{"id":18312,"date":"2022-06-13T14:15:12","date_gmt":"2022-06-13T11:15:12","guid":{"rendered":"https:\/\/ziarulderimnic.ro\/?p=18312"},"modified":"2022-06-13T14:15:12","modified_gmt":"2022-06-13T11:15:12","slug":"literadura-nr-24-1","status":"publish","type":"post","link":"https:\/\/ziarulderimnic.ro\/?p=18312","title":{"rendered":"Literadura nr. 24 (1)"},"content":{"rendered":"<p><strong>Literatura, \u00eentre pandemie \u0219i r\u0103zboi<\/strong><\/p>\n<p><strong>Camelia Iuliana Radu<\/strong><br \/>\n<a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/09\/iuliana-radu-e1601459968623.jpg\" data-rel=\"lightbox-image-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/09\/iuliana-radu-300x298.jpg\" alt=\"\" width=\"300\" height=\"298\" class=\"alignnone size-medium wp-image-11035 lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 300px; --smush-placeholder-aspect-ratio: 300\/298;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/09\/iuliana-radu-300x298.jpg\" alt=\"\" width=\"300\" height=\"298\" class=\"alignnone size-medium wp-image-11035\" \/><\/noscript><\/a><\/p>\n<p>\u00cen doi ani de restric\u021bii pandemice s-a scris mult, dar au lipsit t\u00e2rgurile de carte, lans\u0103rile de volume \u0219i<br \/>\n\u00eent\u00e2lnirile cu cititorii; s-a tr\u0103it din rezerva de prestigiu c\u00e2\u0219tigat anterior; au crescut v\u00e2nz\u0103rile libr\u0103riilor online, dar multe din spa\u021biile reale pentru v\u00e2nzarea c\u0103r\u021bii au dat faliment. Statisticile arat\u0103, paradoxal, c\u0103 s-a citit mult mai pu\u021bin, \u00een tot acest timp, a\u0219a c\u0103 multe edituri au practicat reducerile de pre\u021b la carte. Altele, au preferat s\u0103 pun\u0103 autorilor c\u0103r\u021bile \u00een bra\u021be \u0219i s\u0103 se spele pe m\u00e2ini de orice obliga\u021bie; \u00een condi\u021biile \u00een care autorul \u0219i-a pl\u0103tit, \u00een cele mai multe cazuri, tirajul.<br \/>\nScriitorii cu notorietate c\u00e2\u0219tigat\u0103 \u00eenainte de 89, c\u00e2nd un tiraj modest de carte era de cel pu\u021bin 10 mii de<br \/>\nexemplare, beneficiaz\u0103 \u0219i acum de ecoul renumelui lor printre cititori. Pentru ei a fost mai simplu. Cu mici<br \/>\nexcep\u021bii, cei publica\u021bi \u00een perioada postdecembrist\u0103 se chinuie \u0219i azi cu tiraje mici (300 de exemplare, \u00een cel mai<br \/>\nbun caz), cu notorietate mic\u0103 (de cele mai multe ori, local\u0103); totul la scar\u0103 mic\u0103, de rezisten\u021b\u0103; f\u0103r\u0103 a avea contracte cu bibliotecile, cu \u0219colile, cu alte institu\u021bii care le-ar putea m\u0103ri tirajele; scriitorii postdecembri\u0219ti au preferat autopromovarea pe re\u021belele de socializare.