{"id":17368,"date":"2022-03-02T18:56:28","date_gmt":"2022-03-02T15:56:28","guid":{"rendered":"https:\/\/ziarulderimnic.ro\/?p=17368"},"modified":"2022-03-03T15:44:00","modified_gmt":"2022-03-03T12:44:00","slug":"spatii-culturale-nr-42-10-2","status":"publish","type":"post","link":"https:\/\/ziarulderimnic.ro\/?p=17368","title":{"rendered":"Spa\u021bii culturale nr. 42 (10)"},"content":{"rendered":"<p><strong>Sorin C\u0102LIN<\/strong><br \/>\n<a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2016\/02\/Mobile.jpg\" data-rel=\"lightbox-image-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-2977 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2016\/02\/Mobile-300x292.jpg\" alt=\"\" width=\"300\" height=\"292\" data-srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2016\/02\/Mobile-300x292.jpg 300w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2016\/02\/Mobile.jpg 329w\" data-sizes=\"(max-width: 300px) 100vw, 300px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 300px; --smush-placeholder-aspect-ratio: 300\/292;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-2977\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2016\/02\/Mobile-300x292.jpg\" alt=\"\" width=\"300\" height=\"292\" srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2016\/02\/Mobile-300x292.jpg 300w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2016\/02\/Mobile.jpg 329w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/noscript><\/a><\/p>\n<p><strong>Z\u0103ng\u0103nele <\/strong><\/p>\n<p><strong>33. Jurnal de patimi <\/strong><\/p>\n<p>S\u0103pt\u0103m\u00e2na asta m-am min\u021bit c\u0103 nu voi pregeta s\u0103-mi sacrific toate puterile pe altarul crezului muzical \u0219i c\u0103 voi mai scoate din ad\u00e2ncurile c\u0103ilor mele auditive o p\u0103rticic\u0103, fie c\u00e2t de mic\u0103, cu scorneli cantabile. M-am min\u021bit c\u0103 sunt cineva \u0219i v-am \u00een\u0219elat \u0219i pe voi.<br \/>\nP\u0103c\u0103tosul din mine n-ar fi \u00een stare s\u0103 calce prag de biseric\u0103, dar s\u0103rutai crucea \u0219i primii ploaia de pic\u0103turi de busuioc acas\u0103, cam tocit s\u0103rmanul de at\u00e2ta \u00eenmiresmare de enoria\u0219i, cu numele, fiindc\u0103 eu cu anafora \u0219i s\u00e2ngele lui Iisus nu mai avem treab\u0103 de mult. Pesmetul l-am uitat \u00een armat\u0103, vini\u0219orul st\u0103 doar de bibelou \u00een vitrin\u0103. A f\u0103cut 20 de ani.<br \/>\nRecunosc a suta oar\u0103 c\u0103 nu pot fi \u00een r\u00e2nd cu oamenii. Nu-mi st\u0103 \u00een fire s\u0103 fur, ba chiar am meteahna de a fi corect p\u00e2n\u0103 la ultima le\u021bcaie. C\u00e2t m-am str\u0103duit n-am putut r\u0103zbate dincolo de grani\u021ba muncitorului.<br \/>\nM\u0103rturisesc c\u0103 m-a\u0219 putea st\u0103p\u00e2ni \u00een fa\u021ba incorectitudinii, dar firea mea coleric\u0103 d\u0103 fr\u00e2u imediat puhoaielor de cuvinte, nu totdeauna potrivite, nu totdeauna conforme cu vocabularul \u0219i cu adev\u0103rat vulgare. Am \u00eenjurat niscai p\u0103rin\u021bi neglijen\u021bi cu odraslele \u0219i de mam\u0103, \u0219i de tat\u0103.<br \/>\nAp\u0103r\u0103, Doamne, ochiul adulter \u0219i trimite ar\u0219i\u021ba sufletului preacurvit \u00een h\u0103urile Gheenei \u0219i \u00eentoarce-\u021bi chipul c\u0103tre robul t\u0103u nedemn! Pe mine m-a ferit.<br \/>\nAlung\u0103 din mine patima furiei, a \u00eencord\u0103rii de nerv \u0219i \u00eensenineaz\u0103 chipul \u00eencruntat \u00een fa\u021ba sup\u0103r\u0103rii. Vindec\u0103 sufletul r\u0103nit!<br \/>\nAm g\u00e2nduri negre c\u00e2nd \u00eenchid ochii \u0219i nu pot defel adormi. Ur\u00e2te, neomene\u0219ti.<br \/>\nSunt lene\u0219. Las lucrurile de pe o zi pe alta \u0219i s-au cam \u00eenmul\u021bit \u00een ultima perioad\u0103.<br \/>\nAm observat, de mai de mult, c\u0103 sunt \u0219i prost. Adic\u0103 nu de\u0219tept. Descop\u0103r, pe m\u0103sur\u0103 ce timpul meu se scurge \u00eencet, c\u0103 lipsurile mele intelectuale sunt vaste. Probabil c\u0103 aici are dreptate \u0219i so\u021bia. Degeaba ai trei sinapse de acela\u0219i fel \u0219i miliarde de conexiuni, sunt mai pu\u021bine dec\u00e2t cinci cu func\u021bii diferite. Aici trebuie s\u0103 fiu de acord cu ea.<br \/>\nAm \u00eenceput s\u0103 nu-i mai suport u\u0219or pe cei din jurul meu. S\u0103 fie din cauz\u0103 c\u0103 m-am trezit \u00een prag de final de tinere\u021be c\u0103 nu \u0219tiu mai nimic despre via\u021b\u0103, despre mersul ei, bizar pentru mine, despre legile \u0219i cutumele tuturor?<br \/>\nN-a c\u00e2ntat coco\u0219ul m\u0103car o dat\u0103 \u0219i eu m-am dezis de R\u0103duleasca \u0219i Nane, de Freddy \u0219i George, de&#8230; Gomora m\u0103-sii! M-am dezis de to\u021bi libertinii, democri\u021bii, partidacii, procuratorii, jurispruden\u021bele, organigramele \u0219i legifer\u0103rile.<br \/>\nAlung\u0103 himera societ\u0103\u021bii perfecte, e ochiul naibii. Las\u0103-m\u0103 cu creierii limpezi, ca lacrima, f\u0103-m\u0103 Doamne cel dint\u00e2i t\u0103nt\u0103l\u0103u, \u0103l din coad\u0103 om. A\u0219a n-ar mai cuteza ispita s\u0103-mi dea t\u00e2rcoale \u0219i s\u0103 v\u0103d toate str\u00e2mb\u0103turile lumii.<br \/>\nMi-am f\u0103cut portret \u0219i \u00een fiecare zi privesc eu spre mine ca la nimeni altul. Z\u0103u c\u0103-mi vine s\u0103-mi dau like, c\u0103 frumos m-a mai f\u0103cut mama. P\u0103i dac\u0103 eu nu \u021bin la mine, la altul cum? Mi-a spus mie cineva, om cu fric\u0103 de tine, Doamne, c\u0103 \u00eent\u00e2i s\u0103 m\u0103 rog de s\u0103n\u0103tatea mea \u0219i dup\u0103 aceea pentru ceilal\u021bi. Eu, neini\u021biatul \u00een tainele Tale, fac taman pe dos. Prima oar\u0103 \u00eei iau pe to\u021bi ai mei la urat \u0219i dac\u0103 mai r\u0103m\u00e2ne \u0219i pentru mine un dram de bun\u0103tate mi-o \u00eempart, dar, de cele mai multe ori, uit. A\u0219a-i c-am gre\u0219it?