{"id":19930,"date":"2022-12-22T23:01:15","date_gmt":"2022-12-22T20:01:15","guid":{"rendered":"https:\/\/ziarulderimnic.ro\/?p=19930"},"modified":"2022-12-22T23:01:15","modified_gmt":"2022-12-22T20:01:15","slug":"spatii-culturale-nr-26-11","status":"publish","type":"post","link":"https:\/\/ziarulderimnic.ro\/?p=19930","title":{"rendered":"Spa\u021bii culturale nr. 26 (11)"},"content":{"rendered":"<p> <strong> Monica MURE\u015eAN<\/strong><br \/>\n<a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/monica-muresan-650x470-1-e1631783405293.jpg\" data-rel=\"lightbox-image-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/monica-muresan-650x470-1-300x217.jpg\" alt=\"\" width=\"300\" height=\"217\" class=\"alignnone size-medium wp-image-15914 lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 300px; --smush-placeholder-aspect-ratio: 300\/217;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/monica-muresan-650x470-1-300x217.jpg\" alt=\"\" width=\"300\" height=\"217\" class=\"alignnone size-medium wp-image-15914\" \/><\/noscript><\/a><\/p>\n<p><strong>XXXIV.<\/strong><\/p>\n<p>Fiecare \u00eencearc\u0103 s\u0103 se descopere &#8211;<br \/>\nca \u015fi cum te mai po\u0163i reinventa<br \/>\ndup\u0103 ce un verb pervers tocmai<br \/>\nte arunc\u0103 \u00eentr-o experien\u0163\u0103 reflexiv\u0103.<br \/>\nUi\u0163i cum e s\u0103 fii copil ajungi adolescent<br \/>\nte transformi \u00een b\u0103rbat sau femeie<br \/>\niar copilul din tine nu te recunoa\u015fte.<br \/>\nUn exemplar uman nu poate<br \/>\ns\u0103-\u015fi croiasc\u0103 via\u0163a ca o hus\u0103<br \/>\npe m\u0103sur\u0103: unul \u00een cel\u0103lalt<br \/>\ndeveni\u0163i matrio\u015fele<br \/>\ndin galeria cu figurine z\u00e2mbitoare<br \/>\nst\u0103m de paz\u0103 \u00een cu\u015fca net-ului<br \/>\nneclinti\u0163i la post fix adopt\u0103m pozi\u0163ia<br \/>\npasiv\u0103 a chipului cu z\u00e2mbet \u00eempietrit<br \/>\nrec\u0103z\u00e2nd \u00een uitarea unei posibile<br \/>\nexisten\u0163e virtuale<br \/>\n\u015fi ne entuziasm\u0103m cu inocent\u0103 mirare<br \/>\nc\u0103 tocmai am descoperit<br \/>\no nou\u0103 solu\u0163ie<br \/>\ncu factor mare de protec\u0163ie<br \/>\npentru via\u0163a viitoare&#8230; uitarea de sine. <\/p>\n<p><strong><br \/>\nXXXV.<\/strong><\/p>\n<p>Am \u00een\u0163eles c\u0103 a r\u0103mas pu\u0163in timp<br \/>\n\u015fi lini\u015fte\u2026 c\u00e2t despre noi<br \/>\nfiin\u0163ele de OM<br \/>\nne jertfim cuvintele nu faptele!<br \/>\n\u015ei ne mai \u00eentreb\u0103m cum de<br \/>\nse \u00eenmul\u0163esc cozile de topor ?!<br \/>\nAdeseori \u00een ascensiunea mea<br \/>\ncuvintele acelea str\u0103ine<br \/>\nabandonate pe treptele cunoa\u015fterii<br \/>\nmi se lipesc de trup<br \/>\n\u00eengreun\u00e2ndu-l<br \/>\ntr\u0103g\u00e2ndu-m\u0103 \u00eenapoi.<\/p>\n<p>M\u0103 \u00eembat\u0103 mai mult dec\u00e2t b\u0103utura<br \/>\ncare nu m\u0103 \u00eembat\u0103<br \/>\nfumul halucinant al \u0163ig\u0103rii<br \/>\ncare nu-mi mai prie\u015fte sau aburul<br \/>\n\u00een\u015fel\u0103tor al cuvintelor-capcan\u0103<br \/>\ndin calea c\u0103rora trebuie s\u0103 \u015ftii<br \/>\ns\u0103 te fere\u015fti<br \/>\npentru c\u0103 odat\u0103 n\u0103scute<br \/>\nnu mai pot fi st\u0103p\u00e2nite.<\/p>\n<p><strong><br \/>\nXXXVI.<\/strong><\/p>\n<p>Cad pic\u0103turi ascu\u0163ite ca acul de viespe.<br \/>\nM\u0103runtaiele p\u0103m\u00e2ntului clocotesc.<br \/>\nNori de cenu\u015f\u0103 v\u00e2n\u0103t\u0103 acoper\u0103 fruntea<br \/>\n\u00eenalt\u0103 \u015fi senin\u0103 a cerului.<\/p>\n<p>Totul se petrece din cauza unor<br \/>\nturbulen\u0163e misterioase din atmosfer\u0103\u2026<\/p>\n<p>Cad stropi verzui &#8211; ploaia acid\u0103 \u00ee\u015fi vars\u0103<br \/>\nfierea \u015fi ropotul lor de fiar\u0103 \u00eensetat\u0103<br \/>\nsperie t\u0103cerile v\u0103zduhului pustiu<br \/>\ncerul e un de\u015fert mirarea te g\u00e2tuie<br \/>\nse instituie o stare de galben ce trece<br \/>\n\u00een portocaliu apoi ro\u015ful se transform\u0103<br \/>\n\u00een negru parc\u0103 cineva r\u0103stoarn\u0103 catran<br \/>\n\u00eencepe starea de unu la care oamenii<br \/>\nrenun\u0163\u0103, ne\u015ftiind se \u00eentorc \u00een starea<br \/>\nde timp zero divinul din ei se tope\u015fte<br \/>\nse scurge ca apa \u00een p\u0103m\u00e2nt<br \/>\niar p\u0103m\u00e2ntul le \u00eentoarce spatele<br \/>\nnerecunosc\u00e2ndu-i<br \/>\ndin aburii f\u0103pturilor se \u00eenal\u0163\u0103 un zid de ap\u0103<br \/>\nmare de n-ai putea \u015fti c\u00e2t de mare<br \/>\np\u00e2nde\u015fte \u00eempietrit din zarea<br \/>\nneagr\u0103 \u015fi mut\u0103. <\/p>\n<p>Aceea a fost ziua \u00een care a nins<br \/>\npentru ultima dat\u0103 cu fulgi mari \u015fi albi<br \/>\nfulgii aceia fierbin\u0163i s-au pietrificat<br \/>\n\u00een atmosfera dens\u0103 f\u0103c\u00e2ndu-se gloan\u0163e<br \/>\ncerul mitralia oameni \u015fi viet\u0103\u0163i pomi \u015fi ape<br \/>\ntotul scr\u00e2\u015fnea metalic dezarticulat<br \/>\nau zis c\u0103 s-ar putea s\u0103 fie un cutremur<br \/>\nartificial &#8211; parc\u0103 mai avea importan\u0163\u0103\u2026 <\/p>\n<p>Cred c\u0103 visam \u015fi \u00een acel ultim \u015fi gr\u0103bit vis<br \/>\nse f\u0103cea c\u0103 m\u0103n\u00e2nc dintr-o carne de miel<br \/>\nbine pr\u0103jit\u0103: \u00eentindeam cu poft\u0103 p\u00e2inea<br \/>\n\u00een sosul mustos \u015fi aromat dar nu m\u0103 s\u0103turam<br \/>\ndeodat\u0103 a \u00eenceput mugetul<br \/>\np\u0103rea o muzic\u0103 dat\u0103 prea tare<br \/>\n\u0163ineam gura deschis\u0103 larg s\u0103 ias\u0103 presiunea<br \/>\nun-doi-trei-patru inspiri expiri gura maree!<\/p>\n<p>\u00een general frica are mai multe stadii<br \/>\ndar cum s-o dai mai \u00eencet&#8230;<br \/>\nnimeni nu s-a g\u00e2ndit la un aparat<br \/>\npentru contorizat frica<br \/>\ncum s-o \u00eenchid de tot, mi-am zis\u2026<br \/>\nevenimentele m-au surprins \u00een acel vis<br \/>\nnu mi-am dat seama de c\u00e2nd c\u0103zusem<br \/>\nprad\u0103 g\u00e2ndurilor rele<br \/>\n\u00eemi era g\u00e2ndul numai la m\u00e2ncarea<br \/>\nr\u0103mas\u0103 acolo undeva neterminat\u0103. <\/p>\n<p>Abia atunci am v\u0103zut: jum\u0103tate de miel<br \/>\nera viu, pl\u00e2ngea privindu-m\u0103 rug\u0103tor \u015fi<br \/>\navea bl\u0103ni\u0163a p\u00e2rlit\u0103 pe c\u00e2nd cealalt\u0103 jum\u0103tate<br \/>\nsf\u00e2r\u00e2ia aburind\u0103 mirosind ademenitor!