{"id":19571,"date":"2022-11-02T23:51:49","date_gmt":"2022-11-02T20:51:49","guid":{"rendered":"https:\/\/ziarulderimnic.ro\/?p=19571"},"modified":"2022-11-02T23:51:49","modified_gmt":"2022-11-02T20:51:49","slug":"spatii-culturale-nr-28-3","status":"publish","type":"post","link":"https:\/\/ziarulderimnic.ro\/?p=19571","title":{"rendered":"Spa\u021bii culturale nr. 28 (3)"},"content":{"rendered":"<p><strong>Doina CERNICA<\/strong><br \/>\n<a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/08\/20-1-e1598112009940.jpg\" data-rel=\"lightbox-image-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/08\/20-1-268x300.jpg\" alt=\"\" width=\"268\" height=\"300\" class=\"alignnone size-medium wp-image-10214 lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 268px; --smush-placeholder-aspect-ratio: 268\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/08\/20-1-268x300.jpg\" alt=\"\" width=\"268\" height=\"300\" class=\"alignnone size-medium wp-image-10214\" \/><\/noscript><\/a><\/p>\n<p>    <strong> Poveste cu Sf\u00e2ntul Minunilor<\/strong><\/p>\n<p>Mai aveam p\u00e2n\u0103 la Padova, probabil mai pu\u0163in dec\u00e2t credeam, fixat\u0103 \u00eentr-o impresie puternic\u0103, generat\u0103 de marea \u00eencremenit\u0103 a norilor \u015fi de sentimentul c\u0103 timpul venea dup\u0103 noi, \u00eentr-o mi\u015fcare lent\u0103, insesizabil\u0103 ca \u015fi zborul avionului. Priveam somnolent\u0103 valurile l\u0103ptoase de dedesubt, creste \u015fi ad\u00e2ncimi sugerate de tonuri alb\u0103strui, c\u00e2nd pe nea\u015fteptate priveli\u015ftea s-a schimbat, str\u0103puns\u0103, alb pe aproape alb, de miriade de pe\u015fti, cu ochi imobili \u00een c\u0103p\u015foarele scoase la suprafa\u0163\u0103, aten\u0163i, cumva ca \u00een trans\u0103, ca \u00een vis, la ceva de dincolo de noi. Ascult\u00e2nd pierdu\u0163i un glas mut, ca \u015fi al lor, sau desonorizat odat\u0103 cu tabloul c\u0103ruia \u00eei apar\u0163ineam, \u00eens\u0103 nu prin anulare, ci prin evacuare \u00eentr-un alt spa\u0163iu, destinat \u00een exclusivitate muzicii. Dar nu \u00eentr-o sal\u0103 de concerte l-am cunoscut pe sf\u00e2ntul care predicase pe\u015ftilor, ci \u00een noaptea colorat\u0103 a lui 12 spre 13 iunie a Lisabonei, ora\u015ful na\u015fterii sale, care \u00eel s\u0103rb\u0103tore\u015fte \u00eentr-o voioas\u0103 serbare popular\u0103, purt\u00e2ndu-l cu sur\u00e2z\u0103tor respect \u015fi tandre\u0163e \u00een prelungi procesiuni  \u015fi acompaniindu-l cu vin, sardele, scenete \u015fi orchestre \u00eentr-o perpetu\u0103 \u00eentrecere. C\u00e2teva zile mai t\u00e2rziu, aveam s\u0103-l vedem chiar la el acas\u0103, \u00een biserica \u015fi muzeul care \u00eei poart\u0103 numele (numele pe care l-a primit Fernando de Bulh\u00f5es, student pe atunci la Coimbra, odat\u0103 cu intrarea \u00een r\u00e2ndul c\u0103lug\u0103rilor franciscani), prima fiind \u00een\u0103l\u0163at\u0103 pe locul capelei care i-l indica pe acela al venirii pe lume \u00een at\u00e2t de \u00eendep\u0103rtatul an 1195. Acolo, un retablu vechi \u00eel \u00eenf\u0103\u0163i\u015feaz\u0103 cu pruncul Iisus, aduc\u00e2nd aminte privitorului de minunea str\u0103lucirii \u00een care i s-a ar\u0103tat copilul divin \u015fi de inocenta dulcea\u0163\u0103 cu care i s-a a\u015fezat la piept, l\u0103s\u00e2ndu-se dezmierdat cu bucurie, iar \u00een pia\u0163a din fa\u0163a lor, statuia nou\u0103 a sculptorului Soares Branco evoc\u0103 cinstirea pe care i-a ar\u0103tat-o \u00een 1982, c\u00e2nd a \u015fi fost dezvelit\u0103, papa Ioan Paul al II-lea. Prietena noastr\u0103, Micaela Ghi\u0163escu, fiic\u0103 de suflet a Lisabonei, ne-a povestit atunci c\u00e2teva din motivele popularit\u0103\u0163ii sale \u015fi marii afec\u0163iuni pe care i-o poart\u0103 portughezii. Am ascultat-o z\u00e2mbind \u015fi z\u00e2mbind \u015fi ea \u015fi-a amintit de banii disp\u0103ru\u0163i pe c\u00e2nd era bursier\u0103 Gulbenkian, de \u00eendemnul unei cuno\u015ftin\u0163e, ,,Roag\u0103-te \u015fi la Santo Antonio, nu mai ai ce pierde!