{"id":19948,"date":"2022-12-24T22:39:11","date_gmt":"2022-12-24T19:39:11","guid":{"rendered":"https:\/\/ziarulderimnic.ro\/?p=19948"},"modified":"2022-12-24T22:40:56","modified_gmt":"2022-12-24T19:40:56","slug":"spatii-culturale-nr-26-13","status":"publish","type":"post","link":"https:\/\/ziarulderimnic.ro\/?p=19948","title":{"rendered":"Spa\u021bii culturale nr. 26 (13)"},"content":{"rendered":"<p><strong>Nicolai T\u0102ICU\u0162U <\/strong><\/p>\n<p><strong>Raftul cu c\u0103r\u0163i<\/strong><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/12\/6-1-e1671910610740.jpg\" data-rel=\"lightbox-image-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-19949 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/12\/6-1-219x300.jpg\" alt=\"\" width=\"219\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 219px; --smush-placeholder-aspect-ratio: 219\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-19949\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/12\/6-1-219x300.jpg\" alt=\"\" width=\"219\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Gheorghe Dobre<\/strong>, <em>Trofee, Editura Helis, 2012, Slobozia<\/em>, 90 p. \u00centru prezentarea acestei c\u0103r\u0163i ne folosim de aprecierile criticului Dan Simionescu: <em>Ca s\u0103-\u015fi promoveze cu maxim\u0103 eficien\u0163\u0103 mesajul, autorul recurge la o inova\u0163ie patentat\u0103 cu c\u00e2teva mii de ani \u00een urm\u0103 de tragedienii greci. M\u0103 g\u00e2ndesc la personajul acela neutru, dar eman\u00e2nd o uria\u015f\u0103 energie psihonic\u0103, corul antic, care la Gheorghe Dobre este o voce din off, ambidextr\u0103, oracular\u0103, ce nareaz\u0103 ori \u00een versul clasic, ori \u00een cel prozodic, dup\u0103 cum autorului \u00eei vine la \u00eendem\u00e2n\u0103. Textul este at\u00e2t de monolitic \u00eenchegat, cu aceea\u015fi valoare intrinsec\u0103, \u00eenc\u00e2t selec\u0163ia devine un act pur \u015fi simplu aleatoriu. (\u2026) Trofeele, dac\u0103 vre\u0163i, sunt expresia durabil\u0103 a libert\u0103\u0163ii de exprimare \u00een art\u0103, un strig\u0103t persuasive \u015fi o perspectiv\u0103 inedit\u0103 \u00een literatura rom\u00e2n\u0103.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/12\/7-1-e1671910628688.jpg\" data-rel=\"lightbox-image-1\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-19950 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/12\/7-1-211x300.jpg\" alt=\"\" width=\"211\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 211px; --smush-placeholder-aspect-ratio: 211\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-19950\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/12\/7-1-211x300.jpg\" alt=\"\" width=\"211\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Liviu Vi\u015fan<\/strong>, <em>Versuri, Funda\u0163ia Cultural\u0103 Antares, Gala\u0163i, 2012<\/em>, 247. Antologia de fa\u0163\u0103 cuprinde versuri alese din cele \u015fase c\u0103r\u0163i lirice editate de Liviu Vi\u015fan \u00een perioada 1971-2010. D\u0103m citire din referin\u0163ele critice:<em> Liviu Vi\u015fan este un menestrel al asfalturilor fierbin\u0163i, \u00eenscriindu-se \u00een buna, dar din p\u0103cate at\u00e2t de pu\u0163in vizitata tradi\u0163ie a evaziunii \u00een lirica folck-cit\u00e0&#8230;(George Astalo\u015f) Cu aparen\u0163a unui jovial jemanfi\u015fism liric, poetul Liviu Vi\u015fan se elibereaz\u0103 de trauma suflete\u015fti, pe care le protejeaz\u0103 prin melancolie, anul\u00e2ndu-le prin persiflare \u015fi ironie\u2026(Dumitru Anghel) Ca orice boem care se respect\u0103, Liviu Vi\u015fan \u00ee\u015fi asum\u0103 \u015fi poezia laolalt\u0103. \u00centr-o strof\u0103 care rezum\u0103 crezul s\u0103u declar\u0103: \u201dDulce amar strivit \u00een cerul gurii\/ verbul prinsese gustul aventurii\u2026\/ A\u015fa se \u00eencheie cartea mea