<br \/>\nSe spune c\u0103 Luna Neagr\u0103 nu exist\u0103<br \/>\nci e mai degrab\u0103 un loc p\u0103gubos<br \/>\nor, cum poate fi un loc inexistent<br \/>\np\u0103gubos<br \/>\ncum po\u0163i vedea pe cerul negru<br \/>\no lun\u0103 neagr\u0103<br \/>\nce, au luat-o razna \u015fi lucrurile<br \/>\ncare nu exist\u0103 ? <\/p>\n<p>Saliva \u00eenc\u0103 mai p\u0103stra gustul m\u00e2nc\u0103rii.<br \/>\nNu \u015ftiu dac\u0103 visul se terminase<br \/>\ncineva amintea de o \u201cnetezime mental\u0103\u201d<br \/>\n\u015fi eu \u00een vis sau nu simt c\u0103 trebuie<br \/>\ns\u0103 scuip ca la dentist<br \/>\nc\u00e2nd \u00ee\u0163i ia aspiratorul<br \/>\n\u015fi devii un rezervor prea umplut<br \/>\ncu tine \u00eensu\u0163i<br \/>\nde te \u00eeneac\u0103 fierea&#8230;<\/p>\n<p>lupta cu g\u00e2ndurile negre<br \/>\nnu se c\u00e2\u015ftig\u0103 u\u015for. <\/p>\n<p><strong><br \/>\nXXXVII.<\/strong><\/p>\n<p>\u00cencepe totdeauna cu un frison,<br \/>\no angin\u0103, o angoas\u0103&#8230;<br \/>\ndevii alergic la \u00eent\u00e2mpl\u0103ri<br \/>\nvuietul g\u00e2ndurilor te ia pe sus<br \/>\ndai cu capul de un nor de praf:<br \/>\nclepsidra nop\u0163ii se sparge<br \/>\nacoperindu-te cu un strat<br \/>\nimpermeabil de corpi<br \/>\nde origine incert\u0103 \u2013<br \/>\nfosforescent ca meduzele<br \/>\nun fir de idee foreaz\u0103<br \/>\n\u00een materia fertil\u0103 a \u00eenchipuirii<br \/>\nc\u0103ut\u00e2nd o alternativ\u0103<br \/>\no ie\u015fire de serviciu<\/p>\n<p>aspiri la o via\u0163\u0103 de\u015furubat\u0103<br \/>\nc\u0103reia nu i se potrive\u015fte<br \/>\nniciun nit nicio lipitur\u0103<br \/>\ncu indolen\u0163\u0103 dintr-un fitting<br \/>\nse prelinge o lacrim\u0103<br \/>\npentru care nu exist\u0103 bariere<\/p>\n<p>\u00eenc\u0103 mai crezi c\u0103 secunda aceasta<br \/>\nlegat\u0103 cu dublu nod sub b\u0103rbie<br \/>\nnu va avea puterea s\u0103 inunde<br \/>\nori poate c\u0103 de mil\u0103 se va umple<br \/>\nde la sine \u015fi precum o piatr\u0103<br \/>\naruncat\u0103 peste um\u0103r<br \/>\nva pocni pe cine-apuc\u0103<br \/>\naltminteri va urca mai departe<br \/>\nl\u0103s\u00e2nd \u00een urm\u0103 acel pliu<br \/>\ncutanat al clipei ce s-a crezut<br \/>\n\u015fi or\u0103 \u015fi eternitate<\/p>\n<p>dar poate c\u0103 ideea c\u0103 exist\u0103 secunde<br \/>\nce scap\u0103 de sub control<br \/>\ncum pic\u0103tura dintr-un racord sl\u0103bit<br \/>\nva stimula circula\u0163ia prin vechile vase<br \/>\ncomunicante ale timpului<\/p>\n<p>probabil de aceea se spune<br \/>\nc\u0103 exist\u0103 o clip\u0103 c\u00e2t o via\u0163\u0103<br \/>\ndar nu neap\u0103rat de gra\u0163ie,<br \/>\ne mai degrab\u0103 o form\u0103 rar\u0103<br \/>\nde alergie<br \/>\nla ultima suflare a timpului<br \/>\n\u015fi nu ai anticorpi\u2026 <\/p>\n<p><strong><br \/>\nXXXVIII.<\/strong><\/p>\n<p>C\u0103utam orbec\u0103ind punctul de sprijin<br \/>\nlocul care \u015ftie totul despre mine<br \/>\ncopacii care m-au v\u0103zut cresc\u00e2nd<br \/>\nv\u00e2ntul ce-mi \u015ftia mir\u0103rile<br \/>\nprimului cuv\u00e2nt<br \/>\nr\u0103s\u0103ritul de soare luna plin\u0103<br \/>\nprima dragoste ce se topise<br \/>\nprecum ceara lu\u00e2nd forma inimii &#8211;<br \/>\nred\u00e2ndu-mi o nou\u0103 form\u0103<br \/>\ndintr-o materie \u00eendr\u0103gostit\u0103 \u015fi<br \/>\ntopind \u00een creuzetul sufletului<br \/>\ntrunchiul cel\u0103lalt<br \/>\nde copac retezat<br \/>\n\u015fi a\u015fa m-am \u00eentors la v\u00e2rsta<br \/>\nde \u015fapte clipe<br \/>\nc\u00e2nd la doi pa\u015fi de mine<br \/>\nDuhul m\u0103 a\u015ftepta fix\u00e2ndu-m\u0103 cu<br \/>\ntulburele-i ochi<br \/>\nde ap\u0103 cald\u0103 \u015fi ad\u00e2nc\u0103 \u2026<br \/>\ninspiri, expiri&#8230;<br \/>\nse pare c\u0103 a existat un motiv<br \/>\npentru care acolo sus s-a hot\u0103r\u00e2t<br \/>\ns\u0103 t\u00e2njesc dup\u0103 cer<br \/>\n\u015fi s\u0103 m\u0103 tot r\u0103zg\u00e2ndesc\u2026<\/p>\n<p>De atunci am \u015ftiut oare c\u0103 dup\u0103<br \/>\nde 7 ori 7 totul poate re\u00eencepe?! <\/p>\n<p><strong><br \/>\nXXXIX.<\/strong><\/p>\n<p>Dac\u0103 nu reu\u015fe\u015fti s\u0103 \u00ee\u0163i \u00eenchipui singur<br \/>\ndac\u0103 nu po\u0163i g\u0103si r\u0103spunsul<br \/>\npoate c\u0103 nu meri\u0163i \u00eenc\u0103 s\u0103 \u015ftii! <\/p>\n<p>mi-a r\u0103spuns Arborele Vie\u0163ii<br \/>\niar duhul cuvintelor sale<br \/>\nm-a ajutat s\u0103-mi continui urcu\u015ful.<\/p>\n<p>A mai r\u0103mas pu\u0163in timp<br \/>\npu\u0163in\u0103 lini\u015fte.<\/p>\n<p>C\u00e2t despre noi<br \/>\nfiin\u0163ele de OM<br \/>\nne jertfim cuvintelor!<\/p>\n<p><strong><br \/>\n Valeria Manta T\u0103icu\u0163u<\/strong><br \/>\n<a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2018\/10\/image-e1635791601522.jpeg\" data-rel=\"lightbox-image-1\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2018\/10\/image-300x300.jpeg\" alt=\"\" width=\"300\" height=\"300\" class=\"alignnone size-medium wp-image-7286 lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 300px; --smush-placeholder-aspect-ratio: 300\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2018\/10\/image-300x300.jpeg\" alt=\"\" width=\"300\" height=\"300\" class=\"alignnone size-medium wp-image-7286\" \/><\/noscript><\/a><\/p>\n<p><strong>Daniel Dr\u0103gan: Visul poetului unic Neum<\/strong><br \/>\n<a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/12\/5-1-e1671739218841.jpg\" data-rel=\"lightbox-image-2\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/12\/5-1-197x300.jpg\" alt=\"\" width=\"197\" height=\"300\" class=\"alignnone size-medium wp-image-19931 lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 197px; --smush-placeholder-aspect-ratio: 197\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/12\/5-1-197x300.jpg\" alt=\"\" width=\"197\" height=\"300\" class=\"alignnone size-medium wp-image-19931\" \/><\/noscript><\/a><\/p>\n<p>Recentul volum al lui Daniel Dr\u0103gan, \u00eemp\u0103r\u0163it \u00een unsprezece c\u00e2nturi, poate fi considerat o epopee filosofico-religioas\u0103, argumentele acestei \u00eencadr\u0103ri trebuind c\u0103utate \u00een substratul ideatic din care nu lipsesc trimiterile cosmogonice, raportul dintre planul astral \u015fi cel p\u0103m\u00e2ntesc, tr\u0103irea cu intensitate a miracolului \u015fi viziunile escatologice.