{"id":17210,"date":"2022-02-10T20:56:25","date_gmt":"2022-02-10T17:56:25","guid":{"rendered":"https:\/\/ziarulderimnic.ro\/?p=17210"},"modified":"2022-02-10T20:58:41","modified_gmt":"2022-02-10T17:58:41","slug":"spatii-culturale-nr-80-4","status":"publish","type":"post","link":"https:\/\/ziarulderimnic.ro\/?p=17210","title":{"rendered":"Spa\u021bii culturale nr. 80 (4)"},"content":{"rendered":"<p><strong>Mihaela CHI\u021aAC <\/strong><br \/>\n<a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/02\/chitac.jpg\" data-rel=\"lightbox-image-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/02\/chitac-225x300.jpg\" alt=\"\" width=\"225\" height=\"300\" class=\"alignnone size-medium wp-image-17211 lazyload\" data-srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/02\/chitac-225x300.jpg 225w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/02\/chitac.jpg 317w\" data-sizes=\"(max-width: 225px) 100vw, 225px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 225px; --smush-placeholder-aspect-ratio: 225\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/02\/chitac-225x300.jpg\" alt=\"\" width=\"225\" height=\"300\" class=\"alignnone size-medium wp-image-17211\" srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/02\/chitac-225x300.jpg 225w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/02\/chitac.jpg 317w\" sizes=\"(max-width: 225px) 100vw, 225px\" \/><\/noscript><\/a><\/p>\n<p><strong>PAS\u0102REA<\/strong><\/p>\n<p>cineva mi-a \u00eenchis o pas\u0103re rar\u0103<br \/>\n\u00eentr-o colivie cu z\u0103brele de coaste<br \/>\nse zbate s\u0103-mi ias\u0103 din piept<br \/>\nuneori bate din aripi tare<br \/>\nalteori mai lent<br \/>\na\u0219teapt\u0103 s\u0103-i deschid u\u0219a coliviei<br \/>\ncu cheia inimii mele&#8230;<br \/>\niar eu o am\u0103gesc mereu<br \/>\n\u00een mine se complace<br \/>\nse leag\u0103n\u0103 \u00een scr\u00e2nciob<br \/>\n\u00eei place s\u0103 se joace<br \/>\neu o privesc intens<br \/>\nprintr-un ochean secret&#8230;<br \/>\nare pe vino-ncoace<br \/>\nun clon\u021b de foc, ochi de rubin<br \/>\n\u0219i pene de m\u0103tase&#8230;<br \/>\nnu-i dau drumul \u00eenc\u0103<br \/>\ntr\u0103ie\u0219te, iat\u0103, de ani buni<br \/>\ntot \u00een captivitate<br \/>\npas\u0103rea c\u00e2teodat\u0103<br \/>\n\u00een vis mi se preface<br \/>\n\u00een ditamai pisic\u0103<br \/>\nce-adoarme-n zori<br \/>\nla pieptul meu<br \/>\nba sf\u00e2r\u00e2ie, ba toarce&#8230;<\/p>\n<p><strong><br \/>\n\u00ceNT\u00c2LNIRE CU UN NOR<\/strong><\/p>\n<p>acolo sus leviteaz\u0103 un nor<br \/>\n\u00een poala-i de cea\u021b\u0103<br \/>\nst\u0103 ascuns capul meu<br \/>\ncare concentreaz\u0103<br \/>\nun gaz incolor<\/p>\n<p>umezeal\u0103 \u00een umbr\u0103<br \/>\noasele despicate de fulger<br \/>\ncalcinate pulseaz\u0103 de dor<br \/>\no ploaie de g\u00e2nduri imund\u0103<br \/>\nistove\u0219te lumina \u00een dormitor<\/p>\n<p>plutind norul mi-a dat \u00eent\u00e2lnire<br \/>\ndin fire timid, o cea\u021b\u0103 sub\u021bire<br \/>\naievea sau pur\u0103 \u00eenchipuire<br \/>\npe loc m-a sedus<br \/>\nde la prima vedere<br \/>\ndornic de amor<br \/>\no contopire vie m-a dus<br \/>\ndirect \u00een al nou\u0103lea cer<br \/>\nnorul aiurit a r\u0103mas stingher<br \/>\ns-a l\u0103b\u0103r\u021bat, s-a-mpr\u0103\u0219tiat<br \/>\nprecum un balon de s\u0103pun<br \/>\nnoru-a explodat<br \/>\ndin el n-a mai r\u0103mas cine \u0219tie ce<br \/>\ndoar o urm\u0103 de latex<br \/>\nantichizat<\/p>\n<p><strong><br \/>\nTRAVESTI<\/strong><\/p>\n<p>un iz de jivin\u0103 jilav\u0103<br \/>\nr\u0103zbate prin aer<br \/>\nam gust de molusc\u0103<br \/>\n\u0219i m\u00e2l de la ploaie<br \/>\nuscat\u0103 sau ud\u0103<br \/>\nm\u0103 usuc \u00eenl\u0103untru<br \/>\nm\u0103 ud \u00eenafar\u0103<br \/>\n\u00eemi schimb consisten\u021ba<br \/>\ntrunchiul \u0219i membrele<br \/>\nfrizeaz\u0103 transparen\u021ba<br \/>\nprin cap mi se plimb\u0103 himere<br \/>\nbra\u021bele-mi sunt r\u00e2uri travestite<br \/>\ntraversate de-artere<br \/>\nvapoare pleac\u0103 \u0219i revin<br \/>\n\u00een portul meu deja str\u0103in&#8230; <\/p>\n<p><strong><br \/>\nAPATIE<\/strong><\/p>\n<p>stare volatil\u0103<br \/>\napatie de pat<br \/>\nafi\u0219at\u0103 confuz<br \/>\nde