{"id":19254,"date":"2022-09-23T10:59:21","date_gmt":"2022-09-23T07:59:21","guid":{"rendered":"https:\/\/ziarulderimnic.ro\/?p=19254"},"modified":"2022-09-23T10:59:21","modified_gmt":"2022-09-23T07:59:21","slug":"spatii-culturale-nr-30-5","status":"publish","type":"post","link":"https:\/\/ziarulderimnic.ro\/?p=19254","title":{"rendered":"Spa\u021bii culturale nr. 30 (5)"},"content":{"rendered":"

Traduceri <\/strong><\/p>\n

Barbu Fundoianu<\/strong>
\n (1898-1944)<\/p>\n

Pantoum<\/strong><\/p>\n

\u00abSi je meurs, c\u2019est nous qu\u2019on mettrait au linceul,
\nEt toute ta splendeur mourrait avec mes songes\u00bb
\nEd. Haraucourt
\n <\/em><\/p>\n

Comment le croyant dresse ses regards vers le ciel
\nComment en vain il baisse son front dans la pri\u00e8re
\nAinsi me fascine ton front plein de myst\u00e8re
\nAinsi j\u2019ai \u00e9trangl\u00e9 mon r\u00eave de lumi\u00e8re<\/p>\n

Comment en vain il baisse son front dans la pri\u00e8re
\nJ\u2019ai cru pouvoir atteindre au moins un brin d\u2019espoir
\nAinsi j\u2019ai \u00e9trangl\u00e9 mon r\u00eave de lumi\u00e8re
\nR\u00e9jouis-toi de ma gr\u00e2ce, demain il sera tard<\/p>\n

J\u2019ai cru pouvoir atteindre au moins un brin d\u2019espoir
\nTu m\u2019as chang\u00e9, vilaine, le rayon demand\u00e9
\nR\u00e9jouis-toi de ma gr\u00e2ce, demain il sera tard
\nAu lieu d\u2019une statue, l\u2019outil tu m\u2019as donn\u00e9.<\/p>\n

Tu m\u2019as chang\u00e9, vilaine, le rayon demand\u00e9
\nJe t\u2019aimais avec z\u00e8le, pour toi c\u2019\u00e9tait un flirt,
\nAu lieu d\u2019une statue, l\u2019outil tu m\u2019as donn\u00e9
\nTu avais \u00e0 l\u2019oreille ta rose, pas mon myrte.<\/p>\n

Je t\u2019aimais avec z\u00e8le, pour toi c\u2019\u00e9tait un flirt,
\nTu aurais pu comprendre qu\u2019en moi un monde vibre
\nTu avais \u00e0 l\u2019oreille ta rose, pas mon myrte,
\nNos deux \u00e2mes, ma belle, sont faites d\u2019autre fibre.<\/p>\n

Tu aurais pu comprendre qu\u2019en moi un monde vibre
\nMoi, seul, je suis la glace quand tout est \u00e9ph\u00e9m\u00e8re
\nNos deux \u00e2mes, ma belle, sont faites d\u2019autre fibre.
\nJ\u2019\u00e9ternise mon \u00eatre, tout p\u00e9rit sur la terre<\/p>\n

Moi, seul, je suis la glace quand tout est \u00e9ph\u00e9m\u00e8re
\nDe toi et de tes r\u00eaves s\u2019empare le n\u00e9ant;
\nJ\u2019\u00e9ternise mon \u00eatre, tout p\u00e9rit sur la terre.
\nTel coffre-fort, mon \u00eatre te garde en lui, brillant.<\/p>\n

(\u00e9crit \u00e0 Iasi, le 17 janvier 1915)<\/p>\n


\n Pantoum oriental<\/strong><\/p>\n

Trop souvent tu me trouble, silencieux Orient,
\nPar ton sommeil molasse de sultane indolente
\nPas de gazelle aux r\u00eaves d\u2019un bel adolescent,
\nLe ciel en porcelaine sur tes mosqu\u00e9es brillantes.<\/p>\n