<br \/>\nPoetul orb, o ipostaz\u0103, de fapt, a demiurgului, trece de la cunoa\u015fterea lumii prin celelalte sim\u0163uri (tactil \u2013 \u201eC\u0103 el cu pielea vedea\u201d, olfactiv \u2013 \u201e\u015ei cu n\u0103rile lui umflate vedea\u201d, acustic \u2013 \u201eUrechile lui r\u0103sucite\/ Ca scoicile mari de sidef\/ Prindeau sunetele globului toate\u201d, gustativ \u2013 \u201e\u015ei ca v\u0103zul lui s\u0103 fie perfect \u015fi \u00een form\u0103\/ Scotea dintre f\u0103lci o limb\u0103 enorm\u0103\u201d) &#8211; la re-crearea lumii: \u201eNeum ia \u00een palme \u015fi ridic\u0103 l\u00e2ng\u0103 n\u0103rile sale\/ Un bo\u0163 de \u0163\u0103r\u00e2n\u0103 cu frunze verzi \u015fi uscate\/ Cu semin\u0163e \u015fi spori cu nev\u0103zute minuscule specii\/ Care oriunde se-ntind \u015fi roiesc.\/ \u00cel fr\u0103m\u00e2nt\u0103 \u00een palme \u015fi-l face rotund\/ Ca globul lumesc p\u0103m\u00e2ntesc\/[&#8230;] \u00cel vede rotund \u015fi rotit\/ Pe axa pe care el l-a ivit\/ \u00cel vede rotindu-se egal lunec\u00e2nd\/ Pe orbitala lui ca o eclips\u0103 de g\u00e2nd\u201d. De ce trebuie s\u0103 re-creeze lumea? Pentru c\u0103 aceea conceput\u0103 de Dumnezeu \u015fi l\u0103sat\u0103 la \u00eendem\u00e2na oamenilor este corupt\u0103, tr\u00e2ndav\u0103 \u015fi nelegiuit\u0103: \u201eEl vede lumea s\u0103rman\u0103 \u015fi lumea nebun\u0103\/ Lumea tr\u00e2ndav\u0103 care se-adun\u0103 \u00een desf\u0103t\u0103ri\/ \u00cemp\u0103r\u0163it\u0103, desp\u0103r\u0163it\u0103 \u015fi \u00eenvr\u0103jbit\u0103 \u00een triburi \u015fi \u0163\u0103ri\u201d. Elanul urie\u015fesc al poetului unic nu va fi sanc\u0163ionat (cum se \u00eent\u00e2mpl\u0103 la romanticul Dionis), pentru c\u0103 ascult\u0103torul de neume, adoratorul perfec\u0163iunii celei dint\u00e2i nu se r\u0103zvr\u0103te\u015fte, ci vrea, prin contemplare, s\u0103 restabileasc\u0103 echilibrul \u015fi armonia de la \u00eenceputuri: \u201eC\u00e2nd pojarul se-ntinde \u015fi \u00eencepe s\u0103 ard\u0103\/ Neum vede cu p\u0103rul de pe \u0163east\u0103,\/ De pe piept \u015fi din barb\u0103\/ Cu splina vede cu f\u0103lcile mari\/ Cum lumea se umple de jnapani \u015fi t\u00e2lhari\/ Doamne, \u00eenva\u0163\u0103-m\u0103 ce s\u0103 fac\/ S\u0103 fie vreme bun\u0103 \u00een lume \u015fi pace\/\/ Domnul aude-ntrebarea \u015fi tace\u201d (pag. 15). At\u00e2ta vreme c\u00e2t Ziditorul este mut, indiferent (\u201eGrot\u0103 e lumea v\u0103zut\u0103\/ Grot\u0103 cea nev\u0103zut\u0103\/ Unde e\u015fti tu unde sunt eu?\/ De fa\u0163\u0103 e voia lui Dumnezeu\/ Sau poate nu. Poate-a plecat\/ Spre alte meleaguri \u015fi ne-a l\u0103sat\/ S\u0103 ne t\u00e2r\u00e2m \u00een bezn\u0103 pe br\u00e2nci\/ \u00cen v\u0103g\u0103unile c\u0103ptu\u015fite cu porunci\/ Din veac ne-mplinite\/ Cu aripi de ghips \u00een\u0163epenite\/ \u00cen f\u00e2nt\u00e2nile uscate demult\u201d (pag.19) \u015fi, probabil, cu totul \u00eendep\u0103rtat de crea\u0163ia sa, poetului orb nu-i r\u0103m\u00e2ne dec\u00e2t retragerea din lume, pustnicia, medita\u0163ia amar\u0103, cufundarea \u00een sine: \u201eE singur pe drum \u015fi pe lume Neum\/ Poetul profetul Neum [&#8230;] Ochii str\u0103pun\u015fi de zeci de l\u0103nci\/ Furibunde\/ Se-ntorc \u00een sine\/ Unde nu e nici r\u0103u nici bine\/ Unde nu-i nimica a face\/ Zeii mor \u015fi roata timpului zace\u201d (pag. 20).<br \/>\nDac\u0103 \u00een C\u00e2ntul III, poetul orb devine \u201et\u0103lm\u0103citor de taine bun\u201d, de o v\u00e2rst\u0103 cu misterul primordial, martor al nelini\u015ftitelor semne de \u00eentrebare, al zbaterii \u00eentre fiin\u0163\u0103 \u015fi nefiin\u0163\u0103, \u00eentre moarte \u015fi rena\u015ftere, dar \u015fi intermediar \u00eentre Creator \u015fi lumea creat\u0103 de el, \u00een C\u00e2ntul IV apare \u00een ipostaz\u0103 de erou civilizator: \u201eC\u00e2nd de pitecantropi s-a desprins\/ Neum a primit o zeiasc\u0103 povar\u0103\/ S-adoarm\u0103-ntr-o grot\u0103 de smoal\u0103\/ \u015ei s\u0103 se trezeasc\u0103 \u00een vis\u201d (pag.27), obligat \u201eprin labirintul neumei\/ \u015ei ale vii inimii sale\/ [s\u0103] Taie mul\u0163imilor cale\u201d. Numai c\u0103 norodul \u201eB\u0103tea c\u0103r\u0103ri f\u0103r\u0103 zare \u015fi rod\u201d, \u201epuhoaiele necititoare\u201d dovedindu-se, iar \u015fi iar, incapabile s\u0103-\u015fi dep\u0103\u015feasc\u0103 condi\u0163ia umil\u0103. Poetul-duh, poetul-profet, poetul \u201ec\u0103lare pe un cuv\u00e2nt\u201d strig\u0103 \u00een pustiu, agit\u00e2ndu-\u015fi toiagul: \u201eSemnele lor de primejdie \u015fi spaim\u0103\/ Se ridicau \u00een v\u0103zduh \u015fi picau neauzite-napoi\/ \u015ei mureau \u00een praful uli\u0163ei sau \u00een noroi\u201d (pag. 29).