<br \/>\nNici la capitolul lu\u0103rii de via\u021b\u0103 nu stau deloc bine. Am c\u0103lcat o furnic\u0103, am strivit de perete un p\u0103ianjen \u0219i am executat o musc\u0103 \u00een stil chis\u0103li\u021b\u0103. M\u0103 pot a\u0219eza a\u0219adar \u00eentre criminali, nu \u00eentre \u0103ia mari, n-am eu haz s\u0103 tai pensii, s\u0103 iau ajutorul celor cu dizabilit\u0103\u021bi, nici \u0219ofer nu sunt ca s\u0103 fac de petrecanie vreunui biet participant nevinovat la trafic. Am c\u0103lcat toate cele zece porunci \u00een S\u0103pt\u0103m\u00e2na mare. Cu g\u00e2ndul. M\u0103 iart\u0103&#8230;<\/p>\n<p>35.<\/p>\n<p>Mi-ar trebui \u00eenc\u0103 o \u0219coal\u0103, m\u0103car vreo c\u00e2teva cursuri, despre cum sunt ceilal\u021bi oameni \u00een raport cu mine. Tot ce am \u00eenv\u0103\u021bat se vede c\u0103 nu face nici trei parale.<br \/>\nPrimul curs ar trebui s\u0103 fie despre capitalism. Despre r\u0103d\u0103cinile lui, despre felul \u00een care se face capitalul, de unde \u0219i cum se porne\u0219te antreprenoriat, cum se \u00eentre\u021bine o afacere, cum se dezvolt\u0103 \u0219i c\u00e2nd se poate declara falimentul. Am auzit eu c\u0103 s-a introdus printre materiile actuale, dar vreau \u0219i eu s\u0103 particip la o astfel de or\u0103. De mine \u0219i de cei mai \u00een v\u00e2rst\u0103 ca mine a uitat societatea asta la care \u0219i eu, \u0219i ei suntem coparticipan\u021bi, ni se cere s\u0103 fim perfect legali, model pentru genera\u021biile din urm\u0103, dar modelul nostru este at\u00e2t de perimat, at\u00e2t de nepracticabil pe pia\u021ba noilor concep\u021bii, \u00eenc\u00e2t e\u0219ecul nostru era evident \u00eenc\u0103 de la primele ore de libertate \u0219i trecere la un alt fundament economic, cel dup\u0103 care se ghideaz\u0103 o societate capitalist\u0103.<br \/>\nUnii spun c\u0103 a\u0219a func\u021bioneaz\u0103 \u00eenc\u0103 de la apari\u021bia omului acest mod de conduit\u0103 centrat pe bani. Produci \u0219i c\u00e2\u0219tigi, vinzi \u0219i&#8230;. N-o s\u0103 fac apologia comunismului, n-ar avea sens. Ce idiot ar da parte din averea lui, agonisit\u0103 oricum, \u0219i ar pune-o la comun cu un \u0219chiop, un chior, un mut, un analfabet, un ho\u021b de buzunare, o s\u0103r\u0103cie, un \u021bigan, un jegos, o piticanie, un mincinos, un lene\u0219, un cer\u0219etor, un b\u0103tr\u00e2n? Nimeni din ziua de azi! Fiecare pe palierul lui \u00eemparte dreptatea \u0219i dreptul la supravie\u021buire. Cer\u0219etorii au un staroste, \u021biganii un buliba\u0219\u0103 de cartier, mu\u021bii un \u0219ef de asocia\u021bie, ho\u021bii cel pu\u021bin un partener de g\u0103in\u0103rii (varianta slim sau Rock, varianta uria\u0219\u0103), lene\u0219ii \u00ee\u0219i g\u0103sesc \u0219i ei un tovar\u0103\u0219 cu care s\u0103 se afilieze la a nu face nimic, b\u0103tr\u00e2neii se str\u00e2ng \u0219i ei pe l\u00e2ng\u0103 cine d\u0103 mai mult, iar mincino\u0219ii circul\u0103 nestingheri\u021bi, nelegitima\u021bi. \u0218i cum minciuna nu se pedepse\u0219te, trece drept nevinovat\u0103 pe l\u00e2ng\u0103 urechile noastre slobode, iat-o \u00een fruntea tuturor.<br \/>\nFluturat\u0103 ca fantasm\u0103, ca posibil\u0103 realitate, ca mijloc de ap\u0103rare, ca scuz\u0103, ca pretext, ca stindard mediatic \u0219i cu scop electoral. Ultima gogoa\u0219\u0103 servit\u0103 a fost slogan pentru mul\u021bi \u00eembrobodi\u021bi, aceia\u0219i care mai gustaser\u0103 din ingredientele ei \u0219i ani \u00een urm\u0103. Unii au fost p\u0103c\u0103li\u021bi de st\u00e2nga, al\u021bii de dreapta, o parte de centru, iar restul de entuziasmul unor i\u021bi\u021bi pe fondul ciolanului sau f\u00e2\u0219iilor de carne care s-ar fi prelins de la marii \u00eenfrupta\u021bi din el. Privind \u00een urm\u0103 afi\u0219ul elector mai c\u0103 te pufne\u0219te r\u00e2sul. Degete mari ridicate \u00een semn de ,,e \u00een regul\u0103&#8221;, \u00een jos, cu semnul victoriei, atotcuprinz\u0103toare bra\u021be, cu pozi\u021bie de Hamangia, \u00een tandem cu altele, \u00een toate modurile publicitare posibile. S\u0103 facem, am f\u0103cut, s\u0103 d\u0103m jos, s\u0103 urc\u0103m, cu lumin\u0103, cu trimitere \u00een \u00eentuneric, \u0219i pe cal \u0219i perpedes, \u0219i pe drum \u0219i pe l\u00e2ng\u0103, cu ochelari \u0219i f\u0103r\u0103, cu cravat\u0103 ori papion, b\u0103tr\u00e2ni \u00een\u021belep\u021bi sau tineri arogan\u021bi, doc\u021bi \u0219i t\u0103l\u00e2mbi de-a dreptul. Despre cuvintele de \u00eenso\u021bire nici nu mai este nevoie s\u0103 mai amintesc, ultima minciunic\u0103 extras\u0103 din urna de vot v-a dat \u021bara \u00eenapoi.<br \/>\nO scurt\u0103 interpretare, pur rom\u00e2neasc\u0103. Dac\u0103 ea ar fi fost furat\u0103, c\u00e2\u0219tigat\u0103 prin lupt\u0103 de c\u0103tre al\u021bii, supus\u0103, \u0219i actul electoral printr-un ,,Cuza&#8221; sau ,,Mihai Viteazul&#8221;, nu de Rom\u00e2nia, aducea administrativ \u00eenapoi cet\u0103\u021benilor fr\u00e2iele conducerii, era corect, enun\u021bul pertinent. Dar care supunere? \u021aara, ca s\u0103 n-o mai numesc patrie \u0219i mai bine \u00eei spun stat, nu cedase din suveranitate nim\u0103nui. Acest ra\u021bionament face demonstra\u021bia, de copil de cinci ani, c\u0103 vi s-a servit o gogom\u0103nie. S\u0103 acord totu\u0219i o circumstan\u021b\u0103 atenuant\u0103 \u0219i s\u0103 mai las loc unei posibilit\u0103\u021bi de comentat. S\u0103 presupunem totu\u0219i c\u0103 hegemonia Europei, USA \u0219i fondurilor monetare asupra conducerilor, aten\u021bie, \u0219i nu asupra poporului de r\u00e2nd, reprezint\u0103 o form\u0103 de vasalitate. Precizeaz\u0103 enun\u021bul primordial, adaug\u0103 oare c\u0103 vrem s\u0103 rupem leg\u0103turile, de altfel clamate ca necesare \u0219i care nu import\u0103 o pozi\u021bionare inferioar\u0103, relev\u0103 chiar un parteneriat str\u00e2ns, cu Uniunea European\u0103, cu Nato, cu Fondul Monetar Interna\u021bional? Nu. Deci nici aceast\u0103 cale de g\u00e2ndire nu aprob\u0103 aceast\u0103 fost\u0103 c\u00e2\u0219tig\u0103toare lozinc\u0103.<br \/>\nLa ce se referea atunci? La faptul c\u0103 ar putea stopa v\u00e2nz\u0103rile de buc\u0103\u021bi din \u021bar\u0103 str\u0103inilor? N-ar \u021bine. Din moment ce-ai legiferat aceste tranzac\u021bii, anularea lor este aproape imposibil\u0103. La faptul c\u0103 popula\u021bia migratoare spre Italia, Spania, Fran\u021ba, Anglia \u0219i Germania ar putea reveni \u00een locurile de ba\u0219tin\u0103? Nu. Cine s-ar mai \u00eentoarce la i\u021bari \u0219i opinci, la broboade \u0219i fuste negre, la c\u0103ru\u021b\u0103 \u0219i cal? Nimeni.