\u201d Explica\u0163ia reapari\u0163iei lor era una simpl\u0103, dar nea\u015fteptat\u0103, a\u015fa c\u0103, am r\u00e2s toate trei, interven\u0163ia Sf\u00e2ntului nu era chiar de neluat \u00een considerare. Din acel iunie al Festas dos Santos Populares la Lisabona, deschis de Sf. Anton \u015fi urmat de sfin\u0163ii Jo\u00e3o \u015fi Pedro, care \u0163in pe umerii lor chiar S\u0103rb\u0103toarea Ora\u015fului, p\u0103strez impregnat\u0103 \u00een pelicula olfactiv\u0103 a memoriei, proasp\u0103t\u0103, ca \u015fi cum adineauri a\u015f fi ezitat \u00eentre numeroasele ghivece care \u00eemp\u00e2nziser\u0103 magazinele cu acest dar tradi\u0163ional, mireasma de manjeric, ruda de la Oceanul Atlantic a busuiocului din gr\u0103dinile Bucovinei. \u015ei cum nu o dat\u0103 g\u00e2ndul izvode\u015fte realitatea, marea norilor cu pe\u015ftii fermeca\u0163i de sf\u00e2nt s-a ridicat deasupra noastr\u0103, iar avionul a aterizat \u00een aplauzele c\u0103l\u0103torilor la Padova.<br \/>\n<a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/11\/1-e1667422216627.jpg\" data-rel=\"lightbox-image-1\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/11\/1-225x300.jpg\" alt=\"\" width=\"225\" height=\"300\" class=\"alignnone size-medium wp-image-19573 lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 225px; --smush-placeholder-aspect-ratio: 225\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/11\/1-225x300.jpg\" alt=\"\" width=\"225\" height=\"300\" class=\"alignnone size-medium wp-image-19573\" \/><\/noscript><\/a><br \/>\nNevoii irepresibile de aer, de deschidere, pe care obi\u015fnuin\u0163a c\u0103l\u0103toriilor aeriene, fie \u015fi lini\u015ftite, nu izbute\u015fte s\u0103 o dizolve cu totul, ora\u015ful \u00eei r\u0103spunde cu una din cele mai ample (aproape 90 000 mp), \u015fi mai frumoase pie\u0163e din Europa: Prato della Valle. \u00cenconjurat\u0103 de un canal alimentat subteran de apele r\u00e2ului Bacchiglione, str\u0103juit\u0103 c\u00e2ndva de melancolice palate, precum cel imortalizat \u00eentr-o acvaforte de Canaletto,  ea atrage azi  printr-un \u015firag de 78 de statui, reprezent\u00e2nd \u00een principal  padovani care au \u00eensemnat ceva \u00een istoria a\u015fez\u0103rii. Noi \u00eens\u0103 vrem \u015fi reu\u015fim s\u0103-i salut\u0103m sub arcade pe Dante \u015fi pe Giotto, ridica\u0163i aici \u00een piatr\u0103 de Vicenzo Vela \u00een 1865, la \u015fase sute de ani de la na\u015fterea autorului ,,Divinei Comedii\u201d \u015fi la cinci sute \u015faizeci de la inaugurarea celebrei Capella degli Scrovegni, cunoscut\u0103 \u00een lumea \u00eentreag\u0103 pentru  frescele cu scene din via\u0163a Mariei \u015fi a M\u00e2ntuitorului realizate de pictorul florentin. Copaci, arbu\u015fti, ierburi \u015fi flori \u00een imensitatea acestei paji\u015fti (prato) urbane, flori, ierburi, arbu\u015fti \u015fi copaci pe str\u0103du\u0163ele \u00eenguste, cu aer medieval, precum via Donatello, pe care o parcurgem um\u0103r la um\u0103r cu prezen\u0163a lor vegetal\u0103, puternic aromat\u0103, spre \u00eensu\u015fi raiul acestora  pe p\u0103m\u00e2nt: cea mai veche gr\u0103din\u0103 