{"id":19866,"date":"2022-12-15T19:11:47","date_gmt":"2022-12-15T16:11:47","guid":{"rendered":"https:\/\/ziarulderimnic.ro\/?p=19866"},"modified":"2022-12-16T19:28:08","modified_gmt":"2022-12-16T16:28:08","slug":"spatii-culturale-nr-26-4","status":"publish","type":"post","link":"https:\/\/ziarulderimnic.ro\/?p=19866","title":{"rendered":"Spa\u021bii culturale nr. 26 (4)"},"content":{"rendered":"

LA ANIVERSAR\u0102: RADU C\u00c2RNECI
\n– 85 DE ANI –<\/strong>
\n\"\"

Privighetoarea \u015fi Trandafirul<\/strong>
\n\u2013 la o re-\u00eent\u00e2lnire cu Oscar Wilde \u2013<\/p>\n

\u00cendr\u0103gostit\u0103 Privighetoarea c\u00e2nta
\niar Trandafirul alb o s\u0103ruta:
\nghimpele-I o p\u0103trundea cu dulcea\u0163\u0103
\n\u015fi era-n zori, spre diminea\u0163\u0103
\nc\u00e2nd steaua deasupra ofta, ofta
\n\u015fi-ndr\u0103gostit\u0103 Privighetoarea c\u00e2nta<\/p>\n

(\u201e\u2026 trebuie s\u0103 m\u0103 s\u0103ru\u0163i p\u00e2n\u0103 departe
\npsalmodia, p\u0103trunde-mi a cerului parte
\niat\u0103-mi s\u00e2ngele te \u00eenflore\u015fte-n culoare
\ndulce-i ghimpele t\u0103u, dulce m\u0103 doare
\nah, \u00eemi e\u015fti \u00een a destinului carte
\niubire, s\u0103rut\u0103-m\u0103 p\u00e2n\u0103 la moarte\u2026\u201c<\/p>\n

\u015fi noaptea se topea \u00een ce\u0163oasele stingeri
\n\u2013 uimit\u0103, \u00een aer, o ceat\u0103 de \u00eengeri
\niar Trandafirul p\u00e2n\u0103 \u00een inim\u0103 o p\u0103trundea, o p\u0103trundea
\n\u015fi floarea-i \u00een ro\u015fu se-mpodobea, se-mpodobea!
\n\u201eRegina mea, sf\u00e2nta mea, dar tu s\u00e2ngeri\u2026!\u201d
\n\u015fi zorii piereau \u00een \u015foaptele-I pl\u00e2ngeri\u2026)<\/p>\n

\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026<\/p>\n

\u2026 \u015ei se f\u0103cu ziu\u0103 \u00een a lumii gr\u0103din\u0103
\n\u015fi Trandafirul ro\u015fu, se rotea \u00een lumin\u0103
\nla frumuse\u0163ea-i, cerul se uimea!
\niar \u00een \u0163\u0103r\u00e2n\u0103 Privighetoarea t\u0103cea, t\u0103cea
\nucis\u0103 de iubirea-i vergin\u0103 \u2013
\n\u015ei era prim\u0103var\u0103 \u015fi mult\u0103 lumin\u0103!
\n Foarte mult\u0103 lumin\u0103\u2026
\nV\u00e2n\u0103tor \u00een toamn\u0103\u2026<\/p>\n

\u2026 ce v\u00e2n\u0103tor am fost! \u015fi ce minuni
\npurtam \u00een ta\u015fca bravilor nebuni
\nce se-av\u00e2ntau \u00een codri, ca la nunt\u0103
\necou de corn \u00een zarea lor c\u0103runt\u0103
\n\u015fi c\u00e2ini l\u0103tr\u00e2nd \u015fi fiare! cum s-aduni
\ndin amintiri asemenea minuni!\u2026<\/p>\n

(\u2026 cerboaic\u0103 jun\u0103! bl\u00e2nd\u0103 \u00eenfruntare
\nte-am urm\u0103rit pe-a cerului c\u0103rare
\nmireasma ta m\u0103 \u00eemb\u0103ta cu pre\u0163
\niar s\u00e2ngele, ca lupul, \u00eendr\u0103zne\u0163
\narc se f\u0103cea, s\u0103geat\u0103 arz\u0103toare
\ncerboaic\u0103 m\u00e2ndr\u0103 peste mun\u0163i c\u0103lare!\u2026)<\/p>\n

\u2026 voi fi v\u00e2nat \u015fi eu \u2013 c\u0103ci vreme vine \u2013
\nca tr\u00e2ntorul din casa de-albine
\nc\u00e2nd, c\u0103tre-nalt, regina m\u0103 va cere:
\nce zbor sublim e zborul ce te piere
\nce arme dulci, p\u0103trunderi, sfinte crime:
\nvoi fi v\u00e2nat \u015fi eu, cum se cuvine!\u2026<\/p>\n


\nT\u0103ierea capului<\/strong><\/p>\n

\u2026\u015fi iar\u0103\u015fi n\u0103zuim spre ve\u015fnicie
\n\u015fi iar\u0103\u015fi zarea ta se face ie
\nprivirea-\u0163i se preschimb\u0103 \u00een fereastr\u0103
\n\u015fi iar\u0103\u015fi m\u0103 a\u015ftep\u0163i s\u0103 vin din astr\u0103
\nfemeie-frunz\u0103-floare-fruct m\u0103-mbie
\nca iar\u0103\u015fi s\u0103 intr\u0103m \u00een ve\u015fnicie\u2026<\/p>\n

(\u2026cum te-am g\u00e2ndit \u015fi te-am zidit, nu \u015ftiu
\nplant\u00e2ndu-te \u00een marele-mi pustiu
\nlumin\u0103-n cea\u0163a drumurilor mele;
\nmi-ai potolit pornirile rebele
\np\u0103str\u00e2ndu-m\u0103, r\u0103m\u00e2n \u00een tine viu
\n\u015fi m\u0103 plantezi \u00een marele-\u0163i pustiu\u2026)<\/p>\n

\u2026rob! taie-mi capul, ca la marii sfin\u0163i:
\nr\u0103m\u00e2n credin\u0163a singurei credin\u0163i
\n\u015fi-n pas de umbr\u0103 m\u0103 ivesc pe cale
\n\u015fi intru-n miezul m\u00e2ntuirii tale
\nci lep\u0103d\u00e2nd p\u0103catele-mi dorin\u0163i \u2013
\nrob! taie-mi capul, ca la marii sfin\u0163i!\u2026<\/p>\n


\nFum\u00e2nd pe malul Styxului\u2026<\/strong>
\n\u2013 alt vis \u2013<\/p>\n

\u2026 la Styx, pe mal, de veghe stau fum\u00e2nd:
\ntoate sunt negre (cele care s\u00e2nt!)
\numbre de umbre de la Charon cer
\ns\u0103 le primeasc\u0103-n luntrea-i de mister
\n\u00eemp\u0103r\u0103\u0163ia Hades-ului vr\u00e2nd \u2013
\nla Styx, pe mal, de veghe stau fum\u00e2nd\u2026<\/p>\n

