{"id":19304,"date":"2022-10-01T18:48:35","date_gmt":"2022-10-01T15:48:35","guid":{"rendered":"https:\/\/ziarulderimnic.ro\/?p=19304"},"modified":"2022-10-01T18:48:35","modified_gmt":"2022-10-01T15:48:35","slug":"spatii-culturale-nr-30-13","status":"publish","type":"post","link":"https:\/\/ziarulderimnic.ro\/?p=19304","title":{"rendered":"Spa\u021bii culturale nr. 30 (13)"},"content":{"rendered":"<p><strong>Raftul cu c\u0103r\u021bi<\/strong><\/p>\n<p><strong>NICOLAI T\u0102ICU\u0162U<\/strong><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/10\/18-e1664638898834.jpg\" data-rel=\"lightbox-image-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-19305 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/10\/18-182x300.jpg\" alt=\"\" width=\"182\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 182px; --smush-placeholder-aspect-ratio: 182\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-19305\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/10\/18-182x300.jpg\" alt=\"\" width=\"182\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Gheorghe Andrei Neagu<\/strong>, <em>Poemele din templu, Editura Olimpus, R\u00e2mnicu S\u0103rat, 2013<\/em>, 218 p. Gheorghe Andrei Neagu persist\u0103 \u00een a scrie poezie bun\u0103. Dar ce spun eu?!&#8230; Iat\u0103 ce spun al\u0163ii: <em>Uria\u015ful Gheorghe Andrei Neagu face, \u00een derulajul c\u0103r\u0163ilor sale, pa\u015fi din ce \u00een ce mai uria\u015fi, implant\u00e2ndu-\u015fi numele \u00een solul cel mai solid al literaturii rom\u00e2ne contemporane. (Gheorghe Istrate) Gheorghe Andrei Neagu se dezv\u0103luie \u00een aceste poeme ale sale\u2026 ca un nostalgic pe care curgerea timpului \u00eel apas\u0103 cu degetele amintirilor, cu \u015foapta regretelor \u015fi, parc\u0103 mai rar, \u00eel acoper\u0103 cu voalul sub\u0163ire al a\u015ftept\u0103rilor. (Marius Chelaru) Gheorghe Andrei Neagu este, \u00eentr-o viziune poetic\u0103, o arm\u0103 sentimental, pornind de la sigla dat\u0103 de ini\u0163ialele numelui s\u0103u \u2013 GAN. (Mircea Bostan)<\/em>. Citi\u0163i cartea \u015fi-o s\u0103 vede\u0163i c\u0103 avem dreptate!<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/10\/19-e1664638946551.jpg\" data-rel=\"lightbox-image-1\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-19306 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/10\/19-220x300.jpg\" alt=\"\" width=\"220\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 220px; --smush-placeholder-aspect-ratio: 220\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-19306\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/10\/19-220x300.jpg\" alt=\"\" width=\"220\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Paul Spirescu<\/strong>, <em>Natur\u0103 moart\u0103 cu iluzii, Funda\u0163ia Cultural\u0103 Antares, Gala\u0163i, 2012<\/em>, 103 p. Liviu Ioan Stoiciu men\u0163ioneaz\u0103: <em>\u2026 Dac\u0103 treci ,,\u00een zbor\u201d prin c\u0103r\u0163ile lui, descoperi e\u015fantioane de versuri valoroase pline de smerenie \u015fi sarcasm, stiluri diferite consecrate \u00een istoria poeziei de la noi, de la cel postromantic \u015fi simbolist, la cel plin de metafore, modern \u015fi neomodern \u015fi p\u00e2n\u0103 la cel liber postexpresionist (dat de gol \u00een acest volum). Discret, Paul Spirescu amestec\u0103 miracolul cu necesitatea, refuz\u0103 conformismul. Men\u0163ion\u0103m c\u0103 acesta este al cincilea volum de poezie dup\u0103: Metafizica Lacrimei, (2000), Strig\u0103t clandestine, (2004), Domnule judec\u0103tor, (2007) \u015fi Eu, adic\u0103 umbra mea,(2009)<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/10\/20-e1664638961786.jpg\" data-rel=\"lightbox-image-2\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-19307 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/10\/20-198x300.jpg\" alt=\"\" width=\"198\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 198px; --smush-placeholder-aspect-ratio: 198\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-19307\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/10\/20-198x300.jpg\" alt=\"\" width=\"198\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Ioan Barb<\/strong>, <em>Medit\u00e2nd \u00eenchis \u00een ochiul ciclopului, BRUMAR Timi\u015foara, MMXIII<\/em>, 80 p. Din aprecierile lui Al. Cistelecan: <em>\u2026 Ioan Barb porne\u015fte mai de fiecare dat\u0103 de la acel memento al realului impus ca prag de Camil Petrescu \u015fi se las\u0103 dus apoi de un trend parabolic al imaginarului. Pe liniile mai active ale acestuia ajunge ba la o poezie cu priz\u0103 direct la concretul cotidian (sau anamnetic), ba la o poezie ce se pierde \u00een ritmuri de iluminare, ba &#8211; mai adesea &#8211; la o \u0163es\u0103tur\u0103 de st\u0103ri p\u0103zite de ironie s\u0103 nu dea \u00een confesiuni sentimentale. E un imaginar cu tupeu, uneori cinic, alteori simpatico, pe care Ioan Barb \u00eel \u00eencurajeaz\u0103 la \u00eendr\u0103zneli \u00eempinse p\u00e2n\u0103-n marginea suprarealismului (dar nu numai acolo). Tocmai acest tupeu al inventivit\u0103\u0163ii \u00eel fere\u015fte de repetitivitate.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/10\/21-e1664638976961.jpg\" data-rel=\"lightbox-image-3\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-19308 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/10\/21-221x300.jpg\" alt=\"\" width=\"221\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 221px; --smush-placeholder-aspect-ratio: 221\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-19308\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/10\/21-221x300.jpg\" alt=\"\" width=\"221\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Viorel Dinescu<\/strong>, <em>Fronde, Editura Funda\u0163iei ,,Scrisul Rom\u00e2nesc\u201d, Craiova, 2012<\/em>, 280 p. \u00cen prefa\u0163a c\u0103r\u0163ii, Nicolae-Paul Mihail precizeaz\u0103: <em>Chiar dac\u0103 arta pamfletului \u00ee\u015fi are \u00eenceputurile \u00een epoci mult mai \u00eendep\u0103rtate, abia \u00een zilele noastre ea a atins o amplitudine \u015fi o diversitate maxime, explica\u0163iile afl\u00e2ndu-se, \u00een principal, \u00een exacerbarea confrunt\u0103rilor politice, care devin cu fiecare zi tot mai necru\u0163\u0103toare. [\u2026] Frondele poetului Viorel Dinescu ar putea fi tot at\u00e2tea avertismente, premoni\u0163ii pentru to\u0163i cei de fa\u0163\u0103 \u015fi viitori ,,golia\u0163i\u201d, acoperi\u0163i cu plato\u015fe \u015fi coifuri. Am v\u0103zut doar cu to\u0163ii cum uria\u015ful din Biblie \u015fi-a dat duhul c\u00e2nd \u0163easta lui de bivol a \u00eent\u00e2lnit pietricica aruncat\u0103 din pra\u015ftie de un t\u00e2n\u0103r \u015fi netem\u0103tor lupt\u0103tor care mai t\u00e2rziu a devenit rege al iudeilor. S\u0103 st\u0103m cu fric\u0103, s\u0103 st\u0103m cu luare aminte!<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/10\/22-e1664638995132.jpg\" data-rel=\"lightbox-image-4\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-19309 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/10\/22-192x300.jpg\" alt=\"\" width=\"192\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 192px; --smush-placeholder-aspect-ratio: 192\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-19309\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/10\/22-192x300.jpg\" alt=\"\" width=\"192\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Marieta R\u0103doi Mih\u0103i\u0163\u0103<\/strong>, <em>Genul programului: dram\u0103, Europress Group, Bucure\u015fti 2012<\/em>, 76 p. Prefa\u0163a \u2013 <em>Sistematizarea cosmosului prin vocea poetului<\/em> \u2013 apar\u0163ine lui Aureliu Goci, iar pe ultima copert\u0103 a c\u0103r\u0163ii, Radu C\u00e2rneci spune:<em> Marieta Mih\u0103i\u0163\u0103 R\u0103doi face parte din acea restr\u00e2ns\u0103 categorie de poe\u0163i a c\u0103ror crea\u0163ie este lipsit\u0103 de metafora spectaculoas\u0103 (g\u0103l\u0103gioas\u0103!), beneficiind \u00eens\u0103 de taina cuvintelor, d\u00e2nd al\u0103tur\u0103rii acestora acea imprevizibilitate, venind parc\u0103 dinspre Mallarm\u00e9 sau, \u015fi mai aproape de noi, de la Ion Barbu, acest farmec al imprecisului care asigur\u0103 autoarei o indiscutabil\u0103 originalitate \u015fi esen\u0163ializare a acestei poetici.