<br \/>\nC\u00e2ntul V seam\u0103n\u0103 cel mai mult cu \u201eParadisul pierdut\u201d al lui Milton: \u00eenvin\u015fi de Creator, \u00eengerii cad pe p\u0103m\u00e2nt \u015fi, departe de a-\u015fi suporta \u00eentr-o ve\u015fnicie de lacrimi pedeapsa, \u00ee\u015fi alc\u0103tuiesc, sfid\u0103tori, un paradis \u00een ad\u00e2ncuri, oglind\u0103 fals\u0103 a celui pierdut. Poetul unic Neum, cel care viseaz\u0103 lumea \u015fi vrea s\u0103-\u015fi transforme visul \u00een realitate, apare aici \u00een ipostaz\u0103 de arhanghel c\u0103zut: \u201eDou\u0103 coarne de domn\/ Pip\u0103ie-n somn\/ Muchia Ne\u015ftiutului \u015fi cresc\/ Dou\u0103 mandibule ivite\/ Din firul antenelor r\u0103sucite\/ \u00cen culori de pucioas\u0103 \u015fi scrum\/ Sub fruntea poetului unic Neum\u201d (pag. 31) \u015fi \u00eencearc\u0103 s\u0103 potoleasc\u0103 foamea de aur \u015fi bog\u0103\u0163ii a lumii: \u201eMu\u015fc\u0103 din piatr\u0103 \u015fi piatra pe loc\/ Se transform\u0103 \u00een floare de foc\/ \u00cen safire rubine smaralde\/ \u015ei poetul porni s\u0103 se scalde\/ \u00cen bucuria de a da de a da de a da\/ La fiecare c\u00e2te ceva\u201d. Generozitatea darurilor ar trebui s\u0103 devin\u0103 un model dup\u0103 care s\u0103 se ghideze umanitatea, dar, lacomi \u015fi \u00eengr\u0103m\u0103di\u0163i puhoi la poman\u0103, oamenii nu \u00een\u0163eleg noble\u0163ea gestului pe care-l face poetul: \u201eTo\u0163i primeau daruri str\u0103lucitoare\/ Din buzunarul poetului darnic \u015fi mare\/ C\u0103-ncepur\u0103 apoi s\u0103-i sar\u0103 la g\u00e2t\/ <<Adic\u0103 cum boierule numai at\u00e2t?>>\u201d (pag. 33).<br \/>\nPoetul orb al lui Daniel Dr\u0103gan, capabil de efort sisific, construie\u015fte lumi, le las\u0103 s\u0103 se pr\u0103bu\u015feasc\u0103 \u015fi le reconstruie\u015fte, \u00een speran\u0163a c\u0103 va ajunge, \u00een finalul epopeii sale onirice, la o variant\u0103 acceptabil\u0103 de umanitate; \u00een cele din urm\u0103, \u00eens\u0103, \u00een\u0163elege c\u0103 \u00eentre lumea ideal\u0103\/ arhetipal\u0103 \u015fi lumea copiilor imperfecte nu poate exista potrivirea pe care o viseaz\u0103 el \u015fi se retrage, \u00eenc\u0103 o dat\u0103, \u00een sine: \u201e\u00centoars\u0103 \u00een\u0103untru de sine\/ Lumea-n oglind\u0103 zice c\u0103-i bine\/ A\u015fa cum nu fusese mereu\/ \u015ei cum ar fi z\u0103mislit-o Dumnezeu\u201d (pag. 42). Somnul din C\u00e2ntul VII, dup\u0103 \u201ecosmogonic efort\u201d este, mai degrab\u0103, al unui Iov \u00eemp\u0103cat cu propria mizerie \u015fi neputin\u0163\u0103: \u201eGeme poetul \u015fi se-ntoarse pe-o parte\/ Trage pe cap o neagr\u0103 cagul\u0103\/ Tremur\u0103 \u015fi pune pe el\/ Plapuma rece a s\u0103r\u0103ciei.\/ Geme tremur\u0103 geme\/ Printre cioburi risipite poeme\/ \u015ei-ncepe s\u0103 sfor\u0103ie bl\u00e2nd\u201d (pag. 45).<br \/>\nFirul narativ al poemului se tope\u015fte \u00een \u0163es\u0103tura liric\u0103 dens\u0103, limbajul metaforic oblig\u00e2nd la o lectur\u0103 \u00een mai multe chei. Poetul orb nu c\u00e2nt\u0103, asemenea lui Homer, \u00eent\u00e2mpl\u0103ri eroice, a c\u0103ror desf\u0103\u015furare depinde de capriciul zeilor; succesiunea de tablouri din visul lui Neum este menit\u0103 s\u0103 sugereze o lupt\u0103 f\u0103r\u0103 sens cu \u00eenc\u0103p\u0103\u0163\u00e2narea lumii noastre, cu iresponsabila ei pornire spre jaf, m\u0103cel, batjocur\u0103 \u015fi autodistrugere. \u00cen final, nu e de mirare c\u0103 \u00eensu\u015fi logosul \u00ee\u015fi pierde puterea ziditoare, aduc\u00e2nd nu lumina \u015fi via\u0163a, ci \u00eentunericul, vidul, moartea: \u201e&#8230;Ca resturile unei o\u015ftiri risipite\/ Ce nu mai \u015ftie\/ De unde vine\/ Unde se duce\/ Cuvintele alearg\u0103 n\u0103uce\/ Pe c\u00e2mpia s\u00e2ngerat\u0103 a pierzaniei\u201d (pag. 63). <\/p>\n<p><strong><br \/>\n            Dumitru Pan\u0103<\/strong><br \/>\n<a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/pana.jpg\" data-rel=\"lightbox-image-3\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/pana-215x300.jpg\" alt=\"\" width=\"215\" height=\"300\" class=\"alignnone size-medium wp-image-11074 lazyload\" data-srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/pana-215x300.jpg 215w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/pana.jpg 309w\" data-sizes=\"(max-width: 215px) 100vw, 215px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 215px; --smush-placeholder-aspect-ratio: 215\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/pana-215x300.jpg\" alt=\"\" width=\"215\" height=\"300\" class=\"alignnone size-medium wp-image-11074\" srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/pana-215x300.jpg 215w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/pana.jpg 309w\" sizes=\"(max-width: 215px) 100vw, 215px\" \/><\/noscript><\/a><\/p>\n<p><strong>Athlos<\/strong><\/p>\n<p>atletul urc\u0103 la start. odihna-i sf\u00e2r\u015fit\u0103.<br \/>\nsf\u00e2r\u015fit \u015fi efortul preg\u0103titor. acum<br \/>\nc\u0103 totu-i sf\u00e2r\u015fit trebuie s\u0103-nving\u0103.<br \/>\nnu mai are-amintiri. numai cli-<br \/>\npa de-acum. clipa de-acum<br \/>\nexplodeaz\u0103-n tot ce va fi.<\/p>\n<p>viitorul nu-i fini\u015f. e limita.<br \/>\nd\u0103ruit-concentrat<br \/>\nnu poate sc\u0103pa de g\u00e2ndul atroce.<\/p>\n<p>\u015fi-n miezul efortului roade nimicul atletic.<\/p>\n<p><strong><br \/>\nElementele (threnos)<\/strong><\/p>\n<p>nu-i ap\u0103 c\u00e2t s\u0103 m\u0103-nceap\u0103<br \/>\nnu-i aer prec\u00e2t m\u0103 vaier<br \/>\nn-am destul foc s-o iau din loc<br \/>\nnu-i p\u0103m\u00e2nt prec\u00e2t sunt<\/p>\n<p><strong><br \/>\nBiata nud<\/strong><\/p>\n<p>la cafenea un pictor picteaz\u0103 un nud<br \/>\n\u015fi-l rateaz\u0103. un altul picteaz\u0103 nudul<br \/>\n\u015fi dore\u015fte modelul. al treilea picteaz\u0103<br \/>\nnudul \u015fi dore\u015fte chiar nudul pictat.<\/p>\n<p>nici unul nu picteaz\u0103 pur \u015fi simplu<br \/>\nun nud<\/p>\n<p>\u00eentr-un col\u0163 st\u0103 pictorul care se teme<br \/>\n\u015fi picteaz\u0103 nudul<\/p>\n<p><strong><br \/>\nAna Maria<\/strong><\/p>\n<p>Ana Maria nume f\u0103r\u0103 cusur<br \/>\nnume-ecou. ce bine c\u0103 e\u015fti mai mult<br \/>\ndec\u00e2t un vers diafan. ieri m\u0103 lingu\u015feai<br \/>\ncu un vers al meu \u2013 suflet bun<br \/>\nnum \u0103 la\u015fi s\u0103 pier prea cur\u00e2nd \u00een uitare.<br \/>\nerai trist\u0103 azi la telefon pentru c\u0103<br \/>\naflase\u015fi c\u0103 nu<\/p>\n<p>Ana Maria m\u00e2ine vie mai fi<br \/>\nfata din vis?