(\u2026 ca-n Dante, \u015firuri vin ai mor\u0163ii sclavi:
\nzdrobi\u0163i cei din r\u0103zboaie, tineri bravi
\ncei ce-au c\u0103zut \u2013 drept\u0103\u0163ii str\u0103juind \u2013
\ncei r\u0103stigni\u0163i \u015fi cei pl\u0103ti\u0163i cu-argint
\ncei mul\u0163i \u015fi pro\u015fti, \u015fi filosofii gravi
\nca-n Dante, \u015firuri trec ai mor\u0163ii sclavi\u2026)<\/p>\n

\u2026 da! Charon m\u0103 a\u015fteapt\u0103 zi de zi
\nci eu mai puf\u0103i \u2013 bine-i a tr\u0103i
\nchiar c\u00e2nd e\u015fti mort! am \u00eenv\u0103\u0163at s-a\u015ftept
\n\u2013 f\u0103r\u0103-de-timp e Timpul \u00een\u0163elept! \u2013
\nmilenii str\u00e2ng \u2013 orbitele mi-s vii \u2013
\niar Charon m\u0103 a\u015fteapt\u0103 zi de zi\u2026<\/p>\n


\nCuvinte \u00een dar…<\/strong><\/p>\n

Leo BUTNARU<\/strong>
\n\"\"

SALUT<\/strong><\/p>\n

Iarn\u0103 grea.
\nO zi
\nsau alta din ea
\nsau poate o noapte \u00een care
\npo\u0163i sau nu citi (de fapt
\n\u00een atare iarn\u0103 s-ar potrivi
\nprecum \u00een cele \u00eempastelate de Alecsandri)
\npoemul Moartea lupului de Vigny
\n\u00een t\u0103lm\u0103cirea colegului Radu C\u00e2rneci (probabil
\npretutindeni pe continentele lumii
\nurletele lupilor sunt acelea\u015fi \u2013 ei
\nnu au nevoie de urletengleza interetnic\u0103
\ninternetic\u0103
\n\u015fi nici de t\u0103lm\u0103citori).
\nPo\u0163i sau nu citi
\npoemul despre pieirea lupului
\nde Vigny
\npentru c\u0103 m\u0103 rog
\nc\u00e2\u0163i lupi s\u0103 mai fi r\u0103mas? \u2013 ia
\ncam c\u00e2\u0163i cititori \u2013 pu\u0163ini\u2026 \u2013 \u00eenc\u00e2t substantivul
\nlup
\nca \u015fi cum ar devenit: nu-p
\nadic\u0103 nega\u0163ie
\nde proprie albastrositua\u0163ie
\niar contaminarea nulup \u0163ine bine\u00een\u0163eles
\nde trecut.
\nAstfel c\u0103 \u00een aceste zile reci
\nde cite\u015fti sau nu poemul cu nu-p
\ne bine totu\u015fi barem s\u0103-l salu\u0163i
\npe distinsul domn C\u00e2rneci
\nRadu-u-u\u2026 \u2013 ceea ce o \u015fi face
\nu\u015for onomatopeic
\nButnaru-u-u\u2026<\/p>\n


\nIon BELDEANU<\/strong>
\n\"\"

Cuvinte despre Radu C\u00e2rneci<\/strong><\/p>\n

Prea pu\u0163ini dintre comentatorii lui Radu C\u00e2rneci amintesc de Valea lui Lalu, nimic altceva dec\u00e2t semnul generos al \u00eenceputului s\u0103u biografic. Altfel spus, Radu C\u00e2rneci s-a n\u0103scut \u00een Valea lui Lalu din \u0162inutul Buz\u0103ului, de\u015fi r\u0103m\u00e2ne pentru totdeauna legat de Bac\u0103u \u015fi de plaiurile de acolo.
\n\u00cemi place s\u0103 plec de aici, de la aceast\u0103 misterioas\u0103 alc\u0103tuire de cuvinte, ce reprezint\u0103 semnul \u00eenceputului lui biografic. Poate de aceea, nu \u00eent\u00e2mpl\u0103tor, versurile sale trimit spre ceea ce cineva (criticul Radu Enescu) numea a fi o stare de gra\u0163ie, ori, altfel spus, o metafor\u0103 dominant\u0103 a scrisului s\u0103u.
\nDar ce este adora\u0163ia contemplativ\u0103 de care aminte\u015fte Radu Enescu, viz\u00e2ndu-i capacitatea liric\u0103? Pentru c\u0103, a\u015fa cum s-a afirmat, poezia lui Radu C\u00e2rneci tr\u0103deaz\u0103 o evident\u0103 traiectorie ce duce spre renascentism (dac\u0103 afirma\u0163ia nu poate s\u0103 par\u0103 prea hazardat\u0103). Iubirea, de pild\u0103, nu se vrea a fi dec\u00e2t o stare de gra\u0163ie ce conduce, a\u015fa cum remarcam, c\u0103tre adora\u0163ia contemplativ\u0103.
\nPoate \u015fi p\u0103durea, de care Radu C\u00e2rneci e legat nu doar sentimental, ci prin atrac\u0163ia sa profesional\u0103 de odinioar\u0103, ne duce \u00eentr-acolo.
\nOricum, statura simbolic\u0103 a existen\u0163ei lui Radu C\u00e2rneci cap\u0103t\u0103 acum, la venerabila aniversare de 85 de ani, un nimb ce \u00eel distinge \u015fi-l onoreaz\u0103. Pentru c\u0103 Radu C\u00e2rneci e poetul care \u015fi-a adunat prin ani merite despre care ochiul critic \u015fi-a spus mereu cuv\u00e2ntul, deta\u015f\u00e2ndu-l de curgerea banal\u0103 a timpului.
\n\u015ei nu e vorba de o apreciere de circumstan\u0163\u0103, ci de o constatare care-i define\u015fte \u015fi-i onoreaz\u0103 ascensiunea.
\nSe poate spune, a\u015fadar, c\u0103 la \u00eemplinirea prestigioasei sale traiectorii biografice, Radu C\u00e2rneci trebuie salutat cu deplin\u0103 considera\u0163ie. Ceea ce \u015fi facem acum, ur\u00e2ndu-i \u015fi dorindu-i, deopotriv\u0103, aleasa \u00eenc\u00e2ntare de care \u015fi cu care nu poate fi dec\u00e2t fericit.<\/p>\n


\nDaniel DR\u0102GAN<\/strong>
\n\"\"

Radu C\u00e2rneci, oaspete \u015fi amfitrion la gr\u0103dina \u00een form\u0103 de vis<\/strong><\/p>\n

