{"id":20586,"date":"2023-03-12T22:19:06","date_gmt":"2023-03-12T19:19:06","guid":{"rendered":"https:\/\/ziarulderimnic.ro\/?p=20586"},"modified":"2023-03-12T22:19:06","modified_gmt":"2023-03-12T19:19:06","slug":"spatii-culturale-nr-21-7","status":"publish","type":"post","link":"https:\/\/ziarulderimnic.ro\/?p=20586","title":{"rendered":"Spa\u021bii culturale nr. 21 (7)"},"content":{"rendered":"<p><em>7 POEME INEDITE<\/em><br \/>\nde <strong>Ion Murgeanu<\/strong><br \/>\n<a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/09\/murgeanu.jpg\" data-rel=\"lightbox-image-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/09\/murgeanu.jpg\" alt=\"\" width=\"183\" height=\"183\" class=\"alignnone size-full wp-image-19167 lazyload\" data-srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/09\/murgeanu.jpg 183w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/09\/murgeanu-150x150.jpg 150w\" data-sizes=\"(max-width: 183px) 100vw, 183px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 183px; --smush-placeholder-aspect-ratio: 183\/183;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/09\/murgeanu.jpg\" alt=\"\" width=\"183\" height=\"183\" class=\"alignnone size-full wp-image-19167\" srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/09\/murgeanu.jpg 183w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/09\/murgeanu-150x150.jpg 150w\" sizes=\"(max-width: 183px) 100vw, 183px\" \/><\/noscript><\/a><\/p>\n<p><strong>PEAN<\/strong><\/p>\n<p>Doamne! Fulgerul a trecut asear\u0103<br \/>\nPe la noi fiind \u00eenc\u0103 strunjit de var\u0103<br \/>\nCe nu \u015ftim e c\u0103 nu \u015ftim \u015fi nu ne spui \u00eenc\u0103<br \/>\nAi cui suntem r\u0103spundem la ce porunc\u0103<br \/>\nCe leg\u0103tur\u0103 e \u00eentre fulger \u015fi milionul<\/p>\n<p>Din plic \u00een plic ce complica\u0163ii ascunde arsura<br \/>\nObrazului t\u0103u strein motanul Mozart<br \/>\n\u015etie mai multe st\u0103 \u00eentins \u015fi din ce \u00een ce<br \/>\nMai misterios \u00eemi d\u0103 a \u00een\u0163elege c\u0103 ceea ce<br \/>\nEu nu \u015ftiu \u015ftie el am\u0103nun\u0163it \u015fi \u00een detaliu<\/p>\n<p>Ucide-ne! Cu un fulger spal\u0103-ne<br \/>\nCu un fulger \u00een plic. O mic\u0103 recompens\u0103.<br \/>\nDoamne privighetoare doamn\u0103 stewardes\u0103<br \/>\nDe pe naveta cosmic\u0103, f\u0103-o acum! Odat\u0103<br \/>\n\u015ei odat\u0103 tot trebuie s\u0103 fie acest fulger <\/p>\n<p>Scurt!<\/p>\n<p>Arcuit maiestuos la lumina lui dincolo!<\/p>\n<p><strong><br \/>\nVIILE AU FOST RODITOARE<\/strong><\/p>\n<p>P\u0103p\u0103dii \u015fi p\u0103p\u0103dii! Oare ajungem at\u00e2t<br \/>\nC\u00e2t s\u0103 ne risipeasc\u0103 \u015fi o boare de v\u00e2nt?<br \/>\nUnde-i av\u00e2ntul, unde-i tinere\u0163ea?<br \/>\nLe ron\u0163\u0103ie din\u0163ii stenahoriei lor triste\u0163ea?&#8230;<\/p>\n<p>\u015ei de ce pentru ce s\u0103 pl\u0103tim trecerea?<br \/>\nMixajul suferin\u0163ei ne stric\u0103 petrecerea<br \/>\nCam de obicei la apogeu l\u0103utarii<br \/>\npetrecerii de adio dubla\u0163i de vicarii<\/p>\n<p>Osteni\u0163i de g\u00e2lcevi pe subt masa prohodului<br \/>\n\u00cengenucheam laolalt\u0103 cu talpa norodului<br \/>\nCeream iertare nici prea \u015ftiam cui<br \/>\nLacrimi de crocodil udau umerii Domnului!