{"id":17576,"date":"2022-03-19T22:30:37","date_gmt":"2022-03-19T19:30:37","guid":{"rendered":"https:\/\/ziarulderimnic.ro\/?p=17576"},"modified":"2022-03-19T22:32:50","modified_gmt":"2022-03-19T19:32:50","slug":"spatii-culturale-nr-41-13","status":"publish","type":"post","link":"https:\/\/ziarulderimnic.ro\/?p=17576","title":{"rendered":"Spa\u021bii culturale nr. 41 (13)"},"content":{"rendered":"<p><strong>Nicolai T\u0102ICU\u0162U<\/strong><\/p>\n<p><strong>Raftul cu c\u0103r\u021bi<\/strong><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/03\/12-1-e1647717995156.jpg\" data-rel=\"lightbox-image-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-17577 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/03\/12-1-216x300.jpg\" alt=\"\" width=\"216\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 216px; --smush-placeholder-aspect-ratio: 216\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-17577\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/03\/12-1-216x300.jpg\" alt=\"\" width=\"216\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Doina Cernica<\/strong>, <em>Dany-Madlen Z\u0103rnescu, Gr\u0103dinile m\u0103n\u0103stirii &#8211; cu reproducerea unor lucr\u0103ri de Dany-Madlen Z\u0103rnescu \u015fi cu pagini de cronic\u0103 scrise de Doina Cernica, Editura Mu\u015fatinii, Suceava, 2015<\/em>, 117 p. <em>Negrul din lucr\u0103rile lui Dany Z\u0103rnescu nu are nimic de-a face cu \u00eentunericul lumii. E mai degrab\u0103 acel \u00eentuneric supraluminos de care vorbesc misticii, e culoarea tainei, a retragerii \u00een sine, este simbolul plec\u0103rii din lume (spre o alt\u0103 lume), pe care \u015fi-l asum\u0103, vestimentar, c\u0103lug\u0103rii. Negrul este chintesen\u0163a luminii, acea a cincea esen\u0163\u0103 pe care numai spiritul o d\u0103 \u2013 scrie Niadi Cernica. Iar Marin Gherasim afirm\u0103: \u2026\u00cen arta lui Dany-Madlen Z\u0103rnescu negrul performal se \u00eent\u00e2lne\u015fte cu geometria d\u00e2nd na\u015ftere formei semnificante, formei \u00eenc\u0103rcate de spiritualitate. (\u2026) Dany-Madlen Z\u0103rnescu, o artist\u0103 care aduce o dimensiune nou\u0103, semnificativ\u0103 artei rom\u00e2ne\u015fti de ast\u0103zi.<\/em><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/03\/13-2-e1647718014313.jpg\" data-rel=\"lightbox-image-1\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-17578 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/03\/13-2-194x300.jpg\" alt=\"\" width=\"194\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 194px; --smush-placeholder-aspect-ratio: 194\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-17578\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/03\/13-2-194x300.jpg\" alt=\"\" width=\"194\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Liviu ofileanu<\/strong>, <strong>Ioan Barb<\/strong>, <em>pl\u0103cu\u0163a Ouija, BRUMAR, Timi\u015foara, 2015<\/em>, 84 p. La acest volum, Liviu Ofileanu contribuie cu muzic\u0103 vienez\u0103 \u00een vagonul-de-dormit, iar Ioan Barb cu avatarurile lui Schreber. Pe coperta a patra, Felix Nicolau spune: <em>Avatarurile lui Schreber vis\u00e2nd pe muzic\u0103 vienez\u0103 \u00een vagonul-de-dormit este epopeea lui Ioan Barb \u015fi a lui Liviu Ofileanu, cei doi aezi din vestul civilizat. Am\u00e2ndoi sunt fascina\u0163i de cultur\u0103: Barb la modul nostalgic \u015fi perspectival, Ofileanu la modul simfonic, pe o mie de voci. Vienez\u0103 este nostalgia lui Barb ce tinde spre un nimic cu elegan\u0163e simboliste; regional\u0103 \u00een limbaj este oco\u015fenia impredictibil\u0103 a lui Ofileanu. Ascult\u0103m un duet de un livresc postmodernist, dar care, prin