{"id":18168,"date":"2022-05-28T10:57:15","date_gmt":"2022-05-28T07:57:15","guid":{"rendered":"https:\/\/ziarulderimnic.ro\/?p=18168"},"modified":"2022-05-28T11:04:51","modified_gmt":"2022-05-28T08:04:51","slug":"spatii-culturale-nr-37-13","status":"publish","type":"post","link":"https:\/\/ziarulderimnic.ro\/?p=18168","title":{"rendered":"Spa\u021bii culturale nr. 37 (13)"},"content":{"rendered":"<p><strong>Nicolai T\u0102ICU\u0162U<\/strong><br \/>\n<a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/nicolai.jpg\" data-rel=\"lightbox-image-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-11061 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/nicolai-192x300.jpg\" alt=\"\" width=\"192\" height=\"300\" data-srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/nicolai-192x300.jpg 192w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/nicolai.jpg 279w\" data-sizes=\"(max-width: 192px) 100vw, 192px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 192px; --smush-placeholder-aspect-ratio: 192\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-11061\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/nicolai-192x300.jpg\" alt=\"\" width=\"192\" height=\"300\" srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/nicolai-192x300.jpg 192w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/nicolai.jpg 279w\" sizes=\"(max-width: 192px) 100vw, 192px\" \/><\/noscript><\/a><\/p>\n<p><strong>Raftul cu c\u0103r\u021bi<\/strong><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/05\/10-1-e1653724732872.jpg\" data-rel=\"lightbox-image-1\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-18170 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/05\/10-1-201x300.jpg\" alt=\"\" width=\"201\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 201px; --smush-placeholder-aspect-ratio: 201\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-18170\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/05\/10-1-201x300.jpg\" alt=\"\" width=\"201\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Adrian \u0162ion<\/strong>, <em>Marcel Mure\u015feanu Promontoriul 75 (un poet), Casa C\u0103r\u0163ii de \u015etiin\u0163\u0103, Cluj-Napoca, 2013<\/em>, 282 p. Autorul argumenteaz\u0103: <em>Cartea de fa\u0163\u0103 \u00ee\u015fi datoreaz\u0103 apari\u0163ia anivers\u0103rii a 75 de ani de via\u0163\u0103 ai poetului clujean, c\u0103l\u0103torit prin basmul cuvintelor din adolescen\u0163a nebuloas\u0103 p\u00e2n\u0103 la b\u0103tr\u00e2ne\u0163ea senin\u0103, cuprinz\u00e2nd tezaurul a peste cincizeci de ani de crea\u0163ie rodnic\u0103, materializat\u0103 \u00een c\u0103r\u0163i cu rezonan\u0163\u0103 \u00een lumea noastr\u0103 literar\u0103. Acestora li se adaug\u0103 sumedenie de studii, cronici, recenzii, interviuri, r\u0103sp\u00e2ndite prin zeci de publica\u0163ii, din care mi-am propus s\u0103 extrag secven\u0163e elocvente pentru cuvenita omagiere \u015fi valorizare a celui aniversat. Fiind vorba despre un poet aflat \u00een deplin\u0103 for\u0163\u0103 creatoare la cei 75 de ani ai s\u0103i \u2013 \u015fi nu exagerez cu nimic spun\u00e2nd asta -, paginile acestei c\u0103r\u0163i nu pot contura dec\u00e2t un bilan\u0163 provizoriu asupra operei \u00een ansamblul ei, a\u015fa cum antologia de Poeme. 1968-2008 din 2007 oferea un alt bilan\u0163 provizoriu al poetului septuagenar.<\/em><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/05\/11-1-e1653724759765.jpg\" data-rel=\"lightbox-image-2\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-18171 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/05\/11-1-189x300.jpg\" alt=\"\" width=\"189\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 189px; --smush-placeholder-aspect-ratio: 189\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-18171\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/05\/11-1-189x300.jpg\" alt=\"\" width=\"189\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Alexandru Ovidiu Vintil\u0103<\/strong>, <em>Obiecte psihice, Editura Karth, Bucure\u015fti, 2014<\/em>, 96 p. Trei scurte men\u0163iuni critice \u00eenso\u0163esc acest excelent volum de versuri. Ele