scheletul uzat<br \/>\ncu un um\u0103r c\u0103zut<br \/>\n\u00eentr-un col\u021b repudiat<br \/>\ncapul \u00eentre umeri<br \/>\nscalpul pare luat<br \/>\npe latul t\u0103bliei<br \/>\n\u00een unghiuri t\u0103iat<br \/>\nraportat la spa\u021biu<br \/>\n\u0219i iluminat&#8230;<br \/>\nlumin\u0103 de veghe<br \/>\ntrunchiul decupat<br \/>\nc\u0103r\u021bi pe noptier\u0103<br \/>\ntapetul p\u0103tat<br \/>\ntavanul coboar\u0103<br \/>\npatefonu-i spart<br \/>\np\u00e2lnia emite<br \/>\nmesajul damnat<br \/>\nun capot de dam\u0103<br \/>\naruncat pe pat<br \/>\nsus\u021bine apatic<br \/>\ntrupul resemnat&#8230;<\/p>\n<p><strong><br \/>\nCAMERA LUI MOLLY<\/strong><\/p>\n<p>cochilia cochet\u0103<br \/>\ncu sclipiri de perl\u0103<br \/>\n\u00een spuma m\u0103rii v\u0103lurite<br \/>\ndoarme pe-a ei pern\u0103<br \/>\nexers\u00e2nd nemi\u0219carea<br \/>\n\u00een p\u00e2ntecele unui chit<br \/>\neliberat\u0103 clandestin<br \/>\n\u00eenainte de r\u0103s\u0103rit&#8230;<br \/>\napatia se na\u0219te \u00een pat<br \/>\nascuns\u0103 \u00eentr-un pliu de intestin<br \/>\ncu reflexe stranii de agat<br \/>\nla \u021b\u0103rm \u00eei e\u0219ueaz\u0103<br \/>\ntrupul adormit<br \/>\nredoarea desface uitarea<br \/>\nsentimentul hibrid<br \/>\nabsoarbe totul<br \/>\nsoarbe din putere<br \/>\ncalciu, siliciu, risipit nisip<br \/>\nrecompun\u00e2nd<br \/>\ncastelul din nimic&#8230;<br \/>\nh\u0103ul oceanic infinit<br \/>\ndin scoic\u0103 mu\u0219c\u0103<br \/>\nprovoc\u00e2nd durere<br \/>\npe caneluri se scurge<br \/>\ncarnea de molusc\u0103<br \/>\nparfum de fum<br \/>\n\u00een v\u00e2ntul ce adie<br \/>\nadio apatie, mare moart\u0103 vie<br \/>\n\u00een camera lui Molly<br \/>\nwhiskey in a jar<br \/>\nun c\u00e2ntec pune-o inim\u0103 pe jar&#8230;<\/p>\n<p><strong><br \/>\nGRI<\/strong><\/p>\n<p>c\u00e2ine de paz\u0103 gri<br \/>\nla o fereastr\u0103 oarb\u0103<br \/>\ncu gratii groase<br \/>\ngardian de gard\u0103 f\u0103r\u0103 grad<br \/>\nen garde<br \/>\np\u0103ze\u0219te o celul\u0103 gri<br \/>\ncarcer\u0103 grav\u0103<br \/>\naccesul \u00eengr\u0103dit de-un gard<br \/>\nce st\u0103 pe ghimpi<br \/>\n\u00een \u00eencercarea de-a \u00eencercui<br \/>\ncercuri de s\u00e2rm\u0103<br \/>\nmarele hazard<br \/>\nau rolul de-a \u00eenl\u0103n\u021bui&#8230;<br \/>\nla g\u00e2t o zgard\u0103 pus\u0103-n grab\u0103<br \/>\nse str\u00e2nge la\u021bul<br \/>\nnemi\u0219cat\u0103 staz\u0103<br \/>\npune-n pericol starea de a fi&#8230;<br \/>\n\u00eenv\u0103\u021b cur\u00e2nd a locui<br \/>\nca-ntr-o enclav\u0103<br \/>\n\u00eenchis\u0103 \u00eentr-o lume gri<br \/>\nmateria cenu\u0219ie<br \/>\nmagm\u0103 cald\u0103<br \/>\nplanet\u0103-n curs de-a se r\u0103ci&#8230;   <\/p>\n<p><strong><br \/>\n Tudor CICU   <\/strong><br \/>\n<a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/11\/cicu-1-e1606220436759.jpg\" data-rel=\"lightbox-image-1\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/11\/cicu-1-285x300.jpg\" alt=\"\" width=\"285\" height=\"300\" class=\"alignnone size-medium wp-image-12256 lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 285px; --smush-placeholder-aspect-ratio: 285\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/11\/cicu-1-285x300.jpg\" alt=\"\" width=\"285\" height=\"300\" class=\"alignnone size-medium wp-image-12256\" \/><\/noscript><\/a><\/p>\n<p><strong>la acest poem am visat<\/strong><\/p>\n<p>d\u0103-mi m\u00e2na<br \/>\ns\u0103 ne unim degetele a \u00eenchinare<br \/>\n\u00een acest c\u00e2ntec ce a locuit o vreme t\u0103cerea<br \/>\n\u0219i va salva faptele noastre bune.<br \/>\nv\u0103d c\u0103 inima te-a dus \u00een alte direc\u021bii<br \/>\n\u0219i sufletul meu a fost m\u00e2hnit<br \/>\n\u00eencerc\u00e2nd s\u0103 n-o arate.<br \/>\nsau poate de la c\u00e2t \u021bi-am f\u0103cut semne<br \/>\n\u00eenainte s\u0103-mi \u00eentorc privirea<br \/>\nam \u00eencercat s\u0103-\u021bi spun acea poveste<br \/>\ncu acele fulgere care m-au lovit;<br \/>\ntu \u00een\u021belegi ce greu e s\u0103-\u0219i imagineze cineva<br \/>\ndac\u0103 pendula din camera unde am visat la acest poem<br \/>\nb\u0103tea cumva a semn r\u0103u?<br \/>\nai observat, poate cum ne va l\u0103muri<br \/>\ntotul, totul! &#8211; numai asta visam.