{"id":17601,"date":"2022-03-21T23:15:09","date_gmt":"2022-03-21T20:15:09","guid":{"rendered":"https:\/\/ziarulderimnic.ro\/?p=17601"},"modified":"2022-03-21T23:15:09","modified_gmt":"2022-03-21T20:15:09","slug":"spatii-culturale-nr-40-1","status":"publish","type":"post","link":"https:\/\/ziarulderimnic.ro\/?p=17601","title":{"rendered":"Spa\u021bii culturale nr. 40 (1)"},"content":{"rendered":"<p><strong>EDITORIAL<\/strong><\/p>\n<p><strong>VALERIA Manta T\u0103icu\u021bu<\/strong><br \/>\n<a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2018\/10\/image-e1635791601522.jpeg\" data-rel=\"lightbox-image-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-7286 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2018\/10\/image-300x300.jpeg\" alt=\"\" width=\"300\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 300px; --smush-placeholder-aspect-ratio: 300\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-7286\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2018\/10\/image-300x300.jpeg\" alt=\"\" width=\"300\" height=\"300\" \/><\/noscript><\/a><\/p>\n<p><strong>Emanciparea copiilor<\/strong><\/p>\n<p>Exist\u0103 voci care afirm\u0103 c\u0103 pedagogia emancip\u0103rii, din ce \u00een ce mai agreat\u0103 pe plan mondial, d\u0103uneaz\u0103 poporului, este injust\u0103 fa\u0163\u0103 de p\u0103rin\u0163i, familii \u015fi copii \u015fi submineaz\u0103 suveranitatea educa\u0163ional\u0103 a p\u0103rin\u0163ilor, care este garantat\u0103 \u00een toate declara\u0163iile drepturilor omului. \u00cen ce-ar consta emanciparea? Desigur, \u00een eliberarea copilului \u2013 uneori aflat la v\u00e2rst\u0103 foarte fraged\u0103 \u2013 de orice constr\u00e2ngere de ordin normativ: nimic, nici regulile, nici modelele de comportament, nici obligativitatea ascult\u0103rii \u015fi supunerii nu ar trebui s\u0103 mai func\u0163ioneze \u00eentr-o societate modern\u0103, \u00een care fiecare face ceea ce vrea, f\u0103r\u0103 vreo restric\u0163ie de ordin moral, social, religios etc. De fapt, clamarea acestei emancip\u0103ri este o expresie mascat\u0103 a imensei ipocrizii a vremurilor noastre. Copiii afl\u0103 mult prea devreme c\u0103 au drepturi \u2013 nu \u015fi obliga\u0163ii &#8211; , iar p\u0103rin\u0163ilor li se repet\u0103 c\u0103 nu sunt proprietarii copilului pe care l-au adus pe lume. Pe de o parte, Declara\u0163ia Universal\u0103 a Drepturilor Omului (art. 16.3) \u015fi Conven\u0163ia European\u0103 a Drepturilor Omului a\u015faz\u0103 autoritatea de educare \u00een m\u00e2inile p\u0103rin\u0163ilor, \u00eentruc\u00e2t p\u0103rin\u0163ii \u00ee\u015fi iubesc copiii \u015fi preiau responsabilitatea educ\u0103rii lor \u00een mod durabil. \u00cen primul protocol al Conven\u0163iei Europene a Drepturilor Omului chiar se spune, la art. 2: \u201eStatul trebuie s\u0103 respecte \u00een cadrul exercit\u0103rii sarcinilor sale, preluate \u00een domeniul educa\u0163iei \u015fi \u00eenv\u0103\u0163\u0103m\u00e2ntului, dreptul p\u0103rin\u0163ilor de a asigura educa\u0163ia \u015fi \u00eenv\u0103\u0163\u0103m\u00e2ntul conform convingerilor religioase \u015fi de viziune asupra lumii a acestora\u201d.<br \/>\nPe de alt\u0103 parte, mul\u0163i formatori de opinie submineaz\u0103, printr-o strategie bine pus\u0103 la punct \u015fi axat\u0103, printre altele, pe selectarea \u015fi difuzarea unor scene de violen\u0163\u0103 domestic\u0103, exact aceast\u0103 \u201eautoritate de educare\u201d a p\u0103rin\u0163ilor. Desigur, nimeni nu spune c\u0103 p\u0103rin\u0163ii nu mai au niciun drept, nicio autoritate \u015fi c\u0103 nu mai merit\u0103 respectul \u015fi ascultarea propriilor copii. Dar, zilnic, canalele de televiziune transmit imagini mai \u201econving\u0103toare\u201d dec\u00e2t orice discurs tenden\u0163ios. O mam\u0103 \u00ee\u015fi las\u0103 copilul de c\u00e2teva luni \u00een grija surioarei de \u015fase ani: a \u00eenv\u0103\u0163at-o s\u0103 schimbe scutece, s\u0103-l hr\u0103neasc\u0103 pe cel mic, s\u0103 se joace cu el \u015fi s\u0103-i poarte de grij\u0103 c\u00e2t timp mama (f\u0103r\u0103 so\u0163, familiile monoparentale