{"id":16025,"date":"2021-09-25T23:59:58","date_gmt":"2021-09-25T20:59:58","guid":{"rendered":"https:\/\/ziarulderimnic.ro\/?p=16025"},"modified":"2021-09-26T00:01:55","modified_gmt":"2021-09-25T21:01:55","slug":"spatii-culturale-nr-50-13","status":"publish","type":"post","link":"https:\/\/ziarulderimnic.ro\/?p=16025","title":{"rendered":"Spa\u021bii culturale nr. 50 (13)"},"content":{"rendered":"<p><strong>Nicolai T\u0102ICU\u021aU<\/strong><br \/>\n<a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/12\/taicutu-n-2.jpg\" data-rel=\"lightbox-image-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-12475 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/12\/taicutu-n-2-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" data-srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/12\/taicutu-n-2-300x200.jpg 300w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/12\/taicutu-n-2.jpg 572w\" data-sizes=\"(max-width: 300px) 100vw, 300px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 300px; --smush-placeholder-aspect-ratio: 300\/200;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-12475\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/12\/taicutu-n-2-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/12\/taicutu-n-2-300x200.jpg 300w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/12\/taicutu-n-2.jpg 572w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/noscript><\/a><\/p>\n<p><strong>Raftul de c\u0103r\u021bi <\/strong><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/13-2-e1632603112457.jpg\" data-rel=\"lightbox-image-1\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-16026 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/13-2-218x300.jpg\" alt=\"\" width=\"218\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 218px; --smush-placeholder-aspect-ratio: 218\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-16026\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/13-2-218x300.jpg\" alt=\"\" width=\"218\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Virgil Diaconu<\/strong>, <em>Atelierul de fluturi, Editura Tiparg, Pite\u0219ti, 2016<\/em>, 111 p. Parabolele din aceast\u0103 carte (\u00een cea mai mare parte, prozo-poeme aforistice) sunt structurate pe trei capitole: <em>Portret cu cire\u0219ul \u00een bra\u021be, Absurdistan <\/em>\u0219i <em>O clip\u0103 de nemurire<\/em>. Pe ansamblu, tot la vorba lui Alex. \u0218tef\u0103nescu se ajunge: <em>\u00centr-un moment istoric nefavorabil poeziei, Virgil Diaconu a f\u0103cut din poezie o religie \u0219i a ajuns unul din cei mai buni slujitori ai ei (citat din referin\u021bele critice la volumul Secol, 2011).<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/14-2.jpg\" data-rel=\"lightbox-image-2\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-16027 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/14-2-198x300.jpg\" alt=\"\" width=\"198\" height=\"300\" data-srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/14-2-198x300.jpg 198w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/14-2-677x1024.jpg 677w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/14-2-768x1161.jpg 768w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/14-2-1016x1536.jpg 1016w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/14-2.jpg 1043w\" data-sizes=\"(max-width: 198px) 100vw, 198px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 198px; --smush-placeholder-aspect-ratio: 198\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-16027\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/14-2-198x300.jpg\" alt=\"\" width=\"198\" height=\"300\" srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/14-2-198x300.jpg 198w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/14-2-677x1024.jpg 677w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/14-2-768x1161.jpg 768w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/14-2-1016x1536.jpg 1016w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/14-2.jpg 1043w\" sizes=\"(max-width: 198px) 100vw, 198px\" \/><\/noscript><\/a><br \/>\n<strong>Eduard Dorneanu<\/strong>, <em>Departe de Troia, Editura Eikon, Bucure\u0219ti, 