<br \/>\nah, de-a\u0219 \u0219ti s\u0103-\u021bi r\u0103spund la aceast\u0103 \u00eentrebare bizar\u0103<br \/>\nde n-au \u0219tiut nici trec\u0103torii ce s\u0103 cread\u0103<br \/>\npe str\u0103zile acestui ora\u0219 cu g\u00e2ndurile cine \u0219tie pe unde<br \/>\nc\u00e2nd mi-ai spus cu lacrimi \u00een ochi<br \/>\n\u201en-avem s\u0103 trecem peste aceste \u00eent\u00e2mpl\u0103ri ale zilei!\u201d<br \/>\niar \u00eentunericul s-a despicat \u00een dou\u0103<br \/>\n\u0219i cel dint\u00e2i nor negru de furtun\u0103<br \/>\ncare mi-a s\u0103rit \u00een ochi<br \/>\n\u0219i putea l\u0103muri totul<br \/>\na disp\u0103rut \u00een bezn\u0103<br \/>\nca \u0219i cum m\u00e2na cu care scriu te va cuprinde \u00een somn<br \/>\n\u00een fumul ce \u00eenv\u0103luie ora\u0219ul<br \/>\nodat\u0103 cu prima ninsoare.<\/p>\n<p><em><strong><br \/>\nLiteratura ad\u00e2ncurilor<\/strong><\/em><\/p>\n<p><strong>Marius MANTA<\/strong><br \/>\n<a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/10\/manta.jpg\" data-rel=\"lightbox-image-2\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/10\/manta.jpg\" alt=\"\" width=\"200\" height=\"200\" class=\"alignnone size-full wp-image-16125 lazyload\" data-srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/10\/manta.jpg 200w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/10\/manta-150x150.jpg 150w\" data-sizes=\"(max-width: 200px) 100vw, 200px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 200px; --smush-placeholder-aspect-ratio: 200\/200;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/10\/manta.jpg\" alt=\"\" width=\"200\" height=\"200\" class=\"alignnone size-full wp-image-16125\" srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/10\/manta.jpg 200w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/10\/manta-150x150.jpg 150w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/noscript><\/a><\/p>\n<p><strong>O croazier\u0103 de la Viena la Constantinopol<\/strong><\/p>\n<p>Literatura de aventur\u0103 a suscitat dintotdeauna un interes deosebit, \u00eentruc\u00e2t una dintre caracteristicile cele mai prezente \u00een caracterul omului r\u0103m\u00e2ne organic legat\u0103 de curiozitatea sa de nest\u0103vilit, manifestat\u0103 p\u00e2n\u0103 \u0219i \u00een cele mai banale situa\u021bii de via\u021b\u0103. Nevoia de a consuma imediat bucuria &#8211; fie \u0219i de-o clip\u0103 &#8211; unei descoperiri a capacitat for\u021be supradimensionate \u00een raport cu banalul unor situa\u021bii. A\u0219eza\u021bi \u00een spa\u021bii diferite, reprezentativi pentru culturi diverse, eroii paginilor de aventur\u0103 fac cu ochiul deopotriv\u0103 celor cu \u201ebagaj informa\u021bional\u201d, c\u00e2t \u0219i, evident, maselor. \u201eA\u0219eza\u021bi\u201d \u00een culori pl\u0103cute ochiului \u0219i pu\u0219i s\u0103 execute cascadorii altfel de neimaginat, ace\u0219tia devin un soi de dublu credibil al propriilor expectan\u021be, \u00eentr-un joc \u00een grani\u021bele c\u0103ruia realul \u0219i fic\u021bionalul se interconecteaz\u0103. Omul nou este f\u0103r\u0103 doar \u0219i poate cel care nu \u00eentoarce spatele provoc\u0103rilor! &#8211; iar o asemenea \u201edescoperire\u201d e interesat\u0103 de realitatea c\u0103r\u021bii pe care, iat\u0103, o semnal\u0103m.<br \/>\nDe-a lungul ultimelor s\u0103pt\u0103m\u00e2ni, extrem de promovat\u0103 de Grupul Editorial Humanitas este \u201eO croazier\u0103 de la Viena la Constantinopol\u201d, lucrare semnat\u0103 de Constantin Ardeleanu, profesor de istorie modern\u0103 la Universitatea \u201eDun\u0103rea de Jos\u201d din Gala\u021bi, long-term fellow la New Europe College, Bucure\u0219ti. Cu o vast\u0103 experien\u021b\u0103 \u00een problematicile ridicate de noile paradigme ale imaginarului, autorul \u00ee\u0219i propune s\u0103 refac\u0103 \u00een linii precise istoria unui fenomen de importan\u021b\u0103 vital\u0103, invit\u00e2ndu-ne la o c\u0103l\u0103torie fascinant\u0103 c\u0103tre zorii moderniz\u0103rii Principatelor Dun\u0103rene. A\u0219a cum afl\u0103m din preciz\u0103rile de \u00eenceput, volumul a\u0219az\u0103 \u00een context istoric schimb\u0103rile de infrastructur\u0103 dar \u0219i rolul Dun\u0103rii \u00een sporirea mobilit\u0103\u021bii interna\u021bionale, cu