sunt \u201e\u00een trend\u201d) lucreaz\u0103 pentru a aduce un ban \u00een cas\u0103. Sugestia de iresponsabilitate a gestului este clar\u0103, mai ales c\u0103 imaginile se mut\u0103 de la aceast\u0103 mam\u0103 la alta, care se \u00eentoarce de la magazinul s\u0103tesc \u015fi-\u015fi g\u0103se\u015fte copiii, l\u0103sa\u0163i tot a\u015fa, s\u0103 aib\u0103 grij\u0103 unul de altul, \u015fi casa \u00een fl\u0103c\u0103ri. Suntem departe de familia tradi\u0163ional\u0103, \u00een care copiii se cre\u015fteau unul pe altul, \u00een timp ce p\u0103rin\u0163ii munceau pentru a le asigura cele necesare traiului. \u00cen familia modern\u0103 \u2013 de\u015fi chiar \u015fi conceptul de \u201efamilie\u201d are tendin\u0163a s\u0103 devin\u0103 un anacronism \u2013, obiceiurile str\u0103vechi sunt sanc\u0163ionate ca incorecte: copilul nu mai trebuie pus la munc\u0103 (\u201emunc\u0103\u201d \u00eensemn\u00e2nd s\u0103-\u015fi fac\u0103 patul, s\u0103-\u015fi str\u00e2ng\u0103 lucrurile, s\u0103-\u015fi fac\u0103 temele etc., adic\u0103 activit\u0103\u0163i potrivite cu v\u00e2rsta \u015fi cu puterile lui), nu mai trebuie \u201eexploatat\u201d (cum se \u00eent\u00e2mpl\u0103 dac\u0103 i se las\u0103 \u00een grij\u0103, pentru c\u00e2teva ore, fratele\/ sora) \u015fi, \u00een nici un caz, nu mai trebuie pedepsit pentru faptele sale. Copilul trebuie l\u0103sat \u00een voia lui, s\u0103 fac\u0103 ce vrea, s\u0103 creasc\u0103 a\u015fa cum vrea \u015fi s\u0103 devin\u0103 ceea ce vrea, orice interdic\u0163ie \u00eensemn\u00e2nd grave atingeri aduse dezvolt\u0103rii sale psihice armonioase.<br \/>\n\u00cen mare m\u0103sur\u0103, educa\u0163ia este subminat\u0103 prin difuzarea continu\u0103 a atrocit\u0103\u0163ilor la care sunt supu\u015fi copiii, \u00eenver\u015funarea \u015fi multitudinea reportajelor pe aceast\u0103 tem\u0103 fiind egalat\u0103 doar de a celor cu accidente rutiere, violuri \u015fi t\u00e2lh\u0103rii; oric\u0103rui fleac i se dau propor\u0163ii cosmice, c\u0103ci fleac este, de exemplu, faptul c\u0103 un copil nu are camera lui, ci o \u00eemparte cu un frate mai mare. Dar dac\u0103 fleacul respectiv \u00eel concertezi cu un caz de pedofilie, cu un abandon de nou-n\u0103scut, cu un abuz parental, iar mass media nu ostene\u015fte \u00een c\u0103utarea \u015fi prezentarea zilnic\u0103 a acestor rele tratamente aplicate minorului, ajungi, cu sau f\u0103r\u0103 voie, s\u0103 crezi tot ceea ce vezi\/ cite\u015fti \u015fi s\u0103 nu-\u0163i mai dai seama de scopul ascuns al acestei campanii. C\u0103ci este o campanie &#8211; \u00eempotriva p\u0103rin\u0163ilor, s-ar crede, dar, de fapt, \u00eempotriva dreptului la educa\u0163ie \u00een familie. Se sugereaz\u0103 c\u0103 familia este incapabil\u0103 s\u0103-i educe pe cei mici, c\u0103 cei \u015fapte ani de-acas\u0103 sunt o poveste frumoas\u0103, dar f\u0103r\u0103 credibilitate, at\u00e2ta vreme c\u00e2t modelul oferit de familie nu merit\u0103 s\u0103 fie urmat. \u015ei se prezint\u0103 cazuri grave de descompunere a familiei contemporane, cu p\u0103rin\u0163i deprava\u0163i, be\u0163ivi, bolnavi psihic, capabili s\u0103-\u015fi abandoneze copiii, sau s\u0103-i v\u00e2nd\u0103 (pentru \u201eorgane\u201d, pentru cer\u015fit ori pentru prostitu\u0163ie), sau s\u0103-i ucid\u0103, la nervi ori be\u0163ie, sau&#8230; Cazurile particulare, prin prezentare \u00eenc\u0103p\u0103\u0163\u00e2nat\u0103, dau senza\u0163ia de situa\u0163ie general\u0103, \u00eentocmai cum frecven\u0163a reportajelor cu reprezentan\u0163i ai minorit\u0103\u0163ilor, capabili de orice, a creat iluzia c\u0103 suntem o \u0163ar\u0103 de \u0163igani ho\u0163i, be\u0163ivi, prostitua\u0163i \u015fi lene\u015fi.