{"id":18681,"date":"2022-07-24T22:05:03","date_gmt":"2022-07-24T19:05:03","guid":{"rendered":"https:\/\/ziarulderimnic.ro\/?p=18681"},"modified":"2022-07-24T22:05:03","modified_gmt":"2022-07-24T19:05:03","slug":"spatii-culturale-nr-34-13","status":"publish","type":"post","link":"https:\/\/ziarulderimnic.ro\/?p=18681","title":{"rendered":"Spa\u021bii culturale nr. 34 (13)"},"content":{"rendered":"<p><strong>Nicolai T\u0102ICU\u0162U<\/strong><br \/>\n<a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/nicolai.jpg\" data-rel=\"lightbox-image-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-11061 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/nicolai-192x300.jpg\" alt=\"\" width=\"192\" height=\"300\" data-srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/nicolai-192x300.jpg 192w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/nicolai.jpg 279w\" data-sizes=\"(max-width: 192px) 100vw, 192px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 192px; --smush-placeholder-aspect-ratio: 192\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-11061\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/nicolai-192x300.jpg\" alt=\"\" width=\"192\" height=\"300\" srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/nicolai-192x300.jpg 192w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/nicolai.jpg 279w\" sizes=\"(max-width: 192px) 100vw, 192px\" \/><\/noscript><\/a><\/p>\n<p><strong>Raftul cu c\u0103r\u021bi<\/strong><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/07\/10-1-e1658689146487.jpg\" data-rel=\"lightbox-image-1\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-18682 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/07\/10-1-213x300.jpg\" alt=\"\" width=\"213\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 213px; --smush-placeholder-aspect-ratio: 213\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-18682\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/07\/10-1-213x300.jpg\" alt=\"\" width=\"213\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Doina Cernica<\/strong>, <em>Cititoarea, c\u0103l\u0103toarea, Editura MU\u015eATINII, Suceava 2014<\/em>, 310 p. Lapidar, Alex. \u015etef\u0103nescu spune: <em>\u00cen extremitatea nordic\u0103 a \u0163\u0103rii, la Suceava, tr\u0103ie\u015fte \u015fi scrie Doina Cernica, o scriitoare talentat\u0103 deghizat\u0103 o via\u0163\u0103 \u00eentreag\u0103 \u00een ziarist\u0103. \u00cen Cuv\u00e2nt \u00eenainte la aceast\u0103 carte autoarea m\u0103rturise\u015fte: &#8230; c\u0103r\u0163ile copil\u0103riei \u015fi adolescen\u0163ei, c\u0103r\u0163ile de pove\u015fti, de aventuri \u015fi de \u00eensemn\u0103ri de c\u0103l\u0103torie \u00ee\u0163i impun propriile reguli de citire, c\u0103 nu \u0163i se dest\u0103inuie, nu \u0163i se d\u0103ruiesc cu adev\u0103rat, dac\u0103 nu \u00ee\u0163i reg\u0103se\u015fti c\u00e2t de c\u00e2t inocen\u0163a \u015fi implicarea sufleteasc\u0103 din vremea primelor \u00eent\u00e2lniri \u015fi iubiri. \u00cen str\u0103dania, pe de o parte, \u015fi \u00een izb\u00e2nda respect\u0103rii acestei legi, pe de alt\u0103 parte, autoarea de c\u0103r\u0163i pentru copii \u015fi de \u00eensemn\u0103ri de c\u0103l\u0103torie, am descoperit c\u00e2t de mult ea \u00eemi guverna nu numai lectura, ci \u015fi scrierea lor. E o m\u0103rturisire-avertisment pe care o datorez cititorilor c\u0103r\u0163ii de fa\u0163\u0103. Carte despre c\u00e2teva c\u0103l\u0103torii ale mele \u00een lumea mare, \u00eenso\u0163it\u0103 nu o dat\u0103 de c\u0103r\u0163i ale copil\u0103riei \u015fi adolescen\u0163ei \u015fi permanent \u00eensufle\u0163it\u0103 de spiritul lor.