<\/p>\n<p>Fa\u0163a nici g\u00e2ndul nu i-o puteau atinge<br \/>\nSufletele \u00eente\u0163esc criv\u0103\u0163ul afar\u0103 ninge.<br \/>\nAutori controversa\u0163i de palinodii; unde<br \/>\nam ajuns cu \u00eentrebarea? umili\u0163i mii de mii&#8230;<\/p>\n<p>Oare at\u00e2t a fost ce eram?! Ni\u015fte p\u0103p\u0103dii?!&#8230;<br \/>\nM\u0103 uit cu sfial\u0103 cum sufl\u0103 copilul \u00een sfera<br \/>\nLor mic\u0103 \u015fi alb\u0103 \u00een balonul clipei de sare.<br \/>\nViul insist\u0103 rug ag\u0103\u0163at ca o volbur\u0103-n vii;<\/p>\n<p>Viile au fost roditoare&#8230;<\/p>\n<p><strong><br \/>\nZDRUNCIN\u0102TURA<\/strong><\/p>\n<p>Ca s\u0103 murim la urm\u0103 unul c\u00e2te unul<br \/>\nnu to\u0163i a\u015fa dintr-o zdruncin\u0103tur\u0103<br \/>\nat\u00e2\u0163ia o f\u0103cur\u0103 p\u0103 de\u015ftep\u0163ii<br \/>\n\u00een numele tat\u0103lui duhul de sus<br \/>\n\u015fi al fiului din natur\u0103 f\u0103r\u0103 m\u0103sur\u0103<\/p>\n<p>lumea a fost zidit\u0103 cu \u00eencetinitorul<br \/>\nca s\u0103 te sfarmi de ea nu cel pu\u0163in de-o er\u0103<br \/>\nsau orele ei astrale; spuneam de er\u0103?!<br \/>\nPhaf! o clip\u0103 ne va \u00eenghi\u0163i chiar ea \u015fi clap!<\/p>\n<p>Ea va fi clipa cea mai rea ea ne va povesti<br \/>\nr\u00e2sului orei voio\u015fiei apocalipsei de acum. <\/p>\n<p>\u00cen h\u0103ul indeterminat o clip\u0103 rea cum v\u0103 spuneam.<br \/>\nUn blowup meschin o gur\u0103 c\u0103scat\u0103 \u00een neant<br \/>\nO! de-am fi la teatru cel pu\u0163in unde c\u00e2te<br \/>\nun gur\u0103-casc\u0103 \u015ftiind cum s\u0103-\u015fi m\u0103reasc\u0103 ochii<br \/>\ns\u0103 \u00een\u0163eleag\u0103 tot c\u00e2nd to\u0163i \u015ftiu cum s\u0103 spele<br \/>\nputina la locul faptei c\u00e2nd clipa ne preseaz\u0103<br \/>\n\u00eentre acte tot mai r\u0103m\u00e2ne c\u00e2te cineva:<br \/>\ncine va m\u0103tura<br \/>\ncenu\u015fa erelor cine-o va str\u00e2nge-o<br \/>\npe f\u0103ra\u015f cine va st\u00e2nge ultimul lumina! <\/p>\n<p>Un gur\u0103-casc\u0103 el va m\u0103sura consumul<br \/>\ncine-l va scrie \u00een registre cine \u00eel va nota<br \/>\n\u015fi va preda registrul fix la \u015fase p.m.<br \/>\nc\u00e2nd totul se va \u00eent\u00e2mpla anume f\u0103r\u0103 dat\u0103<br \/>\n\u015fi f\u0103r\u0103 nume bifate dinainte! O, lume!<br \/>\nf\u0103cut\u0103 anume s\u0103 se r\u0103stigneasc\u0103 cineva! <\/p>\n<p><strong><br \/>\nPALINODIE<\/strong><\/p>\n<p>Pentru chemare suntem striga\u0163i.<br \/>\nPentru jertfire eram pl\u0103m\u0103di\u0163i.<br \/>\nFii \u015fi fecioare mame sau ta\u0163i<br \/>\nTo\u0163i fiind \u00een aceea\u015fi menire.<\/p>\n<p>Degeaba-n c\u0103r\u0163oaie groase umbla\u0163i.<br \/>\nFila destinelor deci velin\u0103 \u015fi dubl\u0103:<br \/>\nPe-o fa\u0163\u0103 e mersul pe lun\u0103 cu umeri la\u0163i<br \/>\nCealalt\u0103-n fecioar\u0103 duhul coboar\u0103 \u015fi-l umbl\u0103.<\/p>\n<p>Nu \u015ftim ce ne desparte \u015ftim ce ne une\u015fte.