sunt semnate de Al. Cistelecan, Lucian Vasilescu \u015fi Sebastian Reichmann, din care cit\u0103m: <em>Ceea ce surprinde \u00een acest volum este non\u015falan\u0163a talentului lui Alexandru Ovidiu Vintil\u0103 de a facilita \u00eent\u00e2lnirea dintre universuri menite \u00een genere de a nu se cunoa\u015fte\/ recunoa\u015fte \u00eentre ele, prin ignorare reciproc\u0103 sau chiar prin evitare voluntar\u0103. Nu e deloc \u00eent\u00e2mpl\u0103tor, cred, c\u0103 Gellu Naum sau Gherasim Luca se reg\u0103sesc \u00een aceste poezii \u00een proximitatea Marianei Marin sau a lui Petre Stoica, pentru a cita doar c\u00e2teva nume printre cele evocate de poet. Nici c\u0103 Zarathustra lui Nietzsche pare a nu refuza \u00eent\u00e2lnirea cu Dumnezeul revela\u0163iei biblice\u2026<\/em><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/05\/12-1-e1653724841476.jpg\" data-rel=\"lightbox-image-3\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-18172 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/05\/12-1-215x300.jpg\" alt=\"\" width=\"215\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 215px; --smush-placeholder-aspect-ratio: 215\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-18172\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/05\/12-1-215x300.jpg\" alt=\"\" width=\"215\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Ion Mure\u015fan<\/strong>, <em>Oglinda aburit\u0103, Editura Charmides, Bistri\u0163a, 2013<\/em>, 228 p. \u00cen deschiderea c\u0103r\u0163ii de eseuri conven\u0163ionale, Alexadru Vlad aduce c\u00e2teva argument, din care cit\u0103m: <em>Textele din culegerea de fa\u0163\u0103 sunt un rezultat al coabit\u0103rii poetului cu presa. Ai o rubric\u0103, un spa\u0163iu determinat, e\u015fti \u00een mod firesc tentat s\u0103-l folose\u015fti ca pe o oglind\u0103. \u015ei, ca \u00een orice oglind\u0103, ai libertatea privirii (a temelor) \u015fi obligativitatea dimensiunilor. Numai c\u0103, \u00een cazul nostru, avem de-a face cu o oglind\u0103 aburit\u0103. Pe p\u00e2nza de abur ce acoper\u0103 suprafa\u0163a oglinzii ,,poetul deseneaz\u0103 cu degetul tot ce-i trece prin minte\u201d. \u00cens\u0103, de la o vreme, din spatele liniilor apare, fragmentar la \u00eenceput, apoi tot mail impede, propriul lui chip. Astfel spus ,,desenatorul\u201d Ion Mure\u015fan folose\u015fte prilejul ca s\u0103 ne \u00eemp\u0103rt\u0103\u015feasc\u0103 viziunea lui asupra lumii. A f\u0103cut asta \u015fi prin poezie, a constatat, mai mult ca sigur, c\u0103 nu suntem la \u00een\u0103l\u0163imea de \u00een\u0163elegere necesar\u0103 \u015fi s-a decis s\u0103 ,,schimbe foaia\u201d.<\/em><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/05\/13-1-e1653724860838.jpg\" data-rel=\"lightbox-image-4\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-18173 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/05\/13-1-196x300.jpg\" alt=\"\" width=\"196\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 196px; --smush-placeholder-aspect-ratio: 196\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-18173\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/05\/13-1-196x300.jpg\" alt=\"\" width=\"196\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Lauren\u0163iu Belizan<\/strong>, <em>Onirograme, Editgraph, Buz\u0103u, 2012<\/em>, 163 p. Lauren\u0163iu Belizan, de\u015fi buzoian prin na\u015ftere, a poposit\/ a revenit \u00een spa\u0163iul spiritual al Buz\u0103ului la v\u00e2rsta maturit\u0103\u0163ii, ca poet modern format \u00een alte spa\u0163ii ale culturii, cenaclul Virtualia fiind unul dintre acestea. Am luat la cuno\u015ftin\u0163\u0103 de crea\u0163ia sa t\u00e2rziu, cu trei ani \u00een urm\u0103, \u00een paginile revistei Fereastra. \u00cen anul 2013, la concursul organizat de Biblioteca Jude\u0163ean\u0103 ,,V. Voiculescu\u201d Buz\u0103u, cu prilejul amplei manifest\u0103ri Prim\u0103vara Poe\u0163ilor, volumul Onirograme, al doilea al autorului, a fost premiat. P\u00e2n\u0103 acum au scris despre crea\u0163ia sa literar\u0103: R\u0103zvan \u0162upa, Horia G\u00e2rbea, Radu Paraschivescu, Paul Cernat, Gellu Dorian, Adrian Botez, Lucian M\u0103n\u0103ilescu.