{"id":18570,"date":"2022-07-09T22:21:13","date_gmt":"2022-07-09T19:21:13","guid":{"rendered":"https:\/\/ziarulderimnic.ro\/?p=18570"},"modified":"2022-07-09T22:21:13","modified_gmt":"2022-07-09T19:21:13","slug":"spatii-culturale-nr-35-13","status":"publish","type":"post","link":"https:\/\/ziarulderimnic.ro\/?p=18570","title":{"rendered":"Spa\u021bii culturale nr. 35 (13)"},"content":{"rendered":"<p><strong>Nicolai T\u0102ICU\u0162U<\/strong><br \/>\n<a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/nicolai.jpg\" data-rel=\"lightbox-image-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-11061 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/nicolai-192x300.jpg\" alt=\"\" width=\"192\" height=\"300\" data-srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/nicolai-192x300.jpg 192w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/nicolai.jpg 279w\" data-sizes=\"(max-width: 192px) 100vw, 192px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 192px; --smush-placeholder-aspect-ratio: 192\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-11061\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/nicolai-192x300.jpg\" alt=\"\" width=\"192\" height=\"300\" srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/nicolai-192x300.jpg 192w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/nicolai.jpg 279w\" sizes=\"(max-width: 192px) 100vw, 192px\" \/><\/noscript><\/a><\/p>\n<p><strong>Raftul cu c\u0103r\u021bi<\/strong><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/07\/6-e1657393871277.jpg\" data-rel=\"lightbox-image-1\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-18571 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/07\/6-300x298.jpg\" alt=\"\" width=\"300\" height=\"298\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 300px; --smush-placeholder-aspect-ratio: 300\/298;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-18571\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/07\/6-300x298.jpg\" alt=\"\" width=\"300\" height=\"298\" \/><\/noscript><\/a><br \/>\n<strong>Liviu Pendefunda<\/strong>, <em>\u00censcris din Cartea Misterului (Falii 11), Contact international, Ia\u015fi 2014<\/em>, 128 p. Coperta \u015fi ilustra\u0163iile celor unsprezece c\u00e2nturi apar\u0163in autorului. \u00cen postfa\u0163a volumului, Ioan Holban men\u0163ioneaz\u0103: <em>&#8230;Poezia lui Liviu Pendefunda cre\u015fte dintr-un fond arhetipal astfel \u00eenc\u00e2t lectura acesteia e, la r\u00e2ndu-i, c\u0103utare, ini\u0163iere, cercetare a esen\u0163elor pe care le dezv\u0103luie scenariile mitologice \u015fi constela\u0163iile simbolice de acolo; fondul arhetipal nu are nimic ilustrativ, poezia nu \u201epoveste\u015fte\u201d cine va fi fost Brahma, Shakti, Ganesh, Shiva, Parvati, Kundalini, Agni din mitologia vedic\u0103, Enoh \u015fi Templul vechilor preo\u0163i egipteni, Eos, Eros, Hespera, Styxul grecilor, Ilie, \u00eengerii, heruvimii \u015fi scara lui Iacob din Vechiul Testament, arhitectul, p\u0103tratul triunghiului aflat \u00een cerc, crucea \u015fi roza universului masonic, argintul \u015fi athanorul alchimi\u015ftilor: poetul coboar\u0103 \u00een astral, \u00een mitologie, pentru c\u0103 acolo sunt topite via\u0163a \u015fi \u00een\u0163elepciunea, sensul ascuns \u015fi lumina, \u00cenceputul \u015fi Cuv\u00e2ntul s\u0103u care se reg\u0103sesc \u00een fiecare dintre figurile sacre invocate&#8230;<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/07\/7-e1657393960108.jpg\" data-rel=\"lightbox-image-2\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-18572 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/07\/7-213x300.jpg\" alt=\"\" width=\"213\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 