<\/p>\n<p><strong><br \/>\nLakonika<\/strong><\/p>\n<p>*<br \/>\naprind focul \u00een vatr\u0103 \u015fi<br \/>\nsingur\u0103tatea se ad\u00e2nce\u015fte<\/p>\n<p>*<br \/>\nsingur la foc \u2013<br \/>\ntoamn\u0103 \u00een g\u00e2nduri \u2013<br \/>\ncopilul departe<\/p>\n<p>*<br \/>\ns\u0103 citesc<br \/>\ns\u0103 scriu<br \/>\ns\u0103 simt c\u0103 sunt viu<\/p>\n<p>*<br \/>\ntrupul t\u0103u gol<br \/>\n\u00een vers alb<br \/>\npoezie concret\u0103<\/p>\n<p>*<br \/>\nlun\u0103 plin\u0103 \u00een crucea nop\u0163ii \u2013<br \/>\nmiros de dup\u0103 ploaie \u2013<br \/>\ncopilul tot departe.<\/p>\n<p><strong><br \/>\n  Camelia Manuela SAVA<\/strong><br \/>\n<a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/12\/cami-sava-3.jpg\" data-rel=\"lightbox-image-4\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/12\/cami-sava-3.jpg\" alt=\"\" width=\"160\" height=\"160\" class=\"alignnone size-full wp-image-12695 lazyload\" data-srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/12\/cami-sava-3.jpg 160w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/12\/cami-sava-3-150x150.jpg 150w\" data-sizes=\"(max-width: 160px) 100vw, 160px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 160px; --smush-placeholder-aspect-ratio: 160\/160;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/12\/cami-sava-3.jpg\" alt=\"\" width=\"160\" height=\"160\" class=\"alignnone size-full wp-image-12695\" srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/12\/cami-sava-3.jpg 160w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/12\/cami-sava-3-150x150.jpg 150w\" sizes=\"(max-width: 160px) 100vw, 160px\" \/><\/noscript><\/a><\/p>\n<p><strong>Parfumul amintirilor: Valeriu Anania, un \u201epatriarh\u201d printre scriitori<\/strong><\/p>\n<p>De cur\u00e2nd s-a stins, plec\u00e2nd dintre noi \u015fi intr\u00e2nd, poate, pe poarta Raiului, \u00cenaltpreasfin\u0163ia Sa, Bartolomeu Anania, Mitropolitul Clujului, Albei Cri\u015fanei \u015fi Maramure\u015fului, de la moartea sa \u00eemplinindu-se doi ani \u00een ianuarie, anul acesta. La v\u00e2rsta venerabil\u0103 pe care o avea (ar fi \u00eemplinit \u00een martie anul curent 92 de ani), Sfin\u0163ia Sa era una dintre figurile cele mai importante ale Bisericii Ortodoxe Rom\u00e2ne, remarc\u00e2ndu-se prin dragostea sa fa\u0163\u0103 de Dumnezeu, senin\u0103tate, \u00een\u0163elepciune, apropierea de oameni \u015fi dragostea de \u0163ar\u0103, de p\u0103m\u00e2ntul rom\u00e2nesc. Spiritul s\u0103u bl\u00e2nd, ochii expresivi, vocea cald\u0103, p\u0103rinteasc\u0103 te impresionau ad\u00e2nc, a\u015fa cum pu\u0163ini ierarhi ai bisericii ar fi putut s\u0103 o fac\u0103.<br \/>\nN\u0103scut \u00eentr-un sat din Oltenia, pe numele s\u0103u de mirean Valeriu Anania, a avut o via\u0163\u0103 tumultuoas\u0103, dar bogat\u0103 spiritual. \u00cenzestrat suflete\u015fte cu sensibilitatea \u015fi umilin\u0163a celor ale\u015fi, va urma Seminarul Central din Bucure\u015fti (1933-1941), aleg\u00e2ndu-\u015fi s\u0103 intre \u00een tagma preo\u0163easc\u0103, c\u0103lug\u0103rindu-se din chemarea l\u0103untric\u0103 de a fi mai aproape de Dumnezeu: la 2 februarie 1942 intr\u0103 \u00een monahism la M\u0103n\u0103stirea Antim din Bucure\u015fti primind numele Bartolomeu, iar la 15 februarie, acela\u015fi an, va fi hirotonit ierodiacon, va fi apoi ierodiacon la m\u0103n\u0103stirile Polovragi \u015fi Baia de Arie\u015f.<br \/>\nVa \u00eencepe s\u0103 scrie versuri \u00eenc\u0103 de la v\u00e2rst\u0103 fraged\u0103, debut\u00e2nd \u00een 1935 cu versurile \u201eP\u0103m\u00e2nt \u015fi cer\u201d \u00een revista teologic\u0103 \u201eOrtodoxia\u201d, colabor\u00e2nd de-a lungul vremii la diferite reviste de teologie: \u201eBiserica Ortodox\u0103 Rom\u00e2n\u0103\u201d, \u201eStudii Teologice\u201d, \u201eMitropolia Olteniei\u201d, \u201eGlasul Bisericii\u201d, \u201eTelegraful Rom\u00e2n\u201d, \u201eRena\u015fterea\u201d, \u201eCandela Moldovei\u201d.<br \/>\nPublicistic, va debuta \u00een 1937 \u00een revista \u201eVremea\u201d cu articolul \u201eCamaradul Anton\u201d, colabor\u00e2nd \u015fi la alte reviste de cultur\u0103: \u201eDacia rediviva\u201d (pe care o \u00eenfiin\u0163ase cu \u00eenc\u0103 doi colegi), \u201eConvorbiri literare\u201d, \u201eGazeta literar\u0103\u201d, \u201eG\u00e2ndirea\u201d, \u201eTribuna\u201d, \u201eLuceaf\u0103rul\u201d, \u201eMagazin istoric\u201d, \u201eSteaua\u201d, \u015f.a.<br \/>\nSe face cunoscut \u00een dramaturgie cu piese radiofonice, unele nepublicate ca: \u201eJocul fulgilor\u201d (1938), \u201eLa furc\u0103rie\u201d(1939), \u201eDochia\u201d (1940) \u015fi mult mai t\u00e2rziu public\u0103 piese de teatru mult mai valoroase cum ar fi: \u201eMiori\u0163a\u201d (1967), \u201eMe\u015fterul Manole\u201d (1968), \u201eDu-te vreme, vino vreme!\u201d (1969) sau \u201eSteaua Zimbrului\u201d (1971). Public\u0103 volume de versuri ca: \u201eP\u0103h\u0103relul  cu nectar\u201d (1969), \u201eFile de acatist\u201d (1976), \u201eAnamneze\u201d (1984).<br \/>\nSe remarc\u0103 prin activitatea sa intens\u0103 pus\u0103 \u00een slujba Bisericii c\u0103reia \u015fi-a \u00eenchinat \u00eentreaga via\u0163\u0103, cu os\u00e2rdie, cu bucurie \u015fi tenacitate.<br \/>\nPremiile \u015fi distinc\u0163iile ce i-au f\u0103cut mare onoare au fost doar o simpl\u0103 recunoa\u015ftere a meritelor sale, el murind cu sufletul \u00eemp\u0103cat c\u0103 a f\u0103cut tot ce a putut pentru biseric\u0103 \u015fi pentru oamenii pe care i-a iubit \u015fi p\u0103storit cu mare aplecare sufleteasc\u0103, c\u0103 a f\u0103cut tot ce a putut pentru \u0163ara sa, trudind \u00een spiritul credin\u0163ei str\u0103mo\u015fe\u015fti.<br \/>\nDintre toate calit\u0103\u0163ile personalit\u0103\u0163ii sale caleidoscopice am ales s\u0103 scriu despre cea de memorialist \u015fi m\u0103 socotesc fericit\u0103 \u015fi norocoas\u0103, fiindc\u0103 pentru un scurt r\u0103gaz ce l-am tr\u0103it \u00een acela\u015fi timp, am putut fi contemporan cu Sfin\u0163ia Sa, fiind impresionat\u0103 profund de cur\u0103\u0163enia sufleteasc\u0103, de t\u0103ria de care a dat dovad\u0103 \u00een fa\u0163a mor\u0163ii, sf\u00e2r\u015fitul implacabil primindu-l \u00eemp\u0103cat.