ample trimiteri explicative c\u0103tre zona politicii, social, cultural \u0219i economic. De\u0219i av\u00e2nd un pronun\u021bat caracter \u0219tiin\u021bific, cartea de fa\u021b\u0103 este re-\u201e\u00eenve\u0219m\u00e2ntat\u0103\u201d \u00een a\u0219a fel \u00eenc\u00e2t s\u0103 respecte principiul accesibilit\u0103\u021bii, autorecomand\u00e2ndu-se drept o lectur\u0103 obligatorie pentru oricine e interesat de realit\u0103\u021bile \u00eenceputului de secol nou\u0103sprezece. Mai mult, din dorin\u021ba unei maxime deschideri, autorul p\u0103streaz\u0103 o substan\u021bial\u0103 component\u0103 narativ\u0103 \u0219i anecdotic\u0103, urm\u0103rind ca produsul final s\u0103 dep\u0103\u0219easc\u0103 rigoarea demonstra\u021biilor \u0219i s\u0103 \u00eel propun\u0103 drept o lectur\u0103 pl\u0103cut\u0103, evident, avizat\u0103. At\u00e2t c\u00e2t este, doza de subiectivitate vine mai degrab\u0103 din preferin\u021ba pentru anumite alegeri, pentru re-contextualiz\u0103ri ori accente ce \u00ee\u0219i dovedesc f\u0103r\u0103 doar \u0219i poate \u201epercu\u021bia\u201d.<br \/>\nPaginile volumului sunt organizate \u00een \u0219ase capitole distincte, fiind \u00eempreun\u0103 interesate de o altfel de istorie miniatural\u0103 a c\u0103l\u0103toriilor, imaginilor \u0219i spa\u021biilor, \u00eentre 1830-1860. Pentru a nu am\u00e2na p\u00e2n\u0103 la a dep\u0103\u0219i limitele r\u0103bd\u0103rii, s\u0103 spunem a\u0219adar c\u0103 literatura de c\u0103l\u0103torie face p\u00e2n\u0103 la urm\u0103 \u0219i subiectul acestei apari\u021bii, chiar dac\u0103, indirect, miza este extrem de serioas\u0103, urm\u0103rind s\u0103 argumenteze \u0219i c\u0103 drumurile de comer\u021b au constituit un factor hot\u0103r\u00e2tor pentru afirmarea statelor rom\u00e2ne\u0219ti. De la primele pagini, lectorul \u00eent\u00e2lne\u0219te dou\u0103 exemple inedite, odat\u0103 cu figurile lui Petrache Poenaru (cel care admira progresul \u00een capitala Angliei, cel care avea s\u0103 c\u0103l\u0103toreasc\u0103 printre primii, cu trenul, \u00eentre Liverpool \u0219i Manchester) \u0219i cea a c\u0103lug\u0103rului Chiriac de la M\u0103n\u0103stirea Secu \u2013 unul dintre cei mai curio\u0219i c\u0103l\u0103tori rom\u00e2ni din epoca analizat\u0103. Afla\u021bi \u00een societate la poli diferi\u021bi, ambii fi-vor a\u0219adar integra\u021bi \u00eenainte de vreme unui \u201eprogresist mod de a g\u00e2ndi existen\u021ba\u201d. Intr\u00e2nd mai ad\u00e2nc \u00een problematica volumului, \u00een\u021belegem c\u0103 ruta navigabil\u0103 a Dun\u0103rii a facilitat \u00eent\u00e2lnirea \u0219i convie\u021buirea dintre rom\u00e2ni \u0219i ceilal\u021bi, conect\u00e2nd Principatele la civiliza\u021bia european\u0103. \u00cen\u021belegem c\u0103 un alt temei al c\u0103r\u021bii se leag\u0103 indisolubil de faptul c\u0103 drept \u201eparte a unei complexe infrastructuri de transport interna\u021bional, Dun\u0103rea de Jos \u0219i piroscafele austriece ce navigau pe ea au favorizat formarea Rom\u00e2niei moderne, la fel cum &#8211; conform lui Iorga, Br\u0103tianu \u0219i Papacostea &#8211; drumurile interna\u021bionale au contribuit la geneza statelor medievale\u201d.<br \/>\nAl\u0103tur\u00e2nd a\u0219adar \u0219ase capitole, demersul lui Constantin Ardeleanu e savuros pentru c\u0103 \u00ee\u0219i \u00eeng\u0103duie perspective diferite, dovedind mobilitate interpretativ\u0103. Capitolul \u00eent\u00e2i ne a\u0219az\u0103 \u00een mijlocul evenimentelor, propun\u00e2ndu-ne nimic altceva dec\u00e2t o croazier\u0103 printre civiliza\u021bii. Cititorul va afla despre impredictibilitatea ce caracteriza transporturile fluviale \u0219i maritime, situa\u021bie care impunea \u00een fapt&#8230; o alt\u0103 solu\u021bie. \u00cen\u021belegem c\u0103, \u201econform calculelor istoricului elen Apostolos Delis, o corabie f\u0103cea \u00een medie 19 zile \u00eentre Constantinopol \u0219i Gala\u021bi, fa\u021b\u0103 de doar \u0219ase zile \u00eentre capitala otoman\u0103 \u0219i Odesa; diferen\u021bele subliniaz\u0103 complica\u021biile naviga\u021biile din regiunea Deltei Dun\u0103rii, unde cursul fluviului era sinuos, fiind adesea obstruc\u021bionat de bancuri de nisip.