<br \/>\nEu bag seam\u0103 c\u0103 a vorbit pentru sine, a\u0219a cum fac to\u021bi fripturi\u0219tii. Profesora\u0219ul se viseaz\u0103 academician, prostul de\u0219tept, ho\u021bul poli\u021bist \u0219i judec\u0103tor, s\u0103racul bogat, fudulul vrea mul\u021bimi care s\u0103-l preasl\u0103veasc\u0103, lene\u0219ul &#8211; tron de \u00eemp\u0103rat, egoistul \u2013 post de pre\u0219edinte. Iat\u0103 prima lec\u021bie de capitalism rom\u00e2nesc.<\/p>\n<p><strong><br \/>\nVasile GHICA <\/strong><br \/>\n<a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/09\/s.jpg\" data-rel=\"lightbox-image-1\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-10471 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/09\/s.jpg\" alt=\"\" width=\"178\" height=\"267\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 178px; --smush-placeholder-aspect-ratio: 178\/267;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-10471\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/09\/s.jpg\" alt=\"\" width=\"178\" height=\"267\" \/><\/noscript><\/a><\/p>\n<p><strong>PERDAFURI<\/strong><\/p>\n<p>\u00cen art\u0103 e ca \u00een politic\u0103. M\u00e2njii care trop\u0103ie prin grajduri vor s\u0103 ajung\u0103 c\u00e2t mai repede pe hipodrom.<br \/>\nPrincipala preocupare a scriitorului consacrat e s\u0103 uite c\u0103 a fost debutant.<br \/>\nHrana te ajut\u0103 s\u0103 tr\u0103ie\u0219ti. Arta \u00ee\u021bi spune \u0219i de ce s\u0103 o faci.<br \/>\nReceptarea artei func\u021bioneaz\u0103, de c\u00e2nd lumea, \u00een sistem zigurat. Consumatorul urc\u00e2nd p\u00e2n\u0103 unde \u00eel \u021bine cureaua.<br \/>\nCapodoperele se h\u00e2rjonesc \u00een voie prin arterele timpului.<br \/>\nTo\u021bi creatorii de art\u0103 se cred r\u0103stigni\u021bi pe catapeteasma ve\u0219niciei.<br \/>\nArti\u0219tii de ast\u0103zi par tot mai\u2026 viola\u021bi de soart\u0103.<br \/>\nTestamentar, arti\u0219tii las\u0103 c\u00e2te o ultim\u0103 zicere, care sper\u0103 s\u0103 ajung\u0103 celebr\u0103. \u0218i multe datorii\u2026 financiare.<br \/>\nProbabil c\u0103 arta ne-a dat jos din copaci. Iar absen\u021ba ei ne va readuce la\u2026 \u00een\u0103l\u021bimile pierdute.<br \/>\nUnele genera\u021bii de poe\u021bi par ie\u0219ite din co\u0219ul de h\u00e2rtii al \u00eenainta\u0219ilor.<br \/>\n\u00cen gena crea\u021biei, Dumnezeu pune harul, iar Necuratul &#8211; neast\u00e2mp\u0103rul.<br \/>\nRespectarea m\u0103surii te ajut\u0103 s\u0103 devii mediocru. Pentru geniu este nevoie \u0219i de pu\u021bin\u0103 sminteal\u0103.<br \/>\nArti\u0219tii se consider\u0103 vulturi. De aceea nu pot tr\u0103i \u00een stoluri, ca vr\u0103biile.<br \/>\nOrice ramur\u0103 a artei are c\u00e2te o st\u00e2nc\u0103 Tarpeian\u0103, de pe care timpul deverseaz\u0103 nonvalorile.<\/p>\n<p><em><strong><br \/>\nC\u0103r\u021bi prezentate de: <\/strong><\/em><\/p>\n<p><strong>Adrian BOTEZ<\/strong><br \/>\n<a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/09\/botez-e1600891694364.jpg\" data-rel=\"lightbox-image-2\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-10875 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/09\/botez-252x300.jpg\" alt=\"\" width=\"252\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 252px; --smush-placeholder-aspect-ratio: 252\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-10875\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/09\/botez-252x300.jpg\" alt=\"\" width=\"252\" height=\"300\" \/><\/noscript><\/a><\/p>\n<p>NOUL ,,COCON\u201d MESIANIC \u0218I ALCHIMISTUL-POET: ,,NOUS\u201d, de LIVIU IOAN STOICIU<\/p>\n<p>Poezia lui LIS (,,Floarea Crinului Regal-Bourbonic\u201d! \u2013 deci, se prezum\u0103 \u0219i oarece Ini\u021biere, con\u0219tient\u0103 au ba, \u00een Arta Regal\u0103\/ ALCHIMIA!) este \u00een aten\u021bia subsemnatului \u00eenc\u0103 dinainte de 1989, iar dup\u0103 1989, prin generozitatea autorului (care mi-a d\u0103ruit cam toate volumele sale editate), am putut urm\u0103ri, f\u0103r\u0103 lacune, eclipse, ori opinteli prea mari &#8211; \u00eentreaga sa crea\u021bie poetic\u0103. Nu \u0219i pe cea \u00een proz\u0103.<br \/>\n\u00cen recenzia subsemnatului, la volumul lui LIS, Substan\u021be interzise, afirmam, acum c\u00e2\u021biva ani:<br \/>\n,,Dup\u0103 Poemul animal (C\u0103l\u0103uza, 2000), pe care l-am considerat, \u00een mod constant, volumul de cotitur\u0103 al lui LIVIU IOAN STOICIU \u2013 volum \u00een care, pentru prima oar\u0103, se produce ruptura, ferm\u0103 \u0219i definitiv\u0103, de orice form\u0103 de postmodernism sau de personalism implicit &#8211; poetul adjudean \u00ee\u0219i \u00eencearc\u0103, cu scepticism \u0219i luare-aminte, c\u0103ile de evolu\u021bie ulterioar\u0103. Volumele La plecare (Editura Vinea, 2003), pam-param-pam (Editura Muzeul Literaturii Rom\u00e2ne, 2006), sau Pe prag\/Vale-Deal (Editura Cartea Rom\u00e2neasc\u0103, 2010) pot fi \u00eenscrise, f\u0103r\u0103 mari dificult\u0103\u021bi de clasificare, \u00een neomodernismul metafizic (\u00een care locul \u201etrecutului exemplar\u201d istorico-terestru este luat de copil\u0103rie, ca stare de exemplaritate, t\u00e2njind dup\u0103 originaritate) \u2013, ba chiar anun\u021b\u0103 glisarea spre un trasmodernism prudent. \u00cen schimb, cel mai recent ap\u0103rut volum, Substan\u021be interzise, se \u00eenscrie, f\u0103r\u0103 dubiu \u0219i definitiv, probabil &#8211; \u00een transmodernismul liminal\u201d.<br \/>\nNoul volum, Nous (grecii traduc cuv\u00e2ntul acesta vechi prin minte, inteligen\u021b\u0103, ra\u021biune &#8211; dar, mai cu seam\u0103, prin no\u021biunea de cunoa\u0219tere\/cunosc\u0103tor), demonstreaz\u0103, cu prisosin\u021b\u0103, c\u00e2t de vii sunt Poe\u021bii autentici.