{"id":19034,"date":"2022-09-05T16:26:19","date_gmt":"2022-09-05T13:26:19","guid":{"rendered":"https:\/\/ziarulderimnic.ro\/?p=19034"},"modified":"2022-09-05T16:26:19","modified_gmt":"2022-09-05T13:26:19","slug":"spatii-culturale-nr-32-13","status":"publish","type":"post","link":"https:\/\/ziarulderimnic.ro\/?p=19034","title":{"rendered":"Spa\u021bii culturale nr. 32 (13)"},"content":{"rendered":"<p><strong>Nicolai T\u0102ICU\u0162U<\/strong><br \/>\n<a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/nicolai.jpg\" data-rel=\"lightbox-image-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-11061 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/nicolai-192x300.jpg\" alt=\"\" width=\"192\" height=\"300\" data-srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/nicolai-192x300.jpg 192w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/nicolai.jpg 279w\" data-sizes=\"(max-width: 192px) 100vw, 192px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 192px; --smush-placeholder-aspect-ratio: 192\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-11061\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/nicolai-192x300.jpg\" alt=\"\" width=\"192\" height=\"300\" srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/nicolai-192x300.jpg 192w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/nicolai.jpg 279w\" sizes=\"(max-width: 192px) 100vw, 192px\" \/><\/noscript><\/a><\/p>\n<p><strong>Raftul cu c\u0103r\u021bi<\/strong><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/09\/11-e1662384106952.jpg\" data-rel=\"lightbox-image-1\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-19035 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/09\/11-229x300.jpg\" alt=\"\" width=\"229\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 229px; --smush-placeholder-aspect-ratio: 229\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-19035\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/09\/11-229x300.jpg\" alt=\"\" width=\"229\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Cassian Maria Spiridon<\/strong>, <em>Poeme \u00een balans, Editura Charmides, Bistri\u0163a, 2013<\/em>, 159 p. Pe coperta a patra, Romul Munteanu spunea: S<em>entimentul de \u00eensingurare, alienarea \u015fi existen\u0163a, tr\u0103irea \u00eentr-un univers indiferent fa\u0163\u0103 de destinul uman asumat de poet, confer\u0103 operei sale o dimensiune tragic\u0103, \u00eenvecinat\u0103 cu nihilismul. (&#8230;) Am convingerea c\u0103 de la Eminescu \u015fi Bacovia o asemenea manier\u0103 de configurare a neantului existen\u0163ial nu am mai \u00eent\u00e2lnit \u00een poezia rom\u00e2neasc\u0103 actual\u0103. Evident c\u0103 instrumentul literar este diferit, o alt\u0103 \u201ec\u0103ma\u015f\u0103 de cuvinte\u201d d\u0103 relevan\u0163\u0103 rela\u0163iei dintre con\u015ftiin\u0163a poetului \u015fi lume. Nu este vorba, a\u015fadar, de nici o contaminare ideatic\u0103, venit\u0103 dintr-un alt c\u00e2mp filosofic sau literar. Cassian Maria Spiridon \u015fi-a asumat convingerea de tr\u0103ire \u00eentr-un imens anonimat, prelungit \u015fi dup\u0103 moarte. Umanul, ca \u015fi vegetalul se retrag \u00een humus. Nega\u0163ia poetului nu este \u00eens\u0103 \u00eempins\u0103 spre un radicalism total. El \u015ftie doar c\u0103 via\u0163a trece \u00een alte cicluri ce refac acela\u015fi circuit.