[\u2026] Vasele cu aburi promiteau s\u0103 rezolve m\u0103car c\u00e2teva dintre aceste neajunsuri \u0219i s\u0103 duc\u0103 naviga\u021bia \u00eentr-o nou\u0103 epoc\u0103 de predictibilitate, siguran\u021b\u0103 \u0219i confort\u201d. Tot \u00een primul capitol vom calibra \u201emecanica\u201d primelor schimb\u0103ri, rolul primului vas &#8211; Ferdinand I -, c\u00e2t \u0219i contribu\u021bia celor de la DDSG.<br \/>\nPersonal, am parcurs cu maxim\u0103 \u00eenc\u00e2ntare al doilea capitol, locul unde autorul e interesat s\u0103 fac\u0103 radiografia unui \u201eora\u0219 plutitor\u201d; aici, \u00een acest \u201eacvariu\u201d, g\u00e2ndit totu\u0219i ca un \u201espa\u021biu democratic\u201d, adic\u0103 la bordul piroscafului, oameni de diferite etnii, na\u021bionalit\u0103\u021bi, religii ori pur \u0219i simplu interese \u00ee\u0219i vor fi g\u0103sit mai degrab\u0103 puncte tangente, alunec\u00e2nd cumva neverosimil \u00eentre Marele-Necunoscutul Est \u0219i Civilizatul Vest. Cu o arhitectur\u0103 a subiectelor ce vizeaz\u0103 mai degrab\u0103 geopoliticul, capitolul al treilea e interesat de rela\u021biile dintre Orient \u0219i Rusia, pentru ca urm\u0103torul, iar\u0103\u0219i extrem de viu, s\u0103 compun\u0103 un tablou (cu totul credibil) al rom\u00e2nilor \u00een Europa, a\u0219ez\u00e2nd \u00een mijloc ceea ce s-ar fi putut numi \u201espectacol al modernit\u0103\u021bii\u201d. Ce interesante sunt, de exemplu, paginile dedicate boierului Iancu Pr\u0103jescu, cel care a c\u0103l\u0103torit pe linia Gala\u021bi, Constantinopol, Atena, Pireu, apoi Corfu, Malta, Napoli, Civitavecchia, Floren\u021ba, Vene\u021bia, Milano, Genova, Marsilia, Anglia, Belgia  &#8211; \u0219i nu e singurul exemplu! Un microcapitol urm\u0103re\u0219te felul \u00een care diferi\u021bi scriitori au \u00eenregistrat aventurile  piroscafurilor, la loc de frunte fiind, desigur, Alecsandri. Capitolul cinci se ocup\u0103 de \u201ec\u0103l\u0103torii \u0219i epidemii\u201d &#8211; el trebuie citit cu un plus de interes pentru perioada pandemiei (cu) Covid, vom afla cum se ap\u0103ra Occidentul \u00een fa\u021ba Orientului dar \u0219i&#8230; invers, apoi cum se purificau corpurile, \u00eembr\u0103c\u0103mintea dar \u0219i m\u0103rfurile, eventual vom cunoa\u0219te luptele dintre contagio\u0219i \u0219i miasmatici \u0219.a.m.d. Cumva mai degrab\u0103 tehnic, ultimul capitol e interesat de modalit\u0103\u021bile de \u201edisciplinare a naturii\u201d, explic\u00e2nd pe larg lucr\u0103rile inginere\u0219ti pe care le-a presupus arealul Clisurii Dun\u0103rii.<br \/>\nDe\u0219i uneori p\u0103c\u0103tuie\u0219te abia perceptibil \u00een articula\u021biile con\u021binuturilor, lucrarea lui Constantin Ardeleanu fixeaz\u0103 \u0219i mai bine rolul pe care l-a avut Dun\u0103rea \u00een redefinirea modern-conceptual\u0103 a Principatelor. Voit sau nu, minunile acelei lumi noi! aveau s\u0103 mi\u0219te lumea, transform\u00e2nd radical vie\u021bile oamenilor simpli.<\/p>\n<p><strong><br \/>\nVirgil DIACONU<\/strong><br \/>\n<a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/11\/diaconu-v-e1604445376781.jpg\" data-rel=\"lightbox-image-3\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/11\/diaconu-v-300x189.jpg\" alt=\"\" width=\"300\" height=\"189\" class=\"alignnone size-medium wp-image-11800 lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 300px; --smush-placeholder-aspect-ratio: 300\/189;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/11\/diaconu-v-300x189.jpg\" alt=\"\" width=\"300\" height=\"189\" class=\"alignnone size-medium wp-image-11800\" \/><\/noscript><\/a><\/p>\n<p><strong>HO\u021a DE CAI<\/strong><\/p>\n<p>Casa din care vin miroase a cu\u021bit.<br \/>\nM\u00e2inile mele miros a cu\u021bit.<br \/>\nUneori, lama lui vorbe\u0219te singur\u0103 la br\u00e2u<br \/>\nca un prieten r\u0103mas deodat\u0103 singur.<br \/>\nNiciodat\u0103 nu am \u00een\u021beles ce spune, de\u0219i uneori<br \/>\ndin lama cu\u021bitului meu picur\u0103 s\u00e2nge\u2026 Al cui este?<br \/>\nAtunci trebuia s\u0103 fugim \u0219i s\u0103 ne ascundem<br \/>\n\u00een frunza p\u0103durii. \u00cenc\u0103 mai aud l\u0103tratul c\u00e2inilor!<br \/>\nDar ei nu m-au ajuns niciodat\u0103,<br \/>\nnu au mu\u0219cat niciodat\u0103 din carnea mea.