<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/05\/14-1-e1653724881317.jpg\" data-rel=\"lightbox-image-5\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-18174 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/05\/14-1-230x300.jpg\" alt=\"\" width=\"230\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 230px; --smush-placeholder-aspect-ratio: 230\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-18174\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/05\/14-1-230x300.jpg\" alt=\"\" width=\"230\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Marieta R\u0103doi Mih\u0103i\u0163\u0103<\/strong>, <em>copilul postum, Editura Tipo Moldova, Ia\u015fi, 2011<\/em>, 265 p. \u00centre filele c\u0103r\u0163ii oferite de autoare, la \u00eentoarcerea de la a patra edi\u0163ie a Toamnei Bacoviene, urm\u0103toarele referin\u0163e semnate de Radu C\u00e2rneci: <em>\u2026 Marieta R\u0103doi Mih\u0103i\u0163\u0103 face parte din acea restr\u00e2ns\u0103 categorie de poe\u0163i a c\u0103ror crea\u0163ie este lipsit\u0103 de metafora spectaculoas\u0103 (g\u0103l\u0103gioas\u0103), beneficiind \u00eens\u0103 de taina cuvintelor, d\u00e2nd al\u0103tur\u0103rii acestora acea imprevizibilitate, venind, parc\u0103, dinspre Mallarm\u00e9 sau, mai aproape de noi, de la Ion Barbu, zicerea seac\u0103, dar cu acel farmec al imprecisului, cu largi pauze \u00een care se simte din plin acel ter\u0163 inclus (teoretizat admirabil de savantul Basarab Nicolescu), care asigur\u0103 autoarei ,,o indiscutabil\u0103 originalitate \u015fi esen\u0163ializare a acestei poetici\u201d. A\u015fadar, o poezie lucrat\u0103 cu deosebit talent \u015fi voin\u0163\u0103, care impune un stil sobru, deci un creator authentic.<\/em><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/05\/15-1-e1653724907868.jpg\" data-rel=\"lightbox-image-6\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-18175 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/05\/15-1-247x300.jpg\" alt=\"\" width=\"247\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 247px; --smush-placeholder-aspect-ratio: 247\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-18175\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/05\/15-1-247x300.jpg\" alt=\"\" width=\"247\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Dan Petru\u015fc\u0103<\/strong>, <em>\u015fi toate celelalte cuvinte, Universitas XXI, Ia\u015fi, 2011<\/em>, 74 p. Cu o prefa\u0163\u0103 de Constantin Dram, postfa\u0163\u0103 de Mircea Dinutz \u015fi ilustra\u0163ii de Mihai Chiuaru. \u00cen prefa\u0163\u0103 se men\u0163ioneaz\u0103: <em>Poet de \u00eenalt\u0103 \u0163inut\u0103 \u015fi profund marcat de \u015ftiin\u0163a rar\u0103 a c\u0103r\u0163ii, autorul acestui volum probeaz\u0103 cu superbike \u015fi acele abilit\u0103\u0163i de care nu se legase alt\u0103dat\u0103 cu obliga\u0163ie expres\u0103: nota\u0163ia fulgurant\u0103, versul liber, sugestia ironic-filosofic\u0103, intruziunea derizoriului deliberat, toate \u00eentr-o construc\u0163ie armonioas\u0103 la nivelul volumului \u00een care, din c\u00e2nd \u00een c\u00e2nd, muzicalitatea \u015fi dulcea caden\u0163\u0103 levantin\u0103 nu se pierd, ci renasc \u00eentr-o etern\u0103 asumare \u015fi conjugare ocult\u0103 cu tot ce e de v\u0103zut, de auzit, de sim\u0163it. Astfel, poetul Dan Petru\u015fc\u0103 \u00ee\u015fi verific\u0103 arsenalul poetic \u015fi ne orienteaz\u0103, d\u00e9j\u00e0, spre o nou\u0103 carte, germin\u00e2nd probabil \u00eentr-un nev\u0103zut laborator.<\/em><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/05\/16-1-e1653724930231.jpg\" data-rel=\"lightbox-image-7\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-18176 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/05\/16-1-194x300.jpg\" alt=\"\" width=\"194\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 194px; --smush-placeholder-aspect-ratio: 194\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-18176\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/05\/16-1-194x300.jpg\" alt=\"\" width=\"194\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Valentin Popa<\/strong>, <em>Serata cr\u0103i\u0163elor, Editura Istros a Muzeului Br\u0103ilei, 2013<\/em>, 276 p. Alex \u015etef\u0103nescu remarca \u00een 1982 (SLAST, nr.66): <em>&#8230; Are un stil elegant, plin de siguran\u0163\u0103 dar \u015fi de o indefinibil\u0103 ironie<\/em>, ca Dumitru Anghel (Oglinda literar\u0103, nr.140\/2013) s\u0103 men\u0163ioneze: .