<br \/>\nStr\u0103batem r\u0103stimp umilin\u0163a de-a fi.<br \/>\nUnii cu fal\u0103 de\u015fart\u0103  al\u0163i \u00een descre\u015ftere<br \/>\nTo\u0163i conjug\u0103 verbul iubi\u0163ilor \u201ea iubi\u201d!<\/p>\n<p>Binecuv\u00e2ntat\u0103-i jertfirea care din doi<br \/>\nReface pe unu din st\u0103ruin\u0163\u0103 \u015fi-apoi<br \/>\nDoi r\u0103m\u00e2n singuri \u015fi du\u015fi pe g\u00e2nduri<br \/>\nA\u015ftept\u00e2nd cu \u00eenfrigurare<br \/>\npe unu s\u0103 se \u00eentoarc\u0103 de la r\u0103zboi<\/p>\n<p>\u00cen triumf de fanfar\u0103 ori singur \u00een sc\u00e2nduri<br \/>\nNegeluite-n rindea unse abia cu catran<br \/>\nF\u0103r\u0103 pl\u00e2nsete repetirea reg\u00e2ndit\u0103 pe r\u00e2nduri<br \/>\nZiua n-ar trece-n noapte \u015fi nici veacul de an.<\/p>\n<p>Triste\u0163e ori carnaval bucuriile catastrof\u0103<br \/>\nInclud zilele-n noapte \u015fi anii \u00een veacuri<br \/>\nServiciul realc\u0103tuirii lumii aldine pe-o strof\u0103<br \/>\nPulberea fin\u0103 de stele-n cenu\u015f\u0103 de bracuri.<\/p>\n<p><strong><br \/>\nGEME AURORA<\/strong><\/p>\n<p>Seceri\u015fu-ncepe iarna<br \/>\n\u015ei cuprinde prim\u0103vara<br \/>\nSecer\u0103 cinci anotimpuri<br \/>\nSecer\u0103 lanul \u015fi \u0163ara<\/p>\n<p>Nu \u015ftii c\u00e2nd se face vara<br \/>\nNu \u015ftii lanul verii dac\u0103<br \/>\nRo\u015f \u00eei seceri\u015f de par\u0103<br \/>\nOri de nu-i a lunii parc\u0103<\/p>\n<p>Un noroc trecut c-o arc\u0103<br \/>\n\u00cencremenit\u0103 \u00een pustiul<br \/>\nCare \u00eel credeam c\u0103-i viul<br \/>\nPiatr\u0103 din str\u0103vechea barc\u0103<\/p>\n<p>Oamenii sunt de cenu\u015f\u0103<br \/>\nL\u0103utarii c\u00e2nt\u0103 hora<br \/>\nOrnicul de dup\u0103 u\u015f\u0103<br \/>\nBate lumii moarte ora<\/p>\n<p>Geme aurora!&#8230;<\/p>\n<p><strong><br \/>\nOMUL CU ULCIORUL<\/strong><\/p>\n<p> Anii curgeau pe c\u0103r\u0103rile lor<br \/>\nc\u0103ut\u00e2nd adev\u0103rul nu de pu\u0163ine<br \/>\nori \u00een gunoaiele minciunii; ca nouri<br \/>\nlungi pe \u015fesuri trecut-au anii<br \/>\n\u015fi-n preajma lor un tomberon. <\/p>\n<p>Vom trece peste am\u0103nunte.<br \/>\nDulcele corn pe urma tainei<br \/>\naducea aminte c\u0103 vom asfin\u0163i.<br \/>\nDe mult nu mai g\u0103seam ce c\u0103utam.<br \/>\nTriste\u0163ea pur\u0103 cartezianul adev\u0103r<br \/>\n\u00een umbra r\u0103coroaselor f\u00e2nt\u00e2ni<br \/>\nde alt\u0103dat\u0103. Nu regretam nimic. <\/p>\n<p>Regretul nu repar\u0103 ci amplific\u0103.<br \/>\nT\u0103cerea locuie\u015fte g\u00e2ndul simplit\u0103\u0163ii.<br \/>\nAu fost atunci anii t\u0103cerii pe urma<br \/>\nlor anii vis\u0103rii au urmat. G\u00e2ndul rezist\u0103.<br \/>\nG\u00e2ndul am observat era granitul<br \/>\nforma lui turnat\u0103-n litere. Dar nu<br \/>\nini\u0163iasem eu lucrul acesta greu \u00een<br \/>\naparen\u0163\u0103; aceast\u0103 art\u0103 era cunoscut\u0103.<\/p>\n<p>Eu experien\u0163a num\u0103r\u0103rii unui pumn<br \/>\nde litere uzate pe cursul unei vie\u0163i<br \/>\ns\u0103rmane  \u015fi modeste. Intervenea triste\u0163ea.