{"id":15810,"date":"2021-09-11T22:42:45","date_gmt":"2021-09-11T19:42:45","guid":{"rendered":"https:\/\/ziarulderimnic.ro\/?p=15810"},"modified":"2021-09-11T22:42:45","modified_gmt":"2021-09-11T19:42:45","slug":"spatii-culturale-nr-51-13","status":"publish","type":"post","link":"https:\/\/ziarulderimnic.ro\/?p=15810","title":{"rendered":"Spa\u021bii culturale nr. 51 (13)"},"content":{"rendered":"<p><strong>Nicolai T\u0102ICU\u021aU<\/strong><br \/>\n<a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/12\/taicutu-n-2.jpg\" data-rel=\"lightbox-image-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-12475 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/12\/taicutu-n-2-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" data-srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/12\/taicutu-n-2-300x200.jpg 300w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/12\/taicutu-n-2.jpg 572w\" data-sizes=\"(max-width: 300px) 100vw, 300px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 300px; --smush-placeholder-aspect-ratio: 300\/200;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-12475\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/12\/taicutu-n-2-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/12\/taicutu-n-2-300x200.jpg 300w, https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2020\/12\/taicutu-n-2.jpg 572w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/noscript><\/a><\/p>\n<p><strong>Raftul de c\u0103r\u021bi<\/strong><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/19-e1631389067184.jpg\" data-rel=\"lightbox-image-1\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15811 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/19-217x300.jpg\" alt=\"\" width=\"217\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 217px; --smush-placeholder-aspect-ratio: 217\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15811\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/19-217x300.jpg\" alt=\"\" width=\"217\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Cristina \u0218tefan \u2013 Adrian Grauenfels<\/strong>, <em>Zen Absolut \u2013 Poezii din Mileniul al III-a, Coperta \u0219i concep\u021bia grafic\u0103: Sash Segal, Editura Art Book, Bac\u0103u, 2016<\/em>, 123 p. \u00centr-un argument intitulat <em>Compozi\u021bia emo\u021biilor estetice \u2013 colajul<\/em>, Camelia Iuliana Radu spune: <em>\u2026 Formula de colaborare, de comunicare a celor doi poe\u021bi \u00eentr-un colaj de imagine \u0219i poezie contemporan\u0103 la care au apelat recidiv\u00e2nd, este aceea a internetului, desf\u0103\u0219urarea actului creator fiind astfel spontan\u0103, un brainstorming artistic. Zen Absolut devine astfel o extensie, o parantez\u0103 liric\u0103 a lumii care nu mai exist\u0103 dec\u00e2t ca art\u0103, ca literatur\u0103.<\/em><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/20-e1631389088820.jpg\" data-rel=\"lightbox-image-2\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15812 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/20-221x300.jpg\" alt=\"\" width=\"221\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 221px; --smush-placeholder-aspect-ratio: 221\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15812\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/20-221x300.jpg\" alt=\"\" width=\"221\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Lucian M\u0103n\u0103ilescu<\/strong>, <em>Ferestre literare. Interviuri \u0219i eseuri, eLiteratura, Bucure\u0219ti, 2016<\/em>, 334 p. \u00centr-un <em>Cuv\u00e2nt de \u00eenso\u021bire<\/em>, criticul Adrian Dinu Rachieru spune: <em>\u2026 c\u0103 volumul Ferestre literare r\u0103spl\u0103te\u0219te str\u0103daniile unui poet de ras\u0103, discret, dedicat altora, nepre\u021buit pe c\u00e2t ar merita; nici a\u0219tept\u00e2nd, \u00eentr-un \u201ede\u0219ert de oameni\u201d, reveren\u021bele colegilor, mi\u0219un\u00e2nd \u00een viesparul scriitoricesc. \u0218i, totu\u0219i, dac\u0103 citim\/ recitim Statuie de sine, putem subscrie spuselor Poetului: \u201eTotu\u0219i \u2013 zicea Poetul &#8211; o s\u0103-mi ridic o statuie aici,\/ \u00een de\u0219ertul de oameni:\/ v\u0103 rog, lua\u021bi fiecare o piatr\u0103 \u00een m\u00e2n\u0103\/ \u0219i milui\u021bi-m\u0103!