{"id":17684,"date":"2022-04-02T19:04:00","date_gmt":"2022-04-02T16:04:00","guid":{"rendered":"https:\/\/ziarulderimnic.ro\/?p=17684"},"modified":"2022-04-02T19:04:00","modified_gmt":"2022-04-02T16:04:00","slug":"spatii-culturale-nr-40-13","status":"publish","type":"post","link":"https:\/\/ziarulderimnic.ro\/?p=17684","title":{"rendered":"Spa\u021bii culturale nr. 40 (13)"},"content":{"rendered":"<p><strong>Nicolai T\u0102ICU\u0162U<\/strong><br \/>\n<a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/nicolai.jpg\" data-rel=\"lightbox-image-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-11061 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/nicolai-192x300.jpg\" alt=\"\" width=\"192\" height=\"300\" data-srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/nicolai-192x300.jpg 192w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/nicolai.jpg 279w\" data-sizes=\"(max-width: 192px) 100vw, 192px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 192px; --smush-placeholder-aspect-ratio: 192\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-11061\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/nicolai-192x300.jpg\" alt=\"\" width=\"192\" height=\"300\" srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/nicolai-192x300.jpg 192w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/10\/nicolai.jpg 279w\" sizes=\"(max-width: 192px) 100vw, 192px\" \/><\/noscript><\/a><\/p>\n<p><strong>Raftul cu c\u0103r\u021bi<\/strong><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/04\/11-e1648915120251.jpg\" data-rel=\"lightbox-image-1\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-17685 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/04\/11-214x300.jpg\" alt=\"\" width=\"214\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 214px; --smush-placeholder-aspect-ratio: 214\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-17685\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/04\/11-214x300.jpg\" alt=\"\" width=\"214\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Adrian Munteanu<\/strong>, <em>Fluturele din f\u00e2nt\u00e2n\u0103 \u2013 sonete alese, eLiteratura, Bucure\u015fti, 2014<\/em>, cu o prefa\u0163\u0103 de Paul Aretzu, 380 p. Cartea este \u00eenso\u0163it\u0103 de referin\u0163e critice semnate de Marin Mincu, Mircea C\u0103rt\u0103rescu, \u015eerban Foar\u0163\u0103, Andrei Bodiu, Radu C\u00e2rneci, Adam Pusloji\u0107, Aurel Ion Brumaru, Adrian Lesenciuc, Florin Caragiu. Virgil Borcan spune: <em>Stilistic impecabile, sonetele lui Adrian Munteanu se citesc \u015fi se decodific\u0103 relativ u\u015for. Dar tocmai aici e esen\u0163ialul. \u015ei nu doar pentru c\u0103 simplitatea e cel mai complicat lucru. Ci, mai ales, \u00een m\u0103sura \u00een care matricea lor prozodic\u0103 strict\u0103 z\u0103g\u0103zuie\u015fte, canaliz\u00e2ndu-le, pentru c\u0103 sonetele sale aduc emo\u0163ii de profunzimea \u015fi rapiditatea unui torent de munte.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/04\/12-e1648915166909.jpg\" data-rel=\"lightbox-image-2\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-17686 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/04\/12-211x300.jpg\" alt=\"\" width=\"211\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 211px; --smush-placeholder-aspect-ratio: 211\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-17686\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/04\/12-211x300.jpg\" alt=\"\" width=\"211\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Victoria Milescu<\/strong>, <em>Cununa de fl\u0103c\u0103ri, eLiteratura, Bucure\u015fti, 2014<\/em>, 234 p. Sunt versuri selectate din volumele: Conspira\u0163ii celeste, dreptatea \u00eenving\u0103torului \u015fi Sub steaua c\u00e2inelui. Referin\u0163ele critice (selec\u0163ie), \u00eenso\u0163itoare de carte, apar\u0163in lui Ion Murgeanu, Gheorghe Istrate, Gheorghe Stroe, Emil Lungeanu, Lucian Gruia, Gabriel Dimisianu \u015fi Anei Dobre. Referitor la poezia Victoriei Milescu, \u00een referin\u0163ele sale Octavian Soviany afirm\u0103:<em> \u2026 Poeta practic\u0103 terapia prin scris ca pe un exerci\u0163iu de supravie\u0163uire prin care \u00ee\u015fi asum\u0103 [\u2026] dimensiunea camusian\u0103 de fiin\u0163\u0103 absurd\u0103. Ea atinge astfel o autenticitate total\u0103 a scriiturii, devine totuna cu propriul s\u0103u text, scrisul este ridicat la demnitatea marilor acte existen\u0163iale\u2026<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/04\/13-e1648915194940.jpg\" data-rel=\"lightbox-image-3\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-17687 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/04\/13-210x300.jpg\" alt=\"\" width=\"210\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 210px; --smush-placeholder-aspect-ratio: 210\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-17687\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/04\/13-210x300.jpg\" alt=\"\" width=\"210\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Marius Manta<\/strong>, <em>Tat\u0103 \u015fi fiu &#8211; momente, Editura Vicovia, Bac\u0103u, 2015<\/em>, 86 p. \u00cen <em>Cuv\u00e2nt \u00eenainte<\/em>, Iulian Bucur ne incit\u0103, \u00eentr-un fel anume, la a lectura aceast\u0103 carte:<em> \u201eTat\u0103 \u015fi fiu\u201d este o icoan\u0103 a \u00eentregului \u015fi a p\u0103r\u0163ii, este o rela\u0163ie aproape matematic\u0103 \u00eentre dou\u0103 mul\u0163imi, cu simetrie \u015fi just\u0103 propor\u0163ie: \u201eLegend\u0103-n cuv\u00e2nt nedefinit\u0103\/ Imagine odr\u0103slit\u0103\/ Fa\u0163\u0103 c\u0103tre fa\u0163\u0103 (\u201eTat\u0103 \u015fi fiu 2\u201d). Cartea am citit-o ca pe un hronic al v\u00e2rstelor, un hronic din \u015faptezeci de foi, unele scrise din amintiri, altele dup\u0103 crochiuri, ultima \u00eentorc\u00e2ndu-\u015fi fa\u0163a c\u0103tre fa\u0163a celei dint\u00e2i. [\u2026] Am citit-o ca pe un jurnal de navigator cu 70 de opriri, ultima fiind chiar \u00een portul de plecare de pe prima foaie\u2026<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/04\/14-e1648915213289.jpg\" data-rel=\"lightbox-image-4\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-17688 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/04\/14-213x300.jpg\" alt=\"\" width=\"213\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 213px; --smush-placeholder-aspect-ratio: 213\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-17688\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/04\/14-213x300.jpg\" alt=\"\" width=\"213\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Melania Atanasiu Briciu<\/strong>, <em>Eu sunt Spartacus, Art Book, Bac\u0103u, 2015<\/em>, 110 p. Cristina \u015etefan \u00eencheie scurta prefa\u0163\u0103 astfel: <em>\u201eEu sunt Spartacus\u201d este, \u00een opinia mea, o carte cu str\u0103lucire \u00eendr\u0103znea\u0163\u0103, o carte cu stil autentic \u015fi expresie stilistic\u0103 format\u0103, Melania Atanasiu Briciu realiz\u00e2nd unitar acest parcurs liric. Volumul este un lung poem al meandrelor destinului relevant \u00eentr-un poiesis modern, o transcendere a libert\u0103\u0163ii creative, ca rupere a cercului \u00eenchis al contempl\u0103rii t\u0103cute. Cartea Melaniei are o bucurie a poeziei \u015fi un av\u00e2nt pe care \u00eel elibereaz\u0103 din sine, scriind. O carte cu l\u0103nci metafizice. O carte prismatic\u0103 biografiei autoarei, dar nu e dec\u00e2t \u00eenceputul!<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/04\/15-e1648915232911.jpg\" data-rel=\"lightbox-image-5\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-17689 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/04\/15-215x300.jpg\" alt=\"\" width=\"215\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 215px; --smush-placeholder-aspect-ratio: 215\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-17689\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/04\/15-215x300.jpg\" alt=\"\" width=\"215\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Mihail Diaconescu<\/strong>, <em>Sacrificiul, Editura Magic Print, Edi\u0163ia a 3-a, One\u015fti, 2010<\/em>, 760 p. Dintre scurtele aprecieri critice (selective), semnate de Dumitru St\u0103niloae, A.I. Brumaru, Alexandru Surdu, Marin Diaconu, Ilie B\u0103descu, Dumitru Radu, am ales-o, \u00eentru prezentare, pe cea a lui Theodor