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/10\/23-e1664639010364.jpg\" data-rel=\"lightbox-image-5\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-19310 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/10\/23-224x300.jpg\" alt=\"\" width=\"224\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 224px; --smush-placeholder-aspect-ratio: 224\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-19310\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/10\/23-224x300.jpg\" alt=\"\" width=\"224\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Marius Stan<\/strong>, <em>C\u00e2teva zile, Editura Helis, Slobozia, 2013<\/em>, 164 p. Temeinicia \u00eenceputului sau \u00eenceputul temeiniciei se intituleaz\u0103 postfa\u0163a lui Titi Damian la aceast\u0103 carte de povestiri. Pe coperta a patra sunt date c\u00e2teva referin\u0163e ce apar\u0163in lui Gheorghe Dobre: <em>de\u015fi aflat la Chicago, Marius Stan scrie poezii \u015fi povestiri din Urziceni! Cum s\u0103 nu-l iubesc? Apoi Dan Simionescu: (Povestirile lui Marius Stan)\u2026 radiografiaz\u0103 cu m\u0103iestrie momentele esen\u0163iale, dramele esen\u0163iale din \u00eent\u00e2mpl\u0103ri relativ banale. \u015ei Titi Damian: \u2026\u015ei \u00een cazul de fa\u0163\u0103 (intui\u0163ia \u015fi experien\u0163a \u00eemi spun c\u0103 nu m\u0103 \u00een\u015fel), cred c\u0103 literatura rom\u00e2n\u0103 contemporan\u0103 se g\u0103se\u015fte \u00een pragul unei crea\u0163ii de avengur\u0103. Cu certitudine, Marius Stan \u00ee\u015fi va da examenul maturit\u0103\u0163ii artistice printr-un mare roman psihologic. Acest \u00eenceput era necesar. L-a f\u0103cut. Temeinic.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/10\/24-e1664639029696.jpg\" data-rel=\"lightbox-image-6\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-19311 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/10\/24-221x300.jpg\" alt=\"\" width=\"221\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 221px; --smush-placeholder-aspect-ratio: 221\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-19311\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/10\/24-221x300.jpg\" alt=\"\" width=\"221\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Mihai Merticaru<\/strong>, <em>Ve\u015fnicia dintre clipe, Vasiliana &#8217;98, Ia\u015fi, 2013<\/em>, 126 p. <em>&#8230; Poet reflexiv \u015fi sentimental, deschis spre metafizic\u0103, \u00eenzestrat cu mai multe registre de limbaj, Mihai Merticaru \u00eembin\u0103 armonios ecourile unei culturi temeinice cu prospe\u0163imea expresiei \u015fi for\u0163a imaginativ\u0103&#8230;<\/em> spune Ioan Holban. <em>&#8230; suntem siguri c\u0103 to\u0163i cei care vor lua \u00een m\u00e2n\u0103 aceast\u0103 carte vor avea nenum\u0103rate alte motive de a z\u0103bovi cu \u00eenc\u00e2ntare, folos \u015fi recuno\u015ftin\u0163\u0103 asupra unei poezii \u00een cre s-a topit sufletul unui poet de o tulbur\u0103toare sinceritate&#8230;<\/em> spune \u015fi Constantin Cucu. Iar Emil Nicolae vine \u00een completarea aprecierilor critice: <em>&#8230; De la un volum la altul, autorul a dob\u00e2ndit o acurate\u0163e remarcabil\u0103 a discursului, f\u0103r\u0103 s\u0103 se dep\u0103rteze de temele deja confirmate, memoria \u00een primul r\u00e2nd&#8230;<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/10\/25-e1664639082276.jpg\" data-rel=\"lightbox-image-7\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-19312 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/10\/25-191x300.jpg\" alt=\"\" width=\"191\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 191px; --smush-placeholder-aspect-ratio: 191\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-19312\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/10\/25-191x300.jpg\" alt=\"\" width=\"191\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Victor Mitocaru<\/strong>,<em> Antologia anului 2012, Rovimed Publishers, Bac\u0103u, 2013<\/em>, 200 p. Comprehensive \u015fi la zi se vor dialogurile lui Victor Mitocaru, dintre politic\u0103 \u015fi cultur\u0103, din aceast\u0103 carte. Pentru c\u0103: <em>Sunt acela\u015fi \u00een schimbare \u015fi mereu \u00een travesti,\/ \u00eens\u0103 eu, b\u0103tr\u00e2n piratul, oare c\u00e2nd m-oi povesti?