2016<\/em>, 126 p. Despre cartea de proz\u0103 scurt\u0103, 3,63, publicat\u0103 \u00een anul 2013, Liviu Antonesei spunea: <em>Da, talentul s\u0103u este chiar de calibrul 7,63,(\u2026) pentru c\u0103 literatura este o arm\u0103 superioar\u0103 tuturor celorlalte, cu pistolul mitralier\u0103 \u00een frunte! Este uimitor cum autorul reu\u0219e\u0219te s\u0103 ridice banalul vie\u021bii, ba chiar \u0219i al \u201evie\u021bii la \u021bar\u0103\u201d, p\u00e2n\u0103 la grani\u021bele \u2013 adesea dincolo de ele \u2013 magicului \u0219i miraculosului. Iar cartea de fa\u021b\u0103 nu poate fi altfel! Lua\u021bi aminte, v\u0103 rog, din motto: Purific\u0103-mi suferin\u021ba cu o nou\u0103 durere\/ Une\u0219te-mi s\u00e2ngele cu albastrul cerului T\u0103u.\/ Leag\u0103-mi singur\u0103tatea de zidurile Ora\u0219ului Sf\u00e2nt\/ Ridic\u0103-mi umbra deasupra oric\u0103rei neputin\u021be.\/ altar viu s\u0103 \u00ee\u021bi Fiu.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/15-2.jpg\" data-rel=\"lightbox-image-3\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-16028 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/15-2-197x300.jpg\" alt=\"\" width=\"197\" height=\"300\" data-srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/15-2-197x300.jpg 197w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/15-2-671x1024.jpg 671w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/15-2-768x1172.jpg 768w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/15-2-1006x1536.jpg 1006w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/15-2.jpg 1026w\" data-sizes=\"(max-width: 197px) 100vw, 197px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 197px; --smush-placeholder-aspect-ratio: 197\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-16028\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/15-2-197x300.jpg\" alt=\"\" width=\"197\" height=\"300\" srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/15-2-197x300.jpg 197w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/15-2-671x1024.jpg 671w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/15-2-768x1172.jpg 768w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/15-2-1006x1536.jpg 1006w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/15-2.jpg 1026w\" sizes=\"(max-width: 197px) 100vw, 197px\" \/><\/noscript><\/a><br \/>\n<strong>Mirela B\u0103lan<\/strong>, <em>Alintpoeme, Casa C\u0103r\u021bii de \u0218tiin\u021b\u0103, Cluj-Napoca, 2016<\/em>, 67 p. Pe coperta a patra a volumului, criticul Petre Isachi, (pozi\u021bionat la mijloc de Viorel Savin \u0219i Alexandru Jurcan) men\u021bioneaz\u0103: <em>Alintpoemele Mirelei B\u0103lan configureaz\u0103 atipic \u00een scriitur\u0103, lirismul preludic\u2026 (presim\u021bire, a\u0219teptare, dulci-amare incertitudini, senzualitate difuz\u0103, ambiguitate deschis\u0103, claustrare prenatal\u0103, carnalitate irizant\u0103, procesualitatea na\u0219terii, discurs al dispersiei etc.), lirismul ludic (d\u0103ruire matern\u0103, patetism specific, uitare de sine, timp suspendat, unitatea contrariilor etc.) \u0219i lirismul postludic (melancolie, medita\u021bie, amintire, spa\u021biu al evanescen\u021bei, \u00eentreb\u0103ri prospective, introactive, concesive, imperative etc.). Identitatea Eului cu sine este asigurat\u0103 de pactul cu trupul (sufletesc) \u0219i de umbra dubitativo-interogativ\u0103 a poeticului\u2026<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/16-2-e1632603204389.jpg\" data-rel=\"lightbox-image-4\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-16029 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/16-2-213x300.jpg\" alt=\"\" width=\"213\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 213px; --smush-placeholder-aspect-ratio: 213\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-16029\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/16-2-213x300.jpg\" alt=\"\" width=\"213\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Grigore Codrescu<\/strong>, <em>Personalit\u0103\u021bile timpului \u0219i contemporanii no\u0219tri, Editura Corgal Press, Bac\u0103u, 2016<\/em>, 260 p. Despre aceast\u0103 carte \u0219i autorul ei, Calistrat