<br \/>\nDe la \u00eenceput, spunem: volumul este inegal valoric. Nu urm\u0103re\u0219te, nicio clip\u0103, orfismul exterior \u0219i nici m\u0103car pe cel interior. Nu toate poemele volumului pe care \u00eel am \u00een fa\u021b\u0103 sunt des\u0103v\u00e2r\u0219ite structural, nici limbajul poetic nu este la fel de supravegheat, cum la anterioarele 6-7 volume de poezie\u2026 Dar aceste a\u0219a-zise ,,deficien\u021be\u201d sunt compensate, din plin, prin\u2026CU TOTUL ALTCEVA-ul LIS! Cu volumul Nous s-a n\u0103scut, ,,s-a re-inventat\u201d, ca Om \u0219i Duh terestru (oare pentru a c\u00e2ta oar\u0103?) UN NOU LIS. Av\u00e2nd cu totul alte viziuni \u0219i perspective mundan-existen\u021biale \u2013 precum \u0219i cu totul alte urgen\u021be valorice \u0219i acte taumaturgico-soteriologice.<br \/>\nVolumul are trei p\u0103r\u021bi:<br \/>\n1-O mers c\u00e2nd dincoace, c\u00e2nd dincolo (regionalismul-moldovenismul verbal ,,o mers\u201d (\u00een loc de \u201ca mers\u201d) este, poate, o cheie semantic\u0103 a volumului, pentru cititorul care lectureaz\u0103, integral, volumul! \u2013 ,,Moldavia Sacra\u201d fiind sub patronajul lui Venus-Parascheva, al Verdelui Regenerator \u2013 iar ,,O\u201d fiind Icoana Ouroboros-ului\/Demiurg Cosmic!),<br \/>\n2-Jurnal Nous \u2013 \u00een care LIS \u00ee\u0219i strecoar\u0103 ,,scuzele\u201d, fa\u021b\u0103 de cititor, \u00een rela\u021bie cu scrisul s\u0103u cel NOU (cuv\u00e2ntul ,,nous\u201d\u2026rom\u00e2nit esen\u021bial!), scris stoician devenit, dintr-odat\u0103, ciudat de r\u0103stignit-contorsionat (Poezia din acest volum se folose\u0219te, paradoxal, de ,,protezele\u201d pseudo-prozei confesive, spre a-\u0219i r\u0103scump\u0103ra aripile metafizice!)\u2026,<br \/>\n3-Fiecare lucru are r\u00e2nduiala sa\u2026 &#8211; LIS nu-\u0219i poate p\u0103r\u0103si, cu niciun pre\u021b, \u00een\/din nicio lume, Utopia Logos-ului: ,,Dac\u0103 el nu vrea, apoi, \u00eel vom sili NOI (care ne tragem din NOUS!), pe ,,domnul\u201d Logos, s\u0103 redevin\u0103 func\u021bional-soteriologic, RE-ORDONATOR DE LUME!\u201d \u2013 pare c\u0103 ne comunic\u0103 Poetul-LIS.<br \/>\n,,O istorie. P\u00c2N\u0102 SE RESTAUREAZ\u0102 ORDINEA\u201d (s. mea) \u2013 cf. \u00centr-un bordei p\u0103r\u0103sit, p. 18. S\u0103 nu uit\u0103m c\u0103 \u201cbordeiul\u201d, \u00een literatura rom\u00e2n\u0103, \u00eenc\u0103 de la Mihail Sadoveanu (cf. Hanu Ancu\u021bei \u2013 Istorisirea Zahariei F\u00e2nt\u00e2narul, cea de-a noua povestire mistic-extatic-ini\u021biatic\u0103), este simbolul ,,Cuptorului Alchimic\u201d \u2013 \u00een care, trec\u00e2nd materia grosolan-istoric\u0103, prin stadiile cele trei: nigredo, albedo, rubedo \u2013 Trupul-\u00centunecat-\u00eentru-Fier (\u00eentru Sf\u00e2r\u0219itul-Amurgul Zeilor \u0219i Kali Yuga!) &#8211; se trasfigureaz\u0103\/transcende \u00een Duhul-AUR SPIRITUAL!<br \/>\n*<br \/>\nDac\u0103 LIS din ultimele 6-7 volume voia, se \u00eenc\u0103p\u0103\u021b\u00e2na s\u0103 vrea a cosmiciza lumea, dac\u0103 spa\u021biul valah \u0219i-l dorea, cu eforturi anamnezice uluitoare, ca fiind Spa\u021biul Ritualului Soteriologic (\u2026iar poemul-incipit al volumului de fa\u021b\u0103, R\u0103ul, p. 7, este, de fapt, o capcan\u0103 poetic\u0103, cre\u00e2nd, \u00eentru fals\u0103 continuitate cu trecute volume, impresia c\u0103 \u201cbunicul\u201d mort, venit \u00eenapoi \u00een istorie, pentru a-\u0219i da singur de poman\u0103, dore\u0219te s\u0103 re-instaureze iluzia Ritualismului Lumii, \u00eentr-un spa\u021biu al Ne-Buniei Uituce de Sine : ,,Iaca, \u00eempart, \u00een st\u00e2nga \u0219i \u00een dreapta,\/dau de poman\u0103, c\u0103 ai mei m-au uitat\u201d\u2026!) &#8211; \u2026ei bine, LIS din volumul Nous este un Damnat Legic \u0219i Hiperlucid. Adagiul camilpetrescian ,,C\u00e2t\u0103 luciditate, c\u00e2t\u0103 con\u0219tiin\u021b\u0103 pur\u0103, at\u00e2ta dram\u0103\u201d se poate transforma, prin noul volum stoician, \u00eentr-o altfel de formulare a noii realit\u0103\u021bi \u0219i a noilor poten\u021be spirituale: ,,C\u00e2t\u0103 luciditate auto-r\u0103stignit\u0103, tot at\u00e2ta putere de exorcizare a realit\u0103\u021bii, de desc\u00e2ntec \u00eentru \u00eentoarcere a omenirii, la ORIGINARITATE \u0219i NORMALITATE\u201d.<br \/>\nC\u0103ci am \u00eenceput, de mult, s\u0103 ni le uit\u0103m, sau s\u0103 le p\u0103r\u0103sim derizoriului diavol &#8211; ,,matri\u021bele\/ matricele normalit\u0103\u021bii\u201d fiin\u021bial-existen\u021biale: ,,Diavolul \u00een persoan\u0103 cer\u00e2ndu-ne\/s\u0103 fim umili, s\u0103 st\u0103m\/lini\u0219ti\u021bi \u00een col\u021bul nostru \u0219i &lt;&lt;s\u0103 nu ne ocup\u0103m de nimic\/deosebit, c\u0103 se ocup\u0103 el&gt;&gt;\u2013 dintr-o\/\/ sil\u0103 de toate, r\u0103ma\u0219i f\u0103r\u0103 suflet, matri\u021be, numai piele\/ \u0219i os, matri\u021be umplute de vr\u0103jitoare cu\/apa de la mor\u021bi\u201d \u2013 cf. Matri\u021be, p. 19.<br \/>\nRefuz\u00e2nd, cu exasperare, dar \u0219i cu un soi de furor sacer, umilin\u021ba \u0219i lini\u0219tea, oarbe \u0219i comode &#8211; LIS \u00ee\u0219i \u00eenv\u0103luie persoana androginic\u0103-Nous (persoan\u0103 volitiv-cunosc\u0103toare \u0219i, concomitent, mefient\u0103 \u0219i retractil\u0103, fa\u021b\u0103 de obiectul cunoa\u0219terii: LUMEA CONTEMPORAN\u0102!) &#8211; ascunz\u00e2ndu-se\/ ap\u0103r\u00e2ndu-se (prin revelarea terorii mon\u0219trilor istoriei!), de timpul\/ contemporaneitate\/ istorie. Se ascunde, precum larva viitorului FLUTURE, \u00een ,,zeci de metri de p\u00e2nz\u0103\u201d, ca ,,mumie\u201d: \u201c\u00cenf\u0103\u0219urat\u0103 \u00een p\u00e2nz\u0103 de umezeal\u0103, \u00een\/ zeci de metri de p\u00e2nz\u0103, mumie: m\u0103 sperii, cucoan\u0103,\/ nu te sufoci? Scoate m\u0103car capul \u2013 nu\/\/ scot nimic, voi sunte\u021bi to\u021bi\/ ni\u0219te porci, codo\u0219i, sp\u0103rg\u0103tori, cu\u021bitari, c\u0103rora\/ dac\u0103 li te ar\u0103\u021bi, p\u0103lit\u0103, trecut\u0103,\/ te arunc\u0103 pe u\u0219a c\u00e2rciumii: c\u0103 s\u0103 mergi s\u0103-i \u00eenso\u021be\u0219ti\/ \u00een viitor pe cei deceda\u021bi. Sunt\/ p\u0103\u021bit\u0103, stau preg\u0103tit\u0103, \u00eenf\u0103\u0219urat\u0103 \u00een p\u00e2nz\u0103, dat\u0103\/ cu mirodenii \u2013 un vestigiu\/\/ al unei antichit\u0103\u021bi de senza\u021bie, cu limba de plasm\u0103. Cu\/ sim\u021bire tainic\u0103.\/ Nous\u201d \u2013 cf. Nous, p. 15.