<em>.. Proza scriitorului Valentin Popa se pliaz\u0103 pe canoanele filosofiei tradi\u0163ionale, c\u00e2nd alege \u015fi dezvolt\u0103 temele \u015fi subiectele celor unsprezece povestiri, c\u0103rora le deturneaz\u0103 evolu\u0163ia prin surprinz\u0103toare destine de tipul unor parabole fantastice, absurde uneori, de tip kafkian. Literatura filosofului Valentin Popa este \u00een contradic\u0163ie cu echilibrul \u015fi distan\u0163area scor\u0163oas\u0103 a legilor sacre \u015fi rigide ale g\u00e2ndirii de salon elegant, pentru c\u0103 epicul povestirilor sale&#8230; ,,\u0163ip\u0103\u201d dup\u0103 sobrietatea textelor ra\u0163ionale. Parc\u0103 nimic din \u201ematematica\u201d g\u00e2ndirii echilibrate nu mai are vreo leg\u0103tur\u0103 cu nefirescul, dramaticul sau chiar absurdul din povestirile adunate \u00een volumul \u201ePapagalul \u015fi revolu\u0163ia\u201d.<\/em><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/05\/17-1-e1653724949979.jpg\" data-rel=\"lightbox-image-8\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-18177 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/05\/17-1-200x300.jpg\" alt=\"\" width=\"200\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 200px; --smush-placeholder-aspect-ratio: 200\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-18177\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/05\/17-1-200x300.jpg\" alt=\"\" width=\"200\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Florentina Loredana Dalian<\/strong>, <em>\u00cenainte de magnolii, Editura Tipo Moldova, Ia\u015fi, 2014<\/em>, 306 p. Romanul de fa\u0163\u0103 se bucur\u0103 de prefa\u0163a criticului literar Adrian Dinu Rachieru. Cit\u0103m c\u00e2teva referin\u0163e: <em>Lucid\u0103, ironic\u0103 (ca antidot) \u015fi sentimental\u0103, Florentina Loredana Dalian merit\u0103 urm\u0103rit\u0103, capabil\u0103 \u2013 credem \u2013 de mari surprize. \u00centr-o epoc\u0103 sufocat\u0103 de hiperintelectualism, prozele ei (curios!) pot fi citite f\u0103r\u0103 cazn\u0103. Dincolo de bursa zvonurilor ori a clasamentelor de cafenea, \u201ede azi pe m\u00e2ine\u201d, Florentina Loredana Dalian e un nume pe care miz\u0103m. Romanul \u00cenainte de magnolii vine s\u0103 confirme a\u015ftept\u0103rile noastre. Arhitectonic, este un roman \u201efeliat\u201d, construit pe vechea re\u0163et\u0103: dou\u0103zeci de episoade, av\u00e2nd ca liant o poveste \u00een trei, din vremea studen\u0163iei, reverber\u00e2nd dureros, cu iz melodramatic.<\/em><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/05\/18-1-e1653724961789.jpg\" data-rel=\"lightbox-image-9\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-18178 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/05\/18-1-199x300.jpg\" alt=\"\" width=\"199\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 199px; --smush-placeholder-aspect-ratio: 199\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-18178\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/05\/18-1-199x300.jpg\" alt=\"\" width=\"199\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Raul Constantinescu<\/strong>, <em>Periplu prin neant Editura Tracus Arte, Bucure\u015fti, 2014<\/em>, 136 p. Pe coperta a patra sunt redate texte din referin\u0163ele critice la poezia lui Raul Constantinescu semnate de Virgil Teodorescu, Iv Martinovici \u015fi Valeria Manta T\u0103icu\u0163u. Cit\u0103m din aceste referin\u0163e: <em>Raul Constantinescu imagineaz\u0103 un regat simbolic al t\u0103cerilor, cu turnire organizate de heralzi misterio\u015fi, s\u0103rb\u0103torind discret \u015fi liric domni\u0163e ce trebuie izb\u0103vite de \u00eenchisoarea cuvintelor, \u015fi cu un \u201eiubit cititor\u201d luat ca martor al peregrin\u0103rilor prin infernul