\u201d<\/em><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/21-e1631389107876.jpg\" data-rel=\"lightbox-image-3\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15813 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/21-246x300.jpg\" alt=\"\" width=\"246\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 246px; --smush-placeholder-aspect-ratio: 246\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15813\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/21-246x300.jpg\" alt=\"\" width=\"246\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Victor Munteanu<\/strong>, <em>prizonierul t\u0103cerii, Editura Junimea, Ia\u0219i 2016<\/em>, 118 p. Noul volum al lui Victor Munteanu este \u00eenso\u021bit de referin\u021bele unor importan\u021bi critici literari: Cornel Ungureanu, Adrian Dinu Rachieru, Ioan Es. Pop, Ioan Holban, Theodor Codreanu \u0219i Aurel Pantea. Acesta din urm\u0103 spune: <em>\u2026 Nu sunt convins cu totul c\u0103 poezia va salva lumea, dar, la sf\u00e2r\u0219itul lecturii acestei c\u0103r\u021bi, am c\u00e2\u0219tigat un argument \u00een plus pentru ideea c\u0103, dac\u0103 nu se \u0219tie sigur c\u0103 poezia va salva lumea, exist\u0103 poe\u021bi ce fac din via\u021ba lor un proces de m\u0103rturii \u0219i m\u0103rturisiri pentru ca aceast\u0103 idee s\u0103 r\u0103zbat\u0103 \u00een con\u0219tiin\u021ba tuturor oamenilor. Victor Munteanu e un astfel de poet\u2026<\/em><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/22-e1631389126456.jpg\" data-rel=\"lightbox-image-4\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15814 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/22-184x300.jpg\" alt=\"\" width=\"184\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 184px; --smush-placeholder-aspect-ratio: 184\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15814\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/22-184x300.jpg\" alt=\"\" width=\"184\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Florentin Popescu<\/strong>, <em>Furca \u0219i alte Povestiri, Rawex Coms, Bucure\u0219ti, 2016<\/em>, 203 p. <em>Florentin Popescu este un dar pentru literatura rom\u00e2n\u0103, pe de o parte \u0219i pentru to\u021bi cei care-l cunosc, pe de alt\u0103 parte\u2026 <\/em>spune Theodor Damian pe coperta a patra a c\u0103r\u021bii. Iar Lina Codreanu, \u00eentr-un final de cronic\u0103 recent\u0103 (revista Litere,10\/ 2016) men\u021bioneaz\u0103: <em>Despre crea\u021bia liric\u0103 a lui Florentin Popescu au fost exprimate zeci de opinii critice avizate, semnate de Romul Munteanu, Ion Rotaru, Dumitru Micu, Tudor Cristea\u2026 Pozitive. Despre aceste proze scurte din volumul Furca \u0219i alte povestiri p\u0103rerile n-ar putea fi altfel.<\/em><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/23-e1631389143165.jpg\" data-rel=\"lightbox-image-5\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15815 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/23-215x300.jpg\" alt=\"\" width=\"215\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 215px; --smush-placeholder-aspect-ratio: 215\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15815\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/23-215x300.jpg\" alt=\"\" width=\"215\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Victoria Milescu<\/strong>, <em>Deriva sentimentelor, Editura Betta, Bucure\u0219ti, 2016<\/em>, 156 p. Nicolae Georgescu \u00eencepe astfel prefa\u021ba, P<em>oezia ca p\u0103trundere \u00een cauze<\/em>, la aceast\u0103 carte: <em>Poezia este, pentru Victoria Milescu, o stare (de gra\u021bie, de imponderabilitate \u2013 ce cuv\u00e2nt lung!) \u00een segmentul dintre limitele vie\u021bii-ca-z\u0103bav\u0103-\u00eentre-margini-mi\u0219c\u0103toare, \u00eent\u00e2mplate, dar nu necesare; sau mai degrab\u0103 un baleiaj prin mijlocul, prin talvegul curgerii, pe