sensibilitate \u015fi deta\u015fare de ambi\u0163ii lume\u015fti, dup\u0103 ce toat\u0103 lumea a fost filtrat\u0103 prin mintea poetic\u0103, se \u00eencadreaz\u0103 \u00een mai modernul, holistul post-postmodernism\u2026<\/em><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/03\/14-2-e1647718032752.jpg\" data-rel=\"lightbox-image-2\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-17579 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/03\/14-2-191x300.jpg\" alt=\"\" width=\"191\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 191px; --smush-placeholder-aspect-ratio: 191\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-17579\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/03\/14-2-191x300.jpg\" alt=\"\" width=\"191\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Petre Isachi<\/strong>, <em>Convorbiri imaginare cu Jorge Luis Borges, Editura ROVIMED PUBLISHERS, Bac\u0103u, 2015<\/em>, 289 p. <em>Petre Isachi face, probabil, dup\u0103 cum el \u00eensu\u015fi este convins, ,,streaptease metafizic\u201d, dar \u00eel face \u00een spatele unui paravan nu cine \u015ftie ce transparent, cititorul ghicind mai mult c\u0103 autorul se dezvele\u015fte \u00eenvelind \u015fi se \u00eenvele\u015fte dezvelind, cum ar zice Cantemir. Buna credin\u0163\u0103 fa\u0163\u0103 de carte \u00eel determin\u0103 s\u0103 caute \u00een c\u0103r\u0163i r\u0103spunsul la problemele care \u00eel fr\u0103m\u00e2nt\u0103, \u00een loc s\u0103 le abordeze nes\u0103buit, cu propriile puteri. Ai tot timpul impresia c\u0103 realitatea este obligat\u0103 s\u0103 stea la o u\u015f\u0103 prev\u0103zut\u0103 cu un scanner al ra\u0163iunii performant, capabil s\u0103 ofere copii trecute printr-un filtru care-i \u00eendep\u0103rteaz\u0103 viru\u015fii\u2026<\/em> scrie Valeria Manta T\u0103icu\u0163u despre aceste <em>,,exerci\u0163ii\u201d de irealitate<\/em>, conform spuselor autorului.<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/03\/11-1-e1647622424770.jpg\" data-rel=\"lightbox-image-3\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-17571 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/03\/11-1-195x300.jpg\" alt=\"\" width=\"195\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 195px; --smush-placeholder-aspect-ratio: 195\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-17571\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/03\/11-1-195x300.jpg\" alt=\"\" width=\"195\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Mircea Aanei<\/strong>, <em>Potecile prim\u0103verii \u2013 edi\u0163ia a II-a revizuit\u0103 \u015fi \u00eembog\u0103\u0163it\u0103, Editura Accent Print, Suceava, 2015<\/em>, 258 p. \u00cen <em>M\u0103rturisire<\/em>, autorul romanului men\u0163ioneaz\u0103: <em>S\u0103 scrii cu sinceritate despre tinere\u0163ea ta \u015fi despre cei pe care i-ai cunoscut la v\u00e2rsta aceea implic\u0103 destule riscuri. Nu oricine te vede cu ochi buni c\u00e2nd \u00ee\u0163i a\u015fezi sufletul \u00een palm\u0103. E\u015fti expus ironiilor, b\u00e2rfei, repro\u015furilor\u2026 Cei pe care i-am creionat, cu tr\u0103s\u0103turile exterioare \u015fi l\u0103untrice izvor\u00e2te din propria-\u0163i viziune, pot fi nemul\u0163umi\u0163i sau chiar revolta\u0163i. S\u0103 \u00eenfrumuse\u0163ezi oameni \u015fi \u00eent\u00e2mpl\u0103ri doar de dragul armoniei cu semenii ar \u00eensemna, pe de alt\u0103 parte, s\u0103 faci un vizibil rabat de la realism \u015fi seriozitate. (\u2026) M-am str\u0103duit s\u0103-i privesc totu\u015fi cu ochi critici, lucizi, fiind exigent at\u00e2t cu cei din jur, c\u00e2t \u015fi cu propria-mi