cotidian ce trebuie dep\u0103\u015fit, pentru c\u0103 dincolo de el se afl\u0103 \u0163inta imaginar\u0103, recuperarea \u015fi izb\u0103virea sinelui de mon\u015ftri \u015fi de pedeapsa zeilor gelo\u015fi. (Valeria Manta T\u0103icu\u0163u)<\/em><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/05\/19-1-e1653724973179.jpg\" data-rel=\"lightbox-image-10\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-18179 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/05\/19-1-295x300.jpg\" alt=\"\" width=\"295\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 295px; --smush-placeholder-aspect-ratio: 295\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-18179\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/05\/19-1-295x300.jpg\" alt=\"\" width=\"295\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Lumini\u0163a Dasc\u0103lu<\/strong>, <em>\u0163inutul fratelui mai mare, Editura Charmides, Bistri\u0163a, 2013,<\/em>\u00a074 p. Georgeta Dr\u0103ghici, \u00eentr-o emisiune radiofonic\u0103 (Scriitori la microfon) din 03.04.2014, referitor Lumini\u0163a Dasc\u0103lu \u015fi volumul s\u0103u, eviden\u0163ia: <em>A debutat \u00een anii &#8217;90, are prin urmare afinit\u0103\u0163i cu genera\u0163ia din care face parte, dar combin\u0103, de fapt, mai multe experien\u0163e poetice, \u00eencep\u00e2nd cu neo-expresionismul \u015fi termin\u00e2nd cu minimalismul. Rezult\u0103 o poezie foarte personal. Exemplific\u0103m cu poemul scurt sunt un fruct invizibil : sunt un fruct invizibil\/ nu mi se v\u0103d semin\u0163ele, miezul, nici m\u0103car coaja\/ mici etichete multicolore \u00eemi p\u0103streaz\u0103 conturul\/ fiindc\u0103 le-a lipit cineva pe mine\/ dac\u0103 te ui\u0163i atent printre ele\/ vezi viermele gol ce umbl\u0103 prin mine.<\/em><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/05\/20-1-e1653724985469.jpg\" data-rel=\"lightbox-image-11\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-18180 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/05\/20-1-211x300.jpg\" alt=\"\" width=\"211\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 211px; --smush-placeholder-aspect-ratio: 211\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-18180\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/05\/20-1-211x300.jpg\" alt=\"\" width=\"211\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Culi\u0163\u0103 Ioan U\u015furelu<\/strong>, <em>Jurnalul unui singuratic, Editura Salonul literar, Odobe\u015fti, 2013<\/em>, 324 p. <em>Un roman cu \u201echeie\u201d<\/em> se intituleaz\u0103 prefa\u0163a pe care o semneaz\u0103 criticul literar Theodor Codreanu. De aici, cit\u0103m c\u00e2teva referin\u0163e: <em>Culi\u0163\u0103 Ioan U\u015furelu se \u00eencearc\u0103 \u00eentr-un roman de factur\u0103 \u201ememorialistic\u0103\u201d (&#8230;). De ast\u0103 dat\u0103, autorul surprinde prin sprinteneala stilistic\u0103 a nara\u0163iunii, care se vrea una realist\u0103, vijelioas\u0103, cu accente chiar cinice.(&#8230;) Cartea devine una \u201ecu cheie\u201d, o cvasiautobiografie, cu personaje identificabile \u00een realitate. Culi\u0163\u0103 Ioan U\u015furelu \u0163intind c\u0103tre un tablou \u201erealist\u201d, aproape grotesc nu numai al vie\u0163ii locale, ci al societ\u0103\u0163ii rom\u00e2ne\u015fti postdecembriste. Riscurile sunt, desigur, ale subiectivit\u0103\u0163ii pentru care a optat prozatorul, dar \u015fi ale intruziunii ideologicului, care poate \u00eentrece, pe neobservate, chiar \u015fi o experien\u0163\u0103 estetic\u0103 matur\u0103.