L-am cunoscut prin anii 1953-1954, la sediul din strada Castelului 108 al Filialei Uniunii Scriitorilor Bra\u015fov (se numea Regiunea Stalin!!!), condus\u0103 (neoficial) de Gherghinescu-Vania. […]
\nEra student la silvicultur\u0103 \u015fi avea chiar o figur\u0103 silvestr\u0103, de om al p\u0103durii, \u00eembujorat \u015fi energic, nu foarte voluminos, dar pietros, bine \u00eendesat, adic\u0103 dens. Cu privire bl\u00e2nd\u0103, de june romantic. A\u015fa erau \u015fi versurile lui. Suave \u015fi energice \u00een acela\u015fi timp. Delicate. Cu un parfum de forme pure. Vania, \u015fi mai ales Domni\u0163a, \u00eel pre\u0163uiau la superlativ \u015fi nu o dat\u0103 Domni\u0163a mi-a recitat versuri de Blaga \u015fi de Radu C\u00e2rneci. Drumurile noastre se \u00eent\u00e2lneau adesea \u00een strada Cri\u015fan, unde fermec\u0103toarea Domni\u0163\u0103 a Poeziei Rom\u00e2ne \u015fi Vania, cel ca argintul viu, erau mereu bucuro\u015fi de oaspe\u0163i \u00een intimitatea casei lor cu miros de m\u0103r ionatan \u015fi de gutuie coapt\u0103. Radu participa \u015fi la \u015fedin\u0163ele cenaclului, \u015fi la \u015fuete, dar deodat\u0103 a disp\u0103rut. Aveam s\u0103 aflu c\u0103 s-a \u00eentors \u00een Moldova ca inginer silvicultor. L-am c\u0103utat \u00een 1964, c\u00e2nd la Ia\u015fi, c\u00e2nd la Bac\u0103u, la Bra\u015fov, la Pite\u015fti \u015fi la Craiova se zv\u00e2rcoleau scriitorii, \u00eencerc\u00e2nd s\u0103 produc\u0103 o bre\u015f\u0103 \u00een metropolizarea culturii \u015fi s\u0103 dea o \u015fans\u0103 \u015fi celor din \u201eprovincie\u201d, Radu conducea atunci eforturile pentru \u00eenfiin\u0163area Ateneului, \u00een vreme ce Corneliu Sturzu \u015fi Corneliu \u015etefanache, la Ia\u015fi, iar Mihail Diaconescu, la Pite\u015fti, puneau la cale revistele \u201eCronica\u201d \u015fi \u201eArge\u015f\u201d.
\nNe \u00eent\u00e2lneam deseori pentru a ne informa reciproc, pentru a ne sincroniza eforturile, \u015fi aceste consult\u0103ri au durat c\u00e2\u0163iva ani, adic\u0103 \u015fi dincolo de momentele inaugurale, c\u00e2nd revistele noastre au reu\u015fit s\u0103 biruie piedicile \u015fi s\u0103 ias\u0103 \u00een lume. Func\u0163iona o solidaritate cultural\u0103 pe care genera\u0163iile mai noi nu \u015ftiu dac\u0103 vor mai sim\u0163i nevoia s\u0103 o p\u0103streze.
\nRadu C\u00e2rneci era un poet b\u0103c\u0103uan, devotat urbei sale, dar cu un orizont cultural vast, deschis spre poezia universal\u0103, mai ales spre cea francez\u0103 \u015fi spre expresioni\u015ftii germani. Riguros \u00een expresie \u015fi fastuos \u00een senza\u0163ii, construind metafore fanteziste \u00een care natura se dezl\u0103n\u0163uia orgiac, Radu C\u00e2rneci \u015fi-a f\u0103cut din c\u0103r\u0163ile sale, fiecare cu o alt\u0103 deschidere liric\u0103, un monument rezistent. Bra\u015fovului i-a p\u0103strat \u015fi \u00eei p\u0103streaz\u0103 \u015fi acum o admira\u0163ie f\u0103r\u0103 egal. Bra\u015fovul este ora\u015ful tinere\u0163ii, al studen\u0163iei \u015fi al debuturilor sale lirice. Revista b\u0103c\u0103uan\u0103 \u201eAteneu\u201d, pe care a p\u0103storit-o cu mare izb\u00e2nd\u0103 vreme \u00eendelungat\u0103, era mereu deschis\u0103 colaboratorilor din Bra\u015fov, iar c\u00e2nd, \u00een 1996, am reu\u015fit s\u0103 editez la Arania, \u00een traducerea sa, o antologie baudelairean\u0103 bilingv\u0103, am fost am\u00e2ndoi ferici\u0163i. Radu C\u00e2rneci este un poet \u015fi \u00een rela\u0163iile sale cu colegii. De o elegan\u0163\u0103 simpl\u0103, dar f\u0103r\u0103 cusur, atent \u015fi afectuos, el \u015ftie, ca orice autentic artist, c\u0103 \u00een gr\u0103dina poeziei fiecare are locul s\u0103u \u015fi reu\u015fe\u015fte s\u0103 fie admirabil deopotriv\u0103 ca oaspete \u015fi ca amfitrion.
\nFugitur ireparabile tempus! Nu-mi vine s\u0103 cred c\u0103 Radu C\u00e2rneci, adolescentul de odinioar\u0103 al c\u0103rui z\u00e2mbet pur, juvenil, \u00eei lumineaz\u0103 \u015fi ast\u0103zi chipul, nu-mi vine s\u0103 cred c\u0103 poetul care scria pe aer Umbra femeii, binecuv\u00e2nt\u00e2nd iarba verde sau gr\u0103dina \u00een form\u0103 de vis, centaurul \u00eendr\u0103gostit alerg\u00e2nd spre antologia p\u0103durii, poetul c\u00e2nt\u0103rii c\u00e2nt\u0103rilor \u00eempline\u015fte ast\u0103zi […]. Dar m\u0103 conving mald\u0103rul de c\u0103r\u0163i, multitudinea \u015fi amplitudinea \u015fi altitudinea faptelor sale de cultur\u0103. Da, Radu C\u00e2rneci poart\u0103 pe umerii s\u0103i, tineri \u00eenc\u0103, povara unei v\u00e2rste pe care doar \u00een\u0163elepciunea specific\u0103 \u015fi bunul sim\u0163 o confirm\u0103. Vigoarea talentului s\u0103u o infirm\u0103!<\/p>\n

(Din volumul \u201eApel la memorie<\/em>\u201d, Ed. Arania 2007, pag. 56-57)<\/p>\n


\nIonel NECULA<\/strong>
\n\"\"