<br \/>\nDup\u0103 ce l-am t\u0103iat pe unul din ei,<br \/>\nceilal\u021bi au fugit m\u00e2nc\u00e2nd p\u0103m\u00e2ntul.<br \/>\n\u00cenc\u0103 mai auzeam l\u0103tratul c\u00e2inilor,<br \/>\n\u0219uieratul gloan\u021belor!<br \/>\nA\u0219a c\u0103 am trecut Apa Cea Mare<br \/>\n\u0219i, dup\u0103 ce am furat tr\u0103pa\u0219ii din c\u00e2mpie,<br \/>\nam trecut cu ei \u00eenapoi \u0219i i-am v\u00e2ndut \u00een t\u00e2rg.<br \/>\nUnul, care voia s\u0103 \u0219tie de unde \u00eei am,<br \/>\na mu\u0219cat chiar atunci \u021b\u0103r\u00e2na,<br \/>\ndoi, care m-au a\u0219teptat la r\u0103scruce s\u0103 \u00eemi ia argin\u021bii,<br \/>\nau c\u0103zut \u0219i ei sub cu\u021bit.<br \/>\nCasa din care vin miroase a cu\u021bit.<br \/>\nM\u00e2inile mele miros a cu\u021bit.<br \/>\nCe nop\u021bi erau atunci \u0219i cum se \u00eenvolburau fustele ei,<br \/>\nca valurile Dun\u0103rii, prin care am trecut \u00eenot!<br \/>\nCe albi \u0219i tremur\u0103tori erau s\u00e2nii Mariei,<br \/>\ncare f\u0103ceau de straj\u0103 toat\u0103 noaptea sub stele!<br \/>\nNu \u0219tia de noi dec\u00e2t \u021b\u00e2r\u00e2itul greierilor printre ierburi.<br \/>\nRazele lunii \u00eei luminau trupul. Niciodat\u0103 nu mai v\u0103zusem<br \/>\no minune sub stelele cerului. Maria\u2026 \u0218i c\u00e2t\u0103 t\u0103cere!<br \/>\nAtunci auzeam strig\u0103tele celor uci\u0219i,<br \/>\nale celor c\u0103zu\u021bi sub cu\u021bit; care nu \u0219tiu ce tot voiau de la mine.<br \/>\nCasa din care vin miroase a cu\u021bit.<br \/>\nM\u00e2inile mele miros a cu\u021bit.<br \/>\nDar toate astea au fost demult, \u00eentr-o alt\u0103 via\u021b\u0103.<br \/>\nAcum mi-am dat toat\u0103 averea Bisericii \u0219i celor nevoia\u0219i.<br \/>\n\u00cen fiecare duminic\u0103 merg \u00een cimitirul de la marginea satului<br \/>\n\u0219i \u00eengrijesc mormintele str\u0103inilor, ale celor c\u0103zu\u021bi sub cu\u021bit.<br \/>\nCrucile lor stau str\u00e2mb, ierburile au dat naval\u0103.<br \/>\nP\u00e2n\u0103 spre pr\u00e2nz r\u0103m\u00e2n \u00een Biseric\u0103.<br \/>\nAprind lum\u00e2n\u0103ri pentru ei \u0219i stau de vorb\u0103 cu sfin\u021bii.<br \/>\nUneori pl\u0103tesc slujbe pentru cei pleca\u021bi.<br \/>\n&#8211; Ce ai tu cu sufletele mor\u021bilor care nu sunt ai t\u0103i?,<br \/>\n\u00eemi strig\u0103 Maria, c\u00e2nd m\u0103 \u00eentorc acas\u0103.<br \/>\nDar eu \u00eencerc s\u0103 m\u0103 sp\u0103l bine pe m\u00e2ini de toate p\u0103catele,<br \/>\niar ea \u00eentinde pentru mine masa sub soarele amiezii\u2026 <\/p>\n<p><strong><br \/>\nValentin TALPALARU<\/strong><br \/>\n<a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/02\/talpanaru.jpg\" data-rel=\"lightbox-image-4\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/02\/talpanaru.jpg\" alt=\"\" width=\"141\" height=\"189\" class=\"alignnone size-full wp-image-17212 lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 141px; --smush-placeholder-aspect-ratio: 141\/189;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2022\/02\/talpanaru.jpg\" alt=\"\" width=\"141\" height=\"189\" class=\"alignnone size-full wp-image-17212\" \/><\/noscript><\/a><\/p>\n<p><strong>Didahii<\/strong><\/p>\n<p>Ce s\u0103 le spun copiilor mei,<br \/>\nce minciuni utilitare s\u0103 adaug<br \/>\nla garnitura tras\u0103 pe linia moart\u0103 a sfaturilor<br \/>\ncu care \u0219i-au izolat fonic iluziile?<br \/>\nPlonjonul lor zilnic \u00een calculator<br \/>\nnu mai este dependent<br \/>\nde numele trandafirului<br \/>\nsau de violul biblic<br \/>\nf\u0103r\u0103 parte v\u0103t\u0103mat\u0103. Ei, babacule,<br \/>\ntot cu Blaga la umbra senectu\u021bii? Uite<br \/>\na venit toamna<br \/>\n\u0219i te a\u0219teapt\u0103 la terasa Time out!<br \/>\n\u00cen seara asta<br \/>\nse fac gratis pri\u0219ni\u021be cu parfum de tei.<br \/>\nToci\u021bi, toci\u021bi, toci\u021bi<br \/>\npentru gloria almei mater<br \/>\nc\u0103l\u0103rind triumfal v\u00eersta voastr\u0103 de bronz.<br \/>\nCe s\u0103 le mai spun?<br \/>\nP\u0103m\u00eentul suie \u0219erpe\u0219te spre glezne<br \/>\n\u0219i r\u0103nile ochilor<br \/>\n\u00eencep s\u0103 se vindece pentru totdeauna<br \/>\niar eu g\u00eef\u00eei dup\u0103 ce mai escaladez o zi.