<\/em><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/07\/11-1-e1658689170892.jpg\" data-rel=\"lightbox-image-2\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-18683 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/07\/11-1-210x300.jpg\" alt=\"\" width=\"210\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 210px; --smush-placeholder-aspect-ratio: 210\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-18683\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/07\/11-1-210x300.jpg\" alt=\"\" width=\"210\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Nicolae Labi\u015f<\/strong>, <em>Opera magna, Editura Lidana, Suceava, 2013<\/em>. Edi\u0163ie \u00eengrijit\u0103, text stabilit, cuv\u00e2nt \u00eenainte, note, preciz\u0103ri \u015fi comentarii de Nicolae C\u00e2rlan. \u015ei spune Nicolae C\u00e2rlan \u00een Cuv\u00e2nt-\u00eenainte: \u2026 Oricum ar fi, una dintre condi\u0163iile sine qua non pentru abordarea \u015fi investigarea \u00een cuno\u015ftin\u0163\u0103 de cauz\u0103 a personalit\u0103\u0163ii creatoare a lui Nicolae Labi\u015f, editarea integral\u0103 a operei, m\u0103car \u00eentr-o formul\u0103 credibil\u0103, am putea-o considera ca \u015fi \u00eenf\u0103ptuit\u0103 prin tomul de fa\u0163\u0103, circa 1300 pagini, \u00een format (cvasi)academic. (\u2026)\u2026 cartea de fa\u0163\u0103 (\u2026) reprezint\u0103 culegerea cea mai ampl\u0103 \u015fi mai reprezentativ\u0103 din masa enorm\u0103 de scrieri literare realizate de genialul \u015fi nefericitul poet Nicolae Labi\u015f \u00een doar c\u00e2\u0163iva ani de la \u00eenceputul activit\u0103\u0163ii sale creatoare, care au fost \u2013 datorit\u0103 \u00eemprejur\u0103rilor, oamenilor etc. \u2013 din nefericire \u015fi ultimii, carte realizat\u0103 cu toat\u0103 os\u00e2rdia \u015fi dragostea de care a fost capabil un muzeograf.<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/07\/12-1-e1658689189260.jpg\" data-rel=\"lightbox-image-3\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-18684 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/07\/12-1-300x276.jpg\" alt=\"\" width=\"300\" height=\"276\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 300px; --smush-placeholder-aspect-ratio: 300\/276;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-18684\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/07\/12-1-300x276.jpg\" alt=\"\" width=\"300\" height=\"276\" \/><\/noscript><\/a><br \/>\n<strong>Diana Caragiu<\/strong>,<em> Respir\u0103 cu mine, Editura Vinea, Bucure\u015fti, 2014<\/em>, 89 p. Volumul este \u00eenso\u0163it de referin\u0163e critice semnate de Chris T\u0103n\u0103sescu (Margento), Angela Mamier Nache, Moni St\u0103nil\u0103, Felix Nicolau. Pentru scurta prezentare am selectat din referin\u0163ele critice date de Nicolae Tzone: <em>Diana Caragiu e, din prima clip\u0103, Diana Caragiu. Adic\u0103 e un poet care r\u0103m\u00e2ne \u00een poezie de la prima venire. (\u2026) Textele ei sunt complice cu realul p\u00e2n\u0103 la un punct, acest punct fiind ales deloc \u00eent\u00e2mpl\u0103tor, pentru c\u0103 dincolo de el are loc o explozie a imprevizibilului care arunc\u0103 logica \u00een co\u015ful cu locuri comune. Astfel, ni se impune ideea c\u0103 avem de a face, limpede-limpede, cu o cerebral\u0103. Autoarea se complace (\u015fi bine face) \u00een a \u201cscrie\u201c scenarii cu trepte independente \u00eentre ele (\u201ctimpul desf\u0103cut la doi nasturi, u\u015for indecent, cro\u015feteaz\u0103\/ unul pe fa\u0163\u0103, unul pe dos\u201d), acestea, treptele, put\u00e2nd fi permutate, cu o relativ\u0103 u\u015furin\u0163\u0103, \u00een permanen\u0163\u0103 \u00eentre ele, cu bucurie, cu ironie, cu ingeniozitate, cu sarcasm, \u00een genere de fiecare dat\u0103 cu inteligen\u0163\u0103 electric\u0103.