<br \/>\nEduca\u0163ia \u00een familie este subminat\u0103 \u015fi ar fi normal s\u0103 i se ofere alternative: \u015fcoala, biserica&#8230; Dar autoritatea \u015fcolii este amputat\u0103 \u2013 nu f\u0103\u0163i\u015f, prin legi, pentru c\u0103 aceasta contravine normelor europene \u2013 iar biserica are alte treburi, printre ele nefiind inclus\u0103 educa\u0163ia temeinic\u0103 a tinerilor, \u015fi la fel de eficiente. Preo\u0163ii mai mult se fac c\u0103 educ\u0103 \u2013 \u015fi c\u0103 predau -, iar copiii nu se aleg dec\u00e2t cu&#8230; distrac\u0163ia. Fiindc\u0103 este mare relaxare printre ei atunci c\u00e2nd li se dau \u201eteste\u201d de tipul: \u201eTat\u0103l t\u0103u este lovit de ma\u015fin\u0103. Ce faci? a. suni la 112. b. chemi un vecin. c. te rogi la Dumnezeu. R\u0103spuns corect, c.\u201d.<br \/>\n\u00centr-o \u0163ar\u0103 sedus\u0103 de vraja formelor f\u0103r\u0103 fond, este normal ca totul, inclusiv educa\u0163ia, s\u0103 se fac\u0103 superficial, haotic \u015fi f\u0103r\u0103 sens ori s\u0103 par\u0103 numai c\u0103 se face.<br \/>\nIar scriitorii neamului, odinioar\u0103 capabili s\u0103 schimbe lucrurile, stau, \u015fi se minuneaz\u0103, \u015fi se vait\u0103 c\u0103 nimeni nu le mai cite\u015fte c\u0103r\u0163ile. P\u0103i c\u00e2\u0163i mai \u015ftiu \u015fi c\u00e2\u0163i vor mai \u015fti s\u0103 citeasc\u0103 \u00een Rom\u00e2nia?<\/p>\n<p><strong><br \/>\nNicolae MIHAI &#8211; 65<\/strong><br \/>\n<a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/11\/nic-mihai-e1604178627970.jpg\" data-rel=\"lightbox-image-1\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-11734 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/11\/nic-mihai-225x300.jpg\" alt=\"\" width=\"225\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 225px; --smush-placeholder-aspect-ratio: 225\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-11734\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/11\/nic-mihai-225x300.jpg\" alt=\"\" width=\"225\" height=\"300\" \/><\/noscript><\/a><\/p>\n<p><strong>Ghear\u0103 asurzitoare<\/strong><\/p>\n<p>Ghear\u0103 a inimii dulce-amar\u0103<br \/>\nmodeleaz\u0103 \u0163ip\u0103tul<br \/>\nneauzit<br \/>\npe dinl\u0103untru, pe dinafar\u0103<\/p>\n<p>toac\u0103 m\u0103runt flac\u0103ra<br \/>\ns\u00e2ngelui, dorul de tine,<br \/>\ncuv\u00e2nt cu cuv\u00e2nt<br \/>\n\u00een \u00eemp\u0103r\u0103\u0163ia numit\u0103<br \/>\na G\u00e2ndului<\/p>\n<p>\u015fi peste toate, asurzitor, a\u015fterne<br \/>\ngraiul vederii, cu r\u0103suflarea<br \/>\ncorupt\u0103, h\u0103ituit\u0103 de p\u0103cate.<\/p>\n<p><strong><br \/>\nR\u0103s\u0103rit de soare<\/strong><\/p>\n<p>M\u0103 caut\u0103 cu strig\u0103te<br \/>\n\u015fi \u00eenfrigurare<\/p>\n<p>c\u00e2nd mi-o da de urm\u0103<br \/>\nva trebui s\u0103 iau totul<br \/>\nde la cap\u0103t<\/p>\n<p>r\u00e2sul lui<br \/>\nr\u0103sun\u0103 pe plaj\u0103<br \/>\nca o veste bun\u0103<\/p>\n<p>\u00eel po\u0163i z\u0103ri ocrotit<br \/>\n\u00eentre palmele<br \/>\n\u00eempreunate a rug\u0103<\/p>\n<p><strong><br \/>\n\u015eoapt\u0103 ghemuit\u0103 \u00een privire <\/strong><\/p>\n<p>B\u00e2jb\u00e2i cu m\u00e2na precum orbul dup\u0103 z\u00e2mbetul<br \/>\niubitei \u015fi treci \u00een contul inimii fiece suspin<br \/>\najuns pas\u0103re ce-\u015fi caut\u0103 cuibul<\/p>\n<p>la ce bun vorbele \u00eennoptate afar\u0103 sub fereastr\u0103<br \/>\ntremurul \u015foaptei f\u0103r\u0103 identitate<br \/>\nghemuit\u0103 \u00een privire.<\/p>\n<p>Neput\u00e2nd fi a\u015fternut pe h\u00e2rtie r\u0103m\u00e2ne<br \/>\ncunun\u0103 s\u0103rac\u0103 mocnind pe buze<br \/>\n\u015fi asta pentru c\u0103 tu nu e\u015fti acolo s\u0103-i ascul\u0163i<br \/>\nfrumuse\u0163ea p\u00e2lp\u00e2ind\u0103<br \/>\nla care gura ta n-o s\u0103 poat\u0103 vreodat\u0103 ajunge.<\/p>\n<p><strong><br \/>\nInsomnii scoase la licita\u0163ie<\/strong><\/p>\n<p>Aduci cu tine dimine\u0163ile uitate afar\u0103,<br \/>\n\u00eengropate p\u00e2n\u0103 la g\u00e2t \u00een z\u0103pada legat\u0103<br \/>\ncu lan\u0163uri de gard, duhnind a stele proaspete<br \/>\n\u015fi a umbr\u0103 de lun\u0103 golit\u0103 de somn.<\/p>\n<p>Din noapte p\u0103strezi m\u0103rturisirile inimii<br \/>\nap\u0103rat\u0103 cu m\u00e2ini nedumerite de insomnia<br \/>\nunor \u015foapte &#8211;<br \/>\namprente ale unui dor stins, abandonat.<\/p>\n<p>L\u00e2ng\u0103 draperii, afli strig\u0103tul, uitat acolo,<br \/>\nasemenea unei fotografii \u00eenc\u0103run\u0163ite,<br \/>\nscoas\u0103 la licita\u0163ie, amintind de noi.