<br \/>\nDe observat cum \u201ccucoana\u201d (de fapt, ,,COCONUL\u201d androginic, CRISALIDA!) \u00ee\u0219i fere\u0219te propria istorie (,,p\u0103lit\u0103, trecut\u0103\u201d) de istoria comun\u0103, precum Stan P\u0103\u021bitul-Ini\u021biatul \u2013 de fapt, istorie dec\u0103zut\u0103 \u00eentr-un nou soi de comunism planetar, cel pu\u021bin la fel de pestilen\u021bial \u0219i de violent, precum cel \u201cantedecembrist\u201d: lumea este dec\u0103zut\u0103 p\u00e2n\u0103 la ,,halul-rangul antispiritual\u201d de ,,C\u00c2RCIUM\u0102-MAHALA\u201d, iar locuitorii ei formeaz\u0103 o popula\u021bie stranie, resping\u0103toare \u0219i de respins, \u00een cazul oric\u0103rui ini\u021biat \u00eentru \u201cdecen\u021ba antichit\u0103\u021bii de senza\u021bie, cu limba de plasm\u0103. Cu\/ sim\u021bire tainic\u0103\u201d \u2013 adic\u0103, ,,vestigiu al unei antichit\u0103\u021bi\u201d p\u0103str\u0103toare de Mistic\u0103 a Duhului. Pentru c\u0103 este vorba, \u00een cazul ispititorilor ,,ie\u0219irii din nevedere\/ din mistica istoriei personalizate\u201d &#8211; nu de un popor, ci de o popula\u021bie saturnian-entropic\u0103, pus\u0103, egal, sub semnul Porcului \u0219i al Cu\u021bitului \u2013 dar, mai cu seam\u0103, al Tr\u0103d\u0103rii, Distrugerii \u0219i al PL\u0102CERII\/DESF\u0102T\u0102RII HAOSULUI\/\u00ceNTRU HAOS \u2013 o popula\u021bie ,,familiarizat\u0103 cu r\u0103ul\u201d (cf. Ia \u0219i gust\u0103, p. 22): ,,voi sunte\u021bi to\u021bi\/ ni\u0219te porci, codo\u0219i, sp\u0103rg\u0103tori, cu\u021bitari\u201d.<br \/>\nManifest\u0103rile violen\u021bei gratuite, absurde, uciga\u0219e \u0219i sinuciga\u0219e, totdeodat\u0103, ale lumii (aparent real-istoric\u0103 &#8211; \u00een realitate, iluzorie, precum este ori\u0219ice Consecin\u021b\u0103 Penal\u0103 a C\u0103derii!) nu doar abund\u0103, ci tind s\u0103 inunde (evident, la modul ludico-vampiric!) chiar Arca Credin\u021bei Vizionare \u0219i a Eros-ului Cosmic (,,Am un topor ascu\u021bit!\/ Dar ce, cu\u021bitul de la buc\u0103t\u0103rie nu ajunge?\/ Dup\u0103 ce-\u021bi tai g\u00e2tul, umplu un lighean cu s\u00e2nge \u0219i-l\/ beau \u00eencetul cu \u00eencetul\u2026\u201d \u2013 cf. Doi tembeli, p. 10)\u2026 &#8211; \u2026 dar, fire\u0219te, vorba Paracelsus-ului borges-ian : \u201eCrezi, oare, c\u0103 e cu putin\u021b\u0103 s\u0103 trimi\u021bi ceva \u00een neant? (&#8230;) Crezi, oare, c\u0103 divinitatea putea s\u0103 creeze un spa\u021biu care s\u0103 nu fie Paradisul? Crezi, oare, c\u0103 pr\u0103bu\u0219irea const\u0103 \u00een altceva dec\u00e2t \u00een a ignora tocmai faptul c\u0103 ne afl\u0103m \u00een Paradis?\u201d:<br \/>\na-,,C\u00e2nd dormi, tu mori pentru mine. \u00ce\u0219i\/ \u00eenfige ghearele \u00een g\u00e2t: m\u0103 ur\u0103\u0219ti? Apas\u0103 prea tare,\/\u021b\u00e2\u0219ne\u0219te s\u00e2ngele, se sperie,\/ url\u0103. Se umple de s\u00e2nge. Fuge \u00een baie. Uite cum AI\/ \u00ceNFLORIT PE CADAVRUL MEU\u201d \u2013 cf. E prim\u0103var\u0103, p. 16. Thanathos este \u00eembl\u00e2nzit \u0219i exorcizat tocmai prin fra\u021bii s\u0103i mitologici, Hypnos \u0219i Eros: ,,&lt;&gt;, b\u00e2iguie ea. La\/aceast\u0103 or\u0103 LE-A\u0218 CONDUCE LA CULCARE, e adev\u0103rat\u2026\u201d.<br \/>\n\u00cen definitiv, Dumnezeu Legea-Logos-ul pururi ,,\u00eenflore\u0219te pe cadavrele\u201d &#8211; hum\u0103, spre eternizarea Duhului\u2026<br \/>\nb-,,Mi-au scos\/ ghearele \u0219i mi-au limpezit c\u0103r\u0103rile, \u00een sus \u0219i \u00een\/ jos, ad\u00e2ncind albia s\u00e2ngelui\u201d \u2013 cf. Asalturi ale celui r\u0103u, p. 20.<br \/>\nParadoxal: ,,smulgerea ghearelor\u201d \u0219i ,,limpezirea c\u0103r\u0103rilor, \u00een sus \u0219i \u00een\/ jos, ad\u00e2ncind ALBIA S\u00c2NGELUI\u201d graalic\/ gradalic (adic\u0103, din zona hristic-autosacrificial\u0103 \u0219i din cea a nous-ului\/ cunoa\u0219terii ini\u021biate \u2013 ,,gradale\u201d \u00eenseamn\u0103 Cartea!) &#8211; este opera\u021biunea specific-alchimic\u0103, de ob\u021binere a revela\u021biei Heruvimilor Ordinii Celeste!<br \/>\nc- ,,E\u0219ti nemul\u021bumit, cantaragiule? Uite,\/ ia \u0219i urechea asta a mea \u2013 \u00ee\u0219i smulge urechea dreapt\u0103\u201d \u2013 cf. Vine din viitor, p. 13. De fapt, celebrul gest \u201cdemen\u021bial\u201d (?!) vangogh-ian (al smulgerii urechii vinovat-istorice!) devine unul regenerator: ,,El r\u00e2de, sardonic: ai vedenii macabre, b\u0103tr\u00e2ne, \u00eei\/ strig\u0103 din urm\u0103 \u0219i-\u0219i\/ lipe\u0219te cu scuipat urechea, la loc\u201d \u2013 \u2026\u201dcu scuipat\u201d &#8211; adic\u0103, folosind ,,materia prim\u0103\u201d demiurgic\u0103\u2026!<br \/>\nd-,,El nu vede \u00een fa\u021ba\/ ochilor dec\u00e2t resturi de la abator, pe care se bat c\u00e2inii\/ \u0219i p\u0103s\u0103rile. C\u00e2inii \u00eei pun ordine \u00een g\u00e2nduri\u201d \u2013 cf. \u0102sta e nebun, p. 17.<br \/>\nC\u00e2inii \u00eei pun ordine \u00een g\u00e2nduri\u201d, zice LIS: dar, fire\u0219te, Poetul g\u00e2nde\u0219te, dincolo de istoria violen\u021bei contemporan-terestre (,,Azi, solda\u021bi \u00eempu\u0219ca\u021bi \u00eentre ei, solda\u021bi\/ \u00eempu\u0219ca\u021bi de c\u00e2ini, c\u00e2ini\/ \u00eempu\u0219ca\u021bi de solda\u021bi \u0219i c\u00e2ini \u00eempu\u0219ca\u021bi de c\u00e2ini\u201d \u2013 cf. Mari reac\u021bii, p. 36) &#8211; nonviolen\u021ba resurec\u021bional\u0103, a modului filosofic dacico-getico-gotic: ,,C\u00e2inele\u201d este LUPUL FENRIR. Purificatorul \u0219i Regeneratorul. Iar P\u0103s\u0103rile \u201cr\u0103pitoare\u201d de hoit sunt\/ devin \u00cengerii Restauratori ai Luminii-de-Duh!<br \/>\nDe ce am afirmat c\u0103 avem de-a face cu APAREN\u021aA de ,,deficien\u021b\u0103\u201d a structuralit\u0103\u021bii compozi\u021biei \u0219i a temper\u0103rii autoritare a limbajului? Pentru c\u0103 LIS devine, prin acest volum, UN M\u0102RTURISITOR, care face eforturi titane\u0219ti liminare s\u0103-\u0219i schimbe drumul, s\u0103-\u0219i afle \u0219i prezerve DRUMUL SACRU, UNIC! &#8211; al existen\u021bei misionare (fie \u0219i prin autosacrificiu!) \u2013 drumul \u00eenapoi, prin istoria destructurant\u0103 (istorie toxic\u0103, prin care ,,inTeriorul\u201d crucific\u0103rii autosacrificiale a devenit ,,inferiorul\u201d \u0219erpuirii\/ sinusoidalei, alunec\u0103rii insesizabile, spre infernalitate: ,,Are vibra\u021bii inferioare\u201d- cf. nicio fericire nu-l mai atinge, p. 74) , spre Structura de Cristal a Adev\u0103rului!