<\/em><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/07\/13-1-e1658689203784.jpg\" data-rel=\"lightbox-image-4\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-18685 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/07\/13-1-209x300.jpg\" alt=\"\" width=\"209\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 209px; --smush-placeholder-aspect-ratio: 209\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-18685\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/07\/13-1-209x300.jpg\" alt=\"\" width=\"209\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Adrian Munteanu<\/strong>, <em>Odihna zborului (soneforisme), Arania, Bra\u015fov, 2014<\/em>, 133 p. \u00cen cuv\u00e2ntul de \u00eencheiere al c\u0103r\u0163ii, <em>Un termen inedit<\/em>, autorul spune: <em>\u2026 s-a n\u0103scut convingerea c\u0103 finalurile sonetelor sunt \u00een m\u0103sur\u0103 s\u0103 depun\u0103 m\u0103rturie despre starea poetului \u015fi, poate, s\u0103 contureze aportul lui reflexiv la vie\u0163uirea mereu \u00eenc\u0103rcat\u0103 de simboluri, reflexii \u015fi prefaceri. (Men\u0163ion\u0103m c\u0103 A.M. posed\u0103 aproape 1000 de sonete publicate \u015fi nepublicate.) Recitind sonetele doar \u00een partea lor final\u0103 am sesizat c\u0103 \u00eemi contureaz\u0103 cu pregnan\u0163\u0103 \u00eentregul\u2026(\u2026) Cititorului i-a\u015f recomanda s\u0103 nu porneasc\u0103 la lectura sau recitirea acestor distihuri dec\u00e2t atunci c\u00e2nd starea personal\u0103 va fi \u00eenclinat\u0103 spre reflexiv \u015fi spre descoperirea posibilelor perle ascunse \u00een noroi. Astfel, aceast\u0103 \u00een\u015firuire cu relativ\u0103 lips\u0103 de continuitate \u015fi f\u0103r\u0103 un fir narativ, a\u015fa cum de regul\u0103 s-a obi\u015fnuit s\u0103 g\u0103seasc\u0103, ar putea fi lipsit\u0103 de ad\u00e2ncime. Dac\u0103 este a\u015fa sau nu, cititorul va avea ultimul cuv\u00e2nt. Zborul sonetelor abia acum caut\u0103 r\u0103gaz.<\/em><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/07\/14-1-e1658689222714.jpg\" data-rel=\"lightbox-image-5\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-18686 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/07\/14-1-300x279.jpg\" alt=\"\" width=\"300\" height=\"279\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 300px; --smush-placeholder-aspect-ratio: 300\/279;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-18686\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/07\/14-1-300x279.jpg\" alt=\"\" width=\"300\" height=\"279\" \/><\/noscript><\/a><br \/>\n<strong>Florin Caragiu<\/strong>, <em>Omul cu dou\u0103 inimi, Editura Vinea, Bucure\u015fti, 2014<\/em>, 106 p. \u00cen prefa\u0163a noului volum de versuri, ap\u0103rut dup\u0103 precedentele dou\u0103: Catacombe. Aici totul e viu \u015fi Sentic, Carmen C. Lasswell scrie: <em>C\u0103l\u0103tor pe t\u0103r\u00e2mul accidentat al cuvintelor, Florin Caragiu este poetul pa\u015filor mici \u015fi al cutelor de sens fin \u00eencre\u0163ite. \u00cent\u00e2mpl\u0103rile pe care le descrie sunt, cum \u00eensu\u015fi spune \u201cmicile \u00eent\u00e2mpl\u0103ri ale absen\u0163ei\u201d. Fiind cunoscut ca un promoter, \u00een medita\u0163iile