Codreanu: <em>Op\u0163iunea lui Mihail Diaconescu pentru romanul istoric vine din tradi\u0163ionalismul s\u0103u programatic, pe de o parte, iar pe de alta din viziunea fenomenologic\u0103 a autorului, \u00eendatorat\u0103 nu at\u00e2t celei moderne a lui Husserl \u015fi Heidegger, c\u00e2t mai degrab\u0103 celei monumental istorizante a lui Hegel (\u2026). Pe fondul stabilit\u0103\u0163ii tradi\u0163ionale a speciei se produce \u00eennoirea, care nu poate fi dec\u00e2t un semn al modernit\u0103\u0163ii. Astfel, tradi\u0163ionalismul diaconescian ne dezv\u0103luie, \u00een fapt\u0103, un neomodernism \u00een perfect\u0103 concordan\u0163\u0103 cu epoca.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/04\/16-e1648915254387.jpg\" data-rel=\"lightbox-image-6\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-17690 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/04\/16-163x300.jpg\" alt=\"\" width=\"163\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 163px; --smush-placeholder-aspect-ratio: 163\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-17690\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/04\/16-163x300.jpg\" alt=\"\" width=\"163\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Florentin Popescu<\/strong>, <em>De patruzeci de ori \u00een pagina-nt\u00e2ia, Rawex Coms, Bucure\u015fti, 2015<\/em>, 168 p. \u00cen fa\u0163a celor 40 de editoriale din revista Bucure\u015ftiul literar \u015fi artistic, Ion Brad face Elogiul constructorului, din care cit\u0103m: <em>\u2026 Cuno\u015fteam mai demult harurile sale de poet \u015fi prozator, de critic \u015fi istoric literar, de aceea nu m-a mirat faptul c\u0103 editorialele sale s-au concentrat, \u00een to\u0163i ace\u015fti ani, mai mult ai destr\u0103m\u0103rilor, doar pe ideile \u015fi judec\u0103\u0163ile unui constructor. Echilibrat, cu idei social-politice largi \u015fi generoase, el a \u015ftiut s\u0103 selecteze, p\u00e2n\u0103 \u015fi din lumea noastr\u0103, at\u00e2t de sensibil\u0103 \u015fi contradictorie, a purt\u0103torilor de condei \u015fi pensule, exemplele constructive \u015fi modelele\u2026<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/04\/17-e1648915282957.jpg\" data-rel=\"lightbox-image-7\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-17691 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/04\/17-215x300.jpg\" alt=\"\" width=\"215\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 215px; --smush-placeholder-aspect-ratio: 215\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-17691\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/04\/17-215x300.jpg\" alt=\"\" width=\"215\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Ilie Barang\u0103<\/strong>, <em>Noi contribu\u0163ii bibliografice la studiul operei lui Mihail Diaconescu, Editura Magic Print, One\u015fti, 2009<\/em>, 766 p. \u00cen prefa\u0163a acestei c\u0103r\u0163i, Ion Stoica men\u0163ioneaz\u0103: <em>\u2026 Oglinda bibliografic\u0103 a unui autor este o biografie spiritual\u0103 public\u0103, un portret holografic, \u00eenc\u0103rcat de mesaje polivalente. Personalitatea se reconstruie\u015fte prin sensuri, prin ritmuri, prin forme \u015fi culori, prin intensit\u0103\u0163i \u015fi crezuri, prin cuprinsuri \u015fi polarit\u0103\u0163i, prin variante \u015fi nuan\u0163e. [\u2026] Lucrarea domnului Ilie Barang\u0103, Noi contribu\u0163ii bibliografice la studiul operei lui Mihail Diaconescu, face parte din acea zon\u0103 generoas\u0103 a bibliografiei \u00een care se \u00eent\u00e2lnesc toate virtu\u0163ile domeniului. Domnul Ilie Barang\u0103 a \u00een\u0163eles demult \u015fi bine misiunea inconturnabil\u0103 a bibliografului, aceea de a r\u0103m\u00e2ne un Cicerone al cercet\u0103rii, \u00eempreun\u00e2nd \u00een g\u00e2nd \u015fi fapt\u0103, competen\u0163\u0103, zel bibliografic, acribie, consecven\u0163\u0103 afectiv\u0103 \u015fi, pe deasupra, con\u015ftiin\u0163a nevoii de a construi sinteze.