botanic\u0103 din lume  (1545), apar\u0163in\u00e2nd Facult\u0103\u0163ii de \u015etiin\u0163e Biologice a Universit\u0103\u0163ii Padova, fondat\u0103 la r\u00e2ndu-i \u00een 1222 de un grup de profesori \u015fi studen\u0163i provenind din Bologna. Din cele o mie de lucruri importante care s-ar putea spune despre universitate, aleg acum doar statuia Elenei Lucrezia Cornaro Piscopia, socotit\u0103 prima femeie de\u0163in\u0103toare a unei diplome de licen\u0163\u0103 (1687), pentru a ne re\u00eentoarce \u00een gr\u0103din\u0103, \u00eemp\u0103r\u0163ite \u00eentre nenum\u0103ratele sale atrac\u0163ii, plante medicinale, acvatice, exotice ori celebre ca Palmierul lui Goethe (fiindc\u0103 \u00eel prefera), r\u0103s\u0103dit la mijlocul secolului al XVI-lea, \u015fi splendoarea sa de ansamblu, poate mai u\u015for de cuprins \u00eentr-un zbor planat deasupra, dar cu siguran\u0163\u0103 mai viu \u015fi mai ad\u00e2nc tr\u0103it\u0103 \u00eenl\u0103untrul ei.<br \/>\n<a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/11\/2-e1667422257643.jpg\" data-rel=\"lightbox-image-2\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/11\/2-225x300.jpg\" alt=\"\" width=\"225\" height=\"300\" class=\"alignnone size-medium wp-image-19574 lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 225px; --smush-placeholder-aspect-ratio: 225\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/11\/2-225x300.jpg\" alt=\"\" width=\"225\" height=\"300\" class=\"alignnone size-medium wp-image-19574\" \/><\/noscript><\/a><br \/>\n\u00cen Padova \u00eens\u0103 toate drumurile duc la Bazilica Sf. Anton, Sf\u00e2ntul Minunilor din Lisabona,  ajuns \u015fi  r\u0103mas totu\u015fi pu\u0163in aici, deoarece \u015fi-a petrecut apostolatul predic\u00e2nd \u00een ora\u015fele \u015fi satele din nordul Italiei \u015fi din Fran\u0163a, dar care s-a \u00eentors pe aceste meleaguri ca s\u0103-\u015fi dea ob\u015ftescul sf\u00e2r\u015fit la 36 de ani, pe 13 iunie 1231, l\u0103s\u00e2nd \u00een urm\u0103 at\u00e2tea fapte bune, \u015fi omene\u015fti, \u015fi dumnezeie\u015fti, \u00eenc\u00e2t la c\u00e2teva luni a \u015fi fost canonizat. \u015ei iat\u0103-ne \u015fi pe noi, Niadi \u015fi cu mine, \u00een pia\u0163a acestui Sanctuar Interna\u0163ional, cum l-a proclamat pe 12 iunie 1993 acela\u015fi de neuitat pap\u0103 Ioan Paul al II-a &#8211; ,,Stabilim \u015fi declar\u0103m Sanctuar Interna\u0163ional Bazilica din Padova, dedicat\u0103 lui Dumnezeu \u00een onoarea Sf. Anton, Sacerdot \u015fi Doctor al Bisericii, a c\u0103rei \u00eensemn\u0103tate deosebit\u0103 este ar\u0103tat\u0103 de marele num\u0103r al pelerinilor care vin aici necontenit din toate p\u0103r\u0163ile, \u00eendemna\u0163i de marea lor evlavie\u201d -, cu sentimentul primordial al unei \u00eent\u00e2lniri cu arta, istoria \u015fi credin\u0163a, \u00eentr-una  din cele mai puternice \u00eentruchip\u0103ri ale lor. Drumul prin Padova, \u00eenc\u00e2nt\u0103tor \u015fi obositor, dar \u015fi  o astfel de \u00eent\u00e2lnire   impun un r\u0103stimp de respiro, r\u0103m\u00e2nem, a\u015fadar distan\u0163ate, \u00eencerc\u00e2nd s\u0103 ne adapt\u0103m c\u0103ut\u0103tura ochilor mai \u00eent\u00e2i la crea\u0163ia lui Donattelo, ,,Gattamelata\u201d, monumentul consacrat unui general al Republicii Venezia, prima statuie ecvestr\u0103 din Italia dup\u0103 epoca roman\u0103, inaugurat\u0103 \u00een anul 1453. \u00cen boarea \u00eenser\u0103rii, pe un cal robust, cu  bastonul de comandant \u00een m\u00e2na st\u00e2ng\u0103 \u015fi spada la \u015fold, faimosul (gra\u0163ie \u00eenainte de toate sculptorului) condotier