<\/em><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/05\/21-1-e1653724996558.jpg\" data-rel=\"lightbox-image-12\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-18181 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/05\/21-1-209x300.jpg\" alt=\"\" width=\"209\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 209px; --smush-placeholder-aspect-ratio: 209\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-18181\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/05\/21-1-209x300.jpg\" alt=\"\" width=\"209\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Eleonora Stamate<\/strong>, <em>De ce pl\u00e2ng fluturii \u00een fa minor, Editura Armonii Culturale, Adjud, 2013<\/em>, 168 p. Prezint\u0103 aceast\u0103 carte: Dan Movileanu, Ileana Georgescu Tulic\u0103-Caledoniu, Vasile Sevastre Ghican, Gh. A. Stroia \u015fi Nicolae Dabija, din referin\u0163ele critice c\u0103ruia cit\u0103m: <em>Dintr-un simbol al imponderabilit\u0103\u0163ii, Eleonora Stamate transform\u0103 fluturele \u00eentr-un simbol al frumuse\u0163ii vitale. Ea e o ambi\u0163ioas\u0103 creatoare de viziune \u015fi univers poetic, zborul fluturelui, descris cu solemnitate, dincolo de aparen\u0163e, semnific\u0103 traiectoria poeziei, iar na\u015fterea lui din crisalid\u0103 \u2013 o alt\u0103 via\u0163\u0103 sau \u00eens\u0103\u015fi \u00eenvierea pe care ne-o promite. Poetul.Eleonora Stamate scrie o poezie original\u0103, de reflec\u0163ie, \u00een spiritul unor descoperiri poetice f\u0103cute pe risc propriu, menite s\u0103 \u00eennoiasc\u0103, s\u0103 \u00eensufle\u0163easc\u0103 \u015fi s\u0103 perpetueze Poetul.<\/em><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/05\/22-1-e1653725007776.jpg\" data-rel=\"lightbox-image-13\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-18182 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/05\/22-1-209x300.jpg\" alt=\"\" width=\"209\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 209px; --smush-placeholder-aspect-ratio: 209\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-18182\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/05\/22-1-209x300.jpg\" alt=\"\" width=\"209\" height=\"300\" \/><\/noscript><\/a><br \/>\nP<strong>etre Abeaboeru<\/strong>, <em>Constela\u0163ii Literare Vr\u00e2ncene, Dic\u0163ionar vol. I, Editura Terra, Foc\u015fani, 2013<\/em>, 272 p. Dic\u0163ionarul are un cuv\u00e2nt \u00eenainte al acad. Eugen Simion (la o solicitare a acad. Valeriu D. Cotea), care precizeaz\u0103:<em> &#8230; Valoarea lui se poate deduce, \u00een primul r\u00e2nd, din num\u0103rul \u015fi calitatea informa\u0163iei pe care poate s-o aduc\u0103&#8230;<\/em> \u00cen postfa\u0163a (de la pagina nr.7 !) autorul spune: <em>Sper\u0103m ca prin aceast\u0103 oper\u0103 s\u0103 aducem la cuno\u015ftin\u0163a publicului larg \u015fi a speciali\u015ftilor stele apuse sau care mai str\u0103lucesc \u00eenc\u0103, destul de numeroase \u015fi valoroase pentru cultura na\u0163ional\u0103, pe care p\u0103m\u00e2ntul vr\u00e2ncean le-a z\u0103mislit sau hr\u0103nit cu seva sa.<\/em> Prin r\u0103sfoirea dic\u0163ionarului, am constatat c\u0103 multe personalit\u0103\u0163i culturale prezentate aici au fost\/ sunt legate de ora\u015ful sau de fostul jude\u0163 R\u00e2mnicu S\u0103rat: Ion St. Bogza (Ion Stoian), Pimen R. Constantinescu, Constan\u0163a Cornil\u0103, Victor Frunz\u0103, Georgic\u0103 Manole, Octavian Mo\u015fescu, Florin Muscalu, Cincinat Pavelescu, Oana Diana Renea, Alexandru Sihleanu, Theodor M. Stoienescu, Nicolae Georgescu-Tistu, Alexandru Vlahu\u0163\u0103, G.M. Vl\u0103descu, Duiliu Zamfirescu.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nicolai T\u0102ICU\u0162U Raftul cu c\u0103r\u021bi Adrian \u0162ion, Marcel Mure\u015feanu Promontoriul 75 (un poet), Casa C\u0103r\u0163ii de \u015etiin\u0163\u0103, Cluj-Napoca, 2013, 282<\/p>\n","protected":false},"author":18,"featured_media":10070,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"ngg_post_thumbnail":0,"video_url":"","footnotes":""},"categories":[7,328],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/18168"}],"collection":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=18168"}],"version-history":[{"count":3,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/18168\/revisions"}],"predecessor-version":[{"id":18184,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/18168\/revisions\/18184"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/media\/10070"}],"wp:attachment":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=18168"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=18168"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=18168"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}