213px; --smush-placeholder-aspect-ratio: 213\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-18572\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/07\/7-213x300.jpg\" alt=\"\" width=\"213\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Ioan Dumitru Denciu<\/strong>, <em>Cre\u015ftin\u0103tate, Editgraph, Buz\u0103u, 2013<\/em>, 300 p. Pe coperta a patra a c\u0103r\u0163ii, autorul face c\u00e2teva preciz\u0103ri privind izvorul documentar al romanului, din care red\u0103m:<em> Pe c\u00e2t de verosimil pare textul ,,depozi\u0163iei lui Diuzen\u201d despre c\u0103l\u0103toria misionar\u0103 a lui Teotim al Tomisului, Ioan Cassian, Gherman \u015fi al\u0163ii \u00een Carpoge\u0163ia, ob\u0163inut din cele dou\u0103 versiuni str\u0103ine \u00een cartea I, pe at\u00e2t de neautentic ar putea trece cel ce \u00eei succed, de\u015fi este tradus din original! Acesta era scris \u00eentr-un idiom numit marginal de \u201cm\u00e2na\u201d unui cititor bessice, bessica lingua \u015fi s-a pierdut la \u201crevolu\u0163ia\u201d din 1989. \u00cel depusesem \u00eentr-un fi\u015fet al fostului meu profesor de lingvistic\u0103 romanic\u0103, I.C., la Biblioteca Central\u0103 Universitar\u0103 din Bucure\u015fti, care \u2013 precum se \u015ftie \u2013 a devenit una dintre \u0163intele loviturilor \u201cantiteroriste\u201d. (\u2026) \u00cen plus, textul se dovedea obscur din cauza unor aluzii \u015fi referin\u0163e la ceva. Nici nu visam c\u0103 \u00eentr-o zi acel \u201dceva\u201d. Este vorba de pachetul valorificat \u00een prima parte. Glorie bibliotecii Sainte Genevi\u00e9ve, unde l-am descoperit \u00een 1996!&#8230;<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/07\/8-e1657394346727.jpg\" data-rel=\"lightbox-image-3\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-18573 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/07\/8-208x300.jpg\" alt=\"\" width=\"208\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 208px; --smush-placeholder-aspect-ratio: 208\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-18573\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/07\/8-208x300.jpg\" alt=\"\" width=\"208\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong> Mircea Motrici<\/strong>, <em>Ion Irimescu \u00een \u00eemp\u0103r\u0103\u0163ia eterului, Editura Mu\u015fatinii, Suceava, 2012<\/em>, 164 p. Edi\u0163ie \u00eengrijit\u0103 \u015fi prefa\u0163at\u0103 de Grigore Ilisei. Din m\u0103rturisirile radiofonice ale lui Ion Irimescu \u015fi consemnate de Mircea Motrici red\u0103m dou\u0103, una din 1995: <em>Ora\u015ful F\u0103lticeni \u00eemi d\u0103 impulsuri de optimism. Aici, la F\u0103lticeni, sunt \u00eenceputurile copil\u0103riei mele, ale visurilor \u015fi aspira\u0163iilor. Aici a \u00eenceput s\u0103 se pl\u0103m\u0103deasc\u0103 embrionul sculpturii \u00eenc\u0103 de atunci c\u00e2nd eram elev de liceu. \u015ei o alta din 2001: Dumnezeu \u015fi-a pus m\u00e2na \u015fi \u00een g\u00e2ndirea unor oameni, dar nu at\u00e2t pentru pl\u0103cerea lor, ci pentru dorin\u0163a de a l\u0103sa omenirii acea parte frumoas\u0103 a vie\u0163ii, care este foarte complicat\u0103, dar este \u015fi o parte spiritual\u0103. Aceasta este arta sub toate manifest\u0103rile. Efortul pe care l-am f\u0103cut \u00een toat\u0103 via\u0163a, de la \u00eenceput \u015fi p\u00e2n\u0103 \u00een aceste moment, a fost s\u0103 d\u0103ruiesc din ce mi-a dat Dumnezeu, s\u0103 d\u0103ruiesc oamenilor, sub forma aceasta, crea\u0163ia mea.