<br \/>\nAstfel, volumul de memorii la care voi face referire este \u201eRotonda plopilor aprin\u015fi\u201d, ap\u0103rut pentru prima dat\u0103 \u00een 1983 la Cartea Rom\u00e2neasc\u0103, \u00een Bucure\u015fti, a doua edi\u0163ie dateaz\u0103 din 1995 la Editura Florile Dalbe \u015fi, \u00een final, reeditat\u0103 la Polirom \u00een 2009, cu o prefa\u0163\u0103 semnat\u0103 de criticul Dan C. Mih\u0103ilescu.<br \/>\nPrin intermediul amintirii \u015fi al scrisului, Valeriu Anania se \u00eentoarce \u00een timp pentru a vorbi despre cei care i-au marcat tinere\u0163ea, contribuind din plin la formarea sa ca om, ca spirit: Tudor Arghezi, p\u0103rintele Gala Galaction, Anton Holban, profesorul s\u0103u de la Seminar, Victor Papilian, poe\u0163ii Lucian Blaga \u015fi Vasile Voiculescu, dramaturgul Ion Luca, dar \u015fi scriitorul Marin Preda.<br \/>\nPrimul pe care \u00eel evoc\u0103 cu sensibilitate \u015fi dragoste de ucenic \u00eentr-ale cuvintelor este poetul Tudor Arghezi. Apropierea sa de Arghezi se transform\u0103 \u00eentr-o prietenie trainic\u0103 ce dureaz\u0103 mai bine de dou\u0103 decenii, p\u00e2n\u0103 la moartea poetului de la M\u0103r\u0163i\u015for. O poezie publicat\u0103 de t\u00e2n\u0103rul Anania \u00eei atrage aten\u0163ia bardului, dar acesta este motivul exterior, \u00eent\u00e2mpl\u0103tor, care \u00eei aduce \u00eempreun\u0103, c\u0103ci t\u00e2n\u0103rul \u00eenv\u0103\u0163\u0103cel c\u0103uta s\u0103-l cunoasc\u0103, admi\u0163\u00e2nd c\u0103 mistuise \u201etoate c\u0103r\u0163ile apostatului\u201d (a\u015fa era numit Arghezi \u00een anii \u201940), ceea ce \u00eel face s\u0103 \u00ee\u015fi doreasc\u0103 foarte mult cuno\u015ftin\u0163a marelui maestru. M\u0103rturisire franc\u0103: \u201eM\u0103 \u00eemprietenisem cu poezia lui prin a fi \u00eenceput s-o resping.\u201d, cade ast\u0103zi greu, ca o sentin\u0163\u0103. \u00cent\u00e2mplarea face ca lui Arghezi s\u0103-i cad\u0103 sub ochi versurile semnate de Anania \u015fi un prieten comun, profesorul de matematic\u0103 al copiilor poetului, \u00eel aduce pe t\u00e2n\u0103rul aspirant \u00een casa de la M\u0103r\u0163i\u015for, iar prietenia lor trainic\u0103 se leag\u0103 tot mai mult \u015fi mai mult, se transform\u0103 \u00eentr-o dragoste reciproc\u0103, cresc\u00e2nd \u201epe ni\u015fte temeiuri suflete\u015fti \u00een care literatura se implica adiacent\u201d. De aceea, memorialistul \u00ee\u015fi exprim\u0103 pre\u0163uirea, folosind cuvinte alese, din suflet, ca s\u0103-i r\u0103spl\u0103teasc\u0103 marelui Arghezi tot ce i-a d\u0103ruit de-a lungul timpului: \u201eArghezi m-a iubit a\u015fa cum eram, cu toate ale mele, chiar c\u00e2nd a \u015ftiut c\u0103 nu-i merit dragostea. Mai t\u00e2n\u0103r dec\u00e2t el cu peste patruzeci de ani, dar tot at\u00e2t de temperamental cum fusese \u015fi el la v\u00e2rsta pe care o aveam eu, i-am deschis uneori r\u0103ni, l-am provocat la explica\u0163ii severe, l-am judecat cu brutalitate. El, \u00eens\u0103, mi-a r\u0103spuns, \u00eentotdeauna cu o ging\u0103\u015fie care m\u0103 dezarma, restituindu-m\u0103 st\u0103rii de umilin\u0163\u0103 l\u0103untric\u0103\u2026\u201d (p.25).<br \/>\nPersonalitatea controversat\u0103 a lui Tudor Arghezi adun\u0103 contrastele cele mai pitore\u015fti pe care p\u0103rintele Anania le accept\u0103 \u015fi le ia a\u015fa cum sunt: \u201echilia lui, atelier simplu de tot \u015fi modest\u201d, \u201evorbea foarte rar \u015fi foarte pu\u0163in de experien\u0163a lui scriitoriceasc\u0103 intim\u0103. Provocat, ocolea subiectul, \u00eei era parc\u0103 ru\u015fine, ca unui copil constr\u00e2ns s\u0103 spun\u0103 ce a furat\u201d.<br \/>\nIronia fin\u0103, spiritul critic, pamfletar este eviden\u0163iat \u00een c\u00e2teva tu\u015fe, \u00een c\u00e2teva episoade remarcabile: c\u00e2nd este arestat \u015fi dus de la gara T\u00e2rgu-Jiu spre lag\u0103r, trec\u00e2nd prin fa\u0163a statuii lui Tudor Vladimirescu, Arghezi salut\u0103, iar ofi\u0163erul ce \u00eel escorteaz\u0103 \u00eel \u00eentreab\u0103 mirat cu cine s-a salutat, nev\u0103z\u00e2nd pe nimeni \u00een preajm\u0103; r\u0103spunsul poetului vine prompt:<br \/>\n\u201e- Cu un str\u0103mo\u015f al meu\u2026\u201d.<br \/>\nPentru opera lui Liviu Rebreanu nu prea are mare considera\u0163ie, apreciind c\u0103 scriitorul ardelean nu \u015ftie s\u0103 scrie; de\u015fi nu citise toat\u0103 opera lui Rebreanu, se rezumase doar la un fragment, motiva\u0163ia este foarte acid\u0103, t\u0103ind \u00een carne vie ca vitriolul:<br \/>\n\u201e \u2013 Dragul meu, dac\u0103 m\u0103 dus la pia\u0163\u0103 \u015fi vreau s\u0103 cump\u0103r un burduf de br\u00e2nz\u0103, nu am nevoie s\u0103 m\u0103n\u00e2nc tot burduful spre a m\u0103 convinge c\u0103 br\u00e2nza e bun\u0103 sau nu. Scot un dop, gust \u015fi zic: e bun\u0103 sau nu e bun\u0103. \u0162i-am spus c\u0103 Rebreanu nu \u015ftie s\u0103 scrie\u2026\u201d.<br \/>\nAstfel, la v\u00e2rsta senectu\u0163ii (Arghezi avea peste 80 de ani), \u201eomule\u0163ul scurt \u015fi plinu\u0163, cu rame groase la ochelari\u201d nu-\u015fi \u00eenfr\u00e2neaz\u0103 niciodat\u0103 limba ascu\u0163it\u0103, nefiind \u00een stare s\u0103-\u015fi \u201estruneasc\u0103 z\u0103bala\u201d, iritat, va r\u0103spunde pe un ton nepoliticos atunci c\u00e2nd este provocat:<br \/>\n\u201e \u2013 Dragul meu, s-a iritat el, mi se repro\u015feaz\u0103 c\u0103 sunt trivial, dar nimeni nu \u00een\u0163elege c\u0103 la aceasta m\u0103 oblig\u0103 balcanicii \u00een mijlocul c\u0103rora tr\u0103im. B\u0103d\u0103ranul s-a coco\u0163at pe post de ministru \u015fi r\u0103m\u00e2ne nesim\u0163itor la vorba sub\u0163ire. El nu te pricepe dec\u00e2t dac\u0103-l \u00eenjuri de mam\u0103 \u015fi-l  m\u00e2nje\u015fti cu c\u2026 de sus p\u00e2n\u0103 jos\u2026\u201d.