Costin spune: <em>\u2026 Elogiere a unor personalit\u0103\u021bi ale timpului,excurs \u00een lumea artelor (poezie, proz\u0103, critic\u0103, plastic\u0103, istorie literar\u0103, muzic\u0103) \u00eentr-un eseu perfect agreabil la lectur\u0103, lucrarea lui Grigore Codrescu este ca un testament al unui credincios \u00eentr-ale scrisului beletrist. Clasici \u0219i contemporani, nume din cam toate genera\u021biile de ieri \u0219i de azi, privilegia\u021bi sunt localnicii, parc\u0103 spre a motiva materia c\u0103r\u021bii:\u201eo \u0219ans\u0103 pentru Bac\u0103u\u201d. (\u2026) \u00centreaga substan\u021b\u0103 a volumului atest\u0103 un amplu orizont spiritual al scriitorului b\u0103c\u0103uan CODRESCU, om care \u0219i-a consumat ani buni punerii \u00een pagin\u0103 \u0219i valoare a patrimoniului cultural din aceast\u0103 parte a Rom\u00e2niei.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/17-2-e1632603224696.jpg\" data-rel=\"lightbox-image-5\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-16030 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/17-2-212x300.jpg\" alt=\"\" width=\"212\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 212px; --smush-placeholder-aspect-ratio: 212\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-16030\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/17-2-212x300.jpg\" alt=\"\" width=\"212\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Mihaela Aionesei<\/strong>, <em>C\u0103ma\u0219a de sare, Editura Vatra veche, T\u00e2rgu Mure\u0219, 2016<\/em>, 117 p. Mihaela Aionesei a \u00eencheiat un Pact cu sine: <em>Nu m\u0103 ag\u0103\u021b de nimeni\/ ast\u0103zi \u00eendr\u0103znesc\/ m\u0103 la purtat\/ de puful p\u0103p\u0103diilor\/ chiar dac\u0103-mi vor zdrobi t\u00e2mpla de mun\u021bi\/ t\u00e2r\u00e2t de un convoi de scaie\u021bi\/ cu riscul de a zg\u00e2ria scoar\u021ba melcului\/ \u00een care \u00eemi ascund sufletul\u2026 Ce a urmat, ne spune Ana Alina Costache (cu ocazia lans\u0103rii c\u0103r\u021bii): Intitulat \u201eC\u0103ma\u0219a de sare\u201d volumul p\u0103streaz\u0103 \u00een paginile sale doruri, singur\u0103t\u0103\u021bi, dureri pentru care deseori au curs lacrimi de neputin\u021b\u0103, de r\u0103bdare, sentimente pe care poeta le purta cu ea ca pe o \u201ec\u0103ma\u0219\u0103\u201d\u2026<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/18-2-e1632603253603.jpg\" data-rel=\"lightbox-image-6\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-16031 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/18-2-241x300.jpg\" alt=\"\" width=\"241\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 241px; --smush-placeholder-aspect-ratio: 241\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-16031\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/18-2-241x300.jpg\" alt=\"\" width=\"241\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Nicolae Pene\u0219<\/strong>, <em>Memorii, Editgraph, Buz\u0103u, 2016<\/em>, 404 p. Prof. univ. dr. Ion Bulei men\u021bioneaz\u0103 pe coperta a patra: <em>S-ar p\u0103rea c\u0103 oricui \u00eei este dat s\u0103 scrie memorii. \u00cen realitate au \u00eencercat mul\u021bi, dar n-au reu\u0219it dec\u00e2t cei care, pe l\u00e2ng\u0103 faptul c\u0103 au tr\u0103it evenimentele la care au fost martori oculari, au tr\u0103it cu toat\u0103 fiin\u021ba lor cele relatate. \u0218i, se \u0219tie, ceea ce e tr\u0103it cu intensitate sensibilizeaz\u0103. Ceea ce ne ofer\u0103 dl. Pene\u0219 este un amestec de suflet \u0219i obiectivitate, totul trecut prin procesul dinamic al memoriei, prin intui\u021bie lucid\u0103, ad\u00e2ncime psihologic\u0103, fantezie original\u0103, sensibilitate pentru expresie \u0219i har.