acolo, a\u0219adar, de unde se disting distan\u021be. Niciodat\u0103 speriat\u0103 de moarte, nici ispitit\u0103 de tr\u0103iri imense, de clipa unic\u0103 s\u0103 zicem, poeta \u00ee\u0219i caut\u0103 aceast\u0103 stare \u00een echilibrul distan\u021bier, mai bine zis a c\u00e2\u0219tigat-o \u0219i s-a fixat \u00een ea, \u0219i contempl\u0103 cu melancolie lumea\u2026<\/em><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/24-e1631389159415.jpg\" data-rel=\"lightbox-image-6\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15816 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/24-208x300.jpg\" alt=\"\" width=\"208\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 208px; --smush-placeholder-aspect-ratio: 208\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15816\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/24-208x300.jpg\" alt=\"\" width=\"208\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Gheorghe Dobre<\/strong>, <em>\u0218i au tr\u0103it ani mul\u021bi, ferici\u021bi \u2013 microroman -, Editura Helis, Slobozia, 2014<\/em>, 55 p. Dan Simionescu afirm\u0103, pe coperta a patra a c\u0103r\u021bii: <em>\u2026 Romanul, miniromanul d-lui Dobre dac\u0103 vre\u021bi, are un singur erou principal, CONDI\u021aIA UMAN\u0102 \u0219i dac\u0103 mai apar episodic \u0219i alte personaje o fac pentru a ilustra, pentru a reliefa CONDI\u021aIA UMAN\u0102. Fiindc\u0103 coloana vertebral\u0103 a nara\u021biunii este tocmai sinele autorului, poate fi \u00een acela\u0219i timp un lung eseu filozofic, un poem sau un studiu subiectiv al patologiei umane. Tocmai \u00een asta const\u0103 originalitatea: s\u0103 spui \u00een cinci pagini de revist\u0103, cinci minicapitole, c\u00e2t al\u021bii \u00een cinci sute de pagini\u2026<\/em><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/25-e1631389171611.jpg\" data-rel=\"lightbox-image-7\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15817 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/25-216x300.jpg\" alt=\"\" width=\"216\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 216px; --smush-placeholder-aspect-ratio: 216\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15817\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/25-216x300.jpg\" alt=\"\" width=\"216\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Mioara Bahna<\/strong>, <em>Dintre sute de femei\u2026 &#8211; prezen\u021be feminine \u00een scrisul rom\u00e2nesc actual, Editura Tipo Moldova, Ia\u0219i, 2016<\/em>, 232 p. Cit\u0103m \u00eenceputul unor <em>Constat\u0103ri\u2026<\/em> (ale autoarei, ele constituind argument pentru aceast\u0103 carte): <em>\u00cen perimetrul scrisului rom\u00e2nesc actual, cu siguran\u021b\u0103, mai mult dec\u00e2t \u00een epocile str\u0103b\u0103tute de acest domeniu p\u00e2n\u0103 acum, femeile reprezint\u0103 o realitate deloc neglijabil\u0103, \u0219i sub aspect numeric, dar \u0219i prin aportul axiologic la configurarea peisajului literar. Prezen\u021ba lor este la fel de eterogen\u0103 ca \u0219i \u00eentregul c\u0103ruia \u00eei sunt parte inalienabil\u0103, chiar materialul pe care l-am adunat \u00een aceast\u0103 carte, put\u00e2nd s\u0103 fie o dovad\u0103 a configura\u021biei eteroclite de care am pomenit.<\/em><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/26-e1631389191558.jpg\" data-rel=\"lightbox-image-8\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15818 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/26-217x300.jpg\" alt=\"\" width=\"217\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 217px; --smush-placeholder-aspect-ratio: 217\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15818\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/26-217x300.jpg\" alt=\"\" width=\"217\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Nicolae G\u00e2lmeanu<\/strong>, <em>Contorsiuni \u02c3Ie\u0219irea\u02c2, Editgraph, Buz\u0103u, 2016<\/em>, 81 p. <em>Am fost doar o liter\u0103 domestic\u0103, s\u0103 scriu o poezie\/ s\u0103lbatic\u0103, crez\u00e2nd c\u0103 voi \u00eenfrumuse\u021ba lumea\/ cu un