plute\u015fte la hotarul dintre bazilica unde i se odihne\u015fte trupul \u015fi restul ora\u015fului, care \u00eencepe, dup\u0103 tiparul vremurilor noastre, cu tarabe de suveniruri \u015fi cu hotelul ,,Donatello\u201d \u015fi restaurantul ,,S. Antonio\u201d. Apoi \u00eencerc\u0103m s\u0103 cuprindem bazilica, f\u0103r\u0103 s\u0103 reu\u015fim integral, are 115 m lungime \u015fi este \u00eencununat\u0103 de 8 cupole, \u00eentre care se disting dou\u0103 turnuri-minaret \u015fi dou\u0103 clopotni\u0163e gemene, care ating \u00een\u0103l\u0163imea de 68 m. Influen\u0163at de arhitectura roman\u0103 a Bazilicii San Marco din Vene\u0163ia, cu pregnante elemente gotice \u00eentre\u0163esute \u00eentr-un tot unitar de mare originalitate, cel mai important monument din Padova, capodoper\u0103 artistic\u0103 a patrimoniului mondial, a fost g\u00e2ndit\u0103 de un arhitect de geniu, necunoscut, \u00een onoarea sf\u00e2ntului, imediat dup\u0103 canonizare. R\u0103m\u0103\u015fi\u0163ele sale p\u0103m\u00e2nte\u015fti se odihnesc \u00eentr-o capel\u0103 \u00een care Rena\u015fterea \u00ee\u015fi etaleaz\u0103 str\u0103lucirea \u015fi \u00een concep\u0163ie, \u015fi \u00een altarul-morm\u00e2nt, \u015fi \u00een candelabrele de argint, dar mai ales \u00een cele nou\u0103 reliefuri de marmur\u0103 dispuse de-a lungul pere\u0163ilor, cu scene din via\u0163a \u015fi miracolele Sf. Anton: ,,C\u0103lug\u0103rirea Sf. Anton\u201d, ,,Gelosul care \u00ee\u015fi \u00eenjunghie so\u0163ia\u201d, ,,Sf. Anton re\u00eensufle\u0163ind un t\u00e2n\u0103r\u201d, ,,Re\u00eenvierea unei tinere \u00eenecate\u201d, ,,Sf. Anton readuce la via\u0163\u0103 un copil \u00eenecat\u201d, ,,Miracolul cu inima c\u0103m\u0103tarului\u201d, ,,Miracolul cu piciorul t\u0103iat \u015fi pus la loc\u201d, ,,Paharul izbit de p\u0103m\u00e2nt \u015fi r\u0103mas intact\u201d, ,,Nou-n\u0103scutul care dovede\u015fte nevinov\u0103\u0163ia mamei sale\u201d \u015fi care \u00eei cinstesc ipostazele de binef\u0103c\u0103tor, gata s\u0103 fac\u0103 totul pentru to\u0163i, de adept al \u00eemp\u0103c\u0103rii, de apostol al p\u0103cii \u015fi bun\u0103t\u0103\u0163ii, de lupt\u0103tor \u00eempotriva tiraniei banului, de ap\u0103r\u0103tor al celor s\u0103rmani sau cum i-a spus papa Leon XIII \u2013 Sf\u00e2ntul lumii \u00eentregi. Nu rezist tenta\u0163iei de a le al\u0103tura \u00een aceste r\u00e2nduri chipul sf\u00e2ntului a\u015fa cum l-a reconstituit cercetarea \u00eentreprins\u0103 asupra corpului s\u0103u, autorizat\u0103 de Ioan Paul al II-lea \u00een 1981, la 750 de ani de la moarte: o statur\u0103 de aproximativ 1,70 m,  nu foarte robust\u0103, un profil nobil, o fa\u0163\u0103 mai cur\u00e2nd prelung\u0103 \u015fi \u00eengust\u0103, m\u00e2ini lungi, cu degete sub\u0163iri. Concluzii care \u00eentr-un fel confirm\u0103 intui\u0163ia arti\u015ftilor care au realizat aceste scene, dar \u015fi a altora, care i-au consacrat cunoscute lucr\u0103ri, pictura lui Mantegna (1452), de pild\u0103, ori statuia lui Rinaldino (sec. XIV), ale c\u0103ror originale se afl\u0103 \u00een muzeul sf\u00e2ntului din vecin\u0103tatea loca\u015fului \u015fi ale c\u0103ror copii \u00eei \u00eempodobesc fa\u0163ada. Urm\u0103m traseul stabilit, fluxul necontenit al pelerinilor \u015fi al vizitatorilor nu \u00eeng\u0103duie nici popasuri, nici acceler\u0103ri, a\u015fa c\u0103 pa\u015fii no\u015ftri str\u0103bat pe r\u00e2nd Capela Madonei Mora (parte a bisericu\u0163ei \u00een care a slujit \u015fi a fost \u00eengropat ini\u0163ial Sf. Anton), Capela fericitului Luca (discipolul lui