<br \/>\nAsta s\u0103 le spun? Perfidia<br \/>\ncu talan\u021bii \u00eengropa\u021bi \u00een s\u00eenul p\u0103m\u00eentului?<br \/>\nT\u00eempenia cu broasca \u021bestoas\u0103 campioan\u0103<br \/>\nla suta de metri?<br \/>\nC\u0103 universul e un muzeu<br \/>\npentru masca mortuar\u0103 a vidului?<br \/>\nSemnele sunt tot mai clare<br \/>\niar b\u0103tr\u00eenul zeu \u00ee\u0219i scutur\u0103 scrumul<br \/>\n\u00een ceaiul meu.<\/p>\n<p><strong><br \/>\n\u0218i m\u00eena v\u0103t\u0103mat\u0103<\/strong><\/p>\n<p>\u00cen suli\u021bele timpului \u00eenfipt\u0103<br \/>\nca \u00eentr-o jertf\u0103 dacic\u0103 prescris\u0103,<br \/>\nmereu r\u00eevnit\u0103, niciodat\u0103 `nfr\u00eent\u0103<br \/>\nmi-e trecerea. Penultima ispit\u0103.<\/p>\n<p>Cum tot ce-atinge se preface-n timp<br \/>\np\u0103catul \u00eenvierii dezleg\u00eendu-l,<br \/>\no ran\u0103 f\u0103r\u0103 margini e cuv\u00eentul,<br \/>\nclepsidr\u0103 cu aurifer nisip.<\/p>\n<p>\u0218i ochiul trist. \u0218i m\u00eena v\u0103t\u0103mat\u0103<br \/>\nde candela ce nu pot s-o aprind<br \/>\noric\u00eet a\u0219 da cu inima de piatr\u0103.<\/p>\n<p>Trec marginea t\u0103cerii c\u0103ut\u00eend<br \/>\npotec\u0103 s\u0103 m\u0103 `ntorc. Oricare.<br \/>\nBra\u021bele tale-s dou\u0103 minutare.<\/p>\n<p><strong><br \/>\nT\u0103ceri frumos ambalate<\/strong><\/p>\n<p>Nu mi-ai spus niciodat\u0103<br \/>\ndac\u0103 \u021bi-au pl\u0103cut<br \/>\nt\u0103cerile mele, frumos ambalate<br \/>\n\u00een suflet velin, cu fundi\u021be roz<br \/>\n\u0219i pe care<br \/>\npo\u021bi s\u0103 le ron\u021b\u0103i ca pe mar\u021bipane.<br \/>\nTu mi-ai spus<br \/>\nc\u0103-mi st\u0103 bine salcie \u0219i c\u0103<br \/>\nde pe malul manuscrisului meu<br \/>\nnu se vede prea bine dincolo.<br \/>\nVecinul care respir\u0103<br \/>\ncu un etaj mai jos<br \/>\nte inhiba c\u00eend \u00ee\u021bi b\u0103tea \u00een tavan<br \/>\ndup\u0103 vreun taifas cu Philippe d`Orleans.<br \/>\nDar tu nu i-ai r\u0103spuns niciodat\u0103,<br \/>\nnici c\u0103 l-ai cunoscut pe st\u0103p\u00eenul<br \/>\nmotanului Conrad, nici ce p\u0103rere ai<br \/>\nc\u0103 am \u00eenfiat Notre Dame.<br \/>\nTrag de timp<br \/>\n\u00een fa\u021ba uimirilor mele blajine<br \/>\npe care \u021bi le trimit exact<br \/>\nca acum o mie de ani,<br \/>\ntot cu fundi\u021be<br \/>\n\u00een suflet velin.<\/p>\n<p><strong><br \/>\nDincolo de prag<\/strong><\/p>\n<p>Dincolo de prag<br \/>\nziua \u00ee\u0219i cur\u0103\u021b\u0103 din\u021bii<br \/>\nde resturile melancoliei mele.<br \/>\nDespre ce s\u0103 vorbesc<br \/>\ncu voi, cei din partea de jos<br \/>\na clepsidrei?<br \/>\nS\u0103 tac, spune\u021bi?<br \/>\nS\u0103 a\u0219tept sf\u00eer\u0219itul \u00eenfrunt\u0103rii<br \/>\ndintre pardos \u0219i ied,<br \/>\ndintre columb\u0103 \u0219i acvil\u0103,<br \/>\ndintre mine \u0219i umbr\u0103?<br \/>\nDincolo de prag<br \/>\nziua se \u00eemb\u0103iaz\u0103<br \/>\n\u00een rana privirilor mele<br \/>\nca \u00eentr-o oglind\u0103.<\/p>\n<p>Iar p\u0103s\u0103rile, m\u0103t\u0103nii<br \/>\nla g\u00eetul cerului\u2026<\/p>\n<p><strong><br \/>\nUltimul vorbitor de umbr\u0103<\/strong><\/p>\n<p>De iasc\u0103 \u00ee\u021bi va fi drumul<br \/>\nf\u0103r\u0103 ultimul vorbitor de umbr\u0103,<br \/>\ncel care deschide \u00eentunericul<br \/>\n\u0219i \u00eel \u00eenchide \u00een urm\u0103.<\/p>\n<p>Drumul t\u0103u este plin de puncte<br \/>\n\u0219i de semne de \u00eentrebare migratoare.<br \/>\nL\u00eeng\u0103 el se na\u0219te un zvon<br \/>\n\u0219i cuvintele se ridic\u0103 \u00een picioare.<\/p>\n<p>Eu comunic prin rime mai bine<br \/>\ncu Polul Nord \u0219i omul din pian<br \/>\ncel care car\u0103 sunetele-n bazar<br \/>\n\u0219i respir\u0103 o dat\u0103 pe an.<\/p>\n<p>Nu m\u0103 pot \u00eentoarce la laptele<br \/>\npe care l-am b\u0103ut f\u0103r\u0103 vin\u0103<br \/>\ncu trup cu tot, cu tot cu cas\u0103.<br \/>\n(De rest, negu\u021b\u0103torul mi-a v\u00eendut lumin\u0103.)<\/p>\n<p>Dup\u0103 prima pagin\u0103 vine cuprinsul<br \/>\n-mai repede, nimeni nu trebuie s\u0103 \u0219tie<br \/>\ns\u0103 urce, s\u0103 aplaude, s\u0103 \u00eennebuneasc\u0103<br \/>\ndincolo de margini. Aici e o linie.