<br \/>\nE adev\u0103rat, \u00eel \u0219tiam pe LIS un lupt\u0103tor aprig, dar, mai cur\u00e2nd, \u00een rela\u021biile socio-profesionale. Ei bine, \u00een volumul Nous, LIS devine cel mai aprig du\u0219man al fiin\u021bei sale, celei intoxicate, GRAV, de istoricitatea destructurant\u0103 \u0219i definitiv-\u00eenjositoare, creatoare a Omului\/SUB: \u201c(\u2026) SUNT UN SUB (\u2026) a ap\u0103rut iar unul\/\/ la mine \u00eenl\u0103untru care m\u0103 roag\u0103 \u00een genunchi s\u0103-l\/ omor \u0219i-mi strig\u0103: &lt;&gt;\u201d \u2013 cf. Sunt un sub, p. 8. Sau, mai tragic-existen\u021bialist, dar \u0219i cu o nostalgie infinit\u0103, pentru ,,departele\u201d cel mistic: ,,Mi-e un dor s\u0103\/ mor, m\u0103, Gheorghe\u2026\u201d \u2013 cf. Doi tembeli, p. 10.<br \/>\nLIS se dovede\u0219te \u0219i un intuitiv \u0219i vizionar mesianic (al Frumuse\u021bii Eterne \u0219i Intangibile!), dar \u0219i un vizionar\/revelator al cauzelor pierderii energiilor mesianice, totdeodat\u0103 \u2013 urm\u00e2nd, \u00eens\u0103, faza taumaturgic\u0103 (auto-vindecare de istorie \u0219i desc\u00e2ntec \u00eentru revenirea la originaritatea-normalitatea-FRUMUSE\u021aE): ,,Nu sim\u021bi\u021bi? E ceva\/aici care ne \u021bine departe de noi \u00een\u0219ine. Acesta este SECRETUL\/FRUMUSE\u021aII. Dup\u0103 ce ne \u00eenv\u0103\u021b\u0103m cu locul, \u00eel\/pierdem din vedere\u2026\u201d \u2013 cf. miercuri, 8 octombrie, p. 65.<br \/>\nUnde se petrec aceste fenomene paradoxale? ,,Aici, unde zeii singur\u0103t\u0103\u021bii au apus\u201d \u2013 cf. E prim\u0103var\u0103, p. 16. Zeii se sinucid \u00eentru singur\u0103tate, dar, lucizi, ei apun, conform Amurgului Zeilor Gotico-Getici\/RAGNAR\u00d6KR, dar \u0219i conform cre\u0219tinismului: numai dup\u0103 \u0219i prin moartea\/ r\u0103stignirea Zeilor Autosacrificiali, se regenereaz\u0103 lumea!<br \/>\nAdic\u0103, \u00ceNVIE DUHUL.<br \/>\nIar LIS ajut\u0103, la modul alchimico-lingvistic, adic\u0103, Restaurator de Logos (Logos \u00eenseamn\u0103, totdeodat\u0103: Cuv\u00e2nt, \u0218tiin\u021b\u0103-ini\u021biere \u0219i R\u00e2nduial\u0103\/ Ordine\/ Ordonare Cosmic\u0103!) \u2013 s\u0103 fie dus\u0103, mistic, b\u0103t\u0103lia dintre Sulful-Principiu Activ \u0219i Mercurul-Principiu Pasiv , \u00eenspre izb\u00e2nda final\u0103-,,\u021bip\u0103t revelator\u201d a\/l Regener\u0103rii: ,,&lt;&gt;\/ \u00cen\u021belege\u021bi ceva?\/ \u00cen\u021belegem, cum s\u0103 nu, d\u0103dur\u0103 din cap, trosnind\/\/degetele la \u00eencheieturi (n.m.: ,,trosnirea degetelor la \u00eencheieturi\u201d semnific\u0103 desfacerea\/revelarea F\u0103tului MUNDAN-Noul Ierusalim!), plictisi\u021bi, cei\/ aduna\u021bi, gur\u0103 casc\u0103,\/ \u00eendep\u0103rta\u021bi unul c\u00e2te unul: e ca atunci c\u00e2nd\/ sulful alb, corupt \u0219i\/ incandescent intr\u0103 \u00een contact cu\/ mercurul, \u00een p\u0103m\u00e2nt fetid \u0219i se produce fier\u2026 \u201d \u2013 adic\u0103, se intr\u0103, dup\u0103 ,,fetidul p\u0103m\u00e2nt\u201d NIGREDO \u0219i vizionarul-,,zbur\u0103tor-reintegrator\u201d ALBEDO, \u00een faza regener\u0103rii incandescente-RUBEDO! \u2013 cf. \u00cen contact cu mercurul, p. 28.<br \/>\nDeocamdat\u0103, Kali Yuga\/ V\u00e2rsta Fierului nu poate fi dep\u0103\u0219it\u0103, sau nu trebuie oprit\u0103: ea duce spre Noul Ierusalim Ioanic!<br \/>\nOric\u00e2t de josnic-infernalizat se manifest\u0103 lumea istoriei, Alchimistul-Poet ,,trage cu ochiul\u201d la ,,nev\u0103zut\u201d: \u00cengerii sunt peste tot, sub m\u0103\u0219tile derizorii ale cadavrelor \u0219i ale cruzimii c\u0103l\u0103ilor \u2013 c\u0103ci, dincolo de dorul de a muri, Clopotul Lumii BATE SINGUR \u2013 \u2026mai exact, aripi \u00eengere\u0219ti invadeaz\u0103 cu Noua Lume, peste c\u00e2mpiile b\u0103t\u0103liilor alchimice, din care diluviul na\u0219te (pe sub sau pe deasupra INCON\u0218TIEN\u021aEI NOASTRE, devenit\u0103 ISTORIE A VIOLEN\u021aEI ULTIME\/APOCALIPTICE\u2026!\u201d) Arca Salv\u0103rii Regenerative, aflat\u0103 sub semn de Nou Curcubeu \u0219i de TEI-Iubire Mistic\u0103-Eros Agap\u00e9: ,,Mi-e dor s\u0103\/ mor, m\u0103, Gheorghe\u2026\/ \u00cen umezeala serii, \u00eemb\u0103ta\u021bi de parfumul\/ teilor \u00eenflori\u021bi. \u00cel auzi? Am\u00e2ndoi\/ v\u0103d un clopot at\u00e2rnat, care SUN\u0102 DE UNUL SINGUR. Ce\/l-o fi apucat?\u201d \u2013 cf. Doi tembeli, p. 10.<\/p>\n<p>Alchimistul-Poet, \u00een mod paradoxal, stimul\u00e2nd violen\u021ba ,,\u00een oglinda vene\u021bian\u0103\u201d (adic\u0103, jum\u0103tate \u00eentru vizibil \u0219i jum\u0103tate scufundat \u00eentru nevedere!), prin \u00eens\u0103\u0219i lucrarea\/\u00eenf\u0103\u021bi\u0219area sa func\u021bional\u0103! &#8211; se \u00eempotrive\u0219te, la modul vizionar, prin alter ego-ul s\u0103u oglindit, unor noi violen\u021be, adopt\u00e2nd \u0219i insinu\u00e2nd (chiar \u00een momentul paroxistic al luptei\/violen\u021bei metafizice!), pentru noi to\u021bi, adoptarea pozi\u021biei revelativ-vizionare, asupra:<br \/>\n1-posibilit\u0103\u021bii de ,,re\u00eenfr\u0103\u021bire paradisiac\u0103\u201d \u0219i, deci,<br \/>\n2-asupra ,,PORTI\u021aEI DE IE\u0218IRE A\/SUFLETULUI DIN CORP\u201d: ,,Osp\u0103tarul \u00eel \/ roag\u0103 s\u0103 aib\u0103 grij\u0103. Vezi, nene, s\u0103 n-o\/ spargi, c\u0103-i oglind\u0103 vene\u021bian\u0103. Vene\u021bian\u0103? Auzi, tu, \u0103la, din\/ oglind\u0103, \u0103sta m\u0103 crede b\u0103tut \u00een cap\u2026(\u2026) A\u0219a-i: c\u0103 m-a p\u0103r\u0103sit, curva, s-a dus dracului,\/ acum miroase ur\u00e2t, n-o \u00eengroap\u0103 nimeni,\/ mi-am dat \u0219i sufletul pentru\/ ea\u2026 Gata, frumuse\u021bea e putreziciune! (\u2026)\/ Vin trei vl\u0103jgani\/ peste el, \u00eel bu\u0219e\u0219te s\u00e2ngele pe nas. Sta\u021bi,\/ fra\u021bilor, c\u0103 nu v-am zis: energia e liber\u0103\u2026&lt;&lt;Afar\u0103, nenorocitule!