Anton), capelele \u00een\u015firate ca ni\u015fte raze plec\u00e2nd din absid\u0103, \u00eentre care \u015fi cea a Sf. Francesco d\u2019Assisi, \u015fi fire\u015fte Capela Tezaurului, cu relicvarii bijuterii, care ad\u0103postesc limba neatins\u0103 de timp, b\u0103rbia, un element din aparatul vocal al sf\u00e2ntului \u015fi altele, destule c\u00e2t s\u0103 inspir\u0103m cu nesa\u0163 aerul ozonat de o ploicic\u0103 repede trec\u0103toare din curtea interioar\u0103, a magnoliei, care pe mine m\u0103 duce cu g\u00e2ndul la magnolia ro\u015fie de la M\u0103n\u0103stirea Vorone\u0163, la cea dint\u00e2i \u00eenflorire a ei din aceast\u0103 prim\u0103var\u0103, povestit\u0103 ca un miracol de monahia Elena Simionovici. Pe latura gr\u0103dinii paralele cu bazilica, descoperim sediul ,,Mesagerului Sf. Anton\u201d, editur\u0103 care de un secol promoveaz\u0103 cu mijloacele \u015fi \u00een limbajul omului de ast\u0103zi mesajul sf\u00e2ntului, \u00eentre care revista lunar\u0103 cea mai difuzat\u0103 din Italia, cu edi\u0163ii pentru str\u0103in\u0103tate \u00een englez\u0103, francez\u0103, german\u0103, spaniol\u0103, portughez\u0103 \u015fi rom\u00e2n\u0103. De aici provin \u015fi iconi\u0163ele ,,Sf. Anton din Padova, roag\u0103-te pentru noi\u201d, pe care spre cap\u0103tul traseului din bazilic\u0103, un c\u0103lug\u0103r le oferea celor care \u00ee\u015fi l\u0103sau micu\u0163ul obol al recuno\u015ftin\u0163ei lor.<br \/>\nSc\u0103pate de constr\u00e2ngerile itinerarului din interior, admir\u0103m o vreme maiestuoasa magnolie, dar cel mai mult \u00eent\u00e2rziem l\u00e2ng\u0103 monumentul lui Lorenzo Quinn (1995), cu denumirea tradus\u0103 \u015fi \u00een rom\u00e2ne\u015fte astfel: ,,Sf\u00e2ntul Anton mijlocitor \u00eentre cer (Pruncu\u015forul Isus) \u015fi oameni\u201d, \u015fi care reia   \u00eentr-o viziune contemporan\u0103 acest moment esen\u0163ial din biografia sf\u00e2ntului reprezentat \u015fi de vechiul retablu din biserica sa din Lisabona, biseric\u0103 \u00eensufle\u0163it\u0103 \u00een iunie \u015fi de mul\u0163imea nun\u0163ilor celebrate aici sub arcada convingerii c\u0103 nimeni ca sf\u00e2ntul nu poart\u0103 at\u00e2ta noroc tinerilor c\u0103s\u0103tori\u0163i.<br \/>\n<a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/11\/3-e1667422275455.jpg\" data-rel=\"lightbox-image-3\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/11\/3-300x225.jpg\" alt=\"\" width=\"300\" height=\"225\" class=\"alignnone size-medium wp-image-19575 lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 300px; --smush-placeholder-aspect-ratio: 300\/225;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/11\/3-300x225.jpg\" alt=\"\" width=\"300\" height=\"225\" class=\"alignnone size-medium wp-image-19575\" \/><\/noscript><\/a><br \/>\n          Tot Lisabona m\u0103 \u00eenso\u0163e\u015fte \u015fi la \u00eentoarcere, chemat\u0103 poate de g\u00e2ndul c\u0103 unde este at\u00e2ta sfin\u0163enie sunt \u015fi multe \u00eencerc\u0103ri, mai exact de tripticul lui Hieronymus Bosch pe care l-am v\u0103zut la Muzeul Na\u0163ional de Art\u0103 Veche, cu ,,Ispitirea Sf\u00e2ntului Anton\u201d, lucrare din jurul anului 1500, \u00eentr-un fel mai modern\u0103 dec\u00e2t sculptura lui Lorenzo Quinn. Atmosfera sa fantastic\u0103, halucinant\u0103 \u00een care nu lipse\u015fte un imperceptibil sur\u00e2s ne absoarbe treptat, dar cu o for\u0163\u0103 teribil\u0103, p\u00e2n\u0103 ce avionul nostru devine un cocor alb \u015fi prelung pe cer, \u00eenconjurat de pe\u015fti zbur\u0103tori. \u00cens\u0103 cum, \u00eentr-adev\u0103r, fragilitatea poat\u0103 s\u0103 aib\u0103 cuv\u00e2ntul din urm\u0103, z\u0103rile se limpezesc sub nea\u015fteptate ninsori de mireasm\u0103 de manjeric, \u015fi de data aceasta nu norii, ci transparen\u0163ele zugr\u0103vesc pe\u015fti diafani ascult\u00e2ndu-ne vis\u0103tori b\u0103t\u0103ile inimii.