<\/p>\n<p>\u0218i acesta este steagul \u00eenfr\u00eengerilor<br \/>\npe care au crescut solzi \u0219i muguri<br \/>\nce nu se v\u0103d ziua, dar noaptea<br \/>\npun peste el prietenii \u0219i \u00eei fac ruguri.<\/p>\n<p><strong><br \/>\nVecernie<\/strong><\/p>\n<p>P\u00eer\u00eeul nop\u021bii trece prin cas\u0103,<br \/>\ncopilul r\u00eede \u0219i-l trece \u00eenot.<\/p>\n<p>Mam\u0103 cuminte, mam\u0103 mireas\u0103,<br \/>\ncopilul t\u0103u este mirele mort?<\/p>\n<p>Pere\u021bii casei leag\u0103n\u0103 malurile:<br \/>\nacesta-i Iordanul, cel de trecut.<\/p>\n<p>Mai \u0219ti\u021bi, lumina arca \u0219i fiarele<br \/>\nau fost \u00eenainte de \u00eenceput?<\/p>\n<p>Mam\u0103 de-a pururi, mam\u0103 mireas\u0103,<br \/>\nfra\u021bii mei vitregi \u00een p\u00eentecu-\u021bi pl\u00eeng.<\/p>\n<p>Icoana \u00een fl\u0103c\u0103ri suie pe cas\u0103,<br \/>\nIordanul curge din s\u00eenu-\u021bi st\u00eeng.<\/p>\n<p>Cad stele-n ceruri, parc\u0103 sub coas\u0103,<br \/>\nintr\u0103-n icoane pl\u00eensul de tot.<\/p>\n<p>P\u00eer\u00eeul nop\u021bii curge prin cas\u0103<br \/>\ncopilul r\u00eede \u0219i-l trece \u00eenot.<\/p>\n<p>Ghemuit \u00eentr-un s\u00eembure<\/p>\n<p>Satul e-o mori\u0219c\u0103. Zuruie<br \/>\n\u0219i curg din ea de-a valma<br \/>\nsemin\u021be \u0219i ursitoare, cire\u0219i<br \/>\n\u0219i coliv\u0103. C\u0103\u021belul p\u0103m\u00eentului<br \/>\nlatr\u0103 \u00een miezul ad\u00eencului. Cioc\u00eerlia<br \/>\nfluier\u0103 miezul \u00eenaltului. Stelele sunt<br \/>\nsemin\u021be azv\u00eerlite \u00eentr-o gur\u0103 nes\u0103tul\u0103.<br \/>\nCa un plaur, satul plute\u0219te<br \/>\npe o ap\u0103 f\u0103r\u0103 maluri.<br \/>\n\u00centr-o brazd\u0103 a\u0219tept<br \/>\nghemuit \u00eentr-un s\u00eembure.<\/p>\n<p><strong><br \/>\nCanon 1<\/strong><\/p>\n<p>Bun\u0103 ziua, bun\u0103 ziua, prag sf\u00eent!<br \/>\nPrime\u0219te talpa mea slobozind<br \/>\nr\u0103d\u0103cina strunit\u0103 cu greu.<br \/>\n\u00cenaintea mea a intrat Dumnezeu,<br \/>\na aprins candela, a m\u0103turat casa<br \/>\nbinecuv\u00eent\u00eend rana din ziduri \u0219i masa.<br \/>\nTeiul din poart\u0103 cu umbr\u0103 g\u0103lbuie<br \/>\na slobozit din floare t\u0103m\u00eeie.<br \/>\nDomnul a ridicat cerul mai sus<br \/>\ndezvelindu-l pe pruncul Isus.<br \/>\nFurnicile casei au stat \u00een\u021belepte<br \/>\n\u00een\u0219ir\u00eendu-se m\u0103t\u0103nii pe trepte,<br \/>\ntocul la geamuri a s\u00eengerat ca o ran\u0103<br \/>\n\u0219i s-a f\u0103cut lemn de icoan\u0103.<br \/>\nBun\u0103 ziua, prag sf\u00eent, iat\u0103 parc\u0103<br \/>\nograda \u0219i casa se schimb\u0103 \u00een arc\u0103<br \/>\n\u0219i lin o desprind de la \u021b\u0103rmuri<br \/>\nspre-un timp f\u0103r\u0103 mal, f\u0103r\u0103 neguri\u2026<\/p>\n<p><strong><br \/>\nMuzeul<\/strong><\/p>\n<p>La cap\u0103tul podului, singurul,<br \/>\nmuzeul sinuciga\u0219ului<br \/>\neste \u00een form\u0103 de inim\u0103<br \/>\n\u0219i plin de chi\u0219toace.<br \/>\nToate indicatoarele din ora\u0219<br \/>\nduc la el.<br \/>\nO dat\u0103 pe lun\u0103<br \/>\ncineva e sinuciga\u0219ul de lux al ora\u0219ului.<br \/>\nAcum, la cap\u0103tul podului,<br \/>\nscheaun\u0103 ultimul c\u00eeine.<br \/>\nScheaun\u0103, gata s\u0103 sar\u0103.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mihaela CHI\u021aAC PAS\u0102REA cineva mi-a \u00eenchis o pas\u0103re rar\u0103 \u00eentr-o colivie cu z\u0103brele de coaste se zbate s\u0103-mi ias\u0103 din<\/p>\n","protected":false},"author":18,"featured_media":17213,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"ngg_post_thumbnail":0,"video_url":"","footnotes":""},"categories":[7,328],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/17210"}],"collection":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=17210"}],"version-history":[{"count":1,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/17210\/revisions"}],"predecessor-version":[{"id":17214,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/17210\/revisions\/17214"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/media\/17213"}],"wp:attachment":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=17210"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=17210"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=17210"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}