<\/p>\n<p><strong><br \/>\nResturi de panic\u0103<\/strong><\/p>\n<p>Din scrumul lor nerostit se reaprind<br \/>\nfl\u0103c\u0103ri cresc gheare \u015fi ciocuri<br \/>\nnegre de lighioane<\/p>\n<p>par \u00eentreb\u0103ri plecate \u00een lume<br \/>\ns\u0103 fac\u0103 victime<\/p>\n<p>totul se \u00eent\u00e2mpl\u0103 \u00eenl\u0103untrul t\u0103u uituc,<br \/>\nf\u0103r\u0103 v\u0103z pus la \u00eencercare c\u00e2nd<br \/>\nnefirescul probeaz\u0103 resturi de panic\u0103<br \/>\n\u00een viituri de \u00eentuneric \u2013<br \/>\nminciuni ale unor fluturi buimaci<br \/>\ntr\u0103nc\u0103nind despre privirile goale<br \/>\nce nu vor s\u0103 mai moar\u0103<\/p>\n<p><strong><br \/>\nC\u00e2nd ochii t\u0103i m\u0103 strig\u0103<\/strong><\/p>\n<p>At\u00e2tea nop\u0163i ascunse \u00een ochii<br \/>\nt\u0103i cei negri<br \/>\ncu vechi \u015fi noi r\u0103spunsuri<br \/>\nla \u00eentreb\u0103ri nepuse<\/p>\n<p>condamna\u0163i s\u0103 doar\u0103<br \/>\n\u00een ad\u00e2ncimi de suflet \u00eensufle\u0163esc<br \/>\nuimirea cu tot ce-nseamn\u0103 vise<\/p>\n<p>mai bine dec\u00e2t mine nimeni<br \/>\nnu-i aude absen\u0163a lor risip\u0103<br \/>\nde nic\u0103ieri m\u0103 strig\u0103<\/p>\n<p><strong><br \/>\nUmbr\u0103 sonor\u0103<\/strong><\/p>\n<p>Lipe\u015fti urechea de apa limpede a iazului<br \/>\ncum de o scoic\u0103, s\u0103 auzi umbra soarelui<br \/>\nprelung unduit\u0103, r\u0103sfr\u00e2nt\u0103 \u00een cercuri<br \/>\nsonore v\u0103zute \u015fi nev\u0103zute.<\/p>\n<p>\u00cennebuni\u0163i de spectacol, pe\u015ftii<br \/>\nvor s\u0103 \u00eentrebe ceva, s\u0103 cer\u015feasc\u0103 o vorb\u0103<br \/>\ndrumurilor neumblate, adunate<br \/>\n\u00een fa\u0163a unei singure por\u0163i, r\u0103coroas\u0103,<br \/>\nispititoare.<\/p>\n<p>Acea clip\u0103 n\u0103scoce\u015fte<br \/>\nabisuri nerostite, \u00eemb\u0103tr\u00e2nite,<br \/>\ncu noduri \u00een g\u00e2t,<br \/>\nalcool de doi bani, dezbr\u0103cat de himere<br \/>\nori poate absen\u0163\u0103 lustruit\u0103 cu batista.<\/p>\n<p><strong><br \/>\nCoad\u0103 de p\u0103un<\/strong><\/p>\n<p>\u00cempov\u0103ra\u0163i cu stele, ochii<br \/>\nmascheaz\u0103 emo\u0163ia,<br \/>\no \u00eenva\u0163\u0103 s\u0103 bat\u0103 la poarta uimirii<br \/>\nlarg deschis\u0103<\/p>\n<p>\u00eembat\u0103 spiritul cer\u015fetor<br \/>\n\u015fi \u00eenstr\u0103ineaz\u0103 frumosul \u00een schimbul<br \/>\nunor banale, utopice sensuri<\/p>\n<p>pentru \u00eent\u00e2ia oar\u0103 se aud<br \/>\nstrig\u0103te ale soarelui,<br \/>\n\u00een acorduri oficiale,<br \/>\nispititoare<\/p>\n<p>din inocen\u0163a lor, cineva<br \/>\ninventeaz\u0103 formula<br \/>\ncomplicat\u0103 a hazardului<\/p>\n<p><strong><br \/>\nO frunte<\/strong><\/p>\n<p>O frunte, nu poate jigni pe nimeni<br \/>\nroste\u015fte doar adev\u0103rul<\/p>\n<p>\u00eencrez\u0103toare dezleag\u0103 singur\u0103t\u0103\u0163i<br \/>\n\u00een numele cuv\u00e2ntului \u015fi a puterii lui<br \/>\ngr\u0103itoare<\/p>\n<p>uneori \u0163ine de umbr\u0103<br \/>\nicarului izgonit de o pal\u0103 de v\u00e2nt<\/p>\n<p>\u00eendr\u0103gostit\u0103 caut\u0103 visul<br \/>\n\u00eenl\u0103n\u0163uit\u0103 de alt\u0103 frunte<\/p>\n<p><strong><br \/>\nRadu C\u00c2RNECI<\/strong><br \/>\n<a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/carneci.jpg\" data-rel=\"lightbox-image-2\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13365 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/carneci-214x300.jpg\" alt=\"\" width=\"214\" height=\"300\" data-srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/carneci-214x300.jpg 214w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/carneci.jpg 339w\" data-sizes=\"(max-width: 214px) 100vw, 214px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 214px; --smush-placeholder-aspect-ratio: 214\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13365\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/carneci-214x300.jpg\" alt=\"\" width=\"214\" height=\"300\" srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/carneci-214x300.jpg 214w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/02\/carneci.jpg 