&gt;&gt; . Nu v-am zis, b\u0103i, ce\/ e mai important: azi am descoperit PORTI\u021aA DE IE\u0218IRE A\/ SUFLETULUI DIN CORP, PE CUV\u00c2NT DE ONOARE\u2026\u201d \u2013 cf. Energia e liber\u0103, p. 11.<br \/>\n,,Cuv\u00e2ntul de Onoare\u201d este Garan\u021bia Divin\u0103 a Revela\u021biei-Logos Restaurat \u0219i a Regener\u0103rii prin Logos\u2026<br \/>\nIar defini\u021bia expresionismului liminar, dat\u0103 de Blaga, \u00een Filosofia stilului, vorbe\u0219te foarte clar despre \u201c,ORTI\u021aA DE IE\u0218IRE A SUFLETULUI DIN CORP \u2013 despre \u0218ansa Soteriologic\u0103 a umanit\u0103\u021bii (care nu \u0219i-a pierdut, de tot, percep\u021bia ,,nev\u0103zutului\u201d!), tocmai prin acceptarea \u0219i asumarea apocalipticului\/ regener\u0103rii\/ \u00eenvierii sale, \u00eentru supra-existen\u021bialul COSMICO-ABSOLUT:<br \/>\n\u201cDe c\u00e2te ori un lucru e astfel redat \u00eenc\u00e2t puterea, tensiunea sa interioar\u0103 \u00eel \u00eentrece, \u00eel transcendeaz\u0103, TR\u0102D\u00c2ND RELA\u021aIUNI CU COSMICUL, CU ABSOLUTUL, CU ILIMITATUL, avem de-a face cu UN PRODUS ARTISTIC EXPRESIONIST&#8221; (cf. Lucian Blaga, Filosofia stilului, 1924).<br \/>\n\u2026\u00cen concluzie: s\u0103 ne rug\u0103m pentru via\u021ba Poetului-Alchimist, pentru c\u0103, pe de o parte, este singurul care mai posed\u0103, \u00een valea infernal\u0103 a istoriei, VIZIONARISMUL \u2013 pe de alt\u0103 parte, pentru c\u0103 Poetul-Alchimist Vizionar este singurul care are curajul s\u0103 ne pronun\u021be nou\u0103 cuvintele, \u00eentru CUV\u00c2NT. Pentru c\u0103 noi am c\u0103p\u0103tat o teroare maladiv\u0103, fa\u021b\u0103 de cuvinte \u2013 de aceea, ne e greu, ne e sil\u0103, ne este fric\u0103 \u0219i s\u0103 le rostim (f\u0103r\u0103 s\u0103 le schilodim!). \u00cen locul nostru, \u00eens\u0103, ROSTE\u0218TE (f\u0103ure\u0219te \u0219i reveleaz\u0103 Noile Rosturi, \u00eentru Arhitectura Cosmic\u0103, \u00eentru \u021aeserea Semnifica\u021biilor , \u00eentru Plutirea Arcei spre Cetatea Divin\u0103!) \u2013 ALCHIMISTUL-POET!<br \/>\n,,\u00cen locul nostru\u201d &#8211; adic\u0103 \u00een locul liotei de la\u0219i, care nu-ndr\u0103znim s\u0103 ne sinucidem \u0219i s\u0103 ne regener\u0103m, prin Cuv\u00e2nt.<br \/>\n\u00cen Locul nostru (spre a revela Locul Suprem!) \u0219i \u00een Numele nostru (pentru a revela Numele Suprem!) &#8211; precum Hristos!<br \/>\nAltfel, dac\u0103 nu-l vom proteja \u0219i utiliza mistic, dac\u0103-l vom tr\u0103da, \u00eentru DELIR ASASIN, precum Iuda pe Hristos, \u0219i vom deveni SCLAVI:<br \/>\n1-\u201cSCLAVI\u201d ai violen\u021bei \u0219i \u201clehamitei\u201d, adic\u0103 ai dezangaj\u0103rii spirituale\/\u00eentunec\u0103rii: \u201cA\u0219a-i la noi, p\u00e2n\u0103 la moarte,\/UN DELIR\/\/OB\u0218TESC (\u2026)\/ Se mai scoal\u0103 c\u00e2te unul la mas\u0103 \u0219i trage o \u00eenjur\u0103tur\u0103 &lt;&gt; (n. mea: Generalul, ca \u0219i la Mircea Eliade, nu este No\u021biunea Vagului, ci apelativul pentru Dumnezeu\/ Rangul Suprem-Demiurgic!) : &#8216;tu-i\/ pa\u0219tele m\u0103-sii de via\u021b\u0103 (\u2026) ni se face lehamite, ni se p\u00e2rjole\u0219te, mistuie, nimice\u0219te,\/ sufletul \u00ee\u0219i ia adio de la fiecare\/ \u0219i dispare \u00ceN SPATELE UNOR GEAMURI MUDARE\u2026\u201d \u2013 cf. &#8216;Tu-i\/ pa\u0219tele m\u0103-sii , p. 9 &#8211; sau<br \/>\n2-,,SCLAVI\u201d ai \u00eendep\u0103rt\u0103rii de viziune, de vederea asupra ORIGINARIT\u0102\u021aII CELEI ETERN VII, \u00ceNTRU SUFLETUL\/DUH: &#8211; adic\u0103, \u00eendep\u0103rta\u021bi\/ \u00eenstr\u0103ina\u021bi de Izvorul Luminii-GRAALUL VALAH: ,,Obosit, obligat s\u0103 se opreasc\u0103 \u0219i s\u0103 se \u00eentind\u0103\/ pe c\u00e2mpul b\u00e2ntuit de suflete ale celor pleca\u021bi \u00een c\u0103utarea\/ unei lumi mai bune \u0219i ne\u00eentor\u0219i \u00een\/ Rom\u00e2nia, deveni\u021bi SCLAVI \u00een str\u0103in\u0103tate\u201d \u2013 cf. Vine frigul, p. 40.<br \/>\n\u2026atunci, ,,Pa\u0219tele M\u0103-Sii\u201d (Rena\u0219terea\/ \u00cenvierea prin Mama Cosmic\u0103) ne va readuce sufletul ,,dincoace\u201d de ,,Porti\u021ba-REVELA\u021aIE\u201d \u2026\u00een zona ,,dispari\u021biei\/ \u00eenchidere ve\u0219nic\u0103\/ nondevenire spiritual\u0103\u201d \u2013 \u2026\u0219i nu o retragere \u00een ad\u00e2ncul ,,Oglinzii Vene\u021biene\u201d, ci o dispari\u021bie ,,\u00ceN SPATELE UNOR GEAMURI MURDARE\u2026\u201d.<br \/>\nIubi\u021bi-l, fie \u0219i din interes pur personal \u0219i egotist, pe Alchimistul-Poet!<br \/>\nDar, pentru a reu\u0219i aceasta, \u00eent\u00e2i CITI\u021aI-L, cu smerenie \u0219i os\u00e2rdie sincer\u0103, \u00eentru cunoa\u0219tere\/NOUS!<\/p>\n<p><em> 1 -Liviu Ioan Stoiciu, Nous, Editura Limes, Cluj, 2015.<\/em><br \/>\n<em> 2 -J.L. Borges, Roza lui Paracelsus, \u00een Cartea de nisip, Editura Univers, Bucure\u015fti, 1983, p. 345.<br \/>\n3 &#8211; Mercurul \u2013 ,,este un simbol alchimic universal &#8211; marcheaz\u0103 regresiunea la starea nediferen\u0163iat\u0103; Dup\u0103 cum femeia este supus\u0103 b\u0103rbatului, argintul lichid (sau chonein-yin) al chinezilor corespunde dragonului, licorilor trupe\u015fti, s\u00e2nge \u015fi semen, elementului Ap\u0103. Alchimia occidental\u0103 \u00eel opune Sulfului, iar alchimia chinez\u0103 Cinabrului. Alternan\u0163a Mercur-Cinabru (Sulf) (\u2026) este cea a yin-ului \u015fi a yang-ului, a mor\u0163ii \u015fi a regener\u0103rii. Dup\u0103 anumite tradi\u0163ii occidentale, Mercurul este s\u0103m\u00e2n\u0163a feminin\u0103 \u015fi Sulful cea masculin\u0103: \u00eempreunarea lor subteran\u0103 produce metalele\u201d- cf. Jean Chevalier\/Alain Gheerbrant, Dic\u0163ionar de simboluri, Artemis, Bucure\u015fti, 1994, vol. II, p. 292.<br \/>\nSulful \u2013 ,,este principiul activ al alchimiei, acela care ac\u0163ioneaz\u0103 asupra Mercurului inert \u015fi-l fecundeaz\u0103 sau \u00eel omoar\u0103. Sulful corespunde focului, a\u015fa cum Mercurul corespunde apei. Este deci un principiu generator masculin, a c\u0103rui ac\u0163iune asupra Mercurului produce sub p\u0103m\u00e2nt metalele. Este o manifestarea a Voin\u0163ei Cere\u015fti \u015fi a activit\u0103\u0163ii Spiritului(\u2026) Ac\u0163iunea Sulfului asupra Mercurului \u00eel omoar\u0103 \u015fi, transmut\u00e2ndu-l, produce Cinabrul, care este un elixir de nemurire\u201d \u2013 cf. Jean Chevalier\/Alain Gheerbrant, op. cit., vol.III, p. 281.