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/07\/9-e1657394126680.jpg\" data-rel=\"lightbox-image-4\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-18574 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/07\/9-210x300.jpg\" alt=\"\" width=\"210\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 210px; --smush-placeholder-aspect-ratio: 210\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-18574\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/07\/9-210x300.jpg\" alt=\"\" width=\"210\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Viorica Petrovici<\/strong>, <em>Sfinxul \u015fi oglinda de jad, Charmides, Bistri\u0163a, 2013<\/em>, 114 p. Selectiv, la finalul c\u0103r\u0163ii, sunt referin\u0163e critice semnate de: Adrian Dinu Rachieru, Gelu Vla\u015fin, Carmelia Leonte, Onoriu Col\u0103cel, Rodica Mure\u015fan, Ion Radu Z\u0103greanu, Gheorghe Lupu, Mariana Cri\u015f, Valeria Manta T\u0103icu\u0163u, Radu C\u00e2rneci, Sabina F\u00eenar, Vasile Spiridon. Cit\u0103m din referin\u0163ele lui Ion Ro\u015fioru: <em>Exist\u0103 \u00een prozele Vioric\u0103i Petrovici o iubire ce transcende trupul \u015fi se ridic\u0103 deasupra g\u00e2ndului unde prejudecata nu trebuie s\u0103 existe. Deci totul trebuie proiectat \u00een mentalul neatent s\u0103 c\u00e2nt\u0103reasc\u0103 totul cu m\u0103suri omene\u015fti. Prin credin\u0163\u0103 \u015fi medita\u0163ie se pot \u00eentre\u0163ine for\u0163e, a muntelui, de exemplu, care duc la vindec\u0103rile suflete\u015fti \u015fi trupe\u015fti ale celor mai absurde dureri \u015fi suferin\u0163e, la un preaplin de fiin\u0163\u0103 \u015fi de energie psihic\u0103 \u00een stare s\u0103 \u00eenlocuiasc\u0103 deopotriv\u0103 hrana \u015fi somnul. Lectura c\u0103r\u0163ii \u00een care Viorica Petrovici face s\u0103 alterneze proza cu poezia de factur\u0103 Zen se vrea \u015fi reu\u015fe\u015fte s\u0103 fie un antidot \u00eempotriva vidului sufletesc, a singur\u0103t\u0103\u0163ii \u015fi chiar a mor\u0163ii.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/07\/10-e1657394141749.jpg\" data-rel=\"lightbox-image-5\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-18575 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/07\/10-210x300.jpg\" alt=\"\" width=\"210\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 210px; --smush-placeholder-aspect-ratio: 210\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-18575\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/07\/10-210x300.jpg\" alt=\"\" width=\"210\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Titi Damian<\/strong>,<em> Cronicile MUSCELENILOR, Editgraph, Buz\u0103u, 2013<\/em>, 350 p. Se constituie din totalitatea referin\u0163elor critice la volumele: Fagul, Umbra \u015fi Norul. \u00cen ultimul capitol al c\u0103r\u0163ii, Florentin Popescu apreciaz\u0103:<em> \u2026 Muscelenii este mai mult dec\u00e2t o trilogie a calvarului colectiviz\u0103rii for\u0163ate, poate fi citit ca un roman al familiei, al satului, al ini\u0163ierii, al form\u0103rii, cu splendide scene de dragoste, un duios roman al \u015fcolii \u015fi al dasc\u0103lului exemplar, un roman social, politic, istoric, \u00eengem\u0103n\u00e2nd eternele teme universale \u2013 Dragostea, Moartea, Destinul \u2013 toate pe un fond mitologic, liric \u015fi tragic deopotriv\u0103. (\u2026) Mai mult dec\u00e2t o m\u0103rturie despre oameni \u015fi vremuri, \u00een pagini de autentic\u0103 literatur\u0103, trilogia Muscelenii mi se pare a fi, totodat\u0103, \u015fi un document, un fragment de istorie care, prin extrapolare, d\u0103 seama de o epoc\u0103 pe care, cunosc\u00e2nd-o, cititorii de azi \u015fi de m\u00e2ine, o pot judeca la dimensiunile sale adev\u0103rate, eliberat\u0103 de