persoan\u0103\u2026<\/em><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/03\/16-2-e1647718080781.jpg\" data-rel=\"lightbox-image-4\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-17581 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/03\/16-2-191x300.jpg\" alt=\"\" width=\"191\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 191px; --smush-placeholder-aspect-ratio: 191\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-17581\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/03\/16-2-191x300.jpg\" alt=\"\" width=\"191\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Gellu Dorian<\/strong>, <em>Emil Iordache, Pa\u015fii Poetului \u2013 edi\u0163ia a V-a definitiv\u0103, Editura Junimea, Ia\u015fi, 2014<\/em>, 367 p. Valentin Co\u015fereanu scrie \u00een finalul prefe\u0163ei acestei edi\u0163ii: <em>\u00cencheind, putem spune odat\u0103 cu Poetul c\u0103, dac\u0103 timpul este o idee ce leag\u0103 fapt de fapt, atunci cartea aceasta nu este altceva dec\u00e2t materializarea unui timp al peregrin\u0103rilor, \u00eentr-un parcurs ce concentreaz\u0103 via\u0163a unui om \u00een doar treizeci \u015fi nou\u0103 de ani. Cartea surprinde \u00een paginile ei aproape tot ce a l\u0103sat pe urma pa\u015filor s\u0103i un poet genial de talia celor mai mari din lume, ale c\u0103rui ,,p\u0103cate\u201d omene\u015fti s\u00eent iertate de acela\u015fi implacabil timp, care leag\u0103 totul de ceea ce l\u0103s\u0103m \u00een urm\u0103. Altfel, urma n-ar \u00eensemna nimic din ceea ce ni se relev\u0103.<\/em><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/03\/17-2-e1647718096374.jpg\" data-rel=\"lightbox-image-5\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-17582 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/03\/17-2-217x300.jpg\" alt=\"\" width=\"217\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 217px; --smush-placeholder-aspect-ratio: 217\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-17582\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/03\/17-2-217x300.jpg\" alt=\"\" width=\"217\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Mircea Motrici<\/strong>, <em>Relicve literare &#8211; colectate de Rozalia Motrici din Atelierul reporterului, Editura Mu\u015fatinii, Suceava, 2015<\/em>, 180 p. \u00cen <em>Preambul<\/em>, Nicolae C\u00e2rlan precizeaz\u0103: \u00ce<em>n atelierul de reporter inspirat r\u0103mas de la regretatul Mircea Motrici, s-au p\u0103strat (\u00een afara celor, pu\u0163ine, publicate) o sum\u0103 de texte literare a c\u0103ror destina\u0163ie trebuie s\u0103 fi fost antestabilit\u0103, m\u0103car intuitiv, de autorul lor. B\u0103nuim c\u0103 e vorba, pentru cele mai multe dintre ele, de func\u0163ia de preambul la una sau alta dintre frecventele interven\u0163ii reporterice\u015fti, din presa vorbit\u0103 sau\/ \u015fi scris\u0103, cu care Mircea Motrici se d\u0103dea, at\u00e2t de frumos \u015fi atr\u0103g\u0103tor, \u00een spectacol. C\u0103ci aproape fiecare dintre relat\u0103rile sale era un fel de flash spectacular, plin de luminozit\u0103\u0163i metaforice, \u00eenc\u0103rcate de lirism, \u015fi implicit, de poeticitate\u2026<\/em><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/03\/18-2-e1647718127340.jpg\" data-rel=\"lightbox-image-6\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-17583 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/03\/18-2-205x300.jpg\" alt=\"\" width=\"205\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 205px; --smush-placeholder-aspect-ratio: 205\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-17583\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/03\/18-2-205x300.jpg\" alt=\"\" width=\"205\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Mihaela