<br \/>\nMai cit\u0103m, pentru l\u0103murire, dar \u015fi pentru a vedea c\u00e2t\u0103 poezie interioar\u0103 (deci, comun\u0103 \u00eentregii umanit\u0103\u0163i spirituale, ca poten\u0163ial, indiferent de \u201clocul social\u201d al alchimistului!) are ALCHIMIA &#8211; din alchimistul Titus Burckhardt, Alchimia &#8211; semnifica\u0163ia ei \u015fi imaginea despre lume, Humanitas, Buc., 1998, p. 131 &#8211; care, la r\u00e2ndul s\u0103u, citeaz\u0103 din celebrul Nicolas Flamel &#8211; Sur les Figures Hieroglyphiques: ,,Sunt cei doi \u015ferpi prin\u015fi \u00een jurul Caduceului, Toiagul lui Mercur-Hermes, \u015fi prin ei \u00ee\u015fi exercit\u0103 marea putere \u015fi se transform\u0103 dup\u0103 cum vrea. Cel care \u00eel va omor\u00ee pe unul, spune Haly(Ali), \u00eel va omor\u00ee \u015fi pe cel\u0103lalt, c\u0103ci unul nu poate muri dec\u00e2t odat\u0103 cu fratele s\u0103u (moartea lor semnific\u00e2nd trecerea de la un nivel existen\u0163ial la altul)\u2026Ace\u015ftia doi, fiind a\u015fadar pu\u015fi laolalt\u0103 \u00een Recipientul Morm\u00e2ntului (care este recipientul interior, orice opera\u0163iune trebuind s\u0103 se fac\u0103 \u00een recipientul alchimic bine \u00eenchis, din cauza naturii volatile a Mercurului care, avid ca \u015fi Mercurul obi\u015fnuit, ader\u0103 la orice obiect al dorin\u0163ei, \u015fi din cauza expansivit\u0103\u0163ii \u015fi inflamabilit\u0103\u0163ii Sulfului), se mu\u015fc\u0103 unul pe altul cu cruzime, iar, cu puternica lor otrav\u0103 \u015fi \u00een m\u00e2nia lor dezl\u0103n\u0163uit\u0103, nu-\u015fi mai dau drumul, din momentul \u00een care se apuc\u0103 unul pe altul &#8211; dac\u0103 frigul nu \u00eei \u00eempiedic\u0103 &#8211; \u015fi p\u00e2n\u0103 c\u00e2nd am\u00e2ndoi, cu balele lor de venin, \u015fi r\u0103ni\u0163i de moarte, nu \u015fi-au \u00eens\u00e2ngerat toate p\u0103r\u0163ile corpului (influen\u0163ele \u015fi for\u0163ele lor reciproce manifest\u00e2ndu-se, \u00een domeniul naturii ne\u00eembl\u00e2nzite, ca un venin, adic\u0103 distructiv, \u015fi, p\u00e2n\u0103 c\u00e2nd \u00een cele din urm\u0103, nu se ucid reciproc, sufoc\u00e2ndu-se cu propriul lor venin, care \u00eei preschimb\u0103, dup\u0103 moarte, \u00een ap\u0103 vie \u015fi permanent\u0103 (prin unirea lor \u00eentr-o realitate superioar\u0103), \u00eenainte \u00eens\u0103 pierz\u00e2ndu-\u015fi \u00een stric\u0103ciune \u015fi putrefac\u0163ie primele lor forme naturale, pentru a rec\u0103p\u0103ta dup\u0103 aceea una nou\u0103, unic\u0103, mai nobil\u0103 \u015fi mai bun\u0103\u2026\u201d <\/em><br \/>\n<em> 5 &#8211; ROST, rosturi, s. n. 1. Sens, \u00een\u021beles, t\u00e2lc; scop, menire, justificare, motivare. \u2666 Atribu\u021bie, rol, misiune, sarcin\u0103. 2. Mod de a-\u0219i organiza via\u021ba; stare, situa\u021bie social\u0103, material\u0103, familial\u0103; p. ext. gospod\u0103rie. \u25ca Expr. A (nu) \u0219ti rostul cuiva = a (nu) \u0219ti unde se afl\u0103 \u0219i cum \u00ee\u0219i organizeaz\u0103 cineva via\u021ba. A fi rost de ceva = a \u00eentrevedea posibilitatea de a g\u0103si ceva. A face rost de ceva = a procura ceva (greu de ob\u021binut, de realizat). 3. Mod, fel de organizare a unei activit\u0103\u021bi; ordine dup\u0103 care se desf\u0103\u0219oar\u0103 o ac\u021biune; plan de desf\u0103\u0219urare, de executare a ceva. \u25ca Expr. A nu-\u0219i afla rost = a nu-\u0219i g\u0103si locul, a nu-\u0219i g\u0103si ast\u00e2mp\u0103r. A-\u0219i pierde rostul = a-\u0219i pierde cump\u0103tul. A fi \u00een rostul lui = a fi acolo unde \u00eei este locul, unde se cuvine s\u0103 fie. \u2666 Ordine stabil\u0103, stare de lucruri; r\u00e2nduial\u0103. 4. Spa\u021biu \u00een form\u0103 de unghi, format la r\u0103zboiul de \u021besut \u00eentre firele de urzeal\u0103 ridicate de i\u021be \u0219i cele r\u0103mase jos, prin care se trece suveica cu firul de b\u0103t\u0103tur\u0103. 5. Spa\u021biu \u00eengust l\u0103sat \u00eentre dou\u0103 construc\u021bii al\u0103turate sau \u00eentre dou\u0103 p\u0103r\u021bi ale unei construc\u021bii, pentru a permite mi\u0219carea lor relativ\u0103 sub ac\u021biunea for\u021belor interioare sau a varia\u021biilor de temperatur\u0103. Rost de etan\u0219are. Rost de lucru. \u2666 Jgheab s\u0103pat \u00een lemn, pe care alunec\u0103 o ferestruic\u0103, o u\u0219\u0103, un capac. 6. (\u00cenv.) Gur\u0103; (azi livr.) grai, vorbire. \u25ca Loc. adv. Pe de rost = f\u0103r\u0103 un text \u00een fa\u021b\u0103, din aducere-aminte, din memorie. \u25ca Expr. A \u00eenv\u0103\u021ba pe de rost = a \u00eenv\u0103\u021ba un text pentru a-l putea reda din memorie. A lua (pe cineva) la rost = a mustra (pe cineva), a-i cere socoteal\u0103. \u2666 (\u00cenv.) Facultatea de a vorbi. 7. Ciocul\/prova ascu\u0163it\u0103 a vechilor cor\u0103bii \u2013 Lat. rostrum.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sorin C\u0102LIN Z\u0103ng\u0103nele 33. Jurnal de patimi S\u0103pt\u0103m\u00e2na asta m-am min\u021bit c\u0103 nu voi pregeta s\u0103-mi sacrific toate puterile pe<\/p>\n","protected":false},"author":18,"featured_media":10070,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"ngg_post_thumbnail":0,"video_url":"","footnotes":""},"categories":[7,321],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/17368"}],"collection":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=17368"}],"version-history":[{"count":4,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/17368\/revisions"}],"predecessor-version":[{"id":17387,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/17368\/revisions\/17387"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/media\/10070"}],"wp:attachment":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=17368"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=17368"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=17368"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}