<\/p>\n<p><strong><br \/>\nAngela NACHE MAMIER  <\/strong><br \/>\n<a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/11\/nache-mamier.jpg\" data-rel=\"lightbox-image-4\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/11\/nache-mamier.jpg\" alt=\"\" width=\"275\" height=\"299\" class=\"alignnone size-full wp-image-19576 lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 275px; --smush-placeholder-aspect-ratio: 275\/299;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/11\/nache-mamier.jpg\" alt=\"\" width=\"275\" height=\"299\" class=\"alignnone size-full wp-image-19576\" \/><\/noscript><\/a><\/p>\n<p><strong>v\u0103 e foame p\u0103pu\u015filor<\/strong><\/p>\n<p>discu\u0163ii \u015ftiri alimentare cozi abulice<br \/>\nv\u0103 e foame p\u0103pu\u015filor<br \/>\ncozile culturale cam rare<br \/>\ncei simpli sunt ferici\u0163i<br \/>\numplu de-a valma c\u0103m\u0103rile iernii posed\u0103<br \/>\ngarantate carpete ale fericirii(\u015f\u0103galnice<br \/>\nr\u0103piri din serai) rufe de chefuial\u0103<br \/>\ncostuma\u0163ia cu care-\u0163i pot striga-n fa\u0163\u0103<br \/>\nnestingheri\u0163i ca ni\u015fte<br \/>\ng\u00e2\u015fte obraznice solidare:<br \/>\nce dac\u0103 ai carte (cu alte cuvinte<br \/>\nproasto!)cam la fel mi-a zis odat\u0103<br \/>\ntanti analfabeta \u00een carne \u015fi oase<br \/>\nc\u00e2nd o durea capul de casnic\u0103<br \/>\nfiindc\u0103 o deranjau glasurile copiilor<br \/>\nzv\u0103p\u0103indu-se-n luminile soarelui<br \/>\nzg\u00e2rcit r\u0103sp\u00e2ndite peste trotuare<br \/>\nam plecat instinctiv capu-ntre umeri<br \/>\nacestea fiind spuse a tr\u00e2ntit cu \u00eendem\u00e2nare<br \/>\nu\u015fa apartamentului<br \/>\nnu am avut \u015fi nici n-am vrut<br \/>\ncu ce sa mai lupt prin culoarele<br \/>\nspaimelor mele<br \/>\nunde-mi pierd r\u0103bdarea \u00eencrederea<br \/>\nal echilibrului scut <\/p>\n<p><strong><br \/>\ns\u00e9rie noire ou grise <\/strong><\/p>\n<p>v\u00e2r\u0103 nasul cump\u0103r\u0103 m\u0103rar<br \/>\nmagneticul mire-n salar, un fitecine ogarul<br \/>\nuit\u00e2nd \u015fi de sine-n ritmul cu care<br \/>\nat\u00e2tea chenzine se fac a-l sus\u0163ine<br \/>\npeste sentimente (legende) cre\u015fte<br \/>\nm\u0103rarul contemporan<br \/>\nalte lini\u015ftite verde\u0163uri f\u0103r\u0103 \u00eempotrivire<br \/>\nare \u015fi mireasa salar, famelie<br \/>\n\u015fi-o cuhnie (nevisat\u0103 &#8211; se \u015ftie -)<br \/>\nmestec\u0103-n oale, jongl\u00e2nd v\u0103s\u0103ria,<br \/>\ncepele rumene,<br \/>\ncartea bucatelor pururi zglobie<br \/>\n(c\u00e2te capitole nu trezesc elanuri naive<br \/>\nla r\u0103zvr\u0103tire!)<br \/>\nmai urmeaz\u0103 la r\u00e2nd, tot \u00een amor\u0163ire<br \/>\nfrecatul podelei \u015fi-al ad\u00e2ncului firii<br \/>\nunde sclipesc rar, tot mai rar<br \/>\ncatedralele (ce naiba, ridicole?!)