 \u201efr\u00e2nt\u201d, discursul sincopat, ceea ce, remarc\u0103 exege\u021bii, aminte\u0219te de Marina \u021avetaeva cu care, de altfel, Varvara Monina sem\u0103na \u0219i la \u00eenf\u0103\u021bi\u0219are. Apoi, prozodia \u00een cauz\u0103 este deschis\u0103 suflului novator, \u00een genul lui Serghei Bobrov \u2013 so\u021bul poetesei, unul din avangardi\u0219tii redutabili.<br \/>\nPrecum remarcam deja, nefiind publicat\u0103 antum, crea\u021bia Varvarei Monina a r\u0103mas structurat\u0103, compartimentat\u0103 \u00een urm\u0103toarele c\u0103r\u021bi-manuscrise: \u201eMuzica p\u0103m\u00e2ntului\u201d (1919), \u201e\u00cen centrul fugii\u201d (1923-24), \u201eGreierele \u0219i luna\u201d (1925-26).<\/p>\n<p><strong>DELIR CU GOLGOTA<\/strong><\/p>\n<p>Noi nu vie\u021buim \u2013 discut\u0103m<br \/>\nCu Dumnezeu, cu p\u0103m\u00e2ntul, cu \u00eempu\u0219c\u0103tura<br \/>\nCu fiecare bucurie, cu fiece durere,<br \/>\nCu ori\u0219ice destin.<br \/>\nDoamne, tu ai \u00eenc\u00e2lcit cruzimea cu tandre\u021bea,<br \/>\nRespir\u0103rile le-ai num\u0103rat precum argin\u021bii.<br \/>\n\u0218i soldatul \u2013 atunci \u2013 cu Tine sem\u0103n\u00e2nd,<br \/>\n\u021aie \u0219i mie coapsa dimpreun\u0103 ne-a str\u0103puns.<br \/>\nDar pe Tine te voi \u021bine minte, murind,<br \/>\nRespira\u021bia s\u0103 \u021ai-o s\u0103rut pentru to\u021bi ceilal\u021bi,<br \/>\nPentru c\u0103 fiec\u0103ruia din nou noaptea \u00een fl\u0103c\u0103ri<br \/>\nS\u0103-i danseze pe roat\u0103.<\/p>\n<p>*      *     *<\/p>\n<p>Ca \u00een copil\u0103rie fie: somnolent \u0219i cald,<br \/>\nOm\u0103tul pa\u0219nic, ca paznicul \u00een curte,<br \/>\nCe ho\u021bii \u00eei convinge s\u0103 nu v\u0103 strice geamul,<br \/>\nIar soarele abia \u00een zori \u00eel volnice\u0219te.<\/p>\n<p>\u0218i soarele din nou unghere-\u0219i aminte\u0219te<br \/>\n\u0218i poli\u021be peste pian, \u00eensu\u0219i pianul,<br \/>\n\u0218i-atunci pu\u0219ca\u0219ii nal\u021bi \u0219i s\u00e2ngero\u0219i, letoni*,<br \/>\nDe-odat\u0103 se retrag \u00een sumbra dep\u0103rtare.<\/p>\n<p>Fie ca-n copil\u0103rie: c\u0103r\u021bile s\u0103 nu-\u021bi prea plac\u0103,<br \/>\nRochi\u021ba s\u0103 nu-\u021bi speli, s\u0103 ai unghii ne-ngrijite,<br \/>\nS\u0103 nu \u0219tii ce \u00eenseamn\u0103 s\u0103 tr\u0103ie\u0219ti, s\u0103 mori,<br \/>\n\u0218i-ncerc\u00e2nd emo\u021bii, jurnalul s\u0103-\u021bi ascunzi.<\/p>\n<p>(1918)<br \/>\n______<br \/>\n*Pu\u0219ca\u0219ii letoni \u2013 unit\u0103\u021bi militare \u00eenfiin\u021bate \u00een anul 1915, \u00een primul r\u0103zboi mondial.  Au participat activ \u00een revolu\u021bia bol\u0219evic\u0103, \u00een r\u0103zboiul civil din Rusia. Constituiau paza lui V. Lenin.