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/19-2-e1632603273288.jpg\" data-rel=\"lightbox-image-7\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-16032 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/19-2-199x300.jpg\" alt=\"\" width=\"199\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 199px; --smush-placeholder-aspect-ratio: 199\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-16032\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/19-2-199x300.jpg\" alt=\"\" width=\"199\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>C. Suditu<\/strong>, <em>Poeme carnivore, Editura Paralela 45, Pite\u0219ti, 2016<\/em>, 70 p. Pentru scurta prezentare a acestei c\u0103r\u021bi, ne folosim de referin\u021bele critice semnate de Felix Nicolau: <em>Cobor\u00e2t din \u0219aua baladescului, C. Suditu adun\u0103 \u00een strad\u0103 tot arhondaricul european \u0219i tribal \u00een vederea unui bal filosoficesc. La tot pasul, cuplaje imposibile: ra\u021biune \u0219i dezm\u0103\u021b, hazard \u0219i bariere. Lorelinele \u0219i Carmelinele asigur\u0103 migra\u021bia dinspre austeritatea sceptic\u0103 c\u0103tre fierbin\u021beli acrobatice. Vitalismul cu perspective \u00e0 la Picasso este \u021binut \u00een fr\u00e2u de o luciditate cinic\u0103. Rezult\u0103 mitologii urbane \u0219i comploturi galactice proferate la modul c\u00e2rcota\u0219 \u0219i cu imagina\u021bie n\u0103ucitoare, carnivor\u0103.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/20-2-e1632603293193.jpg\" data-rel=\"lightbox-image-8\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-16033 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/20-2-240x300.jpg\" alt=\"\" width=\"240\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 240px; --smush-placeholder-aspect-ratio: 240\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-16033\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/20-2-240x300.jpg\" alt=\"\" width=\"240\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Mioara Bahna<\/strong>, <em>Addenda la o aventur\u0103 a lecturii. Poezie rom\u00e2n\u0103 contemporan\u0103, Editura Detectiv literar, Bucure\u0219ti, 2016<\/em>, 277 p. \u00cen<em> Argument<\/em><em> \u2013 Despre poezie\u2026 <\/em>autoarea spune: <em>Contrar tuturor previziunilor scepticilor \u00een leg\u0103tur\u0103 cu soarta literaturii, fenomenul scrisului actual este din ce \u00een ce mai pregnant \u00een via\u021ba rom\u00e2neasc\u0103, aproape la toate nivelurile &#8211; \u0219i, f\u0103c\u00e2nd o asemenea afirma\u021bie, m\u0103 refer la abordarea lui de c\u0103tre in\u0219i de prin toate categoriile sociale -, poezia fiind, de departe, \u00een continuare, ca \u0219i \u00een perioadele anterioare, domeniul cel mai r\u00e2vnit, mai \u2013 aparent \u2013 accesibil, mai d\u0103t\u0103tor de satisfac\u021bii (reale ori imaginare).<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/21-2-e1632603314348.jpg\" data-rel=\"lightbox-image-9\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-16034 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/21-2-192x300.jpg\" alt=\"\" width=\"192\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 192px; --smush-placeholder-aspect-ratio: 192\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-16034\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/21-2-192x300.jpg\" alt=\"\" width=\"192\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Mariana Velisar-Codrescu<\/strong>, <em>Turnul lui Joyce, Editura Corgal Press, Bac\u0103u, 2016<\/em>, 134 p. Prof. Ioan D\u0103nil\u0103, pe coperta a patra a c\u0103r\u021bii, face c\u00e2teva men\u021biuni: <em>\u201eTurnul lui Joyce\u201d este de fapt o suit\u0103 de povestiri autobiografice: dup\u0103 alintul exotic din primul text vin altele opt care, \u00eempreun\u0103, dau seam\u0103 de promisiunea onora(n)t\u0103 a autoarei, de a dezvolta simplele note documentare din \u201ePovestea adev\u0103rat\u0103 a str\u0103bunicilor Safta Iura\u0219cu \u2013 Dimitrie Velisar\u201d. Didactic vorbind, Mariana Velisar-Codrescu a abandonat limbajul obiectiv, \u0219tiin\u021bific chiar, din prima carte, \u00een favoarea celui literar-memorialistic. (\u2026) De fapt aceasta cred c\u0103 este dominanta scrierii Marianei Velisar-Codrescu: admira\u021bia constant\u0103 \u0219i argumentat\u0103 pentru trecutul rom\u00e2nesc, a\u0219ezat ca o provocatoare pild\u0103 pentru contemporani.