339w\" sizes=\"(max-width: 214px) 100vw, 214px\" \/><\/noscript><\/a><br \/>\n<a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/03\/1-2.jpg\" data-rel=\"lightbox-image-3\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-17602 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/03\/1-2-148x300.jpg\" alt=\"\" width=\"148\" height=\"300\" data-srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/03\/1-2-148x300.jpg 148w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/03\/1-2.jpg 504w\" data-sizes=\"(max-width: 148px) 100vw, 148px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 148px; --smush-placeholder-aspect-ratio: 148\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-17602\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/03\/1-2-148x300.jpg\" alt=\"\" width=\"148\" height=\"300\" srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/03\/1-2-148x300.jpg 148w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/03\/1-2.jpg 504w\" sizes=\"(max-width: 148px) 100vw, 148px\" \/><\/noscript><\/a><\/p>\n<p><strong>\u0162ARA LUI LAL<\/strong><\/p>\n<p>\u00cen 1942, termin\u00e2nd \u0219coala primar\u0103 (\u0219apte clase), elevul C\u00e2rneciu N. Radu \u2013 clasificat drept primul pe centrul a trei comune: M\u0103rg\u0103rite\u0219ti, Pardo\u0219i, Racovi\u021beni (peste 20 de sate), ajutat de profesorul Ion Ghinioiu \u2013 pre\u0219edintele comisiei \u2013 a fost primit ca bursier la Liceul teoretic \u201eRegele Ferdinand\u201d din R\u00eemnicu S\u0103rat, capitala jude\u021bului cu acela\u0219i nume. Adolescentul de atunci \u00ee\u0219i aminte\u0219te cu emo\u021bie \u0219i azi de acel examen hot\u0103r\u00e2tor: dup\u0103 ce a fost plimbat prin toat\u0103 istoria \u0219i geografia Rom\u00e2niei de c\u0103tre profesorul Ion S\u0103ndulescu \u2013 directorul liceului \u2013 , acesta i-a zis: \u201eIa, te rog, creta \u0219i scrie: N-ai ce-i face c\u0103-i b\u0103iat bun\u201d, iar viitorul licean a scris chiar a\u0219a, iar profesorul, cu un z\u00e2mbet larg, a ad\u0103ugat: \u201cBravo, da, \u00eentr-adev\u0103r e\u0219ti un b\u0103iat foarte bun!\u201d&#8230;<br \/>\nViitorul scriitor a parcurs cele opt clase liceale \u00een doar \u0219ase ani (\u00eencheia\u021bi \u00een 1948), fiind ultima serie din vechiul sistem de \u00eenv\u0103\u021b\u0103m\u00e2nt. A fost un timp greu: r\u0103zboi, moarte, secet\u0103, s\u0103r\u0103cie, \u00eenceput de tinere\u021be f\u0103r\u0103 de bucurii. \u00centr-un interviu acordat recent lui Florentin Popescu, prieten \u0219i coleg \u00eentru litere, Radu C\u00e2rneci vorbe\u0219te admirativ de profesorii s\u0103i pomenindu-i \u00een special pe latinistul Dumitru Cr\u0103ciun \u0219i pe poetul-eseist Stelian Cucu, fost director al liceului: ambii dasc\u0103li de excep\u021bie, care i-au influen\u021bat lecturile, determin\u00e2ndu-i drumul vie\u021bii.<\/p>\n<p>\u201e&#8230; c\u0103 e vorba \u00eentr-adev\u0103r de orientarea mai multor poe\u021bi spre mituri \u0219i mitologie, recentul volum Org\u0103 \u0219i iarb\u0103 (1966) al lui Radu C\u00e2rneci st\u0103 m\u0103rturie. Fie \u00een versuri c\u0103rora el le zice C\u0103tre Apollo (\u201eruga unei tinere fete\u201d), fie \u00een altele, ca Orfeu c\u0103tre Euridice, acest poet umbl\u0103 cu har \u0219i \u0219tiin\u021b\u0103 printre celebrele fic\u021biuni ale anticilor&#8230;\u201d<\/p>\n<p>Vladimir STREINU: Distingo \u2013 Poezia miturilor (\u201eLuceaf\u0103rul\u201d, nr. 29, 24 septembrie 1966)<\/p>\n<p>\u201e&#8230; Org\u0103 \u0219i iarb\u0103 poart\u0103 de asemeni un titlu simbolic. Chiar dac\u0103 nu practic\u0103 poemul \u00een largi falduri desf\u0103\u0219urat, asemeni unui vibrant manifest sau ca un steag de lupt\u0103 din Firele de iarb\u0103 ale lui Walt Whitman, poezia lui Radu C\u00e2rneci nu e mai pu\u021bin, totu\u0219i, o poezie de atitudine militant\u0103. \u201eOrga\u201d e noaptea care imensific\u0103 \u0219i favorizeaz\u0103, ca-ntr-una din povestirile din stepe, at\u00e2t cre\u0219terea ierbii, c\u00e2t \u0219i c\u00e2ntecele prefigurate \u0219i timide care