\/ Una-i s\u0103-\u0163i plesne\u015fti muierea, alta-i c\u00e2rmuind pe to\u0163i\/ s\u0103 le fie de-a mirare c\u0103-n democra\u0163ie po\u0163i\/ la prostimea nes\u0103tul\u0103 s\u0103 \u00eende\u015fi verzi \u015fi uscate,\/ s\u0103 te \u0163ie \u00een urale to\u0163i cu gurile c\u0103scate.\/ Pro\u015fti or fi, dar mul\u0163i sunt totu\u015fi, mul\u0163i or fi \u015fi totu\u015fi pro\u015fti;\/ e-n\u0103l\u0163area \u015fi c\u0103derea prohoditei noastre ob\u015fti.\/ Eu, \u015fcoler de pus la col\u0163uri, carte nu, cu g\u00e2ndul dus,\/ \u00een Levant voi fi temutul Nauta Impavidus. (Prolog)<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/10\/26-e1664639092400.jpg\" data-rel=\"lightbox-image-8\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-19313 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/10\/26-197x300.jpg\" alt=\"\" width=\"197\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 197px; --smush-placeholder-aspect-ratio: 197\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-19313\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/10\/26-197x300.jpg\" alt=\"\" width=\"197\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Ioana Stuparu<\/strong>, <em>Pa\u015fi din hora vie\u0163ii \u2013 povestiri -, Editura RAWEX COMS, Bucure\u015fti 2013<\/em>, 104 p. Din referin\u0163ele critice cit\u0103m un fragment: <em>\u2026 Ioana Stuparu are o \u00een\u0163elepciune nativ\u0103. Ei nu-i trebuie s\u0103 se ca\u0163ere pe culmile ideii, ca s\u0103 exprime un adev\u0103r. Ea-l roste\u015fte simplu \u015fi atunci, \u00ee\u015fi opresc apele cursul, de uimire. Simpl\u0103, ca p\u0103m\u00e2ntul \u015fi aerul, ea \u015ftie rostul tuturor lucrurilor \u015fi, \u00een chip deosebit, rostul cuv\u00e2ntului pe care nu-l folose\u015fte \u00een de\u015fert, ci doar acolo unde se potrive\u015fte cel mai bine\u2026 <\/em>(Cezarina Adamescu) Al\u0163i referen\u0163i: Maria-Diana Popescu, Drago\u015f Ciobanu, Geo C\u0103lug\u0103ru, Vintil\u0103 Anastasescu, Victoria Milescu, Augustin Macarie, Petre Fluera\u015f, Sabina M\u0103du\u0163a, Menu\u0163 Maximinian, Victor Sterom, Emil Lungeanu, Ion C. \u015etefan, Adrian Botez, Florica Gh. Ceapoiu, Melania Cuc, Doru Popovici, Maria Fitcal, Eugen Cojocaru.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/10\/27-e1664639106519.jpg\" data-rel=\"lightbox-image-9\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-19314 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/10\/27-209x300.jpg\" alt=\"\" width=\"209\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 209px; --smush-placeholder-aspect-ratio: 209\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-19314\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/10\/27-209x300.jpg\" alt=\"\" width=\"209\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Apostu Panaitache Vultureanu<\/strong>, <em>Ecoul geam\u0103tului, Editura Andrew, Foc\u015fani, 2012<\/em>, 85 p. Pe coperta a patra a c\u0103r\u0163ii, Paul Spirescu spune: <em>Pot spune c\u0103 am fost cumva martorul definitiv\u0103rii \u015fi, \u00een fond, al na\u015fterii acestei c\u0103r\u0163i: am cunoscut \u015fi am fost p\u0103rta\u015f la mai toate fr\u0103m\u00e2nt\u0103rile, ezit\u0103rile, renun\u0163\u0103rile \u015fi revenirile autorului, semnele cele mai sigure ale faptului c\u0103 ne afl\u0103m \u00een fa\u0163a unui poet autentic, \u00eenzestrat de Dumnezeu nu numai cu darul talentului genuine, ci \u015fi cu respon-sabilitatea gestion\u0103rii cum se cuvine a acestui dar. Atunci c\u00e2nd scrie, de fapt, Apostu Panaitache Vultureanu se scrie pe sine: o poezie, c\u00e2nd st\u00e2ncoas\u0103, col\u0163uroas\u0103 \u015fi aspr\u0103, c\u00e2nd lini\u015ftit\u0103 \u015fi calm\u0103 ca ad\u00e2ncurile unui ocean,a\u015fa cum este \u00eens\u0103\u015fi via\u0163a omului.