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/26-2-e1632603458176.jpg\" data-rel=\"lightbox-image-10\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-16039 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/26-2-195x300.jpg\" alt=\"\" width=\"195\" height=\"300\" data-srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/26-2-195x300.jpg 195w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/26-2-666x1024.jpg 666w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/26-2-768x1180.jpg 768w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/26-2-999x1536.jpg 999w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/26-2.jpg 1026w\" data-sizes=\"(max-width: 195px) 100vw, 195px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 195px; --smush-placeholder-aspect-ratio: 195\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-16039\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/26-2-195x300.jpg\" alt=\"\" width=\"195\" height=\"300\" srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/26-2-195x300.jpg 195w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/26-2-666x1024.jpg 666w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/26-2-768x1180.jpg 768w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/26-2-999x1536.jpg 999w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/26-2.jpg 1026w\" sizes=\"(max-width: 195px) 100vw, 195px\" \/><\/noscript><\/a><br \/>\n<strong>\u0218tefan Negri\u0219an<\/strong>, <em>Mor\u021bii no\u0219tri cumsecade, Editura Ex Ponto, Constan\u021ba, 2016<\/em>, 145 p. Pe coperta a patra a c\u0103r\u021bii, Ovidiu Dun\u0103reanu spune: <em>\u2026 Ne\u021bin\u00e2nd cont de sfaturile \u0219i indica\u021biile care i se dau, inginerul Matei tr\u0103ie\u0219te liber, dup\u0103 legile lui, retras \u00een sine, ne\u00een\u021beles de nimeni din jur, visul \u201efic\u021biunilor\u201d pe care le scrie, inadecvate cerin\u021belor ideologice ale Partidului \u0219i Securit\u0103\u021bii. Acest dezacord genereaz\u0103 o suit\u0103 de episoade tensionate prin care eroul este for\u021bat s\u0103 treac\u0103 \u00een partea de final a romanului.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/22-2-e1632603471655.jpg\" data-rel=\"lightbox-image-11\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-16035 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/22-2-209x300.jpg\" alt=\"\" width=\"209\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 209px; --smush-placeholder-aspect-ratio: 209\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-16035\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/22-2-209x300.jpg\" alt=\"\" width=\"209\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Dan Dr\u0103goi<\/strong>, <em>Lumini t\u00e2rzii, Editura Tiparg, Pite\u0219ti, 2016<\/em>, 158 p. Calinic Arhiepiscopul scrie o precuv\u00e2ntare la acest volum, <em>Poet arge\u0219ean \u00een Lumini t\u00e2rzii<\/em>, \u00een care men\u021bioneaz\u0103: <em>\u2026 G\u00e2ndirea lui Dan Dr\u0103goi fierbe ca un cazan cuprins de jarul bucuriei \u00een tumult, el \u0219tiind c\u0103 datoria poetului este de a ridica evenimentele politice la rangul de evenimente istorice \u0219i c\u0103 cele trei aspecte ale poetului adev\u0103rat sunt: umanitatea, natura \u0219i adev\u0103ratul realism. El simte c\u0103, dac\u0103 talentul nu-i nimic, trebuie ca cinstea s\u0103 fie totul\u2026<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/23-2-e1632603496382.jpg\" data-rel=\"lightbox-image-12\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-16036 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/23-2-215x300.jpg\" alt=\"\" width=\"215\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 215px; --smush-placeholder-aspect-ratio: 215\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-16036\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/23-2-215x300.jpg\" alt=\"\" width=\"215\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Alexandru Halupa<\/strong>, <em>Fior decadent, edi\u021bia a II-a, Editura Infoest, Sili\u0219tea, 2015<\/em>, 86 p. Volumul de fa\u021b\u0103 este \u00eenso\u021bit de scurte opinii critice semnate de Adelina Pop, Valeriu Valegvi, Hugo M\u0103r\u0103cineanu, Vasile Ioan Zbarcea, Mia Cu\u021bitaru, Gheorghe Lupa\u0219cu Marchidan, Virgil Andronescu, Lucia P\u0103tra\u0219cu \u0219i Mihai Vintil\u0103. Ultimul numit spune: <em>Alexandru Halupa, nu scrie poezie, el o tr\u0103ie\u0219te, iar poezia respir\u0103 prin to\u021bi porii fiin\u021bei lui. (\u2026) Avem aici, \u00een acest volum, doar o mic\u0103 parte din st\u0103rile de pe planeta pe care el tr\u0103ie\u0219te, planeta poeziei. (\u2026) Alexandru Halupa nu e un decadent, ci fiorul \u00eensu\u0219i.