Par ton sommeil mollasse de sultane indolente
\nSur tes genoux de roses tu m\u2019as vol\u00e9 souvent
\nLe ciel en porcelaine sur tes mosqu\u00e9es brillantes
\nQuand les cypr\u00e8s s\u2019\u00e9talent tout autour, fr\u00e9missants.<\/p>\n

Sur tes genoux de roses tu m\u2019as ravi souvent
\nTon corps est doux-ti\u00e8de, tes mots sont langureux
\nQuand les cypr\u00e8s s\u2019\u00e9talent tout autour, fr\u00e9missants,
\nDansaient les filles blanches un rythme fi\u00e9vreux.<\/p>\n

Ton corps est doux-ti\u00e8de, tes mots sont langureux
\nEt ton parfum paisible s\u2019emparant de mon \u00eatre
\nDansaient les filles blanches un feu tumultueux
\nDes maisonnettes tristes dormaient avec leurs ma\u00eetres.<\/p>\n

Ton parfum bien paisible s\u2019emparant de mon \u00eatre
\nJ\u2019avais dans ma m\u00e9moire les jardins de Chiraz
\nDes maisonnettes tristes dormaient avec leurs ma\u00eetres
\nMontaient les hyacinthes en embrassant leurs bases.<\/p>\n

J\u2019avais dans ma m\u00e9moire les jardins de Chiraz
\nAu clair de lune, blanche perruque de marquise
\nMontaient les hyacinthes en embrassant leurs bases.
\nL\u2019atmosph\u00e8re \u00e9tait pleine de rimes de Hafiz.<\/p>\n

Au clair de lune, blanche perruque de marquise
\nTu vins toute l\u00e9g\u00e8re, t\u2019habillaient des corolles
\nL\u2019atmosph\u00e8re \u00e9tait pleine de rimes de Hafiz
\nTon corps sentait l\u2019ar\u00f4me, ta voix \u00e9tait viole.<\/p>\n

Tu vins toute l\u00e9g\u00e8re, t\u2019habillaient des corolles
\nSh\u00e9h\u00e9r\u00e9zade, rare, souriant follement
\nTon corps sentait l\u2019ar\u00f4me, ta voix \u00e9tait viole
\nSubtil \u00e9tait ton charme sp\u00e9cifique au Levant.<\/p>\n

Sh\u00e9h\u00e9r\u00e9zade rare souriant follement
\nD\u00e9chirant dans mon \u00e2me l\u2019illusion persane,
\nSubtil \u00e9tait ton charme sp\u00e9cifique au Levant
\nPar ton sommeil mollasse d\u2019indolente sultane.<\/p>\n

Versiune \u00een limba francez\u0103 de<\/em> Ion RO\u015eIORU<\/strong><\/p>\n


\nIvan A. AKSIONOV <\/strong>
\n (1884 \u2013 1935)
\n\"\"