Pisanie pentru Radu C\u00e2rneci<\/strong><\/p>\n

Personal, l-am cunoscut t\u00e2rziu, c\u00e2nd avea deja o notorietate bine conturat\u0103, \u015fi n-a\u015f zice c\u0103 mi-a confirmat toate a\u015ftept\u0103rile. \u00cel credeam un munte, un uria\u015f, un colos \u015fi mi se \u00eenf\u0103\u0163i\u015fa ca un ins normal, \u00eempu\u0163inat la trup \u015fi modest \u00een \u0163inut\u0103, \u00een vorb\u0103 \u015fi \u00een purt\u0103ri. Totdeauna, \u00een pu\u0163inele noastre \u00eent\u00e2lniri colocviale, m-a surprins cu cumsec\u0103denia sa fastuoas\u0103 \u015fi cu rafinamentul decen\u0163ei \u2013 o decen\u0163\u0103 pus\u0103 \u00een act, \u00een expresie \u015fi \u00een nisiparni\u0163a r\u0103sf\u0103\u0163ului public. Este, orice s-ar spune, un clasic printre contemporani, un c\u0103rturar mustind de cultur\u0103, care poate, oric\u00e2nd, s\u0103 indice o direc\u0163ie, un sens, o tendin\u0163\u0103 de mi\u015fcare \u015fi de \u00eemplinire cultural\u0103 pentru breasla scriitorilor.
\n M\u0103 \u00eentreb uneori de unde provine \u015fi cum se justific\u0103 imaginea colosalizat\u0103 ce mi-am f\u0103cut-o cu mul\u0163i ani \u00een urm\u0103 \u015fi care m-a marcat, ba \u00eenc\u0103 mai d\u0103inuie \u015fi azi \u00een memoria mea lacunar\u0103 \u015fi nevolnic\u0103. Cred c\u0103 momentul trebuie c\u0103utat \u00een toamna anului 1964, c\u00e2nd a ap\u0103rut primul num\u0103r al revistei Ateneu. Radu C\u00e2rneci figura ca redactor \u015fef al noii publica\u0163ii, dar revista \u00een sine era altceva fa\u0163\u0103 de tot ce ap\u0103ruse p\u00e2n\u0103 atunci. \u00centr-o vreme de pr\u0103p\u0103stioas\u0103 ariditate cultural\u0103, noua publica\u0163ie ni se p\u0103rea o minune \u015fi c\u0103dea ca o ploaie de var\u0103 peste o paji\u015fte ofilit\u0103, de nu cumva compromis\u0103 \u015fi lipsit\u0103 de speran\u0163\u0103.
\n Am r\u0103mas cu imaginea ctitorului de revist\u0103, care nu era doar o simpl\u0103 revist\u0103, era o adev\u0103rat\u0103 institu\u0163ie cultural\u0103. Era conceput\u0103 dup\u0103 toate regulile lucrului des\u0103v\u00e2r\u015fit \u2013 cu zilele revistei, cu acordarea de premii anuale, cu lansarea numerelor realizate \u00een comun, cu alte localit\u0103\u0163i, cu \u00eent\u00e2lnirile redac\u0163iei cu c\u0103rturarii din Moldova de mijloc \u015fi de sud. \u00ce\u015fi f\u0103cuse el, inimosul redactor \u015fef de atunci, o echip\u0103 de zelo\u015fi ai lucrului bine g\u00e2ndit, bine perspectivat \u015fi at\u00e2t de bine pus \u00een act, c\u0103 mul\u0163i dintre cei ce z\u0103boveau apleca\u0163i asupra colii albe de h\u00e2rtie \u00ee\u015fi fixaser\u0103 ca \u0163el \u015fi obiectiv principal s\u0103 li se \u00eencredin\u0163eze c\u00e2te-un col\u0163 de pagin\u0103.
\n De asta zic: \u00een ochii \u015fi-n percep\u0163ia mea postadolescentin\u0103, Radu C\u00e2rneci a r\u0103mas distribuit \u00een r\u00e2ndul marilor ctitori. N-a construit catedrale, timpul marilor edificii medievale trecuse, dar revista ctitorit\u0103 de el, \u00een acei ani de secet\u0103 cultural\u0103, f\u0103cea c\u00e2t o catedral\u0103. Era Vorone\u0163ul Moldovei de mijloc, \u015fi mul\u0163i tineri \u00eencurca\u0163i \u00een mrejele Verbului \u00eenaripat visau s\u0103 fie lua\u0163i \u00een seam\u0103. \u00cen ochii lor, Radu C\u00e2rneci trecea drept un ctitor, iar numele unui ctitor de catedral\u0103 nu se uit\u0103, nu se oculteaz\u0103 \u015fi nu se paraziteaz\u0103. El se fixeaz\u0103-n memoria colectiv\u0103 \u015fi se zide\u015fte-n funda\u0163ie ca pisanie.
\n A\u015f fi vrut s\u0103-ncrustez cuvintele acestei pisanii \u00een granit, s\u0103 le asigur nemoarte \u015fi ve\u015fnicie, dar m-a dezam\u0103git frigul din piatr\u0103 \u015fi m-am refugiat \u00een broderiile acestei p\u00e2nze de borangic, \u00een speran\u0163a c\u0103 voi reu\u015fi s\u0103 le confer pu\u0163in\u0103 c\u0103ldur\u0103, emo\u0163ie \u015fi fior, cum \u015fi merit\u0103 acest ctitor ce-a solemnizat toat\u0103 via\u0163a pasiunile
\numane. La mul\u0163i ani \u015fi spor \u00een toate cele ce le procesezi, maestre!<\/p>\n


\nMihai CIMPOI<\/strong>
\n\"\"