toate atributele puse \u00een seama ei de aprecieri conjuncturale \u015fi de circumstan\u0163\u0103\u2026<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/07\/11-e1657394158758.jpg\" data-rel=\"lightbox-image-6\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-18576 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/07\/11-225x300.jpg\" alt=\"\" width=\"225\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 225px; --smush-placeholder-aspect-ratio: 225\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-18576\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/07\/11-225x300.jpg\" alt=\"\" width=\"225\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Emil Pro\u015fcan, Ecaterina Bargan<strong>,<\/strong><\/strong> <em>La marginea lumii, Editura Tipo Moldova, Ia\u015fi, 2014<\/em>, 777 p. Ioan Holban spune \u00een prefa\u0163a la acest volum de poezie: <em>&#8230; Cartea, o lung\u0103 spovedanie a dragostei, e un experiment liric unic, probabil, \u00een poezia noastr\u0103&#8230; (&#8230;) La marginea lumii e cartea \u2013 ofrand\u0103 a contopirii fiin\u0163ei \u00een eros, \u00een suferin\u0163\u0103 \u015fi \u00een (re)cunoa\u015fterea limitelor de dincolo de bine \u015fi dincoace de r\u0103u. \u00cen men\u0163iunile critice din finalul c\u0103r\u0163ii scriitoarea Ileana Vulpescu spune: Sub semnul unei bl\u00e2nde melancolii a\u015f numi acest volum de poeme \u00een proz\u0103, iar criticul Daniel Cristea-Enache precizeaz\u0103: &#8230; Individualul \u015fi particularul devin exprimabile printr-o \u00eent\u00e2lnire, de profunzime, \u00eentre dou\u0103 individualit\u0103\u0163i explor\u00e2nd particularit\u0103\u0163ile distinctive \u015fi pe cele comune. Ecaterina Bargan \u015fi Emil Pro\u015fcan nu se topesc cu totul \u00een aceast\u0103 asociere experimental\u0103; dar ei fac, \u00eempreun\u0103, un supra-autor reunind dou\u0103 seturi de vulnerabilit\u0103\u0163i<\/em>.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/07\/12-e1657394177355.jpg\" data-rel=\"lightbox-image-7\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-18577 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/07\/12-211x300.jpg\" alt=\"\" width=\"211\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 211px; --smush-placeholder-aspect-ratio: 211\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-18577\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/07\/12-211x300.jpg\" alt=\"\" width=\"211\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Lucia Boro\u015f<\/strong>, <em>Din timp, Editura Mu\u015fatinii, Suceava, 2014<\/em>, 130 p. Volumul este prefa\u0163at de criticul Mircea A. Diaconu, care precizeaz\u0103: <em>E aceasta o poezie de concep\u0163ie, nu de rev\u0103rs\u0103ri lirice necontrolate. Fluidul liric trece prin cultur\u0103, iar confesiunea e numai un punct originar care intermediaz\u0103 o viziune. Acest fapt face ca \u00een locul lamenta\u0163iei s\u0103 apar\u0103 echilibrul, ba chiar un anume optimism, m\u00e2hnit doar, interogativ \u015fi totu\u015fi \u00eencrez\u0103tor. C\u0103ci subiectul nu-\u015fi apar\u0163ine sie\u015fi, ci unei construc\u0163ii supraindividuale, unui spa\u0163iu al originilor. Dacia e un astfel de spa\u0163iu, monadic, \u00eenscris \u00een absolut, dar nu singurul. (&#8230;) Dincolo de toate aceste lucruri \u2013 care dovedesc existen\u0163a nu numai a unui limbaj, ci \u015fi a unei viziuni, coerente, unitare, pline &#8211; , de spus, totu\u015fi, c\u0103, de \u015fi-ar fi publicat poemele \u00een timp (adic\u0103 \u00een istorie), numele Luciei Boro\u015f ar fi fost ast\u0103zi cunoscut \u00een lumea