<br \/>\nMeritul lui Valeriu Anania este acela c\u0103 a p\u0103truns \u00een tainele suflete\u015fti ale lui Tudor Arghezi, at\u00e2t c\u00e2t i s-a permis, marele poet l\u0103s\u00e2ndu-se citit de micul s\u0103u discipol \u00eentr-ale poeziei, astfel \u00eenc\u00e2t l-a \u00eencurajat \u00een permanen\u0163\u0103 pe mai t\u00e2n\u0103rul s\u0103u confrate din lumea cuv\u00e2ntului, prefa\u0163\u00e2ndu-i \u015fi poemul Miori\u0163a: \u201eLui Arghezi \u00eei datorez, cu ve\u015fnic\u0103 recuno\u015ftin\u0163\u0103, debutul meu editorial.\u201d<br \/>\nCapitolul pe care \u00eel adaug\u0103 \u00een edi\u0163ia de la Polirom este scris dup\u0103 dou\u0103zeci de ani de la apari\u0163ia primei edi\u0163ii a Rotondei \u015fi subliniaz\u0103 spiritul altruist al lui Arghezi care p\u0103strase un geamantan cu acte ale unui medic (dr. Veselovschi) ce va fi arestat \u00eempreun\u0103 cu Valeriu Anania, la Aiud. Motivul arest\u0103rii p\u0103rintelui Anania fusese tocmai acel geamantan, preluat de la Arghezi \u015fi trimis mai departe stare\u0163ului  Veniamin de la m\u0103n\u0103stirea Polovragi. Tr\u0103g\u00e2nd dup\u0103 sine \u201ep\u0103cate mai vechi\u201d sub regimul de teroare care tocmai se n\u0103\u015ftea (mai fusese ridicat \u015fi arestat de Securitate \u015fi abia a\u015fteptau s\u0103 g\u0103seasc\u0103 un motiv c\u00e2t de insignifiant), va fi condamnat la 25 de ani, Anania \u00eel \u00eencredin\u0163eaz\u0103 \u00eens\u0103 acum pe posesorul valizei, coleg de \u00eenchisoare cu el, c\u0103 oricum, mai devreme sau mai t\u00e2rziu tot l-ar fi luat.<br \/>\n\u00cen Prefa\u0163a sa (la aceast\u0103 a treia edi\u0163ie),  Dan C. Mih\u0103ilescu surprinde \u00een c\u00e2teva linii \u201eo caracteristic\u0103 a evocativului p\u0103rintelui Bartolomeu\u201d: \u201escrisul \u00ab\u00een ghicitur\u0103\u00bb. Savoarea piezi\u015fului, cultivarea gestului parabolic, a formulei multietajate.\u201d(p.18).<br \/>\nTot un artist al cuv\u00e2ntului este \u015fi Anton Holban ce i-a fost profesor lui Valeriu Anania la Seminarul Central din Bucure\u015fti: \u201ef\u0103r\u0103 catalog, cu m\u00e2inile dep\u0103rtate de corp, cu degetele \u00eentinse, cu p\u0103rul zburlit, neglijat, spun\u00e2nd obi\u015fnuitul bonjur, c\u00e2te o glum\u0103 sau c\u00e2te un spirit de bun-gust.\u201d<br \/>\nAmintirile legate de profesorul s\u0103u ateu -\u201eneprogramatic \u015fi lipsit de ostenta\u0163ie\u201d &#8211; tolerat de directorii de la seminar tocmai pentru talentul s\u0103u literar (era o m\u00e2ndrie s\u0103 \u00eel aib\u0103 \u00een cadrul colectivului didactic, \u00een \u015fez\u0103torile literare etc.), constau \u00een c\u00e2teva scene \u015fi episoade ce r\u0103m\u00e2n remarcabile: dragostea ce le-o insufla elevilor pentru citit, pentru c\u0103r\u0163i (au f\u0103cut o bibliotec\u0103 a clasei din micile lor economii \u015fi aveau reducere la libr\u0103rie dac\u0103 se duceau cu grupul s\u0103 cumpere noile apari\u0163ii), \u00eei motiva cu note mari, cu laude sau, din contr\u0103, cu persifl\u0103ri, \u00eei punea s\u0103 se \u00eentreac\u0103 pe ei \u00een\u015fi\u015fi prin compunerile pe care le d\u0103dea, le aducea el \u00eensu\u015fi reviste interzise \u00een \u015fcoal\u0103 (\u201eV-am adus o Vreme\u201d), rememor\u00e2nd cu drag apelativele pe care le folosea profesorul c\u00e2nd se adresa elevilor s\u0103i, ace\u015ftia fiindu-i \u201ecamarazi\u201dsau \u201eprieteni\u201d. P\u0103rintele Anania subliniaz\u0103 \u00een acest context c\u0103 numele profesorului s\u0103u se transformase \u00een renume, \u201ecalitatea profesorului era dublat\u0103 de reputa\u0163ia scriitorului\u201d, bucur\u00e2ndu-se \u00een acela\u015fi timp de admira\u0163ia directorului Seminarului, Petre Partenie ce nu pierdea nicio ocazie s\u0103-l laude pe Holban.<br \/>\nApropierea dintre cei doi\u2013\u00eenv\u0103\u0163\u0103celul seminarist cu talent de poet \u00een devenire \u015fi scriitorul consacrat\u2013are un sf\u00e2r\u015fit nea\u015fteptat, fiindc\u0103 \u00een clasa a patra, profesorul se \u00eemboln\u0103ve\u015fte, lipse\u015fte tot mai des de la cursuri \u015fi, \u00een final, apare ca un fior vestea c\u0103 Anton Holban nu mai este. Ultima imagine legat\u0103 de marele scriitor pe care o p\u0103streaz\u0103 \u00een str\u0103fundul sufletului s\u0103u p\u0103rintele Anania este cea a inciner\u0103rii corpului defunctului, la care asist\u0103 \u201eca un prieten p\u0103r\u0103sit\u201d. La crematoriul Cenu\u015fa scena final\u0103 aminte\u015fte de cele ale lui Tudor Arghezi din romanul s\u0103u celebru Cimitirul Buna-Vestire: \u201e\u2026am \u00eeng\u0103duin\u0163a s\u0103 m\u0103 uit prin unul din micile ocheane ce-i permiteau privirii s\u0103 p\u0103trund\u0103 \u00een cuptor. Catafalcul cobor\u00e2se. Atunci am b\u0103gat de seam\u0103 c\u0103 sicriul era a\u015fezat pe dou\u0103 lungi \u015fine de metal paralele, legate \u00een urm\u0103 de un c\u0103rucior, cu care a fost \u00eempins spre gura cuptorului (oh, de ce nu pot spune asta cu lini\u015ftea cu care a\u015f spune c\u0103 a fost pogor\u00e2t \u00een morm\u00e2nt!). Nu curiozitatea m-a lipit de unul dintre ocheane, ci dorin\u0163a de a-mi urma dasc\u0103lul p\u00e2n\u0103 la sf\u00e2r\u015fit (privilegiu pe care nu \u0163i-l poate oferi \u00eenhumarea). Nu am rezistat \u00eens\u0103 dec\u00e2t o clip\u0103, at\u00e2t c\u00e2t a fi v\u0103zut un trup ridic\u00e2ndu-se spre picioare, ca un \u015forici pe jeratic. Apoi n-am mai v\u0103zut nimic\u2026\u201d. Le\u015finul care a urmat scenei halucinante nu-l \u00eempiedic\u0103 s\u0103-\u015fi ia r\u0103mas bun de la iubitul s\u0103u profesor c\u0103ruia \u00eei va purta o amintire pioas\u0103 toat\u0103 via\u0163a.