c\u0103lc\u00e2i vulnerabil, de aceea<\/em>\u2026 Am citat un poem f\u0103r\u0103 titlu din acest nou volum al lui Nicolae G\u00e2lmeanu. Postmodernist prin evolu\u021bie, acesta \u00eembin\u0103 ging\u0103\u0219ia cu duritatea \u0219i, dac\u0103 n-ar exista sensul metaforic, luat en gros, ne-am lovi cu capul de mul\u021bi bolovani \u00een c\u0103utarea izvorului feeric. O destr\u0103mare a firii, a crea\u021biei, din prea-plinul existen\u021bial, este amplu detaliat\u0103 \u00een zeci de poeme, nu \u00eentr-o ordine riguroas\u0103, ci voit \u00een dezordine, \u00een haos, de unde se a\u0219teapt\u0103 recrea\u021bia. Iat\u0103 \u0219i un poem, f\u0103r\u0103 titlu, \u00eentr-un vers: Cimitire, nu trage\u021bi, nu trage\u021bi, noi suntem morminte.<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/27-e1631389205364.jpg\" data-rel=\"lightbox-image-9\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15819 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/27-214x300.jpg\" alt=\"\" width=\"214\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 214px; --smush-placeholder-aspect-ratio: 214\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15819\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/27-214x300.jpg\" alt=\"\" width=\"214\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Virgil Panait<\/strong>, <em>alchimiile mor\u021bii, Editura Atec, Foc\u0219ani, 2016<\/em>, 68 p. C\u00e2ndva, privitor la poezia lui Virgil Panait, Romul Munteanu spunea: <em>C\u00e2nd se va scrie o istorie a liricii noastre contemporane, poezia cuvintelor ca obiect al crea\u021biei va c\u0103p\u0103ta cu adev\u0103rat dimensiunea sa real\u0103. Virgil Panait constituie un exemplu elocvent \u00een acest sens. Poezia sa este ap\u0103s\u0103toare \u0219i sumbr\u0103. Prin poezia tr\u0103irii, scriitura n\u0103zuie\u0219te s\u0103 ajung\u0103 la marile abisuri ale fiin\u021bei umane. \u0218i acest volum sus\u021bine cele men\u021bionate mai sus. \u0218i alte scurte referin\u021be critice \u00eenso\u021besc cartea. Acestea apar\u021bin lui Gheorghe Grigurcu, Irina Petra\u0219, Nicolae Manolescu \u0219i Eugen Simion.<\/em><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/28-e1631389222277.jpg\" data-rel=\"lightbox-image-10\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15820 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/28-211x300.jpg\" alt=\"\" width=\"211\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 211px; --smush-placeholder-aspect-ratio: 211\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15820\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/28-211x300.jpg\" alt=\"\" width=\"211\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Tudor Cicu<\/strong>, <em>Cor\u0103biile Greuceanului, Editura Rafet, R\u00e2mnicu S\u0103rat, 2016<\/em>, 81 p. <em>Domnule, Doamn\u0103, oameni buni, iat\u0103, \u00eemi place s\u0103 cred &#8211; \u021bie m\u0103 adresez, cititorule \u2013 cu aceast\u0103 carte de poezie tocmai ai trecut \u00een t\u0103r\u00e2mul care l-a \u201e\u00eenghi\u021bit\u201d pe poet \u0219i care te va purta \u0219i pe tine \u00een torentul care l-a condus prin labirinturi de lumi dezl\u0103n\u021buite, \u00een care a ars continuu: ca o v\u0103paie! E un t\u0103r\u00e2m magic, unde alt poet (c\u00e2ndva) intra cu un \u0219oim pe um\u0103r \u00een cetate, un altul curgea \u00eentreg \u00een acel c\u00e2ntec scris pentru frumoasa lui Annabel Lee &#8211; \u0219i unde azi \u2013 nu-l mai vede nimeni pe poet.<\/em> Astfel \u00ee\u0219i \u00eencepe autorul\/ poetul un cuv\u00e2nt \u00eenainte, la acest volum.