iubito,\/ eu n-am scris poezie, am tr\u0103it-o! (Radu Voinescu)<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/12\/8-1-e1671910642101.jpg\" data-rel=\"lightbox-image-2\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-19951 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/12\/8-1-211x300.jpg\" alt=\"\" width=\"211\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 211px; --smush-placeholder-aspect-ratio: 211\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-19951\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/12\/8-1-211x300.jpg\" alt=\"\" width=\"211\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Costel Bunoaica<\/strong>, <em>Noaptea, cu sinele meu, Editura Helis, Slobozia, 2012<\/em>, 103 p. Pe coperta a patra a c\u0103r\u0163ii, Dan Simionescu spune: <em>Este Costel Bunoaica un poet elegiac? Da. Este sentimental? Da, chiar exacerbat. El nu face experimente poetice, de cele mai multe ori fade \u015fi sterile, ci r\u0103m\u00e2ne proasp\u0103t, adolescent \u00een expresie. Este matur \u015fi original. M\u0103 \u00eentreb ce resort \u00eei face pe ace\u015fti poe\u0163i s\u0103 se redefineasc\u0103 permanent? C\u00e2nd spun redefineasc\u0103 nu m\u0103 g\u00e2ndesc la esen\u0163\u0103, la ,,sufletul\u201d liric, care nu se va schimba niciodat\u0103, ci la form\u0103, la expresia denudat\u0103 cu impact maxim asupra cititorului. S\u0103 r\u0103m\u00e2i t\u00e2n\u0103r, ocolind cu elegan\u0163\u0103 anchilozarea autosuficien\u0163ei, nu este oare dezideratul oric\u0103rui autor? Evolu\u0163ia poetului, de la volumul ,,Uciderea sinelui\u201d p\u00e2n\u0103 la ultimele crea\u0163ii din ,,Helis\u201d, nu este deloc liniar\u0103.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/12\/9-1-e1671910652824.jpg\" data-rel=\"lightbox-image-3\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-19952 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/12\/9-1-213x300.jpg\" alt=\"\" width=\"213\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 213px; --smush-placeholder-aspect-ratio: 213\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-19952\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/12\/9-1-213x300.jpg\" alt=\"\" width=\"213\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Titi Damian<\/strong>, <em>Fidelitatea lecturii \u2013 \u00eent\u00e2mpin\u0103ri \u2013, Editgraph, Buz\u0103u, 2011<\/em>, 280 p. De cele mai multe ori cronicile de \u00eent\u00e2mpinare ale romancierului Titi Damian dep\u0103\u015fesc, nu numai prin lungimea expunerii, ci prin nota aprecierilor critice dat\u0103 de profesorul de limba \u015fi literatura rom\u00e2n\u0103. Criticul se opre\u015fte asupra unor c\u0103r\u0163i semnate de: Nicolae G\u00e2lmeanu, Aurel M. Buricea, Zaira Shamharadze, Passionaria Stoicescu, Nicolae Pogonaru, George B\u0103iculescu, Dionisie Duma, Florentin Popescu, Marian Ruscu, Ion Fercu, Dan Elias, Alexandru Bulandra \u015fi al\u0163ii. Cartea o \u00eencheie cu trei eseuri: <em>Antidotul prostiei (Hor\u0103 de b\u0103ie\u0163i de Tudor Arghezi)<\/em>, <em>Leac la mu\u015fc\u0103tura cobrei (partea a doua \u2013 Scrisoarea III de Mihai Eminescu) <\/em>\u015fi <em>Testamentul moral al lui Moromete (\u00eensemn\u0103ri pe marginea scenei s\u0103p\u0103rii \u015fan\u0163ului, pe ploaie, Morome\u0163ii, vol. al II-lea).