<br \/>\nCurios este c\u0103 to\u021bi ace\u0219ti scriitori, unii chiar foarte buni, au avut o vizibilitate mai mare \u00een pandemie; fiind<br \/>\ninventivi, \u0219i-au cucerit cititorii prin persuadare \u00een afara zonei literare; vechea cutum\u0103 a scriitorului care tace \u0219i a\u0219teapt\u0103 semnale de la al\u021bii &#8211; critici, mass-media, recenzori &#8211; a s\u0103rit \u00een aer. Decesul literar a fost ocolit, ar\u0103t\u00e2nd cititorilor nu doar opera, ci \u0219i calitatea lor uman\u0103. Glume, pove\u0219ti de via\u021b\u0103, fragmente din noile volume, coperte sugestive, uneori chiar \u0219i opinii politice, linkuri c\u0103tre blogurile personale au umplut spa\u021biile Internetului, spre deliciul internau\u021bilor, spre plictisul altora \u0219i spre o nou\u0103 considerare a statutului de scriitor.<br \/>\nPe de o parte, aceste practici au fost dezavuate de cei care consider\u0103 c\u0103 doar opera trebuie s\u0103 vorbeasc\u0103;<br \/>\npe de alt\u0103 parte, datorit\u0103 lor, scriitorul \u0219i-a ameliorat statutul social, el \u00eencepe s\u0103 nu mai fie considerat un ciudat, un nebun, un marginal. Iat\u0103, scriitorul preg\u0103te\u0219te masa, are opinii politice, merge la shopping, are copii, fra\u021bi, surori \u0219i bunici, are un serviciu, de cele mai multe ori; el glume\u0219te, \u0219tie s\u0103 fie prieten, are nevast\u0103 sau so\u021b \u0219i, uneori, se ceart\u0103 cu autorit\u0103\u021bile sau face covid. Are, deci, o via\u021b\u0103. \u00cen tot acest timp, el scrie la gazet\u0103, are proiecte literare, are tot felul de idei care nu \u00eel las\u0103 s\u0103 doarm\u0103 noaptea, \u00ee\u0219i des\u0103v\u00e2r\u0219e\u0219te proiectele, are nostalgii, are dileme, are inspira\u021bie \u0219i cunoa\u0219te tehnici de scris. Hai, c\u0103 nu e chiar a\u0219a de r\u0103u! Uneori, se mai \u00eenduplec\u0103 \u0219i c\u00e2te un cronicar s\u0103 \u00ee\u0219i aminteasc\u0103 de el. Sigur c\u0103 cest comportament nu garanteaz\u0103 o oper\u0103 de excep\u021bie, dar a pus um\u0103rul la vizibilitatea asupra acestei bresle, intrat\u0103 pe u\u0219a din spate \u00een mentalul colectiv. Ridic\u00e2ndu-se, \u00een sf\u00e2r\u0219it, restric\u021biile sanitare, lumea literar\u0103 descoper\u0103 c\u0103 exist\u0103 iar t\u00e2rguri de carte, lans\u0103ri de volume, cititori vii. Cum era de a\u0219teptat, scriitorii au s\u0103rit din vizuina lor ca din arc. Doar c\u0103, din pandemie, au s\u0103rit direct \u00een realitatea r\u0103zboiului. Un r\u0103zboi ur\u00e2t, la grani\u021b\u0103, f\u0103r\u0103 implicarea direct\u0103 a rom\u00e2nilor pe front, dar cu mult ajutor \u0219i cu o problematic\u0103 nou\u0103 pentru societatea rom\u00e2neasc\u0103. Mult\u0103 empatie fireasc\u0103 pentru suferin\u021ba poporului ucrainean, dar \u0219i cu voci r\u0103zle\u021be de c\u00e2rcota\u0219i. Unii poe\u021bi s-au gr\u0103bit s\u0103 se \u201eantologheze\u201d \u00een volume colective \u201edespre r\u0103zboi\u201d, la nici o lun\u0103 de la declan\u0219area acestui eveniment devenit interna\u021bional, al\u021bii au mai publicat prin reviste diferite crea\u021bii pe tem\u0103 dat\u0103, dar cea mai bun\u0103 abordare a fost a celor care au scris eseuri sau articole despre schimbarea realit\u0103\u021bii. \u00cei a\u0219tept pe cei \u00eent\u00e2rzia\u021bi, pe cei care, instinctiv, respect\u0103 \u00een actul de crea\u021bie perioada de incubare a unui subiect, a unei teme, a unei experien\u021be de via\u021b\u0103. Nu