literelor&#8230;<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/07\/13-e1657394190816.jpg\" data-rel=\"lightbox-image-8\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-18578 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/07\/13-207x300.jpg\" alt=\"\" width=\"207\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 207px; --smush-placeholder-aspect-ratio: 207\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-18578\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/07\/13-207x300.jpg\" alt=\"\" width=\"207\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Ioan Vasiu<\/strong>, <em>T\u00e2rziu \u00een cuvinte, Editura Eurostampa, Timi\u015foara, 2014<\/em>, 102 p. Iat\u0103 ce spuneau, despre poezia lui Ioan Vasiu, Lauren\u0163iu Ulici, \u00een 1984:<em> Poezii lirice, de un sentimentalism acut \u00een tr\u0103ire, discret \u00een exprimare, scrise cu talent \u015fi u\u015furin\u0163\u0103 versificatorie&#8230; Ioan Vasiu, poet care se poate mi\u015fca \u00een voie pe mai multe lungimi de unde, dar care e mai la el acas\u0103 \u00een aerul limpid \u015fi de elegiac\u0103 muzicalitate al tradi\u0163iei transilv\u0103nene, Ion Horea, \u00een 2013: \u00cen poezia lui Ioan Vasiu se petrec anotimpuri, o iubire nest\u0103p\u00e2nit\u0103 configureaz\u0103 un peisaj \u015fi un timp ne\u0163\u0103rmurit, al p\u0103rin\u0163ilor \u015fi al anotimpurilor t\u00e2rzii, bucuria vie\u0163ii inund\u0103 p\u0103m\u00e2nturi \u00een vestirea prim\u0103verii ori \u00een z\u0103pezile care cad peste \u00eentreb\u0103ri \u015fi melancolii \u015fi Ioan Evu, \u00een 2013: Spirit conservator, \u00een sensul bun al cuv\u00e2ntului, Ioan Vasiu nu s-a l\u0103sat sedus de paradigmele poeziei postmoderne, p\u0103str\u00e2ndu-\u015fi filonul romantic, \u00eens\u0103 reu\u015find s\u0103 evite cu gra\u0163ie \u015fi non\u015falan\u0163\u0103 capcanele desuetudinii, preocupat mai mult de profunditatea mesajului s\u0103u, tranzitiv uman, dec\u00e2t de experimente poetice formale.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/07\/14-e1657394204895.jpg\" data-rel=\"lightbox-image-9\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-18579 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/07\/14-222x300.jpg\" alt=\"\" width=\"222\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 222px; --smush-placeholder-aspect-ratio: 222\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-18579\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/07\/14-222x300.jpg\" alt=\"\" width=\"222\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Mircea Dinutz<\/strong>, <em>Editoriale, Editura Pallas Athena, Foc\u015fani, 2013<\/em>, 184 p. Pe coperta a patra a c\u0103r\u0163ii, Maria Ni\u0163u aduce c\u00e2teva preciz\u0103ri: Perioada c\u00e2nd Mircea Dinutz a fost redactor-\u015fef la revista \u201cProSaeculum\u201d, 2008 \u2013 febr.2013, a fost cam c\u00e2t un cincinal, dar intens\u0103 c\u00e2t o via\u0163\u0103 de om. Editorialele, un carusel al ideilor de pe frontispiciu, jaloneaz\u0103 o personalitate complex\u0103 \u00een verticalitatea sa, prin integritate, bun-sim\u0163, echilibru, lips\u0103 de reac\u0163ii umorale \u2013 \u00eentr-o societate at\u00e2t de frustra(n)t\u0103. O personalitate cu principii \u015fi virtu\u0163i imprimate direc\u0163iei revistei, \u00een obiective de la care nu a abdicat \u015fi care au construit \u00een timp, discret, dar profund, noble\u0163ea revistei \u2013 deziderat drag obl\u0103duitorului s\u0103u: neangajarea politic\u0103 \u015fi lipsa atacului la persoan\u0103, f\u0103r\u0103 polemici de spectacol de cabaret, echidistan\u0163a, promovarea valorilor de spectacol de cabaret, echidistan\u0163a, promovarea valorilor culturale ale Vrancei, dar \u015fi raportul just \u00eentre autori din toate zonele \u0163\u0103rii, militantismul pentru valorile morale necesare intelectualit\u0103\u0163ii \u2013 din psihologia unui lupt\u0103tor temperat, dar tenace, onest, f\u0103r\u0103 compromisuri.