<\/em><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/09\/12-e1662384122543.jpg\" data-rel=\"lightbox-image-2\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-19036 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/09\/12-198x300.jpg\" alt=\"\" width=\"198\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 198px; --smush-placeholder-aspect-ratio: 198\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-19036\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/09\/12-198x300.jpg\" alt=\"\" width=\"198\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Diana Trandafir<\/strong>, <em>Discurs \u00een ro\u015fu \u015fi alb, Editura Tracus Arte, Bucure\u015fti, 2013<\/em>, 87 p. Aceast\u0103 a treia carte de poeme a Dianei Trandafir este constituit\u0103 din trei p\u0103r\u0163i: I. Discurs \u00een ro\u015fu \u015fi alb, II. Oration in red and white (translated by C\u0103t\u0103lin State) \u015fi Addenda la Discurs. Scriitorul Gheorghe Grigurcu apreciaz\u0103: <em>Diana Trandafir pare a a\u015ftepta ceva cu \u00eenfrigurare. Ce? Via\u0163a ,,pus\u0103 sub lup\u0103\u201d care ,,se face \u0163\u0103nd\u0103ri\u201d, ,,singur\u0103tatea retezat\u0103 de tavanul scund\u201d, \u201c,,ubirea de mai mult ca perfect\u201d? De fapt, a\u015fteapt\u0103 Poezia, care, lu\u00e2nd not\u0103 de toate aceste fr\u0103m\u00e2nt\u0103ri ale efemerului, le cuprinde \u00een acolada emo\u0163iei sale eterne. \u015ei care nu \u00eent\u00e2rzie la \u00eent\u00e2lnirea cu numita autoare. Cit\u0103m: pu\u0163ine valuri\/ \u015fi\/ sunetul albastru din cer\/ tot mai sf\u00e2r\u015fite\u2026\/ tot \u00eentreb\u00e2nd\/ tot a\u015ftept\u00e2nd\/ \u0163\u0103rmuri lungi lovesc\/ se sting \u00een c\u00e2teva culori\/ respir\u0103 sacadat \u015fi neclintit\/ t\u0103ceri albite\/ f\u0103r\u0103 de st\u0103p\u00e2n (Marin\u0103 I).<\/em><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/09\/13-e1662384138451.jpg\" data-rel=\"lightbox-image-3\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-19037 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/09\/13-182x300.jpg\" alt=\"\" width=\"182\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 182px; --smush-placeholder-aspect-ratio: 182\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-19037\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/09\/13-182x300.jpg\" alt=\"\" width=\"182\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Daniel Cristea-Enache<\/strong>, <em>Literatura de azi. Di@loguri pe net, Editura POLIROM, 2013, Ia\u015fi<\/em>, 332 p. Pe ultima copert\u0103 a c\u0103r\u0163ii, Ovidiu \u015eimonca, cel care semneaz\u0103 \u015fi prefa\u0163a acestei c\u0103r\u0163i, spune: <em>M-am bucurat s\u0103-i citesc pe cei 12 invita\u0163i ai lui Daniel Cristea-Enache, care au fost c\u00eend t\u0103io\u015fi, c\u00eend molcomi, c\u00eend d\u00eend ghes amintirii, c\u00eend explor\u00eendu-\u015fi propriul trecut, propriile dileme, propriile obstacole sau vulnerabilit\u0103\u0163i. S\u00eent 12 oameni ai c\u0103r\u0163ilor, deloc ,,geniali\u201d, deloc din panteon, deloc aburca\u0163i s\u0103 \u00eenha\u0163e Premiul Nobel. 12 oameni care, pu\u015fi \u00eempreun\u0103, reu\u015fesc s\u0103 arate c\u0103 literatura rom\u00e2n\u0103 nu este o colec\u0163ie de egolatrii pompoase, ci un loc unde dialogul este posibil, necesar \u015fi chiar indicat (ca la prospectele farmaceutice pentru ,,s\u0103n\u0103tatea\u201d unei culturi. Cei 12 sunt: R\u0103zvan Petrescu, Dan Lungu, Emil Brumaru, Ioan Es. Pop, Radu Pavel Gheo, Livius Cioc\u00e2rlie, Carmen Mu\u015fat, Lucian Dan Teodorovici, Vasile Ernu, Norman Manea, Radu Vancu \u015fi Silviu Lupescu.