S-a n\u0103scut \u00een Putvil \u00eentr-o familie nobiliar\u0103. Instruit \u00een corpul de cade\u0163i din Kiev, dup\u0103 care, \u00een 1905, \u2013 la \u015ecoala de Geni\u015fti din Nikolaev, apoi \u2013 la Moscova.
\n\u00cen aprilie 1910 este cavaler de onoare la nunta Annei Gorenko (Ahmatova) \u015fi Nikolai Gumiliov.
\n\u00cen vara anului 1917, c\u0103pitanul Ivan Aksionov, aflat pe frontul rom\u00e2n, este ales \u00een Consiliul deputa\u0163ilor solda\u0163ilor \u015fi ofi\u0163erilor. \u00cen toamn\u0103, este arestat de autorit\u0103\u0163ile rom\u00e2ne, petrec\u00e2nd patru luni \u00een \u00eenchisoare, dup\u0103 care este eliberat, \u00eentr-un schimb de prizonieri, \u015fi numit pre\u015fedintele comisiei \u00eemputernicite cu lupta contra dezertorilor.
\n\u00cen anul 1920 se stabile\u015fte la Moscova, edit\u00e2nd la \u201eCentrifuga\u201d volumul de versuri \u201eSerenada\u201d.
\nDin 1922 este ales pre\u015fedintele Uniunii Poe\u0163ilor. Concomitent, activeaz\u0103 \u00een teatru, colabor\u00e2nd cu V. Meyerhold, fiind rectorul Cursurilor teatrale superioare, \u0163ine prelegeri despre teatrul englez, devenind teoreticianul noilor tendin\u0163e constructiviste \u00een teatru. Ader\u0103 la constructivi\u015fti, de care se desparte \u00een 1929.
\nA \u00eentreprins noi studii despre teatrul englez, public\u0103 un volum de eseuri despre Shakespeare (1930), traduce din dramaturgia britanic\u0103.<\/p>\n

LA TOUR EIFFEL<\/strong><\/p>\n

Nu voi uita aceast\u0103 \u00een\u0103l\u0163ime,
\nA ferocelui fier triunghi urc\u00e2nd la cer
\n\u015ei nici admiratorul ce-i acoperi \u0163ev\u0103ria.
\nNici nu am cum s\u0103 nu-l glorific vis\u0103tor
\nPeste cotorul unui roman \u2013 distrus-amor
\nC\u00e2nd lancea grea \u00eenfrunt\u0103-o alt\u0103 lance
\nIar rana cadranului de ornic abia albe\u015fte
\n\u015ei timpul drumurilor care nu iart\u0103
\nRespir\u0103 ca v\u00e2ntoasa cu aspra-i b\u0103taie
\nR\u0103sfir\u00e2nd fuiorul a trei torc\u0103toare
\n\u015ei cu imbatabile dovezi \u00eemi poveste\u015fte
\nAceast\u0103 dep\u0103rtare parc\u0103 \u015fi mai blajin
\n\u015ei mai sf\u00e2nt de r\u0103ul lumii derutate
\nDe care nici c\u0103 mi-a\u015f fi \u00eenchipuit c\u00e2ndva.
\n\u015ei mai tihnit\u0103 e, de v\u00e2sle neatins\u0103
\nApa hele\u015fteului din preajma morii, unde
\nTainic se topesc albele flori, dispar
\nPeste reversu-n purpur de frunze scuturate
\nPe unde se de\u015fir\u0103 a sufletului tifoane
\n\u015ei nu r\u0103sun\u0103 nicio \u00eempu\u015fc\u0103tur\u0103.<\/p>\n


\n(M\u00dcNCHEN)<\/strong><\/p>\n

A smulge cuvintele!<\/p>\n

dar inevitabil, de ne\u00eenvins\u0103 eticheta e
\npe deplin pervertitului de generala aten\u0163ie cauciuc
\n\u2116
\n\u2116
\n\u2116
\nAstfel 33 = 81.
\nAr fi \u00eent\u00e2mpl\u0103tor sporul la cec?
\nSau acesta e chiar r\u0103spunsul?
\nAr trebui.
\nDoar.
\nA\u015fadar,
\nC\u00e2nd fiec\u0103rui pas drept r\u0103spuns \u2013 i-i betonul
\n\u015ei se va bloca izvorul-havuz
\nPosibil,
\n\u00cencovoiat
\nPe c\u00e2mpul, pe c\u00e2mpul s\u0103u
\nS\u0103 fluturi cu, \u00een \u015fapte piei,
\nPanoul centrifugii?
\nDoar o singur\u0103 fluturare \u015fi va amurgi
\n Zero \u2013
\n mai desf\u0103 \u00eenc\u0103 intersec\u0163ii \u00een ascu\u0163ime
\n(Demultul, demultul spectru al panourilor pluriafi\u015fiere:
\nC\u0103de\u0163i, c\u0103de\u0163i, n\u0103scociri ale peticirilor).<\/p>\n