m\u0103 gr\u0103besc s\u0103 trag nicio concluzie, dar pot observa c\u0103, de\u0219i graba e mare (sau poate tocmai de aceea) exist\u0103 o anume iner\u021bie \u00een recuperarea realit\u0103\u021bii, \u00een sensul c\u0103 activitatea literar\u0103 se vrea reluat\u0103 de unde \u0219i-a rupt firul obi\u0219nuin\u021belor. Nu a ap\u0103rut \u00eenc\u0103 nicio schimbare de paradigm\u0103 \u00een metodologia de promovare sau \u00een modul de g\u00e2ndire a public\u0103rii unui volum; despre scriere, stil, voce, imaginar literar, ritmuri poetice e \u00eenc\u0103 prea devreme s\u0103 vorbim.<br \/>\nSe anun\u021b\u0103 tot felul de crize, ca urmare a r\u0103zboiului de la grani\u021ba noastr\u0103 estic\u0103, unele interna\u021bionale, altele<br \/>\npe plan local. Nu \u0219tim \u00eenc\u0103 dac\u0103 acestea vor \u00eencetini avalan\u0219a public\u0103rii de crea\u021bie literar\u0103 (s-a scumpit h\u00e2rtia),<br \/>\ndac\u0103 va determina o autocenzur\u0103 drastic\u0103, dac\u0103 se va a\u0219terne t\u0103cerea peste multe voci literare sau dac\u0103, r\u00e2\u0219ni\u021ba<br \/>\nsocio-politic\u0103 va fi ignorat\u0103; c\u00e2te edituri vor disp\u0103rea, c\u00e2te vor deveni mai puternice, c\u00e2\u021bi scriitori vor prefera<br \/>\npublicarea virtual\u0103, \u00een detrimentul celei pe h\u00e2rtie. Deocamdat\u0103, ne bucur\u0103m de perioada aceasta de<br \/>\ntranzi\u021bie, ca de un mic desert nostalgic, preparat dup\u0103 o re\u021bet\u0103 vintage.<\/p>\n<p> <strong><br \/>\nFelix NICOLAU<\/strong><br \/>\n<a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/01\/felix-nicolau.jpg\" data-rel=\"lightbox-image-1\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/01\/felix-nicolau.jpg\" alt=\"\" width=\"219\" height=\"204\" class=\"alignnone size-full wp-image-12950 lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 219px; --smush-placeholder-aspect-ratio: 219\/204;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/01\/felix-nicolau.jpg\" alt=\"\" width=\"219\" height=\"204\" class=\"alignnone size-full wp-image-12950\" \/><\/noscript><\/a><br \/>\nEste profesor invitat la Universitatea Complutense din Madrid \u0219i profesor<br \/>\nla Departamentul de Limbi Str\u0103ine \u0219i Comunicare, Universitatea Tehnic\u0103<br \/>\nde Construc\u021bii, Bucure\u0219ti, Rom\u00e2nia.<br \/>\nA fost profesor invitat la Facultatea de \u0218tiin\u021be Umaniste, Universitatea<br \/>\nLund, Suedia. Este afiliat \u0218colii Doctorale de Filologie a Universit\u0103\u021bii \u201e1<br \/>\nDecembrie 1918\u201d din Alba Iulia. \u0218i-a sus\u021binut doctoratul \u00een Literatur\u0103<br \/>\nrom\u00e2n\u0103 \u0219i comparat\u0103 \u00een 2003 \u0219i este autorul multor c\u0103r\u021bi de teorie literar\u0103 \u0219i<br \/>\ncomunic\u0103rii: Istoria nuclear\u0103 a culturii. Cuante hermeneutice (2021), Ingen<br \/>\nfara p\u00e5 taket \/ Totul e sub control. L\u00e4r dig rum\u00e4nska \/ \u00cenva\u0163\u0103 limba rom\u00e2n\u0103<br \/>\n(2020). You Are not Alone. Culture and Civilization (2018), Morpheus:<br \/>\nfrom Text to Images. Traduceri intersemiotice (2016), Take the Floor.