o \u00eenso\u021besc. Este, desigur, o aspira\u021bie c\u0103reia, \u0219i din temperament, dar \u0219i din practica unei anumite formule poetice, autorul \u00eei aplic\u0103 o anume surdin\u0103, \u00eens\u0103 ea nu poate fi t\u0103g\u0103duit\u0103&#8230;\u201d<\/p>\n<p>PERPESSICIUS: Lecturi intermitente (XVIII) \u00een \u201eGazeta literar\u0103\u201d, nr. 5, 2 februarie 1967<\/p>\n<p>\u201e\u2026 \u00cen tot: o \u0219tiin\u021b\u0103 a versului demn\u0103 de invidiat, perfec\u021biune care nu e a veacului nostru agitat, ars pe din\u0103untru, posedat de mi\u0219carea qui deplace les lignes, \u0219i, mai ales, o sensibilitate \u00een autenticitatea c\u0103reia aproape nu ne vine s\u0103 credem, \u00een care ne reg\u0103sim, \u00een cazul cel mai fericit, cu intermiten\u021be. Sensibilitate pe care o credeam r\u0103mas\u0103 departe, \u00een alt veac.\u201d<\/p>\n<p>Dumitru MICU: Umbra femeii, \u00een \u201eGazeta literar\u0103\u201d, nr. 39 (830), 26 septembrie 1968<\/p>\n<p>\u201e\u2026 Radu C\u00e2rneci este un senzorial mitologic, dispus mereu s\u0103 \u201erefolclorizeze\u201d, s\u0103 interpreteze generos, \u00eentruc\u00e2t \u0219tie s\u0103 se dep\u0103\u0219easc\u0103 \u00eentr-un mod sui generis. F\u0103c\u00e2nd ultima aser\u021biune ne g\u00e2ndim mai ales la \u201eIarba verde, acas\u0103\u201d, volum unitar, de o densitate stilistic\u0103 de net\u0103g\u0103duit. De altfel, pe baza lui, criticul poate reface portretul poetului \u00een liniile lui esen\u021biale: vigoare verbal\u0103, metafor\u0103 arborescent\u0103 cu sensuri pline de limpezime, mereu \u201eaproape de p\u0103m\u00e2nt\u201d, atrac\u021bia pentru \u00eenv\u0103luirea mitic\u0103, pentru remitizarea gestului folcloric autohton. Poetul \u00eensu\u0219i \u00ee\u0219i m\u0103rturise\u0219te r\u0103d\u0103cinile: \u201e\u2026 Iat\u0103-m\u0103, \u00een fa\u021ba voastr\u0103, P\u0103rin\u021bi,\/ \u00een fa\u021ba voastr\u0103, rudele mele, prieteni,\/ sunt eu, Risipitorul \u0219i \u00eengenunchez\/ pentru iertarea p\u0103catelor mele frumoase.\u201d Este o dest\u0103inuire care, la Radu C\u00e2rneci, trebuie interpretat\u0103 ca o profesie de credin\u021b\u0103, ca un credo estetic-stilistic fiindc\u0103, \u00eentr-un alt poem \u2013 care \u00eemprumut\u0103, de altfel, titlul volumului \u2013 poetul \u00ee\u0219i declar\u0103 \u00eenc\u0103 o dat\u0103 sursele lirice: \u201eAcas\u0103, iarba verde aproape de mugure,\/ &#8211; vai, cum \u00eei place s\u0103 geam\u0103 sub pa\u0219i! -\/ o simt cum \u00eemi s\u0103rut\u0103 glezne \u0219i t\u0103lpi,\u201d (\u2026) \u201e\u00cen amiaz\u0103 are ceva de m\u00e2ndr\u0103 \u021b\u0103ranc\u0103\/ rotindu-se toat\u0103 numai miresme. (\u2026) \u201e\u0219i plec\u0103m, &#8211; cobor\u00e2m \u00een r\u0103d\u0103cini \u0219i acolo\/ ne unim trupurile \u0219i suntem\/ dulce \u021b\u0103r\u00e2n\u0103\u2026\u201d. Nu este \u00een versurile citate numai o metafor\u0103 a senzorialului care pare a fi o treapt\u0103 esen\u021bial\u0103 de lansare a poeziei lui Radu C\u00e2rneci; ne afl\u0103m totodat\u0103 \u00een fa\u021ba unui mirific lan\u021b de simboluri din care se compune \u00een forme mereu dinamice, revitalizate, expresia celor mai multe dintre poeme\u2026\u201d<br \/>\nConstantin CRI\u0218AN: La \u0219coala nobilei tradi\u021bii, \u00een \u201eRom\u00e2nia literar\u0103\u201d nr. 7550, 29 ianuarie 1969<\/p>\n<p><strong><br \/>\nM\u0103rul de aur <\/strong><\/p>\n<p>&#8230; \u00cent\u00e2i e o cea\u0163\u0103 de sunete<br \/>\n\u00een t\u00e2mplele noastre<br \/>\nun vuit de timp<br \/>\n\u015fi ne c\u0103ut\u0103m \u00eemprejur aripile.<\/p>\n<p>V\u0103d trupul t\u0103u, statuie abia terminat\u0103<br \/>\niar m\u00e2inile mele alung\u0103 urmele d\u0103l\u0163ii<br \/>\n\u015fi iat\u0103 e necesar s\u0103-\u0163i rotunjesc um\u0103rul<br \/>\ncu buzele \u2013 \u015fi-mi s\u00e2ngereaz\u0103.<\/p>\n<p>Trece printre noi \u00eenceputul de zbor<br \/>\napoi bra\u0163ele v\u00e2slesc aerul cuprinz\u00e2ndu-te<br \/>\nzbur\u0103m. \u015ei p\u0103m\u00e2ntul se dep\u0103rteaz\u0103 \u00een sine<br \/>\n\u015fi ne aprindem unul \u00een altul \u015fi str\u0103lucim.