\ninevitabil este<\/strong><\/p>\n

Cu genunchiul
\nStr\u00e2ns\u0103, ap\u0103sat\u0103 la palmet\u0103,
\n\u00centins\u0103,
\nAr\u0103t\u00e2ndu-\u015fi col\u0163ii,
\nR\u0103s-confirmat\u0103
\nSpaima eriniilor<\/p>\n

\u015fi aceste bra\u0163e apotropaice<\/p>\n


\ntai!<\/strong><\/p>\n

F\u0103r\u0103-graalitate pe culme,
\n\u00cen ce prive\u015fte dubla provincialitate
\nF\u0103r\u0103graalitate pe munte
\nCi-devant capitalei
\nF\u0103r\u0103graalitate pe munte
\nTot acest material plastic ce crap\u0103 cu pocnet
\nSfredele\u015fte jegul sistematicii
\nGoticului spleen al splinelor<\/p>\n


\nde ce ar\u0103murile n-am deschide?<\/strong><\/p>\n

Unde anume se sup\u0103r\u0103 barele de gimnastic\u0103?
\nSmoloase-s ridurile \u00een acest sur\u00e2s
\nIar demen\u0163ii p\u0103ianjeni
\nMi\u015fc\u0103 timid
\nCopca de var a lunii
\nAr fi cazul s\u0103 se developeze acest negativ?<\/p>\n


\ninevitabil!<\/strong><\/p>\n

Pentru c\u0103 numai aerul a fost c\u00e2ntec
\n(\u00een pofida insuportabilei maniere a unei anume
\nservitoare de a deschide, \u00een lips\u0103, fereastra \u00een strad\u0103)
\nNu! Nu! Nu! N u e t \u00e2 r z i u
\n\u015ei vestea mai vibreaz\u0103 \u00eenc\u0103.
\n\u015ei tu nu vei primi nici un fel de zah\u0103r
\nP\u00e2n\u0103 nu vor deretica, nu vor \u00eenghesui, \u015fterge
\nPeste p\u0103m\u00e2nt
\nC\u0103lcatele \u00een picioare de r\u0103zboi sem\u0103n\u0103turi de toamn\u0103
\nGhimpoasofereastr\u0103
\nDespre amarul destin
\nDespre colofoniu
\nDespre caprofoliacee
\n F\u0103r\u0103 graalitatea pe munte.
\n\u015ei nu se vede nici tu cap\u0103t, nici tu odihn\u0103
\nAh? nu fu de-ajuns ro\u015ful vin
\nCine, d-lor, v\u0103zu pe mult stimatul arhitriciclu?
\nClar de tot se desface capul \u00een feliu\u0163e de portocal\u0103;
\nVorb\u0103re\u0163ul fu cel ce d\u0103du stingerea;
\nSub nori, cheia e r\u0103s-r\u0103sucit\u0103
\n\u015ei c\u00e2nd cad banii \u2013
\n zvon
\nC\u00e2nd cade b\u0103\u0163ul \u2013
\n trosnet
\nC\u00e2nd cade…<\/p>\n

N<\/p>\n

Pierit\u0103 poian\u0103
\nAlb\u0103 galben-pai
\nSe pl\u00e2ngea ca fost\u0103
\nPlutitoare pil\u0103-ustensil\u0103
\nCu alfabet chirilic se-acoperi
\nCucuind v\u0103zui?<\/p>\n


\ninevitabil!<\/strong><\/p>\n

\u015ei s-a autoaruncat ziua-noapte.
\nZiua?
\nA\u015f!
\nArs-au cu amurg de coral
\nAminti\u0163i-v\u0103 de mine
\nAmurgul chiar muri
\n\u00centr-un bridge
\n\u015eI<\/p>\n