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/04\/18-e1648915304893.jpg\" data-rel=\"lightbox-image-8\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-17692 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/04\/18-195x300.jpg\" alt=\"\" width=\"195\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 195px; --smush-placeholder-aspect-ratio: 195\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-17692\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/04\/18-195x300.jpg\" alt=\"\" width=\"195\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Marian Ruscu<\/strong>, <em>O clip\u0103 \u00een paradis, Timpul, Ia\u015fi, 2015<\/em>, 155 p. Al dou\u0103sprezecelea volum de poezie marca Marian Ruscu este \u00eenso\u0163it de referin\u0163e critice (selective) semnate de Ion B\u0103lu, Ion Stratan, Viorica R\u0103du\u0163\u0103, Ionel Necula, Victor Sterom, Ioan Gro\u015fescu, Nicolae Dumitrescu, Constantin Trandafir, Mariana Parapiru, Emilian Marcu, Ana-Maria Dobrin, Adi Secar\u0103, Valeria Manta T\u0103icu\u0163u, Ion Dumitru, Marian Chirulescu, Simion B\u0103rbulescu, Ion Ro\u015fioru, Aurel M. Buricea, Mioara Bahna, Dumitru Anghel, Paul S\u00e2n-Petru \u015fi Horia G\u00e2rbea, din referin\u0163ele c\u0103ruia cit\u0103m: <em>&#8230;Poet pentru el \u00eensu\u015fi \u015fi animator al culturii pentru to\u0163i, Marian Ruscu este un exemplu de vitalitate \u015fi eficien\u0163\u0103, un nelini\u015ftit al ac\u0163iunii, un general ambi\u0163ios pe care poezia \u00eel face s\u0103 viseze o secund\u0103 \u00eenainte de a porni la atac.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/04\/19-e1648915316358.jpg\" data-rel=\"lightbox-image-9\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-17693 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/04\/19-202x300.jpg\" alt=\"\" width=\"202\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 202px; --smush-placeholder-aspect-ratio: 202\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-17693\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/04\/19-202x300.jpg\" alt=\"\" width=\"202\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Emil Niculescu<\/strong>, <em>Vanitas levantina, Societatea Scriitorilor Militari, Bucure\u015fti, 2015<\/em>, 104 p. \u00cen cea mai mare parte a volumului, Emil Niculescu \u00eencearc\u0103 realizarea unei stampe a ceea ce au fost vremurile dintr-un trecut apropiat \u015fi dintr-un areal vecin cu al lui Nenea Iancu. Cele mai multe motto-uri ale poemelor sunt citate din I.L. Caragiale. Poetul Gheorghe Istrate remarc\u0103, pe coperta a patra a c\u0103r\u0163ii: <em>Emil Niculescu face parte din stirpea celor rari, din tagma poe\u0163ilor \u201enocturni\u201d, din evantaiul amurgic mathein. De o artificialitate savant\u0103 \u015fi cu o seduc\u0103toare arhitectur\u0103 baroc\u0103, poezia lui Emil Niculescu cultiv\u0103 un livresc rafinat, prin draperiile c\u0103ruia transpare ironia lucid-amar\u0103 dimovian\u0103.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/04\/20-e1648915332792.jpg\" data-rel=\"lightbox-image-10\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-17694 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/04\/20-272x300.jpg\" alt=\"\" width=\"272\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 272px; --smush-placeholder-aspect-ratio: 272\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-17694\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/04\/20-272x300.jpg\" alt=\"\" width=\"272\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Iuliana Paloda-Popescu<\/strong>, <em>cu privighetoarea pe um\u0103r, Editura Tipo Moldova, Ia\u015fi, 2012<\/em>, 377 p. Cezar Iv\u0103nescu scria, \u00een mai 1985, \u00eentr-o cronic\u0103 de cenaclu: <em>&#8230; Iuliana Paloda reprezint\u0103 o anumit\u0103 linie solar\u0103, vital\u0103, scriind poeme verslibriste, iluminate printr-o mare rigoare \u015fi austeritate stilistic\u0103, versuri cu accent aforistic, ceea ce \u00een final confer\u0103 poemelor magistralitate<\/em>. Alte referin\u0163e critice, postate la finele c\u0103r\u0163ii, sunt semnate de Florea Burtan, Victoria Milescu, Radu C\u00e2rneci, Mariana Ionescu, Mihai Antonescu, Florentin Popescu, Liviu Com\u015fia, Niculae Ionel, Nicolae Havriliuc, Victor Sterom, Monica Mure\u015fan, Gheorghe Istrate, Theodor Damian, Ion Ro\u015fioru, Liviu Gr\u0103soiu, Ion C. \u015etefan, Ana Dobre, Romeo Aurelian Ilie.