sale teologice, ca \u015fi \u00een cele despre art\u0103, al conceptului cre\u015ftin de iconicitate, Caragiu se arat\u0103 decis s\u0103 fac\u0103 din acesta o cheie hermeneutic\u0103 uns\u0103 s\u0103 dezlege o anumit\u0103 cultur\u0103 cre\u015ftin\u0103 a existen\u0163ei \u00een ansamblul ei. (\u2026) O poezie care iconizeaz\u0103 deopotriv\u0103 fericirea \u015fi durerea, l\u0103s\u00e2ndu-le s\u0103 se reflecte una \u00een alta. Ori, precum at\u00e2t de reu\u015fit spune poetul, ,,L\u0102S\u00c2ND F\u0102R\u0102 CHIN DUREREA \u00ceNTREAG\u0102\u201d \u2026 Un vers ce sun\u0103 memorabil.<\/em><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/07\/15-1.jpg\" data-rel=\"lightbox-image-6\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-18687 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/07\/15-1-191x300.jpg\" alt=\"\" width=\"191\" height=\"300\" data-srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/07\/15-1-191x300.jpg 191w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/07\/15-1.jpg 651w\" data-sizes=\"(max-width: 191px) 100vw, 191px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 191px; --smush-placeholder-aspect-ratio: 191\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-18687\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/07\/15-1-191x300.jpg\" alt=\"\" width=\"191\" height=\"300\" srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/07\/15-1-191x300.jpg 191w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/07\/15-1.jpg 651w\" sizes=\"(max-width: 191px) 100vw, 191px\" \/><\/noscript><\/a><br \/>\n<strong>Clelia Ifrim<\/strong>, <em>Despre natura sufletului\/ Sur la nature de l&#8217;\u00e2me, Editura Limes, Flore\u015fti-Cluj, 2013<\/em>, 92 p. Traducerea \u00een limba francez\u0103 apar\u0163ine lui Nicole Pottier, aceea\u015fi care pe coperta a patra a c\u0103r\u0163ii men\u0163ioneaz\u0103:<em> Care este natura sufletului? Prin atingeri, prin tu\u015fe de pictur\u0103, poeta m\u0103rturise\u015fte realitatea dragostei care locuie\u015fte \u00een fiecare dintre noi, aceast\u0103 parte luminoas\u0103 care ne este d\u0103ruit\u0103 de la na\u015ftere. Tot aici, o scurt\u0103 apreciere critic\u0103 face \u015fi Jane Reichhold: Noi suntem natura sufletului. El \u00eengenuncheaz\u0103 odat\u0103 cu noi. Prin sentimentele noastre el \u00eenva\u0163\u0103 tot ce este mai bun. Clelia a prins acest adev\u0103r. Bucur\u0103-te de cele spuse \u00een cartea ei. Cit\u0103m poemul de deschidere: Cineva m\u0103 spal\u0103 cu o spum\u0103 roz\/ \u015fi-ncep s\u0103 prind piele dulce-aurie.\/ R\u0103suflarea Lui r\u0103m\u00e2ne-n mine\/ ca o lumin\u0103 u\u015foar\u0103 \u015fi egal\u0103,\/ pe datorie. (Despre natura sufletului)<\/em><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/07\/16-1-e1658689276452.jpg\" data-rel=\"lightbox-image-7\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-18688 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/07\/16-1-257x300.jpg\" alt=\"\" width=\"257\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 257px; --smush-placeholder-aspect-ratio: 257\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-18688\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/07\/16-1-257x300.jpg\" alt=\"\" width=\"257\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Amalia Elena Constantinescu<\/strong>,<em> SAYURI, TIPO MOLDOVA, Ia\u015fi, 2013, Colec\u0163ia OPERA OMNIA<\/em>. Poezie contemporan\u0103 162 p. Din referin\u0163ele critice care \u00eenso\u0163esc acest volum, am ales din cele