<\/p>\n<p>*      *     *<\/p>\n<p>Dou\u0103 scoici \u2013 urechile mele,<br \/>\nDoi corali rozi pe pieptul meu,<br \/>\nIar lacrimile \u2013 sarea \u00eendr\u0103gostitelor m\u0103ri.<br \/>\nV\u00e2ntul vuietul pe voce mi l-a schimbat<br \/>\n\u0218i cu un n\u0103vod de foc ie\u0219i \u00eenving\u0103tor,<br \/>\nPentru ca b\u0103rbatul s\u0103 iubeasc\u0103 boiul alunec\u0103tor<br \/>\nAl mo\u0219tenitoarei regilor marini.<br \/>\nO, tu, cu ochi alba\u0219tri \u2013 t\u00e2n\u0103r \u2013 mire, poate!<br \/>\nCum v\u0103zduhu-n scoic\u0103 \u2013 sufl\u0103 \u00een versul meu,<br \/>\nVreau dulce s\u0103 cunosc ale \u021b\u0103r\u00e2nii muzici \u2013<br \/>\n\u00cen \u021bara mea unde fuseser\u0103 doar ape,<br \/>\nCreatorul \u2013 nisipul ne era; cu tine dimpreun\u0103 s\u0103 cunosc,<br \/>\nIar de nu \u2013 \u00een val din nou s\u0103 m\u0103 prefac.<\/p>\n<p>(1919)<\/p>\n<p>*     *     *<\/p>\n<p>   Lui G. Obolduev<\/p>\n<p>Aceast\u0103 cas\u0103 \u2013<br \/>\nPe m\u0103tasea z\u0103pezii liliachii \u2013<br \/>\nSnop de istoviri juxtalineare:<br \/>\n\u00cen spr\u00e2ncean\u0103, \u00een s\u00e2nge electrizat.<br \/>\nAstfel c\u0103 nu se poate!<br \/>\nChiar \u0219i \u00een afara tuturor<br \/>\nGospod\u0103riilor \u0219i obiceiurilor \u2013<br \/>\nFosforescente \u00een c\u00e2rligul u\u0219ii,<br \/>\nCa \u00een a ta,<br \/>\nSt\u0103p\u00e2ne,<br \/>\nM\u00e2n\u0103,<br \/>\nTr\u0103ie\u0219te,<br \/>\nTr\u0103ie\u0219te<br \/>\nElectricitatea!<\/p>\n<p><strong><br \/>\nNOAPTEA HO\u021aILOR<\/strong><\/p>\n<p>Noaptea \u00eentreag\u0103 geme clopotul,<br \/>\n\u0218uierul crava\u0219ei bate-a pustiu.<br \/>\nRevolverul \u00een dunga v\u00e2ntului gol<br \/>\n\u00cen g\u00e2tlejul lui violet-cerneliu.<\/p>\n<p>D\u0103 \u00een spuma fierberii suburbia<br \/>\nBat furibund c\u00e2nii de se \u00eeneac\u0103.<br \/>\nLarg cl\u0103tin\u00e2ndu-se clopotul se cruce\u0219te,<br \/>\nMoare \u00eentr-o deschis\u0103 vrai\u0219te barac\u0103.<\/p>\n<p>Se b\u0103l\u0103ce\u0219te spaima lunecoas\u0103,<br \/>\n\u00cenc\u0103 o dat\u0103 apare-n b\u0103taia lunii \u2013<br \/>\nS\u0103 se-n\u0103bu\u0219e cu ultima r\u0103ceal\u0103<br \/>\nCrava\u0219a-n l\u0103tratul genunii.<\/p>\n<p>(1929)<\/p>\n<p><strong><br \/>\nLUI SERGHEI BOBROV<\/strong><\/p>\n<p>Maestre!<br \/>\nIart\u0103-\u021bi nesupusa ucenic\u0103.<br \/>\nDoar peste dou\u0103<br \/>\nTrepte<br \/>\nAle ritmului t\u0103u<br \/>\nEa a \u0219i ajuns pe creasta versului.<\/p>\n<p>Maestre!<br \/>\nC\u0103 doar aceasta ar fi fericirea \u2013<br \/>\nDe a nu c\u00e2nta chiar a\u0219a, ca pas\u0103rea.<br \/>\nCrede-m\u0103:<br \/>\nInima arde<br \/>\n\u00cen \u00een\u0103l\u021bimile purit\u0103\u021bii versului.