<br \/>\nPe d\u00e2ra ei se disipase tinere\u0163ea. Am adunat<br \/>\n\u00een forma exaltatei tinere\u0163i cu literele unei<br \/>\nvie\u0163i n\u0103valnice p\u0103relnicia tinere\u0163ii<br \/>\nSolitudinea. Aici unde sf\u00e2r\u015fesc mir\u0103rile.<\/p>\n<p>\u015ei n-am primit r\u0103spunsul a\u015fteptat.<br \/>\nT\u0103cerea va veni vindec\u0103toarea pe urma<br \/>\ntinere\u0163ii acelea\u015fi litere turnate-n plumb<br \/>\nini\u0163iind cu toate c\u0103 eu n\u0103zuisem bronzul<br \/>\npentru ele. Nimerisem \u00een cea mai pur\u0103<br \/>\ncongrega\u0163ie. A Crinului imperial. <\/p>\n<p>Era amiaz\u0103 \u015fi am fost trimis cu al\u0163ii<br \/>\ns\u0103 caut locul pentru cina de adio.<br \/>\nNe va ie\u015fi pe cale omul cu ulciorul.<br \/>\nFusesem preveni\u0163i un om cu un  ulcior<br \/>\nziua n\u0103miaza mare ne va t\u0103ia calea. <\/p>\n<p>Vom pune \u00eentrebarea despre locul<br \/>\nunde \u00een fiecare an M\u00e2ntuitorul<br \/>\npopose\u015fte cu noi la Cina cea de tain\u0103<br \/>\nc\u00e2nd p\u00e2inea spore\u015fte-n trup iar vinul<br \/>\n\u015firoie\u015fte-n s\u00e2nge de setea veacurilor<br \/>\nurm\u0103toare. Aceasta este taina.<\/p>\n<p>Simplitatea. De-atunci \u00eenchin\u0103torul<br \/>\nSimplit\u0103\u0163ii sunt \u015fi dup\u0103 mine P\u0103m\u00e2ntul<br \/>\nCrin se-apleac\u0103-n cer s\u0103-mi dea<br \/>\nBinecuv\u00e2ntarea mie &#8211; omului l\u0103stun.<\/p>\n<p><strong><br \/>\nRUG\u0102CIUNE DE SEAR\u0102<\/strong><\/p>\n<p>Ai grij\u0103 de mine<br \/>\nC\u0103 s-au aruncat asupra mea jivine<br \/>\nNegre \u00eenchipuiri \u00eengere al meu!<\/p>\n<p>Ai grij\u0103 de mine<br \/>\nC\u0103 m-au \u00een\u0163epat \u00een trecere<br \/>\nPrin stup viespi rele \u015fi streine!<\/p>\n<p>Ai grij\u0103 de mine<br \/>\nVezi cum \u00eemi c\u00e2nt\u0103resc<br \/>\nCu r\u0103utatea lor ceea ce ei nu iubesc!<\/p>\n<p>Ai grij\u0103 de mine<br \/>\n\u00censo\u0163e\u015fte-m\u0103 pe scar\u0103 la culcare<br \/>\nNu le l\u0103sa s\u0103-mi sting\u0103 sec \u00een lum\u00e2nare!<\/p>\n<p>C\u0103ci s-au ridicat asupra mea<br \/>\nLei \u015fi tigri \u015fi nev\u0103stuici v\u0103rgate<br \/>\nForma n\u0103ravelor uitate din p\u0103cate!<\/p>\n<p>Ai grij\u0103 de mine cu tine<br \/>\nIa-mi din m\u00e2n\u0103 apa neopalin\u0103 otr\u0103vit\u0103<br \/>\nDe hapurile ce m\u0103 dau lor de ru\u015fine!<\/p>\n<p>\u015ei s\u0103 fii binecuv\u00e2ntat sf\u00e2ntul meu bun<br \/>\nSfetnic al \u00eengerelui ce m\u0103 \u015fopte\u015fte urechii<br \/>\nDomnului Iisus \u015fi Fiului lui Dumnezeu!<\/p>\n<p><strong><br \/>\nIonel POPA<\/strong><br \/>\n<a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/06\/IONEL-POPA-MEDIAS.jpg\" data-rel=\"lightbox-image-1\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/06\/IONEL-POPA-MEDIAS.jpg\" alt=\"\" width=\"400\" height=\"267\" class=\"alignnone size-full wp-image-14799 lazyload\" data-srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/06\/IONEL-POPA-MEDIAS.jpg 400w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/06\/IONEL-POPA-MEDIAS-300x200.jpg 300w\" data-sizes=\"(max-width: 400px) 100vw, 400px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 400px; --smush-placeholder-aspect-ratio: 400\/267;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/06\/IONEL-POPA-MEDIAS.jpg\" alt=\"\" width=\"400\" height=\"267\" class=\"alignnone size-full wp-image-14799\" srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/06\/IONEL-POPA-MEDIAS.jpg 400w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/06\/IONEL-POPA-MEDIAS-300x200.