semnate de Nicolae Oprea: <em>\u00centr-un registru de confesiune sincer\u0103, marcat\u0103 de pathos \u015fi ethos, Amalia Elena Constantinescu \u00een\u0163elege poezia ca un \u201ec\u00e2ntec de iubire\u201d, \u00eentre\u0163in\u00e2nd nostalgia purit\u0103\u0163ii. O sensibilitate exacerbat\u0103, \u00eensetat\u0103 de ideal, percepe lumea \u201e\u00een destr\u0103mare\u201d, ca la Lucian Blaga, dar f\u0103r\u0103 a se l\u0103sa cople\u015fit\u0103 de imagini agonice&#8230; \u015fi de Dumitru Augustin Doman: Amalia Constantinescu scoboar\u0103 \u00een poezie ca o candel\u0103 \u00eentru r\u0103stignire. Lumin\u00e2nd \u00een lumin\u0103 ea ar putea fi suspinul \u015fi ar putea fi flac\u0103ra de diminea\u0163\u0103 a unei nun\u0163i a\u015fteptate \u015fi definite.<\/em><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/07\/17-1-e1658689294545.jpg\" data-rel=\"lightbox-image-8\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-18689 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/07\/17-1-261x300.jpg\" alt=\"\" width=\"261\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 261px; --smush-placeholder-aspect-ratio: 261\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-18689\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/07\/17-1-261x300.jpg\" alt=\"\" width=\"261\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Iulian Grigoriu<\/strong>, <em>eu, prea-str\u0103inul, TIPO MOLDOVA, Ia\u015fi, 2013, Colec\u0163ia OPERA OMNIA<\/em>. Poezie contemporan\u0103 480 p. Culegerea de fa\u0163\u0103, a doctorului \u00een filosofie, Iulian Grigoriu, cuprinde o serie de volume de poezie care nu au v\u0103zut lumina tiparului: eu, prea str\u0103inul (1983-1986), Caietul de la Rovinari (1986-1987), Impur (1987-1990), Poem cu Parmenide (2000-2003) \u015fi volume care au v\u0103zut lumina tiparului: Dulcele timp pentru r\u0103punerea r\u0103ilor (1985-1995), Faptele, scrierea (1990-1993), Frumosul m\u0103tur\u0103tor al b\u0103ilor (1995-1999), Ni\u015fte prieteni \u015fi Hrist (2000-2003). Despre poezia lui Iulian Grigoriu au scris: Viorel \u015etef\u0103nescu, Horia G\u00e2rbea, Ion Ro\u015fioru, Alexandra Vr\u00e2nceanu, Valentin Talpalaru, Simon Ajarescu, Emilian Marcu, Bogdan Rusu, Ruxandra Anton, Simona Filip, Andrei Stavil\u0103 \u015fi Eugenia \u0162ar\u0103lung\u0103.<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/07\/18-e1658689326170.jpg\" data-rel=\"lightbox-image-9\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-18690 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/07\/18-214x300.jpg\" alt=\"\" width=\"214\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 214px; --smush-placeholder-aspect-ratio: 214\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-18690\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/07\/18-214x300.jpg\" alt=\"\" width=\"214\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Cornel Paiu<\/strong>, <em>TABOR \u2013 liturghier \u2013 (2005-2013), Zona Publishers, Ia\u015fi, 2013<\/em>, 511 p. Volum ap\u0103rut cu binecuv\u00e2ntarea Preasfin\u0163iei Sale Dr. Ioachim B\u0103c\u0103oanul, episcop-vicar al Arhiepiscopiei Romanului \u015fi Bac\u0103ului. Metafora ,,trupului din urm\u0103\u201d sau continua ascensiune a Taborului este eseul-prefa\u0163\u0103, din care cit\u0103m un fragment, semnat de Constantin Dram: <em>Sunt poeme ce reprezint\u0103 piese dinspre care se poate pleca c\u0103tre dezv\u0103luirea unei poetici ad-hoc, mecanism ce nu se impune numaidec\u00e2t, deoarece, tot la fel de bine, se