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/07\/15-e1657394219685.jpg\" data-rel=\"lightbox-image-10\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-18580 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/07\/15-213x300.jpg\" alt=\"\" width=\"213\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 213px; --smush-placeholder-aspect-ratio: 213\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-18580\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/07\/15-213x300.jpg\" alt=\"\" width=\"213\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Dumitru D\u0103n\u0103il\u0103<\/strong>, <em>\u00centoarcerea, Editgraph, Buz\u0103u, 2013<\/em>, 178 p. Dumitru D\u0103n\u0103il\u0103 este autorul, cel pu\u0163in p\u00e2n\u0103 acum, al unui singur gen literar de care este sedus: cel epic. A irumpt cu un roman deosebit, \u201eDestine la indigo\u201d, \u00een 2008 \u015fi a continuat cu alte romane cu o frecven\u0163\u0103 considerabil\u0103: \u00een 2010 cu \u201eIubirile de alt\u0103dat\u0103\u201d, \u00een 2011 cu \u201e\u00cen c\u0103utarea paradisului\u201d \u015fi \u00een 2012 cu \u201eRobul zarului\u201d (&#8230;) Activitatea \u00eendelungat\u0103 de ziarist l-a f\u0103cut s\u0103 cunoasc\u0103 mii de \u00eent\u00e2mpl\u0103ri, evenimente \u015fi personaje la care a fost martor sau pe care le-a auzit \u00een deplas\u0103rile de documentare. Din romanele sale rezult\u0103 c\u0103 Dumitru D\u0103n\u0103il\u0103 este fascinat de destinele oamenilor&#8230; Alte referiri critice, \u00eenso\u0163itoare ale acestui roman, sunt semnate de: Dumitru Ion Dinc\u0103, Florentin Popescu, Tudor Cicu, Ion Ro\u015fioru, Theo Cabel \u015fi Traian Gh. Cristea.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/07\/16-e1657393897481.jpg\" data-rel=\"lightbox-image-11\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-18581 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/07\/16-212x300.jpg\" alt=\"\" width=\"212\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 212px; --smush-placeholder-aspect-ratio: 212\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-18581\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/07\/16-212x300.jpg\" alt=\"\" width=\"212\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Lucian Ciuchi\u0163\u0103<\/strong>, <em>Insula Purgatoriului, Editura ATEC, Foc\u015fani, 2014<\/em>, 256 p. Cit\u0103m dintr-o Not\u0103 special\u0103 din partea autorului: Dedic acest roman (&#8230;)<em> &#8211; Tuturor c\u0103ut\u0103torilor care au puterea s\u0103 mearg\u0103 mai departe, s\u0103 dep\u0103\u015feasc\u0103 orice obstacol ap\u0103rut \u00een via\u0163\u0103 \u015fi care au \u00een\u0163eles c\u0103 nu trebuie s\u0103 te opre\u015fti niciodat\u0103 atunci c\u00e2nd vrei s\u0103 eviden\u0163iezi adev\u0103rul \u015fi s\u0103 promovezi valorile reale ale spiritualit\u0103\u0163ii. \u015ei, nu \u00een ultimul r\u00e2nd, \u00eenchin aceste r\u00e2nduri celor care scriu \u015fi nu au primit recunoa\u015fterea, \u00eentreag\u0103 sau par\u0163ial\u0103, a talentului lor, celor care din motive regretabile sunt \u0163inu\u0163i momentan \u00een umbr\u0103 pentru ca al\u0163ii s\u0103 profite f\u0103r\u0103 scrupule de rodul muncii lor. Ace\u015fti \u201eho\u0163i de cuvinte\u201d se laud\u0103 acum cu imagina\u0163ia lor unic\u0103 \u015fi prezint\u0103 