<\/em><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/09\/14-e1662384151715.jpg\" data-rel=\"lightbox-image-4\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-19038 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/09\/14-191x300.jpg\" alt=\"\" width=\"191\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 191px; --smush-placeholder-aspect-ratio: 191\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-19038\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/09\/14-191x300.jpg\" alt=\"\" width=\"191\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Bucur Chiriac, Vitralii<\/strong>, <em>Editgraph, Buz\u0103u, 2013<\/em>, 288 p. Prefa\u0163atorul c\u0103r\u0163ii, Francisc P\u0103curariu spune: <em>\u2026 Volumul, purt\u00e2nd frumosul titlu ,,Vitralii\u201d, pe care ni-l ofer\u0103 poetul Bucur Chiriac, se \u00eenscrie \u00een orizontul c\u0103r\u0163ilor de amintiri, impresii \u015fi medita\u0163ii prilejuite de o \u015federe de c\u00e2\u0163iva ani peste hotare\u2026 (\u2026) Cartea lui Bucur Chiriac este o m\u0103rturie conving\u0103toare \u2013 scris\u0103 cu maturitate de g\u00e2ndire \u015fi cu m\u0103iestrie de relatare \u2013 despre tr\u0103inicia \u015fi puterea pun\u0163ii pe care o construiesc \u00eentre popoare schimburile culturale. Iar scriitorul Sava Bogasiu remarc\u0103: Domnul Bucur Chiriac este un pelerin al culturii, o ,,albin\u0103\u201d care a cules nectarul culturii rom\u00e2ne\u015fti \u015fi care a cercetat toate muzeele din Europa, tr\u0103indu-\u015fi planetar via\u0163a sa \u00eentre aceste dou\u0103 coordonate esen\u0163iale: cultura \u015fi credin\u0163a religioas\u0103.<\/em><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/09\/15-e1662384171885.jpg\" data-rel=\"lightbox-image-5\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-19039 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/09\/15-212x300.jpg\" alt=\"\" width=\"212\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 212px; --smush-placeholder-aspect-ratio: 212\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-19039\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/09\/15-212x300.jpg\" alt=\"\" width=\"212\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Ofelia Prodan<\/strong>, <em>Elefantul din patul meu \u2013 edi\u0163ia a II-a, carte ap\u0103rut\u0103 \u00een cadrul proiectului eLiteratura, Bucure\u015fti<\/em>, 2013. 76 p. Pe coperta cu poza autoarei, despre aceast\u0103 carte, ni se propun dou\u0103 scurte opinii critice. Romulus Bucur: <em>O poezie simpl\u0103, a cotidianului, a unor mici miracole, a unor metamorfoze stranii ale realit\u0103\u0163ii, \u00een care percep\u0163ia deformat\u0103 a realit\u0103\u0163ii se amestec\u0103 cu amintiri livre\u015fti<\/em>. Cit\u0103m \u015fi din opinia lui Dan-Liviu Boeriu: <em>Ofelia Prodan ne propune \u00een \u201eElefantul din patul meu\u201d o reinterpretare a regulilor cosmice pornind de la coordonatele unui prozaism minimalist. Poeta mixeaz\u0103 ingenios elemente de cotidian anost cu detalii fantastice, \u00eentr-un mega-tablou sarcastic \u015fi parodic.(&#8230;) Tonic, ludic \u015fi deopotriv\u0103 sobru, volumul Ofeliei Prodan reu\u015fe\u015fte s\u0103 rescrie invers o scar\u0103 a lumii care, \u00een absen\u0163a curajului demolator, ar fi r\u0103mas prizoniera unui contur strict \u015fi lipsit de imagina\u0163ie.