Gr\u0103dinariu<\/strong>, <em>Risipiri \u00een alb pe alb, Tim pul, Ia\u015fi, 2014<\/em>, 70 p. Spicuim din dou\u0103 referiri critice. <em>Trebuie remarcat c\u0103 tematica aceasta (religioas\u0103) i se potrive\u015fte cel mai bine, deoarece pune \u00een eviden\u0163\u0103 profunzimea st\u0103rilor poetice, latura meditativ\u0103 a fiin\u0163ei sale \u015fi sinceritatea rostirii. Iar atunci c\u00e2nd lexemul religios este atras \u00een c\u00e2mpul semantic al iubirii profane, ai impresia cople\u015fitoare c\u0103 ai descoperit-o pe poet\u0103 \u00een ceea ce (\u2026) a reu\u015fit s\u0103 ascund\u0103\u2026<\/em> (Valeria Manta T\u0103icu\u0163u) <em>Poezia Mihaelei este (\u2026) o confesiune a unei partenere puternice c\u0103tre un partener inalienabil\u2026 Nimic fastuos, \u00eenstr\u0103in\u0103tor sau risipitor de esen\u0163\u0103 a unului-\u00een-doi, ci o substan\u0163iere a sinelui prin conota\u0163ii, o ,,vizibilizare\u201d stringent\u0103 prin alternativ\u0103 imaginar\u0103, \u201cneoglindit\u0103\u201d \u015fi ne\u00eenve\u015fm\u00eentat\u0103 \u00een broderii parazitare.<\/em> (C. Bl\u0103naru)<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/03\/19-2-e1647718141584.jpg\" data-rel=\"lightbox-image-7\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-17584 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/03\/19-2-213x300.jpg\" alt=\"\" width=\"213\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 213px; --smush-placeholder-aspect-ratio: 213\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-17584\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/03\/19-2-213x300.jpg\" alt=\"\" width=\"213\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>George L. Nimigeanu<\/strong>, <em>Amintirile unei ma\u015fini de scris, Editura Samuel, Media\u015f, 2015<\/em>, 110 p. \u00cen <em>Cuv\u00e2nt<\/em><em> \u00eenainte<\/em> Titu Popescu men\u0163ioneaz\u0103: <em>&#8230; constat\u0103m c\u0103 \u201eAmintirile\u201d din titlu se refer\u0103 la urmele l\u0103sate \u00een via\u0163a autorului de brutala \u015fi diversificata imixtiune a supraveghetorilor lui; apoi ne duc cu g\u00e2ndul \u015fi la cele c\u00e2te s-au concretizat \u00een structura c\u0103r\u0163ii. O carte astfel ref\u0103cut\u0103 subliniaz\u0103 libertatea inspira\u0163iei, ne\u00eengr\u0103direa alegerii momentelor de via\u0163\u0103 semnificative, pentru a fi tratate liric.(&#8230;) \u00cen aceste Amintiri&#8230;, Poetul George L. Nimigeanu dovede\u015fte peste tot c\u0103 posed\u0103 o matur\u0103 \u00eendem\u00e2nare \u00een a-\u015fi stiliza economicos versurile, reduc\u00e2ndu-le la partea lor esen\u0163ial\u0103 prin eliminarea voit\u0103, con\u015ftient\u0103 a adaosurilor ornamentale, deci a tot ceea ce \u0163ine de \u00eempodobirea lor exterioar\u0103, de&#8230; balastul calofiliei.<\/em><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/03\/20-2-e1647718153144.jpg\" data-rel=\"lightbox-image-8\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-17585 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/03\/20-2-163x300.jpg\" alt=\"\" width=\"163\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 163px; --smush-placeholder-aspect-ratio: 163\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-17585\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/03\/20-2-163x300.jpg\" alt=\"\" width=\"163\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Florentin Popescu<\/strong>, <em>Cheia de aur. Cire\u015ful din copil\u0103rie, Rawex Coms, Bucure\u015fti, 2015<\/em>, 126 p. \u00cen cele ce urmeaz\u0103, red\u0103m \u00eendemnul autorului de pe coperta a patra a c\u0103r\u021bii: <em>\u00cen \u00eendep\u0103rtata copil\u0103rie m\u0103 jucam cu un diascop, privind la ispr\u0103vile Motanului \u00eenc\u0103l\u0163at \u015fi ale Caprei cu trei iezi. \u015ei nu de pu\u0163ine ori visam s\u0103 ajung regizor, s\u0103 pun personajele de pe pelicule imaginare s\u0103 se mi\u015fte cum voiam \u015fi pe unde voiam eu. \u00cent\u00e2mplarea a f\u0103cut ca dup\u0103 mul\u0163i ani s\u0103 ajung s\u0103 scriu, pe l\u00e2ng\u0103 altele, \u015fi mici scenarii pentru Radio. De aci \u015fi p\u00e2n\u0103 la un altfel de scenariu cinematografic nu mai era dec\u00e2t un pas. Puteam, oare, s\u0103 renun\u0163 la el? Ambele texte din aceast\u0103 carte au fost inspirate din realit\u0103\u0163i pe care nu le poate contesta nimeni \u2013 ceea ce nu \u00eenseamn\u0103 c\u0103 r\u0103m\u00e2n \u00een cadrul strict documentar, fiindc\u0103 ele bat mai departe, c\u0103tre fic\u0163iune.<\/em> <em>Citi\u0163i-le \u015fi v\u0103 ve\u0163i convinge!<\/em><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/03\/21-2-e1647718172274.jpg\" data-rel=\"lightbox-image-9\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-17586 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/03\/21-2-209x300.jpg\" alt=\"\" width=\"209\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 209px; --smush-placeholder-aspect-ratio: 209\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-17586\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/03\/21-2-209x300.jpg\" alt=\"\" width=\"209\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Maria Ni\u0163u<\/strong>, <em>Cu afec\u0163iune cronic\u0103, Editura Pallas Athena, Foc\u015fani, 2015<\/em>, 165 p. Pentru prezentare, ne folosim de dou\u0103 scurte referin\u0163e critice: <em>Maria Ni\u0163u este un critic cu perspectiv\u0103, care prive\u015fte un autor \u00een devenirea sa, mereu atent\u0103 la nuan\u0163e, lumini \u015fi umbre, construindu-\u015fi cu grij\u0103 argumenta\u0163ia, c\u00e2t mai aproape de text, cu dreptate \u015fi demnitate. Nici urm\u0103 de ezitare \u00een formularea diagnosticului, cu at\u00e2t mai pu\u0163in \u00een formularea judec\u0103\u0163ii de valoare. (Mircea Dinutz) Mobilitatea spiritual\u0103, spiritul viu, analitic, \u00eenso\u0163it \u015fi armat \u00eentotdeauna cu argumente pertinente, capacitatea de a transla cu lejeritate \u00eentre fragment \u015fi ansamblu, \u00eentre parte \u015fi \u00eentreg, stilul alert \u015fi agreabil, u\u015furin\u0163a formul\u0103rii unor judec\u0103\u0163i de valoare \u00een cuvinte pu\u0163ine, cu o limpezime clasic\u0103 de admirat, o recomand\u0103 pe Maria Ni\u0163u ca fiind una dintre vocile ce reprezint\u0103 cu demnitate, la aceast\u0103 or\u0103, critica noastr\u0103.<\/em> (Rodica L\u0103z\u0103rescu)<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/03\/22-2-e1647718183377.jpg\" data-rel=\"lightbox-image-10\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-17587 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/03\/22-2-212x300.jpg\" alt=\"\" width=\"212\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 212px; --smush-placeholder-aspect-ratio: 212\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-17587\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/03\/22-2-212x300.jpg\" alt=\"\" width=\"212\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Theodor George Calcan<\/strong>, <em>Anul \u015farpelui Glykon, Editura Ateneul scriitorilor, Bac\u0103u, 2015<\/em>, 270 p. \u00cen scurta prefa\u0163\u0103 la aceast\u0103 carte, Calistrat Costin men\u0163ioneaz\u0103: <em>\u2026 Registrul este amplu, cartea se cere \u00een\u0163eleas\u0103 cu creionul \u00een m\u00e2n\u0103, Calcan