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/04\/21-e1648915352376.jpg\" data-rel=\"lightbox-image-11\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-17695 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/04\/21-197x300.jpg\" alt=\"\" width=\"197\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 197px; --smush-placeholder-aspect-ratio: 197\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-17695\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/04\/21-197x300.jpg\" alt=\"\" width=\"197\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Ionel Nistor<\/strong>, <em>Vinul \u015fi via\u0163a, Editura Andrew, Foc\u015fani, 2014<\/em>, 108 p. Este \u00eenso\u0163it\u0103 de un <em>Argument <\/em>semnat de ing. Horia Furtun\u0103, cel care a \u00eenlesnit tip\u0103rirea acestei c\u0103r\u0163i, \u015fi de un text intitulat \u00cen loc de prefa\u0163\u0103, ce apar\u0163ine Teodorei F\u00eent\u00eenaru, care men\u0163ioneaz\u0103:<em> \u2026 Volumul de fa\u0163\u0103, Via\u0163a \u015fi vinul, se mai deosebe\u015fte de alte lucr\u0103ri cu aceea\u015fi tem\u0103 \u015fi printr-o anumit\u0103 sobrietate \u2013 care pare c\u0103 este o marc\u0103 a autorului \u2013 \u00een care acesta \u00eembrac\u0103 cea mai mare parte a poeziilor sale, conferindu-le o tent\u0103 meditativ\u0103, contrapunctat\u0103 de inser\u0163ii epicureice. Structura triadic\u0103 a volumului orienteaz\u0103 cititorul asupra aspectelor care dau greutatea de con\u0163inut a acesteia: aspectul apolinic, cel dionisiac \u015fi cel temperat epigramistic.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/04\/22-e1648915373378.jpg\" data-rel=\"lightbox-image-12\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-17696 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/04\/22-210x300.jpg\" alt=\"\" width=\"210\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 210px; --smush-placeholder-aspect-ratio: 210\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-17696\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/04\/22-210x300.jpg\" alt=\"\" width=\"210\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Tudor A. Ursente<\/strong>, <em>F\u0103r\u0103 hashtag, Art Book, Bac\u0103u, 2015<\/em>, 77 p. \u00cen prefa\u0163a acestui volum de versuri, Cristina \u015etefan spune: <em>&#8230; Tudor A. Ursente aduce \u00een prim plan liric o metafor\u0103 din semantic\u0103 \u2013 f\u0103r\u0103 hashtag \u2013 a\u015fadar f\u0103r\u0103 includeri \u015fi segmente, f\u0103r\u0103 tipiz\u0103ri \u015fi \u00eencreng\u0103turi, f\u0103r\u0103 domenii \u015fi scheme matriceale, dar cu libertatea poeziei ca interpretare existen\u0163ial\u0103. (&#8230;)Tudor A. Ursente este un cronicar-poet, scriind din metabolismul cuvintelor, demonstr\u00e2nd ambivalen\u0163a semnului \u201ehashtag\u201d \u00een context \u015fi limit\u0103 a expresiei literare. A se vedea: arta de a tatua\/ suflete,\/ f\u0103r\u0103 ace. (Via\u0163a) sau raze de lumin\u0103\/ ce trebuie trezite\/ din com\u0103. (Umbre)<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nicolai T\u0102ICU\u0162U Raftul cu c\u0103r\u021bi Adrian Munteanu, Fluturele din f\u00e2nt\u00e2n\u0103 \u2013 sonete alese, eLiteratura, Bucure\u015fti, 2014, cu o prefa\u0163\u0103 de<\/p>\n","protected":false},"author":18,"featured_media":10070,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"ngg_post_thumbnail":0,"video_url":"","footnotes":""},"categories":[7,328],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/17684"}],"collection":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=17684"}],"version-history":[{"count":1,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/17684\/revisions"}],"predecessor-version":[{"id":17701,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/17684\/revisions\/17701"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/media\/10070"}],"wp:attachment":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=17684"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=17684"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=17684"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}