<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/29-e1631389239367.jpg\" data-rel=\"lightbox-image-11\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15821 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/29-204x300.jpg\" alt=\"\" width=\"204\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 204px; --smush-placeholder-aspect-ratio: 204\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15821\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/29-204x300.jpg\" alt=\"\" width=\"204\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Angi Melania Cristea<\/strong>, <em>Pietrele soarelui, Editura Aius PrintEd, Craiova, 2016<\/em>, 82 p. Florin Grigoriu \u00eencepe prefa\u021ba-eseu la aceast\u0103 carte (<em>Pietrele Soarelui \u2013 Ani de nisip \u2013 Secundele ierbii \u2013 un alfabet al descifr\u0103rilor<\/em>) astfel: <em>O lume r\u0103zvr\u0103tit\u0103, anarhic\u0103, vulcanic\u0103 tr\u0103ie\u0219te \u00een poezia autoarei Angi Melania Cristea, un peisaj greu de cucerit, necesit\u00e2nd voin\u021b\u0103 exploratorului \u0219i are aten\u021bie la pericolele alunec\u0103rilor, capcanelor, avalan\u0219elor, c\u0103r\u0103ri \u00eenguste pe margini de pr\u0103p\u0103stii, aer lovit de metafore dense, pietre solare pe \u00eentinsul de\u0219ertic\u2026 Pe coperta a patra a volumului, criticul Alex. \u0218tef\u0103nescu spune: C\u00e2nd deschizi cartea semnat\u0103 de Angi Cristea, parc\u0103 deschizi o fereastr\u0103 prin care intr\u0103 aer curat. Versurile ei se remarc\u0103 imediat prin candoare \u0219i inventivitate\u2026 Oare este vorba despre acela\u0219i volum de versuri?!<\/em><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/30-e1631389252387.jpg\" data-rel=\"lightbox-image-12\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15822 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/30-215x300.jpg\" alt=\"\" width=\"215\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 215px; --smush-placeholder-aspect-ratio: 215\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15822\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/30-215x300.jpg\" alt=\"\" width=\"215\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Adriana Butoi<\/strong>, <em>Prescurtarea literei mari, Editura Art Book, Bac\u0103u, 2015<\/em>, 161 p. Cristina \u0218tefan, cea care scrie prefa\u021ba la acest volum, men\u021bioneaz\u0103: <em>\u00cen cartea Adrianei Butoi, ori de c\u00e2te ori recitesc o poezie, g\u0103sesc noi interpret\u0103ri \u0219i definiri, este inepuizabil\u0103 \u00een a direc\u021biona cititorul, \u00een a-i da de g\u00e2ndit, este o liric\u0103 de context \u0219i abreviere a g\u00e2ndirii sub aura unui estetism actual. De aceea, aceast\u0103 carte este \u00eenc\u0103 o lumin\u0103 \u00een lirica prezentului. Cit\u0103m de pe coperta a patra: azi\/ mai devreme ca niciodat\u0103\/ am aliniat toate visele cu noi\/ a\u0219a\/ \u00eentr-o \u00een\u021belegere tacit\u0103 cu timpul\/ nu se \u0219tie\/ poate va fi posibil s\u0103 oferim \u00een avans\/ certitudinea dimine\u021bilor (\u0218i mai departe\u2026)<\/em><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/31-e1631389268120.jpg\" data-rel=\"lightbox-image-13\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15823 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/31-215x300.jpg\" alt=\"\" width=\"215\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 215px; --smush-placeholder-aspect-ratio: 215\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15823\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/31-215x300.jpg\" alt=\"\" width=\"215\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Teo Cabel<\/strong>, <em>Trepte, Editgraph, Buz\u0103u, 2016<\/em>, 124 p. Prin aceast\u0103 nou\u0103 carte, Teo Cabel a luat pulsul cultural al jude\u021bului Buz\u0103u, \u00een perioada 2011-2015, pe plan literar, la evenimentele la care a fost invitat. \u00cen prefa\u021ba c\u0103r\u021bii, <em>Un martor important<\/em>, Manuela Camelia Sava spune: <em>\u2026 Valuri-valuri, oamenii care scriu se coaguleaz\u0103 \u00een oceanul publicistic cabelian pentru a se recunoa\u0219te o clip\u0103, pentru o str\u00e2ngere de m\u00e2n\u0103, pentru un sur\u00e2s, de aceea trebuie subliniat, a\u0219a cum Teo Cabel \u00eensu\u0219i m\u0103rturisea: \u201eM\u0103nu\u0219a de catifea a fost aruncat\u0103 ca o \u00eencurajare\u201d\u2026<\/em> Dou\u0103 eseuri semnate de Tudor Cicu (<em>Cronicar peste vremi<\/em>) \u0219i Costel Suditu (<em>Ca \u00eentr-o pies\u0103 de teatru<\/em>) constituie postfa\u021ba acestei c\u0103r\u021bi.