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/24-2-e1632603550851.jpg\" data-rel=\"lightbox-image-13\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-16037 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/24-2-208x300.jpg\" alt=\"\" width=\"208\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 208px; --smush-placeholder-aspect-ratio: 208\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-16037\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/24-2-208x300.jpg\" alt=\"\" width=\"208\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Poe\u021bi macedoneni<\/strong>, <em>Omul acela vine de undeva, Editura Helis, Slobozia, 2016<\/em>l 110 p. Selec\u021bie, prezentare, traducere: Dimo Naun Dimcev (Dina Cuvata), Stilizare: Gheorghe Dobre. Sunt antologa\u021bi: Vesna A\u021bevsca, Todor Cealovski, Cati\u021ba Chulavcova, Slavcio Coviloski, Igor Craicev, Dimo Naun Dimcev (Dina Cuvata), Mili\u021ba Dimitrijovsca-Radevsca, Slave Ghorgho Dimoski, Bogomil Ghuzel, Risto Iacev, Tode Ilievski, Milo\u0219 Lindro, Mi\u0219o Kitanovski, Pande Manoilov, Lence Milo\u0219evsca, Vesna Mundi\u0219evsca-Veljanovsca, Kire Nedelcovski, Zoran Peicovski, Iscra Peneva, Hristo Petrescki, Petco Shipincarovski, Rade Silian, Vele Smilevski, Milovan Stefanovki, Sande Stoicevski, Iovan Strezovski, Violeta Tanceva Zlateva, Bratislav Ta\u0219covski, Cocio Topuzovski, Vasil To\u021binovski, Branco \u021avetcoski, Radovan P. \u021avetcovski, Vlada Uro\u0219evici, Risto Vasilevski.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/25-2-e1632603569960.jpg\" data-rel=\"lightbox-image-14\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-16038 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/25-2-200x300.jpg\" alt=\"\" width=\"200\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 200px; --smush-placeholder-aspect-ratio: 200\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-16038\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/25-2-200x300.jpg\" alt=\"\" width=\"200\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Ionel Aurelian Cotoban<\/strong>, <em>CHIRNOGI, file de istorie. Parohia Ortodox\u0103 Chirnogi \u2013 Biserica Sf\u00e2ntul Ierarh Nicolae \u0219i Biserica Dreptul Laz\u0103r \u2013 de la origini p\u00e2n\u0103 ast\u0103zi, Lumea credin\u021bei, Bucure\u0219ti, 2014<\/em>, 144 p. \u00centr-un rezumat se precizeaz\u0103: <em>Aceast\u0103 monografie-album dore\u0219te s\u0103 trezeasc\u0103 interesul pentru o parte din istoria local\u0103 a comunei Chirnogi, vorbind pu\u021bin despre istoria de milenii a localit\u0103\u021bii, fiind g\u0103site urme arheologice \u00eenc\u0103 de acum 5 000 de ani, exist\u00e2nd p\u00e2n\u0103 \u00een zilele noastre o locuire ne\u00eentrerupt\u0103.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nicolai T\u0102ICU\u021aU Raftul de c\u0103r\u021bi Virgil Diaconu, Atelierul de fluturi, Editura Tiparg, Pite\u0219ti, 2016, 111 p. Parabolele din aceast\u0103 carte<\/p>\n","protected":false},"author":18,"featured_media":10070,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"ngg_post_thumbnail":0,"video_url":"","footnotes":""},"categories":[7,328],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/16025"}],"collection":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=16025"}],"version-history":[{"count":3,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/16025\/revisions"}],"predecessor-version":[{"id":16042,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/16025\/revisions\/16042"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/media\/10070"}],"wp:attachment":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=16025"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=16025"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=16025"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}