<\/p>\n<p>Dar aceea\u0219i fericire e<br \/>\n(Chiar de \u201emor florile\u201d)<br \/>\nS\u0103 scrii cu totul altfel dec\u00e2t tine \u2013<br \/>\nAbsolut altfel,<br \/>\nMaestre!<\/p>\n<p>De altfel, Lumea,<br \/>\nDe c\u00e2nd arde luna<br \/>\nPeste lac, peste stuf\u0103ri\u0219,<br \/>\nLumea mi-i asemeni lui Paganini \u2013<br \/>\nO singur\u0103 strun\u0103<br \/>\nFusese de-ajuns \u2013 de-a tr\u0103i \u00een vers:<br \/>\nNemuritoarea \u2013 LIR\u0102 A LIRELOR.*<br \/>\n_____<br \/>\n*Lira lirelor  \u2013 una din c\u0103r\u021bile poetului Serghei Bobrov (1889-1971).<\/p>\n<p>*    *    *<\/p>\n<p>Nu, nu ai cru\u021bat buzele.<br \/>\nPrivii \u00eend\u0103r\u0103t \u2013 o batist\u0103 palid\u0103.<br \/>\nPeste zece cartiere \u00eenz\u0103pezite<br \/>\nDe asemenea \u00een neaua buzelor mele<br \/>\nA murit triste\u021bea,<br \/>\nDe asemenea adierea viforni\u021belor<br \/>\nM\u00e2na o ocroti \u2013<br \/>\nO, acest vis!<br \/>\nPe el nu-l pierzi niciodat\u0103<br \/>\nTu, memorie uituc\u0103,<br \/>\n\u0218i triste\u021bea,<br \/>\nCa un \u021bip\u0103t de g\u00e2sc\u0103,<br \/>\nSe insinueaz\u0103 \u2013<br \/>\n\u00cen realitate.<\/p>\n<p>*     *     *<\/p>\n<p>A\u0219adar, \u0219tim cum, emo\u021bion\u00e2ndu-se aromitor,<br \/>\nCre\u0219tea iarba. Cum peste lac prim\u0103vara<br \/>\nPlutea, v\u00e2slea cu patru labe palmate<br \/>\nDe fum pal-roz. Dar nu ni-i de-ajuns. Mai cerem<br \/>\nPonoare, pripoare, cotloane, vreascuri,<br \/>\nAle cerului marin cupe sau simple c\u0103ni<br \/>\n\u0218i-n virtutea unei amici\u021bii, mai \u0219tii,\u2013<br \/>\nCele mai rodnice stele de sud.<br \/>\nO, fie \u0219i numai \u00een  vis: chiar \u0219i \u0219apte zile la mare<br \/>\nCornul Ay-Petri*, arcata spinare-a clarobscurului<br \/>\nLa Gurzuf**, \u00eencruntat, \u00een ve\u0219m\u00e2nt brun<br \/>\n(De Pu\u0219kin c\u00e2ndva \u00eendr\u0103git) \u2013 \u0219i marmura, otova<br \/>\nTopit\u0103 pe mare. \u0218i \u2013 proasp\u0103ta-nfiorare<br \/>\nA macului de step\u0103. \u0218i \u2013 \u00eeng\u00e2ndurarea de plut\u0103<br \/>\nA ramului de stejar. Dar trosnetul din nuc?<br \/>\nDar via\u021ba? Dar fericirea? Rezistent\u0103. De m\u0103tase.<\/p>\n<p>(1923-24)<br \/>\n__________<br \/>\n*Ay-Petri \u2013 munte \u00een Crimeea, nu departe de Ialta.<br \/>\n**Gurzuf \u2013 localitate balnear\u0103 \u00een subtropicul din Crimeea.<\/p>\n<p><strong><br \/>\nLUNA, GLASUL COCO\u0218ULUI \u0218I MARELE PUSTIU<\/strong><\/p>\n<p>Prietenul meu<br \/>\n\u00centru \u00eentuneric \u0219i versuri \u2013<br \/>\nChepengul lunii \u2013<br \/>\nNu departe de r\u0103zle\u021birea<br \/>\nNop\u021bii \u0219i coco\u0219ului.<br \/>\nNu-i pur \u0219i simplu pustiu \u2013<br \/>\nPrietenul meu.