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/noscript><\/a><\/p>\n<p>                                            <strong>O  PAGIN\u0102  DIN  ISTORIA  BUCOVINEI<br \/>\n                                                    (DIN  ISTORIA  ROM\u00c2NIEI)<\/strong><\/p>\n<p>        Sub egida Academiei Rom\u00e2ne \u2013 Institutul \u201eBucovina\u201d, Constantin Hrehor, schimb\u00e2nd c\u0103limara poetic\u0103 cu aceea a istoriei, public\u0103, la Editura Timpul din Ia\u015fi, studiul monografic despre via\u0163a \u015fi opera lui Silvestru Morariu Andrievici (1818 \u2013 1895), mitropolit al Bucovinei \u00eentre anii 1880-1895. Nespecialist, dar vechi \u015fi mereu iubitor de istorie (de istoria neamului nostru rom\u00e2nesc), am citit cu interes \u015fi, chiar dup\u0103 prima pagin\u0103, cu pl\u0103cere, cartea lui Constantin Hrehor despre unul dintre \u201eoamenii cari au fost\u201d. Singurul  regret e acela c\u0103 am citit-o cu \u00eent\u00e2rziere, \u00een raport cu anul apari\u0163iei \u2013 2009.<br \/>\n      \u00centr-o prim\u0103 instan\u0163\u0103, pentru a sublinia at\u00e2t caracterul (coordonatele) academic (academice) e suficient s\u0103 privim pagina \u201ecuprins\u201d. Ar fi superfluu s-o reproducem, de aceea doar o men\u0163ion\u0103m.<br \/>\n     Cercetarea \u015fi comentarea surselor documentare \u015fi a bibliografiei sunt de o mare acribie. Toate afirma\u0163iile \u015fi judec\u0103\u0163ile sunt dublate (sus\u0163inute) de documente \u015fi de trimiteri bibliografice. De aici mul\u0163imea \u015fi oportunitatea notelor de subsol care \u0163in de deontologia de care autorul nu se \u00eendep\u0103rteaz\u0103 nici un moment. Toate cele men\u0163ionate arat\u0103 c\u0103 poetul Constantin Hrehor are autentice calit\u0103\u0163i de cercet\u0103tor \u015ftiin\u0163ific. Are acea \u015ftiin\u0163\u0103 de a extrage datele \u015fi opiniile \u015fi de a le confrunta pentru a ajunge la o concluzie personal\u0103, \u00een grani\u0163ele adev\u0103rului. Printre alte concluzii la care am ajuns, \u00een urma lecturii acestei c\u0103r\u0163i, este \u015fi aceasta: Bucovina ilustreaz\u0103, \u00een mic, dramatismul istoric al spa\u0163iului rom\u00e2nesc, care, prin voin\u0163a destinului sau a Lui Dumnezeu (?), a fost a\u015fezat la intersec\u0163ia intereselor unor puteri imperiale expansioniste care mereu s-au r\u0103zboit sau au f\u0103cut compromisuri politice pe seama lui. Astfel, \u00een jocul abil al marilor puteri, \u00een care fiecare din cele trei imperii au folosit for\u0163a, \u015fantajul \u015fi corup\u0163ia, prin \u00eensemnatele teritorii dob\u00e2ndite, cu acordul Rusiei, Casa de Austria a \u00eenscris (anexat) sub coroana sa \u015fi partea de nord-vest a Moldovei, numit\u0103, dup\u0103 