<\/p>\n<p>O, \u015fi ame\u0163im ca o spiral\u0103<br \/>\niar vocile alearg\u0103 dup\u0103 noi<br \/>\nca dup\u0103 armonii \u00een mari rotiri de ceruri<br \/>\n\u015fi ne-ajung \u015fi ne-ntrec \u015fi ne-ajung.<\/p>\n<p>E o \u0103uire de clopote \u015fi piculine<br \/>\n\u015fi mu\u015fchii sunt \u015ferpi tineri<br \/>\niar nervii se-nv\u0103lm\u0103\u015fesc alerg\u00e2nd<br \/>\n\u015fi s\u00e2ngele-i sonor.<\/p>\n<p>&#8230; \u015ei iat\u0103 \u00ee\u0163i dau m\u0103rul de aur<br \/>\nde la balul nostru de aur<br \/>\n\u015fi colierul de stele de la balul nostru de stele<br \/>\n\u015fi te fac regin\u0103 peste cer \u015fi p\u0103m\u00e2nt&#8230;<\/p>\n<p><strong><br \/>\nPeisaj mioritic<\/strong><\/p>\n<p>De fluier, c\u00e2ntecul tive\u0219te<br \/>\nun munte alb, un munte sur<br \/>\nde moarte g\u00e2nd \u0219i ot\u0103ve\u0219te<br \/>\ndor lung de via\u021b\u0103, \u00eemprejur<\/p>\n<p>Trei turme albe se r\u0103sfa\u021b\u0103<br \/>\npe un picior de plai sculptat<br \/>\n\u0219i baciul trist, oprit, \u00eenal\u021b\u0103<br \/>\nbalad\u0103-n cre\u0219tetul de brad<\/p>\n<p>Cer larg deasupra, jos p\u0103m\u00e2ntul<br \/>\n\u2013 triste\u021be-albastr\u0103, abia vibr\u00e2nd \u2013<br \/>\n\u0219i Miori\u021ba l\u0103cr\u0103m\u00e2ndu-l<br \/>\npe cel ce va muri cur\u00e2nd\u2026<\/p>\n<p><strong><br \/>\nMic desc\u00e2ntec<\/strong><\/p>\n<p>Cucuvea cu pene ro\u0219ii<br \/>\ncucuvea cu pene verzi<br \/>\ncazi din lun\u0103 peste dor<br \/>\nadu-i cerul dedesubt<br \/>\npas\u0103re cu ochi abrupt.<\/p>\n<p>(O fereastr\u0103 dreapt\u0103, pl\u00e2nge<br \/>\nstr\u00e2mb\u0103, o fereastr\u0103 r\u00e2de<br \/>\nscade casa c\u0103tre zori<br \/>\npoft\u0103-i carnea de-amintire<br \/>\n\u0219i fereastra intr\u0103-n mire.<\/p>\n<p>Urmele sunt ale mele<br \/>\nurmele, peste-ale sale<br \/>\nse s\u0103rut\u0103-ad\u00e2nc \u0219i mu\u0219c\u0103<br \/>\nlung\u0103-i de p\u0103m\u00e2nt otrava<br \/>\n\u0219i-n genunchi se zbate slava)<\/p>\n<p>Ah, s\u0103 \u021bipe s\u00e2nge-n v\u00e2rf<br \/>\n\u0219i s\u0103 c\u00e2nte s\u00e2nge-n vale<br \/>\ntrupul meu ocol s\u0103 fie!<br \/>\nintr\u0103-n ierburi steaua\u2013floare<br \/>\ndorul ei de dor \u0219i doare\u2026<\/p>\n<p><strong><br \/>\nIzvoare tainice<\/strong><\/p>\n<p>Sunt ni\u0219te izvoare tainice acolo<br \/>\nlacrimi ale mamei Dochia<br \/>\n\u0219i m\u0103 ajung ca un blestem dulce<br \/>\nsunt \u0219iruri de oi argintii<br \/>\npeste p\u0103\u0219unea de lun\u0103<br \/>\nsunt ni\u0219te ciobani de timp<br \/>\n\u0219i sunt \u00een miezul de piatr\u0103<br \/>\ntemple \u00een care Zamolxe se bucur\u0103<br \/>\nde fiecare moarte a mea<br \/>\nca de o stea ce se na\u0219te mereu.<\/p>\n<p>Noaptea m\u0103 afund \u00een Carpa\u021bi<br \/>\nca \u00eentr-o Dun\u0103re de piatr\u0103<br \/>\n\u0219i-n mine e un somn de timp\u2026<\/p>\n<p><strong><br \/>\nIarba verde, acas\u0103<\/strong><br \/>\n<em> s-a scris pentru Emmi<\/em><\/p>\n<p>Acas\u0103, iarba verde aproape de mugure<br \/>\n\u2013 vai, cum \u00eei place s\u0103 geam\u0103<br \/>\nsub pa\u0219i! o simt cum \u00eemi s\u0103rut\u0103<br \/>\nglezne \u0219i t\u0103lpi oft\u00e2nd \u00een zori<br \/>\nf\u0103r\u0103 de somn, singur\u0103<br \/>\nfraged\u0103<br \/>\niarba \u00een mai.<\/p>\n<p>\u00cen amiaz\u0103 are ceva de m\u00e2ndr\u0103 \u021b\u0103ranc\u0103<br \/>\nrotindu-se toat\u0103 numai miresme<br \/>\n\u0219i m\u0103 cheam\u0103 \u0219i m\u0103 cuprinde<br \/>\n\u0219i-mi intr\u0103 \u00een s\u00e2nge ho\u021be\u0219te, femeie<br \/>\np\u0103tima\u0219\u0103<br \/>\niarba \u00een iunie.<\/p>\n<p>Spre sear\u0103 \u00eencepe s\u0103 c\u00e2nte de nunt\u0103 \u2013<br \/>\nse roag\u0103 pentru-o noapte de dragoste<br \/>\nse roag\u0103 s\u0103-i gust trupul, s\u0103-i p\u0103trund<br \/>\ns\u00e2ngele cu coasa de \u0219uier<br \/>\naprig\u0103<br \/>\niarba \u00een iulie<\/p>\n<p>Seara, la piept, lung mi se t\u00e2nguie:<br \/>\ne de dor ars\u0103, de dor \u0219i nelini\u0219te<br \/>\ntrupul i se face str\u0103veziu \u0219i arde<br \/>\n\u0219i m\u0103 arde \u0219i-i m\u0103 d\u0103rui, Doamne<br \/>\nnebun\u0103-i<br \/>\nfemeia de iarb\u0103.