Radu C\u00e2rneci: eros, logos, ontos<\/strong><\/p>\n

\u00cenceputurile poetice ale lui Radu C\u00e2rneci stau sub semnul unei solarit\u0103\u0163i de tip h\u00f6lderlinian, care, dincolo de faptul c\u0103 este o conven\u0163ie a timpului, traduce o ardoare senzual\u0103 care va deveni o dimensiune esen\u0163ial\u0103 a crea\u0163iei sale. Prin urmare, trebuie s\u0103 vedem \u00een soare un topos circumscris organic unui univers al tr\u0103irilor ardente, existen\u0163iale prin \u00eens\u0103\u0163i natura lor.
\nDin polivalen\u0163a simbolic\u0103 tradi\u0163ional\u0103 a soarelui poetul alege at\u00e2t semnifica\u0163ia de epifanie uranian\u0103, de manifestare general\u0103 a viului, c\u00e2t \u015fi pe aceea de cunoa\u015ftere, de gnosis, el \u00eensemn\u00e2nd ochiul zeului suprem, spiritul universal, parte a Arborelui Lumii.
\nFiind un element unificator, d\u0103t\u0103tor de \u00eentreg bine or\u00e2nduit, revela\u0163ia soarelui prilejuie\u015fte revela\u0163ia unui univers idilic pus sub domina\u0163ia unei sympateia absolute, totul comunic\u00e2nd sub semnul unit\u0103\u0163ii.
\n\u00cen mi\u015fc\u0103rile universului este deslu\u015fit\u0103 o \u00abtainic\u0103 oficiere\u00bb: \u201eTrupul meu intr\u0103 \u00een mi\u015fcarea Soarelui \/ privirile \u00een mi\u015fcarea p\u0103s\u0103rilor \/ zborul mi se vrea de aer lung \/ \u015fi m\u0103-ndrept spre p\u0103durile de piatr\u0103\u201d (Tainice oficieri). A\u015fa se face c\u0103 \u00een t\u0103cerea universal\u0103 se mai aude \u201echemarea tragic\u0103 a Miori\u0163ei\u201c, \u00een timp ce, imnicul, elegiacul, litanicul, baladescul, se \u00eent\u00e2lnesc \u00een contrapunct, deslu\u015findu-se formule de ora\u0163ie \u015fi desc\u00e2ntec.
\nCaracterul de ceremonial al discursului mitopo(i)etic se contureaz\u0103 limpede de pe acum. Mirii caut\u0103 un \u201epat r\u0103coros\u201d, orele dragostei sunt ca ploile verii (\u201efrenetice \u015fi istovitoare\u201d), p\u0103durea e o \u201eflac\u0103r\u0103 toat\u0103\u201d, aerul e \u201eo umbr\u0103 ro\u015fie\u201d, z\u0103pezile se \u00eembr\u0103\u0163i\u015feaz\u0103 \u00eentr-o \u201ep\u0103dure de sticl\u0103 zeiasc\u0103\u201d. Este o acuitate a sim\u0163urilor, un prag paroxistic al ardorii care presupune topirea \u015fi con-topirea: \u201eAud tropotul m\u0103runt al florilor \/ pa\u015fii ierburilor \/ aripele p\u0103durilor pe z\u0103ri\u201d (Vers de mire). Solaritatea are for\u0163\u0103 orfeic\u0103 prin ea \u00eens\u0103\u015fi, devenind spontan c\u00e2ntec. Poetul \u201ec\u00e2nt\u0103 dintr-un arbore\u201d \u015fi se simte unul dintre cei chema\u0163i \u00een acest univers care pare un arbore de tain\u0103: \u201e\u00cen cele patru v\u00e2nturi \u015fi \u00eentre ele \/ noaptea se leag\u0103 de zi, ziua de noapte \/ rotindu-se planet\u0103 pentru mine \/ \u015fi m\u0103 \u00eendeamn\u0103 s\u0103 trec \u2013 iar el r\u0103m\u00e2ne \/ \u015fi s\u00e2ngele meu se vrea \u00een setea lui neagr\u0103 \/ \u015fi m\u0103 simpt dintre cei chema\u0163i…\u201d (Arbore de tain\u0103).
\nO poezie deosebit de sugestiv\u0103 va traduce \u015fi complexitatea dorului, a dorului de dor, recurg\u00e2nd la simbolistica nocturn\u0103 a cucuvelei care vine s\u0103 vorbeasc\u0103 despre o cunoa\u015ftere dureroas\u0103, \u201ede noapte\u201d: \u201eCucuvea cu pene ro\u015fii \/ cucuvea cu pene verzi \/ cazi din lun\u0103 peste dor \/ adu-i cerul dedesubt \/ pas\u0103re cu ochi abrupt \/ O fereastr\u0103 dreapt\u0103, r\u00e2de \/ str\u00e2mb\u0103, o fereastr\u0103 pl\u00e2nge \/ scade casa c\u0103tre zori \/ moare carnea de-amintire \/ \u015fi fereastra intr\u0103-n mire \/ O s\u0103 c\u00e2nte s\u00e2nge-n v\u00e2rf \/ o s\u0103 pl\u00e2ng\u0103 s\u00e2nge-n vale \/ trupul meu ocol s\u0103 fie \u2013 \/ intr\u0103-n ierburi stea \u015fi moare \/ dorul ei de dor. \/ \u015ei doare\u201d (Pas\u0103rea cu ochi abrupt).
\nCu timpul \u2013 \u00een Umbra femeii (1968); Gr\u0103dina \u00een form\u0103 de vis (1970); C\u00e2ntarea C\u00e2nt\u0103rilor (1973); Heraldica iubirii (1975); Dorador (1997) \u2013 dragostea \u00ee\u015fi dezv\u0103luie din ce \u00een ce mai spectaculos \u015fi totodat\u0103 mai dureros, mai dramatic miezul ei de foc existen\u0163ial, foc negru care tensioneaz\u0103 fiin\u0163a, arunc\u00e2nd-o \u00een neant: \u201eDe jertf\u0103 pas \u015fi-n templul t\u0103u p\u0103trund \u2013 \/ e miez de vreme, \u015fi-i t\u0103cere foarte: \/ s\u0103m\u00e2n\u0163\u0103 e aici, de vis \u015fi moarte \/ iar r\u00e2ul Lethe-al\u0103turi e, pe prund\u201c (Sonet \u00een templul t\u0103u). Conturul expresionist al versului se \u00eengroa\u015f\u0103, \u00eendemnurile blagiene de cufundare extatic\u0103 \u00een substratul p\u0103g\u00e2n al tr\u0103irilor se reitereaz\u0103 cu o putere vulcanic\u0103: \u201eiar s\u00e2ngele s\u0103 c\u00e2nte \u015fi s\u0103 joace \/ dezl\u0103n\u0163uit de moartea lui, dincoace.\u201d (Sonet, \u00eenainte de dragoste). Apare un ciudat contrapunct al intensific\u0103rii\/sl\u0103birii, al amplific\u0103rii sunetelor\/surdiniz\u0103rii lor, \u00een acela\u015fi registru auzindu-se b\u0103t\u0103i de clopote \u015fi \u015foapte de tain\u0103, \u201evuietul bl\u00e2nd\u201d, explozia de foc proiectat\u0103 cosmic \u015fi implozia de lumin\u0103 lin\u0103, de \u201eg\u00e2nd de ploi, domol\u201d. Pe de o parte sunt invocate clopotele tun\u0103toare: \u201eC\u00e2nd clopotele-n frunze au s\u0103 tune\u201d (Sonet de priveghi), \u201efl\u0103c\u0103ri \u00eenalte, din aspre z\u0103pezi\u201d (Sonet, iarna), \u201ec\u0103delni\u0163area de sfere\u201c (Sonet pentru mai t\u00e2rziu), hora cerului (V\u00e2rf de dor), zborul, \u201eprelungul \u00eenot\u201d (Noi doi); pe de alt\u0103 parte, g\u00e2ndul pur \u201evibr\u00e2nd ca o vioar\u0103\u201d (\u00cen noaptea mea e\u015fti pururea fecioar\u0103), \u201eclinchetul azuriu \u00eentre pocale\u201d (Acum \u00ee\u0163i pun od\u0103jdii triumfale), \u201eunda dulce lung leg\u0103n\u0103toare\u201d (Edenul meu de mugure \u015fi soare) \u201elimba-n imn \u015foptit\u201d \u015fi \u201eizvorul sub\u0163ire\u201d (Mereu nestins, neprih\u0103nit).