<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/12\/10-1-e1671910679792.jpg\" data-rel=\"lightbox-image-4\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-19953 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/12\/10-1-209x300.jpg\" alt=\"\" width=\"209\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 209px; --smush-placeholder-aspect-ratio: 209\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-19953\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/12\/10-1-209x300.jpg\" alt=\"\" width=\"209\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Stan Brebenel<\/strong>, <em>Incursiuni \u00een unuversul peni\u0163ei, Editura Teocora, Buz\u0103u, 2012<\/em>, 162 p. \u00cen 2004, Valeria Manta T\u0103icu\u0163u scria, cu referire la cartea <em>Cronici de \u00eent\u00e2mpinare<\/em> de Stan Brebenel: <em>Autorul nu \u015fi-a propus o disec\u0163ie a firului de p\u0103r, ci o invita\u0163ie la lectur\u0103, \u00een condi\u0163iile \u00een care se public\u0103 enorm de mult \u015fi se cite\u015fte enorm de pu\u0163in. Dac\u0103 \u00een cartea amintit\u0103 \u00een fraza anterioar\u0103 Stan Brebenel a ac\u0163ionat, cu v\u00e2rful peni\u0163ei, predominant asupra arealului scriitoricesc buzoian, \u00een cartea de fa\u0163\u0103 arealul de investigat este mult mai mare. Astfel sunt \u00eent\u00e2mpinate c\u0103r\u0163i precum: Ultimul bal la \u015earpele Ro\u015fu \u015fi Ultimul \u0163\u0103ran din Sl\u0103tioara de Dinu S\u0103raru, Grigore Vieru, poetul arhetipurilor de Mihai Cimpoi, Fragmente din n\u0103stru\u015fnica istorie a lumii de Gabriel Chifu tr\u0103it\u0103 \u015fi tot de el povestit\u0103, Pe prag (Vale-Deal) de Liviu Ioan Stoiciu, Luni de fiere de Pascal Bruckner (trad. Vasile Zincenco, \u00cen alt\u0103 via\u0163\u0103 de Marc Levy (trad. Aliza Ardeleanu, V\u00e2ntul care se uit\u0103 pe geam de Ion Panait, Eu, adic\u0103 umbra mea de Paul Spirescu, Concluziile senectu\u0163ii de Ion Gheorghe \u015f.a.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/12\/11-1-e1671910701209.jpg\" data-rel=\"lightbox-image-5\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-19954 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/12\/11-1-209x300.jpg\" alt=\"\" width=\"209\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 209px; --smush-placeholder-aspect-ratio: 209\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-19954\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/12\/11-1-209x300.jpg\" alt=\"\" width=\"209\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong> Mihai Merticaru<\/strong>, <em>Arta euritmiei, 74 de sonete, Editura Vasiliana &#8217;98, Ia\u015fi, 2012<\/em>, 119 p. Pertinenta prefa\u0163\u0103 a autorului la acest volum, <em>Sonetul \u015fi numerologia<\/em>, se \u00eencheie astfel: <em>Cine se dore\u015fte inovator pe t\u0103r\u00e2mul sonetului are por\u0163i larg deschise \u015fi spa\u0163iu infinit de manifestare \u00een domeniul con\u0163inutului \u015fi nicidecum al formei. Putem face un cerc mai mare sau mai mic, un p\u0103trat uria\u015f sau minuscule, dar nu le putem da alt\u0103 form\u0103. Referin\u0163ele critice, selectate de autor, vin s\u0103 pun\u0103 \u00een eviden\u0163\u0103 valoarea operei lui Mihai Merticaru. <\/em>Acestea sunt semnate de: Ioan Holban, Lucian Strochi, Vasile Spiridon, Constantin Cucu, Simion B\u0103rbulescu, Ion Rotaru, Adrian Alui Gheorghe, Constantin Tom\u015fa, Cristian Livescu, George Mihalcea, Floric\u0103 Dan, Monica I. Dan, Victor Sterom, Emilian Marcu, Emil Nicolae, Victoria Milescu, Nicolae Busuioc, Mircea Petean, Remus V. Giorgioni, Gabriel Basarabescu.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/12\/12-1-e1671910717688.jpg\" data-rel=\"lightbox-image-6\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-19955 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/12\/12-1-212x300.jpg\" alt=\"\" width=\"212\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 212px; --smush-placeholder-aspect-ratio: 212\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-19955\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/12\/12-1-212x300.jpg\" alt=\"\" width=\"212\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Aurel Andrei<\/strong>, <em>Teatru 2011, Ia\u015fi, 2012<\/em>, 219 p. Volumul cuprinde trei piese de teatru: <em>Podul<\/em>, <em>Frica zilei