<br \/>\nale melancoliei&#8230;<br \/>\nnoaptea cea mai lung\u0103 <\/p>\n<p>\u015fi iat\u0103 cum cerul poate s\u0103-ncap\u0103<br \/>\nsub simplul arc al unei por\u0163i cu brad<br \/>\ncum orele se caut\u0103 mirese<br \/>\nrotindu-se sub v\u0103lul fetei alb<br \/>\n\u015fi iat\u0103 cum \u00een ceasul n\u0103scocit<br \/>\nde ochi \u015fi m\u00e2ini<br \/>\nse va ivi un mire<br \/>\nacela\u015fi zeu alesul \u00eencarnat<br \/>\ns\u0103 \u0163eas\u0103 fir ginga\u015felor idile<br \/>\nva fi ca \u00eenceputul unei lini\u015fti<br \/>\nnici nu vom \u015fti cum s-or fi petrecut<br \/>\ntac u\u015file care vegheaz\u0103 taina<br \/>\niar noaptea cea mai lung\u0103<br \/>\nn-a trecut<br \/>\nm\u0103 treze\u015fte mul\u0163imea <\/p>\n<p>\u00een fr\u00e2ul lacrimilor abia timide opreli\u015fti<br \/>\nsunt femeie am \u00eendatoriri<br \/>\nvia\u0163a fr\u0103m\u00e2ntat\u0103 nu-mi aduce nimic<br \/>\nnici ploaia \u00eend\u0103r\u0103tnic\u0103<br \/>\nnici a\u015fezarea montan\u0103<br \/>\nmi-e frig \u015fi m\u0103 fr\u00e2ng f\u0103r\u0103 st\u0103p\u00e2nire de sine<br \/>\ns\u0103 cred \u00een ceva \u00een versuri \u00een oameni<br \/>\n\u00een gesturile automate<br \/>\n\u00een a\u015fteptare<br \/>\nsuflet rupt<br \/>\nm\u0103 treze\u015fte mul\u0163imea<br \/>\nrinocera\u015fii<br \/>\nsupraomene\u015fte \u00eencerc s\u0103 le sem\u0103n<br \/>\ns\u0103 func\u0163ionez<br \/>\ncum s\u0103 uit triste\u0163ea v\u0103lul singur\u0103t\u0103\u0163ii<br \/>\ncr\u00e2ncena zbatere \u00eentre via\u0163\u0103 \u015fi moarte<br \/>\nchipul \u015fters al iubirii bl\u00e2nda icoan\u0103<br \/>\npurtat\u0103 de s\u00e2ngele amintirilor bl\u00e2nd<br \/>\nacoperind \u00een r\u0103stimpuri<br \/>\nco\u015ful pieptului t\u00e2n\u0103r r\u0103nit<br \/>\nnu poate fi via\u0163\u0103 nefericirea<br \/>\nnici acesta oarecarele meu sf\u00e2r\u015fit <\/p>\n<p><strong><br \/>\n\u00cen\u0163eleptul <\/strong><\/p>\n<p>umbra v\u00e2rstei \u00een supliciul b\u0103tr\u00e2ne\u0163ii<br \/>\nomul \u00eeng\u00e2ndurat \u015ftie ceva<br \/>\n\u00eentre noi \u015fi el sunt \u00eentreb\u0103ri<br \/>\n\u015fi r\u0103spunsuri cov\u00e2r\u015fitoare<br \/>\ncum facem schimbul<br \/>\nun p\u0103m\u00e2nt ponosit de iluzii \u00een priviri<br \/>\nel m\u00e2ng\u00e2ie pe genunchi<br \/>\numed rumegu\u015ful singur\u0103t\u0103\u0163ii<br \/>\ndin om\u0103turi respir\u0103 grauri de cear\u0103<br \/>\nlitanii curmate cu un gest solitar<br \/>\nomul \u00eeng\u00e2ndurat pe distan\u0163e enorme<br \/>\n\u015ftie ceva<br \/>\ncum tace sur\u00e2de cum nici nu ne-aude<br \/>\ncum poate ne trece<br \/>\nprin nepre\u0163uit\u0103 inima sa <\/p>\n<p><strong><br \/>\nmi-a\u015f dori un s\u00e2nge rebel <\/strong><\/p>\n<p>mi-a\u015f dori un s\u00e2nge rebel<br \/>\npeste universul \u00eentins necitit<br \/>\nmi-a\u015f dori t\u00e2mple f\u0103r\u0103 grele amintiri<br \/>\nv\u0103 mai spun ie\u015fi\u0163i din impas nu ca mine<br \/>\nda\u0163i cu picioarele-n<br \/>\npiatra grosolan\u0103 a singur\u0103t\u0103\u0163ii<br \/>\nfericirea este de esen\u0163\u0103 divin\u0103<br \/>\nc\u00e2\u0163iva zei nu-i a\u015fa ostenesc pentru asta<br \/>\nvezi aceste vitralii<br \/>\ndin aerul alipit luminii din catedrale<br \/>\nar putea cuprinde c\u00e2teva<br \/>\ndin pove\u015ftile noastre<br \/>\nc\u00e2ndva binef\u0103c\u0103tor de naiv colorate<br \/>\nnu-i mai vorbesc b\u0103rbatului <\/p>\n<p>nu po\u0163i gre\u015fi ascult\u00e2ndu-m\u0103<br \/>\nce facem<br \/>\nunde duc serpentinele, a\u015ftrii de fum<br \/>\njubilezi un r\u0103stimp, apoi bate ceasul<br \/>\nvin sacrificii, vin jertfe de sine<br \/>\n\u00eente\u0163im agresivi fuiorul poruncilor<br \/>\nvia\u0163a s\u0103 pun\u0103 st\u0103p\u00e2nire pe tot<br \/>\nc\u00e2t mai e vreme c\u00e2t mai e de tr\u0103it<br \/>\nnu-i mai vorbesc b\u0103rbatului<br \/>\niat\u0103-l acesta \u015ftie tot despre sine<br \/>\nconstruie\u015fte poduri prea mici<br \/>\ns\u0103 cuprind\u0103 cerul enorm \u00eenro\u015fit<br \/>\nuniversul<br \/>\n\u015fuierul lumii \u00een vine<br \/>\nnu-i mai vorbesc b\u0103rbatului<br \/>\nel s-ar putea s\u0103 mai fie<br \/>\nn-a l\u0103sat o m\u00e2n\u0103 pe fruntea<br \/>\n\u00een care a fost a\u015fternut<br \/>\nsl\u0103biciuni a sim\u0163irii<br \/>\nc\u00e2nd voi c\u0103lca hot\u0103r\u00e2t<br \/>\nvoi dezveli frumuse\u0163ea \u015fi felul deschis<br \/>\n\u00een care pot s\u0103 m\u0103 mi\u015fc, s\u0103 sur\u00e2d<br \/>\ndezbr\u0103cat\u0103 de lacrimi<br \/>\nvoi privi \u00een oglind\u0103<br \/>\ntulbur\u00e2nd imprudent toate culorile<br \/>\ns\u00e2ngelui<br \/>\nr\u00e2ul liber care m\u0103 viseaz\u0103<br \/>\n\u015fi cheam\u0103 de mult<\/p>\n<p><strong><br \/>\npalide stele de \u015for\u0163 <\/strong><\/p>\n<p>tot mai pu\u0163ine aripi ce aer ad\u00e2nc<br \/>\nc\u00e2te meandre p\u00e2n\u0103 la via\u0163a-nspumat\u0103<br \/>\ntot ce se-a\u015feaz\u0103-n dulapuri, pe mese<br \/>\nnu difer\u0103 de mult<br \/>\ndiferen\u0163\u0103 de c\u00e2teva ierburi<br \/>\nde culoare-a str\u0103nutului<br \/>\n\u00een ploi de zah\u0103r \u015fi sare<br \/>\nc\u00e2nd combina\u0163iile cer vreo schimbare<br \/>\na\u015f putea spune: iat\u0103-m\u0103 treaz\u0103<br \/>\nfoamea suie \u00eencet de la br\u00e2u<br \/>\nadev\u0103rurile mele se las\u0103-nghi\u0163ite<br \/>\ne totuna cu a fi sp\u00e2nzurate<br \/>\nzile brodate-n cristalul legumei<br \/>\nsupele dulci ast\u00e2mp\u0103r\u0103 setea<br \/>\ncomestibile droguri plutesc<br \/>\n\u00eentr-un sos impasibil de sos<br \/>\nce timid\u0103 \u00eenot<br \/>\n\u00een lumina rugii teribile<br \/>\nsa fie o dat\u0103 duminic\u0103-n numele<br \/>\nacestor palide stele de \u015for\u0163<br \/>\num\u0103rul meu(siguuur \u015fi singur)<br \/>\nv\u0103 leag\u0103n\u0103<br \/>\ngurile-acestea nu se deschid dec\u00e2t<br \/>\ns\u0103 se umple<br \/>\nvocea mea ce patin\u0103 ciudat\u0103<br \/>\nc\u00e2ndva chiar credeam c\u0103 m\u0103 poart\u0103<br \/>\nculeg ierburi mirositoare<br \/>\nsemn c\u0103-s pus\u0103 pe fapte mari<br \/>\n\u00een care cu stele s-amestec<br \/>\nscutur floarea r\u0103bd\u0103rii<br \/>\n\u00eentr-o palid\u0103 ap\u0103<br \/>\nidee fix\u0103 de-ndr\u0103gostit\u0103<br \/>\niubire transformat\u0103-n mascot\u0103<br \/>\nunul din doi se sufoc\u0103<br \/>\nmasa abia-\u015fi mai salveaz\u0103<br \/>\nreputa\u0163ia unui loc de-nt\u00e2lnire compact<br \/>\nr\u00e2ul cuvintelor furat de p\u0103m\u00e2nt<br \/>\ncea\u0163a e sufletul unei limbi omene\u015fti<br \/>\nori manechinul unei p\u0103ci otr\u0103vite<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Doina CERNICA Poveste cu Sf\u00e2ntul Minunilor Mai aveam p\u00e2n\u0103 la Padova, probabil mai pu\u0163in dec\u00e2t credeam, fixat\u0103 \u00eentr-o impresie puternic\u0103,<\/p>\n","protected":false},"author":18,"featured_media":10070,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"ngg_post_thumbnail":0,"video_url":"","footnotes":""},"categories":[7,328],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/19571"}],"collection":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=19571"}],"version-history":[{"count":2,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/19571\/revisions"}],"predecessor-version":[{"id":19577,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/19571\/revisions\/19577"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/media\/10070"}],"wp:attachment":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=19571"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=19571"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=19571"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}