\nTraduc\u0103tor excelent al lui Baudelaire \u015fi al C\u00e2nt\u0103rii C\u00e2nt\u0103rilor, Radu C\u00e2rneci se p\u0103trunde p\u00e2n\u0103 \u00een cele mai ascunse fibre ale sufletului de esen\u0163a demonic\u0103 \u015fi totodat\u0103 de esen\u0163a zeiasc\u0103 a dragostei. Eros, dup\u0103 cum se \u015ftie, \u0163ine de o simbolistic\u0103 a unit\u0103\u0163ii contrariilor, de coincidentia oppositorum. Pornirea instinctual\u0103 spre Altul, ce trece printr-o complexitate de reac\u0163ii senzoriale \u015fi spirituale, prin binomul chinezesc Yang-Yng, prin acea cosmic\u0103 \u00eempr\u0103\u015ftiere de for\u0163e ce tind s\u0103 formeze totu\u015fi o ordine unic\u0103, o unitate, iubirea apare ca element antagonist \u015fi totodat\u0103 armonizator. S\u0103ge\u0163ile din tolba lui Eros str\u0103pung \u015fi ele opusul sufletelor, unific\u00e2ndu-le.
\nDragostea apare a\u015fadar, ca o cunoa\u015ftere de sine a Fiin\u0163ei prin acel proces de revela\u0163ii-\u015focuri, de conflicte dintre Eros \u015fi Psyche, adic\u0103 dintre suflet \u015fi sentimentul iubirii ca atare. Pragul demonic \u015fi pragul zeiesc se \u00eent\u00e2lnesc \u00een aceast\u0103 cunoa\u015ftere tulbur\u0103toare, care e marcat\u0103 at\u00e2t de r\u0103zvr\u0103tirea p\u0103g\u00e2n\u0103, ancestral\u0103, carnal\u0103, de Centaur (\u201eCentaurii de piatr\u0103-n mine iar \/ Se r\u0103zvr\u0103tesc de sub t\u0103ceri \u015fi juguri \/ \u015fi carnea \u00een aprinse t\u0103v\u0103luguri \/ m\u0103 chinuie cu spaimele-i, barbar\u201c (\u00cen prim\u0103var\u0103 s\u00e2ngele d\u0103 muguri), c\u00e2t \u015fi de actul purific\u0103rii prin invocarea duhului divin al iubirii: \u201eIubito, s\u0103 p\u0103trundem \u00een vasta catedral\u0103 \/ ca sub \u00eenaltul toamnei bl\u00e2nd-luminat de zei \/ s\u0103-ngenunchem la tronul iubirii cu sfial\u0103 \/ \u015fi s\u0103 uit\u0103m de oameni; de buni \u015fi de mi\u015fei…\u201c (Iubito, s\u0103 p\u0103trundem \u00een vasta catedral\u0103).
\nExist\u0103, \u00eens\u0103 \u015fi al treilea aspect al iubirii: este suferin\u0163a ca proiec\u0163ie a miticei dureri a lui Orfeu desp\u0103r\u0163it de Euridice: \u201e\u00cen limpedele ochi b\u00e2ntuitoare \/ durere-a lui Orfeu neistovit \/ pe fruntea-i m\u00e2ndr\u0103 aur\u0103-sudoare: \/ Euridice, fructul meu oprit…\u201c (Edenul meu de mugure \u015fi soare).
\nRadu C\u00e2rneci se impune ca unul dintre cei mai importan\u0163i poe\u0163i ai iubirii anume prin intui\u0163ia conlucr\u0103rii acestor trei aspecte: zeiescul, demonicul \u015fi orficul, cel din urm\u0103 \u00een\u0163eles ca suferin\u0163\u0103 produs\u0103 de desmembrarea unit\u0103\u0163ii \u00eendr\u0103gosti\u0163ilor \u015fi ca \u00eenst\u0103p\u00e2nire, prin c\u00e2ntare, a delicatei zone a tr\u0103irilor erotice. Erosul este arhetip al \u00eentemeierii, al unirii lui animus cu anima, temei al Fiin\u0163ei, principiu universal al \u00eenfiin\u0163\u0103rii: \u201e… da, alerg\u0103m uimi\u0163i \u00eenspre idee: \/ b\u0103rbatul \u00eennoindu-se-n femeie\/ c\u00e2nd Ea \u00een El \u00ee\u015fi afl\u0103 n\u0103zuin\u0163a \/ \u2013 ce alchimii le stoarce-atunci fiin\u0163a \/ din care prunc se-arat\u0103: zeu ori zee! \u2013 \/ da, alerg\u0103m uimi\u0163i \u00eenspre idee \/\/ … Oh, vine clipa s\u0103 plec\u0103m \u00een fire \/ topindu-ne \u00een cosmic\u0103 topire \/ de elemente iar primordiale \/ rotind \u00een vegeta\u0163ii triumfale \/ de libertate-n ve\u015fnic\u0103 rotire: \/ oh, vine clipa s\u0103 plec\u0103m \u00een fire…\u201c (\u00cen cosmic\u0103 topire).
\nCa \u015fi pentru Ovidiu, pentru Radu C\u00e2rneci rostirea iubirii, care \u0163ine de divinitate, de ad\u00e2ncurile Fiin\u0163ei, este echivalent\u0103 cu rostirea Adev\u0103rului. Ea este realitatea suprem\u0103, ce atinge Absolutul.
\n\u00cen acest fel, Erosul se confund\u0103 cu Logosul, discursul erotic fiind totuna cu discursul poetic. Poezia este Iubire \u015fi Iubirea este Poezie. Din aceast\u0103 credin\u0163\u0103 apare o superb\u0103 defini\u0163ie a actului liric: \u201e… esen\u0163e sublim\u00e2ndu-se-n esen\u0163\u0103 \/ vis colorat \u00een somnul transparen\u0163\u0103 \/ t\u00e2njind \u00een miezu-i spiralata form\u0103 \/ spre-a-nvrednici materia inform\u0103 \/ iris veghind cea tainic\u0103 prezen\u0163\u0103: \/ esen\u0163e sublim\u00e2ndu-se-n esen\u0163\u0103 \/\/ des\u0103v\u00e2r\u015fire \u00een des\u0103v\u00e2r\u015fire \/ fr\u0103m\u00e2nt al meu, iubire de iubire \/ mereu m\u0103 sub\u0163iezi p\u00e2n\u2019 la idee \/ precum frumosul intr\u0103-n orhidee \/ pisc iriz\u00e2nd sublim apusul-mire: \/ des\u0103v\u00e2r\u015fire \u00een des\u0103v\u00e2r\u015fire \/\/ g\u00e2nd al Naturii ferm n\u0103zuitoare \/ fluid etern dinspre \u015fi c\u0103tre Soare \/ distan\u0163\u0103 m\u0103sur\u00e2nd cu ne-distan\u0163e \/ precum speran\u0163a \u00eensum\u00e2nd speran\u0163e \/ fiin\u0163a ta m\u0103-nal\u0163\u0103 \u015fi m\u0103 doare \/ g\u00e2nd al Naturii ferm n\u0103zuitoare…\u201d (O definire a Poeziei).