idei furate ca fiind dintotdeauna ale lor. Romanul de fa\u0163\u0103 este povestea original\u0103 care a stat la baza scenariului unui film de succes, lansat anul trecut de c\u0103tre cinci studiouri de produc\u0163ie de la Hollywood&#8230;<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/07\/17-e1657393918817.jpg\" data-rel=\"lightbox-image-12\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-18582 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/07\/17-221x300.jpg\" alt=\"\" width=\"221\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 221px; --smush-placeholder-aspect-ratio: 221\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-18582\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/07\/17-221x300.jpg\" alt=\"\" width=\"221\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong> Lauren\u0163iu B\u0103dicioiu<\/strong>, <em>Romeo \u015fi Julieta la Mizil: antologie de poezie \u015fi epigram\u0103, Editura RBA Media, Bucure\u015fti, 2013<\/em>, 292 p. Din cele c\u00e2teva referiri selective la acest festival, redate pe coperta a patra a acestui volum, semnate de Solomon Marcus, Corneliu Leu, Sorin Ro\u015fca St\u0103nescu, George Stanca, Sorin Preda, Ecaterina Andronescu, noi am ales-o pe cea a lui Nicolae Dabija: <em>Mizilul a fost timp de c\u00e2teva zile capitala Poeziei rom\u00e2ne\u015fti. Nichita St\u0103nescu spusese cu o ocazie: ,,\u00cen materie de poezie Rom\u00e2nia este un mare imperiu\u201d. Mizilul e o urbe care face parte din acest imperiu \u015fi l-a\u015f numi \u00een context un ora\u015f imperial [\u2026] M-a bucurat faptul c\u0103 Premiul Mare i-a revenit unui basarabean: Ion Diviza. Concluzia mea e: dac\u0103 fiecare localitate din \u0162ar\u0103, indiferent de dimensiune, ar avea c\u00e2te un Lauren\u0163iu B\u0103nicioiu \u015fi c\u00e2te un Victor Minea sau un primar ca Emil Pro\u015fcan, Rom\u00e2nia ar avea vreo 10 000 de festivaluri de poezie. Din p\u0103cate pe acestea din urm\u0103 le numeri pe degete. <\/em><\/p>\n<p><strong><br \/>\nFAPTE CULTURALE<\/strong><\/p>\n<p><strong>Lansare de carte<\/strong><\/p>\n<p>Mar\u0163i, 5 august 2014, a avut loc, la sediul din Buz\u0103u al Administra\u021biei Bazinale de Ap\u0103 Buz\u0103u-Ialomi\u021ba, lansarea volumului \u201eAripi de ploaie\u201d de Nicolai T\u0103icu\u0163u. Au prezentat puncte de vedere colegii \u015fi prietenii, printre care: Dumitru Pan\u0103, Eliza Volintiru, Dumitru B\u0103rbatu, Emil Niculescu, Lucian M\u0103n\u0103ilescu, Stan Brebenel, Valeria Manta T\u0103icu\u0163u, Silvia Ioana Sofineti.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nicolai T\u0102ICU\u0162U Raftul cu c\u0103r\u021bi Liviu Pendefunda, \u00censcris din Cartea Misterului (Falii 11), Contact international, Ia\u015fi 2014, 128 p. Coperta<\/p>\n","protected":false},"author":18,"featured_media":10070,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"ngg_post_thumbnail":0,"video_url":"","footnotes":""},"categories":[7,328],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/18570"}],"collection":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=18570"}],"version-history":[{"count":1,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/18570\/revisions"}],"predecessor-version":[{"id":18583,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/18570\/revisions\/18583"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/media\/10070"}],"wp:attachment":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=18570"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=18570"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=18570"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}