<\/p>\n<p>Noaptea, iarba se face de tain\u0103<br \/>\nm\u0103 ia de m\u00e2n\u0103, neagr\u0103 \u0219i d\u00e2rz\u0103<br \/>\n\u0219i plec\u0103m \u2013 cobor\u00e2m \u00een r\u0103d\u0103cini \u0219i acolo<br \/>\nne unim trupurile<br \/>\n\u0219i suntem<br \/>\ndulce \u021b\u0103r\u00e2n\u0103\u2026<\/p>\n<p><strong><br \/>\nCentaur \u00eendr\u0103gostit<\/strong><\/p>\n<p>\u2026 \u0218i eram l\u00e2ng\u0103 r\u00e2uri, puternicii b\u0103rba\u021bi<br \/>\n\u2013 chipuri splendide, f\u0103pturi \u00eendr\u0103zne\u021be \u2013<br \/>\nsp\u0103l\u00e2ndu-ne copitele, sc\u0103ld\u00e2ndu-ne trupul<br \/>\nr\u0103corindu-ne chipul \u00een diminea\u021ba de ap\u0103<br \/>\nad\u0103st\u00e2nd dinspre \u0219esuri femeile de tain\u0103.<\/p>\n<p>(O, \u00eencordarea mu\u0219chilor tineri, o, frumuse\u021be!<br \/>\n\u2013 semne din lupte pe frunte \u0219i piept risipite \u2013<br \/>\n\u0219i nebunia din s\u00e2ngele nostru \u2013 flac\u0103r\u0103 neagr\u0103<br \/>\nflac\u0103r\u0103 neagr\u0103-n priviri \u2013 seme\u021bie \u0219i sete \u2013<br \/>\nmiez de munte \u00een clocot, carnea vibr\u00e2nd\u2026)<\/p>\n<p>Soare-destin c\u0103dea peste noi \u2013 lung h\u0103uleam<br \/>\n\u0219i se iveau codri cresc\u00e2nd pentru calde culcu\u0219uri \u2013<br \/>\nsoare-destin, ochii no\u0219tri-l rugau \u00een genunchi<br \/>\n\u0219i ni-l dansam \u00eenainte de rut, nebunie!<br \/>\nsoare \u00een t\u00e2mple de dor, soare de dor.<\/p>\n<p>Vuiet \u00eenalt, cor uria\u0219 de b\u0103rba\u021bi \u00eenvesti\u021bi<br \/>\nvocile-ad\u00e2nci st\u00e2rneau v\u00e2ntul \u0219i norii<br \/>\nfluturi de cer p\u0103s\u0103ri de nord \u0219i prelungi<br \/>\n\u0219erpi de dragoste uria\u0219i se-mpleteau<br \/>\nfiecare b\u0103rbat: un imn pentru-o femeie \u2013 a\u0219tept\u00e2nd<\/p>\n<p>V\u00e2rtejul iubirii \u2013 ce lung v\u00e2rtej de semin\u021be! \u2013<br \/>\nfemeile m\u00e2ndre sosir\u0103 \u2013 ah, s\u00e2nii \u00een v\u00e2rf cu-a\u0219tept\u0103ri!\u2013<br \/>\ncu ochii cer\u00e2ndu-ne iar, secet\u0103 lung\u0103<br \/>\ntrupul lor alb, jinduit de dorul s\u0103lbatic<br \/>\noh, cum l-altoiam, nobil\u00e2ndu-l cu aspra putere!<\/p>\n<p>(Era ca un vifor de foc, de cer r\u0103sturnat<br \/>\n\u00een s\u00e2ngele nostru incendiu \u0219i-ad\u00e2nc mu\u0219c\u0103tura<br \/>\n\u00een ascunsul de patim\u0103 iar cu\u021bitul de via\u021b\u0103<br \/>\ns\u0103lbatece salturi, apoi, prelung leg\u0103narea<br \/>\n\u0219i timpul oprit l\u00e2ng\u0103 noi, fantom\u0103 de piatr\u0103\u2026)<\/p>\n<p>Vai, nou\u0103, b\u0103rba\u021bilor mari, d\u00e2rzeniei noastre<br \/>\nde trupul femeii \u00eencin\u0219i, vai, nou\u0103, frumse\u021bea<br \/>\nera ca o spaim\u0103 prea dulce de jur-\u00eemprejur<br \/>\n\u00een ierburi strivite-a\u0219tept\u00e2nd u\u0219or potolirea\u2026<br \/>\nO, jarul de suflet duc\u00e2nd femeilor g\u00e2ndul<\/p>\n","protected":false},"excerpt":{"rendered":"<p>EDITORIAL VALERIA Manta T\u0103icu\u021bu Emanciparea copiilor Exist\u0103 voci care afirm\u0103 c\u0103 pedagogia emancip\u0103rii, din ce \u00een ce mai agreat\u0103 pe<\/p>\n","protected":false},"author":18,"featured_media":10070,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"ngg_post_thumbnail":0,"video_url":"","footnotes":""},"categories":[7,328],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/17601"}],"collection":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=17601"}],"version-history":[{"count":1,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/17601\/revisions"}],"predecessor-version":[{"id":17603,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/17601\/revisions\/17603"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/media\/10070"}],"wp:attachment":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=17601"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=17601"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=17601"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}