pot identifica \u015fi alte texte dinspre care se poate trece la configurarea macro-semnifica\u0163iilor acestui volum; acest aspect se datoreaz\u0103 modalit\u0103\u0163ii de alc\u0103tuire a volumului (\u00een trei sec\u0163iuni de referin\u0163\u0103) \u00een a\u015fa fel \u00eenc\u00e2t poate trimite spre imagine a egalit\u0103\u0163ilor \u015fi simetriilor, a\u015fa cum se reprezint\u0103 ele prin c\u0103m\u0103rile vizibile\/ invizibile ale unui uria\u015f stup, ale c\u0103rui \u00eenc\u0103rc\u0103turi egale sunt, cum altfel, dictate de o geometrie divin\u0103&#8230;<\/em><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/07\/19-e1658689347385.jpg\" data-rel=\"lightbox-image-10\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-18691 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/07\/19-214x300.jpg\" alt=\"\" width=\"214\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 214px; --smush-placeholder-aspect-ratio: 214\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-18691\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/07\/19-214x300.jpg\" alt=\"\" width=\"214\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Petru Solonaru<\/strong>, <em>Tetradele, Contact International, Ia\u015fi, 2013<\/em>, 90 p. Cele patru lumi ale poeziei constituie eseul-postfa\u0163\u0103 la aceast\u0103 carte semnat de Liviu Pendefunda. Cit\u0103m, \u00eentru prezentare, c\u00e2teva men\u0163iuni: <em>&#8230; Citind acest volum afl\u0103m despre prezen\u0163a \u00een noi a Marelui Arhitect al Universului, a Marelui Anonim, cum \u00eel nume\u015fte Lucian Blaga \u00een \u201etrilogia cunoa\u015fterii\u201d, arunc\u00e2nd cu s\u0103ge\u0163i pline de foc \u00een \u00eentunericul ce scald\u0103 transcenden\u0163a. \u201eDevenirea lumii are-\u00een demiurg\/ \u00eensu\u015fi creatorul&#8230;\u201d (Demiurgul). Aceasta \u00eenseamn\u0103 cunoa\u015ftere, gnoza devenind obligatorie, o necesitate pentru umanitate. (&#8230;) Dar transformarea sacrului \u00een profan, eludarea caracterului misterios al ritualurilor care de milenii \u00eembrac\u0103 misterele lumii nu rezolv\u0103 dezv\u0103luirea transcenden\u0163ei care nu ne apar\u0163ine. \u015ei atunci, exist\u0103 oare mai multe forme de cunoa\u015ftere? Luciferic\u0103, paradisiac\u0103 sau chiar cosmogonic\u0103, pe c\u00e2nd nici cea terestr\u0103 nu ne este \u00een totalitate la \u00eendem\u00e2n\u0103&#8230;<\/em><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/07\/20-e1658689359416.jpg\" data-rel=\"lightbox-image-11\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-18692 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/07\/20-196x300.jpg\" alt=\"\" width=\"196\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 196px; --smush-placeholder-aspect-ratio: 196\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-18692\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/07\/20-196x300.jpg\" alt=\"\" width=\"196\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Victoria Milescu<\/strong>, <em>Existen\u0163ele fastuoase, Editura SemnE, Bucure\u015fti, 2013<\/em>, 146 p. Eseul pe post de prefa\u0163\u0103 la aceast\u0103 carte, <strong>Starea de poezie \u015fi fericirea<\/strong>, apar\u0163ine lui Octavian Soviany, din care cit\u0103m: <em>Prezen\u0163a discret\u0103 \u00een tabloul zgomotos \u015fi pestri\u0163 al literaturii actuale, str\u0103in\u0103 de cercurile unde se fac \u015fi se desfac gloriile literare, Victoria Milescu este totu\u015fi o voce poetic\u0103 puternic\u0103 \u015fi bine articulat\u0103 