\npal mal bal<\/strong><\/p>\n

Se ofili
\nBari\u015ful
\nPlacatul
\nPe curent
\n\u00cen-
\nvr\u0103-
\njind gazul dus.
\nv\u00e2ntur\u0103-te numaidec\u00e2t \u00een etichet\u0103.
\nCu viteza
\nCe dep\u0103\u015fe\u015fte toate inova\u0163iile din acest domeniu.
\nBinef\u0103c\u0103torilor! chema\u0163i pompierii:
\nSe declan\u015feaz\u0103 jelirea universal\u0103.<\/p>\n

Ce e, fiule, \u0163i-ajutar\u0103 le\u015fii t\u0103i?<\/p>\n


\nCADEN\u0162A DIN TRECUT<\/strong><\/p>\n

(cenotaf)<\/p>\n

Iertarea locurilor comune \u2013 cu luna
\nSubliniate pl\u0103ceri
\n\u015ei duse dincolo de ar\u015fi\u0163\u0103
\n\u00cendr\u0103gostitele preconceputele porniri<\/p>\n

Zadarnic! \u2013 furioas\u0103 plecare
\nBo\u0163i-va-nchipuite aripi de columbe
\n\u015ei doar cel cod de pomenire
\nInterpreta-va fals ritmuri de rumbe.<\/p>\n

Visuri ce nu trec \u00een realitate
\nPentru parastase de ne\u00eenf\u0103ptuit
\nDespre cutremurate-ntemeieri
\nDe patrie \u00een ne-relativul ei d\u0103inuit.<\/p>\n

Traducere \u015fi prezentare de<\/em>
\n Leo BUTNARU <\/strong><\/p>\n


\nFlorin DOCHIA<\/strong>
\n\"\"

\u015fi a fost sear\u0103 \u015fi a fost diminea\u0163\u0103<\/strong><\/p>\n

ars amandi 1<\/strong><\/p>\n

poetul, ca o femeie
\na\u015ftept\u00e2nd na\u015fterea imprevizibil\u0103
\na unui nou univers,
\najunge adesea la limita plictiselii
\n\u015fi \u00eel inventeaz\u0103 singur
\nca \u015fi cum ar tricota f\u0103r\u0103 \u00eencetare
\no trans\u0103 de zile \u015fi de nop\u0163i
\ndou\u0103 pe fa\u0163\u0103, dou\u0103 pe dos \u2013
\nva ie\u015fi un univers frumos!<\/p>\n


\nars amandi 2<\/strong><\/p>\n

am g\u0103sit \u00een tine frontiera
\nnu m\u0103 mai risipesc
\nm\u0103 pierd \u00een r\u0103t\u0103ciri din l\u0103untrul fiin\u0163ei
\n\u00ee\u0163i urmez umbra cu umbra mea
\ng\u00e2ndul meu se \u00eembr\u0103\u0163i\u015feaz\u0103 cu g\u00e2ndul t\u0103u
\n\u015fi coboar\u0103 netulburate \u00een somn.<\/p>\n


\nars amandi 3<\/strong><\/p>\n

p\u0103strez o copie a umbrei tale
\n\u00eencrustat\u0103 \u00een ochi
\nam pe retin\u0103 un punct de negur\u0103
\ndac\u0103 las pleoapa
\nse face virgul\u0103 de lumin\u0103
\no poart\u0103 deschis\u0103 mereu
\nprin care vin noi semne de \u00eentrebare<\/p>\n


\ngesundheit<\/strong><\/p>\n

din c\u00e2nd \u00een c\u00e2nd
\ncineva de sus arunc\u0103 peste noi
\npraf de uitare
\ns\u0103 nu umplem ogorul de
\nprea mult\u0103 istorie
\ne \u015fi a\u015fa o aglomera\u0163ie infernal\u0103<\/p>\n