<br \/>\nComunicare profesional\u0103 contextualizat\u0103 teoretic (2014), Comunicare cultural\u0103: abord\u0103ri ale<br \/>\nmodernit\u0103\u021bii \u0219i postmodernit\u0103\u021bii (2014), Comunicare \u0219i creativitate. Interpretarea textului<br \/>\ncontemporan (Communication and Creativity. The Interpretation of Contemporary Text, 2014),<br \/>\nHomo Imprudens (2006), Anticanonice (Anticanonicals, 2009), Codul lui Eminescu (Eminescu&#8217;s<br \/>\nCode, 2010) \u0219i Estetica inuman\u0103: de la Postmodernism la Facebook (The Inhuman Aesthetics: from<br \/>\nPostmodernism to Facebook, 2013),<br \/>\nVolume de poezie \u0219i romane: Tandru \u0219i rece, Editura Cartea Rom\u00e2neasc\u0103, 2007, Pe m\u00e2na femeilor,<br \/>\nEditura Cartea Rom\u00e2neasc\u0103, 2007, Kamceatka 4&#215;4, Editura Vinea, 2015 . Este membru \u00een comitetul<br \/>\neditorial al \u201eThe Swedish Journal of Romanian Studies\u201d.<br \/>\nDomeniile sale de interes sunt studiile de traducere, teoria comunic\u0103rii, literatura comparat\u0103,<br \/>\nstudiile culturale, studiile de traducere \u0219i studiile britanice \u0219i americane \u0219i studiile rom\u00e2ne\u0219ti.<\/p>\n<p><strong>Skulle vara<\/strong><\/p>\n<p>fine\u021bea vie\u021bii evitarea<br \/>\nabord\u0103rilor cruciale urgente timp<br \/>\npentru gym-ul cu u\u0219i automate s\u0103 fie Gerdahallen<br \/>\ndin Lund l\u00e2ng\u0103 universitatea blocat\u0103 la intrare \u00een fiecare<br \/>\nmiercuri de cet\u0103\u021beni sportivi medborgare pu\u0219i \u00een<br \/>\nalert\u0103 de vocea-biciu\u0219c\u0103 a unei femei emancipate vestiarul \u00een care<br \/>\nla\u0219i la intrare ciubotele cam tocite \u0219i sc\u00e2lciate de fapt peste tot la\u0219i<br \/>\nciubotele la intrare \u00een Suedia du gamla du fria Sverige disperarea<br \/>\nmar\u0219urile for\u021bate sub ploaie \u0219i v\u00e2nt cum se explic\u0103 bucile \u0219i dor<br \/>\nsalii fle\u0219c\u0103i\u021bi la despuierea din vestiar adev\u0103rul?<br \/>\nFitnessul nemaiv\u0103zut haltere uria\u0219e abia ridicate puternic<br \/>\ntr\u00e2ntite bum buuuum important s\u0103 a\u0219ezi fiecare<br \/>\ndisc discule\u021b la locul indicat conform culorilor ordine<br \/>\n\u0219i disciplin\u0103 regulile<br \/>\n-s reguli<br \/>\n25% din popula\u021bie \u0219tampilat\u0103 \u00een demen\u021b\u0103 vikingi \u00eemping<br \/>\nzilnic c\u0103rucioare cu 4 copii vikinge de carier\u0103<br \/>\ndepl\u00e2ng\u00e2nd \u00een ziarul local calitatea<br \/>\norgasmului<br \/>\nlume de macadam \u0219i pr\u0103v\u0103lii de<br \/>\nvaccinuri lumea cu u\u0219i automate dac\u0103<br \/>\nai cardul cu cod hej hej<br \/>\nAst\u0103zi ciupim smochinul<br \/>\namurg de jazz caf\u00e9<br \/>\nn-o s\u0103-\u0163i vin\u0103 s\u0103 crezi dar videopoemul din seara asta<br \/>\na fost f\u0103cut \u00een powerpoint uite \u00een flash n-am lucrat \u00eenc\u0103<br \/>\neu acum \u00eenv\u0103\u0163 de unde<br \/>\nde pe youtube sunt tutoriale po\u0163i \u00eenv\u0103\u0163a orice chiar<br \/>\n\u015fi cum s\u0103 faci o bomb\u0103 cu ceas?