\nPoetul merge deci, pe principiul general al iubirii de iubire, al dorului de dor, imagin\u00e2nd un fastuos epitalam cosmic \u00een genul hemeneus-urilor grece\u015fti \u015fi fescenimus-urilor romane, utiliz\u00e2nd \u00eentreaga poetic\u0103 nup\u0163ial\u0103 a C\u00e2nt\u0103rii C\u00e2nt\u0103rilor, pe care o transpune \u00een cheie modern\u0103, p\u0103str\u00e2ndu-i \u00eens\u0103 mijloacele senzual-spirituale. \u00cen acest scop, naturismul este trecut prin grila estetismului \u015fi galanteriei cavalere\u015fti, iar extazul sympatetic cosmicizat se contope\u015fte p\u00e2n\u0103 la urm\u0103 cu ideea abstract\u0103 de Iubire, cu un construct idilic \u015fi idealist. Tr\u0103irea ardent\u0103 devine, astfel, nud\u0103 identitate, mit, g\u00e2nd alunec\u0103tor prin regnuri, t\u0103r\u00e2muri, zone, toate acestea intens erogenizate. Elanurile nup\u0163iale, odat\u0103 puse \u00een \u201efunc\u0163ie\u201c, transform\u0103 ars amandi \u00een ars poetica, \u00een\u0163eleas\u0103 ca ars combinatoria ce presupune un continuu contrapunct al varia\u0163iilor, al altern\u0103rii variantelor \u015fi invariantelor \u00eentr-o uria\u015f\u0103 construc\u0163ie baroc\u0103, manierist\u0103. Manifest\u0103rile sentimentului de iubire \u015fi a tuturor atitudinilor \u015fi reac\u0163iilor psihologice fa\u0163\u0103 de el se formalizeaz\u0103, se instrumenteaz\u0103, se ritualizeaz\u0103. F\u0103r\u0103-ndoial\u0103, exist\u0103 o inten\u0163ie v\u0103dit\u0103, la Radu C\u00e2rneci, de a ob\u0163ine un mare Text, un Metatext al Iubirii. De aceea purcede la cuprinz\u0103toare explor\u0103ri alchimice, magice, la teatralizare, chiar. Lumea e v\u0103zut\u0103 ca teatru al iubirii, ca teatrum amandi mundum. \u00cen mod rilkean, este \u00eenchipuit un imens pat conjugal al universului. Unduirea nup\u0163ial\u0103 este surprins\u0103 \u00een construc\u0163iile de coroane de sonete, \u00een rondosonete \u015fi glossonete, \u00een oratorii \u015fi ora\u0163ii concepute serial \u00een c\u00e2nturi.
\nTotul este cuprins \u00eentr-un v\u00e2rtej cosmic ame\u0163itor, atr\u0103g\u0103tor de plinuri \u015fi goluri, din miresme excitante, de sunete \u015fi vuiete erogenizate, de lumini fragede, de \u201epetale cu cercei\u201d, \u00eentr-o \u00eembr\u0103\u0163i\u015fare demonic\u0103 a cerului cu p\u0103m\u00e2ntul: \u201e… Ce vuiet se de\u015fteapt\u0103 \u00een pustie \/ \u015fi se \u00eenal\u0163\u0103 ca un st\u00e2lp de fum \/ seme\u0163 spre cer din smirn\u0103 \u015fi t\u0103m\u00e2ie \/ miresme d\u00e2nd, \u00eenmiresm\u00e2nd un drum? \/\/ C\u0103ci dac-ar arde chiar \u015fi o p\u0103dure \/ de nal\u0163i cypre\u015fi n-ar \u00eendr\u0103zni a\u015fa \/ ame\u0163itor \u015fi cu esen\u0163e pure \/ p\u0103m\u00e2nt \u015fi cer deodat\u0103-n mireasma\u201d (corul b\u0103rba\u0163ilor din C\u00e2ntul 3: Pe culmi de dor, din C\u00e2ntarea C\u00e2nt\u0103rilor). Toat\u0103 simbolistica arderii, mistuirii, supliciului \u015fi fr\u0103m\u00e2nt\u0103rii carnal-instinctuale \u2013 lumin\u0103 miresme, ploi-alin\u0103toare, v\u00e2nturi, z\u0103ri \u00eencinse, aer sf\u00e2nt incendiat \u015fi sun\u0103tor, ninsori \u2013 sunt prezente \u00eentr-o orchestra\u0163ie fin\u0103: \u201eFrumoasa mea, sunt Soarele, m\u0103 iat\u0103! \/ Odorul meu ridic\u0103-te s\u0103 vezi \/ cum iarna s-a topit \u015fi ploaia beat\u0103 \/ danseaz\u0103 peste fostele z\u0103pezi. \/\/ Prive\u015fte, fr\u0103gezind, cum r\u00e2d spre tine \/ c\u00e2mpiile \u015fi viile-nflorind \/ \u015fi-n roiuri turturele \u015fi albine \/ se-ntrec iubind \/\/ \u00cen zare, marea cerul \u00ee\u015fi s\u0103rut\u0103 \/ albastre p\u0103s\u0103ri se s\u0103rut\u0103-n zbor \/ \u015fi pietrele \u00een bucurie mut\u0103 \/ Se auresc \u00een proasp\u0103tul izvor \/ \u00cen cr\u00e2ngul de smochini e mare nunt\u0103 \/ \u2013 esen\u0163e de iubiri n\u0103sc\u00e2nd iubiri \u2013 \/ odorul meu, te scoal\u0103, ziua-i sf\u00e2nt\u0103 \/ sosit\u0103-i clipa mare-i \u00eempliniri. \/\/ Din cuibul t\u0103i \u00een st\u00e2nca despicat\u0103 \/ o, porumbi\u0163a mea, sose\u015fte-mi dar \/ de muzici \u015firoind mi te arat\u0103 \/ m\u0103rg\u0103ritar \/\/ \u015fi frun\u0163ii mele d\u0103ruind cunun\u0103 \/ \u00een dreapta mea str\u0103lucitoare st\u00e2nd \/ s\u0103-auzi cum cerul \u015fi p\u0103m\u00e2ntul sun\u0103 \/ spre tine bl\u00e2nd…\u201d (C\u00e2ntul 2, al mirelui, \u201eDe muzici \u015firoind mi te arat\u0103\u201d, din C\u00e2ntarea C\u00e2nt\u0103rilor); \u201e… Vuiau \u00een mine ne\u015ftiute c\u00e2nturi \/ lumini \u00een s\u00e2nge sc\u0103p\u0103rau lumini \/ dar \u00een neprih\u0103nite a\u015fternuturi \/ nu te aflai la pieptul meu supin \/\/ \u015ei-aproape adormisem de-a\u015fteptare \/ o, Domnul meu, dar inima veghea \/ \u015fi tres\u0103ri, luceaf\u0103rul de zare \/ c\u00e2nd cobor\u00ee la u\u015fa mea. \/\/ Asemeni e\u015fti c-un chiparos \u00een ploaie \/ \u2013 ah, p\u0103rul t\u0103u de rou\u0103 \u00eenc\u0103rcat! \u2013 \/ iar genele-\u0163i de picuri se-nconvoaie! O, preafrumos, at\u00e2t visat\u201d (C\u00e2ntul 4: \u201eT\u00e2nguirea miresei\u201d).