\nslobod<\/strong><\/p>\n

diminea\u0163a vine dezbr\u0103cat\u0103 de soare
\nte \u00eembat\u0103 preaplinul
\nunui acut sentiment al z\u0103d\u0103rniciei
\no sf\u00e2\u015fietoare bucurie a ce\u0163ii
\no sf\u00e2nt\u0103 umilin\u0163\u0103 a strea\u015finilor
\nsub care dorm alunga\u0163ii din lume
\nacoperi\u0163i cu ziare<\/p>\n

e prea devreme pentru o cafea
\ne prea devreme pentru orice femeie
\npe care lasciv\u0103 o \u00eenchipui sub pleoape
\ne prea t\u00e2rziu s\u0103 mai \u00eencerci
\no \u00eentoarcere la linia de start
\np\u0103s\u0103rile deja s-au refugiat dincolo de mare
\nfluturii deja sunt prin\u015fi \u00een chihlimbare<\/p>\n

e \u00een tine o c\u0103dere continu\u0103
\nsug r\u0103d\u0103cinile arome din crengile moi
\niar somnul femeii tale
\nse \u00eenchide \u00een nesomnul t\u0103u
\npentru \u00eenc\u0103 un anotimp
\npentru \u00eenc\u0103 un infern<\/p>\n


\npriveli\u015fte<\/strong><\/p>\n

un fluture ro\u015fu \u00ee\u0163i cre\u015fte pe s\u00e2n
\n\u00eel prive\u015fti \u015fi a\u015ftep\u0163i s\u0103-\u015fi ia zborul<\/p>\n


\ncum te v\u0103d<\/strong><\/p>\n

diminea\u0163a na\u015fte \u00een jurul t\u0103u fluturi albi
\ndincolo de chipul oglindit
\n\u00ee\u0163i st\u0103ruie o ploaie m\u0103runt\u0103
\n\u015fi sur\u00e2su-\u0163i pare un temnicer t\u0103cut<\/p>\n


\ne\u015fti aici<\/strong><\/p>\n

te \u0163in str\u00e2ns de m\u00e2n\u0103
\n\u015fi te trag dup\u0103 mine
\ns\u0103-mi calci pe urme –
\nm\u0103 sperie g\u00e2ndul c\u0103 a\u015f putea
\ns\u0103 te pierd pe undeva
\nprin catacombele de lumin\u0103
\ndin care \u00eencerc s\u0103 ies
\n\u00een fiecare sear\u0103
\nca un vechi satelit
\nc\u0103z\u00e2nd de pe orbit\u0103
\nsedus de voluptatea absen\u0163ei<\/p>\n


\nDoina CERNICA <\/strong>
\n\"\"