<\/em><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/09\/16-e1662384184741.jpg\" data-rel=\"lightbox-image-6\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-19040 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/09\/16-211x300.jpg\" alt=\"\" width=\"211\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 211px; --smush-placeholder-aspect-ratio: 211\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-19040\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/09\/16-211x300.jpg\" alt=\"\" width=\"211\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Daniel D. Marin<\/strong>, <em>l-am luat deoparte \u015fi i-am spus \u2013 edi\u0163ia a II-a, carte ap\u0103rut\u0103 \u00een cadrul proiectului eLiteratura, Bucure\u015fti, 2013<\/em>, 80 p. Cartea e prefa\u0163at\u0103 de o serie de aprecieri critice (fragmente alese) semnate de Ioan Es Pop, Paul Cernat, Paul Gorban, Violeta Savu, Emanuela Ilie, Dan Cristea, Adina Dini\u0163oiu, Valeria Manta T\u0103icu\u0163u, Ioan Moldovan, Adriana Teodorescu, \u015etefania Mincu \u015fi Robert \u015eerban, iar, pe ultima copert\u0103 a c\u0103r\u0163ii, Rita Chirian spune: <em>&#8230; Poezia lui provoac\u0103, dar nu prin scandal sau frond\u0103, ci printr-o atipicitate discret\u0103, rarefiat\u0103, printr-o masc\u0103 senin\u0103, care camufleaz\u0103 abisuri \u015fi exitusuri. Re\u0163eaua de simboluri, al\u0103turi de trama autenticitist\u0103, alc\u0103tuie\u015fte, \u00een textele lui Daniel D. Marin, r\u0103bd\u0103tor construite, o lume cu legi proprii, surprinz\u0103toare, dar ne \u015fi a\u015faz\u0103 \u00een fa\u0163\u0103 o oglind\u0103 \u00een care se reflect\u0103 identitatea contorsionat\u0103 a omului contemporan.<\/em><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/09\/17-e1662384196126.jpg\" data-rel=\"lightbox-image-7\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-19041 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/09\/17-209x300.jpg\" alt=\"\" width=\"209\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 209px; --smush-placeholder-aspect-ratio: 209\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-19041\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/09\/17-209x300.jpg\" alt=\"\" width=\"209\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Ofelia Prodan<\/strong>, <em>Ruleta cu nebun \u2013 edi\u0163ia a II-a, carte ap\u0103rut\u0103 \u00een cadrul proiectului eLiteratura, Bucure\u015fti, 2013<\/em>, 131 p. Cit\u0103m dou\u0103 fragmente de aprecieri critice: <em>Un volum puternic, substan\u0163ial, care asociaz\u0103 \u00eent\u00e2mpl\u0103ri aparent desprinse din fluxul tr\u0103irilor de zi cu zi, cu altele stranii, ciudate, fantaste, misterioase. O poezie care se cite\u015fte, ca s\u0103 folosesc un cli\u015feu, dar acesta se potrive\u015fte!, cu sufletul la gur\u0103<\/em> (Liviu Antonesei) \u015fi <em>&#8230; Magia \u015fi rebusul se sus\u0163in reciproc, c\u0103ci \u201enebunul cu ochii \u00eenchi\u015fi\u201d joac\u0103 la rulet\u0103 cu&#8230; ruleta de m\u0103surat: miraculosul, de fapt post-pseudo-autenticul, e ob\u0163inut nu (numai) prin dereglarea sim\u0163urilor, ci (\u015fi) prin epuizarea variantelor logice; ca \u015fi a celor stilistice din aria culturii pop: fantasy, thriller (inclusiv politic), comics, roman\u0163, conspira\u0163ie, toate \u00een r\u0103sp\u0103r, \u00eens\u0103, \u015fi concur\u00e2nd cu un lirism neostoit. \u00cen Ofelia Prodan se profileaz\u0103 un trickster redutabil.