<br \/>\nchiar \u015fi cum s\u0103 faci sex eu \u00eens\u0103 zic s-o la\u015fi moale<br \/>\ncu flash e prea complicat mai bine \u00eenva\u0163\u0103 prezi<br \/>\npo\u0163i prelua \u015fi ce ai compus deja \u00een powerpoint<br \/>\ncred c\u0103 po\u0163i edita \u015fi video \u00een el de imagini nu<br \/>\nmai zic<br \/>\nauzi nevast\u0103 c\u00e2te ai de \u00eenv\u0103\u0163at bag\u0103 mare c\u0103 \u00een<br \/>\n2017 facem prima edi\u0163ie a festivalului c\u00e2nepii<br \/>\na\u015fa t\u00e2rziu?<br \/>\np\u0103i 2 ani ia p\u00e2n\u0103 cresc plantele cine vrea s\u0103 prind\u0103<br \/>\nmetrou\u2019 acu\u2019 trebe s\u0103 plece la 11 jum\u0103tate se-nchide<br \/>\ni-auzi mergem?<br \/>\nnu lu\u0103m metroul!<br \/>\n\u015fi sintetizator de ce \u0163i-ai luat? nu mai bine ata\u015fai o<br \/>\nminiclaviatur\u0103 la laptop \u015fi nu mai c\u0103rai ditai animalu\u2019?<br \/>\nniet! p\u00e2n\u0103 \u015fi clapele au doar 6 octave fa\u0163\u0103 de 8 c\u00e2t<br \/>\nare un pian<br \/>\nce intr\u0103 pe-o minitastatur\u0103?<br \/>\nuna cu taste mici \u015fi multe le-ap\u0103sam cu acul sau cu un joystick<br \/>\nmai lu\u0103m un vin? mai lu\u0103m o s\u0103 vedem \u00een fotoshop<br \/>\nb\u0103i a\u015fa poz\u0103 fotoshopat\u0103 ca aia cu tine \u015fi dansatoarele din<br \/>\nbordello! nu-i foto\u015fopat\u0103 fat\u0103!<br \/>\natunci cum naiba au ie\u015fit alea a\u015fa ur\u00e2te?<br \/>\neu-\u0163i zic: mai de st\u00e2nga dec\u00e2t nevast\u0103-mea nu e nimeni<br \/>\nare dou\u0103 m\u00e2ini st\u00e2ngi!<br \/>\n\u00eenc\u0103 5 minute p\u00e2n\u0103 c\u00e2nd se-nchide metrou\u2019<br \/>\nn-auzi m\u0103 c\u0103 nu ne-ntoarcem cu metrou\u2019?<br \/>\na\u015f mai<br \/>\nbea \u015fi eu ceva din carafa lor cu vin ro\u015fu dar observ la dou\u0103<br \/>\nmese distan\u0163\u0103 un pahar de \u015fampanie plin cu bere<br \/>\ntrebuie s\u0103 fie o nou\u0103 planet\u0103 \u00een sistemul nostru solar<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Literatura, \u00eentre pandemie \u0219i r\u0103zboi Camelia Iuliana Radu \u00cen doi ani de restric\u021bii pandemice s-a scris mult, dar au lipsit<\/p>\n","protected":false},"author":17,"featured_media":18313,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"ngg_post_thumbnail":0,"video_url":"","footnotes":""},"categories":[7,329],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/18312"}],"collection":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/users\/17"}],"replies":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=18312"}],"version-history":[{"count":1,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/18312\/revisions"}],"predecessor-version":[{"id":18314,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/18312\/revisions\/18314"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/media\/18313"}],"wp:attachment":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=18312"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=18312"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=18312"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}