<br \/>\nNu \u00een pr\u0103pastie bubuind \u2013<br \/>\nPrietenul meu.<br \/>\n\u00cens\u0103 cu tunetul hr\u0103nind,<br \/>\nCu generozitatea pustiului<br \/>\nVast,<br \/>\nPrietenul meu.<br \/>\nA\u0219adar \u2013<br \/>\nPe m\u00e2ine!<br \/>\nIart\u0103-m\u0103.<\/p>\n<p>(1923-1924)<\/p>\n<p>*     *     *<\/p>\n<p>Nu \u00een suburbie cum,<br \/>\nChem\u00e2nd luna din cerdac,<br \/>\n\u00cent\u00e2mpini asprul decembrie, \u2013<br \/>\nNu ca o fecioar\u0103 \u2013 mireas\u0103, \u2013<br \/>\nRo\u0219ind. Trec\u00e2ndu-\u0219i z\u00e2mbetul<br \/>\nDe pe obr\u0103jori pe buze!<br \/>\n\u2013 Dar ca un versule\u021b, p\u00e2n\u0103 la cap\u0103t s\u0103 ard\u0103<br \/>\nI-i menit-g\u00e2ndit. Cu ml\u0103dierea \u2013 coaja de tei,<br \/>\nCu v\u0103zduh\u0103ria \u2013<br \/>\nA obeliscurilor semin\u021benie de piatr\u0103.<br \/>\nMig\u0103los-concentrat, precum \u0219urubelni\u021ba<br \/>\nVia\u021ba o va r\u0103suci \u2013<br \/>\n\u0218i tu, tu deplin<br \/>\n\u00cen fa\u021ba mea, ca seva, mustul<br \/>\nPe palm\u0103. Ca o tihnit\u0103 veste,<br \/>\nCa visul.<\/p>\n<p>(1925-1926)<\/p>\n<p><strong><br \/>\nDIN DEP\u0102RTARE<\/strong><\/p>\n<p>4<\/p>\n<p>Nu sonor \u2013 surd \u2013 cr\u00e2ngul! \u2013 fream\u0103t\u0103<br \/>\n\u00cen pustiul venelor. Somnolen\u021b\u0103. S\u00e2ngele<br \/>\nLui Mamai* n\u0103boie\u0219te blajin, pe-o clip\u0103<br \/>\nNe-sfios, dar sonor, de\u0219ert.<br \/>\nNu te gudura, nu e\u0219ti fastuoas\u0103 blan\u0103 vie \u2013<br \/>\nBlan\u0103 moart\u0103! Tr\u0103sne\u0219te, speriind m\u00e2na.<br \/>\nLuna! Vie! Cu bra\u021bul mort,<br \/>\nDe ce \u2013 vie \u2013 spre desp\u0103r\u021bire?!<br \/>\n_______<br \/>\n*Mamai (? \u2013 1380) \u2013 conduc\u0103torul Hoardei de Aur, care s\u0103v\u00e2r\u0219i mai multe incursiuni \u00een Rusia.<\/p>\n<p>5<\/p>\n<p>Z\u0103pad\u0103. Cas\u0103. Ograd\u0103 \u2013<br \/>\nAlbastr\u0103. Pentru ruf\u0103rie. Nu peste m\u0103ri.<br \/>\nSt\u0103ncu\u021ba p\u0103\u0219e\u0219te. Peste acoperi\u0219 \u2013 cioara<br \/>\nTablo-metalic\u0103.<br \/>\nS\u0103 se fi luat de pe arfa pridvorului<br \/>\nRuginit \u2013 fierbinte \u2013 str\u00e2mtorat<br \/>\nDe ad\u00e2ncul \u0219i netezi\u0219ul ogr\u0103zii \u2013<br \/>\nG\u00e2ndul meu de c\u0103petenie? \u2013<br \/>\nCu z\u0103padozarul eu pe arfa pridvorului,<br \/>\nCe ar fi<br \/>\nS\u0103 spui?<\/p>\n<p>(1925-26)<\/p>\n<p>*     *     *<\/p>\n<p>Pentru S. B.<\/p>\n<p>\u00cen luciul negru-siniliu<br \/>\nAl nop\u021bii somnolente<br \/>\nIsc\u00e2ndu-se, ca ploaia, zbur\u0103tor tuns chilug,<br \/>\nGreiera\u0219ul lornion \u2013 roua scutur\u00e2nd-o de parc\u0103,<br \/>\nDormi, floare tras\u0103 pe roat\u0103,<br \/>\nT\u00e2lhar bun la ale sale!