<\/em> (Chris T\u0103n\u0103sescu)<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/09\/18-e1662384212184.jpg\" data-rel=\"lightbox-image-8\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-19042 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/09\/18-217x300.jpg\" alt=\"\" width=\"217\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 217px; --smush-placeholder-aspect-ratio: 217\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-19042\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/09\/18-217x300.jpg\" alt=\"\" width=\"217\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>C\u0103t\u0103lina Grigore<\/strong>, <em>Poeme de la ora opti\u015fpe, Editura Premier, Ploie\u015fti 2013<\/em>, 39 p. Florin Dochia spune: <em>C\u0103t\u0103lina este ceea ce s-ar putea numi un poet citit, care nu face poezie din sentiment, din intui\u0163ie ori numai din talent, ci \u015fi pentru c\u0103 \u015ftie s\u0103 fac\u0103. Arunc\u0103 asupra lumii o lumin\u0103 de o intens\u0103 curiozitate \u015fi ne-o red\u0103 nou\u0103 de fiecare dat\u0103 \u00een imagini surprinz\u0103toare. \u015ei iat\u0103 poemul C\u0103t\u0103linei Grigore de pe coperta a patra a c\u0103r\u0163ii: \u015ftiu c\u0103 o cicatrice = o femeie\/ mai ales b\u0103rba\u0163ii frumo\u015fi\/ au grij\u0103 exasperant\u0103 de orice leziune\/ o alint\u0103 o str\u00e2ng la piept noaptea\/ \u00eenainte s\u0103 adoarm\u0103\/ o iubesc \u00een a\u015fa fel \u00eenc\u00e2t rana s\u00e2ngereaz\u0103\/ p\u00e2n\u0103 la os \/\/ dac\u0103 \u00eenc\u0103 nu ai nici m\u0103car\/ o zg\u00e2rietur\u0103 \u00een suflet\/ \u015fi nici sare\/ s\u0103 mome\u015fti una s\u0103 vin\u0103 s\u0103 te doar\u0103\/ caut\u0103-m\u0103.<\/em><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/09\/19-e1662384226379.jpg\" data-rel=\"lightbox-image-9\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-19043 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/09\/19-216x300.jpg\" alt=\"\" width=\"216\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 216px; --smush-placeholder-aspect-ratio: 216\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-19043\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/09\/19-216x300.jpg\" alt=\"\" width=\"216\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Florin Dochia<\/strong>, <em>Elegiile c\u0103derii, Editura Premier, Ploie\u015fti, 2013<\/em>, 71 p. Constantin Trandafir spune \u00een prefa\u0163a la carte: <em>\u00cen c\u0103l\u0103toria sa terestr\u0103 spre lumea etern\u0103 a poeziei, autorul e \u00eenso\u0163it de o lumin\u0103 pe c\u00e2t de minunat\u0103, pe at\u00e2t de echivoc\u0103, Prin\u0163esa care vine sub soare din ploaie, din spuma unui val timid \u015fi intr\u0103 \u00een Elada lui. (&#8230;) Prins \u00een lumea cuvintelor, l-am numit pe Florin Dochia dup\u0103 titlul unei c\u0103r\u0163i a lui, \u00ee\u015fi \u00eenf\u0103ptuie\u015fte cultul pentru comunicarea de la \u00eenceput, \u00een fond pentru mijlocul de existen\u0163\u0103 al poeziei. \u00cen mod normal \u015fi curent, acesta este \u015fi laitmotivul volumului Elegiile c\u0103derii, uneori declarativ (&#8230;) Spontaneitate \u015fi rigoare e aceast\u0103 poezie. Parc\u0103 \u015fi mai mult me\u015fte\u015fug.<\/em><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/09\/20-e1662384239688.jpg\" data-rel=\"lightbox-image-10\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-19044 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/09\/20-213x300.jpg\" alt=\"\" width=\"213\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 213px; --smush-placeholder-aspect-ratio: 213\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-19044\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/09\/20-213x300.jpg\" alt=\"\" width=\"213\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Florin Dochia<\/strong>, <em>Prins \u00een lumea cuvintelor \u2013 c\u0103r\u0163i, opinii, \u00eent\u00e2mpl\u0103ri &#8211; 2, Editura Premier, Ploie\u015fti, 2013<\/em>, 208 p. Autorul face precizarea: <em>Textele adunate mai departe, cu prec\u0103dere reflec\u0163ii pe marginea unor \u00eent\u00e2mpl\u0103ri reale \u015fi\/ sau fic\u0163ionale, au ap\u0103rut, de la \u00eenceputul acestui secol, \u00een publica\u0163iile culturale Axioma, Cafeneaua literar\u0103, Diagonale, Revista Nou\u0103, Spa\u0163ii culturale. Asupra con\u0163inutului lor nu s-a intervenit dec\u00e2t \u00een sensul corect\u0103rii unor eventuale erori de expresie ori al verific\u0103rii unor surse; a\u015fadar, substan\u0163ial, ele sunt oglinda momentelor \u00een care au fost scrise. Adic\u0103, pentru autor, sunt deja [o frumoas\u0103] istorie [a lecturilor \u015fi \u00eentreb\u0103rilor sale].<\/em><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/09\/21-e1662384250324.jpg\" data-rel=\"lightbox-image-11\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-19045 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/09\/21-204x300.jpg\" alt=\"\" width=\"204\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 204px; --smush-placeholder-aspect-ratio: 204\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-19045\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/09\/21-204x300.jpg\" alt=\"\" width=\"204\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Magda Ursache<\/strong>, <em>Comunismul cu rele \u015fi rele, Editura EIKON, Cluj-Napoca, 2013<\/em>, 378 p. \u00centr-un comentariu din revista CONTA, nr. 13\/ 2013, Adrian Alui Gheorghe spune: <em>Evident c\u0103 Magda Ursache nu folose\u015fte mijloacele \u015fi nici nu urm\u0103re\u015fte rezultatele istoricului care ,,gust\u0103\u201d istoria ca pe o conserv\u0103 care e mai valabil\u0103 cu c\u00e2t e mai expirat\u0103, este un intelectual care prive\u015fte realitatea \u00een timp ce o tr\u0103ie\u015fte cu disperare.(\u2026) Cartea ,,Comunismul cu rele \u015fi rele\u201d a Magdei Ursache este o demonstra\u0163ie f\u0103cut\u0103 pe propriul suflet \u015fi pe propriul destin, cu argumentele istoriei \u015fi cu instrumentele literaturii, c\u0103 am ie\u015fit din teritoriul \u201cminimei moralia\u201d \u015fi am intrat, f\u0103r\u0103 s\u0103 ne punem prea multe \u00eentreb\u0103ri, ca na\u0163ie \u015fi ca societate (t\u00een\u0103r\u0103?) european\u0103, \u00een ,,postmoralia\u201d. Iar Gheorghe Grigurcu men\u0163ioneaz\u0103, pe coperta a patra a c\u0103r\u0163ii: (\u2026) Magda Ursache, orice s-ar spune ori nu s-ar spune, este una din prezen\u0163ele cele mai elocvente ale presei noastre de factur\u0103 cultural\u0103 de azi.<\/em><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/09\/22-e1662384261543.jpg\" data-rel=\"lightbox-image-12\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-19046 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/09\/22-172x300.jpg\" alt=\"\" width=\"172\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 172px; --smush-placeholder-aspect-ratio: 172\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-19046\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/09\/22-172x300.jpg\" alt=\"\" width=\"172\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Valentin Talpalaru<\/strong>, <em>Cu amurgul \u00een les\u0103 &#8211; 101 poeme &#8211; antologie, Editura Junimea, Ia\u015fi, 2013<\/em>, 173 p. Cuprinde poeme din volumele: Ghemuit \u00eentr-un s\u00e2mbure (1998), Lini\u015ftea v\u00e2natului (2005), Acordorul de semne (2006), Ultimul vorbitor de umbr\u0103 (2009) \u015fi Poemele Deltei. Rodion (2011). La finele c\u0103r\u0163ii