<br \/>\nUn alt episod marcant dintre amintirile lui Valeriu Anania este cel al \u00eent\u00e2lnirii cu Victor Papilian, profesor de anatomie de la Facultatea de Medicin\u0103 din Sibiu, \u00eentr-un moment al vie\u0163ii sale c\u00e2nd \u00ee\u015fi dorea foarte mult s\u0103 devin\u0103 \u201edoctor f\u0103r\u0103 de argin\u0163i\u201d, d\u00e2ndu-\u015fi toat\u0103 silin\u0163a s\u0103 acapareze c\u00e2t mai multe cuno\u015ftin\u0163e \u00een domeniu. Profesorul \u00eel va \u00eent\u00e2mpina pe \u00eenv\u0103\u0163\u0103cel \u00een biroul s\u0103u de la Institutul de Anatomie, ridic\u00e2ndu-se dintre \u201evestigii\u201d umane, c\u0103r\u0163i \u015fi microscoape: \u201e\u00cent\u00e2i m-a izbit un miros iute, ca de piatr\u0103 ars\u0103. Apoi am v\u0103zut o \u00eenc\u0103pere vast\u0103, populat\u0103 apocaliptic cu vestigii omene\u015fti, un schelet \u00een picioare, oase risipite pe mese \u015fi dulapuri, tibii, femururi, vertebre, \u0163este, f\u0103lci dezg\u0103rdinate, mulaje \u015fi preparate anatomice, pl\u0103m\u00e2ni despuia\u0163i, intestine de vitrin\u0103, creieri indecen\u0163i, mu\u015fchi arcui\u0163i pe ciolane, negri \u015fi usca\u0163i ca din afum\u0103toare, inimi la borcan, ochi f\u0103r\u0103 orbite. \u00cen fund, o mas\u0103 mare, cu microscop \u015fi c\u0103r\u0163i, din spatele c\u0103reia s-a ridicat profesorul, cu frunte \u00eenalt\u0103 \u015fi p\u0103r s\u0103rac, \u00een halat alb\u201d. Cuv\u00e2ntul de \u00eent\u00e2mpinare este unul neobi\u015fnuit, fiindc\u0103 la salutul viitorului medicinist, r\u0103v\u0103\u015fit de priveli\u015ftea ce i se \u00eenf\u0103\u0163i\u015fa, profesorul r\u0103spunde recit\u00e2ndu-i c\u00e2teva versuri ce-i apar\u0163ineau lui Anania: \u201eM\u0103 joc cu imaginile\/ Ca vremea cu paginile\/ C\u00e2nd \u015fi-ntoarce filele\/ Peste toate zilele\u2026\u201d. Elegan\u0163a \u015fi emo\u0163ia \u00eent\u00e2lnirii constituie un moment irepetabil \u00een via\u0163a celui care va fi un pasager student la medicin\u0103. Anania rememoreaz\u0103 clipele petrecute \u00een compania profesorului, nu uit\u0103 nicicum severitatea acestuia. Camaraderia ce se stabile\u015fte acum \u00eentre cei doi se bazeaz\u0103 oarecum \u015fi pe pasiunea comun\u0103 pentru literatur\u0103, ambii fiind firi meditative, sensibile \u015fi creative. Se \u00eent\u00e2lnesc la \u201ecenaclul\u201d condus de Victor Papilian, \u201evreme de cinci dimine\u0163i consecutive, \u00een doi\u201d, profesorul d\u00e2ndu-i note pentru piesa de teatru pe care Valeriu Anania tocmai o compusese, ca pe urm\u0103 s\u0103 reactiveze de-adev\u0103ratelea cenaclul, mai \u00eent\u00e2i \u00een locuin\u0163a provizorie de la institut, unde Papilian tr\u0103ia cu familia sa, \u015fi s\u0103 se mute apoi \u00een casa protopopului Florea Mure\u015fan, rolul amfitrionului fiind preluat de Eugenia Mure\u015fan, so\u0163ia sa, cea care, ca \u015fi Domni\u0163a Gherghinescu-Vania, fusese considerat\u0103 una dintre muzele lui Lucian Blaga.<br \/>\n\u00cencrederea pe care i-o ar\u0103ta profesorul s\u0103u de anatomie venea din aceast\u0103 leg\u0103tur\u0103 str\u00e2ns\u0103 ce se \u00eenfiripase pe t\u0103r\u00e2m literar \u015fi la finalul vie\u0163ii, pe patul de moarte, Papilian \u00eel va chema pe Anania s\u0103 \u00eei \u00eencredin\u0163eze manuscrisele sale ce cuprindeau piese de teatru, nuvele \u015fi amintiri. \u00cendurerat dup\u0103 dispari\u0163ia acestui om remarcabil, ce i-a fost apropiat \u00eentr-o perioad\u0103 a tinere\u0163ii, a c\u0103ut\u0103rii de sine, Valeriu Anania m\u0103rturise\u015fte aici dragostea lui fa\u0163\u0103 de cel care i-a fost profesor \u015fi mentor.<br \/>\nFa\u0163\u0103 de Lucian Blaga are o admira\u0163ie nespus\u0103, pe c\u00e2nd pe Marin Preda \u00eel urmeaz\u0103 cu o considera\u0163ie fratern\u0103, ambilor curg\u00e2ndu-le s\u00e2nge de oltean prin vene \u015fi deci un spirit pamfletar, autoironic.<br \/>\nCapitolul cel mai interesant este cel \u00een care se face un fel de trecere \u00een revist\u0103\/ o parad\u0103 a \u00eenchisorilor prin care a trecut Anania, pornind de la Malmaison, continu\u00e2nd cu \u00eenchisoarea Cur\u0163ii Mar\u0163iale \u015fi ajung\u00e2nd p\u00e2n\u0103 la temuta Jilava, lag\u0103rul de la Tg. Jiu \u015fi eliberat \u00een 1944 (considerat de atunci legionar fiindc\u0103 participase la  funeraliile fratelui mai mic al lui Corneliu Zelea Codreanu), apoi este descris\u0103 cu lux de am\u0103nunte greva studen\u0163ilor de la Cluj din mai-iunie 1946 \u00een care a avut rolul cel mai \u00eensemnat, fugar prin mun\u0163ii \u0163\u0103rii prin 1947, se pred\u0103 \u015fi este arestat prin 1948, anchetat timp de cinci sau \u015fase luni \u015fi condamnat la 25 de ani de munc\u0103 silnic\u0103, 10 ani de degradare civil\u0103, plus cheltuieli de judecat\u0103, va fi eliberat \u00een august 1964, timp \u00een care a lucrat \u00een memorie piesele de teatru pe care le-a \u015flefuit \u015fi le-a publicat de-a lungul vie\u0163ii.<br \/>\n Tr\u0103ind \u00eentr-o deplin\u0103 armonie cu sine \u015fi cu oamenii, iubind cuv\u00e2ntul lui Dumnezeu \u015fi biserica, aplec\u00e2ndu-se cu migal\u0103 asupra literelor, perfec\u0163ion\u00e2nd forma cuv\u00e2ntului ca s\u0103 ajung\u0103 la nivelul de capodoper\u0103, Valeriu Anania poate fi considerat ast\u0103zi unul dintre cei mai prolifici litera\u0163i, oameni de cultur\u0103 ce provin din r\u00e2ndul capilor bisericii ortodoxe rom\u00e2ne.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Monica MURE\u015eAN XXXIV. Fiecare \u00eencearc\u0103 s\u0103 se descopere &#8211; ca \u015fi cum te mai po\u0163i reinventa dup\u0103 ce un verb<\/p>\n","protected":false},"author":18,"featured_media":10070,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"ngg_post_thumbnail":0,"video_url":"","footnotes":""},"categories":[7,328],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/19930"}],"collection":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=19930"}],"version-history":[{"count":1,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/19930\/revisions"}],"predecessor-version":[{"id":19932,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/19930\/revisions\/19932"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/media\/10070"}],"wp:attachment":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=19930"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=19930"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=19930"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}