<br \/>\nObositul p\u00e2r\u00e2ia\u0219 al m\u00e2inii,<br \/>\nCald, abia con\u0219tientiz\u00e2nd,<br \/>\nCade \u00een ad\u00e2ncul lac al aleanului, floricelele<br \/>\nAcvatice \u00eengrijindu-le, leb\u0103da, m\u00e2ng\u00e2ind-o.<br \/>\nDormi-dormi \u2013 tu \u2013 de-a-ntregul \u2013 aici&#8230;<br \/>\nCe mai muzic\u0103 de mic g\u00e2tlej lucios-faian\u021b\u0103,<br \/>\nCe pe tine \u2013 mie mi te arunc\u0103, nuferii \u2013 apei,<br \/>\nNegru-sinilia rev\u0103rsare a zorilor \u2013<br \/>\nA nop\u021bii de veghe-observa\u021bie.<\/p>\n<p>(1925-26)<\/p>\n<p><strong><br \/>\nFINAL DE AUTOBIOGRAFIE<\/strong><\/p>\n<p>\u00cen acea noapte<br \/>\nPetrec\u00e2nd cu rapidul<br \/>\nA vie\u021bii \u00eentregi apropiere<br \/>\nMai sim\u021bindu-i \u00eenc\u0103<br \/>\nGustul pe buze,<br \/>\n\u0218i va mai tresari m\u00e2na, \u2013<br \/>\nOare nu sunt \u00een drept<br \/>\nA m\u0103 retrage \u00een cercul m\u0103rgina\u0219,<br \/>\n\u00cen Raiul biografiei mele?<br \/>\nS\u0103 fie oare doar<br \/>\nN\u0103zuin\u021ba: \u201e\u00cen mun\u021bii<br \/>\nUnui oarecare Bahcisarai*,<br \/>\nUnde duio\u0219ia e pur\u0103, ca fluiera\u0219ul,<br \/>\n\u00cen cuiburile de piatr\u0103 ale l\u0103stunilor?<br \/>\n\u0218i mai aproape:<br \/>\nUnde valurile  fac schimnicie,<br \/>\nSihastr\u0103 \u0219i eu,<br \/>\nPlin\u0103 de iubire,<br \/>\nDe muzica ml\u0103die a r\u0103chitelor,<br \/>\nPe marginea buzelor tale,<br \/>\n\u00cen dep\u0103rtarea iubit\u0103<br \/>\nAm murit\u201d.<br \/>\n______<br \/>\n*Bahcisarai  \u2013 localitate cu aur\u0103 de legend\u0103 \u00een Crimeea.<\/p>\n<p>\t\t\t\tTraducere \u0219i prezentare de <strong>Leo BUTNARU<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Din poezia avangardei ruse Varvara MONINA (1894 \u2013 1943) \u2022 Un nume demn de toat\u0103 aten\u021bia celor ce se intereseaz\u0103<\/p>\n","protected":false},"author":18,"featured_media":10070,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"ngg_post_thumbnail":0,"video_url":"","footnotes":""},"categories":[7,328],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/20600"}],"collection":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=20600"}],"version-history":[{"count":2,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/20600\/revisions"}],"predecessor-version":[{"id":20602,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/20600\/revisions\/20602"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/media\/10070"}],"wp:attachment":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=20600"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=20600"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=20600"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}