gl\u0103suie\u015fte grav despre multe lucruri sfinte, depl\u00e2ng\u00e2nd ,,surogatul de libertate\u201d alter\u00e2ndu-ne sentimentele, \u201cproiectele de viitor\u201d \u2013 \u201clibertatea ca un plagiat\u201d \u00eencurc\u00e2ndu-ne g\u00e2ndurile. Ce-i de f\u0103cut? (\u2026) Discurs, diserta\u0163ie, demonstra\u0163ie, specula\u0163ii pe seama labirintului naturii umane (\u201cc\u0103ut\u00e2nd \u00eenfrigurat idealul \u00eemi dau seama c\u0103 el nu exist\u0103\u201d) atest\u0103 p\u00e2n\u0103 \u00een final un om \u00eentrist\u0103tor, nepreacomod dar plin de miez \u00een rostirile \u015fi t\u0103cerile sale\u2026 Privirea \u00eenl\u0103untrul propriu (autocritic\u0103?!) vine s\u0103 nelini\u015fteasc\u0103 pe scribul pestesexagenar nemul\u0163umit parc\u0103 de lucrarea sa de p\u00e2n\u0103 acum: ,,\u0219i dup\u0103 treizeci de ani de crea\u0163ie opera mea de-abia dac\u0103 poate s\u0103-nceap\u0103\u201d!<\/em><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/03\/23-2-e1647718203930.jpg\" data-rel=\"lightbox-image-11\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-17588 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/03\/23-2-209x300.jpg\" alt=\"\" width=\"209\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 209px; --smush-placeholder-aspect-ratio: 209\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-17588\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/03\/23-2-209x300.jpg\" alt=\"\" width=\"209\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Iulian Moreanu<\/strong>, <em>Povestiri cu un copil, Funda\u0163ia Cultural\u0103 Antares, Gala\u0163i, 2015<\/em>, 171 p. \u015ei iat\u0103 c\u0103 Iulian Moreanu \u015fi-a adunat \u00eentr-o carte povestirile cu un copil, risipite, de c\u00e2\u0163iva ani buni, prin paginile revistelor Spa\u0163ii culturale \u015fi Revista nou\u0103. A\u015fa c\u0103 au fost reunite toate cele 21 de povestiri, de la <em>Prima povestire cu un copil<\/em> la <em>Ultima povestire cu un copil<\/em>. Pe pia\u0163a literar\u0103 din Rom\u00e2nia se impunea apari\u0163ia unei astfel c\u0103r\u0163i. Pentru c\u0103, adev\u0103r spune \u015etefan Ion Ghilimescu, pe coperta a patra a c\u0103r\u0163ii: .<em>.. Prozator de cert\u0103 \u00eenzestrare, av\u00e2nd \u00een s\u00e2nge codul meseriei de povestitor modern \u015fi elegan\u0163a expresiei, \u00eentr-o vreme \u00een care proza scurt\u0103 pare a fi ie\u015fit din mod\u0103, Iulian Moreanu este unul dintre cei mai \u00eendrept\u0103\u0163i\u0163i ap\u0103r\u0103tori ai genului.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nicolai T\u0102ICU\u0162U Raftul cu c\u0103r\u021bi Doina Cernica, Dany-Madlen Z\u0103rnescu, Gr\u0103dinile m\u0103n\u0103stirii &#8211; cu reproducerea unor lucr\u0103ri de Dany-Madlen Z\u0103rnescu \u015fi<\/p>\n","protected":false},"author":18,"featured_media":10070,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"ngg_post_thumbnail":0,"video_url":"","footnotes":""},"categories":[7,328],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/17576"}],"collection":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=17576"}],"version-history":[{"count":3,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/17576\/revisions"}],"predecessor-version":[{"id":17591,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/17576\/revisions\/17591"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/media\/10070"}],"wp:attachment":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=17576"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=17576"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=17576"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}