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/10\/28-e1664639117877.jpg\" data-rel=\"lightbox-image-10\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-19315 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/10\/28-210x300.jpg\" alt=\"\" width=\"210\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 210px; --smush-placeholder-aspect-ratio: 210\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-19315\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/10\/28-210x300.jpg\" alt=\"\" width=\"210\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Janine Vadislav<\/strong>, <em>Raiul, Editura TERRA, Foc\u015fani, 2012<\/em>, 200 p. Pe coperta a patra a tomului, Teodora F\u00eent\u00eenaru men\u0163ioneaz\u0103: <em>Noua carte a Janinei Vadislav este un pre\u0163ios tablou \u00een clar-obscur \u00een care personajele \u015fi atmosfera evocat\u0103 sunt fr\u00e2nturi ale memoriei personale a autoarei, aflate \u00een permanent\u0103 c\u0103utare de spa\u0163iu odonator. Este o memorie permanent retu\u015fat\u0103 \u015fi combinat\u0103 cu abilitatea fic\u0163ional\u0103, exersat\u0103 cu gra\u0163ie, care construie\u015fte un demers textual atipic, sus\u0163inut simbolic cu citate de gard\u0103 dintr-o memorie lectorial\u0103 selectiv\u0103 \u015fi exersat\u0103. Personajele din Raiul vin dintr-o lume cu toate ale ei, dar ceea ce le face, totu\u015fi, special, este ata\u015famentul cenzurat de orice lirism al autoarei, modul \u00een care aceasta pare c\u0103 se confund\u0103 uneori cu unele dintre ele sau \u00een care le a\u015feaz\u0103 \u00een ecua\u0163ia textului cu siguran\u0163\u0103 \u015fi cu tehnic\u0103 a detaliului deosebit de eficient\u0103.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/10\/29-e1664639206918.jpg\" data-rel=\"lightbox-image-11\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-19316 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/10\/29-242x300.jpg\" alt=\"\" width=\"242\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 242px; --smush-placeholder-aspect-ratio: 242\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-19316\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/10\/29-242x300.jpg\" alt=\"\" width=\"242\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Aurel Pop<\/strong>, <em>Eternitatea prin poezie, Editura Citadela, 2012, Satu-Mare<\/em>, 186 p. \u00cen argument Alexandru Zotta afirm\u0103: <em>\u2026 Cuprinz\u00e2nd poeme din crea\u0163iile a dou\u0103zeci \u015fi opt de poe\u0163i s\u0103tm\u0103reni, volumul (\u2026) se constituie \u00een primul r\u00e2nd \u00eentr-un respectuos omagiu adus poeziei \u015fi creatorilor ei\u2026<\/em> Poe\u0163ii antologa\u0163i sunt: Cicio Simion Anderco (1915-1975), Livia Bac\u00e2ru (1921-1999), Ion Baias (1950-2005), Ion Bledea (1951-1998), George Boitor (1934-1976), Ioan Bran (1942-1988), Ioan Chioreanu-Oa\u015f (1922-2011), Ion Codreanu (1937-1999), Debreczen \u00c9va (1957-2011), Leontin Dr\u0103gan (1947-2003), Farkas Elek (1946-2003), F\u00e9nyi Istv\u00e1n (919-1994), Gabriel Georgescu (1911-1973), Gell\u00e9rt S\u00e1ndor (1916-1988), Ion Ghiur (1938-2012), Paul Grigore (1952-1989), Emil Matei (1947-2001), Gelu M\u0103gureanu (1967-2009), Ioan Halmi Negre\u015fteanu (1937-2011), Alexandru Pintescu (1947-2003), Dariu Pop (1887-1963), Ion Popdan (1935-2000), Gabriel Ra\u0163iu (1930-2006), Dorin S\u0103l\u0103jan (1948-2005), Josef Johann Solt\u00e9sz (1945-2006), Ioan Timoc (1945-2012), Ion V\u0103dan (1949-2012), Viorel Vladimirescu (1953-2008).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Raftul cu c\u0103r\u021bi NICOLAI T\u0102ICU\u0162U Gheorghe Andrei Neagu, Poemele din templu, Editura Olimpus, R\u00e2mnicu S\u0103rat, 2013, 218 p. Gheorghe Andrei<\/p>\n","protected":false},"author":18,"featured_media":10070,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"ngg_post_thumbnail":0,"video_url":"","footnotes":""},"categories":[7,328],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/19304"}],"collection":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=19304"}],"version-history":[{"count":1,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/19304\/revisions"}],"predecessor-version":[{"id":19317,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/19304\/revisions\/19317"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/media\/10070"}],"wp:attachment":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=19304"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=19304"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=19304"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}