P\u0103s\u0103ri, oameni \u015fi zei<\/strong><\/p>\n

,,Bufni\u0163a de la Boto\u015fani!\u201d a exclamat prof. Margareta Labi\u015f, sora poetului Nicolae Labi\u015f, uit\u00e2ndu-se la micu\u0163a vietate din ghips. \u015ei \u015fi-a adus aminte de o plimbare nocturn\u0103, \u00eempreun\u0103 cu Zoe Dumitrescu-Bu\u015fulenga, \u00een parcul ora\u015fului, ca s\u0103 o vad\u0103, cu aura poeziei, luminoas\u0103 \u015fi misterioas\u0103 deopotriv\u0103. Nu, era din Grecia, acolo unde conota\u0163ia sa pozitiv\u0103 este o regul\u0103, \u015fi nu o excep\u0163ie ca la noi. Pas\u0103rea \u00een\u0163elepciunii, bufni\u0163a zei\u0163ei Atena, simbolul filosofiei.
\nDe ea am \u00eentrebat prima dat\u0103 c\u00e2nd am ajuns \u00een Republica Elen\u0103, cu dou\u0103 decenii \u00een urm\u0103, reprezent\u00e2nd, \u00eempreun\u0103 cu al\u0163i colegi, Rom\u00e2nia, la Congresul de Constituire a Confedera\u0163iei Balcanice a Ziari\u015ftilor. Cum se \u00eent\u00e2mpl\u0103 uneori, ba nu era unde o ceream, ba nu aveam timp s\u0103 o caut unde eram \u00eendrumat\u0103, \u00eenc\u00e2t sf\u00e2r\u015fisem prin a crede c\u0103 aveam s\u0103 m\u0103 \u00eentorc f\u0103r\u0103 acest porte-bonheur deosebit. Poate chiar a\u015fa ar fi fost, dac\u0103 nu mi-ar fi f\u0103cut surpriza unei bufni\u0163e din ceramic\u0103, str\u0103juit\u0103 de o ramur\u0103 de m\u0103slin, doi membri ai delega\u0163iei, so\u0163ii Baboian, oameni de pres\u0103 cunoscu\u0163i, de prestigiu, Dic Baboian, director fondator al unei publica\u0163ii deosebite, atunci ca \u015fi azi, ,,Diplomat Club, Curierul vie\u0163ii diplomatice, mondene \u015fi al lumii afacerilor\u201d, \u015fi Maria Baboian, editor coordonator la aceea\u015fi revist\u0103. Nu am s\u0103 uit bucuria sincer\u0103, cald\u0103 cu care mi-au urm\u0103rit uimirea \u015fi \u00eenc\u00e2ntarea. Cu sur\u00e2sul acelui moment i-am \u015fi p\u0103strat \u00een memorie, pleca\u0163i din p\u0103cate prea devreme dintre noi, \u015fi mi-i reamintesc de c\u00e2te ori citesc un num\u0103r nou din ,,Diplomat Club\u201d, mul\u0163umit\u0103 c\u0103 directorul s\u0103u de acum, fiul lor, Karen Baboian, le-a p\u0103strat numele, \u00een chenar \u00eendoliat, \u00een caseta redac\u0163ional\u0103. De altminteri, cel mai recent mi-a adus \u015fi un semn din Grecia, cu interviul realizat de Karen Baboian cu Elena Laz\u0103r, directoarea Editurii Omonia Bucure\u015fti (,,singura cas\u0103 editorial\u0103 care urm\u0103re\u015fte programatic promovarea literaturii neoelene\u201d), apreciata traduc\u0103toare \u00een limba rom\u00e2n\u0103 \u015fi promotoare a lui Kavafis \u00een Rom\u00e2nia, despre 2013 ca Anul Kavafis (la 150 de ani de la na\u015ftere \u015fi 80 de la moarte) \u015fi ca o mare s\u0103rb\u0103toare a poeziei grece\u015fti.
\nDe data aceasta, \u00een cea mai lini\u015ftit\u0103 s\u0103pt\u0103m\u00e2n\u0103 a turbulentei veri elene, bufni\u0163ele m\u0103 a\u015fteptau aproape, chiar peste drum de hotel, \u00een micu\u0163ul magazin de suveniruri ,,Labyrinth\u201d, crea\u0163ii, ca \u015fi pictura de pe delicate vase, ale unei artiste plastice, mama lui Mihalis Diamantopoulos. Absolvent de Turism, Mihalis \u00eel preluase, afacere de familie, \u00eentr-un fel vis\u0103tor, a\u015ftept\u00e2nd \u00eensufle\u0163irea lucrurilor sub privirile vizitatorului care cobora treptele labirintului, comunicarea lor direct\u0103 \u015fi t\u0103cut\u0103 cu cel care le merita pentru c\u0103 le pre\u0163uia. A z\u00e2mbit u\u015for c\u00e2nd au \u00eenceput s\u0103-\u015fi fo\u015fneasc\u0103 mut aripile, viet\u0103\u0163i albe ca z\u0103pada cu ochi alba\u015ftri, ivorii cu o c\u0103ut\u0103tur\u0103 asemenea, de argint cu vederea ascuns\u0103 \u00een peruzele. \u015ei c\u00e2nd sub atingerea u\u015foar\u0103 a degetelor lui Niadi, p\u0103s\u0103rile geometrizate pe forma de lut c\u00e2t c\u0103u\u015ful palmelor \u00ee\u015fi \u00een\u0103l\u0163ar\u0103 g\u00e2tul prelung.