de azi<\/em> \u015fi <em>Miros de iarb\u0103 crud\u0103 \u00een adierea nop\u0163ii<\/em>. Regizorul Ovidiu Laz\u0103r ne avertizeaz\u0103: <em>Aurel Andrei ESTE un dramaturg. \u00cempov\u0103rat de tr\u0103iri care domin\u0103 agresiv, racordat cu o exaltare nes\u0103buit\u0103 la caden\u0163ele lumii \u00een care tr\u0103ie\u015fte, se eviden\u0163iaz\u0103 \u00een textile sale, frenetic \u015fi sincer. (\u2026) Conflictele sunt vii, personajele sunt oameni \u015fi peste toate plute\u015fte aburul dens al teatralit\u0103\u0163ii, adic\u0103 acel CEVA care face dintr-o fraz\u0103 o f\u0103r\u00e2m\u0103 emo\u0163ionant\u0103 de realitate. Ce merit\u0103 cu prisosin\u0163\u0103 a fi \u00eemp\u0103rt\u0103\u015fit\u0103 contemporanilor no\u015ftri, devasta\u0163i de indiferen\u0163\u0103. Aceste r\u00e2nduri nu sunt altceva dec\u00e2t un AVERTISMENT. C\u0103 al\u0103turi de noi, zi de zi, respir\u0103, tr\u0103ie\u015fte \u015fi scrie, Aurel Andrei, un seam\u0103n de-al nostru care vede mai bine dec\u00e2t noi \u00een\u015fine cine suntem \u015fi ce ne b\u00e2ntuie existen\u0163a.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/12\/13-1-e1671910729751.jpg\" data-rel=\"lightbox-image-7\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-19956 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/12\/13-1-212x300.jpg\" alt=\"\" width=\"212\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 212px; --smush-placeholder-aspect-ratio: 212\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-19956\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/12\/13-1-212x300.jpg\" alt=\"\" width=\"212\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Aurel V\u00eelcu<\/strong>, <strong>Marius Neculae<\/strong>, <em>Tezaurul de la Dedule\u015fti (secolele XV-XVII), Editgraph, Buz\u0103u, 2012<\/em>, 107 p. Cit\u0103m din introducere: <em>\u2026 Tezaurul cuprinde monede cu valoare ridicat\u0103, a\u015fa cum sunt talerii emi\u015fi \u00een \u0162\u0103rile de Jos, Spania \u015fi \u00een cuprinsul imperiului Romano-German, destina\u0163i \u00een special tranzac\u0163iilor mai mari, dar \u015fi moned\u0103 m\u0103runt\u0103, precum dinarii ungure\u015fti \u015fi piesele de \u00bd gros poloneze, necesar\u0103 tranzac\u0163iilor cotidiene. Remarc\u0103m cre\u015fterea substan\u0163ial\u0103 a ponderii monedelor m\u0103runte emise \u00een secolul al XVI-lea \u00een structura circula\u0163iei monetare din \u0162ara Rom\u00e2neasc\u0103 la mijlocul secolului al XVII. Fenomenul se prezint\u0103 ca o consecin\u0163\u0103 a devaloriz\u0103rii \u015fi reducerii produc\u0163iei monetare din Imperiul Otoman. Ilustrativ \u00een acest sens, tezaurul de la Dedule\u015fti nu con\u0163ine nicio moned\u0103 otoman\u0103\u2026<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nicolai T\u0102ICU\u0162U Raftul cu c\u0103r\u0163i Gheorghe Dobre, Trofee, Editura Helis, 2012, Slobozia, 90 p. \u00centru prezentarea acestei c\u0103r\u0163i ne folosim<\/p>\n","protected":false},"author":18,"featured_media":10070,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"ngg_post_thumbnail":0,"video_url":"","footnotes":""},"categories":[7,328],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/19948"}],"collection":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=19948"}],"version-history":[{"count":3,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/19948\/revisions"}],"predecessor-version":[{"id":19959,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/19948\/revisions\/19959"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/media\/10070"}],"wp:attachment":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=19948"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=19948"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=19948"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}