anexare, Bucovina (anul nefast 1775). Urm\u0103rile sunt catastrofale pentru rom\u00e2ni, popula\u0163ie autohton\u0103, cov\u00e2r\u015fitor majoritar\u0103. Urm\u0103rile se simt \u015fi ast\u0103zi, dup\u0103 dou\u0103 secole, \u00eentr-o vreme care se pretinde democratic\u0103, dar \u00een care teritorii rom\u00e2ne\u015fti \u00eensemnate ca suprafa\u0163\u0103 \u015fi poten\u0163ial economic \u015fi cultural se afl\u0103 rupte de trupul mamei ancestral-istoric \u015fi \u00eenchise \u00een interiorul unor state sau sub forma (- ironia istoriei &#8211; !?) unui stat \u201emoldovenesc\u201d ce se pretinde independent. O parantez\u0103 util\u0103: \u00een 1774 (\u00eenaintea anex\u0103rii) rom\u00e2nii din \u201eBucovina\u201d erau 75% din popula\u0163ie; \u00een 1786, (doar dup\u0103 zece ani) \u2013 67%, iar \u00een 1869, 40%, ca \u00een perioada premerg\u0103toare Primului R\u0103zboi Mondial s\u0103 scad\u0103 la 31 %. \u015ei totu\u015fi, \u015fi \u00een aceste condi\u0163ii, rom\u00e2nii erau majoritari, acest descrescendo demografic fiind rezultatul nu al unei natalit\u0103\u0163i negative, ci al procesului de dezna\u0163ionalizare desf\u0103\u015furat sub diferite forme, f\u0103cut sub o amenin\u0163are cu diferite chipuri.<br \/>\n        Foarte important pentru \u00een\u0163elegerea \u015fi aprecierea la justa lor valoare a activit\u0103\u0163ilor \u015fi a operei \u00eenaltei fe\u0163e biserice\u015fti care a fost Silvestru Morariu  Andrievici este contextualitatea istoric\u0103. Fiind con\u015ftient de acest lucru, Constantin Hrehor \u015ftie s\u0103 fructifice orice am\u0103nunt istoric, social, cultural, politic \u015fi chiar individual         (personal) pentru a-\u015fi construi \u015fi sus\u0163ine ideatica lucr\u0103rii. Autorul studiului, puternic animat de sentimentul patriotic, nu alunec\u0103 \u00een na\u0163ionalism xenofob. De c\u00e2te ori  i se ive\u015fte ocazia, men\u0163ioneaz\u0103 \u015fi apreciaz\u0103 momentele de convie\u0163uire pa\u015fnic\u0103 a celor 12 na\u0163ii  \u015fi a celor 10 religii vie\u0163uitoare \u00een Bucovina veacurilor XVIII \u015fi XIX \u015fi, de asemenea, apreciaz\u0103 spiritul german al organiz\u0103rii, al disciplinei \u015fi al lucrului trainic \u015fi bine f\u0103cut.<br \/>\n      Urm\u0103rind activitatea ecleziastic\u0103, politic\u0103 \u015fi cultural\u0103 a lui Silvestru Morariu, Constantin Hrehor nu uit\u0103 \u2013 dar, din p\u0103cate, nu insist\u0103 \u2013 s\u0103 eviden\u0163ieze prezen\u0163a \u00een aceast\u0103 activitate complex\u0103 a ecoului iluminist al \u015ecolii Ardelene \u015fi climatul comun din Bucovina (?), Moldova, Muntenia \u015fi Transilvania, \u00een decursul celor dou\u0103 secole (1775 \u2013 1912). Cu toate disfunc\u0163ionalit\u0103\u0163ile \u015fi rupturile, exist\u0103 o permanent\u0103 continuitate realizat\u0103 con\u015ftient de marile personalit\u0103\u0163i ale fiec\u0103rei etape istorice, dar \u015fi incon\u015ftient, prin \u201ematricea stilistic\u0103\u201d. Silvestru Morariu Andrievici a fost contemporan, nu numai fizic, ci \u015fi \u00een