sunt date, selectiv, c\u00e2teva referin\u0163e critice (Val Condurache, Liviu Antonesei, A.G. Secar\u0103, Valeria Manta T\u0103icu\u0163u, C\u0103lin Cocora, Ion Hurjui, Dumitru Augustin Doman, Nichita Danilov, Violeta Savu, dar \u015fi o postfa\u0163\u0103 semnat\u0103 de Ioan Holban: <em>Ultimele c\u0103r\u0163i de poezie ale lui Valentin Talpalaru (\u2026) sunt ale g\u00e2lcevii \u015fi reconcilierii cu sine, ale unui armisti\u0163iu mereu c\u0103utat \u00eentre o \u201ccarne prost \u00eencheiat\u0103 \u015fi plin\u0103 de cute\u201d \u015fi un ,,devorator de felinare\u201d; transferat\u0103 \u00een structura textului \u00eensu\u015fi, aceast\u0103 g\u00e2lceav\u0103 a fiin\u0163ei interioare cu \u00eenveli\u015ful s\u0103u de \u00eenchiriat, bine pus\u0103 \u00een valoare \u00een antologia de autor Cu amurgul \u00een les\u0103, devine una a limbajului poetic cu ceea c ear fi ,,limbajul comun\u201d\u2026<\/em><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/09\/23-e1662384273324.jpg\" data-rel=\"lightbox-image-13\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-19047 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/09\/23-213x300.jpg\" alt=\"\" width=\"213\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 213px; --smush-placeholder-aspect-ratio: 213\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-19047\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/09\/23-213x300.jpg\" alt=\"\" width=\"213\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Traian Gh. Cristea<\/strong>, <em>VIA\u0162A \u2013 lacrim\u0103 \u015fi floare, Editgrph Buz\u0103u, 2013<\/em>, 307 p. Prefa\u0163\u0103 de Dumitru D\u0103n\u0103il\u0103. Prolificul \u015fi meticulosul scriitor r\u00e2mnicean \u00ee\u015fi structureaz\u0103 romanul \u00een trei p\u0103r\u0163i, fiecare parte av\u00e2nd capitolele \u015fi subcapitolele ei. Pe coperta a patra a c\u0103r\u0163ii Nina Beldie spune: <em>C\u0103l\u0103torind prin via\u0163\u0103, spectator, vis\u0103tor, lupt\u00e2nd \u015fi spun\u00e2nd \u201eCe \u0163i-e \u015fi cu via\u0163a asta!!\u201d, Traian Gh. Cristea, a reu\u015fit, din nou, s\u0103 ofere suflet cald, m\u00e2ng\u00e2ietor, cu aplecare spre \u015ftiute mereu, dar nerostite, neb\u0103gate \u00een seam\u0103 dup\u0103 c\u00e2t li s-ar cuveni. Iar Dumitru D\u0103n\u0103il\u0103: Dincolo de incitanta \u0163es\u0103tur\u0103 epic\u0103, romanul lui Traian Gh. Cristea con\u0163ine via\u0163\u0103 \u00een cele mai tari esen\u0163e ale ei.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nicolai T\u0102ICU\u0162U Raftul cu c\u0103r\u021bi Cassian Maria Spiridon, Poeme \u00een balans, Editura Charmides, Bistri\u0163a, 2013, 159 p. Pe coperta a<\/p>\n","protected":false},"author":18,"featured_media":10070,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"ngg_post_thumbnail":0,"video_url":"","footnotes":""},"categories":[7,328],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/19034"}],"collection":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=19034"}],"version-history":[{"count":3,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/19034\/revisions"}],"predecessor-version":[{"id":19050,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/19034\/revisions\/19050"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/media\/10070"}],"wp:attachment":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=19034"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=19034"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=19034"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}