<\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/32-e1631389284684.jpg\" data-rel=\"lightbox-image-14\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15824 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/32-179x300.jpg\" alt=\"\" width=\"179\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 179px; --smush-placeholder-aspect-ratio: 179\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15824\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/32-179x300.jpg\" alt=\"\" width=\"179\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Adrian Lungu<\/strong>,<em> Eroarea, Rovimed Publishers, Bac\u0103u, 2014<\/em>, 276 p. Pe coperta a patra a c\u0103r\u021bii, Calistrat Costin face c\u00e2teva men\u021biuni: <em>Carte bogat\u0103 \u00een idei, g\u00e2nduri, \u00eenv\u0103\u021b\u0103minte,\u2026 de-ar fi s\u0103 contrasemn\u0103m doar apoteoza final\u0103 a ERORII: \u201e\u2026Oric\u00e2t ne-am \u00eempotrivi, suntem absorbi\u021bi \u00een acest rug al vie\u021bii. Eu a\u0219 zice c\u0103 merit\u0103!\u201d Da, aceast\u0103 profund\u0103 cugetare nu este o\u2026 \u201eeroare\u201d! Adrian Lungu, nu demult intrat semnificativ \u00een lumea literelor are stof\u0103 de autentic, chiar mare prozator. \u0218i din paginile sale am \u00een\u021beles ce \u00eenseamn\u0103 \u201esatisfac\u021bia de a tr\u0103i\u201d\u2026<\/em><\/p>\n<p><a href=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/33-e1631389296920.jpg\" data-rel=\"lightbox-image-15\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15825 lazyload\" data-src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/33-213x300.jpg\" alt=\"\" width=\"213\" height=\"300\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 213px; --smush-placeholder-aspect-ratio: 213\/300;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15825\" src=\"https:\/\/ziarulderimnic.ro\/wp-content\/uploads\/2021\/09\/33-213x300.jpg\" alt=\"\" width=\"213\" height=\"300\" \/><\/noscript><\/a><br \/>\n<strong>Zeno Halupa<\/strong>, <em>Veninos * Serafimizare, Editura PIM, Ia\u0219i, 2016<\/em>, 72p. Volumul este constituit prin al\u0103turarea a dou\u0103 p\u0103r\u021bi distincte, Veninos \u0219i Serafimizare, fiecare dintre ele av\u00e2nd c\u00e2te o prefa\u021b\u0103 scris\u0103 de Valentin Popa, din care red\u0103m finalurile: Z<em>eno Halupa posed\u0103 arta exprim\u0103rii succinte a ideilor, specific\u0103 genului aforistic, \u0219i propune \u00een aceast\u0103 plachet\u0103 texte bine elaborate, provocatoare pentru ra\u021biune \u0219i r\u0103v\u0103\u0219itoare pentru sensibilitate. \u0218i: Jocul vie\u021bii \u0219i al mor\u021bii se dovede\u0219te \u0219i aici, \u00een Serafimizare, obsesia care-l inspir\u0103 \u00eenc\u0103 pe t\u00e2n\u0103rul Zeno Halupa. Alte dou\u0103 referin\u021be critice sunt semnate de Toni Mar\u021bian \u0219i Virgil Andronescu.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nicolai T\u0102ICU\u021aU Raftul de c\u0103r\u021bi Cristina \u0218tefan \u2013 Adrian Grauenfels, Zen Absolut \u2013 Poezii din Mileniul al III-a, Coperta \u0219i<\/p>\n","protected":false},"author":18,"featured_media":10070,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"ngg_post_thumbnail":0,"video_url":"","footnotes":""},"categories":[7,328],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/15810"}],"collection":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=15810"}],"version-history":[{"count":1,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/15810\/revisions"}],"predecessor-version":[{"id":15826,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/posts\/15810\/revisions\/15826"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=\/wp\/v2\/media\/10070"}],"wp:attachment":[{"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=15810"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=15810"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ziarulderimnic.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=15810"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}