sim\u0163ire \u015fi cuget, cu Andrei \u015eaguna, Laz\u0103r, Asachi, B\u0103rnu\u0163iu \u015fi al\u0163ii. Pentru to\u0163i ace\u015ftia biserica, \u015fcoala, presa, cartea sunt institu\u0163ii fundamentale \u015fi perene \u00een lupta pentru unitatea na\u0163ional\u0103. Silvestru Morariu Andrievici (fiul lui Andrei) a scris \u015fi tip\u0103rit c\u0103r\u0163i \u015fcolare, a sus\u0163inut \u00eenfiin\u0163area unor institu\u0163ii culturale (Academia Ortodox\u0103, ziarul \u201eCandela\u201d etc.), \u00eenlocuirea alfabetului chirilic cu cel latin, folosirea ortografiei Academiei Rom\u00e2ne, folosirea limbii rom\u00e2ne \u00een activit\u0103\u0163ile oficiale \u015fi \u00een actele referitoare la rom\u00e2ni. Mitropolitul e \u015fi autor de texte literare. Fabule (\u201eAlbina \u015fi furnica\u201d). Un vers ca acesta: \u201eNoi \u015fi ast\u0103zi suntem cum am fost\u201d ne duce cu g\u00e2ndul la versul eminescian \u201eIar noi locului ne \u0163inem, cum am fost a\u015fa r\u0103m\u00e2nem\u201d. Programul \u201eCalendarul pentru Bucovina\u201d \u015fi apoi cel al \u201eCandelei\u201d ne aduc \u00een memorie programul \u201eDaciei literare\u201d. O men\u0163iune: \u00een \u201eCalendarul pentru Bucovina\u201d &#8211; 1860, sunt tip\u0103rite versuri eminesciene \u00eenainte de  Eminescu: \u201eBucovin\u0103, \u0163ar\u0103 lin\u0103 \/ Armoniilor eden \/ Cre\u015fte-n sus ca o gr\u0103din\u0103\u201d sau: \u201eTo\u0163i dorim cu \u00eenfocare\/ Patria s\u0103 \u00eenfloreasc\u0103\/ \u00cen lumina ca de soare\/ \u00cemprejur s\u0103 str\u0103luceasc\u0103\u201d. Parcurg\u00e2nd fragmentele din produc\u0163iile literare ale \u00eenaltului prelat, reproduse \u00een carte, te \u00eentrebi dac\u0103 Simion Morariu ar fi r\u0103mas simplu preot \u00een sat, oare ar fi avut oportunit\u0103\u0163i s\u0103-\u015fi fructifice talentul, cel pu\u0163in la nivelul unui Anton Pann sau al\u0163ii? \u00cen orice caz, ar fi fost un gr\u0103unte din humusul din care au crescut scriitorii no\u015ftri. Argumentul cel mai puternic pentru supozi\u0163ia avansat\u0103 sunt  \u201eApologiile\u201d \u015fi \u201ePastoralele\u201d, care, dincolo de \u201ecanonul bisericesc\u201d, sunt autentice mostre (pentru vremea aceea) de retoric\u0103 \u015fi limb\u0103 literar\u0103 rom\u00e2neasc\u0103, de \u201especii\u201d literare ca fabula \u015fi parabola.<br \/>\n        \u00cen partea rezervat\u0103 perioadei mitropolitane a lui Silvestru Morariu, Constantin Hrehor pune \u00een lumin\u0103 \u00eenalta con\u015ftiin\u0163\u0103 de rom\u00e2n a acestuia, subliniaz\u0103 lupta lui \u00eempotriva manevrelor politicii imperiale \u201epreconceput\u0103\u201d, de \u201efragmentare\u201d a rom\u00e2nismului \u015fi de dezna\u0163ionalizare prin \u201emetamorfozarea\u201d numelui, prin \u201econfiscarea\u201d \u015fcolilor rom\u00e2ne\u015fti \u015fi prin tot felul de restric\u0163ii. Documentele aduse \u00een discu\u0163ie dezv\u0103luie perfidia politicii Vienei imperiale: de a pune pe al\u0163ii s\u0103 scoat\u0103 castanele din foc. Astfel, \u00een ac\u0163iunea de dezna\u0163ionalizare se folose\u015fte de elementul alogen \u2013 \u00een cazul Bucovinei de poloni, gali\u0163ieni \u015fi ruteni. Fenomenul de dezna\u0163ionalizare \u015fi metodele folosite sunt similare celor practicate \u00een Transilvania, inculcate f\u0103\u0163i\u015f de autorit\u0103\u0163ile ungure\u015fti \u00een trupul dualismului.