\nCulmea virtuozit\u0103\u0163ii instrumentale la Radu C\u00e2rneci sunt sonetele, adev\u0103rate giuvaiere \u00een care apar sub chip \u015flefuit \u015fi bine potrivit toate marile motive \u015fi simboluri mitopo(i)etice ale iubirii. Cit\u0103m din glossa Triumful iubirii sonetul-matc\u0103 (primul, care deschide aceast\u0103 coroan\u0103 de frumuse\u0163i \u015fi \u00een\u0163elepciuni): \u201eIubirea este atotst\u0103p\u00e2nitoare \/ E v\u00e2rf \u00een dor \u015fi vis \u00een r\u0103d\u0103cin\u0103 \/ Chip nev\u0103zut \u00een chipul de lumin\u0103 \/ Precum t\u0103cerea m\u00e2ng\u00e2ie \u015fi doare \/\/ De vremi \u015fi legi mereu biruitoare \/ Iubirea doar Iubirii se \u00eenchin\u0103 \/ \u00cennobil\u00e2nd \u015fi st\u0103p\u00e2nind regin\u0103 \/ Ca iarba nesecatele-i izvoare \/\/ A duhului \u015fi-a trupului m\u0103sur\u0103 \/ Iubirea se-nve\u015fm\u00e2nt\u0103 \u00een Iubire \/ Petal\u0103 st\u00e2nd \u015fi ve\u015fnic\u0103 armur\u0103 \/\/ N\u0103sc\u00e2ndu-se pentru \u00eentreaga fire \/ \u00cen armonii cu leg\u0103nare pur\u0103 \/ Iubirea-i via\u0163a f\u0103r\u0103 de pieire\u2026\u201d.
\nDantescul adagiu \u201eiubirea na\u015fte sori \u015fi stele\u201d se codific\u0103, iat\u0103, \u00eentr-un principiu axial mitologic modern, \u00een ideea de iubire, derivat\u0103 din romanticul punct genetic prim: \u201e… la \u00eenceput ideea de iubire \/ precum lumina aburea \u00een fire \/ nelini\u015fte vibr\u00e2nd \u00een elemente \/ vis\u00e2nd la bucuriile absente \/ chem\u00e2nd \u00eempreun\u0103ri dorind a fire \/ la \u00eenceput ideea de iubire \/\/ (…) Iubirea-i axul cerurilor toate \/ \u00een mari nuntiri cu muzici peste poate \/ un semn al ei \u015fi lumi cu lumi se-adun\u0103: \/ idei danseaz\u0103 h\u0103urile tun\u0103 \/ stele-n ghirlande leag\u0103n\u0103-se roate \/ iubirea-i axul cerurilor toate…\u201d (Din prolog la Heraldica iubirii).
\nAd\u00e2ncimea viziunii poetice se esen\u0163ializeaz\u0103 \u00eenc\u0103 \u00een Pas\u0103rea de Cenu\u015f\u0103 (1986) \u015fi \u00een special \u00een amplele poeme Omul cu barca \u015fi Jur\u0103m\u00e2ntul \u00een care Marele Tot, ce contope\u015fte iubirea \u015fi iubirile cap\u0103t\u0103 culoarea existen\u0163ial\u0103 a Neantului, desacraliz\u00e2ndu-se. Pe ecranul cosmic al acestuia se proiecteaz\u0103 acum omul-monstru aduc\u0103tor de moarte: \u201eS\u0103 r\u0103m\u00e2nem cu mor\u0163ii ? Deasupra-i teroare: \/ c\u00e2mpii otr\u0103vite mun\u0163ii de bombe \/ \u015fi p\u0103s\u0103ri cu aripi de s\u00e2nge \/ neru\u015finate imnuri destr\u0103b\u0103l\u0103rii de cuget, acolo deasupra \/ se fierbe sf\u00e2r\u015fitul fiin\u0163ei divine! \/ s\u0103 r\u00e2m\u00e2nem cu mor\u0163ii?…\u201d (Omul cu barca). \u00cen contratimp cu omul-monstru, poetul devine Omul cu barca, omul purt\u0103tor de putere \u015fi destin.
\nMarele Tot are acum \u015fi o fascina\u0163ie neagr\u0103, negativ\u0103, ating\u00e2nd demonicul, perechea plutitoare transform\u00e2ndu-se \u00eentr-o unitate de dou\u0103 singur\u0103t\u0103\u0163i ce se \u00eendep\u0103rteaz\u0103 unul de altul: Euridice e pierdut\u0103 de Orfeu \u00een marele noian al Neantului, Cerul se transform\u0103 \u00een \u201eapocalips frumos izb\u00e2nditor\u201d: \u201e… Am semne dinspre moarte:\/ se dezrobesc n\u0103lucile-n v\u0103zduh\/ ca steaguri largi desf\u0103\u015furate ce\u0163uri\/ \u015fi Timpul-g\u00e2de \u00eemi culege clipa\/ \u2013 c\u00e2nd toate-s vii\/ \u015fi s\u00e2ngele-i sonor \u2013\/ ci nefiin\u0163a-\u015fi mugure\u015fte aripa\/ Ah, unde e\u015fti?\u201d (Jur\u0103m\u00e2ntul).
\nViziunea asupra vie\u0163ii \u2013 cu toate ale sale \u2013 se \u00eentrege\u015fte, a\u015fadar, asociind Erosului \u015fi Logosului, Ontosul, adic\u0103 \u00eens\u0103\u015fi fiin\u0163area. Ars amandi se \u00eentre\u0163ese nu doar cu ars poetica, ci cu ars ontologica.
\nRadu C\u00e2rneci r\u0103m\u00e2ne, f\u0103r\u0103-ndoial\u0103, unul din cei mai reprezentativi poe\u0163i rom\u00e2ni, impun\u00e2nd o viziune ad\u00e2nc\u0103 asupra existen\u0163ei.<\/p>\n","protected":false},"excerpt":{"rendered":"

LA ANIVERSAR\u0102: RADU C\u00c2RNECI – 85 DE ANI – Privighetoarea \u015fi Trandafirul \u2013 la o re-\u00eent\u00e2lnire cu Oscar Wilde \u2013<\/p>\n","protected":false},"author":18,"featured_media":10070,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"ngg_post_thumbnail":0,"video_url":"","footnotes":""},"categories":[7,328],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/19866"}],"collection":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=19866"}],"version-history":[{"count":2,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/19866\/revisions"}],"predecessor-version":[{"id":19880,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/19866\/revisions\/19880"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/media\/10070"}],"wp:attachment":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=19866"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=19866"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=19866"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}