\n\u00cen Agora greceasc\u0103, centrul Atenei \u00een vechime, o oaz\u0103 de verdea\u0163\u0103 pe care mai str\u0103lucea apa stropitului matinal c\u00e2nd i-am trecut pragul, la prima or\u0103 a programului, doi cercet\u0103tori, Spyros Spyropoulos \u015fi Eugene Vanderpool, au num\u0103rat acum peste jum\u0103tate de veac 25 de specii. De la porumbelul s\u0103lbatic, turturic\u0103 \u015fi l\u0103stun la mierl\u0103, sturz \u015fi vrabie, al c\u0103ror ciripit \u015fi acum le dezv\u0103luie identitatea ornitologului \u015fi pasionatului \u015fi care \u00eenseamn\u0103 pentru simplul vizitator un fermec\u0103tor ,,bun\u0103 diminea\u0163a\u201d. Totu\u015fi, regin\u0103 r\u0103m\u00e2ne bufni\u0163a, prezent\u0103 pe ambele coperte ale studiului lor, reproducere de pe o moned\u0103 atenian\u0103 de argint, de patru drahme, din secolul 5 \u00ee.Hr., pe prima, \u015fi cu un exemplar din veritabila pas\u0103re a zei\u0163ei, ,,glaux\u201d, Athene noctua \u00een latin\u0103, de unde \u015fi ,,glaukopis\u201d, epitetul care o \u00eenso\u0163e\u015fte ca \u015fi zbur\u0103toarea nu o dat\u0103, t\u0103lm\u0103cit fie ,,cu fa\u0163a de bufni\u0163\u0103\u201d, fie ,,cu ochi str\u0103lucitori\u201d. Cucuvaia, ,,kukkuv\u00e1ghia\u201d, cum i-a spus Mihalis Diamantopoulos, \u00ee\u015fi duce din str\u0103vechime existen\u0163a \u00een cr\u0103p\u0103turile st\u00e2ncii sacre, Acropola, \u00een cre\u015ftetul c\u0103reia se afl\u0103, nestemat\u0103 a coroanei de temple, Parthenonul, dedicat Atenei. Aceasta ar fi una din explica\u0163iile asocierii p\u0103s\u0103rii cu zei\u0163a. O alta deriv\u0103 din ,,\u00een\u0163elepciune\u201d, atributul primordial al Atenei n\u0103scute din t\u00e2mpla lui Zeus, \u015fi din aerul de \u00een\u0163elepciune, de acces la necunoscutele \u00een\u0163elegerii obi\u015fnuite, pe care \u00eel degaj\u0103 bufni\u0163a ca pas\u0103re a nop\u0163ii, a celor ascunse de \u00eentunericul ei, \u015fi de asemenea din \u00eenzestrarea sa cu ochi frontali.
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Traduceri Barbu Fundoianu (1898-1944) Pantoum \u00abSi je meurs, c\u2019est nous qu\u2019on mettrait au linceul, Et toute ta splendeur mourrait avec<\/p>\n","protected":false},"author":18,"featured_media":10070,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"ngg_post_thumbnail":0,"video_url":"","footnotes":""},"categories":[7,328],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/19254"}],"collection":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=19254"}],"version-history":[{"count":1,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/19254\/revisions"}],"predecessor-version":[{"id":19258,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/19254\/revisions\/19258"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/media\/10070"}],"wp:attachment":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=19254"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=19254"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=19254"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}