<br \/>\n       Pentru a sublinia, \u00eenc\u0103 o dat\u0103, \u0163inuta academic\u0103 a c\u0103r\u0163ii, m\u0103 opresc pu\u0163in asupra finalului p\u0103r\u0163ii a doua a lucr\u0103rii. Aici g\u0103sim lista lucr\u0103rilor mitropolitului, grupate pe domenii: opera didactic\u0103, opera teologic\u0103, opera literar-\u015ftiin\u0163ific\u0103. Urmeaz\u0103 rezumatele sintetice \u00een limbile francez\u0103, german\u0103 \u015fi rus\u0103, dup\u0103 care se adaug\u0103 paginile care cuprind o consistent\u0103 bibliografie \/ 19 pagini: bibliografie \u2013 izvoare inedite \u015fi bibliografia critic\u0103. Textul studiului este \u00eentregit \u00eentr-un mod fericit cu o bogat\u0103 iconografie (fotografii \u015fi reproduceri dup\u0103 manuscrise \u015fi alte documente. O singur\u0103 obiec\u0163ie: este aproape imposibil de citit \u201eharta Bucovinei\u201d).<br \/>\n       Constantin Hrehor, ca un autentic cercet\u0103tor, s-a descurcat \u00een h\u0103\u0163i\u015ful bibliografic, nu de pu\u0163ine ori tenden\u0163ios sau contradictoriu, merg\u00e2nd hot\u0103r\u00e2t spre adev\u0103rul istoric. \u00cen concluzie, cartea lui Constantin Hrehor este, prin echilibru \u015fi pozi\u0163ia neechivoc\u0103 a argument\u0103rii, un document important \u00een lista bibliografic\u0103 a problemei.<br \/>\n        Pentru un nespecialist, dar iubitor de istorie rom\u00e2neasc\u0103, aceast\u0103 carte este o surs\u0103 de informare \u015fi educare. Ea se cite\u015fte cu interes \u015fi pl\u0103cere, datorit\u0103 scriiturii \u015fi a modalit\u0103\u0163ii aplicate, cu o bogat\u0103 sus\u0163inere documentar\u0103, prin care se reliefeaz\u0103 personalitatea celui care a fost Silvestru Morariu Andrievici \u2013  Mitropolit al Bucovinei.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>7 POEME INEDITE de Ion Murgeanu PEAN Doamne! Fulgerul a trecut asear\u0103 Pe la noi fiind \u00eenc\u0103 strunjit de var\u0103<\/p>\n","protected":false},"author":18,"featured_media":10070,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"ngg_post_thumbnail":0,"video_url":"","footnotes":""},"categories":[7,328],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/20586"}],"collection":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=20586"}],"version-history":[{"count":1,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/20586\/revisions"}],"predecessor-version":[{"id":20587,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/20586\/revisions\/20587"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/media\/10070"}],"wp:attachment":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=20586"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=20586"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=20586"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}