care merit\u0103 din plin aten\u0163ia cititorilor de poezie. (&#8230;) Poeta atinge astfel o autenticitate total\u0103 a scriiturii, devine totuna cu propriul s\u0103u text, iar scrisul este ridicat la demnitatea marilor acte existen\u0163iale. Sau a\u015fa cum spune Victoria Milescu \u00eens\u0103\u015fi \u201echipul meu ia chipul\/ fiec\u0103rei litere\u201d, confirm\u00e2nd parc\u0103 teoriile textualiste despre dimensiunea autosacrificial\u0103 a actului scriptural. C\u0103ci din perspectiva acestei poete, care \u00ee\u015fi tr\u0103ie\u015fte scrisul cu o intensitate extrem\u0103, poezia nu este, nu poate fi, dec\u00e2t jertf\u0103 de sine.<\/em><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/07\/21-e1658689374471.jpg\" data-rel=\"lightbox-image-12\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-18693 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/07\/21-207x300.jpg\" alt=\"\" width=\"207\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 207px; --smush-placeholder-aspect-ratio: 207\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-18693\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/07\/21-207x300.jpg\" alt=\"\" width=\"207\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Marin Moscu<\/strong>, <em>Pete de lumin\u0103 pe fereastra vie\u0163ii, Editgraph, Buz\u0103u, 2013<\/em>, 201 p. Prefa\u0163atorul c\u0103r\u0163ii, Ioan D\u0103nil\u0103 eviden\u0163iaz\u0103: <em>Marin Moscu nu este la prima aventur\u0103 liric\u0103, dar acum e altc(in)eva. \u015ei-a adunat toate energiile, \u015fi-a m\u0103surat puterile \u015fi a purces la caligrafierea unui volum care-i va deveni buletin de identitate pentru \u00eenc\u0103 mult\u0103 vreme. Cu vorbele lui, de parc\u0103 ar fi vorbele noastre: \u201eDoamne, haina vie\u0163ii o tocesc\/ S-o ag\u0103\u0163 la tine-n cui!\u201d, c\u00e2nd \u201eO p\u00e2nz\u0103 de p\u0103ianjen mai \u00eenghite\/ Focul meu mutat \u00eentr-un mesaj.\u201d (&#8230;) Con\u015ftiin\u0163\u0103 a unei realit\u0103\u0163i bulversate \u015fi bulversante \u00een continuare, receptacul prea \u00eenc\u0103p\u0103tor al nelini\u015ftilor noastre clamate \u015fi totu\u015fi neauzite, poetul ne pune la \u00eendem\u00e2n\u0103 o alternativ\u0103 miraculoas\u0103 pentru a ne salva: poezia. Fie ca glasul s\u0103-i fie ascultat, fie ca noi s\u0103-l citim, fie ca literatura s\u0103 r\u0103m\u00e2n\u0103 parte a fiin\u0163ei noastre! <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nicolai T\u0102ICU\u0162U Raftul cu c\u0103r\u021bi Doina Cernica, Cititoarea, c\u0103l\u0103toarea, Editura MU\u015eATINII, Suceava 2014, 310 p. Lapidar, Alex. \u015etef\u0103nescu spune: \u00cen<\/p>\n","protected":false},"author":18,"featured_media":10070,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"ngg_post_thumbnail":0,"video_url":"","footnotes":""},"categories":[7,328],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/18681"}],"collection":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=18681"}],"version-history":[{"count":1,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/18681\/revisions"}],"predecessor-version":[{"id":18694,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/18681\/revisions\/18694"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/media\/10070"}],"wp:attachment":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=18681"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=18681"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=18681"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}